Showing posts with label watch free comedy movies online. Show all posts
Showing posts with label watch free comedy movies online. Show all posts

Piranha 3DD (3D Blu-ray + Blu-ray + DVD + Digital Copy) (2012)

Piranha 3DDThe recent remake of Piranha was nearly pitch-perfect. Gleefully hapless characters (portrayed with excellent B-movie abandon by the likes of Elisabeth Shue, Christopher Lloyd, and even Richard Dreyfus) trotted through the cliche-riddled story and provided both laughs and inventive, over-the-top gore. It wasn't out to win any awards, but what it WAS out to do -amuse and disturb -it did quite well. So, of course, they had to make a sequel.

Unfortunately, they neglected to include half of the original formula. Truly excessive T&A? Check. Obvious character archetypes doing/saying obvious things? Check. Humor, either hokey, offensive, or smart? Check. Scares and grind-em-up deaths?

Not so much.

The problem here lies right in the set-up: an unapologetically awful man (played by David Koechner) opens a water park (with an adults only section) and contrives to fill it for free from a nearby lake. Three guesses how that plays out.

Yes. The piranhas infest the water park, and therein lies the problem. I don't know if you've ever been to a water park, but every one I've ever visited appeared to have been planned and designed by a blind man with permanent vertigo. This is usually in keeping with the looping, curving, twisting paths of the various water slides and lazy rivers, and it means it's not that hard to get turned around if the park is big. The point being: filming in one must be hell.

There is never any real sense of place to the film, and the park is never given a wide enough shot to really show the scale of the disaster. At the same time, the very fact that people are inches away from simply hopping out of the water reduces both the scale, spectacle, and believability of any of the chaos. There's a ten or fifteen minute scene of people thrashing about in water that is two feet wide and three feet deep. Gone is even any attempt at terror or (failing that) anything close to the stomach-churning destruction found in the first film.

The movie tries to make up for this in other ways. There are a couple of piranha attacks outside of the park, one of which is so over-the-top ludicrous that it is almost annoying. I won't give away any details, but I will say that it's one step away from characters shooting live piranhas out of shotguns like some kind of Itchy and Scratchy cartoon. But that's probably the point. While the first film was an aggressive and ham-fisted satire of Swarm Horror, this movie seeks only to be a cartoon of it. It's not really the same thing, and so this film -if you'll pardon the pun -very much lacks the bite that made the first one such a success.

As a live action cartoon, though, it's not bad. David Hasselhoff does a great job of making fun of himself AND the film. ("Stupid ginger boy," he complains when he hears the screams of a kid who's getting eaten. "Why did you get back in the water?") He's one of the better parts of the film, although he is also overused. Ving Rhames, Paul Scheer, and Christopher Lloyd, on the other hand, are woefully underused. They brighten up their brief blips in the film, but all of them feel like they were added to the script at the last minute. There are some puns and gags that work, and some that don't.

It feels half done, is the point, and this is even evident in the run time. IMDB will tell you it's 83 minutes long, but that's counting the very slow credits crawl at the end. Perhaps knowing the deficit in their film, the makers put outtakes, deleted scenes, and a gag reel over half of these end credits. It's kind of like a nice, advanced special features addition, and I enjoyed it for what it was, but I also saw it for what it was meant to be: a quick, easy distraction from the fact that the film was more entertaining behind the scenes than in front of it.

Fun for what it is, but not as fun as it wants to be or should live up to. You might enjoy yourself if you have low expectations, or you might just have more fun watching Skinemax and putting some fish in a blender.

This movie cracked me up! If you've seen and enjoyed the first one, then you know exactly what you're getting with 3DD! It's a throw back to all the old exploitation films. Is it going to win an Oscar? Nope! Is there plenty of attractive, naked women, laughs and lots of blood? You bet! And isn't that why you're watching this movie in the first place?

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You will have to know before you watch this movie that this movie is far from being serious. I actually watched this movie because the first one made me laugh more then cringe. I was amused but overall not as good as the first. If you are into just naked women with big you know whats you will get entertained. Thats why I was, but to expect an actual cool storyline then you will be let down.

Read Best Reviews of Piranha 3DD (3D Blu-ray + Blu-ray + DVD + Digital Copy) (2012) Here

Try as I might, I couldn't find a 3DD showing of this film, but did find it locally in just plain old 3D (which by the way, stinks). The movie is a sequel to the fun Piranha 3D from 2010 which I thoroughly enjoyed. It wasn't Oscar worthy but it was acted well, had some scary moments, plenty of over-the-toplessness and was pretty funny. Not to be confused with filet mignon, it was still a darn good cheeseburger.

3DD opens with grad student Maddy (Danielle Panabaker, "The Crazies") arguing with her now widowed step-father (David Koechner, who seemingly tries to play his role dramatically) about the future of their inherited water park. Mandy, a 49% owner wants it to continue to be family friendly. Chet (Koechner) has the great idea to make it an adult strip club located within the water park. Chet wins the battle.

The film is set in the progressive state of Arizona so we are easily convinced that it was no problem getting approval for families with young kids to come in the same gates as horny voyeurs. Not to worry however as there is a fence that apparently separates the family friendly environment from full frontal nudity and pole dancing. The 48" rule applies. That's how tall you must be to see over the fence and the pre-adolescent boys take advantage. Those boys also have an advantage over the audience however as director John Gulager only lingers a couple nano-seconds when it comes to bare skin before moving on to the next shot. Hey, the movie's only 82 minutes. Gotta hurry.

But, this is a movie about deadly fish right? This particular water park would seem to be isolated from the now abandon lake nearby where all the piranha did their dirty work. Thanks to good old Chet who had sunk a deep water well near the park (where's that regulation Arizona?), the still viable fish eggs have their chance to hatch...and of course they do (thanks to Gary Busey). The well gives the quick growing meat eaters direct entry to the fresh water pools.

Piranha 3DD also teaches us a lesson about anatomy. I didn't know that a small fish could enter a woman's naughty parts (in this case, nubile virgin Katrina Bowden), then grow a bit with nothing more than the woman having a stomach ache. But wait. Shelby the virgin (Bowden) decides that it must be time for her to abandon her "V" status with her boyfriend. He of course is game but gets a climax he wasn't expecting! I know this all sounds fun but it actually is very boring and uneven. 3DD is missing all those things its predecessor had going for it.

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I dont think people understand that movies such as this are made to be bad and cheezy which is what makes it so good. I MEAN THEY BROUGHT THE HOFF INTO IT FOR CRYING OUT LOUD! AT A WATERPARK! TO BE A LIFE GAURD! I know a lot of people are being so critical because they want to be a critic or whatever. But just know what the people who created the movie were shooting for as an overall product before criticizing. It is a great movie for what they were looking to accomplish. With all that being said, if your looking for a movie that is serious with great acting and an awesome plot and likely to win an academy award, this movie is not for you. If you are someone looking for a good laugh, like movies intentionally made to be cheezy, its a goldmine. All the "Critics" are just too opinionated.

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Sucker Punch (2012)

Sucker PunchThe extended cut of Sucker Punch adds approximately 17 minutes and 45 seconds of additional footage, and is R-rated. The extended cut is much darker than the theatrical cut; while not necessarily being more visually explicit, previously implied suggestions are now explicitly overt. The violence and action scenes have also been extended as well, with two re-inserted battle sequences, one with the orcs at the castle (arterial spurts of green orc blood), and the other with the German World War I zombies.

I don't think I quite understand Snyder's multi-layered metaphorical comparisons between the brothel, asylum, and Baby Doll's fantasy worlds, but I will say that the movie (especially the action sequences) are visually stunning, and the colors beautifully contrasted. Credit especially to the actresses for their proficient firearms handling (but where exactly did they store all those extra magazines I wonder?). However, it would be superficial to suggest that Sucker Punch is only about girls in anime costumes fighting monsters in fantasy worlds, though that is certainly an interpretation shared by many critics who panned the movie.

Here are the main differences between the Extended Cut and Theatrical Cut; NOTE, SPOILERS FOLLOW, so continue reading at your own risk.

(1) Baby Doll shoots at the stepfather a second time (as compared to a single time in the theatrical cut), resulting in some CG blood and an arm bullet wound, which the stepfather grabs at.

(2) When Sweet Pea first meets Baby Doll (with Blue and the priest), Sweet Pea says, "the priest brought you here from the orphanage to lose your virginity, right?". Then Blue says, "The High Roller is coming in 5 days to do a little flower picking.." There is no such comment about deflowering in the theatrical cut.

(3) Rocket takes Baby Doll on an extended tour of the nightclub, showing her a backstage area where clients are not allowed. She shows Baby Doll the cleaning closet where new girls are assigned cleaning duties. They pass by the kitchen where the chef makes a lewd face at the girls, who ignore him, and walk onwards.

(4) Full dance number of "Love is a Drug" as performed by Blue & Vera. It's quite extravagant.

(5) The cook attacks Rocket more violently and physically in the extended cut.

(6) The backstage scene where Baby Doll explains her plans is extended. Vera writes the order of the dancers, with Sweet Pea performing first. Rocket and Sweet Pea then sit down, and Sweet Pea tells Rocket that she won't help Baby Doll.

(7) In the World War I scene, the Wiseman briefs the girls for a little longer. The map they are to capture is a map of the trenches and troop locations, the map will be sent via courier by zeppelin. The Wiseman then asks Amber how she likes the mech, to which Amber replies in the affirmative. The Extended Cut includes a great shot of the girls slowly walking out of the fog into no man's land, and additional shots of zombie German troops rushing out of their respective trenches. Amber shoots down several attack German fighters before herself flying skyward, and Blondie grabs her Daewoo K3 and mows down a horde of attacking zombies, littering the battlefield with their corpses. There is additional hand-to-hand and (hatchet-to-bayonet vis a vis Blondie) combat in the trenches, and Baby Doll fights the Zombie commander initially in an extended sword fight. I'm glad they extended the WWI sequence, it looks fantastic.

(8) Vera tries to cheer up Baby Doll pre-performance with a quote by Mark Twain about illusions.

(9) The orc/castle/knight siege scene has been heavily extended, most prominently featuring a new scene of the girls jumping into the courtyard, and decimating the orcs using firearms and edged weapons, while performing various acrobatic maneuvers. Green orc blood spray across the screen. Additional shot of knights trying to break through the gate with a tree trunk. Extended combat scene of girls versus knights, and slow-motion scene of Blondie firing the side machine gun.

(10) Blue tells Baby Doll that he will "pop that smile right off of her face", whereas in the theatrical cut, he falters without completing the sentence.

(11) The sequence where Amber is killed shows Blue's gun being fired twice, rather than the slight vibration in the wine glass. Blue shoots Blondie when she's on the ground an additional time. Nothing graphic is shown.

(12) Blue attacks Baby Doll for a longer period of time (and more physically) in the extended cut, when backstage.

(13) After Baby Doll is knocked unconscious, Sweet Pea steals a white dress while on the lam.

(14) During the last, infamous scene between the High Roller and Baby Doll, white gloved hands undress Baby Doll down to her skivvies. High Roller and Baby Doll talk, and High Roller doesn't just want to deflower Baby Doll; rather, he wishes to grant her freedom from everything, in essence, granting her absolution. Baby Doll seems quite taken and the two begin to kiss passionately, but no nudity is shown. The Extended Cut directly links Baby Doll's deflowering in the brothel to her lobotomy in the real world; I can understand why this scene was cut to make the PG-13 rating, as it's rather sexually suggestive.

Note: I wrote an original review for the film only way back when I saw it, which was actually on opening day. Now that I have acquired the Blu-Ray version of Sucker Punch, I will write a review. My consensus though is to purchase the Blu-Ray package over the DVD, so if you just want to read my thoughts on the movie, skip this section. I will review the Blu-Ray. If you are wanting to know everything about the layout and the general features, Amazon is correct with both product descriptions, so you can trust them.

When I first saw Sucker Punch in theaters, the art direction, CGI, and the colors was absolutely jaw dropping; this was one of the movies that I could see blasting on my TV screen. Well, I am happy to report that Sucker Punch looks and sounds terrific on Blu-Ray. Given the sensory overload Sucker Punch provides, one can only imagine how the potential of the , and the transfer does its justice and brings Sucker Punch to complete life upon your HD TV. The picture is crystal clear and sharp, which gives way to an absolutely dazzling high definition picture on screen. Sucker Punch's intense colors, elaborate architecture, and stylized visuals all come to life onscreen, with a visual intensity on the same boat as any high production value video game would be able to achieve (Think Uncharted 2 or God of War 3. Sucker Punch can surely compete with both games in terms of visual splendor). All the little details of the visual intensity absolutely stand out and are crystal clear. You can see everything little snow-flake, bit of explosion, and piece of dust, yet the little details don't substantiate the stylized and beautiful landscape and architecture. I give the picture an easy 10. It looks absolutely amazing. So safe to say, it is ABSOLUTELY worth buying for television viewing.

The audio is not quite as impressive as the picture of the film (seems fitting, however, given the visual approach to the film), but the sound is no slouch either (I think this has to do with the fact that the Sound design by default is not as good as, say, Saving Private Ryan or Lord of the Rings). Sucker Punch will still work out your home theater system, so if you have a great sound system, it's time to watch Sucker Punch with it. The movie really takes advantage of the DTS Sound track, as you will be able to hear the explosions surround you, the bullets clanking, whizzing, and whining and all around you, and the adjacent sound effects to the visual keys that Zack Snyder is so fond of using is crystal clear and satisfying. Your theater will rumble, and you will be totally surrounded by the immersive sound to really match the whole movie. What else could you ask for? I give the sound a 10, although the sound design is a 9.

As most of you already know, the Blu-Ray version of Sucker Punch adds 18 minutes to the movie. This is a whole 18 minutes of new film footage. More dialogue is added to certain scenes, and while they really don't radically make the story better in a way, it does add some fluency and color to the movie. These add more color and life to the characters and situations. There is also more action to make those peaks and valleys of the action more effective, and there are a couple more graphic shots to the action scenes, as there is a bit more gore. There is also the cut scene that Snyder had to remove (which deals with a sexual encounter), The most prominent addition to the film is a eye catching and theatrical musical number, and it doesn't at all tone down the pure visual and aural onslaught the movie previously had. I'm not going to give out spoilers but the is worth seeing and makes the movie even more of a blast than it was in theaters. Really, what else can you ask for?

As far as the rest of the special features go, here they are.

Maximum Movie Moment with Zack Snyder: The informative and fun special feature from the Watchmen Blu-Ray returns for another round, with Zack Snyder stepping out of the director's chair to give us more insight as to how the film was made, all interactive and almost feels hands-on to an extent. In the Maximum Movie Moment, Zack Snyder discusses how certain interesting and intricate shots and portions of the film were made, which really satisfy the question of "How did they film that?". He is not on-screen the whole time, but there's more than enough useful information to make the feature very worthwhile and awesome. In addition, some sketches and storyboards are thrown into the mix. Zack Snyder really shows how, and with something as interesting and useful as what he does with MMM, who needs it?

*Sucker Punch: Behind the Soundtrack-A somewhat interesting mini-feature regarding the unique and stylistically interesting sound track. Unfortunately, it's wait too short. Giving the short running time (only 3 minutes), Zack Snyder and and company do not go into much detail when it comes to the soundtrack. They basically just give a loose overview of how they came up with the soundtrack. That's it. Sure, it's interesting, but honestly, however, it's not a must see special feature.

*Four motion comics: These four "comics" remind me of a moving graphic novel of sorts. I think they are not substantial, but they do give background and interesting that further flesh out parts of the film. On the downside, each of them are only 3-4 minutes, and there are only four of them. At least they cut to the chase, which, actually, may strengthen their impact.

In addition, the Blu-Ray Combo pack, as you can tell, also comes with a Digital copy and a DVD of the theatrical release (NOT a Blu-Ray version). Be quick though with the Digital copy; however, as all of the digital copies I have owned eventually expire.

Finally, should you get Blu-Ray or DVD? As mentioned before, I do not own the DVD, however, my best advice would be to spend the extra money on the Blu-Ray version of the movie. The Sucker Punch DVD is a bit too bare bones, as the two special feature that the DVD have the run time of less than 20 minutes. Another nail in the coffin when it comes to the two is that the price of the Blu-Ray is not much greater than the DVD. Personally, I would recommend springing for the Blu-Ray version, hands down. If you do not own a Blu-Ray player and have no intention of ever getting one, I can see why one could settle for the DVD. But if you in any way have a choice between the two, I would recommend spring for the Blu-Ray version for sure.

ORIGINAL REVIEW:

After being disappointed with Battle: LA in theaters a couple weeks ago, I crossed my fingers and hoped that Sucker Punch would be the good Spring movie that kicks a major amount of @$$, like Kick @$$ did last year. Well, I put my trust in Zack Synder, and he didn't disappoint. Sucker Punch has got some critical backlash, but what for? Who cares anyway? Sucker Punch, with thrilling action, a massive scope, the patented Zack Snyder style of film making, and absolutely GORGEOUS imagery sensory overload, make this film a must see. It also happens to have some actual decent acting (well, a little over the top, but for this movie it makes sense) and a plot that actually not half brain dead.

So what is this movie about anyway? Well Sucker Punch, while not totally original (the film conjures up many other works as influences, such as Alice in Wonderland, Philip K. Dick, and The Matrix), is a film that blends themes such as freedom, reality, identity, the power of imagination, and escapism, among other things. Sucker Punch is a film that deals with a young girl who is framed for murder, and is about to experience a lobotomy. Given five days of her sanity, she then makes a list of things she needs to escape the institution. Through dancing in order to distract certain members of the mental institution/brothel to get the things she needs to escape (yes, you read that right), she teams up with four other patients to escape the place they have been held in.

Character development, I'll admit, is pretty sparse here. You pretty much know the characters themselves very quickly, and there's nothing too revealing or deep about them. Thankfully though, the film manages to make the characters interesting and likable, thanks to the acting. Sure, you don't find any Oscar winning performances here, but I think it works by just letting the actresses and actors just act like, well human beings, and it's very much present here (that is, if people actually pay attention). I actually think this work better than trying to add a bunch of stupid back stories that we've all heard a million times before; a cheap way to try to humanize a character if you ask me. Snyder is also able to milk the likability of these young actresses to make, them, well, likable, so for all of it's positive aspects characters are not really a problem. As long as you are not expecting the character study that Snyder's Watchmen was a couple years ago, there won't be much problem here.

Sucker Punch, also, has a very emotional undercurrent to it's dilemmas, which was all the more powerful and effective. There's something about the motives of these people and what they are doing that really gives the film the various subtexts it needs, no small feet there. Sure, it's still an action film at heart, but Sucker Punch does leave quite a bit to talk about, and no harm can come from that. All well and good, but that's not even the best part of the movie.....

The best part though, is this film is a VISUAL medium no halls barred. I've seen three Snyder films, and Sucker Punch outclasses both 300 AND Watchmen. Snyder sure knows how to really use the visual film medium, and Sucker Punch holds nothing back. Iconic slow motion everywhere, massive sweeping cinematography, and a unique melding of aesthetic make Sucker Punch have more visual delights in one film that the most of the other bid budget films released every year do combined. Most importantly, Snyder has a sense of wonder and awe that so many countless big budget action films are sorely lacking, the imagery forces your to look on. I must have sat in the theater with my jaw dropped the whole two hours. From huge castles and dragons, dark and grimy asylum halls, Gothic WW1 wastelands with zombies, to a truly awesome futuristic land of trains, futuristic cities set in a galaxy next to a planet. In addition, music and sound also plays a integral role as well, with tons of great sound effects, and a soundtrack with songs from Jefferson Airplane, Pixies, and The Beatles filtered through a dark, almost cyberpunk type of aesthetic, as sweeping as the imagery on screen. Indeed, everything about the film making is first rate.

The elaborate worlds that Babydoll and company are thrust into are amazing to look at. Massive, eclectic, and designed with incredible detail, Snyder did not stop at all in making truly immersible and jaw dropping worlds. Add that with Snyder's great use of music, and you got one heck of a great movie experience. These worlds are as imaginative as you would expect from any Grade A video game, and Snyder doesn't hold anything back in his head. You won't get any lukewarm art design when these action scenes hit the screen (in case you haven't figured it out, all the action scenes are in their head). Speaking of the action, it's, for a lack of a better word, absolutely thrilling. It's just as good as you would expect from Snyder. Massive monster fights from cool looking Samurais to dragons, lot's of guns, huge explosions, heart stopping action that feels like it can pirouette on a dime, it's all here and more. It doesn't let up the intensity either, and each one is a roller coaster ride of sheer movie delight. It has all the giddy thrill you would get from watching movies such as Transformers, 300 (yes, same director I know), or Kill Bill (although obviously not R rated), so that's a big compliment on Snyder's part.

Alright, if my rambling hasn't convinced you already that this movie is worth seeing, then you might as well skip it. Ignore the critical backlash Sucker Punch has received. It's totally worth seeing. It's clear that Zack Snyder always takes pride in his films and loves making them to make them, and it shines through here. As long as you are not expecting Andrei Rublev or a Mike Leigh film, you should at least go into the movie knowing what you are going to get. Sucker Punch, thanks to the visionary and imaginative directing of Zack Snyder, is easily an action film that, well, beats out the competition. Recommended.

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This has future cult favorite written all over it. Complex, awesome special effects, and a fun cast to boot. If you didn't enjoy it the first time, I definitely recommend watching it again. Zack Snyder really shows off his skills with this film and I can officially call myself a big fan of his work now. So enjoy and make sure to go in with an open mind.

Read Best Reviews of Sucker Punch (2012) Here

I'm starting to wonder if we're seeing the same movies as the critics nowadays. Or at least, if we're getting different cuts of movies. Because I've often found myself walking out going "Did I see a different movie than the critics?"

Of course, Snyder is no stranger to critical disdain. He may be the most misunderstood director out there. True his films aren't for

everyone, but if you look close enough you may just find something there. And Sucker Punch is the biggest example of how big a visionary he isHere he manages to bring to the table a satisfying and exciting new vision.

I was in right from the opening scene. A cover of Sweet Dreams set to a fantastic and tone setting scene depicting her abuse from her wicked stepfather. WHAT an opening scene.

We are then transported to Mount Pleasant Insane Asylum, once a performing arts venue. Baby Doll is just a drop in the ocean of how

many beautiful girls who can dance. Baby Doll doesn't know this until she saves Rocket, another one of the girls. There she meets the rest of the gang, and the sexy Goski, a doctor who has a form of therapydance. When Baby Doll dances, she can slay dragons, fight robots, wield swords, etc. The girls love herbut as it stands, she's dancing... to escape from the asylum with the girls.

The concept may not sound dazzlingbut wait till you see it. Sucker Punch is what its title statesa conceptual sucker punch. Nothing can prepare you for what you will experience. You are in the world with Baby Dollyou feel as if you are experiencing Baby Doll's therapy with her. Snyder totally does a great job with this aspect, and as a theatre nerd and dance lover, arts as therapy really hit home because it's very true, and I've experienced that euphoria from being a performer.

The acting is fantastic, and Emily Browning is great as both an action chick and a confused, disturbed girl. Cugino is sexy and adds her usual charm to her role. Hamm as Blue is easily the best, as his villain is certainly convincing.

Add to that, one of the best soundtracks ever put to film. Working with Tyler Bates, Browning covers a few songs, and quite a few others contribute too. And Bjork's "Army of Me" has never sounded cooler.

I was skepticalSnyder has struck gold with 300, Watchmen and Guardians, but could he manage to make one of his original ideas spark?

As a result he canand he did. Do NOT be a puppet of the criticsexperience Sucker Punch with an open mind. Touche, Zack Snyder...

Touche.

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I don't get all the hate for this movie. It's visually amazing, the writing is good, and it's more impactful than I expected going into it. Just don't expect this to be the next Titanic or Good Will Hunting and you'll thoroughly enjoy it.

Plus the Blu-Ray has some awesome behind the scenes.

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Samurai Girls: Complete Collection (2011)

Samurai Girls: Complete CollectionWhile overall the story of the series has been done over many times at the end the characters do endear themselves to you enough that the series in whole is worth looking at. The basic premise of the series is you have one young man a skilled fighter who inherits a somewhat deteriorated dojo where he begins to meet well endowed women after women(Eight total I figure) all extremely attractive and with the exception of one of them all extremely endowed(Again with a lot of harem animes we have to have one who while technically a young adult appears childlike pushing the Lolita factor a little). Though after one of them Jubei Yagyu appears in the sky and shares a kiss with the young man Munekira Yagyu she becomes a powerful warrior causing all the other females to want to share a kiss with the young man since it seems that by doing so empowers them with incredible fighting prowess. The series is supposed to be a mix of edo and present time since the Tokugawa Shogunate remains in power keeping alive the samurai way of life for the most part, that isn't to say there isn't any technological development you'll see a mix of shogunate lifestyle with modern conveniences intermixed into the series. The series animation is something you have to get used to as I haven't seen this kind anywhere really, the character animation is pretty standard a little mix of Naruto and Ikki Toussen the background animation though feels like one of those 3D games you see like with Street Fighter or BlazeBlue not the exact same thing but a little close to it check out a couple of images or trailers to really get an idea of the series animation. The voice cast for the Japanese did superbly in their character roles and surprisingly so did the English cast, at first I wasn't so sure about them as I checked online for their past credentials and couldn't find anything but if you've already bought a few ADV or Funimation released sets then many of these dubbed voice actors will sound familiar to you. The set comes in three disc, the first two hold the entire series the third is the bonus disc which has some very entertaining extras on it. So if you like series like Sekirei, Naruto, Inu Yasha, or Ikki Touseen with a touch of humor and a ton of fan service here's a entertaining series to check out...

I'll be honest, I didn't really read much about this show ahead-of-time. I read the general synopsis and went ahead and bought it because it sounded interesting. Most animes are suggestive and have sexy anime characters, but they're usually clothed. Lots of full-on nudity in this show, so don't buy this for kids.

The plot is pretty good, kind of predictable and silly, but I really enjoyed it. The drawing was decent although the blotching at the beginning was disconcerting, and the characters as a whole have enough personality to make the show enjoyable. The guy who does the voice for the main character is probably my least favorite because he comes off as entirely too dramatic, but the other characters' voices make up for it. If you like a light-hearted, fun anime where one wave of a sword blows people's clothes off this one is worth watching.

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There seems to be a dojo master called Muneakira who turns females in samurai masters with powerful elemental powers by kissing them. There is a lot of nudity with large breasts, but no observed sex acts. There are several females characters with their own unique personalities.

Read Best Reviews of Samurai Girls: Complete Collection (2011) Here

I watched the first episode on hulu and decided to buy the series to watch the rest. It seemed interesting at the time and the reviews here weren't half bad, but...in the end I wasn't too much impressed. I liked the animation style which was truly unique and very nice to watch on blu-ray. I even liked all the "eye candy" with the girls, yeah I said it. Parents be ware that these woman WILL be exposed above the waiste quite often, all while implying suggestive acts. Other than those two things I didn't like much. Story was not fully threshed out and rushed in the final couple episodes leaving a lot of unknowns. Really could have used more episodes or used the time in the series more wisely, maybe less boobs and more story? Anyways, if your looking for nice style, animated bossoms, and suggestive poses pic this up, if not...turn away and don't look back.

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Great animation and good characters are the bread and butter of Samurai Girls. The art stands alone as innovative and the characters are pretty cool. There's not much else about this one that keeps ya watching. The story is really thin. They resort to constant nudity to keep it afloat. I enjoy watching chicks get their outfits shredded but that's no substitute for a memorable story. The pros and cons balance each other out and this anime is left being just ok. I don't think I'll sell it, but I probably won't watch it over and over either.

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Lavender Hill Mob (1951)

Lavender Hill MobThis will be a short review, since I concur with the other positive comments on this classic Ealing comedy, as well as the extensive plot summary ( actually a little too extensive for people who have not seen the film ). I gave it four stars only because I consider "The Ladykillers" to be superior.

As always, Sir Alec shines in the lead role, with fine support from Stanley Holloway and Sidney James, years before his "Carry On" fame. The humour here is dark and subtle, and of course there is a delightful "twist" at the end, an Ealing trade mark.

I found the quality of this DVD to be more than acceptable for a 50 plus year-old film. Some of the location scenes in London are interesting, with areas damaged by the "blitz" in World War II still very evident.

So--if you like comedy with genuine wit and style ( very rare today, in the era of teen-oriented gross-out movies ), you will enjoy this one. Recommended.

I'm usually not a fan of movies featuring bumbling innocents trying to do right, brought down by an endless series of accidents and mistakes. The futility of the whole exercise frustrates me, and I can't find any room for humour in the whole endeavor. "The Lavender Hill Mob" nearly falls into this trap, but thankfully doesn't. The reason it doesn't -and it's a reason I can't go into without ruining the wonderful surprise ending -preserves the comedy of this delightful little heist movie.

It's a very subdued comedy. The word on the street led me to believe that wacky hijinks and silly shenanigans would be the order of the day. Not true. Actually, there's a lot of quiet dignity here. Which makes the moments of action that much funnier. Alec Guinness as the mob's "boss" Henry Holland, a 20-year vet of the straight and narrow, is a desperate man, but he always does his best to maintain control in stressful situations. He screws up his face, peers (with glorious wide eyes) knowingly from behind his glasses, and does his best to understand and analyze the predicaments he finds himself in. When he's successful in that endeavor, the proceedings are funny. But when he isn't... well... they're that much funnier. Stanley Holloway plays his cohort, Pendlebury, a disgruntled manufacturer of cheap souvenirs. He's a less menacing, almost innocent Sydney Greenstreet-type, who gets roped into a situation that appears foolproof. Too bad these men aren't fools; they'd have gotten away scott free. It's their intellect that does them in. They're joined by a couple of charismatic career criminals, who may dress the part but seem more at home sipping tea than casing joints. The scene where the four men meet, while simultaneously trying to rob a payroll safe, is a wonderful moment of manners in the face of criminal activity. A joy to watch.

The giggly English schoolgirl scene (a classic) is creepy and disturbing. It's hilarious how a group made up of innocents can be turned menacing in a certain context. Combine the danger of the heights (they're at the top of the Eiffel Tower) with their high pitched giggling, and their tragic effect on the plot, and the girls turn into a dangerous phenomenon. It's quite ludicrous, and very funny. This is followed by a wonderfully surreal chase scene, in which Holland and Pendlebury chase them down via a spiraling staircase. Even though the special effects are cheap and obviously fake, it felt like a ridiculous version of Hitchcock's "Vertigo". It's combination of the stuffy Englishman, the Tower spinning around them, and a wind-whipped trenchcoat tossed overboard makes for some great fun. And the finale, a romp through a police exhibition, has a cool Keystone Cops quality to it that had me giggling with glee.

Unfortunately, at times, deteriorated audio tracks and murky, fuzzy video marred some of the action. Wading through the thick accents would have been tough enough, but when you can't hear their voices (or at worst see their lips move), understanding these men was a trial. Too bad, because what I did manage to hear was charming, witty, and terribly funny.

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This is a typically wonderful Ealing comedy starring Alec Guinness as a lowly bank official in charge of transporting gold bullion for the Bank of England. For years he schemes how to steal some of it and finally figures a way: he enlists souvenir trinket caster Stanley Holloway and together they decide to cast their stolen gold into replicas of the Eiffel Tower and ship them to France where they will collect them.

A madcap chase follows involving innocent English schoolgirls on holiday who buy some of the Towers and a stolen police car; the final scene with Guinness in handcuffs is a real beauty. The humor is marvelously droll and sophisticated. This movie represents the famous Ealing Studios at their creative best. The DVD transfer is excellent and an interesting bio of Guinness is included. Definitely worth a watch.

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Charles Crichton, who 35 years after directing "The Lavender Hill Mob", would go on to direct "A Fish Called Wanda", paces this wonderful film with the skill of a master. There are a lot of elements that this film and "Wanda" have in common, besides the obvious crime comedy genre. Probably the most notable comparison is the frantic chase scenes at the conclusions of both. Probably the only difference between the two is that the latter is loaded with sexual situations and obscenities...but that was what the times permitted.

Alec Guinness, Stanley Holloway, Sid James, and Alfie Bass turn in bravura performances. (I especially liked the scene in which masterminds Guinness and Holloway "meet" their two gangmembers, James and Bass.) To me, though, the minor characters are equally enjoyable: the landlady, the old woman who loves pulp fiction, the cop who loves "Old MacDonald Had a Farm", and several others. This is an all-around wonderful film, with some significance for history buffs: the scenes of post-war, rubble-strewn London undergoing renewal is both sad and inspiring.

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...it might have been." In the early to mid 50's, many studios were churning out comedies, perhaps more so in an effort to get people past those old post war blues, but few did it as well or consistently as the British Ealing Studios (in my humble opinion), helped immensely by the talents of Alec Guinness...what?! Alec Guinness a comedic actor? The same Alec Guinness who starred in such serious films as The Bridge on the River Kwai (1957), Lawrence of Arabia (1962), Doctor Zhivago (1965), and A Passage to India (1984)? Yes, it seemed by the end of the 1950's, Guinness had pretty much dedicated himself to more serious parts, but not altogether as he later appeared in the fantastic comedy Murder by Death (1976), which I recommend to anybody in search of a truly good laugh. While many consider The Lavender Hill Mob (1951) to be one of the best of the Guinness/Ealing comedies, I'm partial to one of their later films, The Ladykillers (1955), which was recently remade by the Coen brothers and featured Tom Hanks (I've haven't seen it yet, but I heard not so good things about it). Directed by Charles Crichton (The Titfield Thunderbolt, A Fish Called Wanda), the film stars, along with Guinness, Stanley Holloway (Nicholas Nickleby, Passport to Pimlico). Also appearing is Sid James (The 39 Steps, Upstairs and Downstairs) and Alfie Bass (The Fearless Vampire Killers, Revenge of the Pink Panther).

This comedic caper begins in a tropical setting, where we meet a man named Henry Holland (Guinness), who seems quite popular probably because of the fact he's pretty free with his money. He thus begins to relate a tale to another man, taking us into a flashback that makes up the rest of the film and we learn Holland, prior to being a somewhat well to do philanthropist sort in South America, actually came from humble beginnings as in a previous life he was a mild mannered bank worker, responsible for regularly escorting gold shipments from the smelting facility (that's where they take the raw gold and turn it into bars), to the bank. His coworkers and superiors look upon him as a quiet, by the book sort with no ambition, imagination, or initiative, as `his one and only virtue is honesty'. And that's exactly the way Holland likes it...especially since he aspires to one day steal one of shipments of gold and live out his days well beyond his current means. The only problem is, once stolen, gold bars are extremely difficult to transfer into cash...but a solution soon presents itself in the form of a new tenant to the boarding house Holland resides, one named Alfred Pendlebury (Holloway)...the name of the tenant, not the boarding house...Mr. Pendlebury just happens to operate a modest die casting business, one whose specialty is producing paperweights, one perfectly suited for Holland's needs. Soon the die is cast (so to speak), and the pieces are in place, but, as everyone knows, even the best-laid plans are subject to disaster once in the implementation stage as the human element is always the most unpredictable.

As I said before, of all the Guinness/Ealing comedies, I prefer The Ladykillers most of all, probably due to the darker tone of the material and more outlandish nature of the characters, but that's not to say this film isn't of superior quality, as it won an Academy Award for best writing, story and screenplay, and earned Guinness his first nomination (Gary Cooper won for his role in High Noon). One of things I like most about these older comedies is they don't pander to the lowest common denominator in terms of comedic content, but rather speak to the audience with respect, maintaining a consistent level of intelligence not so often seen nowadays...but that's not to say this couldn't be enjoyed by anyone. I had originally seen this film quite a number of years ago, and appreciated it for the more visual elements as opposed to last night when I enjoyed the more subtle aspects due to a general understanding one usually gains with maturity. Regardless, this is one of those films where everything works well together to bring about a wonderful story. The direction is exceptionally strong and wastes none of the films lean 81 minutes running time. Guinness is about as good as you'll ever see him, fostering a belief that he is, now and forever, the meticulous, level-headed, slightly devious character of Henry Holland (at least until his next film), but is certainly assisted (nearly upstaged) by his costar Holloway, the romantic character, yearning to express his artistic nature, stifled by the drudgery of actually having to earn a living through the mass production of tourist souvenirs. There are any number of wonderful scenes and sequences presented throughout the film, but two come to my mind as being my favorites. One features Mr. Pendlebury moving into the boarding house where Holland lives, and Holland learning of Pendlebury's profession which sets in motion him gingerly broaching the possibility of utilizing Pendlebury's die casting business as a means to process the stolen booty. Holland and Pendlebury, both eventually on the same page, begin almost convincing each other and themselves of the very real possibility that it can be done...the other is the scene where Holland and Pendlebury go about enlisting a couple of extra, but necessary, members for the gang, as the gold shipment is too much for the two of them to handle themselves. It's not like you can put an ad out in the paper for such a thing, so they utilize a very unique method to contact prospective applicants. And there's a bonus! If you love classic movies, you'll be in for a treat...watch for the appearance of a minor character, played by a soon to be legendary actress, about three or four minutes into the film...yes, that's who you think it is...but don't blink, or you'll miss it...

Anchor Bay Entertainment provides a very clean and clear full screen (original aspect ratio) picture on this DVD, with a decent Dolby Digital mono audio. Special features include an original theatrical trailer, and an extensive Alec Guinness biography and liner notes. By the way, I heard there is a remake of this film in the works, scheduled to be released in 2006...I guess time will tell if it's any good or not, but the way I see it, what's the point? I hardly see how they could improve upon the original...

Cookieman108

By the way, there is, as I write this, an Alec Guinness DVD set offered by Anchor Bay Entertainment featuring five of his early comedies, including this one, offered at a price that is cheaper than purchasing these DVDs separately, so if you're interested, it might be worth looking into...

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Cougars, Inc. (2011)

Cougars, Inc.One can only wonder what,first time writer,director and producer,K.Asher Levin was trying to get across to his viewing audience. I'm still trying to decide what storyline he was sttempting for the audience to understand much less follow,for a first time director,he won't be mistaken for a Steven Spielberg,out the gate,he decides to tell his story by the use of paper

inserts,that let the audience know what the next scene will be. Poor decision,Mr.Levin,if I can't follow the story your attempting to convey,don't insult me by using some other type of means, learn your craft before decide to direct a film!

Hopefully,Mr. Levin this was a learning experience for you or maybe your better suited to be a producer and possible a writer,

I have to at least give you credit for putting together a good cast of actors,even if I do feel the best acting was done by

James Belushi in this film,for a seasoned television actress,the like's of Kathryn Morris(Cold Case)just did not come across,as believable character, had there not been the insert & bar scene,which by the way,I've know a few bartender's and not one of them would have served acohol to a 17 year old,the part played by Kyle Gallner(Veronica Mars)which led to the first sex scene between him and Kathryn Morris. There again,not a believable scene,as a matter of fact,non of this movie seemed to make sense. I have to assume that the director's intent was left on the cutting room floor,its the main reason for giving this film, a one star,I could have possible giving it a two & 1/2 star for the actors that were part of the film,Denise Richards along with Sarah Hyland, the other notable characters were the sons of James Belushi & Eddie Murphy.

Don't waste your time or money on purchasing the this DVD or Blu-Ray edition,it was a disappointment,the actors in this film are more talented than this and they certainly couldn't have done it for the paycheck they received!

If you can get passed the idea that women who are as hot as Denise Richards needs someone to set them up with young boys for sex, you might enjoy the film... and oh yes, she is willing to pay for it too. Kyle Gallner plays Sam, a high school boy whose mom was a former playmate. He is a self describe victim of circumstance as he has been kicked out of multiple boarding schools. He finally finds one where it seems he can finish his education only to find out that the money has run out. He goes to a bar and meets Alison (Kathyrn Morris) whose husband cheats on her. He flatters her and the next thing you know they are in a motel room. The next day she leaves a note and a check. He mentions this to his new friends who suggest they start a "risky business" as teen boys for cougars.

The guys go on-line to meet more cougars in need and bring in more boys for a business that lasts for about a music montage. Sam has met a girl his own age and wants to end his relationship with "Mrs. Robinson."

Jim Belushi plays the overly cool school master who says, "Woman: What do you need to know about them? You tell the good looking ones they're smart and the smart ones they're good looking."

Sex, nudity (not Denise Richards), and Denise Richards' potty mouth.

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I really liked this movie except that Sam chose to be with immature but sexually active Courtney (Sarah Hyland, "Modern Family"), who is around his age. He did have "good" times with beautiful and irresistible Alison (Kathryn Morris, "Cold Case"). Seeing the other teen males with older women (Denise Richards as Judy and other women unknown) was a turn-on for me.

If only the same thing happened to me when I was a teenager...

Cougar Club

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I thought the film was great! I gave it five stars despite the fact that the characters could have been more developed, I thought the acting made up for it! The acting was superb! Denise Richards is amazing! For those reviewers that gave it a bad review they're taking life way too serious. I also love the fact that Eddie Murphy's son makes his freshman debut in this film!! He does a subperb job, pleasantly reminiscent of his dad!!! Especially, the makeout scene! Hilarious!!! This is not meant to be a thought provoking film with depth as in Dead Poet's Society. It's fun, funny, and superficial while making no apologies for it!!! As a matter of fact the lead character makes that clear at the outset!! This will truly be a cultural, cult film in years to come as the term "Cougar" is forever etched into America's subcubtural history!! :0)))

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I wanted a collegiate farce. That's what you get here. Strong performances (I think) by Jim (definite) and Kyle (sort of). Mindless entertainment, but worth a shot!

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Star Trek II: The Wrath of Khan/Star Trek IV: The Voyage Home (1982)

Star Trek II: The Wrath of Khan/Star Trek IV: The Voyage HomeImagine my surprise seeing these two films bundled together on Blu-ray at an unbelievable price! I would have to agree with the other reviewers of the Blu-ray versions that both films seem to have a soft focus and lack in sharpness. I was hoping that Blu-ray would be the ultimate viewing experience but it isn't yet (I'm hoping for a new issue that fixes this problem in the future). For now, you are better off just seeing the standard definition DVDs of these 2 films upconverted to 1080p.

I was confused by some of the reviews, this arrived as two, individually cased discs, Blu-Ray, with extra features, etc., and plays well. In short, what I would have expected of any DVD purchase, neither more nor less. These are my two favorite features from the original Sta Trek film series and these discs do them clear, sharp-color justice. I am very happy with my purchase of this combo. "Wrath of Khan" has a nice tribute to Ricardo Montalban.

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My 3 stars is for this package and not for the movies themselves which I would rate at 5 stars. I would have preferred to get Star Trek I and II in the same box then II and IV (random). That would have been more "logical" to quote Spoke. :=) I'm having a hard time getting Star Trek I (The Motion Picture). It seems they are trying to cover up that one. The Wrath of Khan is my favorite, but you might as well purchase the individual bluray with all the bonus features for that.

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This is just the two Blu-ray discs shrinkwrapped together with new cover. It's cheaper than buying the discs separately, so it's a great deal. (I haven't watched them yet, but based on the Amazon reviews for the separate discs and the cost savings from the combined package I'm giving it 5 stars. And of course these are the two best Trek movies.)

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Ok film and fun way to connect Wrath of Khan with the subsequent film to Search. However it is more an extended TV film and doesn't rank among the best Trek films.

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Love Wedding Marriage (2011)

Love Wedding MarriageI've been a fan of actor Dermot Mulroney for over twenty years. His laconic and naturalistic charm has oftentimes been the most interesting thing in his films--even if the movies themselves sometimes missed the mark. The comedic romp "Love, Wedding, Marriage" is his feature film directorial debut (he is NOT in the movie) and, strangely, it lacks the ease and laid-back appeal that I've come to expect from him as an actor. You'd think, at a minimum, he'd be able to coax terrific and funny performances out of his cast to make up for the script's shortcomings. And you're not likely to encounter a larger compendium of TV sitcom cliches than those that comprise the movie's central plot. Here everyone appears to be in a separate movie with key roles being bland, others overwrought, and others constantly bordering on a manic hysteria. Maybe all this would be forgivable if the film aspired to real laughs as opposed to outrageous silliness. You may disagree, but effective romantic comedies distinguish themselves when they are grounded in a truth and a reality. They may be silly, but there's a real heart beating within. "Love, Wedding, Marriage," unfortunately, is so artificial--not a moment or an emotion ever rings true.

Of course, in the movie, everyone is wildly attractive and wildly successful even though they act like they are junior high students. The appealing Mandy Moore and Kellan Lutz play the central characters. Their newlywed bliss is interrupted when her parents (Jane Seymour and James Brolin) separate due to a long-ago indiscretion. Moore (who in movie-land is, of course, the world's least believable marriage counselor) channels so much energy into her parent's dilemma that it might derail her own happiness. Slapstick antics ensue as both couples attend a relationship boot camp (poor Colleen Camp) and the elders hop around with another eccentric therapist (a wasted Christopher Lloyd). The shenanigans of Moore become increasingly desperate, unpleasant, and unlawful as the movie continues to journey down avenues best left unexplored. As this is what it is--you are never in doubt as to how things will turn out--there are just far too few laughs along the way.

Here's the deal. It's hard not to like the cast of "Love, Wedding, Marriage" despite the film's inconsistencies and flaws. Brolin, in particular, seems to be getting a kick as the newly religious father. But the film has the dramatic intensity of a second rate "Three's Company" episode minus the canned studio laughter. A lot of talented people came together to make a perfectly ordinary and expected film. If you are a fan of any of the leads, you might want to check this out. Secondary performances by Jessica Szohr (Moore's sister) and Michael Weston (Lutz's best friend) have their moments. But overall, everyone is performing to the rafters with over-the-top zeal to divert attention from the fact that the script offers little in the way of originality or noteworthy humor. A disappointing misfire--and I was genuinely rooting for Mulroney! KGHarris, 9/11.

I bought this movie and watched it hoping for a funny cute romantic story from Mandy Moore. I love the actors in this and thought they would make a good movie, the actors did their best with what was given to them. The script was kind of blah. I enjoyed parts of the movie but will probably never watch it again. So I say rent it before you buy it so you know if you really want to own it!!

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Good story line and relaxing entertainment. Premise is believable. Too many words required for these reviews--wish they would make them shorter.

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My daughter's and I enjoyed watching this movie. I liked all of the actors and enjoyed watching the different relationships unfold.

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This isn't the funniest romantic comedy, but it works pretty well as a movie. The movie features the rocky marriages of a divorce councilor and her parents'. The ups and downs in the marriages seem realistic and not overly Hollywoodized something I appreciate as a married person myself. The plot even had a few original twists and turns. I for one was actually surprised by the ending, something I can't say about another romantic comedy I've ever seen. Overall, not bad.

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