Some Like It Hot (1959)

Some Like It HotTo correct the technical info above, this DVD (both the special edition and movie-only edition) DOES HAVE an English monophonic soundtrack that was originally used in the film. Also included is a Dolby Digital 5.1 track, but one wonders if a dialog-heavy film like this should really need a surround soundtrack. Dialogs in both the mono and the 5.1 tracks sound perfectly clear and understable. The surround sound only comes into use during the occasional music and gunfight sequences. I do applaud the inclusion of the original mono track, which quite a few recent DVDs of older movies do not provide in the hope of enticing new DVD owners with 5.1 audio.

The video transfer looks great -images are sharp, levels of black look realistic (you can clearly see and feel the velvety texture of a black robe Monroe wears), signs of wear and tear are virtually non-existent. The picture aspect ratio is 1.66:1, which is not the 1:85:1 ratio used for the original US theatrical release and for all previous US letterboxed laserdisc releases. The 1.66:1 ratio adds a little picture to the top, but doesn't really affect the composition. The video is also non-anamorphic, so the resolution is not as high on a widescreen TV as it would be with an anamorphic DVD. There is also no English optional subtitles, but there are yellow optional French and Spanish ones.

I would have gladly paid a higher price if they had included better supplementary material on the Special Edition DVD, such as the audio commentary and home movies that were put on the Criterion laserdisc made in the early 90s. The extras on the Special Edition DVD include a lively but superficial 30-minute new interview with Tony Curtis reminiscing about the film, a rather uninteresting 12-minute interview with the actresses who played the girl band members, a segment called "Virtual Hall of Memories" that is essentially a still gallery, and trailers of 7 Wilder films including SOME LIKE IT HOT; all the trailers are in poor video condition. The most interesting extra is a reproduction of a pressbook for the film, but the pictures are blurry and the smaller text is illegible. I am disappointed that we never get to hear from Jack Lemmon or Billy Wilder, both still alive, on this DVD. These extras are not impressive, so one may consider buying the movie-only edition for a cheaper price.

Billy Wilder's most popular comedy finally receives the deluxe treatment it deserves. MGM previously released this classic comedy in a nonanamorphic widescreen version a couple of years back. While that edition looked pretty decent this anamorphic transfer puts any previous editions (including my much favored laserdisc edition) to shame. Wilder's comedy operates as a spoof of gangster films and a comedy about gender roles. Jerry (the late Jack Lemmon) and Joe (Tony Curtis) are two musicians on the lam when they witness the St. Valentine's Day Massacre. With Spats Columobo (George Raft) and his men looking for the duo they go undercover as musicians cross dressing and joining an all female band headed for a gig in Florida. Becoming a woman allows Joe/Josephine to spent time with Sugar (Marilyn Monroe) the latest woman that catches Joe's fancy. Jerry/Daphne on the other hand finds himself romanced by a rich man (Joe E. Brown) who won't take the hint as Jerry tries to blow off his advances.

And you thought the 50's were tame. One of Wilder's richest 50's comedies "Some Like It Hot" continues to be very funny inverting our expectations constantly and playing with the roles that Jerry and Joe take on with their new identities. Joe's eyes open the most as before he was a pretty ruthless womanizer. Becoming a woman puts him in the crosshairs of every male insight and he's on the receiving end of all the smirks, comments and passes that he would have used with Sugar before his change. Wilder mixes social commentary so deftly with comedy (like Hitchcock's work with suspense and social commentary) that at his best--and he's at his best here--it reminds us how entertaining a movie can be without being heavy handed. It's also filled with some marvelous in jokes (for example Colombo played by George Raft observes a thug flipping a coin and comments, "Where did you pick up that cheap trick?" Raft of course did the exact thing in one of his signature roles in "Scarface" from 1932).

A great movie looks even better in this sharp looking transfer. The black and white imagery of the film looks gorgeous. Originally Marilyn Monroe lobbied to have the film shot in color which Billy Wilder felt wouldn't work for this comedy (he persuaded her to agree to shoot in black and white when he showed her make up tests for Jack Lemmon and Tony Curtis in color where their make up as women made them look slightly green) while the film certainly would have looked great in color the sumptuous cinematography by Charles Lang ("The Magnificent Seven", "Wait Until Dark") looks extremely good in this wonderful looking transfer. Detail is quite good and blacks are solid with a nice array of different textures evident in the transfer. Audio is presented in the original mono and sounds fine.

For those that are into such things the special features here are a huge improvement over the previous edition. We get a commentary track compiled from comments by the late Jack Lemmon, Tony Curtis and I.A.L. Diamond's son (working with the comedy writers Lowell Ganz and Babaloo Mandel--honestly I could have thought of better writers to pair with Diamond's son). While the insights aren't exactly a revelation it is an enjoyable commentary track.

We also get two terrific documentaries on the making of the film. The first features a mixture of new and older interviews from the cast and crew. The second documentary "The Legacy of `Some Like it Hot'" is packed with trivia about the making of the film, Wilder & Monroe's relationship on the set and the difficult time Wilder had making the film with his leading lady including footage shot in the 80's of Wilder and Diamond.

Finally we get "Memories from the Sweet Sues" featurette with members of the women who played in the band, an interview with Tony Curtis entitled "Nostalgic Look Back" where Curtis reveals that actor/voice artist Paul Frees did much of his voice as Josephine because he had difficulty reaching the high voice. We also get the imaginatively titled but unimpressive "Virtual Hall of Memories 3-D Tour" The original pressbook appears on the DVD as well and we get reproductions of various lobby cards. Finally we get previews and the original theatrical trailer.

Far more impressive than the lackluster previous DVD releases "Some Like It Hot" looks solid in this re-release although the film could look a bit more vibrant. The featurettes are, for the most part, very good and the compiled commentary track adds loads of trivia (some of which is duplicated in the featurettes) about the making of the film. I do wish that a film historian such as UCLA professor Howard Suber had been involved in some way to help provide context for the movie but that's just personal preference. A fine release that could have been great with a wee bit more effort on the part of Sony/MGM.

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In 1929 during the St. Valentines Day massacre, two traveling musicians, witness one of the hits initiated by the mob. The only way the duo can think of to avoid being discovered is to join an all female band playing in Florida as women. Joe is looking forward to the gig, so that he can spend more time with Sugar while Jerry is horrified to find himself fighting off the advances of a rich suitor. Joe the consummate womanizer finally gets to see what it is like to be on the other side of the coin to see what he has been dishing out for years.

Many see this as a ground breaking movie especially for the 1950's with the theme of cross dressing and gender roles, but I just enjoyed Tony Curtis and Jack Lemmon giving some of the best comedic performances of their careers, and Marilyn Monroe shining her brightest. It is laugh out loud funny, and a movie you will watch over and over again.

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SOME LIKE IT HOT is a classic for many reasons. The film may seem a little dated to some viewers but what keeps it forever great and irresistible are the superb performances by Tony Curtis, Jack Lemmon and Marilyn Monroe. Filming it in black and white helped greatly to believe the two men being accepted as women. And it also helped make Marilyn stand out even more with her effervescent and transcendent beauty. But when looking at a blu ray version of a film that has seen much life on dvd a buyer must know if double dipping is really worth it. Especially where SOME LIKE IT HOT came out with a superb dvd transfer years ago.

To put it simply, the film honestly looks and sounds great on blu ray and is a vast improvement over even its best dvd transfer. There is much clarity improvement in the video and the crispness in detail is vivid. Facial closeups are particular standouts. The black and white ratio is perfect and the film has not been overly enhanced or tried to be cleaned up as blu rays often are. The intended grainess is still there which adds character to the film. But seeing Tony and Jack in their female getup with the picture so clear is amazing and nothing can surpass how Marilyn comes across in this blu ray version. When she first walks by the train and the steam comes out you know what picture perfection you are in for. And every time her face appears, be it out of a train sleeping bunk or just entering a scene you can see every feature and fine detail of her face in all its glory. The picture takes on its own life when she is singing I WANNA BE LOVED BY YOU. Just the spotlight highlighting her face whenever she sings is your proof of the blu ray improvement. The sensual gift and aura that was Marilyn Monroe takes full advantage of the blu ray.

And the audio is a huge improvement. The audio now is in a DTS Master 5.1 and the sound will come out all your speakers gloriously. And again the highlights are Marilyn's songs. Sadly the extras here are exactly the same as on the last dvd release. Luckily the retail price of this film is not high. Tony Curtis, Jack Lemmon and particularly Marilyn give career highlight performances and it is amazing to believe the difficulties they had filming due to Marilyn's insecurities. With this film you get a fun farce with endearing performances that stand the test of time. And the blu ray is a must if you are a fan of the film or anyone in it. Highly recommended.

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With its pseudo-homoerotic undercurrents, I sometimes wonder how this film got past the 50's-era censors. No matter. Writer-director Billy Wilder, and leads Tony Curtis, Jack Lemmon, and Marilyn Monroe dazzle with their comic genius.

You can watch this movie over and over and it always seems fresh. Perhaps it's the realization that Monroe and her alter ego Sugar Kane are far more intelligent than they first appear. Seeing gold-digger-with-a-cause Sugar and faux oil magnate Joe (Curtis) manipulating each other is a hoot. Or perhaps it's Jerry's (Lemmon) gender crisis when he realizes that being a woman, even in a man's world, does have some perks to go along with the headaches.

In any case, the fun lies in seeing three tangles of lies and deceit growing ever bigger and out of control, like a comic Gordian knot, only to be cut at the last second with what's perhaps the funniest yet most anti-climactic punchline in film history. Between the sight gags, the slapstick, and the witty banter, you can't help but feel good watching this movie. There's really nothing bad to say about it; even the draggy parts are far more entertaining than what passes for comedy in most movies.

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Hitch (2005)

HitchWill Smith stars as Hitch, a counselor for men who are having trouble making that first move toward a relationship. One of his main focuses during the movie is an accountant played by a thinner Kevin James (compared to the first couple of seasons in King of Queens). Kevin's character is attracted to a beautiful heiress played by Cameron Diaz-wannabe Amber Valetta.

Enter sub-plot #2: Eva Mendes portrays a gossip columnist headstrong in the belief that, sooner or later, every guy with lie to you, cheat on you, or both. Hitch tries to convince her otherwise while convincing himself that not all women are eventually evil either.

The movie's greatest feature is being able to show just about every aspect or viewpoint one would have about starting a relationship, from the lovesick to the downright sick of love individuals.

The writing and acting are very well done, mostly because they keep Amber's lines to a minimum.

The reason for my ALMOST perfect title to this is because, toward the end, the movie gets WAY too Hallmark card-ish. If you see the movie, you'll know where it starts. This plus the Ellis Island scene could have had some of the documentary part trimmed a bit.

I would highly recommend this movie for a date, especially a first date. I would not advise bringing the kids to this one due to all of the sexual innuendo.

Warnings: profanity, sexual innuendo, people doing the 'robot' dance, and pigheadedness from both sexes. Like I said, it's a great date movie. :)

Final note of the movie: if your movie is being sponsored by, let's say, Krispy Kreme Doughnuts, it's probably not a good idea to represent them as a source for suicide inducing and heart failure.

Until the final ten minutes of HITCH, this was one of the best romantic comedies I had seen in a long time. The premise was fairly original, though in a way an inversion of the Cyrano de Bergerac theme. The difference here is that instead of an ugly man capable of great love who gives voice to a less deserving, but handsome surrogate, Will Smith's Hitch is a man who is afraid of love enabling somewhat unattractive men who are capable of a great love, an opportunity to express it. Hitch is a date doctor, someone who corrects the errors in a person's dating style that prevents his meeting the woman of his dreams. The film revolves around two poles: Hitch's efforts to help the hapless Albert--an overweight, clumsy accountant with bad taste and music and a hopeless dance style--woo the woman of his dreams, the socialite and heiress Allegra Cole on the one hand, and Hitch's own attempts to get to know (but not to love) Sara, a gossip columnist. I like the way the two story lines intersect and complicate one another, so that at the end of the film Hitch ends up with not one but two disasters to correct. Like in so many romantic comedies, the way to true happiness is paved with misunderstandings, and this is no exception. My only problem with the movie is the way Hitch takes care of his own problems at the end of the film. The person I saw this with hated the ending even more than I did, and she was quite upset that Sara had not taken what she considered to be the minimal steps that should have been expected for Hitch to be able to forgive her before trying to win her back. I didn't hate the ending as much as she did, but I do agree that the final ten minutes of the film are much, much weaker than the rest of it. On an intellectual level I understand why the decided to portray Hitch as temporarily bumbling and inarticulate, but I just couldn't buy the particular way that they pulled it off.

How nice to see Will Smith in a romantic role! And how refreshing to see Hollywood present an interracial relationship! Granted, Eva Mendes is a dark complexioned Hispanic of Cuban descent, but it is one of the very few times we've ever seen a romance between an African American and a person of European descent. Interracial relationships are common today, so it is nice to see Hollywood stop pretending that they don't occur. Smith has never been funnier than in this one, and the scene in which he suffers an allergic reaction to shellfish is about as funny as I have seen in a while (the make up is exceptional in that scene). Eva Mendes I had only scene previously in a film I absolutely detest, TRAINING DAY (as Denzel Washington's wife) and in the mess that was ONCE UPON A TIME IN MEXICO. She is much better served in this film, and she acquits herself admirably. She has a feistiness and projects a confidence that I really like. Kevin James is a stitch as Albert, and reveals himself to be one of the more physically graceful large actors to appear in some time. Model Amber Valletta is fine as Allegra, the object of Albert's affections, but since she is quite attractive in an arm-trophy sort of way, she was perfect for the role. Special mention must be made of Jerry Donovan, who is excellent as the reptilian Vance, who wants to hire Hitch to help him "bang" a girl he had met (Sara's best friend) so that he could forget about her and move on.

I will confess that my own personal favorite type of film from the birth of the sound film to the present is the romantic comedy. I wish as much effort was expended in the making of romantic comedies as in the production of movies based on comic book heroes or remakes of classics or TV shows. That day may never come, but in the meantime I will be happy to see the occasional excellent representative of the genre such as HITCH.

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I cannot believe that Will Smith had never done a romantic comedy before "Hitch". He has so much charisma that it would seem that he would have done about 10 of these type of movies by now. But as it turns out, his first one "Hitch" is not bad and Will gets a little help from his co-star Kevin James.

"Hitch" is a man named Alex Hitchins (Will Smith). He is a "date doctor," meaning he helps pathetic guys to get really hot chicks that they would normally would not be able to get. He has helped many men, and then comes Albert (Kevin James). Albert is basically the type of guy that spills everything, says the wrong thing every time or does not have the nerve to say anything at all. Albert wants to be able to get the movie star Allegra Coles. So Hitch helps him and along the way he meets Sara Meles (Eva Mendes). He falls for this girl and forgets everything that he teaches all of his clients by making a complete fool of himself. Obviously thats where the humor comes in and then the dramtic climax of whether Hitch gets the girl or not.

Will Smith does a great job as this character. As mentioned earlier, his on-screen charisma makes him the perfect choice for this character. The person that steals this movie from him is Kevin James. Being a big "King of Queens" fan, he is the reason that I saw this movie and he did not disappoint. Most of the movie's big laughs came from his antics. I didn't really like Eva Mende's character. She was too much of a pain in the neck (to put it nicely).

This movie would be definately worth the watch, especially if you have a significant other to view it with. It is funny and romantic, but I wouldn't say that its a chick flick. So there you go guys, this one is okay to watch.

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Will Smith is a cute, funny, and charismatic actor who has charm to spare. It is, therefore, surprising that Hollywood has never before cast him as the lead in a romantic comedy. I doubt that this oversight will occur again, as Mr. Smith takes to the genre like a duck takes to water and makes it his own. His seemingly effortless, laidback style of acting strikes pay dirt as the romantic lead in this film. I am sure that Hollywood has now taken notice that Will Smith has what it takes to be the lead in a romantic comedy.

Will Smith is cast in the role of Alex "Hitch" Hitchens, a young, suave, successful, sophisticated, smooth talker who has devised a career out of his ability to show even the most clumsy and shy, geeky guy how to get hitched to the woman of his dreams. He takes on clients whom he then coaches in the mysteries of finding one's way into the heart of a beloved, but seemingly unattainable, woman.

Our erstwhile dating consultant is hired by Albert (Kevin James), a chubby, earnest, tongue-tied accountant, who has fallen for one of his firm's own clients, socialite-heiress Allegra Cole (Amber Valleta). She is a trophy type of woman who, one would think, would not even given Albert a second look. Under Hitch's careful coaching, however, even our unlikely, lovesick accountant seems to be on the road to true love.

Of course, them that can, do, while them that can't, coach, and Hitch is no exception. While he can successfully coach his clients to attain the love of their lives, Hitch runs into a whole host of problems in his life when dealing with his own romance. It appears that he has fallen for the gorgeous Sara (Eva Mendes), a local gossip columnist. Despite his ability to ensure that the path of true love runs smoothly for others, he himself runs into many roadblocks and bumps in the road.

Will Smith is simply terrific in the role of "Hitch", playing the role with insouciant charm. His likeability quotient can't get much higher, and he certainly infuses the role with his effortless charm and humor. Hollywood would be remiss in not casting Will Smith in other romantic comedies, as he is such an ingratiating performer that the viewer cannot help but fall in love with him. As his love interest, Eva Mendes is certainly a gorgeous leading lady, although her character is not always likable. Still, she makes the most of her role as the feisty Sara, and I look forward to seeing her in more films.

I totally enjoyed seeing Kevin James in the film. He is the star of the long-running, hit television series, "The King of Queens", a show that I love and wish would run forever. I was not disappointed by his transition to the big screen, as I really enjoyed his performance. He is simply a big, cuddly, teddy bear sort of guy that you can't help but love, which helps make his on-screen pairing with Amber Valleta believable. They are simply adorable together. Amber Valleta successfully infuses her character, Allegra Cole, with a certain vulnerability that makes her very likable.

Kudos also go to director, Andy Tennant, whose deft direction contributes to the success of this film. This is a well-written, well-acted romantic comedy that is highly enjoyable. Co-stars Will Smith and Kevin James have great chemistry in the film and are excellent foils for each other. I would love to see them paired together in a buddy movie, as I think that they would be sensational. Fans of romantic comedies, however, would be well-advised to see this film. They will be glad that they did.

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Okay I'm a guy who likes Will Smith in comedies and action films. I love to share a good romantic comedy with the Mrs. but unfortunately WAY too many romantic comedies are not good. I saw the ads for "Hitch" back when it came into the theatres and what I saw didn't make me want to see it.

The Mrs. rented it last night, and we're both glad! Will Smith plays the title character, a high-priced consultant who turns romantic, but unskilled men into objects of desire. An opening montage shows hapless klutzes scoring with babes and we buy that "Hitch" must be good at his job. Eva Mendez is the saucy Sara, a gossip columnist who is so busy and successful at her job that she hasn't thought about romance for years. Kevin James meets Smith's comic chops every step along the way as the chubby bumbling accountant Albert who secretly pines for his high-profile client, zillionaire heiress Allegra Cole.

For a movie like this to work, there has to be a generous and believable dose of "heart" and "Hitch" has it. The central conflict in the movie comes from the perception about the mysterious "Date Doctor" Hitch. The actual character has professional morals and ethics. He doesn't train his clients to deceive their objets d'amour, he just "gives them opportunity". We meet a jerk early in the film who hires Hitch to get tricks to bed women. How Hitch sidesteps the guy is the right mixture of heart and machismo. Wouldn't you know that "Mr. Wrong" later goes out with the best friend of Hitch's romance Sara? Certainly it makes sense that Sara the gossip columnist would be tracking every move made by Paris Hilton surrogate Allegra. It even makes sense to question why beautiful Allegra is being seen about town with dumpy Albert.

The movie is not perfect. But there were some honest belly laughs, and more thought than usual into the wittier than usual script. The Mrs. and I give 2 thumbs up!

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Glimpse Inside the Mind of Charles Swan III (2013)

Glimpse Inside the Mind of Charles Swan IIII held my breath until the release date for this film. Love at first trailer site!

HOw could you possibly go wrong when you have SHeen, Swartzman and add the man Bill Murray on top of it all. It's pure gold!

Funny, great, sexy, and simply beautiful. Liam Hayes wrote a solid, really good soundtrack for it, albeit, not very originally sounding ( I still bought it on cd).

The scene where Charlie's love interest Winnick and Charlie dance and sing and butcher in Portugese is priceless.

Don't trust the reviewrs, including myself. See the film for yourself and you be the judge.

In this day and age of computer graphics, it nice to see an under the radar , small production film , where the human element is better than any amount of CGI

Well done Mr. Coppola and the crew!

Thank you

Satistfied movie-goer

Overwhelming gimmicks and stunt casting dictates this sour indulgent affair. From it's opening credits to the actors breaking the fourth wall in the ending, Coppola succumbs to his own crushing pretension and narcissim. In the lead role, Sheen is hidden behind extravagant costumes and a shallow underdeveloped character. He never surrenders himself to the hapless role. What it doesn't lack in imagination, it surely lacks in a logical and coherent story, as we frolic from set piece to dream sequence to yet another sequence without any rhythm. Quite honestly, I'll fork over $10 to anybody who could explain what was actually happening in this movie.

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I really thought this was going to be something totally different. Charlie Sheen plays a misbehaving artist who no longer has the creative juice to do anything new. It turns into very standard rehash about losing a girlfriend, brushes with the law, and testing the patience of old friends and relatives. I suppose these actors did the best they could with what few ideas were in the script. The last scene was pretentious beyond belief.

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This is the quirky indie I wanted to love, but didn't. Charley Sheen plays Charles Swan III, a type cast role. His girlfriend Ivana (Katheryn Winnick) breaks up with him. Charley is going through the mental phrase where he both wants her back and to "give her a kick." He has mental fantasies about their relationship which is supposed to be revealing psychologically as well as entertaining.

Unfortunately it doesn't achieve any laughter and only a few smiles. The ending lacks the heart warming quality these films normally boast. Funny guy Bill Murray was a bore. Jason Schwartzman who does comedy wasn't funny. Patricia Arquette plays Charley's sister in a poorly written role. The film ending and opening cartoon sequences makes it appear to have been inspired from Monty Python, although it lacks the genius.

This might make do as the fifth film from Redbox rental lot. I wouldn't buy it, even as a Sheen fan.

Parental Guide: F-bomb. No sex. Brief picture/photo nudity.

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"Maybe someone hurt me, you ever think of that, maybe someone hurt me." Charles Swan III (Sheen) is having a bad day. His girlfriend just broke up with him and he has a near death experience. When he wakes up in the hospital he begins to go over what happened. This is a very hard movie to review. It was very bizarre but OK. The only real way to review this is that the movie was written and directed by Roman Coppola. While this is his first real movie he has directed he helped to write Moonrise Kingdom and Darjeeling Limited. The movie has a type of a Wes Anderson feel to it so if you like his type of comedy then you will like this. If you don't get or don't like his humor then I would avoid this. That is really the only thing I can say about this movie. Overall, not bad but really made for a specific audience. I give it a B-.

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Zoolander (2001)

ZoolanderBest comedy ever made. True wit. Fourteen more words required. Green is my favorite color. Will Ferrell isn't awful in this.

This movie is pretty silly, but we have always loved it so we had to get it in Blu Ray.

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I hated this movie the first time I saw it and now it is one of my favorites. Amazing cast, ridiculously funny plot and storyline, great cameos, and the dialog is outstanding. A must watch for all silly comedy movie lovers!

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This movie is sooooo funny!!!!!!!! Love it!!!! Buy it!!!!! could watch over and over....got it for my husband and he loves it!!!!

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I have this on DVD and love it so much I have been looking for it on Blu-Ray. First attempt of getting this movie failed when I tried to get it fulfilled by a seller that did not go through Amazon. After full refund I awaited till Amazon had it back in stock for them to fulfill. With as hard to find as this is, only get it if fulfilled by Amazon.

Plays well in a LG Blu-Ray player in the U.S. no region code issues. Not sure if it really has been optimized for high deff or not, but I think it looks better than the DVD I had of it.

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Kevin Hart: Laugh At My Pain

Kevin Hart: Laugh At My PainKevin Hart is too funny! Saw this one at the theater twice (the first time people were laughing so loud/long, I missed some parts! lol). Definitely worth buying as he never gets old. I have been a fan for years and have his other dvds (I'm A Grown Little Man & Seriously Funny) and watch them all the time. Each time, it just gets funnier. You won't be disappointed with this purchase!

I can honestly say this is one of the funniest stand ups I have seen in a long time. I couldn't stop laughing when Kevin was talking about his dad. "alright, alright, alllllllright". Hahahaha..........definitely not something to watch with the kids. My 6 year old over heard it and he wont stop saying "alright, alright, alllllllright". He thought it was so funny. Glad I watched it on Comedy Central so some of it was edited. I am definitely buying the DVD to watch when the kids are sleeping. :)

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I don't understand why people don't love this!! My friend, who's a Kevin Hart fan, told me that he didn't like it as much as his previous stand-up routines. I thought this was hilarious! I don't normally buy these things, but it was so funny, that I'll buy it.

I also wanna support "Chocolate Drop", cuz he's a hard worker. He has been doing commercials, movies, comedy stand-up routines, etc. eBay has commercials with him on YouTube. Xbox has an add with him promoting Forza 4. I wanna support his hard work.

He used to be my #2 fav Comedian behind Louis CK. Now he's my first.

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This Is The Follow Up 2 "Seriously Funny". Does It Match Up?......No, But That Doesnt Mean That Its Not Funny In Its Own Way. Basically, Kevin Gives You A More Personal Look Into Who He Is, While Hes At New Heights In His Career. The Movie Starts With Kevin Back In Philly, Looking Back At His Life And Career With Friends And Family. The Stand Up Content Is Basically The Same With Kevin As It Always Has Been (His Kids, Relationships, Arkward Moments And Sex) But The Jokes Just Arent As Funny As "Seriously Funny". After The Stand Up, There Is A Bank Robbery Sequence With The Plastic Cup Boys And Also Taraji Henson As A Bank Teller. The Robbery Sequence Is Extremely Random And Doesn't Flow Well At All With The Rest Of The Rest Of The Movie. The Most Interesting Thing Outside Of The Stand Up Is The Fact That LARRY KING Actually Interviews Kevin's Father, Who Clears Up Some Of The Things That Kevin Talks About In The Stand Up. Overall This Movie Is Funny But Even On The DVD Itself Theres A Sticker That Says You Should Watch "Seriously Funny".....Now Thats Funny.

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Simply put, I saw him live in Philly and then went to see the movie to laugh again! Get this!

Piranha 3DD (3D Blu-ray + Blu-ray + DVD + Digital Copy) (2012)

Piranha 3DDThe recent remake of Piranha was nearly pitch-perfect. Gleefully hapless characters (portrayed with excellent B-movie abandon by the likes of Elisabeth Shue, Christopher Lloyd, and even Richard Dreyfus) trotted through the cliche-riddled story and provided both laughs and inventive, over-the-top gore. It wasn't out to win any awards, but what it WAS out to do -amuse and disturb -it did quite well. So, of course, they had to make a sequel.

Unfortunately, they neglected to include half of the original formula. Truly excessive T&A? Check. Obvious character archetypes doing/saying obvious things? Check. Humor, either hokey, offensive, or smart? Check. Scares and grind-em-up deaths?

Not so much.

The problem here lies right in the set-up: an unapologetically awful man (played by David Koechner) opens a water park (with an adults only section) and contrives to fill it for free from a nearby lake. Three guesses how that plays out.

Yes. The piranhas infest the water park, and therein lies the problem. I don't know if you've ever been to a water park, but every one I've ever visited appeared to have been planned and designed by a blind man with permanent vertigo. This is usually in keeping with the looping, curving, twisting paths of the various water slides and lazy rivers, and it means it's not that hard to get turned around if the park is big. The point being: filming in one must be hell.

There is never any real sense of place to the film, and the park is never given a wide enough shot to really show the scale of the disaster. At the same time, the very fact that people are inches away from simply hopping out of the water reduces both the scale, spectacle, and believability of any of the chaos. There's a ten or fifteen minute scene of people thrashing about in water that is two feet wide and three feet deep. Gone is even any attempt at terror or (failing that) anything close to the stomach-churning destruction found in the first film.

The movie tries to make up for this in other ways. There are a couple of piranha attacks outside of the park, one of which is so over-the-top ludicrous that it is almost annoying. I won't give away any details, but I will say that it's one step away from characters shooting live piranhas out of shotguns like some kind of Itchy and Scratchy cartoon. But that's probably the point. While the first film was an aggressive and ham-fisted satire of Swarm Horror, this movie seeks only to be a cartoon of it. It's not really the same thing, and so this film -if you'll pardon the pun -very much lacks the bite that made the first one such a success.

As a live action cartoon, though, it's not bad. David Hasselhoff does a great job of making fun of himself AND the film. ("Stupid ginger boy," he complains when he hears the screams of a kid who's getting eaten. "Why did you get back in the water?") He's one of the better parts of the film, although he is also overused. Ving Rhames, Paul Scheer, and Christopher Lloyd, on the other hand, are woefully underused. They brighten up their brief blips in the film, but all of them feel like they were added to the script at the last minute. There are some puns and gags that work, and some that don't.

It feels half done, is the point, and this is even evident in the run time. IMDB will tell you it's 83 minutes long, but that's counting the very slow credits crawl at the end. Perhaps knowing the deficit in their film, the makers put outtakes, deleted scenes, and a gag reel over half of these end credits. It's kind of like a nice, advanced special features addition, and I enjoyed it for what it was, but I also saw it for what it was meant to be: a quick, easy distraction from the fact that the film was more entertaining behind the scenes than in front of it.

Fun for what it is, but not as fun as it wants to be or should live up to. You might enjoy yourself if you have low expectations, or you might just have more fun watching Skinemax and putting some fish in a blender.

This movie cracked me up! If you've seen and enjoyed the first one, then you know exactly what you're getting with 3DD! It's a throw back to all the old exploitation films. Is it going to win an Oscar? Nope! Is there plenty of attractive, naked women, laughs and lots of blood? You bet! And isn't that why you're watching this movie in the first place?

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You will have to know before you watch this movie that this movie is far from being serious. I actually watched this movie because the first one made me laugh more then cringe. I was amused but overall not as good as the first. If you are into just naked women with big you know whats you will get entertained. Thats why I was, but to expect an actual cool storyline then you will be let down.

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Try as I might, I couldn't find a 3DD showing of this film, but did find it locally in just plain old 3D (which by the way, stinks). The movie is a sequel to the fun Piranha 3D from 2010 which I thoroughly enjoyed. It wasn't Oscar worthy but it was acted well, had some scary moments, plenty of over-the-toplessness and was pretty funny. Not to be confused with filet mignon, it was still a darn good cheeseburger.

3DD opens with grad student Maddy (Danielle Panabaker, "The Crazies") arguing with her now widowed step-father (David Koechner, who seemingly tries to play his role dramatically) about the future of their inherited water park. Mandy, a 49% owner wants it to continue to be family friendly. Chet (Koechner) has the great idea to make it an adult strip club located within the water park. Chet wins the battle.

The film is set in the progressive state of Arizona so we are easily convinced that it was no problem getting approval for families with young kids to come in the same gates as horny voyeurs. Not to worry however as there is a fence that apparently separates the family friendly environment from full frontal nudity and pole dancing. The 48" rule applies. That's how tall you must be to see over the fence and the pre-adolescent boys take advantage. Those boys also have an advantage over the audience however as director John Gulager only lingers a couple nano-seconds when it comes to bare skin before moving on to the next shot. Hey, the movie's only 82 minutes. Gotta hurry.

But, this is a movie about deadly fish right? This particular water park would seem to be isolated from the now abandon lake nearby where all the piranha did their dirty work. Thanks to good old Chet who had sunk a deep water well near the park (where's that regulation Arizona?), the still viable fish eggs have their chance to hatch...and of course they do (thanks to Gary Busey). The well gives the quick growing meat eaters direct entry to the fresh water pools.

Piranha 3DD also teaches us a lesson about anatomy. I didn't know that a small fish could enter a woman's naughty parts (in this case, nubile virgin Katrina Bowden), then grow a bit with nothing more than the woman having a stomach ache. But wait. Shelby the virgin (Bowden) decides that it must be time for her to abandon her "V" status with her boyfriend. He of course is game but gets a climax he wasn't expecting! I know this all sounds fun but it actually is very boring and uneven. 3DD is missing all those things its predecessor had going for it.

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I dont think people understand that movies such as this are made to be bad and cheezy which is what makes it so good. I MEAN THEY BROUGHT THE HOFF INTO IT FOR CRYING OUT LOUD! AT A WATERPARK! TO BE A LIFE GAURD! I know a lot of people are being so critical because they want to be a critic or whatever. But just know what the people who created the movie were shooting for as an overall product before criticizing. It is a great movie for what they were looking to accomplish. With all that being said, if your looking for a movie that is serious with great acting and an awesome plot and likely to win an academy award, this movie is not for you. If you are someone looking for a good laugh, like movies intentionally made to be cheezy, its a goldmine. All the "Critics" are just too opinionated.

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Network (2012)

NetworkPaddy Chayefsky's 1976 blockbuster hit "Network" is, I truly believe, the best film satire ever made. It might well be the best film regardless of genre ever made in the United States, better than "Citizen Kane," better than "The Godfather," better than any of the other numerous contenders. The first time I saw "Network" was on television about ten years ago, a supreme irony that became more and more amusing as the film progressed, and the powerhouse dialogue, performances, and set pieces captured my imagination unlike any other film. I have since watched this film so many times that at one point I could quote large chunks of dialogue verbatim with the greatest of ease. Over the past several years, however, I haven't seen Chayefsky's masterpiece as often as I would like. When I decided I would finally tackle the daunting prospect of writing a review for this movie, I rented the DVD version and resubmerged myself into the dark world of Howard Beale, Max Schumacher, Diana Christensen, and Frank Hackett. And I rediscovered something I always realize every time I watch this magnificent piece of cinema: "Network" is as great a movie as it was the first time I saw it, and it's prescience to our modern world continues to astonish.

"Network" takes the viewer inside of a major television network, UBS, during the 1970s. Their prime time newscaster, Howard Beale (Peter Finch), has just received word from his boss Max Schumacher (William Holden) that the network is terminating his contract due to low ratings. Perturbed about leaving his position, and with nothing else in life to live for, Beale breaks down on television and promises his audience that he will kill himself on live television the following evening. Not surprisingly, this revelation causes quite a stir amongst the suits on the upper floors. Frank Hackett (Robert Duvall), the new overseer of the network since its acquisition by a larger corporation called CCA, threatens once again to clean house. Schumacher convinces Hackett and the other executives to hold off because Howard is essentially insane, and he even manages to get Beale back on the air the following evening in order to issue a public apology. Max has his own reasons for supporting Beale: the network is threatening to cut the budget of the news division in order to decrease the debt load, a decision they failed to notify Schumacher about beforehand. When Howard goes off on a rant about the sicknesses of American society the following evening, Max refuses to cut the live feed as a protest against the network's unfair treatment.

Hackett hits the roof, but when entertainment division chief Diana Christensen (Faye Dunaway) convinces him that Beale's rants brought in a record number of viewers, a new idea quickly forms. What if the network encouraged Howard's irrational behavior? What if they made a program based solely on his prophecies about the state of modern America? That's exactly what Christensen and Hackett accomplish when "The Howard Beale Show" debuts on UBS. In front of a roaring crowd, the former newsman raves about the evils of corporatism, the corrosive effects of television, and public corruption. At the end of each tirade, Beale collapses in a faint in front of the cameras. Audiences eat these histrionics up, and ratings for the show go through the roof. UBS is well on its way to turning a profit. Meanwhile, a subplot about Max and Diana plays out. The two embark on a tempestuous love affair despite their professional quibbling about Howard and Max's longtime marriage. While Christensen sets about creating new programs highlighting left-wing revolutionary activities, programs like "The Mao Tse-Tung Hour," Max leaves his wife and moves into Diana's apartment. Their relationship resembles a television program, and as Howard's ratings slip after he receives a readjustment to his worldview from CCA chairman Arthur Jensen (Ned Beatty), Max and Diana's union also falters. The film's conclusion is as cruel as it is darkly hilarious.

I've never seen, nor do I expect to ever see again, a film like "Network." Each element of the film fires on every cylinder. Time stops while watching this picture. The performances from major and minor characters are sublime, but it's Peter Finch who grabs the spotlight with both hands and refuses to let go. His Howard Beale raves, rants, gesticulates, and issues statements on the world that spellbind with their power and elegance. His monologue to Max about his mental state, his lecture to audiences about the illusion of television, and his take on corporate buyouts brings me to my feet every time I hear them. Just as memorable is Arthur Jensen's mind-blowing analysis of the true nature of the corporate universe and the ultimate fate of mankind if the citizens of the world allow his ilk to have their way. The film ends with Max Schumacher labeling Diana Christensen "television incarnate" because of her total inability to form meaningful emotional connections. In fact, the mindlessness and callousness of television, how it reduces every aspect of human sentiment and interaction to one-dimensional superficialities, ultimately destroys every character in this film.

I could keep going ad infinitum, explaining how Max represents the common man faced with the daunting task of giving in to his cravings for television (re: Diana) or simply turning it off for good by returning to the wholesomeness of family life. I could also examine how Chayefsky shows us television destroying not only those who watch it but also those who fill the medium with images, i.e. the decision Hackett and Christensen feel they must make concerning Beale's plummeting ratings. What I really want to do is fill this review with line after line of the brilliant dialogue uttered in this film. I won't though; you need to see this tour de force motion picture for yourself. And realize how much of it pertains to our society today. Mad as hell, indeed!

I watched Network again last night, for the first time since the film first came out. I remembered that it was a good movie with a lot of good acting, but given that the things this film predicted about television have all come true and been surpassed in spades I was expecting that its indignation over the commercialization of television news would seem quaint and certainly dated.

Good heavens, was I wrong. This movie hasn't lost its edge a bit in 30 years. William Holden as Max Schumacher is the only real human being, and he wanders through this film looking slack-jawed, as if he'd landed in Toon Town and can't quite believe his eyes. As it turns out, he has: the cartoonish, conniving antics of Robert Duvall and Faye Dunaway leave all of us laughing guiltily.

The screenplay emphasizes the comic-strip nature of these characters by giving them dialog that no real human being could ever utter with a straight face. The one sex scene between Dunaway and Holden is one of the most horrifyingly hilarious moments I can remember from any film. Add Ned Beatty who doesn't say much through most of the film, and then erupts like Lucky in "Waiting for Godot" with a single, five-minute monologue that will peel the paint off your walls and this is one of the darkest, funniest films of the last 50 years.

They should re-release this film in theaters. Especially now.

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Mr. Chayevsky has made, easily, one of the greatest contributions to the art of cinema; one that transcends mere entertainment and holds court within the realm of the social, psychological, and political.

My fellow reviewers have been eloquent in pointing out the details, merits, and slight flaws within this movie.

With the exception of the brutal murder on the air, every single outrageous idea that the film is now, 30+ years later, part and parcel of standard TV programming. The most banal mediocrities, the most mindless sensationalism, the most blatant lies, are all so common on modern TV that it not only goes unnoticed, but is accepted as being good programming. Even people who know they're looking at mind destroying garbage continue to watch it!! All fo this was warned about in the movie; all of it has come to pass.

And still, we watch. We have no idea how the economy is controlled or who is making the decisions that will affect the lives of entire nations. We don't have a clue exactly why wars are fought, or even exactly what wars are being fought. We are blind to science, art, philosophy, and religion. we hardly bat an eye when we hear about industrial pollution on a biblical proportion, atrocities and genocide, or natural disasters wherein thousands of people die. But we know how things are going between Brad and Anjelina, who won last night's game, what soap star had sex with who, went into rehab, and what some loudmouth idiot with a talk show said that shocked and amused all of America the other day.

This is what we have become; and Network warned us, every step of the way.

But what I am impressed with is how the film exposes the horrifying economic and social realities of our time.

Ned Batty's brief scene in the conference room with Finch's Beale character has proven itself to be frighteningly accurate in its description of the disingenuous oligarchical tyranny we live under today. His explanation of the fact that there are no nations; only corporate entities, is exactly the world we live in with the exception that the corporations are subservient to international banking cartels.

No video collection should be without "Network": nobody can afford to ignore this film.

For my own part, I refuse to permit television in my home.

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"I think I'd like to be an angry prophet denouncing the hypocrisies of our time," fallen news anchor Howard Beale tells coworkers in the dizzying opening minutes of Paddy Chayefsky's masterpiece "Network." Writer Chayefsky, equally mad as hell, used his black comedy about a raggedy fourth TV network to denounce the hypocrisies of 1976 and warn of media evils to come.

Like his creation Sybil the Soothsayer, "Paddy was capable of seeing the future," director Sidney Lumet says. Chayefsky warned of entertainment masquerading as news, corporate meddling, violent reality shows, the tyranny of ratings, foreign ownership of U.S. media -essentially the strip-mining of what was already a vast wasteland. "The vision that the movie displayed so eloquently is alive today," producer Howard Gottfried maintains. "TV today has become its own satire," Lumet adds.

Disc 1 includes a sober but quite good commentary from Lumet, who focuses on who won what Oscar, why he rehearses actors, and the thinking behind the "Network" lighting scheme, in which "even the camera is corrupted" as the movie descends into anarchy.

The extra features leadoff on the second disc is a making-of by DVD docu specialist Laurent Bouzereau. It includes chapters on the late Chayefsky, the "mad as hell" phenomenon and the film's powerhouse actors. The docus cover a lot of material and get the job done, but don't expect much of that loopy "Network" spirit.

Also on disc 2, the late Chayefsky talks up the film on a segment of the old talk show "Dinah! The message of "Network," he said, was, "When do we say 'Hold it!' A human life is a hell of a lot more important than your lousy dollar."

Faye Dunaway's portrayal of lone-wolf programming vp Diana Christensen won her the best actress Oscar -and it is her top-billed performance that gets the most attention in the DVD extras. The part "wasn't easy to say yes to," Dunaway says. "I was advised not to do it. Because, you know, she didn't have a soul. She was a TV baby. There was a vacantness behind those eyes. People were afraid I'd be thought of that way."

Walter Cronkite, whose daughter Kathy played the film's Patty Hearst lookalike, is interviewed on another extra, saying the film's legacy is "it waved a banner of warning to the TV industry that it better not let things do as far as it did on that (UBS) network."

The new! improved! "Network" DVD smokes Warner's bare-bones versions of 1998 and 2000. Images are suitably colorful and handsome for a '70s film, although the presentation suffers from some speckling and unwelcome grain. The stereo Dolby Digital seems challenged by the audio's occasional spikes, lessening their intended impact.

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This movie must have seemed outlandish in 1976. Some people must have laughed, scoffed, and I'm sure many critics thought the film was "over the top," ridiculous. Now we watch it, and we wonder what the "comedy" was, at least in the programming sequences. There are shows now that make Howard Beale's gig look positively lame. Like "Being There," another one of my favorite satires, farce has become reality.

What puzzles me more is some critics, even today, have found the scenes with the SLA-inspired terrorist group to be unbelievable. If we have learned anything in the last 25 years, it's that even the most idealistic, alttruistic groups are extremely media savvy, faxing press releases and providing news stations with so-called "courtesy" video feeds, which many stations, lacking scruples, put on the air without even acknowledging the "courtesy." Nothing is pure; there are no ideals. And I think Chayefsky nailed that perfectly.

The performances are all terrific, but to me the standouts are Robert Duvall, at his bigmouth bullying best, and William Holden, as a man broken down and at the end of his rope, but with some fire still left in his belly. Maybe his last speech, where he breaks up with Diana, is a little too close to "talking the play," but until then it's a wonderful performance. Also scene-stealing is Marlene Warfield as an Angela Davis-type of liaison who has some fabulous lines, a few of which I can't print here. And of course, there's Finch, with his famous rallying cry, "I'm mad as hell..." that millions around the country embrace. His show skyrockets, but it's just a fad, the way reality TV shows have more recently become, and a year later ratings have tanked. Programming's solution is to look for the next fad, even though that is destined to burn out too, trapping the network in an endless loop that will probably lead to burn out. This is no solution, of course, but two decades later real-life programmers have not advanced beyond this strategy.

One year after Network hit screens, ABC News would be taken over by the man who ran ABC Sports, Roone Arledge, and he would run them both the same way for many years. This is not to slam Roone, who actually did many good things for TV news. But this was the very beginning--the crack in the floodgates--of news and entertainment mixing, becoming symbiotic, and finally blurring, till we're reached the point where entertainment has triumphed and news is now a thinly-disguised advertisement, after being for the past two decades thinly-disguised entertainment. Where will it end? Don't look to Network for that. I don't even think Chayefsky could have forseen where we are today.

The print on this DVD is excellent--if it weren't for the polyester and the dated sets, we'd think this film were made yesterday. I wish there were some commentary or a documentary or a look back 25 years later type of thing, but still, this is a DVD that should be on every serious film buff's shelves. Network was made right in the middle of a period when Hollywood was creating big-budget but personal films that had a social conscience. The action-fantasy flicks of the late 70s, starting with Star Wars, killed off that kind of filmmaking, for the most part, or at least consigned them to small-budget "limited release" pictures. At the same time, though, it would be a lot harder to make a satire like Network today. Tom Wolfe recently lamented that great satires are not being written anymore, and concluded that this is because life has become its own farce, and it's hard to make a statement that really stands out. Watching Network again, I realized he has a point.

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Year One (Theatrical & Unrated Edition) (2009)

Year OneI seem to find myself in the minority here, but I actually liked "Year One". Having seen it in the theater, I thought it was a fairly fun and light-hearted experience all around. The humor is perhaps not as broad as some prefer-but myself, I sort of enjoyed the subtleties. These type of films usually benefit from a second or even third viewing if you give them a chance.

In "Year One", Jack Black plays his part adequately but seems to yield the majority of the spotlight to his on-screen cohort Michael Cera. Michael Cera is the real star of "Year One" and Black seems to know it-taking a step back for the younger comedic actor to really shine. Cera's comedic delivery is dry and spot-on for his character "Oh" and he plays the part with real charismatic charm. In short, it is Cera's film, not Black's-and I wouldn't have had it any other way.

When it comes down to it, Year One is just a harmless little diversionary film which doesn't take itself too seriously and nor should you. I personally thought it had a lot of wit and charm. Perhaps it just didn't strike the majority of audiences in the same way. That's too bad too because personally, I found this film far more entertaining than some of the summer's bloated special effects films.

Surprisingly, this film looks amazing on Blu-Ray too-especially the city scenes.

I've read a couple of critical reviews of this movie and can't help but laugh at the disdain for this movie. I don't see how people expected greatness and depth out of a movie with Jack Black set in prehistoric and biblical times. I mean could they not see that by looking at the cover with a clean shaven, doe eyed Cera cast as a caveman? You want comedic depth, go watch "Best in Show" or "Arrested Development". You want silly and mindless toilet humor, then watch this.

I didn't go into this movie expecting an Oscar worthy movie or ground breaking performance, in fact nobody should. This movie is obviously intended for you to shut your brain down and let go for a couple of hours. I really enjoyed this movie and love Black in these type of roles. Cera plays the same role as he did in "Superbad" which isn't a bad thing since he's perfect as the shy awkward guy. You get that this movie is going in a whole different direction from the on-set of the movie when the cavemen speak with current day dialogue. It's right at that point where you're either sticking with it or bailing because even the most novice move watcher knows that this isn't "History of the World". If you like stuff from the Apatow troupe then this movie might be up your alley. If you don't get the Apatow reference then you obviously won't get this movie.

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Jack black is funny and stupid which is why i like this movie.Michael cera is dorky and funny it's fun movie to watch with friends.If you are into comedies you will like this one.

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This movie definitly has slow parts and jokes that don't always work as well as intended, so don't expect this to be a summer blockbuster. Don't have any high expectations for any Jack Black movie or Michael Cera movie really... If you like history or the humanitites you will definitly enjoy this movies multiple settings as they go through the early centuries. I would recommend at least a rental, if you're bored and are looking for something to mindlessly enjoy.

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I did not have too high expectations for this movie, the plot looked silly and the actors are not the best in Hollywood. Suprisingly, the plot threw in many references to the Old Testament. They followed books of the bible in a similar way that Forrest Gump followed events in 60's culture. It was cleverly done. I was pleased to see Paul Rudd, although for only a brief appearance. Yes, it contained silly, teenage boy humor, but what else would you expect from a movie with Jack Black and Michael Cera? If you like these guys, you'll probably like this movie.

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My Best Friend's Girl (2008)

My Best Friend's GirlUnfortunately, the sweet little plot of this movie was lost in the constant explicit language and some of the "over the top" displays by Cane's character to prove he was bad boyfriend material. I am not easily offended by language but I do think the overuse of particular words and gestures will limit the appeal to certain audiences. There is; however, a sweet little love story in there but likely only those who can get past the language will be able to find it. Scan and preview before you invite someone over to watch it with you ...

Well, now I haven't seen a film that shocked me as much as this film in a long time. Dane Cook is at his best when he is going completely over the top in this extremely raunchy romantic comedy. In fact Hudson, Biggs and Baldwin also seem to be having a ball in this sweet film full of crude humor, nudity and inspiring romance.....ohhhhh ain't that sweet?! I really liked this one and I think I will like it even more after repeat viewings. The unrated edition has an excellent transfer and some hilarious extra stuff!

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You're going to either love this movie or hate it. I find Dane Cook's humor smart and creative, therefore I appreciate this movie. The premise is very funny and the dialogue is also fun and well thought out. Two thumbs up from me.

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The best parts of this movie consist of very vulgar and crude conversations. Do not watch this for the love story because it is generic and boring. If you want to laugh at an over the top, well written, down right vulgar script, then watch this. It is worth it. But definitely do not get this if you are looking for a light romantic comedy. There is nothing wrong with a romantic comedy, you will just be disappointed in this movie.

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If you don't know who Dane Cook is or like cocky comedy, then why would you watch this?? It is rated "R" and there is no pretense that anything delicate or sensitive is in the offing. That said, this is an exellent comedy for those who love bold, brassy love stories. Re-watch "Gone With the Wind"... see any green flags around Rhett or Scarletts relationship styles? I hope not-the dishonesty in alot of classic romances is a turnoff to anyone actually dating... the genuine male-female dynamic is one of tension and testing. George Cloonys' characters often exel at this type of banter. If you liked "Wedding Crashers" you might like MBFG... if you loved "Old School" then put this on your queue now. --Warning-spoilers aheadThe movie "Someone Like You" is actually a girly version of the same premise, that a strong, funny woman looks for a bad boy for thrills and a nice guy for stability... but doubts that she will ever find the whole packageso our hero is really a sex buddyand then realizes that he's a player getting played...(I guess "Boomerang" and "Whipped" were like this, too.) The fact is, all the girls I know love to be teased...hard. The main caveats are: 1-tease as a sign of abundance, not anger. 2-tease her in proportion to her confidence. No withering zingers on shy people. Vince Vaughn and Dane Cook do it right!

Fine supporting work by Alec Baldwin, Lizzy Caplan, and Riki Lindhome.

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The Apartment (1960)

The ApartmentThe Apartment is an insightful movie made by one of cinema's most talented directors. The plot is fairly simple, but C.C. Baxter's (Jack Lemmon) is anything but. By innocently lending out his apartment to a coworker, Baxter's residence becomes the love nest for his philandering colleagues. Along the way, Baxter develops a friendship with Fran Kubelik (Shirley Maclaine), one of several attractive female elevator operators. Baxter is rewarded for his generosity by getting promoted by Jeff D. Sheldrake (Fred MacMurray). Little does he realize that Fran is Sheldrake's latest plaything. The Apartment has all that you expect from the best of Wilder: great performances, witty dialogue, and a plot that holds to this day, even if most of the depiction of the corporate office environment has changed dramatically (When was the last time you saw an elevator operator?). The three stars provide great characterizations, with MacMurray the real surprise here playing against type. This film is also notable for solidifying the Wilder/Lemmon team. With The Apartment, Lemmon was no longer playing second male leads or supporting roles. A worthwhile film that is still enjoyable today, but the DVD version leaves much to be desired. The picture quality is good, but the looping (the sound synchronization) is off and very distracting. Don't know the reason for this, but considering this film's place in cinema history, I would have thought it would have gotten the A treatment. The DVD is a disappointment.

This review refers to the DVD edtion(MGM) of "The Apartment"

This 1960 winner of the Academy Award for Best Picture of 1960,touched our hearts and made us smile 43 years ago and still does today. It has not lost one bit of it's charm and continues to add new fans all the time. It's a treasure chest of great cinema moments, and a must own for collectors of classics, Billy Wilder or Jack Lemmon films.

Lemmon's immense talent shines through as C.C. Baxter, one of thousands of office workers in a huge company who is quickly working his way to the top floor and the executive washroom. He's got what it takes to get ahead...he's a dedicated employee, and a hard worker, he's got they key to success...and it opens the door to his apartment! It seems the powers that be on the upper floors have discovered this single guy's bachelor pad and have badgered Baxter into letting them use it for their little extracurricular activities.

Things get complicated for C.C. though, when the big boss wants in on the action. He wants the apartment for his own use and now C.C. has a chance to go all the way to the top floor.But the rewards are bittersweet..Mr. Sheldrake's girl turns out to be the very sweet elevator operator Miss Fran Kubelik. The very girl that C.C. adores himself.

The moments as we watch C.C. agonize over this dilemma are touchingly funny,and poignant. Lemmon is brillant in his portrayal as he is able to bring all these emotions to the screen.The rest of the cast is excellent as well. Shirley MacLaine(Fran) will touch your heart, Fred MacMurray(Sheldrake) is marvelous at his turn as the philandering exec(you'll see him in a very different light from his "My Three Sons" role), and also look for such great notables as Ray Walston, Jack Kruschen, Joan Shawlee,Hope Holiday and the wonderful Edie Adams. Oscar also honored legendary director Billy Wlider for his work as director and another for screenplay along with I.A.L. Diamond. The music by Adolph Deutsch is as sweet as the story and will stay with you for quite some time after the view.

Overall the DVD was quite good. This 43 year old film looked pretty good. It could use a little improvement. There were times when it showed it's age, but the black and white images were clear and bright for the most part.The sound is in Dolby Dig MONO!...."Some Like It Hot" made only 1 year prior to this one, has been enhanced with Dol Dig 5.1(on both DVD editions) and sounds great.The Special Edition of "SLIH", even gives you the choice of watching it in the 5.1 or the original mono. This is a film that deserves at least the same attention. It may be veiwed in French and Spanish and has subtitles in those langauges as well. But..there are no subtitles or captions in English for hearing impaired viewers to enjoy this great classic and that is a shame. This is a film that should be enjoyed by all! MGM..maybe it's time for a new edition of this treasure.

"That's the way it crumbles....cookie-wise"(Shirley MacLaine to Fred MacMurray).....enjoy...Laurie

also recommended:

reading:Inside Oscar, 10th Anniversary Edition

viewing:Some Like It Hot

Buy The Apartment (1960) Now

The Apartment is Billy Wilder's satirical look at office politics and the Man In The Grey Flannel Suit. Jack Lemmon stars as C.C. Baxter, a lowly office clerk in a huge corporation who is just another faceless working bee in an endless row of desks. When Baxter starts lending his apartment to executives in his firm so they can take their mistresses there, he finds himself moving up the corporate ladder. Although the constant loaning of his apartment starts to be an inconvenience, he keeps doing it as makes sense business wise. In meantime, he meets Fran, an elevator operator in his building, who is involved in affair with the big man in corporation, J.D. Sheldrake, played by Fred MacMurray. Mr. MacMurray is outstanding playing against type as the lascivious lowlife boss and philanderer (although is played another unscrupulous character quite well in The Caine Mutiny). Ms. MacLaine is excellent as the morose Fran who brings the situation between Baxter, Sheldrake and herself to head when she tries to commit suicide. Baxter must decide between his integrity and his career. Mr. Wilder masterfully fills the film with laughs and heart and his look at corporate politics is sharp and incisive. For his efforts, he yet again had a triple win at the Oscars, taking the 1960 Best Director, Screenwriting & Picture awards. The Apartment was also the last black & white film to win the Best Picture Oscar until Schindler's List (which has some elements of color) won in 1993.

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Legendary director, Billy Wilder?s "The Apartment" is one of those little jabs of tawdry pleasure that crop up every once in a while. It?s the tale of an overworked office jockey, C.C. Baxter (Jack Lemmon) who wants so desperately to gain access to the executive suite that he starts renting out his apartment to company executives that are having affairs with their secretaries. Baxter?s shy repartee with elevator operator, Fran Kubelik (Shirley MacLaine) seems promising enough for an office romance of his own. That is, until Baxter learns that Fran is in love with his boss, Jeff Sheldrake (Fred MacMurray). However, when Fran accepts that her affair with Jeff can go nowhere because he refuses to divorce his wife, she begins to realize her night in shining armor might not come with a key to the executive washroom, but is genuine and good for her nevertheless.

MGM DVD has done a below average job of remastering this DVD. The 2:35:1 anamorphic picture exhibits overly harsh, digital characteristics that are wholly unflattering. Though the gray scale is well balanced, offering fine detail, there are excessive amounts of shimmering, edge enhancement and aliasing throughout. Shadow delineation and contrast levels during the night scenes are poorly rendered. The soundtrack is mono and strident. There are no extras.

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I usually get dragged into Shirley MacLaine movies kicking and screaming; that supposedly elfin charm of hers usually eludes me. Because of this, I neglected to watch "The Apartment" for years. All I can say about that now is, "Pardon me, Shirl, my mistake." This movie is a Wilder masterpiece and an absolute delight. One of the best things about it is that it shouldn't be funny; nearly everyone in it is a lying, abusive, double-crossing lecher with a heart of solid tin. There's adultery, alcoholism, and a suicide attempt, too. None of this would be remotely funny in lesser hands than Wilder's, let alone heart-warming, but the director manages this impossible feat handily. It helps that the central character, C.C. Baxter, is brought to life by Jack Lemmon; Lemmon's performance is one of the rare times in film you forget you're watching a star and genuinely believe in the character. Fred McMurray plays against typeamazingly wellas the slimy boss C.C. Baxter must please. Shirley MacLaine is, for once, the heartbreaking gamine she's cracked up to be. The supporting cast is terrificJack Kruschen is great as C.C. Baxter's next-door neighbor, a doctor. Joan Shawlee is her usual howlingly funny self as a floozy telephone operator, and Edie Adams gives herself over completely to an unsparing portrait of a scheming secretary. For my money, the best bit in the film is when C.C. Baxter, who has a cold, has been summoned to the boss' office for a talk that takes a VERY surprising turn. The sniffling, sneezing Baxter forgets he's holding his nose spray, and reflexively squeezes a six-foot stream of the stuff across the office. The film is richly detailled, with sets that blend seamlessly with the real New York City locations used. I spotted one inside joke in the movieC.C. Baxter gets his first real promotion and, therefore, his first real office at the company. Of course, Baxter's name is on his door; the door of the next office says that T.W. Plews is the occupant. The name is actually that of Tom "Limey" Plews, prop master for this movie and hundreds more. This is one of the greats, and I can guarantee you won't be disappointed. There is one glitch in the video transfer you should know about; the original theatrical trailer is included on it, and the print of the trailer is absolutely terrible. Fortunately, the film itself is just fine. BUY this one, don't rent ityou'll want to see it again and again!

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10 Years (2011)

10 YearsCustomer review from the Amazon Vine Program Have you been to your ten-year high school reunion yet? If you have then you will relate to this film starring Channing Tatum. There were a couple of stereotypes like the hot girl everyone's eager to see whether or not she got fat. Or the class bully whom you're hoping doesn't show up at all. Most of all, though, when you go to your reunion you're eager to see the people who meant the most to you. Like a sweetheart, or the guy you had a crush on. All of these scenarios are represented in this film. I admit, I chose it because of Anthony Mackie whom I'd just seen kicking vampire butt in Abraham Lincoln, Vampire Hunter, but I'm glad I watched this film. It was more poignant than I thought it would be. A lot of the characters matured in the ten years since they'd graduated. Although one of them was still a bully deep down even though he made a show of having 'changed'. Entertaining and even enlightening, give 10 Years a try.

I was a little reluctant to watch this movie given the couple bad reviews that I read on Amazon and the "average" IMDB rating. I just finished watching this and I would indeed rate this at least 7 out of 10. The story line had humor, romance, realism, and the acting and storyline were both above average.

I don't like silly movies that have no heart or emotion in both acting and storyline, and this movie, 10 Years, has both Heart and Emotion and left me feeling like watching it again.

This will go into my movie Library.

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10 Years has a great cast and the performances are all very good. The problem, or the movie's strong point, depending on your taste, is that the pace and the individual stories are very realistic. The problem with that is that things move a little slowly. I did enjoy the movie, and it's worth the price of a rental, but it's not something that I would go out of my way to see again.

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I read the only review posted here and was disgusted. The reviewer didn't "get" the movie at all and that's a shame. If he would take the time to READ about what the movie was about before he saw it he may understand the things he didn't like are EXACTLY what the storyline said it would be and IS. It's a brilliant collection of individuals who act just as real people act in the situation of the story. Jamie Linden did an excellent job capturing what a high school reunion is like and how the characters of your past change or don't!

I thought the movie flew by and would have liked to know even more and be able to spend even more time with the characters. I can't wait for the video to be released and will have to add it to my library. I also look forward to the next Linden production.

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Customer review from the Amazon Vine Program Call me crazy but I always love movies centered around high school reunions. 10 YEARS is no exception. The cast is very attractive and engaging and the plot is, well, pretty typical of every other movie of this genre. It does not move along as quickly as, say, ROMY & MICHELLE'S HIGH SCHOOL REUNION, but toward the end the pace quickens a bit. There is a lot of dialogue in this film and I seemed to have a bit of difficulty hearing all the lines of the actors. Not sure if it was the sound quality or my aging ears. There were some funny parts and some heartfelt moments. There seems to be a character that almost everyone could identify with. Overall, this was not my favorite high school reunion movie, but it certainly wasn't the worst. It's worth seeing, just for the attractive cast if nothing else. I liked it and I will share it with friends.

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Four Weddings & A Funeral (1994)

Four Weddings & A FuneralThis film starring Hugh Grant and Andie MacDowell was quite a popular hit when released in theatres and was nominated for Oscars. The characters are well developed and the supporting cast is terrific. There are many great one-liners and the accompanying music is enjoyable. I consider this movie one of the best romantic comedies of the 90s. However, MGM has only occassionally produced outstanding DVDs. Unfortunately, this DVD has some artifacts, pixelation, and bare bones content. I was disappointed in the visual and sound quality for a film made so recently (within the last ten years). I would recommend this DVD only if you are a big fan of this film or don't demand quality and rich content in your DVDs.

"Four Weddings and a Funeral" may not be the greatest movie in the history, but it surely is the best modern romantic comedy I ever saw. The only film that can possibly surpass this delightful one is, perhaps, "When Harry Met Sally ..." Maybe tied.

Hugh Grant has starred in many films since then, but his best role is still Charles of this film, who unwittingly finds his love in Carrie, an open-hearted American played by beautiful Andie MacDowell at his friend's wedding. One miatake is, he foolishly couldn't realize it before he let her go after one-night stand. But as the number of ceremony goes up (including one funeral), he gradually comes to notice that he threw away the best thing in his life. And while he is wondering what to do, friends around him start to search for their real love, including his own brother David, his timid friend Tom, Tom's sister Fiona, and Charles's eccentric roommate Scarlet. But where should Charles go? Going back to his countless ex-girlfriends? Or, Carrie? But she got already married.

To be honest, a little abrupt ending of the film damages an entire movie's strength a bit, but all comedies have to pay the price to end the show within an appointed hour. What is incredibly splendid about "Four Weddings" is that the characters are all so lively and sparkling with witty dialogue that you think they are not acting at all. Actually, on top of Hugh Grant, many actors are still associated with the roles in this film even if they got more populality after this film; Kristin Scott Thomas is later to be nominated Oscar for her turn in "English Patient," but she will be remembered as deliciously aristocratic Fiona. John Hannah made his name popular through the Hollywood blockbuster series of "Mummy," but still he is kind-hearted Matthew to those who have seen him recite W H Auden (most touching moment) in "Four Weddings." This is that kind of film that changes the cast's life. It happens once in your lifetime.

With this great ensemble cast, we have fantastic script by Richard Curtis, filled with funny lines uttered by completely believable characters. He does not fail to take great care of minor characters, and give them equally good moments. Look how Serena, in love with handsome David who is hearing impaired, learns sign. Trying to impress him, she mixes up "nice" with "mice," but, you know, when boys and girls are in love. nothing can stop them from understanding each other. Cute.

Brilliantly written, "Four Weddings" is a superb model of romantic comedy. If you like this type of movie, you surely will fall in love with it; and if you're not, your mind will be changed just like mine (I didn't expected much from it, so I didn't go to theater until the last day). And the film never forgets the sad side of life as the title implies. Sad thing is one of the cast Charlotte Coleman, who played most unconventional bridesmaid Scarlett, has passed away recently. She is terrific.

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This was a very good movie. Hugh Grant is charming and funny in a clumsy way. Andie MacDowell is cute and charming as well. The cast as a whole is terrific. I recommend this movie to all. The DVD on the other hand, was very poor. I have watched a lot of DVDs in the past year and this was one of the worst. I felt like I was watching a VHS tape. The picture was very bland and the colors were muted. I know the English are pale, but this DVD transfer did not do them any justice. On top of the poor video quality, the sound was just as awful. The volume was very low, and jumpy at times. The dialog at times didn't come through clearly and there was no use of the surround channels. This movie could use a thorough update to the entire pakage. A new video transfer, a new audio 5.1 channel mix and some extras would have made this a top DVD. Instead MGM decided to skip all the goodies technology has to offer to keep the price of this DVD down. Too Bad, Its a Great Movie.

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As a movie I will rate it 4 stars, but the video quality is very bad, lot of artifacts, blury images, MGM transfer is really a big disappointment.

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The 1994 movie, "Four Weddings and a Funeral", was an international box office hit and the pioneer in the film genre known as the 'Romantic Brit-Com'. This is a genre of usually small budget, comedic films, that are about the romantic lives of good looking, young Brits (usually with a close group of witty, quirky, supportive friends), who must overcome self-doubt and bad timing to make true love happen. A good number of these films star British actor, Hugh Grant and have been written (and sometimes directed) by Richard Curtis ("Notting Hill" "Love Actually," "Bridget Jones"). Curtis has been so involved in this genre, that he's basically been annoited "King of the Romantic Brit-Coms". "Four Weddings" was pretty much the first of these films. This movie mostly takes place at public events, which are of course the "Four Weddings and a Funeral" in the title. In the film we meet Charles (Hugh Grant) and his close knit group of quirky, witty, supportive friends. We never find out what they do for a living, what their backgrounds are and only get hints of how they know each other. It's as though we are guests at a wedding meeting these people for the first time. What we do find out is that Charles seems to be a perennial wedding guest/Best-Man. He has great doubts about his troubled romantic life and wonders if he is ever destined to meet, that one special person, who he might actually marry. He also always seems to be putting his foot in his mouth and getting into embarassing comic situations (I love the scene, where he gets stuck at a table filled with all his ex-girlfriends!) At the first wedding he meets a glamorous American named, Carrie (played by a luminous, Andie MacDowell). They meet, flirt, even wind up in bed with each other over the course of the different public occasions. But of course because of self-doubt and bad timing, these characters can never really seem to get it together and declare their true love for each other. It's not hard to figure out how this all ends, but the long and winding road over the course of the four weddings and a funeral are quite funny, sad and interesting for all. This is due to the very funny and poignant script from Richard Curtis and sure direction from Mike Newell. The cast is top notch. Hugh Grant has a star making performance in the lead role. Other standout performances include actors Simon Callow as the gregarious, full of life, Gareth and John Hannah as Matthew, who just stops the film with an emotion filled eulogy. Kristin Scott Thomas is also very good as Charles' friend Fiona, who secretly pines for him. Finally, mention should be of British Comedian, Rowan Atkinson's short, but drop dead hilarious turn, as a very nervous, new Vicar, who can't seem to get the wedding vows right! ("Do you take Lydia Jane Hibbert to be your Awful wedded wife!") Originally, this film was released in a pretty primitive bare bones release. It has now been released in a newly minted, 'Deluxe Edition'. The picture is cleaned up and presented in widescreen. I thought the sound in this edition left a lot to be desired. The extras are wonderful. They include a full length commentary track from the filmmakers and a number of short documentaries and featurettes on the making of the film, that prove to be very interesting. But best of all are the deleted scenes (with commentaries), that flesh out the backgrounds of the characters a little more. This film is a wonderful romantic comedy, that leaves you wanting more. Great film! Highly recommended!

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