New Comedy Movies

Save the Date (2012)

A real film about how life sort of just happens. very relatable story and characters. The story plays out like events would in life and that was what made this movie so great. if you enjoy stories that are more realistic then this is for yo Lizzy Caplan and Alison Bree are stellar and you will fall in love with them. The dialogue is key in this film so enjoy and pay attention. i will say the last scene wasnt my favorite but the rest of the story makes up for it

Lizzy Caplan steals your heart as a complex, self gaurded 30something who has love thrown at her when it's the farthest thing she wants. She most choose between the love she has become comfortable with, and the rebound guy turned soulmate. As well as her sister's (Alison Brie) wedding witch she feels obligated to help with. Great performances from Mark Webber, Geoffrey Arend and Martin Starr also.

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Really enjoyed this movie and the dark humor was a nice departure from the standard, cliched romcom. Sad at times and i wish it didn't end where it did (not that i'm always opposed to ambiguous endings), but I'd definitely watch it again! Loved the cast and in particular thought Lizzy Caplan did SUCH a credible job with the role.

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A good look to couples and relationships on some extreme tough situations but also with a very realistic intention to grow. Nice funny moments also. Sweet movie after all.

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Save the Date is a sweet and yet serious indie flick about two sisters who are as different as night and day. Sarah is terrified of commitment (Lizzy Caplan) and Beth (Alison Brie) is happily engaged. Sarah's live-in boyfriend proposes to her in a very public setting and she breaks up with him, and immediately begins a sexual relationship with Jonathan (Mark Webber). Beth is cynical about Sarah's new situation, she feels her sister is just passing time and is afraid to take risks in her safe little world. I thought Lizzy Caplan and Mark Webber have intense and wonderful chemistry, and I also thought Caplan's performance was heartbreaking and electric, this is the best I've ever seen her. Save the Date is a great film, it's not for everyone but if you're a fan of indie flicks then this one is for you. Enjoy!

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Flypaper (2011)

I've been disappointed with most movies I've seen recently. Nothing really captured my imagination or made me laugh--or think for that matter. I came across Flypaper by random chance, and its restored my faith in movies.

I don't want to spoil this movies many plot twists (some of which you saw coming) but the basic plot is as follow: Two opposing bank robber teams by chance rob the same bank at the same time. One team is pro with high tech gadgets, the other is a redneck duo that make you wonder if they should be in a mental institution. Instead of it being a quick smash and grab though, the bank is locked down until the next morning. In the meantime, both teams try getting into the vault/atms/getting money--but then things go terribly wrong. One by one, people die.

I realize that made it sound like it's a horror movie--its not. It's a quite above average darkish (it's neither fully black or light) comedy "whodunnit" with intricate plot twists and a unique main character. Imagine Agatha Christie's "And Then There Was None" mixed with "Inside Man" with a sprinkle of ADD.

I was absolutely shocked to go to rotten tomatoes and see this movie's very low reviews. The big criticisms were a lack of chemistry between the cast (which I completely disagree with) and an unfunny script. Honestly, I think it just comes down to what you think is funny. If your idea of funny is say "Knocked Up", this is not the movie for you. However, if "Wild Target" made you almost cry with laughter (yes, I am speaking about myself), then I would highly recommend this movie.

"Are you seriously suggesting that we rob the same bank?" While talking to a teller (Judd) about change (Dempsey) a bank robbery begins to take place. When signals get mixed Tripp realizes that there are two groups of robbers. After explaining to them they can rob the same bank right now he tries to figure out why two groups are there and who tipped them off. This is a very surprising movie. Full of action and very funny. The cast is great and for a little movie it pulls in some really big names. This is the most fun I've had watching a movie in a while and while it's not an amazing Oscar worthy movie it is very much worth watching. An updated action version of "Clue". Equal parts action, comedy & mystery with a great twist at the end. I recommend this highly. Overall, a very very exciting and fun way to spend an hour and a half. I give it a B+.

Would I watch again? I think I would.

*Also try Clue & Henry's Crime

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With its convoluted plot, manic energy, and slapstick shenanigans--the lightweight, but enjoyable, "Flypaper" plays like the equivalent of an elaborately staged murder mystery dinner. You're not really meant, however, to follow the clues to their logical conclusions or be able to deduce the central conundrum. No, it's best to just let the silliness unfold on and around itself. To thoroughly enjoy the comic mayhem, one has to let go of reason and go with the flow of the sitcom stylings. Most, I think, will be willing to do so as "Flypaper" certainly stacks the deck with an astute cast of notable performers--all gamely hamming it up to maximum affect. Patrick Dempsey and Ashley Judd headline this piece, but the impressive supporting roster includes Tim Blake Nelson, Pruitt Taylor Vince, Jeffrey Tambor, Rob Huebel (always a welcome presence), Octavia Spencer (ditto), Mekhi Phifer, and Curtis Armstrong. No one gets much actual characterization, really, more than a cursory quirk or two--most just exist to play a possible suspect in the overly-plotted comic thriller.

As "Flypaper" opens, we get a brief introduction to the varied members on staff at the quaintest little bank you're likely to encounter. Judd is a teller and Dempsey is a jumble of tics as a socially awkward customer, who happens to be a savant of sorts. Before you know it, the bank is raided by two distinct groups of bandits--one tech savvy (Phifer, John Ventimiglia, and a great Matt Ryan) and one bumbling idiots (Blake Nelson and Taylor Vince, no surprise there!). As everyone gets trapped in a lockdown (don't worry, police intervention is conveniently absent from the consideration), Dempsey starts to piece together that a more elaborate scenario is in play and the conflicting robberies are just part of something more nefarious. Before the night is out, there will be many secrets uncovered. As everyone scrambles around the bank in full slapstick mode, there is plenty of silly fun. But beware, there is also a surprising body count as we come closer and closer to the truth.

A movie like "Flypaper" certainly isn't meant to be taken seriously. It's a simple bit of fun. There is not much subtlety to be found. If you like over-the-top acting and outrageousness, this might be a fitfully diverting entertainment. If you are less keen on slapstick comedy, this might not be your first pick. I did enjoy "Flypaper," largely because of the talented and appealing cast. But I think the murder mystery theater comparison is apt. Lightweight and amusing, it's not necessarily something that will linger in your mind beyond watching it once. However, for something so frothy, there is a fair bit of strong language and an unexpected amount of violence. If you are more sensitive to these elements, you might take note. Part comedy, part mystery--this heist picture is an engaging and amusing romp. KGHarris, 11/11.

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A very large bank has the unlikely event of being robbed by two different gangs at the same time. One group is dressed as a swat team while a second gang appears to have been on "Deliverance." Patrick Dempsey stars as Tripp, a customer who is fascinated by bank teller Katlin (Ashley Judd) and attempts to keep her out of harm's way. Katlin is supposed to get married in 2 days to a rich man.

After shots are fired, Tripp (who is off his medication) acts as a mediator between the two gangs to work out a compromise. There are things about this robbery that don't add up in Tripp's mind and he wants to know why. Tripp has a mental condition which aids him to figure things out. He plays "Clue" as things turn into "10 Little Indians." The robbers are a good quirky bunch as are the hostages. Excellent use of characters. Funny. Fast paced. Kudos to Rob Minkoff.

F-bomb. No sex or nudity.

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I didn't bother to seek out critiques of Flypaper . . . it's obvious that something didn't gel in the kingdom of film critics. And I'm glad that I didn't let that stop me in this case. The plot sounded like it had potential, and I took a chance . . .

Flypaper is a refreshing bit of nonsense, cleverly directed and acted, with a little more violence than necessary (ask Hitch), but certainly not in-your-face like so much video now. It's not that far removed from a Coen Brothers piece, and while not as deep (a word questionably applicable to any of this genre) as "Burn After Reading," or maybe "Raising Arizona," it will probably find the same crowd. And there's some fun in being able to individually discover something that wasn't already hyped to death.

Is there enough substance to create a cult classic here? I'm not sure, but there's more here than met the critic's eye. It's not easy to take the terminal dumbness of Peanut Butter and Jelly, and make it work. I kept expecting it to slide into a groaner as the movie progressed, but the giggles kept coming. Patrick Dempsey is hysterical and convincing as an ADHD victim without his meds, and Ashley Judd still has the spark. The supporting cast was spot on, but the direction made it all work. It's a fast-paced show that depends largely on timing and dialogue to work, and apparently, many of us think that it does. These characters don't need any more depth for this type of project.

Fun to speculate how the Coen Brothers might have handled this one. "Burn After Reading" still hangs at 3 stars . . . people either get it or they don't. It's one of my all-time favorites.

Flypaper is an escapist flick that should deliver 87 minutes of fun if you're in the mood. It'll never win an award, but I give it 4 stars for its comparison in the genre. They didn't get enough credit for this one. A good example of the need to make up your own mind . . .

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Austin Powers: International Man of Mystery (2011)

I'm not a Mike Myers fan, and I avoided this film--and its sequels--like the plague when they were on the big screen. But I now know the error of my ways: AUSTIN POWERS is one of the freshest bits of purely entertaining, mindless fluff to come along in quite a while, the perfect antedote to an overcast and bad-mood sort of day.

The story is an amalgamation of the more excessive plot ideas of such films as DIAMONDS ARE FOREVER and OUR MAN FLINT. Fashion photographer by day and swinging spy by night, Austin Powers is the toast of psychedelic London--and more than a match for Dr. Evil. But when Dr. Evil has himself frozen, Powers does the same, and the two defrost some thirty years later and resume their battle in the much more up-tight 1990s. The most obvious target of the spoof is the James Bond films, but fans of 1960s film will have a field day spotting the film's take offs on such characters as Matt Helm, Derek Flint, Emma Peel, celebrities like The Beatles and Andy Warhol, and such diverse films as THE TENTH VICTIM and the camp classic DR. GOLDFOOT AND THE GIRL BOMB. And dare we mention the sixties' own classic swinging spy spoof, the infamous CASINO ROYALE?

Myers is greatly amusing in the double role of Austin Powers and Dr. Evil, both of whom have considerable difficulty adjusting to everything from safe sex to inflation, and Elizabeth Hurley is quite good in the Diana Rigg-ish role of sidekick Vanessa Kensington. But the real fun here is in the details--and the details include every one from Michael York to Robert Wagner to Burt Bacharach to Carrie Fisher, "Fembots" with killer pasties, and Italian sexpot Fabiana Udenio as a character with the most devastating name since Honor Blackman hit the screen in GOLDFINGER. The soundtrack is just as swinging as it gets, with blasts of everything from "These Boots Are Made For Walking" and "I Touch Myself." And look for a hilarious spoof of Bob Fosse-inspired choreography during the main credits!

You won't find any deep thoughts in AUSTIN POWERS, and thank heaven for it: giggles and grins are the order of the day, and the film delivers them in abundance. The DVD is a nice one as well, offering your choice of widescreen or pan-and-scan, some entertaining notes and deleted scenes, and amusing commentary. Buy it and keep on your shelf for that rainy day.

Mike Myers is rapidly becoming, if he isn't already, the heir apparent to Mel Brooks in the sense that he is a master of jokes based on bodily functions. AUSTIN POWERS--INTERNATIONAL MAN OF MYSTERY has all the elements of scatalogical humor: urination, fornication, masturbation, penis enlargement (almost anything to do with the penis really), allotta fagina, femmebots with gun barrel breasts... jeez, he even has a long scene in a toilet booth (with a fun cameo by Tom Arnold). And like Brooks, Myers is a master of movie genre satire. If Brooks had taken on a 007 spoof, it would pretty close to this. And Brooks would play multiple roles as well.

Still, Myers is to be congratuated for his undoubted originality. His interpretation and reinterpretation of 60s and 70s pop culture, which he also demonstrated a mastery of in WAYNE'S WORLD, is his own. Part Bond movie, part Laugh-In, part sci-fi, all hilarious, AUSTIN POWERS is one of the best comedies to have emerged in the 90s.

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I have to laugh my head off when I read negative reviews from people who say the movie is stupid. Gee, you think?. It is supposed to be. Some people, like the one star review below, were completely lost on the joke. Over their heads. So many don't understand comedy like that. Mike Meyers created one of the funniest and most memorable comedic characters of the last decade with this hilarious and silly and over the top comedy spoofing the James Bond series. Auatin Powers is a British spy with horrible teeth and a raging libido. Austin's main arch nemesis is Dr. Evil(also played by Meyers), who, with his bald head and cat and manner of speech is an obvious spoof of recurring 007 villain Ernst Stavro Blofeld. Evil freezes himself and programs the cryogenic chamber to unthaw him in the late 1990's. Austin decides he will do the same thing so he can be there to stop Dr. Evil with his dastardly scheme for global domination. Did I mention that Austin was also a photographer by day?. The guy just never stops. There are rumors that Meyers also fashioned the Dr. Evil character after his old boss, "SNL" maestro Lorne Michaels. Seth Green(who seems to pop up all the time)is hilarious as Scott Evil, Dr. Evil's angst ridden teen son. There scenes together are priceless. Equally as good is Mindy Sterling as Evil's assistant. Robert Wagner(does this guy age?)plays Number 2, another henchman. "SNL"'s Will Ferrell pops up as well. The 'girl' is none other than the lovely and beautiful Elizabeth Hurley, as Vanessa Kensington. A most perfect choice in the casting department if you know what I mean and I think you do. This movie is written, designed, filmed, and acted with the intention of just having a good time. This isn't comedy that'll make you think days afterwards. This is pure popcorn cotton candy people. Meyers is a master at different characters. He really brings them to life with their very own characteristics and mannerisms. He is brilliantly talented. The movie has many laugh out loud moments that make this movie the best spoof in many a moon. Again, the humorless droids who ridicule it as stupid have obviously missed the point. Of course it is. You may think your bashing it, but your basically saying that it did what it was supposed to do and it succeeded. Totally lost on those people. "The Spy Who Shagged Me" was even better, and now "Goldmember" is coming up. Let's hope that Austin and Dr. Evil have more adventures down the road. Oh behave!!.

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I LOVE this movie, but I am reviewing the DVD, not the movie. The DVD transfer for this movie is atrocious. The aspect ratio is wrong. There are grainy scenes and scenes where the film was obviously dirty. Need a new transfer from the master laser disks.

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Austin Powers would have to be one of the funniest movies of the decade. That is why it is so disapointing that scenes in the original movie have been cut from this DVD version. Rob Lowe and Lois Chiles were relegated to the deleted scenes section of the DVD but at least they "appeared" albeit not in the movie itself. Where was Christian Slater and the famed "Orange Sher-bert" scene? Not to be found. True fans of Austin Powers may be disappointed with the DVD version.

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The Mysteries of Pittsburgh (2007)

For those who find it difficult to appreciate the adaptation format of film making from a famous novel, THE MYSTERIES OF PITTSBURGH as now released on DVD should help explain the naysayers' opinions. In a very valuable session of conversations among Michael Chabon and Rawson Marshall Thurber (screenwriter and director) and the producer and cast, the transition of this complex novel into a very altered story is comfortably explained and the person most happy with the result seems to be the originator Michael Chabon!

That being said this film stands well on its own terms. June and July in hot Pittsburgh generate mysteries among a variety of people, especially the young college graduate Art Bechstein (Jon Foster) who while working in a bookstore wastes time with a fling with the supervisor Phlox (Mena Suvari) with disinterested post grad classes dealing with becoming a broker and having monthly dinners with his mobster father Joe Bechstein (Nick Nolte), until he encounters an odd couple: bisexual biker and thief Cleveland (Peter Sarsgaard) and his female consort, the violinist Jane Bellwether (Sienna Miller). The bizarre interactions among these characters drive Art to make many decisions and discoveries including his falling in love with both Cleveland and Jane. The summer winds down with Art finally discovering his own identity despite the clouds of mystery that have surrounded his life. It is a piece of life as lived by disparate characters whose direction in life seems at odds with the natural flow of finding happiness and success. But then the question is asked what is happiness and what is success if not survival?

For this viewer the explanation by the makers of this film was interesting enough to encourage a repeat watching of the movie. A good movie not a great movie, but it still tastes strongly of Michael Chabon's genius. It deserves more attention than the critics have given it.....Grady Harp, August 09

I'm sure this was a good novel, and I will read it. However, whoever brought it to the screen made it quite dull and slow. It's also hard to understand why anyone would ever want to be with Peter Saarsgard's obnoxious character at all.

That said, I was glad to see Jon Foster again, having enjoyed his work in The Door in the Floor. Saarsgard is as good as ever, and Sienna Miller was wonderful as the woman caught between these troubled men. Nick Nolte also makes a fine turn as the very unpleasant and controlling father.

Soundtrack recommended too.

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The beginning captivates the viewer and the movies has a decent story. Having said that, it's also worth mentioning that the storyline is hardly Michael Chabon's and why the changes were made (from the book) is unclear, however, as a stand-alone it seems to work (if you ignore that it's a novel adaptation and think of it as a standalone film). It's no the most engaging movie nor is it the worst movie ever. If you haven't read the book or don't mind watching the movie and can refrain from comparing it to the book, there's a good chance that you'll like it.

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In 2000, I saw a great movie, Wonder Boys, and immediately bought the book. When I finished the book, I picked up Michael Chabon's other two novels, The Mysteries of Pittsburg and Kavalier & Clay. Since reading Pittsburg in 2000, I have re-read it three times, most recently when I heard the movie was being made. Upon release, I read several reviews trashing this movie. In the movie, Art (Ben Foster) is a recent college grad trying to figure out what to do with his life when he meets Cleveland (Peter Sarsgaard) and Jane (Sienna Miller). The first 15 minutes are pretty annoying with Art delivering tons of exposition in voice overs. Eventually, the voice overs stop, (well, they stop until the end of the movie), and then I didn't hate it as much. The movie is well shot. I really liked the music. They use a great Ryan Adams song, The Rescue Blues. Sienna Miller is stunning and I've been a fan of Jon Foster ever since I saw him in Life As We Know It. The movie is fine, not good, just fine. If I hadn't read Chabon's first three books before seeing this movie, this would not have convinced me to check out the books. Buy Wonder Boys, unquestionably a better movie. It might motivate you to shut your TV off for a while, and read Pittsburgh, Wonder Boys, and/or Kavalier & Clay. This one won't. This flick is not as bad as everyone made it out to be, but not exactly good either. Mediocrity at best, worth a rental. . . a three star rental.

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When i first saw this movie the begging was somewhat slow for me but after getting into the middle it started unfolding and was pretty surprised. Thought this was a decently made film with kind of a sad ending.

If you're looking for a good film to watch with some turns in it then take this one out for a spin.

Life (1999)

Yes, this movie has plenty of funny moments, but there is a very real and sometimes rather touching story that takes precedence over everything that happens. You can't get through the most serious of situations without the palliative of laughter now and again, and Life actually does tell a serious story. Eddie Murphy proves once again that he is a great actor, and Martin Lawrence was surprisingly good as the more serious of two men sentenced to life in prison for a murder they didn't commit. One night in 1932, fate brought Rayford Gibson (Murphy), a smooth-talking hustler with big dreams, and Claude Banks (Lawrence) a respectable fellow about to start a good job, together in a New York nightclub. For entirely different reasons, both guys have to face the displeasure of the club owner's wrath; and so it is that Gibson and Banks end up going on a bootlegging run to Mississippi. One dead man later, and both men are sentenced to life in prison for murder. Since Banks blames Gibson for getting him into all this mess, there relationship varies in quality as the years go by, but gradually a real friendship develops between them. They try to escape several times but end up spending basically their whole lives in prison. Along the way, we meet with several sub-plots involving some of their fellow inmates, but the movie never strays far from the lives of Gibson and Banks. The passage of time is marked by clips of historical events, and some excellent makeup works makes both men look old and worn out as they advance into their senior years.

This is not a prison story of hopelessness, however. While no pardon ever comes their way, justice has a way of willing out eventually, and the final ten minutes of the film are just terrific. Since the story does take place in Mississippi in 1932 and beyond, race plays a major part in the film, but it does not define the movie by any means. There are a number of funny scenes, especially those involving pie and cornbread, and Eddie Murphy will definitely make you laugh Martin Lawrence sort of plays the heavy here to Murphy's periodic antics. Some familiar faces pop up in the movie: Rick James plays the New York club owner, Bernie Mac has a relatively minor role, and Heavy D plays a small but important part. Wyclef Jean contributes an original score for the film. The whole cast is excellent, and a very good script keeps the film on pace and lively.

This isn't Stir Crazy; there are plenty of laughs, but I wouldn't call this a comedy Life the movie is funny in the way life itself can sometimes be laughter can get us through the hard times, but it doesn't hide the fact that the hard times are there. This movie really deserves more attention than it has received; with its serious underlying quality, it ranks among Eddie Murphy's most impressive films.

Definitely a wonderful movie, Life, brings to the screen the story of two New Yorkers, during Prohibition and the Great Depression, as they make their way to a small rural town in Mississippi, in order to stock up on some moonshine, which in turn is to be delivered to a NYC speakeasy.

The setting is the early 30's, specifically 1932, and it is a film about human relations, hope and second chances, but most importantly about how trust, friendship, endurance, and inner strength, can lead out of situations, which might seem bleak or desperate at first glance.

On the negative side, the only setback was the scene with the baby. They could have found another way to show the strong sense of solidarity that had developed.

Needless to say, Eddie Murphy, Martin Lawrence and the rest of the cast have truly outdone themselves with their performances, which are outstanding to say the least!

The film combines drama and humor, making it one of the best of its kind, and one that can be watched over and over again.

Life is sure to provide for an evening's entertainment.

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Both Murphy and Lawrence are quite fine in this warm and funny drama about a lifelong friendship behind the bars of a Southern prison camp during the depression. The make-up as they slowly age was deservedly Oscar-nommed. Both prove here they are fine actors as well as fine comedians. This is not an extraordinary work but it is quite competent and entertaining. Worth a watch.

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This movie is perhaps Eddie Murphy and Martin Lawrence's Sistine Chapel. That is a bold statement but this movie is so funny and such a good, well made movie. There are endless funny moments in this movie. I might be being biased because I love timeline movies a lot (ex. FORREST GUMP). This movie will also make you cry from sadness and laughter. I laughed out loud many times and (ALMOST) cried from emotion.

The movie has an all-star cast as well which can sometimes be disastrous (ex.NOTHING BUT TROUBLE). It hits every angle possible and could not have been done any better for what it was. And that is one great, funny movie that is one of my all-time favorites.

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This movie is one of the best films I've ever seen. It has its funny, even hilarious moments but it's not a comedy, by a longshot. It's one of the best, most heartwrenching dramas, and was all the more pleasant for being completely unexpected.

The plot concerns two men, who were framed for a crime they didn't commit, and their lives in jail after they are sent to prison for life. It does a wonderful job of subtly showing the racial tensions and interplays in the time period and also showing the changes that come about later on in the time and how it affects their lives in the prison.

Get this movie. You won't be disappointed.

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"Weird Al" Yankovic Live! - The Alpocalypse Tour (2011)

I saw Al in concert in Florida a few days ago and it was fantastic. However, I wasn't that pleased with this DVD.

I feel that I would have enjoyed it more if it had an 'in-the-audience' view. The close-ups were okay, but I wanted to feel like I was sitting right there (but at a high-enough level to not have anybody in the way, of course). I'd wanted to have seen the audience more and be enough rows back to get Al...the band...and the screens that were above and behind the stage all at the same time. Of course, when Al went into the audience, that would have been a time to follow him closer.

Frank's 2000-inch TV was played during the concert I saw, but it wasn't in this lineup. However, it is in an extra on the DVD. He doesn't do every tune in each concert but, for the most part, they are all identical.

A couple differences I recall from the concert:

on the DVD, you'll see two effeminate guy-dancers during the "Perform This Way" number; they were not in the concert I was at

I remember two moments when Al was presenting the drummer, John "Bermuda" Schwartz, with a drum solo. Each time, it was just a second or two of a 'tune' and it was funny to see him all proud of his achievement. It was silly and the audience was all ready for a big solo that never happened. This isn't on the DVD. UPDATE: it's in one of the extra live performances

I was really hoping that, with the DVD, it wouldn't just be one song after another. I saw a cut-down, one-hour version of the concert on Comedy Central. During the concert, there were a lot of costume changes throughout the performance. During those moments, there were great "Al TV" segments and other bits. For example, he had mock interviews with Robert Plant or Eminem and they were great. Also, there were silly parts from his "UHF" movie...other flicks (like from the first "Naked Gun" movie)...and mentions of him in various TV shows. To me, these were some of the best parts of the concert that had me cracking up and I was so disappointed they were not on the DVD. I wanted to see the full thing!

Ultimately, I liked seeing the concert on DVD, of course -but it turned out that it was the stuff in between the songs that had a major impact on the enjoyment. It got me to laugh a lot, and the audience was cracking-up as well. This also built up anticipation for the next song.

This DVD loses a star for me. Al's great and it's good to have, but I recommend seeing this truly live for a better experience.

I saw Weird Al in Denver on 9/20 and the show was great. This was the fourth time I have seen him live, and while each show has been magnificent, no two shows are identical. I watched the Comedy Central "Alpocalypse" special and it featured a few songs that he did not perform in Denver. He interacts with the audience and makes you part of the show (literally). My girlfriend was not familiar with his work beyond "Eat It" and "Fat", but she enjoyed the show and laughed out loud through "CNR". Weird Al is terribly under appreciated, and once you get it, you will be hooked for life!

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"'Weird Al' Yankovic Live! The Alpocalypse Tour," blu-ray is an unusual comedic show done in parody in regard to song and performance. Sometimes, I know what Mr. Yankovic is parodying, but other times, I have to think, "what is he imitating and making of?". I recognize the melodies, but not the original songs.

There is an option to display all the lyrics to the songs on the featured concert. The lyrics are well thought out and finely composed. Some of the lyrics may be mildly offensive to a few people and the act is, occasionally, a little lewd, but within the limits of most people. Some may not like the one scene where he dances suggestively in front of a lady. It has a Canadian Home Video Rating of PG (which is the same as a PG rating in the United States). There is no foul language. I found much of the show amusing and entertaining.

The show includes a large backscreen, showing cartoons and videos.

I especially like the "Polka Face" mash, "Canadian Idiot" which parodies Green Day's "American Idiot," the "Medley" mix, and "Amish Paradise". I would like to point out that Mr. Yankovic actually has a fine voice and that his acts are carefully crafted with skill and talent.

The track list from the concert follows.

Polka Face

TMZ

Smells Like Nirvana

Skipper Dan

Party in the CIA

CNR

Let Me Be Your Hog

Canadian Idiot

Wanna B Ur Lovr

Medley: Money for Nothing, Beverly Hillbillies, Whatever You Like, Another Tattoo, eBay, I Want a New Duck, Theme from Rocky XIII, Spam, My Bologna, Ode to a Superhero, Lasagna, Eat It

Amish Paradise

Craigslist

Perform This Way

White & Nerdy

Fat

The Saga Begins

Yoda

The concert is one hour and 25 minutes. It was filmed at Massey Hall, in Toronto, on July 16, 2011.

The blu-ray has four extra or bonus features.

1. More Songs! (under 14 minutes)

Frank's 2000" TV

You Don't Love Me Anymore

You Make Me

2. Music Videos! (7 minutes, 42 seconds)

Perform This Way

Polka Face

3. Al's Youtube Clips! (3 minutes, 36 seconds)

(8) Youtube clips

4. Other Junk! (10 minutes, 49 seconds)

And the Band Played on

You've Got ... Lustrous Hair

One on One

The Five-Haiku Interview

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Weird Al Yankovic is a musical genius who keeps on giving the gift of joy. Look forward to more of the same fom this legend

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I had the pleasure of seeing "Weird" Al Yankovic when he was on "The Alpocalypse Tour" in 2011 and was wondering why he didn't have a dvd of this tour. I'm glad he finally made one and it doesn't get any weirder than Al. Although singing "Canadian Idiot" was concidered a compliment for the folks there in Canada, (which the concert was filmed), but that's what Yankovic does. When he parody's your song, he's a fan and is paying you a compliment in his "weird" way. If you are a fan then you will really like this show. He not only does his major hits like "Eat It", and "Fat" but his new hit singles "Party In The CIA" and "Perform This Way", which he appears on stage in a peacock costume, poking fun at Gaga in a way. Each song has a costume change that goes with the theme of that song and it makes it a lot more fun to watch too. Special features are really hillarious to watch, especially his youtube videos and unseen concert footage. But if you are a Yankovic fan then you will really like this dvd!

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Chungking Express (The Criterion Collection) (1994)

(2008 HOLIDAY TEAM)Like a sweet dream half-remembered, "Chungking Express" wavers on the back of your consciousness, seducing you into its semi-fantasy/semi-honest world of the chance of romance, and the necessity of proximity (0.01 of a centimeter is the distance of attraction) to filling an empty heart. It is appropriate that "California Dreaming" is the background for much of the film, because dreaming is what the characters do, moving sluggishly through a life not quite real.

It is difficult to know what to make of the film at first. There are two stories, interspersed with each other in through the film, both love stories involving policemen, a deli shop, and women whom they would love. Unlike "Pulp Fiction," they do not meet up at the end, and the strangers remain strangers. There is no neat package. Rather, like Banana Yoshimoto's novels, they are linked thematically, with the same tale being told with different cast members, to see how each person finds their own ending, regardless of the beginning. While Yoshimoto is Japanese, and Kar Wai is Chinese, there is a similarity in Asian story-telling evident in "Chungking Express."

As to this DVD, while it is great to see Quentin Tarantino bring Kar Wai's films to a wider audience, I find his commentary a bit annoying and self-serving. Taratino makes some great flicks, and Kar Wai is an obvious influence on him, but he doesn't have the personality to comment on something so sweet and subtle as "Chungking Express." This is just a personal observation, however, and others may disagree.

Director Kar Wai Wong is a rising star of cinema, seeping to the public consciousness slowly and surely, becoming less of a "Hong Kong Director" and more of an important contributor to modern film. "Chungking Express" is a fine introduction to his work, showcasing his subtle love stories, use of atmosphere and disorientating techniques, such as multiple-languages and film manipulation. Anyone who has seen "Lost in Translation," "Amelie" or "Kill Bill" will find his films familiar.

I really love this film. "CHUNGKING EXPRESS" is the ultimate pop art film that won a lot hearts when it was first released and continues to this day. And not only has the film jumpstarted the film careers of Wong Kar-wai, Christopher Doyle, Takeshi Kaneshiro and Faye Wong (despite having an awesome music career), "CHUNGKING EXPRESS" is one of those non-action Asian films that has continued to become a fan favorite for fans all over the world.

This film is now part of the Criterion Collection and when Criterion's name is on a film release, you know that you're going to get a quality release.

So, what did Criterion do for this release?

VIDEO & AUDIO:

Criterion is known to making their final masters to what the director's had in mind. In this case, presenting the director's requested aspect ratio of 1:66:1.

The new high definition transfer according to Criterion was created on a Spirit 2K Datacine from a 35 mm internegative and a 35 mm interpositive. Thousands of instances of dirt, debris and scratches were removed using the MTI Digital Restoration System and Pixel Farm's PF Clean. For a film that is nearly 15 years old, the goal for Criterion was not to give a crisp and clear picture but to make sure that the requested aspect ratio was successful and removing all the dirt and scratches that have plagued previous releases of the film.

Oh, and I just have to say that things that were cut out of the US VHS/DVD release are intact in this Blu-ray version. But as far as video quality goes, you will find the colors noticeable especially at the bar when you see the CD's in the jukebox spin and see the vibrant colors.

I have caught a few instances of color pulsing (due to the older print) and there were no artifacting. As for the audio, the original soundtrack was remastered by Tuu Duu-chih at 3H Sound Studios in Taipei under the supervision of Wong Kar-wai. According to Criterion, the audio restoration tools have been used to reduce clicks, pops, hiss and crackle.

The audio is what I loved about this release. While watching the film and knowing that the majority of the film is dialogue-driven and as expected during the music scenes, to hear the music really become prominent but what I didn't expect to hear, which put a smile to my face is the rear surround and hearing the people talking, the cars beeping and while the front speakers were busy with scenes such as the lady in the blonde wig with the Indian smugglers, you hear the whole life of the city come alive through the rear surround.

Suffice to say, I was quite happy to hear the audio channels used effectively in this dialogue-driven film by taking the city's ambiance and having it come alive. Well done! And for those passionate about the film, hearing the tunes of "Baroque", "California Dreamin'" and Faye Wong's cover of the popular Cranberries song ala "Dreams" is just so fun and how music, even a few songs really made this pop art film truly shine.

SPECIAL FEATURES:

In the past release, we had Quentin Tarentino's introduction to CHUNGKING EXPRESS", this time around with the Criterion release, we have the following:

* An audio commentary featuring Asian cinema critic Tony Rayns who has talked to Wong Kar-wai in regards to certain scenes and also, we learn about how Chinese culture influenced certain situations such as the use of dates and certain phrases in the film. Also, the reason why certain music was used and pretty much how commercials really influenced Wong Kar-wai for this film. A very informative commentary.

* A 1996 episode of the British television series Moving Pictures featuring interview swith Wong and cinematographer Christopher Doyle This segment was made in 1996 thus the quality despite being in HD, is not too great. But nevertheless, it was very fun to watch this 15-minute segment and watching these interviews with Wong and Christopher. Really awesome details as the two walk into the places where the Midnight Express was shot and also the apartment actually was Doyle's apartment. Very informative.

* Then the US Theatrical trailer which was loved by American critics but unfortunately the film company didn't know how to market the film, thus it didn't do to well in America.

* A booklet featuring a new essay by critic Amy Taubin For those familiar with Amy Taubin's work on "Sight & Sound", Taubin really gets into the film and definitely writes about the film and its characters in a unique way. Definitely an entertaing read for those who watched the movie. Do not read this booklet first if you haven't seen the film.

The Blu-ray is presented in a digibook type of case with a slip cover.

I've owned so many variations of this film already that I can't help but smile throughout the film and just seeing how beautiful it looks on Blu-ray and how good the sound quality was and hearing so many things all around me.

For those who were expecting a digital remastered version that will have a pristine, crisp and vibrant look as some older Blu-rays have managed to have, the Criterion Edition is beautiful but not spectacularly gorgeous but for those watching a Criterion release, the goal is not to change the film and change the colors.

Their goal was to present the film with the supervision of Wong Kar-wai and Christopher Doyle and how they wanted the film to be. If you watched the original DVD version or previous versions, this film has aged but with the Criterion edition, the video looks beautiful without the scratches and all the dust and looks cleaned up. Personally, I don't know if we'll see the film any better than this presentation. It's truly an awesome release on Blu-ray and absolutely love it!

I really hope that Criterion possibly considers releasing the third story via the film "Fallen Angels"on Blu-ray. Wong kar-wai created the third story for CHUNGKING EXPRESS" but because it would make the film to lengthy, he cut it out and carried it over to his next film, "Fallen Angels". So, knock on wood, I hope that Criterion considers it because the treatment they gave for "CHUNGKING EXPRESS" was well done and definitely enhanced the whole experience for me, I found it quite beautiful.

Perhaps I'm a bit biased because I enjoyed this film so much but overall, this release is solid and definitely recommended!

Buy Chungking Express (The Criterion Collection) (1994) Now

Located in the heart of mainland Hong Kong, the Chungking Mansions loom huge and ramshackle over Nathan Road. Wags and scoundrels haunt its gates, along with a ragged assortment of Indian touts, whores and long-term transient workers from Africa. Restaurants, tailors, psychics and a whole host of other occupations some undoubtably illegal infest the bottom floors in tiny, grimy compartments. Chungking is also the backpacker ghetto of Kowloon: guesthouses offer rooms as cheap as $10 a night, and the loose, chaotic atmosphere is appealing to the more adventurous traveler. When I visited Hong Kong for a week in 2002, there was no other realistic option, for finance concerns and the `lust for life' drive, than the infamous Chungking: intrigue seemed to lurk around every corner. While staying there, my guesthouse manager suggested I rent and watch the *Chungking Express*, a 1994 film by Won Kar Wai, loosely connected around the building. I never got around to it...until three years later...and in a way I'm glad I waited to watch this delicious romp about love, obsession and betrayal, for it sparked the nostalgia cylinders and left me in that awed, giddy state that only the best of films can do.

Made on the quick by Won Kar Wai as a means of rejuvenating his creative energy, *Chungking Mansions* originally consisted of three interlocking stories, but one met the axe (to resurface as its own film) to give proper attention (i.e. running time) to those that remained. Of the two stories, only the first has any relation with the Chungking Mansions: a hard-luck dame scours the sleazy corridors for drug-mules, and I must say that the general ambience of the Mansions is faithfully captured. The second story occurs in Kowloon and on the Island, and is connected to the first by one chance encounter (~a brilliant means of transitioning chapters) and the underlying themes of loneliness, disconnection and desire.

In the first tale, undercover cop He Zhiwu (Takeshi Kaneshiro) broods over the disintegration of his relationship with `May,' pining for his lost love with a rather unrealistic `period of absence' scheme and, after a time, seeking comfort from any chance encounter. "I'll fall in love with the next woman I see," Zhiwu vows in a fit of desperation; and who should come along but Brigette Lin, a mysterious figure whom we've already seen in dire straights in the bowels of Chungking. This story has the visual glamour of noir red-lit bars, blur-motion fragments of violence, a femme fatale betrayed and subsequently `saved' by the gentleman Zhiwu yet the dialoge really makes it stand above more typical entries into the genre, especially Zhiwu's internal narration, which ranges from clueless to insightful to downright hilarious. Slight but charming, with enough visceral action and mystery to keep the pace from flagging.

The second story is by far my favorite of the two, and most audiences agree on this, taking into consideration critical acclaim and the reviews on this page; it is easy to see why. A cop (Tony Leung) stops at the same deli every day for his coffee and chef salad, where he meets and slowly develops a relationship with Faye (Faye Wong), a not-quite-sane nymphet who promptly falls in love with him. Acquiring a key to his apartment, Faye begins to sneak in and rearrange her secret love's living quarters while he is gone. Leave it to the Chinese to make stalker-obsession cute and poignant! Yet it works, due in large part to the natural sounding and psychologically keen dialogue of the script, and therein made effective by the acting of the two leads. Faye Wong, perhaps the biggest pop/rock star in China, makes her screen debut here, and what a debut! It is practically impossible to not fall a little in love with her furtive, wild-at-heart character. Wong articulates more with a mere look or throwaway gesture about the titanic struggle of repressed desire than most professional actors seem capable of. Tony Leung, a veteran of Hong Kong's silver screen, shines as usual as the lonesome, half-oblivious cop, and his energy with Wong feels right, so natural. This is very important in the later climax of the film, when the director stretches the tension to a breaking point and even manages to milk some well-earned trauma from these circling, faraway (so close) lonely souls.

Watching *Chungking Express* brought back a lot of memories. In the background and seeping through the surface, Hong Kong glitters and roars, and the film itself eventually feels like an organic growth of the city, in tune to its rhythms and real-life atmosphere. But one not need be acquainted with the City of the Nine Dragons to appreciate the quality of *Chungking Express* this is movie magic in its finest form, infectious and reflective, a paramount example of Asian cinema at its most illuminating. Five stars.

Read Best Reviews of Chungking Express (The Criterion Collection) (1994) Here

This movie (directed by Wong Kar-wai) tells two separate stories. In the first one, a lonely cop who has just been left out in the cold by his girl-friend May, buys and eats expired cans of pineapple and meets a woman who turns out to be a ruthless heroin dealer (Brigitte Lin) who wears a blonde wig. In the second story, a cop who has been dumped by his girlfriend is really unhappy, moping round his apartment all day. Then he meets the waitress at the local fast food joint (Faye Wong), who dreams of going to California.

I really liked watching this film. The imagery and camerawork is stunning, and it is amusing and sad in equal parts, telling the story of how lonely the people are. Another striking thing is the inventive use of music within the stories which is used to illustrate certain points listen out for songs like "What A Difference A Day Makes" and the Mamas and the Papas classic hit "California Dreamin`". I didn`t expect to hear English songs in a Hong Kong movie.

I think it's a nice change to see another type of Asian movie, one which isn`t all shooting or kung-fu. It has an experimental style, lots of energy, and is not afraid to be different.

I highly recommend this tape to people who want to check out a different sort of HK film. If you pass it up, you`re missing out on a gem.

Want Chungking Express (The Criterion Collection) (1994) Discount?

If you have any passion for the art cinema, any affinity for the French new wave and any tolerance for a non-static camera, then there is a good chance you will like or love Chungking express. To fault this movie for having "no plot"(and by the way, it certainly did have a plot just not one in the classical hollywood mould) seems quite ridiculous to me. There are many categories of film hollywood narrative, art cinema and experimental to name a few. Wong Kar Wai is quite obviously attempting to make a film in the tradition of new wave auteurs and independents like Godard and Cassavettes. To fault a film in one category for not living up to the conventions of another is akin to my complaining that a grapefruit doesn't taste much like watermelon or that a documentary about giraffes didn't have any wild boar in it. Do NOT buy or rent CK Express, expecting it to be just like a Tarantino film.

Off Limits (1953)

Wally Hogan: "Connie, it may not show but I'm yellow."

Connie Curtis: "It shows."

You'd think Bob Hope would've learned his lesson, having already gotten snookered in CAUGHT IN THE DRAFT. Here he gets bullied into enlisting in the U.S. Army again. Alternately (and more drably) titled as MILITARY POLICEMEN, OFF LIMITS is one of old Ski Nose's lesser known films. But it's got some good laughs, a song or two, and the sole teaming up of Bob Hope and Mickey Rooney on the big screen. On one hand, Mickey Rooney is no Bing Crosby. But, on the other hand, Bob Hope is no Judy Garland.

1953's OFF LIMITS is a minor hybrid boxing / military comedy; it finds Bob Hope at his most relaxed and Rooney back to his wholesome next-door-neighbor kid routine, kind of like as if Andy Hardy had enlisted. Bob Hope plays Wally Hogan, a womanizing boxing trainer who follows his champion prize fighter into the U.S. Army. But Wally is left holding the bag when his boxer is discharged on psychological waivers. Assigned to the Army's military police, Wally sort of by accident takes under his wing an enlisted private, Herbert Tuttle (Rooney). When you learn that Tuttle is also a lightweight amateur boxer looking for a trainer, well, it's not hard to connect the dots.

In this onscreen pairing, Mickey Rooney doesn't give as good as he gets, and partly this is ascribed to the two leads' differing approach. Rooney tends to roll with a more wholesome comedic style. Hope plays up his patented wiseacre screen image: conniving, smirky and launching a fast and furious barrage of one-liners, and his is the presence that looms larger, in more ways than one. Fact is, Hope's character probably wouldn't have given the time of day to an aw-shucks guy like Herbert Tuttle if it weren't for Tuttle's lovely aunt Connie Curtis (Marilyn Maxwell).

It's hard to take Hope and Rooney seriously as law-enforcing servicemen as they tool around town in their lumpy physiques, even though, in their song duet, they boast that a military policeman is "the only man in the world who can tell the U.S. Army where to go." But it's not really their credibility as MPs that counts. What matters are the gags they come up with, and are they funny enough? And, yeah, there's some funny stuff here, and director George Marshall keeps things moving. It's inevitable that Mickey Rooney ends up in the ring fighting Hope's former champion. But before that, we're treated to a song or two, Hope's hoofing on the piano and his wolf tactics on Marilyn Maxwell. That rivalry between the MPs and the Navy's Shore Patrol is dusted off. We chart Hope and Rooney's antics as, after a miserable start, they try to legitimize Rooney as a pugilist to make the Army proud.

Highlights for me, off the top of my head, are the brief shot of the bouncing jeep tossing Hope around like a rag doll, Rooney's crazed session on the heavy bag during the train ride, and the brawl in the club initiated by Marilyn Maxwell, and when stopped, initiated by her again. Legendary boxer Jack Dempsey cameos as a referee. Bing Crosby cameos as static. Mickey Rooney was in his early 30s when he took on this role, and he does look a bit too old to pass for a fresh-faced kid. But he certainly looks more believable with his boxing than does Bob Hope. Not that Rooney was the second coming of Sugar Ray Robinson, mind you.

I'm rating this film 3.5 out of 5 stars. It's a nice minor comedy, but, ultimately, OFF LIMITS doesn't rank up there with Hope's most memorable movies. It's still worth a look. And at least Phyllis Diller isn't in it.

Bob Hope plays Wally, trainer for a boxing champ. When the champ is called in for his enlistment into the Army, Wally follows him to protect his interest in the champ. The problem is the Army rejects the champ because he failed the psych exam. Wally's real trouble begins when the Army accepts him and the champ goes off with his handlers, who are actually mobsters.

Enter Mickey Rooney (Herbie Tuttle), a wannabe prizefighter who wants Wally to train him while they are in the Army together. Trouble is Wally wants out of the Army so that he can resume his fast-living lifestyle as a boxing trainer, until he meets Herbert's aunt Connie (Marilyn Maxwell). Connie does not think much of Wally and she does not like boxing.

So to not give away the rest of the plot I will leave here.

Great comedic movie! Well worth watching over and over. It would be a better price value if Amazon would lower the price about $5-$10.

Buy Off Limits (1953) Now

I enjoy Hope's sense of humor. This may not be one of his best but it's close. The story is simple, Hope gets himself in trouble but prevails in the end. If you like uncomplicated humor you'll like this.

Read Best Reviews of Off Limits (1953) Here

This is a Bob Hope movie that features a bit part by Charles Bronson. THat's why I bought the movie. This movie had a rather grainy appearance when I watched it and I actually found a better copy somewhere else. So pay attention to the film company that produced the tape. Some do a better job than others. I do believe that this film is out of print and unless you record the movie from TCM or other similar classic movie channel, you'll have to settle for VHS.

Want Off Limits (1953) Discount?

recalls the time of the 2 nd worlds war. is very funny. good for the whole family. you may need to explain about the time of the war to younger people.

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Galaxy Quest (1999)

Those are the best two words to describe Galaxy Quest. Another good phrase would be "one of the best movies Dreamworks has produced so far".

It's been a long time since I've seen a parody film hit its intended targets with such accuracy and finesse. The movie deals with the crew of the Protector, a spaceship that exists only in reruns of the strangely familiar early 80's ensemble SF TV show Galaxy Quest. Exiled to mall shows and science-fiction fan conventions, they live out their days signing autographs for fanatical, show-quoting groupies until they're propositioned by some rather distinctive "fans" for a very special mission...

What ensues is an incredibly fun skewering of the whole Star Trek experience, effortlessly bouncing from knowing parody to rollicking action to heartfelt emotion. And it's all headed by a top-flight cast led by Tim Allen as Jason Nesmith/Commander Peter Quincy Taggart. Aiding and abeting him is his flouncy blonde side-kick, played by...Sigourney Weaver! This brilliant casting coup alone should tip you off to the film-makers' attitude towards the subject matter. Also present is Alan Rickman in an incredible turn as the token alien cast member who longs to return to Shakespeare, Tony Shalhoub as the boggled engineer, and Daryl Mitchell as the cute kid who is now all grown up. But as good as the human cast is, they fade into the background whenever they interact with the true aliens of the picture, the Thermanians. Masking their true squidlike form in a human disquise, they lurch across the screen speaking in stretched and strangled accents with ever-present goofy grins on their faces.

It matters not if you're a bred-in-the-bone Trekkie or wouldn't know a Mark I phaser if it jumped up and stunned you...there is just so much to enjoy here. It probably does help if you're at least familiar with the source of the various in-jokes contained within, but Galaxy Quest is careful to surround its Trekian pokes with a surprisingly touching story of personal redemption.

Sure there are plot holes the size of black holes, and the motivations for the aliens' actions are as vaporous as a plasma cloud. But this is one of those movies that revels in its own wonderous creations so much that you really just don't give a damn about blasted logic. Hurry to the video store today, a video gem like this comes around about as often as Halley's Comet.

In December of 1999, director Dean Parisot unleashed what is arguably the funniest sci-fi/comedy film of all time, "Galaxy Quest", which focuses upon the dissatisfied lives of five actors who had starred in a long-cancelled sci-fi television series of the same name. Jason Nesmith (Tim Allen) played ship's captain Commander Peter Quincey Taggart. Gwen DeMarco (Sigourney Weaver, who is no stranger to sci-fi with her roles in the "Alien" films) played Lt. Madison. Alexander Dane (Alan Rickman, also known for his roles as Hans Gruber in the 1988 film "Die Hard" and Professor Snape in the two "Harry Potter" films) played Dr. Lazarus. Fred Kwan (Tony Shalhoub) played ship's engineer Tech Sgt. Chen and Tommy Webber (Daryl Mitchell) played ship's pilot Laredo. Following the cancellation of the TV series, none of the actors had found descent acting jobs. Instead, they were relegated to appearing occasionally as their former "Galaxy Quest" characters at fan conventions and infrequent commercials. Especially frustrated is Alexander Dane, a trained Shakespearean actor who cannot escape the stigma of having said those immortal words, "By Grabthar's hammer, by the suns of Warvan, you shall be avenged!"

The film begins at a "Galaxy Quest" convention where the quintet is preparing to appear. Unbeknownst to them, not all of the conventioneers dressed as aliens are pretending. A group of uniformed "aliens" approach Jason (dressed as Commander Taggart) saying that they are in dire need of his assistance. Jason quickly agrees and assumes that the group is planning to pay him to appear as Commander Taggart at a fan-function. Following a night of drinking at his home, the "aliens" arrive in a limousine (per Jason's request) to escort him to their function. The "aliens", calling themselves Thermians, are Mathesar (Enrico Colantoni), Teb (Jed Rees) and Laliari (Missi Pyle). While en route to their function, Teb recites the lengthy history of Thermia to Jason, but Jason (who has a hangover) falls asleep. (Jason doesn't take the Thermians seriously; instead believing that they are simply "Galaxy Quest" fans.) Jason awakens to what he believes is a very elaborate set mimicking the NSEA Protector from the "Galaxy Quest" show. Mathesar (who always refers to Jason as Commander Taggart) tells him that the Thermians want him to negotiate a peace treaty with General Sarris (Robin Sachs). Instead, "Commander Taggart" orders the Thermians to fire upon Sarris' ship. Assuming that he has completed his performance, Jason tells Mathesar that he is ready to return home. Mathesar escorts him to an empty room and leaves. Jason, not understanding what is happening, is suddenly enveloped within a strange substance and raised to the ship's exterior where he sees millions of stars in deep space. He is suddenly shot from the ship, then finds himself standing next to his swimming pool at home. Jason finally realizes that the Thermians are real extraterrestrials, and that they mistakenly regard the "Galaxy Quest" show (which they received in deep space) as being historical fact.

The other four "Galaxy Quest" actors are busy filming a commercial for the opening of an electronics store and are disgusted because Jason isn't there. Jason arrives late and tells them about his experience with the Thermians, but they think he has lost his mind. Jason tells them that the Thermians want him to return and that he wants them to come also. They initially reject it, but change their minds when they mistakenly believe that it's a paying job. Gwen, Alexander, Fred and Tommy are whisked away to the Thermian's NSEA Protector, along with another actor named Guy Fleegman (Sam Rockwell), who had played a bit part on the original "Galaxy Quest" show. With that, the most important role for each of the washed up "Galaxy Quest" actors begins!

Dean Parisot, along with writers David Howard and Robert Gordon, created a brilliant and engaging spoof of the show "Star Trek", its conventions and trekkies with "Galaxy Quest". Tim Allen equated with William Shatner (Kirk), Alan Rickman with Leonard Nimoy (Spock), Sigourney Weaver with Nichelle Nichols (Uhura), Tony Shalhoub with James Doohan (Scotty) and Daryl Mitchell with George Takei (Sulu). Other sci-fi comedy spoof that predate "Galaxy Quest" (such as "Ice Pirates", "Pluto Nash" and "Spaceballs") are no where near as good, engaging or funny.

All of the actors in "Galaxy Quest" performed their roles exceptionally well. Two actor who played significant minor roles were Patrick Breen, who played the Thermian named Quelleck, and Jeremy Howard, who played the young and very helpful "Galaxy Quest" fan named Kyle.

I highly recommend purchasing "Galaxy Quest" on DVD, which has superior picture and sound quality, and includes several deleted scenes, trailers, biographies, the feature "On Location in Space" and production notes. "Galaxy Quest" is a film that can be watched many times while never becoming tiresome. Sit back and remember those immortal words, "Never give up! Never surrender!" as you are whisked away into the fantastic world of "Galaxy Quest"!

Buy Galaxy Quest (1999) Now

I have been a Star Trek fan for the longest time & for that simple reason, my girl friend never bothered watching the series with me. But then again, unknowingly, Star Trek's culture has imbedded into our day to day living. If you say phrases like "Beam Me Up, Scottie"; "Live Long & Prosper" whilst displaying the V sign, your friends just understand immediately what you're implying. Anyway, my girl friend came with me to the cinema reluctantly & she couldn't help shaking her head noticing that the cinema was filled with males especially the geeky type, something like me! Anyway, when the movie started, she couldn't help laughing her heads off with the goofy storyline. On top of the mockery of the Star Trek series, what I'm finding this movie endearing is seeing all those familiar actors from TV series such as Elliott in Just Shoot Me, Mitchell from Veronica's Closet, Tim Allen in Home Improvement, the taxi guy from Wings strutting their stuff. What's even amusing is seeing Sigourney Weaver playing a busty bimbo (a far cry from her Ripley role in Alien & sequels), & Alan Rickman virtually playing himself as an actor with English theatre background forcing himself re-enacting the role of this Spock character again & again & still, the spotlight is always taken by Tim Allen who's potraying the role of William Shatner. What's even more delightful about the movie is that in the end, good prevails over evil. The underlying themes of the movies would be the significance of teamwork, & self belief. A wonderful film to be shared with family members & friends. What's even more unbelievable is that my girl friend can't wait for the sequel, if there's any! On the sideline, Stan Winston, the special effect guy who had brought us the Alien creature is in his usual best. By the way, the space ship is as corny as ever.

Read Best Reviews of Galaxy Quest (1999) Here

In 1999, "Galaxy Quest" was a film that surprised many sci fi fans when it was released to theaters. At first, many people were not sure if it would be a parody to "STAR TREK" but in the end, the film was actually paying homage to the popular television series.

The film is directed by television director David Parisot (who directed shows such as "Curb Your Enthusiasm", "Monk", "ER" and many other series) and is based on a story by David Howard and a screenplay co-written with Ric McElvin ("Men in Black II" , "Lemony Snicket's A Series of Unfortunate Events" and "Addicted to Love", etc.).

The film has received praise from Star Trek alumni such as George Takei, Jonathan Frakes, Patrick Stewart and Will Wheaton and has received nearly all positive reviews from film critics upon its release in theaters back in 1999.

VIDEO & AUDIO:

"Galaxy Quest Deluxe Edition" has been digitally remastered for this DELUXE EDITION/10th Year release. I haven't done any comparisons to my original 2000 DVD version of the film but I could tell by watching it, scenes like the mission obtain Beryllium, this would shine on Blu-ray. But for now, on DVD the colors look vibrant with the Earth tone colors and blue skies make things absolutely beautiful. Video is presented in widescreen. So, overall, for a DVD release, the picture quality and the new remastering looked great.

As for the audio, audio is presented ala English 5.1 Surround (as well as Spanish 5.1 Surround) and comes with a Thermian 2.0 Surround track. I will say that watching this film again, I heard a good number special effects from the various channels. Audio sounds very good, I was noticing small details such as the damaged spaceship, the Protector trying to use its remaining engines to move the ship and hearing it trying to move in space on your front channel and rear channels speakers. I don't recall hearing those small details back in 2000. I felt the audio seemed cleaner and clearer in this deluxe edition.

With a new digital remaster for the DVD coinciding with the 10th Anniversary of the film's release, I can only hope that we get a 1080p High Definition transfer with lossless audio. Knock on wood, I hope there will be a Blu-ray release coming soon!

But for now, compared to the original DVD release, this is the better DVD version to own for now in terms of picture and audio quality.

SPECIAL FEATURES:

"Galaxy Quest Deluxe Edition" comes with newer special features to celebrate the film's 10th Anniversary. The original DVD released in 2000 had special DVD Easter Eggs (related to the Omega 13) and a "On Location in Space" featurette that are not included on this deluxe edition, so you may not want to throw out your original 2000 DVD. But this Deluxe Edition comes with newer features recently created in 2009 and are very enjoyable.

* Historical Documents: The Story of Galaxy Quest (18:14) A new featurette with recent interviews with Dean Parisot (Director), Bob Gordon (Screenwriter) and David Howard (screenwriter). Also, new interviews with the cast of "Galaxy Quest". A fun and informative featurette of how the film came about, how the talent felt about being at a science fiction convention and being a bit weirded out by the experience and also certain segments that play homage to "Star Trek".

* Never Give Up. Never Surrender: The Intrepid Crew of the NSEA Protector (23:25) This featurette goes into the casting of "Galaxy Quest". The cast is interviewed and give their thoughts of their character and what they remember during the filming. Interesting tidbits of Sigourney Weaver being in character once she had the blonde wig and attracting a lot of eyes. How Alan Rickman was very cool and calm. Tim Allen and Daryl Mitchell always having fun on the set and really interesting situations that happened during the filming of "Galaxy Quest".

* By Grabthar's Hammer, What Amazing Effects (7:03) How popular Stan Winston worked on special effects for the alien monsters and Industrial Light and Magic working on the CG effects. How the camera work for "Galaxy Quest" was trying to recapture that Star Trek original series cinematography feel and much more!

* Alien School Creating the Thermian Race (5:23) How Enrico Colantoni (Mathesar) came up with the Thermian speech from vocal training they did at Yale. How during "alien school", they would have to learn how to walk and move.

* Actors in Space (6:11) In this segment, we learn how being in a popular series, an actor can get pigeonholed. Tim Allen talks about people even today thinking he's Tim Taylor of "Home Improvement", Justin Long talking about despite his film work, he's still looked as "The Mac Guy", Daryl Mitchell known for his work on "House Party" and more.

* Sigourney Weaver Raps (1:59) Sigourney Weaver's agent's birthday was coming up, so Sigourney asked Daryl Mitchell to help her create a rap for Sam Cohn and together with Sam Rockwell, Missi Pyle, Jed Rees, the five created a music video as a birthday present.

* Additional Scenes: Deleted Scenes (Used on 2000 release) A total of eight deleted scenes. Some of these features include commentary by the talent or Director Dean Parisot and David Howard.

* Thermian Audio Track An audio track featured completely in Thermian. Personally, even when this was on the original 2000 DVD, has anyone ever watched the film completely in Thermian?

* Theatrical Trailer (Used on 2000 release) (1:54) Original theatrical trailer.

The slip cover has a front cover that features Alan Rickman, Sigourney Weaver and Tim Allen in character, standing cool and collected (the image shown above on this review) and when you shift the front of the cover slightly, it shows the three firing their weapons.

JUDGMENT CALL:

"Galaxy Quest Deluxe Edition" is definitely a wonderful 10th Anniversary release.

I have never grown tired of this film and for any Star Trek fan or science fiction fan, you can't help but enjoy and laugh and be thoroughly entertained by the various talent and the overall wackiness of the storyline.

The new special features is what makes this film worth buying again on DVD. To have everyone return for an interview and talk about their love for the film and how well it was received and how it has become a sci-fi classic was just fun to watch. And the behind-the-scenes tidbits you learn about the shenanigans that went behind-the-scenes to the actual creation of the film, was also informative and entertaining.

If there is one thing that I can hope for, that would be a high definition Blu-ray release of this film. With its 10th Anniversary, I was a bit surprised that only a new DVD was announced at this time. But with the film now receiving a new digital remastering, I can only hope for a HD 1080p transfer and lossless audio, to me, that would be the icing on the cake.

But overall, this new deluxe edition was just fantastic and if you are a big fan of "Galaxy Quest", on DVD, this is the definitive version to own. Highly recommended!

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When the entertainment industry pokes fun at itself sincerely, the results can be hilarious. Such is the case with the cornball science fantasy movie "Galaxy Quest."

"Galaxy Quest" was a science fiction television show with more than a passing similarity to "Star Trek." As with the latter show, "Galaxy Quest" was cancelled. Now the dispirited actors seem doomed to an endless cycle of overzealous fans at "Galaxy Quest" conventions. Adding to the actor's torment is the attitude of Jason Nesmith (Tim Allen), who played Commander Peter Quincy Taggart in the show. Nesmith's cheery attitude and self-importance have worn thin on his fellow cast mates, Gwen Demarco as sexy Lt. Tawny Madison (Sigourney Weaver), Alexander Dane as brainy Dr. Lazarus (Alan Rickman), and Fred Kwan as Tech Sgt. Chen (Tony Shalhoub).

Interrupting their doldrums is a group of individuals who would appear weird to anyone outside a science fiction convention. As members of the convention they appear to be about as strange, or normal, depending on your point of view, as anyone else. However, Jason Nesmith soon learns that this strange foursome is more than they seem as they spirit him off to their genuine spaceship, NSEA Protector.

At first Jason is somewhat excited at the opportunity to be on a genuine spaceship, and eventually brings the rest of the crew, including bit part player Guy Fleegman (Sam Rockwell), back to the ship with him. However, the aliens crewing the ship, the Thermians, have a very real, very ruthless nemesis to contend with, and the former crew of "Galaxy Quest" discover they are out of their depth.

The Thermians brought the crew of "Galaxy Quest" on board because they discovered certain "historical documents" that were transmitted into space many years earlier. The somewhat innocent, though highly intelligent and creative, Thermians were unable to recognize the television show "Galaxy Quest" as being make-believe.

The movie moves forward with a number of creative and often humorous moments, alternating between hilarity and seriousness, with even a few moments of compassion. Every cliché and stereotype from the original "Star Trek" is exploited for a laugh. In the climax the actors rely on hardcore fans for their in-depth knowledge of the show to save them. It is difficult to avoid enjoying the ending, even if you are not a fan of science fiction.

"Galaxy Quest" is an excellent companion movie to the original "Star Trek" television series. Even non-Trek fans will pick up on most of the gags. There is a lot of action and you can expect the usual implausibilities that tend to accompany television science fiction. However, the results are humorous and enjoyable. You will find this movie worth more than one watch.

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Horrible Bosses (Movie-Only Edition + UltraViolet Digital Copy) (2011)

Perhaps this is partly due to the very vocal and very packed theater I saw Horrible Bosses in, but I have to say that it was one of the best experiences I've had watching a comedy in a long time. This movie is funny, really funny. The writing is vulgar and clever, often at the same time. There is not one weak link in the cast. Jason Bateman, Charlie Day and Jason Sudeikis play the three main guys getting pushed around by their evil bosses. They then hatch a plan to kill each others bosses. Kevin Spacey, Jennifer Aniston and Colin Farrell play those three evil bosses. You also get other big names like Jamie Foxx, Donald Sutherland and an unexpected cameo from Bob Newhart. Everyone is great, but I have to give a special props to Jennifer Aniston. We finally get to see her in a role that showcases more of her talent than everything else she has done combined. She's funny, sexy and pulls of some nasty lines with ease.

I didn't plan on seeing this today, but I got bored, read some really positive reviews, felt spontaneous and headed to my theater. Best decision I've made in...well today. Forget the latest Hangover and check out one of the best comedies for grown ups in a long time.

There have been quite a few R-rated comedies this year, but they've all left something to be desired. Your Highness collapsed under being nothing but improvised toilet humor, The Hangover Part II was a complete rehash of the original, Hall Pass was just a disappointing attempt by the Farrelly brothers, and Bad Teacher was too tame to really be called "bad" at all. Paul and Bridesmaids were both pretty decent, but Paul wasn't nearly as good as the movies Simon Pegg and Nick Frost collaborated with Edgar Wright on and Bridesmaids pretty much played out like every other Judd Apatow movie out there. It was beginning to feel like every R-rated comedy from here on out would be so similar to everything before it that the laughs it tried to provide wouldn't be very funny at all. Thankfully, Horrible Bosses came along to prove that theory wrong.

What's interesting is that Horrible Bosses kind of follows the same formula as The Hangover; three guys getting themselves into a really terrible situation but roofies are replaced with a crazy scheme to kill their bosses. The funniest aspect of the movie lies within three guys, Nick (Jason Bateman), Dale (Charlie Day), and Kurt (Jason Sudeikis), obviously having no idea what they're getting themselves into and dealing with the situation in the worst way imaginable. Things get really crazy really fast and only get more hectic as the movie jogs along. That's essentially the movie's charm. While the formulas to the two movies are similar, Horrible Bosses does seem to offer quite a bit more than The Hangover.

The cast may be the strongest factor of the movie though as nearly everybody involved makes the most of their screen time and manages to get a laugh or two in no matter if they're a recognized name or a new face. Kevin Spacey, Colin Farrell, and Jennifer Aniston play the three bosses and they're all fantastic in their roles. Spacey just goes out of his way to be the most despicable person anyone could really come across while Farrell, despite being selfish and greedy, still manages to toss in a few pretty hysterical one-liners. Aniston will probably be the one that sticks out the most since she makes the biggest impact by being rather forward with her sexual desires for Dale. It's just such a different role from what Aniston has played in the past. The chemistry between Bateman, Day, and Sudeikis is really spot-on, as well. Their conversations, fighting amongst each other and interactions just make you really believe that these three have known each other for years. Even though his role is a little small, Jamie Foxx deserves a mention as well. Dean Jones turns out to just be a really entertaining character overall.

It's difficult to point out any sort of problems this comedy really has, if there are any at all. The film is extremely vulgar, but doesn't really feel entirely too crude or include any gross out gags like many R-rated comedies seem to fall victim to. None of the cast drags the movie down as they all do their part to drive the movie forward. I feel like it won't be as successful as some would think though and will be overshadowed by other comedies that aren't nearly as solid or as funny as Horrible Bosses is. That's really the only complaint anyone could possibly have.

Horrible Bosses is easily the most hilarious R-rated comedy of the summer. The strong cast, amusing dialogue, and entertaining banter between Nick, Dale, and Kurt is more than enough to sky rocket Horrible Bosses to the top of the list of comedies released this year. Charlie Day will have you laughing right from the start. Luckily, Horrible Bosses came along to inject some much needed hilarity into mainstream comedy this season.

Buy Horrible Bosses (Movie-Only Edition + UltraViolet Digital Copy) (2011) Now

I was hesitant to rent this movie because it only had two and a half stars here, but we gave it a shot. This movie was freaking hilarious. My wife and I both loved it. Then we read the reviews to try to figure out why it was only two and a half stars. Some people are having some issues with the digital copy and therefore the actual movie rating is being affected. This is my first review here and I just wanted to write it to give the ratings a boost because it deserves 5 stars.

Read Best Reviews of Horrible Bosses (Movie-Only Edition + UltraViolet Digital Copy) (2011) Here

First, let me say I wasn't a fan of Bridesmaids or The Hangover. Saw them both and wondered what all the hype was about. Second, I had scanned the reviews for this one before renting it and decided that since there seemed to be a 'half n' half' on it some loved it and some were disappointed it was probably worth a look. I'm so glad I did, as it was one of the funniest 93 minutes I've enjoyed in a long time!

The 3 main characters really aren't the bosses, but their employees. Each with their own set of quirks, these three friends have growing up together and remaining friends, and hating their bosses in common. What struck me about a third of the way in was how much it reminded me of the movie '9 to 5' the theme of wanting to kill the boss and the comradare between the main characters.

All the characters were played perfectly. All of them are really one-dimensional, but they don't need to be more. It all works and you get some surprising big name stars you've not seen in awhile popping into the movie too.

Situational comedy is at the core of this film. It's not slap-stick, but the dialogue between the characters is sharp and on-point. If you are laughing too hard, the beauty of a rental is you can rewind to catch what you just missed! I did it several times while watching this movie.

You get a happy ending with lots of laughs from start to finish. The characters are fun, you empathize with the employees, feel the 'ugh' from the bosses, and laugh at the ineptness of regular guys who could be you, or your friends.

Horrible Bosses is for anyone who enjoys comedic bi-play without a concern for the movie 'should' or 'could' be. Just have fun with it! You'll be glad you did.

Want Horrible Bosses (Movie-Only Edition + UltraViolet Digital Copy) (2011) Discount?

Horrible Bosses is a revenge fantasy on acid or better yet, a snort of cocaine. It's obscene. It's politically incorrect. It's boorish and absolutely hilarious. Everyone seems to have having a good time, especially the horrible bosses played by Kevin Spacey, Jennifer Aniston and Colin Farrell. Colin Farrell seems to be channeling Tom Cruise's performance from Tropic Thunder. He's completely unrecognizable as the kung fu obsessed tool of a boss, Bobby Pellit. Of course, no one does smarm better than Kevin Spacey. He's played this type of role before but never with so much glee. As for Jennifer Aniston, she is fabulous as the nymphomaniac dentist who lusts after her hygienist.

The premise is very simple. Three under paid, under appreciated and over worked employees played by Jason Bateman, Jason Sudeikis and Charlie Day decide that if they want their lives to improve, they need to murder their bosses. Thus begins the clever and very rude homage to Alfred Hitchcock's Strangers on a Train as well as Throw Mama From the Train.

It's an intelligent, witty and extremely well written movie. What made it more fun were unexpected cameos by Ioan Gruffudd and Bob Newhart. Ioan Gruffudd's scene as a potential assassin for hire is a riot.

This movie was a pleasant surprize.

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Singin' In The Rain: 60th Anniversary Collector's Edition (Blu-ray/DVD Combo) (2012)

First off, I need to point out that Amazon does have this odd policy of grouping ALL reviews of ALL versions and editions of a film in one place. So when a film is restored or reissued the reviews are grouped with the others. There are over400 reviews for "Singing in the Rain" here and they stretch back as far as 1998 and as recent as July 2012. Reviews are automatically sorted by the "Most Helpful" first and while I hope you will find my review helpful I do encourage you to look at the date of any review you read and compare it with the "release date" of the edition you are looking to purchase. With that said, I'll move on to my review.

I'll go along nearly everyone who treasures "Singin in the Rain" in saying it is probably one of the most important films ever made and the top musical. It's also the most entertaining 103 minutes you'll se on the screen. Sure there is smart dialogue, but the film boasts a compendium of wonderful "hit songs" that were all succeses even before the were incorporated in the story by Comden & Green. Go ahead and read the other reviews, if you are not familier with the plot or background of the film. That hasn't changed in the 20+ years of reviews.

I last reviewed this film on DVD 10 years ago when Warner Home Video released the 50th anniversary package in 2002. That was before Blu-ray. Because the multi-disc versions of the new 60th Anniversary Edition contain all the "special features" of the 50th Anniversary one, I chose the single-disc Bluray to see the new HD transfer and the new 53-minute documentary. The single-disc BD contains only the HD transfer, the doc, a "juke-box" function and the Theatrical Trailer (along with the commentary track from the 50th).

The PRINT is glorious even on my non HD TV. And the film was not in Wide Screen so the dimensions of your screen don't matter. The documentary really didn't add much, but was fun to watch. Its purpose was to reach the younger generation who are fans of "Glee" and "High School Musical". Both choreographers and actors from those shows are interviewed and tell about the first time they saw the film. A few "oldsters" like Rob Marshall and Baz Luhrman add comments and there are some from film historian Rudy Behlmer (who appeared on the Warner musical reissues before the start of the press-on-demand Warner Archive series). Of course there are lots of clips from the film (some repeated again and again) as well as clips from other Kelly films as well as Fred Astaire films comparing the two. A brief mention of importance of Arthur Freed is made but no discussion of the new digital transfer. It's an OK doc but, not sure it breaks any new ground.

Still, if you love this film (and I can watch it over and over) and have an HD TV, you'll probably want to pick this up. If you have the prior edition and an HD TV you'll want the single disc BD. If you don't own the prior one, you'll want the 2-disc version for all the extra bonus that were added 10 years ago.

But this is a DVD (in one form or another) that EVERYONE should own.

I hope you found this review both informative and helpful.

Steve Ramm

"Anything Phonographic"

Most people who are reading this review know how awesome "Singin' in the Rain" is, so I won't review the film, but rather I'll limit the review to the 60th Anniversary Blue-ray disc. I watched this on a 70" Sharp Aquos HDTV. What an experience! In a darkened room, with a giant bucket of coronary-inducing self-popped (not microwave) buttered popcorn (with real butter, thank you) and an enhanced sound system, I was transferred to a time that I hadn't experienced since I was a little kid. The blue-ray transfer is breathtaking with the brillant color, clarity, and sound. It was like watching a brand new film. This is how audiences originally saw the film 60 years ago. The commentary track was very informative, though it was recorded a few years ago, since some of the contributers are now deceased. The added features are excellent. I like the 'jukebox' feature, which allows you to watch just the musical numbers of your choice. If you only have a little time, but you need a quick uplifting shot of "Good Mornin'" or "Moses Suposes" you can do that. Also the added feature of interviews with some of today's dancers, choreographers, and musical film directors is fun. It's good to see the respect and admiration that they have for Gene Kelly, Donald O'Connor, et al. I suggest whatever home theater equipment you have, set yourself up as close to a theater setting as possible and get swept away. Experience how magical a movie experience can be.

Buy Singin' In The Rain: 60th Anniversary Collector's Edition (Blu-ray/DVD Combo) (2012) Now

If they would ever give out awards for Blu-ray.....This would be the one to take it.

I have a couple hundred Blu-ray discs and I, personally, think this is the best disc that was ever pressed. I've seen Singing In The Rain in the theater, on VHS, on Bata Max, CED videodisc, Laser Disc and DVD. But, WOW, I have never seen this movie look and sound so good. You've got to see it! WOW!

Read Best Reviews of Singin' In The Rain: 60th Anniversary Collector's Edition (Blu-ray/DVD Combo) (2012) Here

This is a revisit to a movie I haven't seen in years. Have I changed my view? Nope. In fact, watching the film on the new Blu ray disc more than confirms that the film still holds up after 60 years. The video transfer maintains the original 1.37:1 aspect ratio. While the images aren't quite as natural as you might like, there are very few distractions. The colors are spectacular and the dancing is the greatest ever put on film.

Gene Kelly seen here in his prime and in a tuxedo, could have been a great James Bond. Cool, good looking with beautiful women all around. Dancing never had a better stud. Donald O'Connor is a second banana here, but check him out in his solo routine, "Make `Em Laugh". He teams up with Kelly in a couple complicated numbers and you will never see better choreography.

The story centers around the time when silent films made the transition to "talkies" (1927) and Kelly's leading lady couldn't make the jump due to her high pitched Brooklyneze voice. Her voice and singing are later dubbed in by a newcomer named Kathy (Debbie Reynolds). She's also Don's (Kelly) new fling. This is all fun, inside stuff but the real action is on the dance floor.

The film of course, features Kelly's take on the title song, which I've seen dozens of times. It is still spectacular. I had forgotten about the 13 minute dance sequence in the last act featuring Kelly and long-legged Cyd Charisse. She dances throughout this number with a 30 foot long scarf flowing behind her. It wraps gracefully around Kelly several times. It is beautiful to watch, as is the whole movie.

While the film in this Blu ray version is visually an upgrade from DVD, the audio is the real star. The newest option is a lossless DTS-HD Master Audio 5.1 track. It's a big deal. The songs in particular have been given a wonderful mix. The LFE channel is restrained keeping focus suggested by the original mono score. Special features include a new documentary, commentary by several of the stars and others and a "jump-to-song" feature. This is a pretty bare bones package (one disc) for what is a milestone film.

Want Singin' In The Rain: 60th Anniversary Collector's Edition (Blu-ray/DVD Combo) (2012) Discount?

I may be the first one to review the Blu-ray release of Singin' in the Rain, and I will be brief: SPECTACULAR!!!. The restoration of the picture (4K) and the DTS multi-channel English track will knock your socks off!

This 60 year old classic looks like it was just filmed, except in glorious TECHNICOLOR. For those of us who were lucky to see revivals of this film in theatres with prints from the IB Technicolor masters, it is such a joy to see this quality in our own home theaters looking so beautiful. For the newer film fans who have only seen this movie on a TV screen, you don't know what you are missing. This is a classic you MUST see on the largest screen you can possibly view it on. There aren't many extras , and the trailer is standard definition, but the most important thing for me is the absolutely stunning quality of the main feature. I recommend this release on Blu-ray. It is the closest to classic movie heaven you will get!!.

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