Thousand Words (2013)

Thousand Words"My name is Jack McCall. I'd like to talk to you, but I can't because if I say just one more sentence out loud, I'll die." Jack McCall (Murphy) works for a publishing firm and will do and say anything to close a deal. When he goes after the most sought after author, spiritual guru Dr. Sinja, he once again says anything that will get him to say yes. The Dr. sees through him and when Jack is at home that night he is shocked to see a tree pop out of the ground. After finding out that the tree loses a leaf every time Jack says a word he is forced to try and change the way he communicates. I have always been a big Eddie Murphy fan and I was looking forward to this one. I was surprised at how heartfelt and emotional this movie turned out to be. While this is a definite comedy and is very funny the real heart of the movie is the emotion that Murphy shows during his change. On that note, while I'm not saying this is an Oscar worthy performance this is his best acting since "Dreamgirls". Seems like just because it is a comedy the acting gets overlooked which isn't really fair. Murphy's performance was so perfect for this movie it took a movie that could have been very cheesy and fluffy and turned it into something so heartfelt and emotional that I actually got choked up a few times. For that to happen during a comedy is a testament to his acting. Overall, a very funny movie with a ton of heart that deserves to be seen. I really liked this one. I give it an A.

I am not eloquent or as well worded as many.

The thoughts and depth of the movie may be the definition of cliche, but it was good.

I mean surprisingly, it was good!

The movie touched on the comedic side at times, coming across as not hard to navigate. Meaning I saw parts coming.

The end was gratifying, the middle pretty good. The beginning was a little slow or rather a little predictable, but not bad.

I liked it, which shocks me more than you know.

In the end, reading the reviews from other users spoiled a little bit of the movies path, but I recommend this movie. It is about 3.5 to 4 stars, and had a good message.

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Eddie Murphy was once one of the funniest actors in hollywood, but thing have changed. This movie will not win any awards, but is a good family movie to watch, that was much better than expected.

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Seriously worth watching! My husband, myself and our 10,12,15, and 16 year old sons enjoyed this movie...hard to find something everyone agrees on! We all agreed very good movie. Great story...great moral lesson...if you want smut...and vulgar humor...not for you...if you want a funny warm fuzzy movie...rent it.

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Eddie Murphy has been making kid's movies for so long he has forgotten how to make them for adults. Eddie plays Jack McCall, a literary agent who has signed a New Age guru, and has agreed to following the guru's ways in order to get the contract. A tree suddenly appears in Jack's back yard, one that loses a leaf every time Jack says speaks or writes a word. The presumption is that when all the leaves are gone, the tree dies and so does Jack and the movie. What happens to the tree, happens to Jack.

The humor is how Jack, a constant talker, now has to be silent as if his life depended on it. It has that "Liar, Liar" feel to it, it just isn't as funny.

It is a yawner that might work for the 14-16 year old crowd. The movie has some heart warming redeeming value to it, you just have to wait for it until the end. If you want to see Eddie Murphy in his street smart role, try "Tower Heist."

Adult language, no nudity, no real sex.

Superhero Movie (Extended Edition) (2008)

Superhero MovieSUPERHERO MOVIE bombed at the box office, but as a lifelong fan of the genre and movies like AIRPLANE, TOP SECRET, and NAKED GUN, I felt almost compelled to watch it. I doubt there will ever be another breakthrough spoof movie due to the fact that now there are so many of them. During the eighties and nineties, spoof movies came out every other year or so, now they come out every other month (Scary, Date, Epic, Disaster, etc). SUPERHERO MOVIE is not a great movie within the spoof genre, but it provides many good laughs and returns to the roots of what made the movies like Airplane and Naked Gun so great.

The DVD has a feature called "Anatomy of a Spoof" that among other things, gives director Craig Mazin's (a Zucker protégé and fan) philosophy of spoof movies. First, the actors need to play it straight, and second, the movie needs to have characters you care about and create an actual story within the genre you are trying to spoof. It this movie, all the actors play it straight. Drake Bell is Rick Ryker, the Peter Parker clone who gets bit by a Dragonfly and gets superpowers. Sara Paxton plays the love interest. Christopher McDonald is the evil Hourglass. Leslie Neilsen is the wise uncle. The plot follows the basic structure of Spiderman, and throws in Fantastic Four and X-men spoofs as well. The movie avoids trying to create comedy by recreating scenes from famous super hero movies. Director and writer Mazin really tries to make a story the viewers will care about, and many of the jokes are found in the dialogue.

Mazin knew what he was doing. He crafted an entertaining spoof full of witty dialogue. A few things brought the movie down. First, the glut of spoof movies took away any chance for this film to be original. Second, it seemed a limited budget took away from some of the special effects that could have been utilized. Third, Mazin just isn't as talented as the Zucker brothers. Still, this movie had some good stuff, including my favorite, Steven Hawking. This is a must see for fans of the genre. It's not perfect, but SUPERHERO MOVIE is definitely trying to follow in the footsteps of AIRPLANE, and that's more than can be said for all the Date and Epic movie spoofs.

This flick which is a average entry into the spoof genre, one that has direct roots to the classic movie "Airplane". In many ways they are all similiar from "Scary movie" to 'Hot shots" they spoof a current trend or movie. In this one they mainly spoof 'spiderman"; but in spite of the extended gay and fart jokes it's still entertaining. The main villian 'hourglass" is actually a good supervillian that could fit well into any comic book or film based on a comic books. In fact most movies are storyboarded just like a comic book before shooting. So anyone who looks down at comics should forget about movies as well. This isn't a stand out performer in it's genre but it's what you expect and that's some laughs and lots of silliness. Since 'airplane' there has been a alot of these over the top spoofs and they all have their moments and a basic similiar structure based on a outlandish gags. The blu ray print is as good as it gets and this is the only way to watch this movie if possible.

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Is there any good way to start a review for yet another mindless spoof? With the release of "Meet the Spartans" back in January, it did seem as if the parody genre was on the rise again. Since we now have "Superhero Movie" added to the mix, I'm really not sure anymore; it isn't as funny as "Meet the Spartans," but it's certainly a lot better than the droning jokiness of films like "Scary Movie 3," "Scary Movie 4," "Date Movie," and "Epic Movie." Most of these films were nothing more than comedic vignettes, having no real plot other than a back-to-back series of gags. This new film actually does make an attempt at a plot ... and by "plot," I mean that it takes all the best elements from the first "Spider-Man" and forces them to be goofy, at times too much so. "Superhero Movie" is by no means a comedic masterpiece--the sense of humor is juvenile, the jokes are blatantly obvious, and the dialogue is just plain dopey.

But since "Meet the Spartans" was all that and more, how can I be kinder to it than to "Superhero Movie"? Partly, it's because the former parodies "300," a movie with violence so excessive and action so stylized that it was practically begging to be made fun of. But it mainly has to do with the fact that "Meet the Spartans" was unashamedly aware of itself, letting the audience know that it was, in fact, watching a spoof of a great film. I found that level of self-awareness funny. "Superhero Movie" is certainly aware of itself, but not at a satisfying level; the opening credits show close-ups of the hero's suit while a light passes over it; we eventually see that the light emanates from a flashlight the hero is holding. Could nothing more come from this gag than a flashlight? Could no one think of something even funnier than that?

"Superhero Movie" tells the story of a high school kid named Rick Riker (Drake Bell), a story he claims "is not for the faint of heart." While on a field trip to the local laboratory, Riker is bitten by a genetically altered dragonfly; he soon realizes that he's developing super powers, not the least of which is his ability to break-dance vertically on the wall of a building. He also has lightening fast reflexes, as seen when he catches a nail fired from a nail gun. Disguised in a green and black suit and going by the name Dragonfly, Riker uses his abilities to fight crime all over the city, which doesn't seem to be a problem for his aunt and uncle (Marion Ross and Leslie Nielsen). By the way, he lives with them because, nine years ago, his parents were horribly murdered after leaving a movie theater.

His archenemy is Lou Landers, a.k.a. Hourglass (Christopher McDonald), a terminally ill scientist who, through a technological accident, has the ability to suck the life energy out of people. If he can find a specific number of victims, he will be able to live forever, despite his illness. Riker is supposed to save the day, but he lacks confidence since he's a dragonfly that can't actually fly. Whatever. Maybe the girl he's secretly in love with--Jill Johnson (Sara Paxton)--can inspire him towards greatness. At the very least, she can inspire him to attempt a naughty version of the upside down kiss from "Spider-Man."

If this doesn't seem all that funny, that's probably because the plots for parody films are anything but; it's all about the jokes and how many can be crammed into a single film. Indeed, "Superhero Movie" practically bursts at the seams with the mass of its humor. Does all of it work? No, but there are a few select moments I laughed at: there's a moment when Leslie Nielsen's character reads to Riker from a puberty book, only to realize it covers changes in the female body; Riker recalls what his uncle says later in the film, when it seems least appropriate. There are some moments when a parody of Professor Stephen Hawking (Robert Joy) cusses in his distinct computer-generated voice. Some may find this offensive, but keep in mind that the real Stephen Hawking once provided his voice to an episode of "The Simpsons."

But for every funny moment, there are two or three that aren't all that funny. Example: Riker accidentally sprays himself with animal pheromones and attracts everything from dogs to rabbits to skunks (and you don't want to know what happens when a snail shows up). There's a cameo appearance from Pamela Anderson as Invisible Girl; she's been having an affair with the handicapped and bald Professor Xavier (Tracy Morgan), and that puts him at odds with his equally handicapped and bald wife (Regina Hall). There's also a moment when Riker's aunt is asleep on the couch, and she does nothing but pass gas in front of Riker and Jill as they try to share a tender moment with one another. You may not believe this, but that does get old after a while.

While this movie is nowhere near as bad as it could have been, it still isn't good enough to recommend, so those of you upset by my positive review of "Meet the Spartans" can rest easy. "Superhero Movie" is amusing but hardly hilarious, which--believe it or not--is more than I can say for many of our more recent parody films. I'm sure teenagers will love this film, which I guess is fine since there certainly are worse movies. Some people will get a kick out of Brent "Data" Spiner, who plays a scientist that screams like a woman at a certain point. Yes, "Superhero Movie" is juvenile, but it's also harmless, so in the end, it's really no better and no worse than you expect it to be.

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Having `basically' gotten a free copy of this, I decided to go ahead and check it out. I had seriously doubted I would laugh at all in this movie since these movies have been going from good to really bad as quick as a snowball down a snowy hill. I like Scary Movie 1 and 2. But 3 and 4 were bad. Meet the Spartans was bad. I didn't even watch Epic Movie or Date Movie. But Superhero Movie... well... it just might surprise you.

The movie basically spoofs Spidey with tidbits of other movies like Batman and X-Men thrown in. Don't let the box art fool you guys. Everyone on the front of the box is in the movie for maybe 5 30 seconds with the exception of the Dragonfly. Wolverine's whole part was him shaving his legs with his claws while smoking a cigar... lame. Prof X was in the movie for a few scenes, but it really was just thrown in to get laughs in my opinion. Pam Anderson was in there for maybe a good 30 seconds. Ah well. The movie revolves around Rick Riker (or you could say Peter Parker) who becomes bitten by a radioactive dragonfly. And instead of Green Goblin being his arch-nemesis we have Hourglass played really well by Christopher Donald (I always like that guy for some reason). And, in my opinion, Hourglass is a lot cooler, movie wise at least, than the Green Goblin. Hourglass sucks the life force out of people so he can stay alive. The bodies on screen actually look like all the juices and matter were sucked from their insides until there just a prune of what they once were. So basically if you've seen Spidey then you know what's going on here. Good vs. Evil.

The thing about this movie though is they throw in some little twists to the story. Some to make you laugh (or try to) and some just to make the story a little different. The story itself isn't really that bad. If it wasn't for the goofiness and the forced humor, and of course the carbon copy script of Spider Man, then this movie might have been able to stand on its own.

Now for the funny parts. I don't see how the writers can go from one extreme to the other like they do and expect laughs. Some scenes seem like they were written for 8 year olds to laugh at while some scenes would have you dive bombing your child with `ear muffs'. In my opinion, I have a pretty good range of humor. I laugh at Kevin Smith stuff, Will Ferrell stuff, and then even stuff that's in Wes Anderson movies such as Royal Tenabaums and Rushmore. I'm everywhere. So saying that, I did laugh more than I expected in this movie. Leslie Nielson had 2 of the best parts in my opinion that involve a nail gun and then a punch. It was back to back and I just didn't expect it and it made me laugh pretty good. But, like most of the recent stuff these writers and directors have done, most of the comedy is too forced and just incredibly dumb. For instance, they have Johnny Storm freak out cause he's on fire. Seriously? He says, "Watch what I can do" then says "FLAME ON!" Then looks at his body and says, "OH MY GOD I'M ON FIRE! HELP ME!" and stops and drops and probably rolls. I'm not sure since I was rolling my eyes. That's the kind of stuff that took this movie from being decent to `eh'.

In the end I would say, if there is nothing else to rent, give this a try. Or if you're just a big fan of the Superhero movies, like I am, then just say to heck with it and rent it. It almost feels like a big "WHAT IF?" comic. Almost.

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Rick (Drake Bell) is your baisc high school nerd who was bitten by a genetically enchanced dragonfly and has the abilities and powers of a dragonfly. He becomes an avenging superhero nicknamed Dragonfly and must protects the good citizens of Empire City from criminals, Rick also wants to win the heart of beautiful girl Jill Johnson (Sara Paxton) and must do battle against the evil Hourglass or Lou Landers (Christopher Mcdonald).

Co-starring Leslie Nielsen, Pamela Anderson, Brent Spiner, Jeffery Tambor, Keith David and Tracy Morgan, this is an outrageous and nicely done parody of superhero movies from "Spider-Man 1 & 2", "Superman", "Batman Begins", "Fantastic Four" and "X-Men". This movie is produced by the great parody maker David Zucker who made "Naked Gun" and this movie works better then the Jason Friedberg and Aaron Seltzer duds as it successfully uses some decent laughs, some nifty spoofs on celebrities like Stephen Hawking, and not too much overdosing on Pop culture references like the Friedberg and Seltzer movies. Sara Paxton is simply gorgeous in this movie as the hero's love interest and Tracy Morgan is hilarious as Professor Xevier, it's worth a look for those that were fed up with Friedberg and Seltzer's trash.

This DVD contains never before seen footage that was cut out of the theatrical release and has some good extras like audio commentary, alternate ending, deleted scenes, and two featurettes with trailer.

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Repo Man (Criterion Collection) (1984)

Repo ManRepo Man is completely unclassifiable. Funny, dark, biting, thrilling, confusing, action, adventure, it's all there. Emilio Estevez plays Otto, a "white suburban punk" living in LA's sprawl, with a nowhere job that he loses in the film's second scene. When his hippie parents admit they sent his college fund to a TV preacher (We're sending Bibles to El Salvador!), Otto meets Bud (Harry Dean Stanton), a cocaine-driven Repo Man who needs an extra driver. Otto joins the firm and soon learns the Repo Code; Bud's version (You see, a Repo Man gets himself INTO tense situations), and the other regulars at Helping Hand Auto share their philosophies too. Light finds Bud's view tedious but is willing to handle shoot-outs when he's not reading parodies of Scientology (Diuretix), Miller seems completely neuron-fried (The more you drive, the less intelligent you are), and Oly is along to make a four-pack. (Did you notice the four experienced Repo Men are named after beers?) Let's go get a drink, kid!

Multiple plot strands at first seem unrelated, but bind together closer and tighter as the film moves along. Otto and the other Repo Men are on the lookout for a 1964 Chevy Malibu, with a $25,000 bounty. So are some creepy FBI agents, who stalk and kidnap Otto. And so are Helping Hand's arch-rivals, who careen into the plot whenever things are getting dull. The car's driven by a nuclear physicist in from Los Alamos, who warned a CHP officer not to look in the trunk (with deadly results). Otto's punk friends find the car while breaking into a pharmaceutical factory, but they're too stupid to keep it. (These three are some of the dumbest criminals ever shown in film, including Kevin Kline's Otto in _A Fish Called Wanda_) Otto finds love, after a fashion, but since this is Reaganesque LA, even his girlfriend has her own motives. ("Otto! What about our relationship?" Otto's reply is a brilliant retort to Cary Grant's last line in Gone with the Wind.)

The film abounds with hilarious throw-away lines, signs, and labels. Several scenes take place in food stores, and all the food is generically labeled. Multiple viewings are required to catch them all; be sure to read all the signs in the windows. Even the TV preacher shows up on several television sets. Repo Man takes its structure from Miller's bizarre rant about the cosmic latticework of interconnectedness, because everything is interconnected, and Miller turns out to be right about all of it by the end. "And flying saucers are... You got it. Time Machines."

Top it off with a TERRIFIC sound track by Iggy Pop, Black Flag, The Circle Jerks, and a host of others from the punk scene and this is one of the best movies ever made.

Every decade, there seems to be a movie that defines the angst of the culture and the subculture, the collective feeling that something is wrong with the establishment. To call this zeitgeist is misleading; these films don't reflect the spirit of the times as much as they somehow tap into the opposite they manage to create an all-around sense of unease about the state of the world. In the 1960s, it was The Graduate and the bombshell look at the end. For the 1990s, Fight Club identified many things wrong both with pop culture and those acting in rebellion against it. For the Reagan-saturated 1980s, the distinction falls squarely on Alex Cox's debut film Repo Man. In one of his first roles, Emilio Estevez plays Otto, a street punk who loses his job and college savings in the same day due to misunderstandings and television preachers. At the end of his rope financially and mentally, he agrees to make a quick 20 bucks by helping experienced repo man Bud (Harry Dean Stanton). Realizing the potential to make a good living, and an "intense" life in his new job, Otto signs up with the crew and becomes a repo man. On the way, he meets an unusual woman (Olivia Barash) whom he rapidly falls in lust with. When word comes down the wire that there's an enormous commission out on a 1964 Chevy Malibu, Otto and all the other repo men set out to look for the car with the huge score. What they find in the trunk is so unusual, it will change everything EVERYTHING.

What makes Repo Man so unique is the obvious satirization not only of regular, and in this case conservative Reagean-esque, culture, from the "John Wayne was [gay]" speech to Bud's trashing of Russia, but the send-ups of punk culture (Let's go do some crimes! Yeah, let's get sushi and not pay!) Otto is the everyman in every sense of the word, as he like us realizes that no matter what culture he tries to be a part of, he never fits in, and those strains of culture are so rife with stupidity and hypocrisy that he no longer wants to belong. Like The Graduate and Fight Club, Repo Man also refuses to supply a stock answer, instead making the audience question instead of spoonfeeding them. Plus, it's roll-on-the-floor funny, with some of the best oneliners since Evil Dead 2 or Terminator 2. Alex Cox made Repo Man while still in film school, and he basically admits it's little more than a trumped-up student film. The lack of budget is obvious at times, but the killer screenplay and direction more than make up for that slight fault. As usual, the movie looks excellent on Anchor Bay's DVD; the sound and video are as clear as you can ask for, with a remixed 5.1 audio track to boot. There's a great commentary track with Alex Cox, some castmembers (sadly, no Harry Dean or Emilio), and some crew; it's a lot like a Kevin Smith commentary, with everyone sitting in one room, having a great time talking about a great film. There are no other extras to speak of, unless you buy the collector's tin (which does not look like the normal Repo Man cover it looks like a California license plate, with Repo Man on it). The collector's tin has the soundtrack on CD and a booklet about the movie with a little comic in it. Unless you are a major fan or must have the best of the best of the best edition, there's no need to buy the more expensive version, but if you want it, you'd better get it quick, because at 30,000 copies, it'll be gone before you know it.

I would definitely check this movie out if you can, and would recommend buying it to anyone who asked.

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Alex Cox sends up the Reagan era in a black comedy about car reposession. With a stellar soundtrack and lots of quotables, Cox is the precursor to the Coens and Tarantino. Cox sends up everything but the kitchen sink-suburban life, televangelism, nuclear fear, UFO conspiracies, commercialism, self help cults, and more I'm sure I missed here. Straight up lo-budget classic if you have a taste for irony and absurdity.

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First off, let me say that I LOVE this movie. There is nothing else out there like it. It is the first movie about Nothing, long before Seinfeld and Napoleon Dynamite came along.

But actually, it's not about Nothing. It's about a quest. A quest to find the Holy Grail of car reposession: A Chevy Malibu.

So why 2 stars? Because this DVD SUCKED, that's why. The widescreen was pretty good, and the audio was okay. But other than that, where were the captions or subtitles? And more importantly, WHERE WERE ALL THE GREAT SCENES I REMEMBERED?

I never saw this in the theater. I grew up watching reruns of it on TBS. I got to hear all the repeats of "flip you" and "melonfarmer" in all their dubbed glory. When Leila swears at Otto at the end, my memory is her saying, "You Nerrrrd!" Not that-other-word.

That's okay. I can deal with more cussing. In fact, I like it. But what makes me want to say "Flip You" to the makers of this DVD is that we are missing all these great scenes:

1. The crazy guy in the car babbles on and on to Kevin about various things, including Lorna Doone cookies. Kevin's response is, "Lorna Doones? I love Lorna Doones!" From this DVD GONE!!!

2. Bud gets pissed at a phone booth for no apparent reason and goes and gets a baseball bat or crowbar or something and beats the thing to smithereens. Otto wants to get in on the action, so he picks up the bat and starts doing some smashing of his own, with some nice maniacal laughter. Bud has to make him quit and leave. This scene GONE!!!

3. Otto goes home again to see his hippy parents. The Good Reverend on TV is going on and on of course. I remember him saying these specific very cool lines, "Suffer the fires of eternal damnation! Now these are the end times..." Otto's parents are covered in spider webs. He walks up to the TV and turns it off. They give him a kind of lost look, and he gives them a disgusted look, and finally he just walks out the door with nothing else said. This Nice Scene GONE!!!

4. Seems like the "Bad Man", Lite did a lot more talking on the movie I remember. Seems like he said some stuff about "break the bone", like in the song. Where did it show that in this DVD? GONE, that's where!!!

5. There was one scene with the crazy guy in the car where he is talking either to Otto or Kevin, and he runs his fingers through his hair. As he runs his fingers through his hair, a handful of hair falls out. This was really gross but crucial to us fully understanding how far his radiation poisoning had progressed. Where is this scene, I ask you? GONE!!!

6. I'M SURE THERE ARE MORE SCENES, BUT WHERE ARE THEY??? GONE! GONE, I TELL YOU!!!

And why? I wouldn't mind this if this was just a regular DVD, but this supposed to be the "Special Edition" DVD! When are you movie execs going to figure out that we consumers don't care about gimmicks like tin-cases shaped like license plates? We want SUBSTANCE, not PACKAGING.

I haven't listened to the commentary track yet, but everybody has good things to say about it so I'll give a star for that at least.

Now, on to the soundtrack. This is a great soundtrack, but it too left me disappointed. I recognized the songs in it, but where was the main Repo Man track? You know which one I mean! I wanted to hear the lonely guitar solo that comes up while Otto walks the streets alone. That awesome track that comes up while the bum is sobbing on the side of the street and Otto just keeps on walking past, ignoring him as just part of the wasteland that is Urban USA. Where was that incredible soul-transcending track by the Plugz? We get a taste of it on the final track, but nothing like the main track. How disappointing.

The bottom line: If you've gotta have Repo Man, it's a good buy. But I'm still holding on to my much-worn VHS recording of the cable version. I suggest you do the same.

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Of all the low-budget films to come out of the Eighties, Repo Man, Alex Cox's dark cult comedy about Eighties urban sprawl and alien paranoia, is one of the better ones. Emilio Estevez stars in one of his earliest roles as Otto Parts, your modern apocalyptic teen up to his armpits in drugs, sex, and parental neglect. He soon finds a way out through Bud (Stanton), an ace repo man, who gives him a job and teaches him the ways of the car repossessing trade. The two wander through the guts of L.A. in search of a '64 Chevy Malibu, priced at 50 thousand dollars, and run into a cast of bizarre street characters: feds, girls in distress, a lobotomized nuclear physicist, and really, really dumb criminals. Estevez gives one of the best performances of his career, honing his acting skills as a punk white boy just in time for his role in Coppola's The Outsiders, released later that year. Cox, who wrote and directed the film, creates a strange but hilarious view of our culture, a brilliant satire on modern society.

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Dead Before Dawn (2013)

Dead Before Dawn"Everything we said at the shop is actually happening! Whoever we make eye contact with is gonna kill themselves, then come back as zemons and kill us...via hickeys" Casper Galloway (Bostick) is a teenager who is very shy and jumpy due to what happened to him as a kid. When his grandfather (Lloyd) asks him to watch his store he is very afraid. After a group of kids from school show up Casper tries to kick them out until an urn breaks, thinking the warnings are a joke they begin to come up with ideas of what a curse would be. Then they realize its not a joke at all. This is a very very funny movie, but it is mainly stupid humor. I really liked it and laughed a lot but I don't think everyone will find it as funny as I did. For example the plot of the movie involves being killed by getting a hickey from a half zombie-half demon. The writing is funny and the acting is good for a movie like this. There really isn't much else to say about this other then if you like movies with humor like Anchorman and Shaun Of The Dead then you will like this as well. Overall, very funny but not for everyone...also hearing Christopher Lloyd say "Great Scott" was amazing. I give it a B.

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30 Nights of Paranormal Activity With the Devil (2012)

30 Nights of Paranormal Activity With the DevilI knew that mocking the scary movies can be fun, but this doesn't even come close. Total waste of time and money.

Wow, who knew a parody film could be this unfunny? Usually you can get a couple of good laughs... not here. This movie makes the Wayan's brothers look like comedic genius's. I can't believe I watched the whole thing, but I'm here to warn you stay away. It's no gem awaiting discovery THERE IS A REASON YOU HAVEN'T HEARD OF THIS "FILM"

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If you're in the mood to watch a cheesy movie with poor acting then I recommend this movie. If you're looking for a more serious parody then look away.

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Craig Moss may be the single most untalented writer and director that ever lived, as evidenced by 30 NIGHTS OF PARANORMAL ACTIVITY WITH THE DEVIL INSIDE THE GIRL WITH THE DRAGON TATTOO, the latest in low-brow Horror spoofs that is a disgrace to the art of filmmaking. Moss takes on everything from the "found-footage" genre to Storage Wars and other lame pop culture references, posing only the most basic and expected humor to an increasingly irritated audience. When the idiotic attempts at parody fail, Moss falls back on what he knows best: crude sex and fart jokes. Moss selfishly allows the awful cast to make complete fools of themselves on screen, ensuring their availability for his next project (should anyone allow him to work again). 30 NIGHTS OF PARANORMAL ACTIVITY WITH THE DEVIL INSIDE THE GIRL WITH THE DRAGON TATTOO should serve as an embarrassment to all parties involved in its creation, but especially to French Stewart, Peter Gilroy, and Tyler Phillips, who are most likely to face public ridicule for their performances. Without needing to see another film, 30 NIGHTS OF PARANORMAL ACTIVITY WITH THE DEVIL INSIDE THE GIRL WITH THE DRAGON TATTOO should be voted "Worst in 2013."

-Carl Manes

I Like Horror Movies

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This is another multiple movie spoof. The main movie that is spoofed is "Paranormal Activity 3", considering the role of the pool crawler. If I claimed I got every spoof and pop culture reference, I would be a liar. The movie starts out with found footage of a man who killed the cast of "The Artist" in 1989. Clearly this is a spoof of the multiple anachronisms that have popped up in the Paranormal series. Fans of Adele and "The Black Swan" be forewarned as they are not treated kindly.

The humor is course and crude for too much of the film. It ruined what good scenes and satire the writers came up with. Early in the film they have multiple camera men shooting from different angles etc. Later in a scene we see the director. Again spoofs of the absurdity of these films. In addition to movies being spoofed, TV shows are spoofed as well as pop games and Internet porn.

Being hip to pop culture is a must to enjoy this film. If you enjoyed this feature, you might want to catch "A Haunted House."

Parental Guide: F-bomb, sex, nudity.

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Kevin Hart: I'm a Grown Little Man

Kevin Hart: I'm a Grown Little ManI first saw Kevin Hart on Comedy Central and I was laughing so hard that I was crying. It is absolutely funny from beginning to end. But since Comedy Central left out a lot of his jokes I just had to find his stand up on DVD. Kevin Hart's stand up is funny I got two copies, one for me and one for my best friend and her husband. I think his stand up is funnier than Kat Williams Pimpin' Pimpin'!

This stand up was hilarious from beginning to end. My abs were killing me by the end of the show. This is a definite must have.

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I've never seen his stand up, well except a 30 min stand up he did, which was funny as hell. So I was going through my T.V. Guide and seen that this was coming on Comedy Central, I Tivo'd it and finally got around to watching it. Damn, Kevin Hart is hella funny. This is one of the best stand-ups I've seen, I really hope he does some more like this because it had me laughing the whole damn time. And to think I almost didn't check him out, what a mistake that would have been. Between him and Bill Burr they got the best stand up's I've seen from 08-09 so far with Katt Williams coming in 3rd. Definetly check this one out, you won't be sorry!!!!!!

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He's so funny and stupid! I mean that in a good way! No matter how many times I look at it, it cracks me up! I highly recommend his dvd!

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Super funny, If you're a Kevin Hart fan you will like it! I've already watched it a few times & it's funny everytime!

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Fubar: Balls to the Wall

Fubar: Balls to the WallOkay,

Everyone is entitled to their own opinion but the last review written for Fubar: Balls to the Wall was unfair and misleading.

If you liked the first movie you will love the sequel. Granted the storyline is a bit out there but with the two main characters lives and mind set it's a comedy gem. Canadian humor and jokes are different than here in the US. You either get it or you don't reading the last review he really did not get it!

The movie starts with Terry throwing a party for Dean to celebrate 5 years of cancer free life. If you saw the 1st movie Dean finds out he has cancer and loses "a nut" It's crude but funny. The party goes from a celebration to an eviction party when Tron shows up. He also tells Terry he has jobs for both of them. The two take him up on his offer working on oil lines in brutal elements and dangerous conditions. Terry falls in love with the barmaid at the local strip club. While Dean tries to do the work as the movie goes on Dean is not dealing with the job or Terry girlfriend that well. He ends up betraying Terry, agrees to share 50% percent of the workmens comp to Tron. By letting Tron smash his ankle after the tests for the paper work Dean finds himself face to face with his cancer doctor who he skipped out on. He is told the only course of treatment to stay alive is to have it removed and chemo.

Terry is living with his girlfriend he learns that she slept with Dean. While the two argue he also finds out she is pregnet. Since he is sterile he knows Dean is the real father. Terry and Dean have a fight and stop talking meanwhile the oil prices plummet and Terry loses his job on the mighty Mac. Dean is now living out of his car misses his little girl and decides on Boxing day "Christmas" he will end it all with Tron after the two make a pact. The movie is funny, out there but has heart. Terry soon learns of Deans cancer and decides to cheer him up by inviting his ex girlfriend and daughter to spend Boxing Day to cheer Dean up.

After dinner during karaoke a true Christmas miracle happens when Dean sings. He is able to hit very high notes due to his recent surgery. It's out there as far as Spinal Tap only this time you see the real side of the two head banging berr drinking stoners hearts.

It's not an Oscar winning film but I laughed and felt for each character. If you liked or loved the 1st movie. I know you will enjoy the sequel. You may even like it more it keeps the same humor and jokes only adds more emotions.

One of the latest additions to my film collection, I treasure this movie for bringing real-life archetypes of our western society to life. Knowing that the performances were largely improvised makes it even batter!

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Really funny movie! Don't buy this if you don't like headbanging, f-bombing, beer drinking, pot smoking Canadians! If you can get past that, or if you liked the Great White North, or Strange Brew, you'll probably love this one. Especially funny is when they go to get jobs in the oil fields up North. Don't worry. It has a kind of happy ending. Buy this!

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If you liked the first film, then you need to see the sequel.

The budget is obviously higher, the script is more developed, the characters are a bit more over the top and the jokes and gags come at a much faster pace. This is Fubar on roids, or crank (whichever you prefer). The character "Tron" from the first movie went from rather sedate to being the most over the top character in the whole story. It is a good thing in my opinion. If you liked the slower pace and complete lack of budget in the first movie, then you might be turned off by this ramped up sequel.

It is a very direct sequel. The main theme of testicular cancer and how Terry and Deaner deal with it is once again the central point of the story. This time there is also a major "romance" plot, which is something that can ruin a good comedy, but this romance plot is clever and written and executed well and not tacked on.

I've watched it twice and it is just as good as the first, if not better.

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If you like movies such as Dumb & Dumber, Freddie Got Fingered, etc...buy this. I found it very entertaining. Even my wife enjoyed it and she typically hates when I watch movies like this.

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Pink Panther 2

Pink Panther 2I saw this movie before the first Steve Martin "Pink Panther" movie. This movie is definitely worth watching...as Abraham Lincoln said, "People who like this sort of thing will find this to be the sort of thing they like". At any rate, I just really like "The Pink Panther 2"...not sure how to describe it...it's just funny and fun.

This particular edition has two discs, and the second disc has 27 "Pink Panther" cartoons. The first disc has the movie in what I prefer, widescreen, and a few additional features.

By the way, for all of you fans of Alfred Molina, look for him in a vastly different role in this year's "Prince of Persia".

If you're afraid "The Pink Panther 2" is going to terribly fall short of the first Steve Martin "Pink Panther", you can stop worrying, because this movie is rare in that it actually is GOOD even though it is a movie sequel.

When you can sit by yourself and watch a movie and laugh out loud at even parts of the movie that's a good movie. I rented this one because of all the bad reviews. I had to see it Martin, Reno, Cleese, Molina, Garcia, Rai somewhere I figured something in it had to be funny. What I discovered was that lots of it was funny plus they finally got it right with the anticipation build-up, which was a great deal of the fun in the Sellers original. When Steve Martin heads for the wine, you think, 'oh no', and you are not disappointed. For me, this is definitely a keeper that I will want to watch again when I need a good laugh, so I bought it.

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If you want a chill movie that is just fun to watch this is the one. Watch it with some friends or family. I've watched this movie half a dozen times and there are several parts (like the finger print discovery) that you will enjoy seeing again and again. Don't over analyze, just sit back and relax and you should enjoy some laughs.

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funny, idiotic, sometimes stupid, but ok for kids, number one was a little less demential, but my 8 year old likes it!

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This is the even better second installment of the Steve Martin pink pathers.

I love it, It is so funny and perfect. If you liked the first one then you'll definately like this one.

Walking Tall (Two-Disc Blu-ray/DVD Combo in Blu-ray Packaging) (2004)

Walking TallWalking Tall DVD

Walking Tall is a remake of [[ASIN:B000VDDDWI Walking Tall]. This time the Rock stars as an Army Officer who has come home to find his hometown full of vice and corruption. In this movie he finds a 4X4 versus an axe handle to use as a "helper". I think I'd prefer the axe handle. Highly recommended for fans of the Rock and for people who think Wrestling is real, but the moon landing was fake.

Gunner April, 2008

This movie is great, and full of action. I was never a fan of wrestling and knew very little about the Rock. I rented this movie last night for my boyfriend and I to watch. Since I was strictly informed not to get any chick-flicks, I figured this was the best choice. It is based on a true story about a guy named Beauford Pusser (gross name) who after comming home from the millitary notices a great deal of change in his home town. The mill he and his father once worked at is now closed and the main source of income for this small town is the casino/strip club owned by his former friend. Things turn ugly whe Chris Vaughn (The Rock) notice the casino is cheating their customers. He tries to go to the police and they are just as crooked as the casino, so the Rock takes matters into his own hands. Great movie choice for ladies wanting to please their boyfriend with a non-chickflick. But don't worry ladies even if you don't like the story line, you will still enjoy it, because the Rock is very nice to look at!! Enjoy.

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i went to see this movie and was very pleased with it. i thought the rock did an excellent job. i do not watch wrestling so i do not have my judgement clouded by whatever his character was like on tv. but in this movie i thought he gave a believeable preformance. i loved the rundown so i had to check this one out too.

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If you don't really expect anything from this movie, it's totally fine. It's entertaining, not too long, doesn't really make you think or dig for any emotional response. It's just telling a "guy stands up for what's right" story in very 80's fashion but with less craziness. Saw it in the theater, don't know why, but was totally fine with it.

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As society in general became progressively more liberal in the 1970's, an entire genre of films rose up in reaction to the trend movies in which an individual, frustrated with a legal system that seemed to be coddling criminals, took it upon himself to mete out his own brand of "frontier justice," usually involving personal vengeance and vigilante-style violence. The seminal films of this genre "Billy Jack," "Dirty Harry," "Death Wish" and "Walking Tall" all found favor with mass audiences, although critics tended to dismiss them as, at best, reactionary, and, at worst, neo-fascist in nature. Now, one of them, "Walking Tall," has been retrofitted to cater to audiences in the already far more conservative 21st Century.

The original 1973 "Walking Tall" was based on the true story of Buford Pusser, the sheriff of McNairy County, Tennessee, who won fame by single-handedly wiping out the criminal elements who had overrun his town. It was a one-man "crusade for justice" that came at great personal cost to himself and his family (his wife was murdered and Pusser died a few years later in a "mysterious" car accident). In this new version which eliminates most of the grittier elements of the story and turns it into a rock'em-sock'em, live-action cartoon Pusser`s name has been changed to Chris Vaughn and the locale has been moved from the Appalachians to the Pacific Northwest. Chris is a recently discharged soldier who, upon returning to his small hometown, discovers that the place has become a hotbed of vice and corruption, its citizenry forced to live in fear under the tyrannical control of the local casino owner and all-around meanie, Jay Hamilton (Neal McDonough). When Chris has finally had a bellyful of malfeasance and sleaze, he decides to run for sheriff, vowing to bring the criminals to their knees, and thus allowing the good folks of the town to reclaim their community.

This is a silly and shallow film whose only real purpose seems to be to give the perpetually self-righteous and outraged Vaughn an excuse to hurl endless bric-a-brac and breakaway furniture around the set while the local townsfolk look on in slack-jawed amazement. Never one to be deterred by such quaint and fusty notions as civil liberties or Miranda rights, Sheriff Vaughn chases down the bad guys one by one, smashing heads and busting bones as he goes. The plot is so underdeveloped that the final confrontation scene between Chris and his arch nemesis, Hamilton, feels like a mere afterthought. The film runs barely 75 minutes, yet boasts a 10-minute long closing credit sequence to pad it out to 85! It's as if even the filmmakers themselves had run out of interest in the project and figured they might as well just wrap things up as quickly as possible so they would be free to move on to bigger and better things.

Usually, in a film based on true life events, when the names are changed, it's to protect the innocent. In the case of "Walking Tall," it's more likely that the people who made the film were trying to protect themselves from being sued by the Pusser estate.

Glory Road (2006)

Glory RoadFive MOMENTOUS Stars!! A Great Movie!! "Glory Road" tells the true story, with much dramatic license along the way, of one of sport's greatest moments. A moment that changed the face and color of college basketball and rippled across all sports. It's the story of a little known college basketball coach, Don Haskins, and how he came to be the coach of little known Texas Western College in El Paso, Texas. It's also the story of the black players who would be recruited from all around the USA to eventually wind up playing in one of the greatest moments in college basketball: David "Daddy D" Lattin, Nevil Shed, Willie Cager, Orsten Artis, "Wee" Willie Worsley, Harry Flournoy, and of course the late floor general, Bobby Joe Hill. And the other team members played their vital roles also: Jerry Armstrong, Louis Baudoin, Dick Meyers, Togo Railey and David Palacio. Producer Jerry Bruckheimer does a wonderful job of bringing back the singular moment of the all-white Kentucky team under Adolph Rupp (Jon Voigt is a hoot in this role) and Haskin's all-black starting five meeting in the NCAA basketball national championship final game spotlight during some tough racial times for the USA. In fact, Haskins had played this combination of players many times before during the season to little local fanfare, so it was no big deal to him. He just wanted to win. Josh Lucas is great as Don "The Bear" Haskins in this excellent James Gartner-directed movie. It's said that Lucas, in preparing for this role, was driven out into the desert by Haskins in his truck and they just sat and talked (and drank) for many hours discussing how Haskins did it and the way he did it. (This has turned into quite a good friendship since then.) The movie pre-screenings, with all of the living original players on hand, in El Paso are greatly appreciated by all of us who lived through those incredible times and are still here.

In light of today's social freedoms, the movie does a great job of depicting the tough racial times of the 1960's and the events that put Haskins, the team, and TWC on the athletic map forever. Not to mention the huge pot of money that TWC got from participating in the tournament. Shortly after these events, the University of Texas education system made TWC a full partner by the redesignation of the "University of Texas-El Paso" and a boatload of construction/faculty money flowed from Austin to El Paso. I was there and it was a grand moment to be remembered. A great must-see movie not just for the sports but also for the social impact of those times. Hats off again to Jerry Bruckheimer for personally carrying the banner on the national-level TV and radio shows promoting this movie. Five "Slam-Dunking" Stars.

(Notes:

*"Glory Road" won the "ESPY" Award as the Best Sports Movie of 2006.

*The Texas Western College NCAA Championship team was inducted into the Basketball Hall of Fame in 2007.)

Glory Road is the true story of Texas college basketball coach Dan Haskins.

In 1965, white players dominated college basketball and a predominantly black team was just not even thought of, especially in Klan infested Southern states.

The coach assists his Texas-Western players in breaking down race relation obstacles still grasping the nation and even more brazenly evident in violent Jim Crow South.

Coach Haskins drives all his players, both on the court, and demands more then passing academic grades in the classroom as well.

Classic Soul and R & B music of the mid-1960's era play a key part through out this well made picture.

"The incredible story of the team that changed the game forever / Based on a true story"

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"Glory Road" tells the story of the Texas Western Miners, a college basketball team who won the NCAA Championship in 1966. But this wasn't just an ordinary championship, no, for the starting line-up in the championship game was all Black players, a thing that was unheard of in '66. Or better yet, even a black player being recruited by a college team was out of the ordinary. However, the 36 year old coach Don Haskins recruited seven Black players for his Texas Western team (when the season begins, he starts three of those players). The team was barely even thought of in the college world before then, then with the help of the seven black players, they went on to win the championship.

The movie opens with a girls basketball game, and you see that Don Haskins coaches girl's basketball. Later on, he is asked to coach Division 1 basketball, for the Texas Western team (with one drawback; he would have to live in the dorm room with his wife and kids). Then, he sets out to recruit players that would help the team win. When he recruits all Black players, it's obvious that most people (even the Black players themselves) thought Haskins was crazy. Among the players he recruited were Bobby Jo Hill (played exceptionally by Derek Luke), Willie Cager, David Lattin, and Harry Flournoy. His practices for the team were intense and his rules were strict. This would all pay off in the end though, with the Miners winning the championship over Adolf Rupp's Kentucky Wildcats (with Pat Riley, who is a character in the movie, it's weird to hear his name called while he's playing, knowing he's a game-winning coach with plenty of rings).

The movie does depict the racism at the time as well. It wasn't an easy ride for the coach or the Black players on the team. In the first game, the fans clapped for the two starting white players, but the whole arena was quiet when the Black players were announced. The team had racial slurs written in their hotel room during their game. One player was even beat up in a bathroom. Haskins was harassed as well. The racism almost tore the team apart, but with the coach's help they stayed together and changed the course of basketball.

All around, the acting was great. Josh Lucas did a great job as Coach Haskins, completely becoming his character. Derek Luke did great as Bobby Jo Hill. Jon Voight played Kentucky coach Adolf Rupp, but you wouldn't really know unless you read the credits. Nonetheless he did a great job. Mehcad Brooks, Sam Jones III, Schin A.S. Kerr and Damaine Radcliff (who played Flournoy, Worsley, Lattin, and Cager, respectively) all did excellent in their roles. The actors practically become the players. The cast couldn't have been better.

Overall, Disney has released another superb movie about sports underdogs winning it all (I enjoyed Remember The Titans as well). If you like that movie, there's no way you'll dislike this. It is a well-cast, well-directed movie that will satisfy any basketball fan, and will keep everyone watching. It's been said that it follows the cliches of all other similar movies, but don't we always watch them anyway?

The film triumphantly shows how one coach changed the game (and face) of basketball completely. One quote from the film is "You're acting like negroes are gonna be the future of basketball!" and I couldn't help but laugh when that line was said. The importance and significance of that season and the tribulations of the team is wonderfully shown. Don't pass this up.

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From the powerful "Hoosiers" to last year's excellent "Coach Carter," we have witnessed a number of basketball films in which a coach takes command of a team of underdogs, nourishes their skills through a rough season, and takes them all the way to the Big Game. In short, you have seen "Glory Road" before, even if you haven't purchased a ticket yet.

You are familiar with all of the cliches: the coach, and the players, face hardships on and off the courts, moments of in-game suspense are established by slow-motion, and the ending is so foreseen that you can bet your life on what will happen. But somewhere between the first scene and the end credits, I forgot that I had seen this done before, and I left the theater inspired.

"Glory Road" tells the story of Texas Western University's 1966 championship victory over the intimidating Kentuky Wildcats and the journey they took to get there. The newly hired coach, Don Haskins (Josh Lucas), takes a bold step in hiring a number of black players, all of whom, he believes, are undiscovered talent waiting to be put in the spotlight. It was this move that began to breakdown the racial barriers not just in the NCAA, but in the United States, and the segregation issues that existed in that time are heavily studied in a number of the film's sequences.

First, there is the matter of the players already playing for Texas Western, who must accept the presence of their new teammates. Then there is the matter of school officials, who, naturally, find Haskins' methods of recruiting unorthodox. Finally, there are the opinions of the media, who will find it insane that that Haskins would recruit talented black players and, eventually, start five black players in the national championship game.

But the aspects of the players is not what makes "Glory Road" an excellent film. What makes this an excellent film is that we get to know the players, their struggles, and their personal histories; the well coreographed game scenes that accurately portray what actually happened during the games are more like extra goodies. Chief among the new players are Bobby Joe Hill (Derek Luke) and Willie Scoops Cager (Damaine Radcliff), who introduce a new style of basketball that would later become an influence to the modern principles of the sport. Their style conflicts with the style that Haskins believes in, and in one memorable scene, when his team his down, he orders Hill to play the game his way and they arise victorious.

Another key character is Kentuky head coach Adolph Rupp, an inspired and firey performance by John Voight. He knows that Texas Western is making history as they progress through the season and into the championship game, which he why refers to them as "a special team" during one of his timeouts. Given the historical context of his first name in relationship to racism, you would think that "Glory Road" establishes him as a villain, but it doesn't. The film just sits back and observes the arrogance of Rupp and other individuals during that time who were rooting for Kentuky just because Haskins had black players on his team. The film doesn't pick sides. It presents both of them, so graphically in one scene that it pushes the barriers of the PG rating. It's not being biased in favor of the black players. It paints an honest portrait of what happened.

The performances are excellent, with Josh Lucas playing Coach Haskins in a role that should be talked about for a while. However, the film's spirit doesn't totally lie in the powerful depiction of it's characters, but in what happens after the events of the story, and most of it's awesomeness comes out of what we know now. If there wasn't a Coach Haskins who recruited a Bobby Joe Hill, then there would have probably never been a Michael Jordan, a Lebron James, or an Allen Iverson. "Glory Road" is inevitably a valuable history lesson, which we are still learning in our society today, and like "Crash," it establishes the lesson by showing victimization and antagonization.

I suppose that's what sets "Glory Road" apart from most other sports films: the race relationship is just as important as the game. Making ends meet through a checklist of sports cliches, director James Gartner and screenwriters Christopher Cleveland and Bettina Gilois deserve much respect for what they have accomplished. But the film makes a very haunting point in its context. Although its amazing how far we have come in the past forty years in race relations, we still have a long way to go. Isaac

Rated PG; 106 minutes; Directed James Gartner

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"Glory Road" is the story of what some have called the most important game in basketball history: The 1966 NCAA Championship game between the Texas Western Miners, coached by Don Haskins, and the Kentucky Wildcats, coached by veteran Adolph Rupp. The game's significance was that all of the Miners who played in that game were black. Never before had so many black players been seen on an NCAA court at one time. And they won. This created a lot of opportunity for black college athletes, particularly in the South, and changed the way people play basketball. "Glory Road" focuses on coach Don Haskins' (Josh Lucas) efforts to build a great team at Western Texas College (now UTEP) and the struggles of the black athletes to win respect while they were constantly gibed and occasionally threatened. Eager for the opportunity to coach a Division One team after succeeding with girls' high school basketball, Coach Haskins moves his family into the Texas Western men's dorm and sets about recruiting some good players -only to find that his budget was insufficient to lure any coveted athletes. But other schools are not courting black players. So Haskins scours the nation, from junior colleges to urban streets, to find great players. He ends up with a team of 7 black and 5 white athletes in whom to instill his ideas about "fundamental, disciplined, defensive basketball."

"Glory Road" is shot is a naturalistic, unrefined style bordering on cinema verite and conveys a strong sense of the mid-1960s culture in which the events take place. Natural, directional light, which tends to be high-contrast, and a muted color palette combine to make a distinctive visual style. It's a wonder that the style is as consistent as it is, since cinematographer John Toon shot half the movie before having to quit due to illness and was replaced by Jeffrey Kimball. Both of these cinematographers deliver a consistent and appropriate visual style for first-time director James Gartner. The film focuses on Coach Haskins and the Miners team that won the 1966 Championship. The legendary Don Haskins was more of a disciplinarian and also more of a rogue than we see in the film. He hustled pool to fund those recruiting trips. Josh Lucas brings an intensity, energy, and amiability to the role. Although we know something of the players' backgrounds, the focus is greater on the black players than the white, and even then it is cursory. The film is more about the obstacles that black players faced than about the players themselves. There are several nice supporting performances, but John Voight's turn as Coach Rupp is particularly memorable.

The DVD (Disney 2006): Bonus features include 4 deleted scenes (7 min), 3 featurettes, a music video for "Sweet Music" by Alicia Keys (2 min), and 2 audio commentaries. "Legacy of the Bear" (13 min) is about Coach Haskins' long career at Texas Western/UTEP (1962-1999) including interviews with Don Haskins and wife Mary, some of his players, biographer Ray Sanchez, et al. "In Their Own Words: Remembering 1966" (23 min) is about the 12-man 1965-1966 Miners team. Interviews with Harry Flournoy, David Lattin, Nevil Shed, Willie Worsley, Dick Myers, Togo Railey, Orsten Artis, Louis Baudoin, Don Haskins, and Pat Riley, who was on the opposing Kentucky team in 1966. In "Surviving Practice" (4 min), Tim Hardaway talks about coaching the actors. The first audio commentary is by director James Gartner, who discusses what elements of the film are literal and what has been fictionalized, casting, his intentions in various scenes, what was included, what was left out, and why. The second audio commentary is by the writing team of Christopher Cleveland and Bettina Gilois, who provide additional information about Don Haskins, discuss input they got from the players and the purpose behind some of the scenes they wrote. Captioning for the films is available in English. Subtitles and dubbing are available in French and Spanish.

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Jack Goes Boating (2009)

Jack Goes BoatingJack Goes Boating marks the directorial debut of one of America's most accomplished and one of my personal favorite actors, the brilliant Philip Seymour Hoffman. The man has been a spark in such films as Spike Lee's touching 25th Hour and the Charlie Kaufman-helmed surrealist mind-bender Synecdoche, Ny. His direction here is understated, his film shambling but not entirely bleak. Jack Goes Boating is a drifting picture, but it is a winner because of its heart. It could have, given the subject matter, a relentlessly dour experience. Instead, Hoffman incorporates both the happy and the sad in mostly equal measures. A small film, but a success.

The film centers on a neurotic, rasti-loving New York limo driver with a penchant for pot and a nearly overwhelming sense of day-to-day isolation. He latches onto a couple whose marital fabric is stretching from past indiscretions, through whom he is introduced to an equally neurotic young woman named Connie who seems to have a good if oft-trampled heart.

In some ways, Jack Goes Boating feels a lot like a Cheever or a Raymond Carver short story. There is not a lot of action, the story centering mainly on character interactions. It is plodding but never dull. There are many surprises, actually, such as a weird subway scene and a dinner party climax for the ages. Despite what its detractors will no doubt claim, the film strikes a resonant tone. It seems "real", for lack of a better word. Hoffman's performance is understated but always reliable and Amy Ryan is excellent as the damaged Connie. The two leads are ultimately a conjoined foil for the other couple whose marital pains provide the film's moral center, as well as dramatic tension.

Indie enthusiasts take note, the soundtrack is also quite interesting. Though the song choices are generic, the bands represented are some of my favorites, Grizzly Bear and Fleet Foxes among them. Ultimately, this is a soft film with a lot of memorable scenes, snappy dialogue and while it may meander, that is its charm. Very poignant.

Customer review from the Amazon Vine Program Every year, there are a fair share of idiosyncratic character pieces that pop up in the indie film scene that are loaded down with critical hyperbole proclaiming them as comedic masterworks. And nine out of ten times, these films (marketed as comedies) leave mainstream audiences perplexed. "Jack Goes Boating" is a prime example of just such a film--albeit one with a pretty impressive pedigree. Directed by and starring the great Philip Seymour Hoffman with the terrific Amy Ryan providing support, let me make one thing clear before I go any further--I am EXACTLY the audience for this film. In fact, when it was in town theatrically, I was going to go but it only lasted one week in our local movie houses. So I knew what this film was, had my expectations firmly in check, and was eager to jump right in! Well, truth be told, Hoffman's work left me a little cold with its remote awkwardness.

I appreciate films that can mine comic inspiration from the world's disconnectedness. "Jack Goes Boating" assembles the requisite damaged oddballs and brings them together to achieve maximum quirkiness. I'd describe the plot, but it is really rather superfluous. In summary, Hoffman and Ryan play an unlikely pair brought together by their married, but increasingly troubled, friends (John Ortiz and Daphne Ruben-Vega). That's about it. Will the pair be able to overcome their own problems to unite as a post modern example of healthy couple-hood? Or will you care? That might be a far more astute question. On some level, the viewer must be able to connect with the characters--preferably to like them, but absolutely essentially to understand them. Here, the characters stand as constructs--bits of weirdness with no real world explanation to their social deficiencies. If you knew the central characters in your real life, you would run in the opposite direction so as not to be sucked into their unexplained and self-imposed misery.

I didn't hate the movie, per se, I was just completely removed from it. Anyone, however, judging the marketing campaign and picking this up as a robust comedy might feel a bit betrayed. I knew what to expect. Still, Ryan is glass menagerie brittle while Hoffman is monosyllabic awkwardness. Neither character is developed much beyond superficial qualities that would brand them social pariahs. Ortiz stands as the only member of the cast that possessed an iota of joy or genuine warmth--and the film progressively makes him less and less palatable. At the end, I didn't care about anyone in the film and in a program billed as "heartfelt"--this is a major stumbling block. There were moments I quite liked, but as a whole, the picture never gelled to be anything other than odd. KGHarris, 5/11.

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Customer review from the Amazon Vine Program This film was exactly what I thought it would be, and more.

Philip Seymour Hoffman directs and stars in this quiet, quirky film about a man named Jack. Jack and Connie are set up on a blind date by their married friends, Clyde and Lucy. Clyde and Lucy seem very together and ambitious, while Jack and Connie are basically loner losers.

But from this humble, awkward first date emerges a real relationship and passion for life. Throughout the film we see very little of Jack and Connie, or Lucy and Clyde, together, but we really get to know them as individuals and couples.

The perfection Clyde and Lucy exude quickly diminishes to show the tarnished dysfunction they actually inhabit together. The denial and lack of love is painful to watch, while Jack's hopefulness and devotion are truly touching. The lesson this film taught me made it worth watching (the last line is so beautiful).

Some pretty scary and violent (more verbal than physical) moments show the depth of the actors in this film. This is definitely an offbeat film, so it may not be for you.

And the soundtrack is amazing!!

Very quirky and dark, but with enough sentimental moments to endear you, Jack Goes Boating is a good film.

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Customer review from the Amazon Vine Program In his directorial debut, Academy Award winner Philip Seymour Hoffman also stars as the shy and simple Jack. Bob Glaudini adapted his acclaimed off-broadway play for this movie, where Hoffman reprised his role on stage.

Set in New York City, Jack drives a limo for his uncle. Jack's sole friends, Clyde and Lucy, have their own problems and ambiguities. They set up Jack on a blind date with Connie (Amy Ryan) that ignites a narrative comprised of a series of drab superfluous occurrences. The underlying theme seems to be misery and monotony. Jack and Connie are two uncommitted single individuals with their own personal and social issues, and are unconsciously yet successfully withdrawing into the urban background of anonymity. Together and in each other they discover the desire to begin a burgeoning relationship. Ironically, the friends who brought them together are battling the crisis of a failing and unsettled marriage.

So, Jack goes boating because... well, I suppose I shouldn't spoil it here. Let's just say he wants to rise above his fears and deficiencies. He overcomes his fear of water, as well as his lack of skills in the kitchen, in the very basic interest of self-improvement. Oh, and he also wants to impress his newfound love interest.

Love and friendship, lies and betrayal, achievement and collapse. "Jack Goes Boating" is casually situated in a slice of working-class New York City life. The writing and acting is brutally genuine. Hoffman demonstrates his versatile talents behind the camera and in front of it. Quixotic and exquisite, the movie is an informal tale of love that comes and goes like a snowflake in winter. Depending on your taste, you will either hate it or appreciate it.

Highly recommended.

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Customer review from the Amazon Vine Program (DVD review)

Philip Seymour Hoffman directs and plays the lead character in a screen adaptation of Bob Glaudini's play "Jack Goes Boating." There are a lot of things to like about this film, including the "ordinary guy" aspect of the character Jack. He's somebody who's struggling with many of the same things the rest of us are, such as relationship issues and getting a better job, but he works hard to maintain a "positive vibe." The story is about two couples, all four people portrayed very well by the actors who played them, especially John Ortiz as Clyde. But it's a lot of the smaller things that made me like "Jack Goes Boating," including the effective use of music, both songs and score; plus such storytelling touches as the way Jack tries to visualize the things he is learning. The central scene in the movie, the dinner party, was a bit hard to watch. Still, I acknowledge its importance and saw how it ties into the rest of the story, how it is both the outcome of what came before it and affects what comes after it.

The extras on the disc are fairly minimal, with two short featurettes and two even shorter deleted scenes.

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Two Can Play That Game (2001)

Two Can Play That GameTwo Can Play At That Game is a very interesting movie. Whoever says this movie isn't funny hasn't been in a relationship before. Point Blank. Through each characters strategic tactics I see myself. I say holdup hold up ...I ve done that before. Anthony Anderson basically makes this movie though. This man is too funny. He emphasizes the important words in the sentence to get his point across and his voice makes it hilarious. This is his best acting performance. Vivica Fox gives women a few unnecessary pointers ( from a man's perspective at least ) but she does keep it real. Morris Chestnut does excellent as well. The movie is fast paced as Vivica Fox and Anderson each play their cards at the situation they are given. They play it like a chess game and the `rules' are funny at times. The girlfriends (Tamala Jones, Wendy Racquel Robinson and MoNique )really act like real friends and they have good chemistry together. The movie wasn't too long and didn't bore me to death as most love stories do.

When I first saw it I couldn't really understand why Morris Chestnut was moping around. `I'm not gonna call, I already called twice, can't be desperate" lol. I was like man if you don't quit b!tchin...But then I remembered that Vivica Fox is finer than a mutha. I'm surprised he didn't cry. Shante takes him through a grueling three day process where she hardly even speaks to him and breaks up with him. The only useless day was day six. There was no purpose for it. The funniest part is at the end when she expects him to be at her house waiting on her with flowers. I could have told her beyotch please that aint gonna happen. And then when he didn't show it was just hilarious. I was like "ahhh that shhh didn't work" and then five seconds later she's like "I know what ya thinking...the shhh didn't work" By then I was on the flo rolling. It was so funny.

The good thing about this movie is that actors really seemed like they enjoyed playing the roles. The movie is fast, fun, lighthearted, and entertaining. A nice classic chill out movie. The narrating didn't bother me at all. I recommend seeing this film.

This is perhaps the best romantic comedy I've ever seen. Vivica's character catches her man out on the dance floor when he said he'd be working late. He explains but she's determined to keep him in line by punishing him. It's hilariously funny and very romantic. A must see!

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I was reluctant to go plop down money to see this movie, having heard that is was exactly like the numerous African American movies that have hit theaters over the past several years. After all too much of a good thing can be a turn off. However, after deciding that it was easier to just go see it instead of continuing to wonder about it, I took in a Sunday matinee.

For the duration of the film, I was grinning, shaking my head, and sometimes ever laughing out loud. Vivica Fox has never been a favorite of mine but I have to give it to her: she played the role of Chante extremely well. The supporting cast (the main reason I finally went to see it) were outstanding as well.

Doug McHenry has made a career out of producing and directing witty, entertaining films. Great job once again.

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The acting in this movie was great. Vivica A. Fox plays Shante, a woman who catches her boyfriend Keith (Morris Chestnut) cheating with her rival Conny (Gabrielle Union). This movie is funny and the stars do great jobs, especcially Union. If you liked "How To Be A Player", "The Brothers", "The Wood", and movies like that you will love this.

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Miss Vivica Played the part in this movie. She was professional and very to the point. Everyone who played in this movie did a very good job. This is real live rather you believe it or not . This is how a lot of people play games but she did it with class. Mark Brown selected a good cast for this movie. I recommend it highly .

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Made in Dagenham (2010)

Made in DagenhamMADE IN DAGENHAM is sort of a British version of NORMA RAE.

The film, based on a true story, is set in the late 1960s. It tells of a group of English women, employed at the Ford Motor Factory, who took on management and their own union by going out on strike, insisting on equal pay for equal work.

The always charming Sally Hawkins, playing an ordinary working class wife and mother, becomes the unexpected leader of the revolt, encouraged by her sympathetic union representative (Bob Hoskins) and, surprisingly, the attractive wife (Rosamund Pike) of the plant's manager, a highly educated, intelligent woman who, as a female, feels the same lack of respect from the men in her life.

Like the Sally Field classic, MADE IN DAGENHAM is one of those "stand up and cheer" movies that climaxes when the striking women meet with Miranda Richardson, the British Secretary of State. The film has a superb screenplay by William Ivory and was directed by Nigel Cole. Also in the well-chosen cast are Geraldine James, Jamie Winstone, Rupert Graves, Nicola Duffett and Richard Schiff, who plays the tough American Ford representative, sent to the UK to put those striking women in their place.

My only complaint with this otherwise excellent entertainment is the fact that, because England and the United States do not share a common language, some of the dialogue is difficult to understand.

© Michael B. Druxman

MADE IN DAGENHAM is a 'dramatized documentary' in that it is a recreation of a 1968 incident that occurred in Dagenham, a suburb of London. It was the time of Stonewall and the antiwar protests in America and so perhaps too few people appreciated the importance of this rebellion a strike of equal rights, equal pay, and a statement against sexual discrimination at the Ford car factory. The employed women of the town were the ones responsible for creating the upholstery for the cars, but when one Rita O'Grady (Sally Hawkins) took on the inequalities she manage to become the spokeswoman for the female workers and the revolt was successful in settling a longterm problem.

The cast of this quiet little powerhouse of a movie includes the brilliance of Miranda Richardson, Bob Hoskins, Rosamund Pike, Rupert Graves, Andrea Riseborough, Jaime Winstone and many others. The screenplay was written by William Ivory and the understated and subtle direction is by Nigel Cole. This is a brilliant little movie that packs a wallop. Grady Harp, May 11

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"Made in Dagenham" received good buzz from critics and award committes alike, but I wasn't sure if I'd be watching another chick-flick. Rest assured, there's enough guy involvement to make this a generally pleasing true story about equal rights. The delightful Sally Hawkins is on hand to provide a strong and centered heroine, and the always reliable Miranda Richardson scores as hard-as-nails Barbara Castle.

There will be comparisons to "Norma Rae", but this film isn't as character driven; rather, the ensemble excels as a whole to provide insight as well as strong entertainment.

I enjoyed it more than expected; glad I saw it.

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There are a number of movies made that feature the real life stories of situations and people involved in them. It may be true that these stories are a bit embellished in an attempt to compact them into anywhere from 90 to 120 minutes, but the story at the heart always remains the same. And when it's a good story it makes the viewer want to find out more. Such is the case with MADE IN DAGENHAM.

Set in 1968, the ladies at the Ford plant in Dagenham, England, work just as hard as the men there. Their jobs may be different, but its work, it's difficult and they sweat the same as the men do. The problem is they don't get paid the same. When their local union rep Albert (Bob Hoskins) talks to them about it, they decide to go on a 24 hour strike.

The 187 women do so with the support of their fellow workers, the 55,000 men who work there as well at first. They've been told that the reason for the lower pay was the due to the scales established by work performance studies. When they learn the truth, that it is simply because they are female, the women don't take to well to their situation. Instead they decide to continue the strike longer.

The woman leading this charge is Rita O'Grady (Sally Hawkins), a mother and wife who finds herself drawn into the role of leader unwillingly at first. As shop steward she usually drops back to allow her friend to keep things on track. But with the convincing of Albert who sees her as a natural leader, she takes on the job of seeing to it that their grievances are met.

The one thing that's interesting here is that it's not just the factory that chooses to abuse these women. Their own union does so as well, agreeing to put their case on a back burner in an effort to get other grievances dealt with first. And as the film progresses, you see the upper echelon of the union choose to protect his own deals, protecting himself rather than stand up for what's right for his members.

But the strike takes its toll on the members. To being with the loss in pay affects all their way of life. And when the stockpiled goods these women made runs dry, rather than give in the company just lays off everyone. This leads to a great deal of resentment among the workers, mostly the men. They seem to have forgotten the women that stood behind them each time they went on strike, including Rita's husband.

Ford plays hardball with these women, doing their best to break the strike. Their greatest fear is that if they change their rules here, they'll have to do so all over the world. The costs would be high and they aren't willing to do so. So much so that their representative even meets with British Secretary of State Barbara Mason (Miranda Richardson) and basically threatens to pull out all of their factories if she doesn't make this stop.

The struggle seen here is not only interesting but inspiring as well. These women were not striking for some penny ante change 5 years down the line in a contract but for the simple right to be paid what they were worth, exactly what the men were being paid. And the sacrifices they made to get there were astonishing and painful.

Keep in mind, this is the 60s and at the time women were not being paid equally not just here but anywhere. Even though I grew up during this time I was stunned to think it hadn't happened yet. How could it be that equal pay did not equal wages? Even more amazing is to consider the fact that in some cases it hasn't changed.

The film could be one of those drawn out boring biopics that seem to take forever to get to the point. Instead it starts with the discussion of the problem and moves it forward, focusing not just on the strike but how it affects everyone. This makes for an interesting film that holds your attention throughout and never gets boring.

The acting is above par. Sally Hawkins does a great job as Rita, a woman who simply does what's right. She doesn't set out to be a hero, she reluctantly takes on the role of one, but when she sets her mind to it she follows through to the end. The rest of the cast does an equally outstanding job, showing varying examples of the women involved and how they cope with their day to day struggle.

I think the best thing about this film was its showing that there could be wrong on both sides of the coin. Rather than depict the company as only bad guy in the film they offer us a look at the fact that even the union at the time was unwilling at first to help their own members. Its and even handed look at the problem and, as I said, amazing to think that it took until that time for equal pay to be even considered.

The movie is one that does what a film should do. It entertains, it informs and it doesn't put you to sleep while combining both of those items. For something that's a joy to watch and that educates, make sure that you rent this movie. It will be worth your while.

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Great cast, including Miranda Richardson and Sally Hawkins, in a real-life story of 1968 labor dispute. Cannot understand why this film never played in ordinary theatres. We had to buy it in order to see it, but it is well worth the price.

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He's Just Not That Into You

He's Just Not That Into YouHey, you...stop sitting by the phone waiting for him to call...get up and go watch this movie!

I have to admit, I'm not much of a rom-com watcher. Unlike others of its ilk, though, this flick wisely admits that relationships aren't all rainbows and butterflies, but that they are complicated, confusing, messes that aren't necessarily all sorted out by the time the credits roll.

The premise is simple enough the film claims:

"If a guy says he'll call and doesn't, he's not in the hospital with a broken number-dialing finger; he's just not that into you".

After a mediocre first date with pre-recession real estate agent Conor (Kevin Connolly), the film's main protagonist Gigi (Ginnifer Goodwin), over zealous for date success and naively optimistic as ever, is certain that she has found Mr. Right. But when he doesn't call, her friends (Jennifer Aniston as Beth and Jennifer Connelly as Janine) comfort her with assurances of his interest and case studies of how they knew someone who knew someone in the exact situation and it worked out for them, of course!

Not that Beth or Janine are living it up in the mansion of romantic bliss, mind you. Aniston's character has been living with Neil (Ben Affleck) for seven years, and for five of the seven, she's been dying to know why he won't pop the question. Wholly against the institution of marriage, though, Neil says that he's totally committed to her and he doesn't need a piece of paper to prove...yadda, yadda, yadda.

Connelly's character Janine on the other hand is married. Happily? Not so much. Ben's (Bradley Cooper) baby blues are soon tempted toward blonder waters when he meets Anna (Scarlet Johansson) at a convenience store one fine evening; how convenient. Too bad he's married, he reasons.

Drew Barrymore easily plays Mary, Anna's friend. Her role is pretty forgettable; but then she did spend most of her time producing the movie.

Justin Long plays Alex, the woman conquering bar owner who decides to school Gigi in the thinking of men, no feelings spared.

For the most part the story lines are tied together in believable ways and it's interesting to watch just how they're all connected kind of like 6 degrees of separation.

A tough pill to swallow:

Perhaps too realistic at times, "He's Just" exposes the well-intentioned way we women attempt to comfort our spurned friends not with assurances that despite her many attractive qualities, the guy just isn't interested for one reason or another. Instead, we assure our friends that there is no way he could be uninterested.

Really ladies, if you suspect that your friend is dating a guy who can't see her true worth, before you swell her head with an idealized, irresistible image of herself, please take her to see this movie, and let her do some soul searching. The film will do all the talking for you without patronization.

Be warned:

It's hardly a date movie (unless you want to end the date by breaking up when the scales have dropped from your eyes and you realize that you're more "into" the relationship than your significant other).

Best performances from: Jennifer Connelly as Janine who is more obsessed with the idea that her husband is smoking behind her back than that he is having an affair. Ginnifer Goodwin too has earned her keep. Her embarrassing attempts at securing "the one" are so realistic you will likely find yourself reddening at the all too familiar lengths to which she goes.

Best line from the movie: Listen out for the line the guy uses who ends up with Gigi (won't say who ;-)), it could be the "You complete me" of the 21st century!

Disclaimer:

This film may cause some discomfort. Side effects are generally mild and may include feelings of embarrassment over previous postdate obsession/stalking.

4.5 stars.

This has nothing to do with being a chick flick or not. It's a fantastic film filled with experiences that men and women go through in relationships. Great to watch if you're looking for an easy laugh. My wife and I saw it with some friends in the movies, and I must say that part of the fun was hearing the comments and laughs coming from the audience. So have your friends over, open a bottle of wine, and have an enjoyable light-hearted evening. It's worth it.

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Several reviewers have identified this film as being for the dating and coupling scene of youth. I disagree. We have many older folks out in the dating arena, these days, going through some of the same angst of the younger generations. Will they call? Do they care? Are they married and hiding it? And, for many older women who have become accomplished, they have to wonder; are they after me, or my hard-earned, success. So searching for Mr. Right, over the course of our lifespans, doesn't change that much; in fact, it can get more complicated. So, in essence, this movie can provide some thoughts to ponder across the age spectrum. A very good thing, since even seniors, can turn into gushy teens, again, when shot by Cupid's arrow.

(SPOILER) Some felt that the relationship between Ben Affleck and Jeniffer Aniston's characters was a tad unbelievable; that they would live together for 7 years without marriage and that ultimately Ben's character would cave. I disagree, again; their relationship rang the truest. They had a very loving, faithful relationship, that had endured time. When Aniston's character removed the obstacle of marriage, Ben's character no longer felt he was being forced into conformity. It was then HIS decision; one conceived in freedom-of-choice. This was textbook Psych 101, 'you can take the horse to water, but can't make him drink,' until he darn well pleases.

The idea of 'marriage' was the area I found unsettling, because how many of us ladies were the one to drop the, less than subliminal, idea of 'marriage' first? If so, it makes you wonder if your partner really wanted the same thing, or if they just 'settled.' This was very well, and sadly, depicted in the Connelly relationship. And, for many who did push the commitment proposal, first, I suspect it will have them staring into their partner's eyeballs with some jaded contempt, wondering why they didn't have the storybook proposal, while strongly empathizing with Connelly.

The cast was stellar, with a few reservations. Drew Barrymore's character was irresistibly charming, as always. Johannsen's husband-stealing seduction was very well played out, and, is guaranteed to make you bring out the cat-claws. You've seen the type too many times before, but then, she wasn't the problem, just a symptom of a much deeper one, which is generally the case. The character I found most annoying was J. Goodwin. Yeah, she was cute, but too ditsy and trying too darn hard to connect with Mr. Right. Her behaviors were the most immature of the bunch, but we've all known friends like her; ones that we are always telling 'you can't find anyone if you're trying too hard---it will happen when you least expect it.' This philosophy even rang true for her.

I thought this film could have been better developed, and the messages deepened. It had a 'flaky' factor I did not embrace. I'd rate it a B+ accomplishment. However, I will still recommend it to all my friends that remain on the prowl; even for those that believe they've found their soul-mate, because it reminds us that things aren't always as they appear; that denial can exist in what is believed to be the perfect union, leading to lost years and promises---and life is too darn short.

Have a girl's night, watch it, and cherry-pick the scenes of wisdom, and/or the behaviors that apply to you. I can almost guarantee that you'll find some.

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First I heard that so many great actors and actresses in this movie, I felt like whaoow.. it must have been a great script that all of them join the team to make this movie. But sometimes they're kinda tricky, many great actor and a good director but suddenly it's way overrated (which I don't understand how come they waste all that talents) but not in this one. People kinda harsh to this movie, I guess that they expect a simple feel good chick flick, or romantic comedy, as usual. This one is more of a serious romantic drama with a little bit humor like in real life, so I found it amazing. Real life opinion (not the ones they put on purpose between each written explanation, ex : "if he never calls you" then some guy or girl talks.. no .. not that one), the story itself is telling us about relationship, how to find and maintain one, in a great storytelling style, it's kinda slow at the beginning but it's all worthied to be watched and learned from. Some little real life comedy here and there, but overall it's a great drama about realtionships. All the actors, actresses and the director are doing a great job.

If you are trying to find or in a relationship, this movie is totally worthwatching. Trust me. If you are a chick flick regular, probably you won;t find this one as fun as other chick flick or romantic comedy (because this is more of a drama). I like it a lot. Thanks

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Obviously this movie has hit a nerve with a large volume people, and whether you hate or love it the Blu managed to make for a nice product.

The 129 minutes does seem long, but the variety of color tests and hidef clarity showcasing this awesome cast makes for a watchable Blu. The colors, depth and scenery variety make for an adequate representation, including the sailing, the dark indoors, room decors, and Scarlett. The sound is uneventful but you do have the choice between TrueHD or normal 5.1. And if even just to hear Kristofferson's voice say anything in TrueHD, albeit only two scenes.

The special features are definitely...unique. If you liked the premise of that invisible wall being removed during the film the "interviews" of the random people on the street then you you will dig the main feature here.

* A "newspaper" format of the six couples/storylines that when selected, allows you to delve deeper into the characters' lives. Actually, brief excerpts can be seen during the credit sequence. Each one totals three minutes and admittedly, it peaked every single customer's interest when they saw it, because it seems real. Several people thought they were watching Hollywood couples being interviewed about their relationships. Bradley Cooper's "interview" gathered the biggest crowd, but irritated most of the guys watching.

* If one ever has interest into how much a phone conversation scene in a movie can be micromanaged, look no further. This four minute feature has the director dissect in detail how they made one of the phone call scenes have relevance that even the trained eye might miss. If anything, several people now wanted to watch the film again to see what the heck he was talking about.

* The inspiration and history of the film are covered in an eleven minute documentary, catered to the die hard fans.

* The deleted scenes total 13:45 and would have been much better left in especially since we had already endured two+ hours of this. The commentary gives no credibility as to why Scarlet's actual singing was removed from the film. Coupled with Teresa Russel's entire role being cut, it just showcased the weakness in the writing people complain about in this film.

Big fans of the film will want this as a purchase, but since 90% of my Blu customers are guys, I foresee this as mostly a rental.