Rosencrantz & Guildenstern Are Undead

Rosencrantz & Guildenstern Are UndeadIf your job interview has the question, "Do you suffer from any blood vessel abnormalities, iron deficiencies, vitamin B-12 deficiencies and/or intravenous drug usage?" assume your boss is a vampire.

But in vampire movies, nobody ever figures out the bleeding obvious. And that's only the beginning for "Rosencrantz & Guildenstern Are Undead," a clever little indie movie that combines vampire horror, Arthurian legend, romance, and Shakespeare's classic play "Hamlet." It's sly and clever, but things start coming unravelled at the end.

Julian Marsh (Jake Hoffman) is unemployed, unhappily single and deeply depressed, so his dad forces him to take a directing job. The play: "Rosencrantz and Guildenstern are Undead," by Theo Horace (John Ventimiglia). Julian gets his buddy Vince (Kris Lemche) a job as Hamlet; his ex-girlfriend Anna (Devon Aoki), who is now involved with a sleazy mafioso, is also cast as Ophelia.

It's glaringly obvious that Theo and his cronies are all vampires, and Vince suspects that something is undead in the state of Denmark. Julian (still hopelessly clueless) is contacted by a secret organization (which apparently has only one schizophrenic member) who reveal the horrifying truth of Theo's diabolical plans! Can he extricate himself and Anna from the play before they join the legions of the undead?

Vampire legend, the Holy Grail, Shakespeare's play, and the disturbing underbelly of New York theatrical life. "Rosencrantz and Guildenstern Are Undead" is a fun little black comedy -director/writer Jordan Galland was obviously having a lot of fun smushing these things together into one story.

The entire movie is filled with quirky, sly humor (Vince repelling vampires with garlic breath), fun running gags (professional hypochondriac Hugo Pepper), and the second half manages to insert a murder subplot where poor Julian is trying to escape the cops. And Galland manages to craft some fun, semi-realistic dialogue ("I don't think that's how a vampire would really [bite someone]," Julian lectures Theo).

Probems? Julian is kind of stupid, since he doesn't figure out that Theo and Co. are vampires even though it's FRICKING OBVIOUS. Also the Holy Grail is central because it can cure vampirism, but then the subplot is just made pointless (and a chunk of the plot with it). Wha?

Even if the character is dumb and skanky, Hoffman is a pretty endearing actor -he has that dorky, puppy-eyed charm that makes you cheer for him and hope that everything turns out all right. Aoki is rather wooden but okay, and Lemche is fun as Hoffman's overconfident gay buddy. As for Ventimiglia, he chews the scenery as the most cliched, obvious vampire you can imagine -and obviously he's having a great time!

"Rosencrantz and Guildenstern are Undead" is a fun little movie despite subplots that come unraveled at the end. Quirky, weird and splattered with blood!

Shakespeare? Check.

Vampires? Check.

Holy Grail? Check.

Conspiracy Theories and Secret Societies? Check.

This film is silly and enjoyable. A little slow to start, but once the principal characters are introduced, it gets rolling and is quite enjoyable (much more so than more lavish and polished productions featuring any one of those single elements mentioned above.

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Liar Liar

Liar LiarWhat happens when little Max Reede (Justin Cooper) blows out the candles on his birthday cake and wishes his Dad couldn't lie anymore? Fletcher (Jim Carrey) an unscrupulous lawyer (is there any other kind?) happens to be Max's father. When the birthday wish becomes reality things quickly begin to fall apart for poor Fletcher. After all, what good is a lawyer who can't lie? One thing is certain, Fletcher is about to discover how much the truth can both hurt and heal.

First let me say that I'm not generally a Jim Carrey fan. I find his films inane, vapid and predictable. That along with his excessively loud, over-the-town acting style absolutely drives me crazy. With that said, I must now confess that I've found one exception to that rule. That exception is the unrelentingly hilarious 'Liar Liar.'

All the things that drive me insane about Jim Carrey somehow work wonderfully in this film. It also contains a cast of some of my favorites; Maura Tierney as Fletcher's ex-wife Audrey and Cary Elwes as her new love interest Jerry. I also have to mention the very sexy Krista Allen makes a brief but memorable appearance as the 'girl in the elevator.'

This is a stunning comedy starring Jim Carrey who plays a lawyer, who is incapable of telling the truth or keeping his promises (is this really a surprise!!!). Things make a dramatic turn, when he fails to keep a promise to turn up at his son's birthday party: the neglected son (brilliantly played by Justin Cooper as Max Reede) makes a wish for his father not to lie for just one day. The boy's wish is granted and his dad loses his ability to lie, a tragic affliction for any lawyer. He cannot lie in court as well as to all those around him, like his secretary and mother.

This now honest man displays his comic talents that is bound to set you laughing your lungs out. Carrey is ably supported by his ex-wife Audrey (Maura Tierney) who is now dating Cary Elwes, a simpleton of a man.

This is one of Jim Carrey's best films. His facial contortions, voice and crazy humour stands him out as an outstanding comedian. This is as good as it gets. The director, Tom Shadyac should be applauded for this high quality production.

This movie should not be missed by anyone with a sense of humour and all those fathers who neglect their children for the sake of making money.

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Let me start by saying that I absolutely love Jim Carrey. I think he's a very talented actor, and he always gets me rolling with laughter. I think he's holywood's funniest actor since the late Walter Matthau.

Unfourtunately though, some of Carrey's movies have been disappointments (most notably: Cable Guy and Ace Ventura 2). Whether due to lack of a good running storyline, or due to just over-the-top silliness.

'Liar, Liar', however, does not disappoint. It reveals Carrey in all his hillarious glory. It's got a great cohesive plot about a pathological liar who is suddenly stripped of that ability due to a wish his little kid made. Carrey is very funny, partly because he reminds us so much of ourselves, and how much lies we tell to cover over different parts of our lives.

Watch this movie. It is more than just funny. It is thoroughly entertaining and leaves us with some great life-lessons as well.

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Jim Carrey puts so much energy and pure comedic brilliance into this movie that we hardly noticed how corny and hackneyed was the plot or how wearily didactic was the moral lesson for all fathers who neglect their children for the goddess of success. And really we didn't care. What we loved almost as much as Carrey's rubber mouth and oral blockage (like an overheated boiler fighting not to explode) was the premise: a lawyer that can't lie. Now there's an oxymoron! As Carrey tries to explain to his son Max, lawyers need to lie. Actually he says grownups need to lie, which is a truth that we really do not need to exam too closely here. To laugh at something deeply troubling in our nature is a way of dealing with it.

So the genius of this movie is first the talent of Jim Carrey, but second, for kids who come to the realization of adult mendacity for the first time, it is the discovery of comedy as a way to cope. Why do adults need to lie? is a question that a kid can never figure out, and then by the time he is an adult himself (or actually a teenager), he can no longer comprehend how important the question once was. Call it innocence lost, or the socialization process.

My favorite part of the movie is the courtroom scene with Jennifer Tilly dressed oh so sluttily and her adulterous beaux looking like a model for the cover of a romance novel and Carrey in tatters in his [expensive] suit. Second would be the bathroom scene in which Carrey tries to tear himself apart (and seems to almost succeed). His flapping mouth between the toilet seat and the bowl was inspired. Give some credit to director Tom Shadyac, who managed to steer the vehicle with Carrey at the controls, and to writers, Paul Guay and Stephen Mazur, who wrote some funny lines.

The great comedians totally let themselves go. They are totally on. They go to extremes and beyond. It's like transcending not just the ordinary, but even the imagined. See this obviously for Jim Carrey, one of the great comedic talents of our time, an original who would have delighted Charlie Chaplin with his extraordinary muggings, his blatant audacity and his superb timing.

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I loved liar liar! I never get tired of watching it! I dont believe his performance was over the top as some might. I think that this is his best movie if not one of the best. It has a GREAT feel good story line and if you couple it with the fantastic actors and hilariouse content youve got a classic entertaining movie you will love for years!

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Kick-Ass (Three-Disc Blu-ray/DVD Combo + Digital Copy) (2010)

Kick-AssWhat a wacky movie this is. When I first saw the previews, I thought this Kick-Ass was going to be aimed at kids and teens. Boy was I way off, because it earns it's R rating many times over. I really had no intention of seeing this film until I saw the very positive reviews flowing in from the critics. Not that I always agree with them, but in this case I would like to thank them for getting my butt down to the local theater today.

Parts of the movie reminded me of Watchmen. You have everyday people who are sick of bad things happening to good people, decide to put on costumes, have funny hero names, and then beat and cut apart the bad guys in a not so nice way. I actually thought it was rather tame in the gore department, compared to what I read about beforehand, but the violence and language is way too strong for kids.

The acting is good from everyone. I liked newcomer Aaron Johnson as Kick-Ass himself. Nicolas Cage turns in one of his better performaces in a long time, though I think he was great in an over-the-top kind of way in The Bad Lieutenant: Port of Call New Orleans. Christopher Mintz-Plasse is still doing his McLovin thing in every movie since Superbad, but it worked again. Mark Strong is kind of one note as the villain, like in Sherlock Holmes, but I think he's a little better in this role. The real star of the show is little 11-year-old, Chloe Moretz, as Hit-Girl. She is clearly the most memorable thing in a movie with a bunch of stuff worth remembering. As the daughter of Cage's Big Daddy hero, she spews out bad language, slices and shoots baddies by the dozens, and loves her daddy. I want one of my own.

Kick-Ass is serious in tone most of the time, but there are some killer comedy bits and lines that had the whole theater erupting with laughter. The music is well placed in key scenes and the director/writer, Matthew Vaughn, did a fine job in creating a comic book film that should please both fans and non-fans of the genre alike.

Even though it looks like Kick-Ass will come in #1 this weekend, it still feels more like a cult film to me. I can easily see this movie being talked about decades from now, much like Army of Darkness, but without the campiness factor. What a breath of fresh air in a genre that has just as many misses as it does hits.

Just like the rest of you, I went into the theater knowing not a whole lot about this movie. I thought it would be lame, cheesy, corny, *insert adjective here*. But, I was DEAD wrong to say the least. Kick-Ass combines action, comedy, and emotion, all at the right times. The movie flows well mainly because the cast jives so well together. I have yet to come out of a movie theater so pumped and wanting more than after I came out of Kick-ass

Aaron Johnson (Kick-Ass)I didn't realize he was a British actor until I heard a voice clip from an interview. You sure can't tell from the movie. He plays a great nerdy type kid. But what separates him from actors like Michael Cera is that he actually grew some balls and decided to stand up to crime. He does a great job as the lead actor in the first half of the movie, but quickly gets overshadowed by young dynamo, Chloe Moretz

Nicholas Cage (Big Daddy)In my eyes, he redeemed himself for movies like Ghost Rider and Knowing. He was amazing. His character was totally believable and I sure enjoyed his Adam West mannerisms. He also did his fair share of ass kicking. His relationship with his daughter, Hit-Girl, brought hilarity and the emotion that I mentioned earlier to this movie.

Lyndsey Fonseca (Katie Deauxma)Hadn't seen her in a movie before. She is very beautiful and will be looking forward to seeing her in the sequel.

Chris Mintz-Plasse (Red Mist)As much as I don't want to say it, Chris is out growing his McLovin' character. He, like Kick-Ass, plays a slightly awkward superhero with no powers. He fills his part well and has plenty of laugh out loud lines.

And, the best for last:

Chloe Moretz (Hit-Girl)I honestly don't even know where to start with this girl. I would say she gives the performance of her life, but she was only 11 at the time of filming. She underwent 6 months of combat, acrobatic, and weapons training for her role as Hit-Girl in this movie. It paid off big time. Chloe does all her own stunts (minus 2) in the movie, which is insane. She is foul mouthed and bloodthirsty, but also has her kid moments. I don't understand the controversy with her character. She is very mature and thus should be able to do more mature roles. If you're not planning on seeing this movie, rethink, mainly because of this girl right here. She is incredible and will no doubt be the new Angelina Jolie when her time comes.

Overall, great movie. Great cast, great fight choreography, great soundtrack, and a great setup for a sequel! (Which has been announced)

See this movie, and then tell all your friends! It's totally worth the 2 hours of your time.

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The film is based on a comic book by the same name. The rights to the story were sold before the book was even published (it debuted only eight weeks before the film):

A teenage boy decides to take a stand for justice. He dons a green scuba costume and names himself Kick-Ass. However, not having any actual superpowers, this hero's good intentions quickly land him in an ICU. Eventually though, Kick-Ass crosses paths with a couple of far more effective (a.k.a. deadly) heroes: Big Daddy, a former cop falsely convicted of drug trafficking, and Hit-Girl, his eleven year old daughter. Big Daddy has spent the past six years training his little girl in all forms of mortal combat, hoping she would help him revenge her mother's death and her father's fall from grace, orchestrated by a local Mafia Boss. Enter blood, gore, and plenty of belly laughs...

Let me get straight to the point: yes, the film was funny and highly entertaining. However, initially I felt uneasy laughing at an eleven year old girl determinedly slaughtering a roomful of men, even if they were rotten to the core and disserving of every bullet and of every knife wound. But then, I remembered what I was like at that age: it was the early 80's. My favourite toys were a silver colt revolver and a sword. Depending on my mood, I would pretend to be a cowboy taking on a bunch of wild Indians, or a Jedi disarming (literally) Darth Vader and his evil cohorts. So, if any of you want to believe that little girls' minds are all about sugar and spice, well... good luck with that (by the way, I managed to grow into adulthood WITHOUT slipping into drugs and/or alcohol, and no, I was not a teenage mother). And so, that quick recollection gave me the permission to look at the film as an absurd exercise in fantasy and allowed me to enjoy every minute of it. Yes, the film was well written, directed and edited, but the special mention must go to the actress who portrayed Hit-Girl. Chloe Moretz was indeed eleven at the time of filming, but had the presence of a seasoned performer. I am looking forward to watching her future projects. There is already talk of a sequel. I'd pay to see it!

Laugh and enjoy!

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To anyone who hasn't seen the movie but is considering it, you should realize up front that this movie is NOT for the kiddies, as evidenced by the "R" rating. That said, most of the bad reviews here seem to be from either people who had problems with the disc itself (i.e. people who don't understand the concept of a review), or people who let their kids watch the movie. These people made a stupid decision involving the mental well-being of their children based on the fact that they've seen "R-Rated" movies in the past that they don't mind their kids watching. This is not one of those movies!

Ranting aside, this was a pretty awesome movie. If you like action movies, check it out. It's a little darker, a little more violent, and a lot more vulgar than you might expect, but that's part of the movie's brilliance. Hit Girl is one of the coolest characters to grace the big screen in years, the MistMobile is the hottest Mustang manufactured post-70's, and the narrative draws you right into a feeling of camaraderie with the characters almost immediately.

Check it out, this movie rocks!

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First, let me say this movie isn't for the weak hearted. If you don't like violence, this movie isn't for you. I never read the comics or knew anything about it, so when I first watched the movie I was a bit surprised by the violence and blood in it. However, this movie is great from start to finish. Tons of actions mixed in with some laugh out loud moments makes this one of the best movies of 2010.

As many other reviewers discussed, Hit Girl is the obvious star of the movie as she steals every scene she is in. Chloe Moretz (Hit Girl) gives one of the best "child" performances you will ever see. All other actors/actresses hold their own in this movie, especially Nic Cage. I'm not a Nic Cage hater, but I never thought I would say he was absolutely brilliant in any movie. He plays the role of Big Daddy perfectly and shows emotions that you usually don't see from him in other movies.

Possible spoiler...

One scene that I have to talk about is the "unmasking" scene with Kick Ass. The direction, action and emotion of this scene is unreal. The Director nailed this moment in the movie with impressive visual camera work and non-stop action. Really impressive, and is something that you have to see.

Definitely recommend this and you don't have to be a comic book fan to enjoy it.

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Mars Attacks! (2010)

Mars Attacks!Hollywood has made movies from books, TV shows, even other movies. However, "Mars Attacks" may be the first time a movie was made from a trading card.

Back in the late 1960s, Topps Cards created a line of Mars Attacks trading cards. However, these cards were pulled off the shelves after only a few months because the aliens depicted on them were considered to be too gruesome. My, how times have changed.

Director Tim Burton has taken those old trading cards and recreated them into this Sci-Fi B-movie throwback. In the process, he has created a movie that is pure, guiltless fun.

"Mars Attacks" also benefits from an all-star cast, including Jack Nicholson (in a dual-role), Michael J. Fox, Sarah Jessica Parker, Pierce Brosnan, Martin Short, Danny Devito, Glenn Close, Natalie Portman, Tom Jones, Annette Bening, Lukas Haas, Jim Brown, and many others. The fact that you get to watch the aliens disentegrate (and otherwise kill) many of these stars only adds to the fun. Unfortunately, Tom Jones wasn't one of those unlucky stars. Maybe someday a sequel will be made that will rectify that. :)

Oh yeah........ did I happen to mention that Congress gets vaporized? This proves that the Martians aren't all bad!

The DVD comes with many extras, including quite a few production notes that helps you to understand how the movie came to be. This is one movie that you will want to see over and over again (especially anytime that Congress is getting on your nerves).

Tim Burton outdoes himself with this silly, but funny, spoof of 1950s flying saucer/alien invasion movies. It is absolutely zany and quite funny. There is also nothing politically correct about it, as there are no sacred cows. The film is totally irreverent of American culture and icons. Everything and everyone is fair game.

Martians have come to Earth, and they do not come in peace. Diabolical and deadly, they are bent on wreaking havoc wherever they go with their death ray guns, which serve to incinerate living beings. These bulbous headed martians with their own brand of deadly humour are hell bent on destroying Earth, while laughing and cackling maniacally.

The special effects are meant to to be reminiscent of those found in 1950s UFO flicks and in this it certainly succeeds. The cast is stellar with Jack Nicholson playing dual roles, that of President James Dale and that of entrepreneur Art Dale. Glenn Close, Annette Bening, Pierce Brosnan, Danny DeVito, Martin Short, Sarah Jessica Parker, Michael J. Fox, Rod Steiger, Jim Brown, Natalie Portman, Sylvia Sydney, Paul Winfield, Pam Grier, Lisa Marie, Christine Applegate, Lukas Haas, and Tom Jones round out the star studded cast. With tongue in cheek performances, the viewer is bound to get a good laugh out of this film.

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Having spent an hour or so reading every review of this movie on the site, I have come to the conclusion that most of the people who did not like it, were simply not bright enough to "get it". Most of the humor in this movie is sophisticated satire and irony. i.e. you need a brain to understand what the joke is. Unfortunately it seems that that leaves about 70% of the population out in the cold sort of speak.

Also, a lot of the reviewers here trash the acting and imply that the big name actors were "only in it for the money", yet are unaware of the fact that most of those "big stars" clamored to be in this movie at lower pay scales than they are used to. Then they go on about how 2 dimensional or "broad" the acting is. Well, ..Duhhh! It's a cartoonish satirical comedy based on a series of bubblegum cards. It's *meant* to be that way.

Finaly, a lot of those who hate this movie compare it unfavorably to (their favorites), ID4 or Armageddon or some such trash as that.

Nuff said.

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There is nothing serious about this film. It is satire all the way and it is very good satire which takes potshots at all sorts of institutions.

The story is as simple as an old B/W science fiction movie. Earth is being invaded by Martians with superior techology and little reguard for eathlings. Instead of being an "end of the world" type picture, however, it is comedy. It is comdedic because there is a grain of truth in the elements used for the comedy:

The President is worried more about poll numbers on reactions to the Martians than about invasion.

The first lady is worried more about interior decorating than advancing ray guns.

The egghead professor manages to be wrong about just about everything he speaks of.

Reporters are shallow and vain.

The military just wants to play with its toys.

Bad music can be a deadly influence.

New Age people haven't a clue as to the real world.

Teenagers often have a better handle on things than the grownups.

It's enough to make you root for the Martians. This one is fun, irreverant and a feast of oddball ideas. What else could be expected from Tim Burton?

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The first time I saw this movie, I thought it was a big dissappointment. Then I started to think about it. Usually, when I dislike something for no reason that I can really put my finger on, it is because it has challenged my expectations in some way. For this reason, I like to re-examine my feelings about those things. And often, after reflection, I realize what it is that disturbs me, and I realize why the thing that I hate addresses that, and often it makes me enjoy the thing I "Hated" more.

This movie is like that. One of the things that bothered me so much was the lack of reason for the alien attack, and their resulting brutality. A little after I watched the movie, I found out why this is so, while reading a book "Lies My Teacher Told Me," which related the following tale concerning Columbus:

In 1492, Colomubus landed in what is now the Dominican Republic. He got off of the boat, and read a short proclimation that said (essentially,) "I am taking this place over, you must now immediatly renounce your pagan gods, convert to Christianity, claim Isabella of Spain as your ruler, or I will make you slaves, and you will work until you die, and I will not be held responsible for your souls." Columbus read this proclimation in Spanish, which of course, none of the native people of the Dominican Republic could understand. They greeted him with a huge party, and Columbus proceeded to decimate the natives. The Spaniards forced the Indians to work, and rode on their backs rather than walk from place to place. Does this not strike you as ridiculous? The same kind of mindless destruction for the sake of destruction that the movie portrays?

What disturbed me about the movie was it's quiet censure of our society, our modern world, our own arrogance. In this movie we get our comeuppance, and it is delivered with the same heartless passion that our uncivilized ancestors imposed on the indigenous populations. There is no why or how, there is only the relentless onslaught of a technologically superior race that finds glee in our destruction, who no doubt, intend to usurp our world.

In the War of the Worlds, we are saved by Influenza, in real life, Influenza and small pox, brought by Euroopeans, decimated indigenous populations. Wells original parallel was intended to be a subtle irony, a tribute to our tiniest, and most unobtrusive weapon.

Here we are saved by Slim Whitman's "Indian Love Call," an outrageous twist, but not one without it's irony. Whitman wrote the song as an appeal to the romanticization of the American Indian that occurred in the late 50's. It bears no real ties to native american lore or tradition, other than it's name. It is a romantic view of a past that never happened, our "plasticization" of the very people we've killed. Isn't it odd that we would be saved by a cheesy lounge song written about a people we killed with smallpox and war, while we are being decimated with no hope of survival, in much the same manner? Its doubly ironic that something so insidious, both in sound, and concept, should turn out to be invariably fatal to our invaders. Our bad taste killed them.

I might suggest to those that are easily angered when their expectations of an "Independance Day" style romp are foiled, that they examine their dissappointment and ask themselves, "why did this bother me so much?" When you do, you'll often find that you are being challenged to think or look at a thing in another light by your brain, which is often smarter than you might think.

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Cannes Man

Cannes ManI've been to Cannes and this film captures it to a T. If you're looking for a Johnny Depp film, this isn't it he does a ten minute cameo in it with Jim Jarmusch. But it's the funniest ten minutes I've ever seen Johnny Depp be. If you are interested in film festivals, or wanted to know what the real Cannes festival is like, this video is hilarious.

Sy is a movie producer who is in Cannes for the festival, as usual. However, he needs for someone else to pay all his bills there so takes a bet, that he can turn a young nobody seen on the beach into a credible writer that he can use to raise ...millions while in Cannes. Not a single word has been written but Sy sees that as no impediment to approaching every star in the universe to become involved in his movie, with virtually all of them saying yes, from Johnny Depp to Dennis Hopper to John Malkovich and so on. A hilarious, droll view at the film world that is light as a souffle. It won't stick with you but it is fun for a night.

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This movie is very mildly amusing for about ten minutes. Yes, it is slightly interesting to see the Cannes environment, but not enough to watch this film. It could be a cure for insomnia, though. Fans who are looking forward to seeing their favorite actors in a satire will be disappointed. You can count in seconds the amount of time any famous actor is on the screen, and it's really just very boring. All those fans of Johnny Depp: be particularly warned. He may have co-star billing, but blink and you'll miss him.

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Cannes Man was funny. I don't know why this movie was in the drama section of Blockbuster, but it made me laugh out loud. Just goes to show that nobody knows anything in lalaland, and movies are made by a bunch of nincompoops who don't know their **s from a hole in the ground.

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It is different even for Johnny. Not the best movie that he has been in, but Johnny was in it and I collect and added this.

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Miss March (Unrated Fully Exposed Edition) (2009)

Miss MarchThis is a stupid, crass, moronic, juvenile ile and I loved every minute of it. There are at least 5 scenes that I have never seen before in a film. Add that to the Tucker guy being one of the funniest guys I've seen in a long time, and a rapper named Horsed*ck.Mpeg and you got yourself a party. don't confuse it for THE OFFICE now, it's not clever. Miss March is just plain laugh out loud funny. It's absurd. I highly reccomend it for those of you who like silly, leave your logic at the door comedies. Plus what other movie has the line: "Lesbians...break down that door!" Get it and laugh.

Oh and amazingly enough, Hef was very good in his part. It didn't seem forced or fake. I bet if I'd break into his den, he'd talk to me the same way!

but I couldn't help but laugh at the insane humor on display here. I suppose I'm just an immature teenager at heart sometimes (and I love The Whitest Kids U Know, well, at least the first 2 seasons).

I don't know if I can recommend this film, because it's obviously not for everyone......in fact I don't think it's for anyone really, except for me and my friends. So if any of you are reading this.....oh what the hell, you're gonna buy it anyways.

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Every once in a while a film defies all logic, has no business getting a four star rating and offers nothing new to a genre and yet it succeeds where so many other like films fail. 'Miss March' is so stupid that you can't help but laugh at the over the top gross out gags that propel this stupid film through it's running time like a torpedo propelling through water.

The cast especially Cregger and Moore play two childhood friends, one who is a sex crazed kook and the other a reserved guy waiting for the right time to lose his virginity to his girlfriend of 2 1/2 years. After one of them comes out of a 4 year long coma(don't ask!), the two embark on a cross country road trip and extreme wackiness ensues!

The film is full of raunchy ridiculous high jinks and nudity and shouldn't even be worth looking at, but I must confess that I haven't laugh so hard in a while. It's just stupid fun, but I think this film will only appeal to a certain crowd of people who like a little shock humor in their diet.

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For those who watch the whitest kids u know... you know what i'm talking about... some people just don't understand this type of humor... i would seriously watch a few clips online to make sure you wanna buy it first... other than that.. I PERSONALLY LOVED IT... i own all the wkuk dvd's too... so i knew i'd like this movie.

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I can't believe this movie received such low ratings...it is soooo funny! Both my husband and I laughed our butts off. I say give it a try, it is kind of stupid funny, but hilarious none the less. I highly recommend it!

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Strippers vs. Werewolves (2012)

Strippers vs. WerewolvesThis movie has some familiar faces, Robert Englund (Freddy Krueger in Nightmare On Elm Street, the OG ones, not the new one) Lysette Anthony (Dracula Dead and Loving It) and Lucy Pinder (pretty much in any British magazine ever, she's super hot). This movie has strippers (so there is female nudity, yay) and werewolves. While it takes a while to build up to the climax in the third act which is a bit of a letdown, this movie is sometimes goofy albeit dumb. Since it doesn't take itself too serious, I think this movie helps add to the new sub-genre of Strippers vs. (insert supernatural monster here) none of which should be put under too much scrutiny as they are campy and crappy on purpose. It does look sharp on Blu-Ray which is a plus.

After liking and enjoying both Zombie Strippers and Zombies vs. Strippers, I expected the same kind of entertainment value from Strippers vs. Werewolves. Boy, was I disappointed. The only cool thing about Strippers vs. Werewolves is its title. The nudity is minimal, the werewolf makeup is horrible, and the action is almost non-existant. Even the cameo from Robert Englund is dull. There are much better movies about strippers and much better movies about werewolves than this, so see those instead.

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Okay, I know what you're thinking. Strippers? Werewolves? Really? You must be crazy! Yes, as a matter of fact, I am kind of crazy--crazy in love! For reals, folks. This is no laughing matter. Actually, that's not true because there's quite a bit of elicited laughter when you watch a bunch of scantily clad pole dancers blow away a pack of hairy man-beasts. But in all seriousness, this movie was one of those special rarities that caught me by surprise with how legitimately entertaining it was. Remember that time I rated a book on the awesomely bad scale? Yeah, Strippers vs Werewolves is kinda like that. It's one of those rare gems that's so terrible; it becomes, in fact, awesome. Look, don't try to fight it. It's science, people.

Let me just preface the rest of this review by noting that over Thanksgiving, I was super ill. Thusly, I spent the bulk of my holiday bed-ridden and in a Nyquil/Benadryl induced haze, instantly rendering Neflix my new BFF. And being in such a drugged stupor, things like Strippers vs Werewolves starts to sound like a really good idea. And much to my Kleenex-loving delight, it was! Just know that going in, it's better to eliminate any expectations and take the movie at face value because, c'mon, the plot revolves around strippers and werewolves. Hey! They're English strippers! Naturally they're a step above their American counterparts because anyone with an English accent is, by default, classier. Anyway, the plot is as the title describes--strippers versus werewolves. More specifically, a stripper accidentally murders a werewolf so his pack decides to deliver swift justice upon them all. Only they didn't gamble on the fact that one of the stripper's boyfriends is a Van Helsing of sorts and he equips our busty ladies with some serious firepower to fight back. And you better believe they fight back in the most epic and half-naked of ways.

It quickly becomes clear that director, Jonathan Glendening, knew exactly what he was doing. This movie is purposefully over-the-top, ridiculous and yet still frequently funny. The cheese factor is high but that's what endears it to my heart even more. I especially appreciated the references to the 80's classic, The Monster Squad, which was very unexpected. And for those of you with a keen eye, you'll notice an homage to other cult horror movies in there as well, which is totally cool. But, by far, the best thing about it was the cameos. I am a HUGE movie freak so when I see appearances by Robert Englund (aka Freddy Kreuger), Alan Ford (Snatch) and Lysette Anthony (Dracula: Dead and Loving It), I get really excited. Like, irrationally so. And while some may fault Glendening for his choice of old school make-up effects, this is where I give him applause. Traditional monster make-up is a dying art, one that I can still appreciate more than the overly-used, cartoonish CGI we usually see in B-list horror. Of course, the movie isn't without fault either. I think Glendening was trying too hard at times for that `artsy' sort of feeling with all the jump cuts and slow-motion, but it is what it is. Overall, it surprisingly hit the mark and exceeded my low-brow expectations. And when you're sick, you can't ask for much more than that!

Food for Thought: Strippers vs Werewolves is definitely not going to win the Oscar, like ever, but it certainly maintains merit in terms of entertainment value. A comedy masked as horror, it's somewhat crass, campy and a bit fun! This movie is a crowd pleaser for those of you who can get down with movies that don't take themselves too seriously. If anything, it's fun to watch for the cameos, alone. FYI: being completely doped up on Nyquil doesn't hurt either!

Rating: 3.5 Stars

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About 45 minutes in I was starting to almost want to fall asleep & I only started watching it at 5:00. That's not good at all. Once Robert Englund showed up the movie got better. It seems like they only had maybe ½ an hours worth of decent material & stretched that out to 90 minutes. I actually did like the ending. The Werewolves were plain disappointing looking. Think Hugh Jackman as Wolverine only a little messier with fangs. I say it's a rental at best. Strippers vs. Zombies was no prize movie but it has this beat.

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Someone tried really hard to make this movie. They put serious effort into the acting, the script, the camera work. But in the end, it doesn't really work. I'm afraid to label this movie a failure though. Someone worked hard at this. I worry that if I label this movie as a failure that I'll have just given up. Maybe there is something awesome here and I missed it.

In the meantime, don't spend a lot of money on it. Don't expect to laugh a lot. I'm mostly just confused.

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