The Benchwarmers (2006)

The BenchwarmersProduced by Adam Sandler's company, Happy Madison, this movie has a lot of elements you would come to expect from many of Adam Sandler's past comedic escapades, such as toilet humor and slapstick elements, and "Benchwarmers" makes great use of these and other elements that have delighted fans for several years. Rob Schneider, a recurring minor character actor from several Sandler films, steps up to the plate in this latest baseball comedy, which follows a growing trend of movies glorifying the low people on the social totem pole. I personally have always enjoyed seeing movies that do this, and "Benchwarmers" is no exception. Unless you are totally opposed to this type of humor, "Benchwarmers" is sure to hit a home run with your funny bone! Older children and teens particularly will find this movie a treat, but I would recommend this movie to anyone, regardless of age (with the exception of very young children), who has ever found entertainment value in Adam Sandler or the three featured actors herein!

Just as is the case with all Happy Madison-produced movies, this movie comes equipped with a crappy plot. However, also as usual, the movie manages to be funny and entertaining anyway. The characters and the humorous dialogue are what make the movie worth seeing. Rob Schneider, David Spade, Jon Heder, Nick Swardson and Jon Lovitz are all very funny in their respective roles.

My favorite characters were Richie (Spade) and his brother Howie (Swardson), who suffers from agoraphobia and does not leave the house. He fears the sun, in particular, as he believes that it is bad and that it wants to burn him. Richie finally tricks Howie into leaving the house by telling him that there is an escaped killer running loose in their town who is hell-bent on killing people named Howie. Before this, however, we also get to see Howie go to battle with 2 cute little Girl Scouts.

There are some very funny one-liners delivered in this movie. I found myself laughing out loud more than a few times, usually at something said by David Spade's character.

Jon Lovitz, Craig Kilborn, Tim Meadows and a few others do well with their supporting roles. Lovitz is particularly funny as a nerd-turned-billionaire who spitballs the idea of "The Benchwarmers" team.

I would recommend seeing the movie, but I wouldn't put it on the same level as Spade's past movies, Napoleon Dynamite or any older Sandler movies. I would place it just on the level with a Rob Schneider movie, like Deuce Bigalow. Worth watching, then decide whether or not you want to own it.

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I wasn't all that enthused about watching The Benchwarmers, but the film had me laughing from the very start and really surprised me with its home run of an ending, as it featured a really effective twist on an otherwise wholly predictable story. Underdog movies like this are a dime a dozen, but The Benchwarmers is really one of the better ones. With Saturday Night Live alums every where you look (and a little helping hand from Adam Sandler as co-executive producer), this movie has the comedy covered. Sure, it's decidedly juvenile in nature, but guess what? The film's main target audience is juveniles. Whether we like it or not, growing up involves a lot of fart jokes, underwear incidents, and name-calling. The comedy is actually one of the most realistic aspects of the film, if you ask me.

So here's the deal. After watching some bully athletes torment three kids for daring to play some baseball on "their" public field, Gus (Rob Schneider) decides to drag out the old mitt and play a little ball with two of his really dysfunctional buddies, Richie (David Spade), who sports a 3 Stooges-inspired haircut and works at the local video store, and Clark (Jon Heder), a really dumb paper-delivery guy. When the snotty ball players show up again, Gus challenges them to a game and he, Richie, and Clark actually win, thanks to Gus' baseball prowess. Other challenges roll in, and before you know it local nerd-turned-billionaire Mel (Jon Lovitz) puts together a statewide round robin tournament, with the winner earning a fancy new stadium for his town. All of those who have suffered at the hands of bullies, young and old alike, start turning up to cheer on their "Benchwarmers" 3-man baseball team. Now you might think that, in the end, something happens to Gus and his severely baseball-challenged teammates somehow manage to win the day for all of the nerds and geeks supporting them. You might think that, but you'd be wrong sort of, anyway. The way the ending comes off is no less corny than the rest of the movie, but it is rather delightfully different and serves to reinforce the message of the whole story.

It's sort of a shame that the movie has to be PG-13, since even younger kids will get a big kick out of it, but I don't know that I would have done anything differently (well, a little less projectile vomiting, maybe). Kids can be as crude as they are cruel (and I can pretty much assure you that your little eight-year-old angel will understand every crude gag in this film). I'm just thankful the beef stew thing wasn't around when I was a kid if you don't know what I'm talking about, just nod your head and move on because I can assure you it's nothing you would want to have stored in your personal memory banks of childhood. As for the other stuff like pulling someone else's pants down, taking a shot in the groin, losing control of a bat and hitting all sorts of things with it it doesn't matter how old these gags are, they're still funny, dadgum it (when they happen to someone else, at least). Some of the jokes do get stretched a little too far, but I think I laughed at every one of them.

The film also has a few interesting cameos. I was thrilled when my all-time favorite player, Reggie Jackson, showed up and he brought lots of comedy with him as he tried to turn the utterly hopeless Richie and Clark into ball players. Molly Sims and Erinn Bartlett add just the right touch of eye candy (even though there's no way, in any universe, that the salad girl would fall for David Spade's mop headed character). Still, it's nice to dream. It's also nice to laugh, and you should be doing plenty of that as you watch this film play out.

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After seeing the previews for this movie, I thought that I would never EVER watch this movie. It looked sooooo bad on the prewviews. But I rented it after seen that Nick Swardson (Grandma's Boy) wrote it. I've now learned that anything Nick touches turns to comedy gold. The Benchwarmers is a surprising hit. Rob Schneider and his band of misfit losers put on a great show. The film is full of great slapstick and nerd jokes. But be warned this movie isn't for everyone. It's extremely immature (like myself). Boogers, farts, guys getting hit in between the legs, etc. After thinking this was going to be the biggest joke of a movie I ended up laughing my butt off through the whole thing.

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It's hard to find a fun movie for my son, but this fit the bill. Stupid, physical comedy and gross-out scenes were just what he and his friends needed for a great night in front of the TV. David Spade sports a fab Prince-Valient haircut and for once, Rob Schneider is the more "normal" of the gang. A lot of fun cameos can keep adults happy for awhile too. The nerds triumph over the jock-bullies so the message isn't too bad either.

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Broadway Damage (Blu-ray) (1998)

Broadway DamageI couldn't help but to think of Barbra Streisand as I watched this film. In her best performances, Barbra played the role of the ugly duckling who falls in love with the handsome leading man (Omar Shariff, Robert Redford, Jeff Bridges). This movie follows a similar formula, where Robert is the ugly duckling and Marc is the handsome leading man.

Robert has two dreams: becoming a songwriter and landing Marc. Likewise, Marc also has two dreams: landing a role on Broadway, and finding a handsome boyfriend. In addition to their friendship, Robert and Marc have one thing in common: "girlfriend" Cynthia, who is trying to find a job (one job in particular, that is). Marc and Cynthia decide to share an apartment. One day, while staring out the window of their new apartment, Marc discovers the man of his dreams (a musician with stunning good looks, of course).

Marc explains to Robert the concept of the "Grand Gesture". Its when you swallow your pride, buy flowers or something, and let that special person know you're in love with them. Easy for Marc to say, since he is good looking and popular with the gents. Not so easy for Robert, who gets turned down by the card store cashier. Humiliated, Robert gives up on good-looking boyfriends.

Here is where the story varies from the typical Streisand plot. While ugly-duckling Streisand becomes the beautiful swan by using her voice, her talent or (in the most fictional of plots) a makeover, Robert stays plain old Robert. Can Marc see past Robert's dull exterior? Can Marc see past the musician's beautiful exterior? Will Robert get the courage to do the "Grand Gesture" to Marc?

Those are the questions to be answered in Broadway Damage. By the way, what's with the title? Alhough the movie explains what "broadway damage" is, I'm not sure it was the best choice for the title. Personally, I would have chosen "The Grand Gesture".

Back to Streisand... If you love "The Mirror has Two Faces", you'll love Broadway Damage. If you hated "Mirror", chances are you'll still like Broadway Damage, anyway.

Like a good Broadway show, this film has it all: a great-looking, talented cast; a clever story; memorable music; optimism; and a warm-hearted ending. Michael Shawn Lucas is perfect as Marc, a sweet hunk trying to make it as an actor on Broadway. He goes to audition after audition, suffering rejection after rejection. Hence, Broadway 'damage'. His nerdy but cute song-writing friend Robert (Aaron Williams) harbors a secret passion for him, but hides it because handsome Marc is a perfect 'ten' and, therefore, out of reach. Their companion Cynthia -overweight and over-the-top -is played by Mara Hobel, no stranger to campy films. She played opposite Faye Dunaway as Joan Crawford's daughter in 'Mommie Dearest', one of the great camp classics of all time. The three friends share career problems, relationships, and other personal traumas. They are loveable and a joy to watch. When Robert finally makes his 'grand gesture' to Marc, he does so in a wonderfully witty song (by Cindy Soltoff) which is sweet, bouyant, touching, and tuneful enough for any Broadway show. This is a real hit.

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If you love a good romantic fantasy, you'll probably LOVE this. This film is about reliving those risk-taking moments when first falling in love, and it's ultimately about friends, arguing in favor of love beginning with a strong friendship. There are so few films of this genre (sad we even call this a genre) that have a light-hearted feeling. The script isn't an oscar contender, but that didn't bother me. The characters & performances have their sweetness and humor, and are easy on the eye. All my friends and I loved it (even the cynical ones).

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"Broadway Damage" is the most adorably classic, campy, sassy romantic comedy I've seen in years!

Lead role, Robert (Aaron Williams), is absolutely cute as a button and his witty Broadway-style songwriting will make you blush and smile and get up and sing! Fellow lead, Michael Shawn Lucas, plays the role of Marc, an aspiring (not so successfully) Broadway star. The two are precious in a 'perfect ten' sort of way, and are accompanied by their quirky "fag hag," hilarious, gay-ball-busting best friend Cynthia. I have to admit I'm a softie for this actress, Mara Hobel, who was also a star in "Mommie Dearest" ("No more wire hangers!"). Brilliant. Just campy brilliance.

The production is brilliant, the characters and acting impeccable, and most of all, the climate is over-the-top, Broadway-inspired, campy bliss with the rooting of a classic romantic comedy. Ingenious, this one, and I guarentee it will leave you smiling and wanting more, especially if you're at all exhausted with the consistent formula of gay cinema. Pick this one up; it's charming and zany, and you won't be disappointed!

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"Boy meets boy" is one of the timeless plotlines -since the ancient Greeks at least -and this well-acted romantic comedy adds a number of twists and turns to what could have been standard fare. The showbiz wannabes of the title who lust after, long for, love, lose, and land one another are appealling, and the men are all goodlooking -even the presumably plain Robert, who in the real world would have no trouble attracting another man, even if he did wear a stupid porkpie hat as here. Perhaps that's why the director put the hat on him, to try to disguise how cute he is. The lead hunk, Mark, has a frequent bemused smile that suggests thoughtfulness. He is appalled to learn that casting agents think he "reads light," and it's one of the movie's accomplishments that Michael Shawn Lucas as Mark carries off the combination of masculine appearance, conversation almost devoid of camp, and an unaggressive sensitivity that makes you like him -he's the hunk with a heart of gold, even though he is also clearly a gym bunny for whom climbing a tree is an exotic experience. His elusive "must have item," David, is dark and pretty as a movie mystery man should be. As the Long Island princess, Mara Hobel is good, but her character's main shtick (trying to land a job interview with Tina Brown despite having zero qualifications) is dragged out too long. The resolution of one of the movie's main romantic dilemmas in the last reel feels very artificial and is the only wrong step in this otherwise charming and witty tale.

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Plain Clothes (1988)

Plain ClothesI discovered this movie on cable quite by accident about 25 years ago and fell in love with it. The quirky screenplay by Scott Frank ('Get Shorty', 'Little Man Tate') under the skilled and well-thought-out direction of Martha Coolidge ('Real Genius', 'Valley Girl') made for a tight, yet low-key and funny-as-all-get-out movie that stands head and shoulders above a lot of the other films of its day that seemed somehow to garner more unwarranted attention.

The cast, ranging from relative unknowns Arliss Howard and Suzy Amis to screen legend Robert Stack, do an astounding turn in this movie, neither taking themselves too seriously, nor poking fun at the source material. As Martha Coolidge says about the film in her commentary, 'it's a good, fun romp!' It's sad that this got lost in the shuffle during its theatrical release, but fortunately, it's now on Blu-Ray and DVD.

The transfer is very good (full-screen, unfortunately, but a very good one), the sound and picture are rich and full, and the only other things I would've liked for this disc to have would be either the 'director's cut' or at least some deleted scenes (which Ms Coolidge talks about in great detail), and an isolated soundtrack to hear the songs performed by The Knack. Beggars cannot be choosers, especially ones as lucky to have a little-known film get not only a digital release, but also an insightful director's commentary, so please don't take that as a complaint. This release could've had ~no~ bonus features and I would still own it on Blu-Ray.

Do yourself a favour and take a trip back to a better time. It's well worth it.

This was a simple but funny movie that we had on VHS tape recorded off TV. We have been looking for it for years and were pleased to find it on Amazon.

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(Untitled) (2009)

(Untitled)The crisp satire "(Untitled)" is a smart and savage skewering of the art world where taste is dictated by hype and collectable value as opposed to passion or merit. If you've ever been to a perplexing gallery show, one that challenges the conventions of recognizable art, you're likely to delight in the absolutely ridiculously (but sadly believable) exhibits within the film. Combined with some equally obnoxious performance art, this is as spot-on in its mockery as you're likely to see! Appropriately populated with an elitism and an air of intellectual superiority, "(Untitled)" absolutely benefits from its incisive screenplay, talented cast, and a specific viewpoint targeting the criticisms inherent in the contemporary art scene. If you are fascinated by this world, knowledgeable about the state of modern art, or participate as a viewer or collector--this film is an easy recommendation. It has an insider's appeal that is undeniable. However, even if you know little about the topic, the film still boasts an outrageousness you may appreciate.

The film is headlined by an inspired Marley Shelton. I have been familiar with Shelton's work, but she has never been particularly vivid for me. Here, though, she shines with much sexiness and great comedic timing as a ritzy gallerist torn between two brothers. She represents one brother as a commercial venture, selling his paintings to institutional settings. His work, all variations of the same abstract theme, is not avant garde enough for a place in her gallery--but it sure does pay the bills! She is intrigued by his aloof sibling, Adam Goldberg, a rather unpleasant sound artist. Goldberg's work generally produces a riotous cacophony of noise which Shelton finds appealing. They are kindred souls as both have an emotional disconnectedness as well as a skewed vision of what constitutes art. This romance, such as it is, is a uniting of narcissists.

The film features a couple of very funny supporting roles--Zak Orth as a trendy collector with more money than sense and Vinnie Jones as an artist dealing in dead animals. "(Untitled)" starts out really strong--as I identified with its absurdity, I absolutely fell in love with the film. It may, however, go on a beat too long. The story suffers slightly in comparison to the set-up. As none of the characters are particularly likable, their personal lives and entanglements were far less interesting to me than the satiric elements in the film. But Shelton, in particular, keeps us on track and the end of her story is far more involving than anything the brothers have cooked up. A solid comedy, with elements of greatness, "(Untitled)" may not be perfect--but it's a very adept and pointed look that challenges the notion of what represents art. KGHarris, 2/11.

Beautifully photographed, well cast, intelligent script, intriguing music that staged the gallery perfectly for this smart comedy. We were engaged from the opening scene to end credits. Great commentary on interpreting "unique" in a world of awkward unicorns.

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This may turn out to be my favorite film of the year! It is a hilarious send-up of the pretensions of the contemporary Art and Classical Music scenes. Knowledgeable viewers will have a field day identifying the delightful parodies of the work of several famous visual artists and composers, while everyone else will embrace this indulgent and warm-hearted portrait of a group of people whose only sin is that of taking themselves a bit too seriously. The splendid (and occasionally quite deliberately ridiculous!) music is provided by the fine American composer David Lang, who is best known for his work with the successful Bang On a Can ensemble. Lang was awarded the 2008 Pulitzer Prize in music for his choral piece The Little Match Girl Passion. I think you will all like this little movie. I laughed myself silly.

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A great film that keenly displays the contemporary art world and its Technicolor, snub, uptight, and arrogant inhabitants. The film works as a comedy with its goofy and outrages characters and scenarios though thoughtfully displays a wide range of stronger emotions without being predictable and corny like most comedy films that try to these days. There is also a lot of girth to the story and can be looked at as an artist's portrait(if the viewer is willing to risk being the pun of the many jokes included in the film about the aesthetics of such things). If you have ever had a discussion of what is art and what isn't, if you ever found yourself confused by the minimalism or dadaism of an art piece, if you ever yelled at the fat fingers that twiddle at art and the artists these days, if you ever visited the San Francisco Museum of Modern Art, this film is a must see.

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I am not much a fan of comedies because I feel like people try to hard. But I am a fan of comedies with dysfunctional, weird characters or odd occurrences. This is a movie of people that are truly unhinged, odd , artistic in a amusing /entertaining in a interesting way. If you are not a intelligent person and don't catch on to dry humor ? Please do not waste your time on this you will be confused and bored. I love this movie I laughed until I couldn't laugh anymore this was so hilarious to me ! All of these people had terrible taste and bad judgment and they took there art and themselves way to seriously. If you like Punch drunk love, Or Very Bad things or Hard Candy ? This movie may be for you and in a genre you would like very much. The film is oddly entertaining with quirky characters and the cinematography is very well done.

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Jim Gaffigan: Beyond the Pale (2006)

Jim Gaffigan: Beyond the PaleI caught this twice on TV and both times was laughing so hard it hurt. I just had to buy it so I could show it to more people. We must watch it at home at least a couple times a month now, and show it to everyone we can. Gaffigan is a genius in this: he is so funny, discusses so many common themes for his jokes (laziness, eating) with only a couple insinuating jokes that might be innappropriate, otherwise very clean-cut and not filled with bad language like so many other comedians. I am so glad I bought this, it has been so worth it and gotten so much time from my DVD player. We are always quoting from this, just so much of it is so true! You will love it and not be sad you spent the small price to buy it. There are some cute special features too, but the routine is the best part.

Jim Gaffigan is one of the best comedians I've seen in a long time. His jokes are great and fun for the whole family.

Jim Gaffigan manages to entertain and produce good quality comedy without resorting to sex jokes and dirty language. That's not to say crude humor can't tickle my funny bone just as well, but it's refreshing to listen to Jim Gaffigan's routine and not worry about offending the folks. =)

The bonus features on this DVD are sub-par, but the actual stand-up is great and well-worth the money. I highly reccomend this to all comedy fans, young and old.

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I didn't see this dvd, but did catch the special on Comedy Central last night. At first I was gonna change the channel, and was so glad I didn't. I loved his stuff about Hot Pockets, funny funny funny!! I absolutely LOVED his Inside Voice... "Hey, I like the IHOP!" "He's a crackhead!" "His pants look dirty." "Baloney hater!" "He better not!" One thing I really appreciated about his act was that it's clean, not vulgar or profane. It's something you can enjoy with your kids or elderly family members and not get embarrassed watching it. Humor in Hot Pockets, who knew?!

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This guy is the best comedian I've ever seen and I've seen 'em all. I drove out to Pittsburgh and listened to his CD for 10 straight hours, then bought the DVD the day I got back and watched it 3 times that week. I just can't get enough. My friends and I are still quoting him non-stop, 2 months later. His 'inner voice' is priceless! I would highly recommend this to anyone who likes to laugh, I've been recommending it to all of my friends as well.

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We caught this special on Comedy Central last night we NEVER watch this channel because most of the time comedians can't do an act without interjecting some sort of profanity. But, we were so glad we stopped to hear this truly original and so very funny man! From his bit about the different holidays to the hot pocket joke we laughed so hard we were hurting! Our favorite thing he does is to say out loud what some in the audience might be thinking...he surprises you with it, but always does it in the same voice so you catch on to what he's doing. We thoroughly enjoyed this program...so much I'm here reviewing what others read because I'm planning to purchase it as a gift for my husband!

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Pyaar Impossible (2009)

Pyaar ImpossibleI've always regarded Uday Chopra as a second hand leading man, but I may have to rethink things because of this movie, and maybe Uday's being so likable in this one is due partly to his having done the writing and producing along with the acting. But there's a lot of wish fulfillment in PYAAR IMPOSSIBLE! if you ever were a nerd or if you've ever yearned for that special someone who never even glanced at you one time. Slackers like me, we dig movies like this. Even vanity projects like this.

Pity the poor unassuming nerd. Uday Chopra plays bespectacled college loser Abhay Sharma and he's deeply smitten with the beautiful Alisha (Priyanka Chopra, no relations, thank god). But the social status quo the way it is, Abhay never stood a chance. Didn't even matter that he saved her life one evening. She just never noticed him. And then she left college.

It's seven years later now, and Abhay still pines for Alisha, but he's moved on, sort of. A computer whiz, Abhay has over the past seven years been working on a revolutionary software and he's at last perfected it. But, in the midst of pitching his product to a prospective investor, his software is stolen. A distraught Abhay tracks the thief down to Singapore, where out of the blue, on the street, he sees... well, you can guess...

PYAAR IMPOSSIBLE! ("Love Impossible") is a romantic comedy that shouldn't really work, but does. The story is contrived, the situations are formulaic, I saw every plot twist coming, and it didn't matter. I still liked this movie a lot. With not much being original nowadays, it all falls on execution and the appeal of the actors. And this film benefits from slick direction and a very likable cast. Priyanka Chopra, who was amazing in WHAT'S YOUR RAASHEE?, has become a fine comedienne and she turns in another marvelous performance, seamlessly segueing from college party girl to responsible single working mother. The precocious and very adorable little girl, Advika Yadav, makes her debut and she is a born scene-stealer. And Uday Chopra comes across as so damn nice and sweet. His Abhay Sharma quietly dreams his big romantic dreams, way out of his league, and it's really hard to hate on him. It'd be like kicking a puppy. I wish, though, that Uday had pulled out more from his repertoire of expressions than just that one persistent goofily smiling, half-dazed look.

I liked the musical numbers "Alisha," "10 on 10," "Pyaar Impossible," "Ek Thi Ladki (bada bada boom)," and "You & Me" pretty much all the tracks are breezy and hummable. There are some really good laughs in this one, the best being the utterly sidesplitting "Thai tradition" scene and those moments when Abhay demonstrates his questionable nanny/housekeeping skills. You've got Abhay assuming a double life and then a triple life, and he's got his work cut out for him as he tries to keep this and that identity secret from various people. There's the corporate theft sub-plot and a dash of caper intrigue as Abhay tries to get back what's his. Mostly, though, it's about the unrequited love story and the comedy. Fine with me. It's nice to find out that, once all is said and done, pyaar is not impossible after all...

This is a great film on several levels.

First, unlike many recent American films one gains the distinct impression that the screenwriters knew where the story was going before they started writing. As a result the film was a consistent coherent whole that made sense and was connected throughout. While the plot was predictable in had enough extra charm and humor to make it a non-issue. Some of the "Hindified" contractions in the subtitles added to the charm.

Second, partly as as result of the first characteristic, it was very warm and entertaining without sweating bodies rolling around in random beds to distract the viewer from the fact the writers of too many modern films are totally artless. Parents won't have to hit the pause or stop button if the kids should happen to walk into the room.

The of course there are those of us who can identify with Abhay's position and plight as a rather nerdy guy, who despite acceptable or better intellect, compassion, ability and capacity to love, are possessed of "odd facial features" as an other reviewer so coldly puts it. As such a one, blessed to have amazingly won the love of a fantastic beautiful woman, I can joyfully confess that such things can happen in the real world.

A great, wholesome film!

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This 2010 Bollywood treat is my favorite foreign film. "Pyaar" means "love" and love does seem impossible for a computer geek (Uday Chopra) who has eyes only for the popular girl ( the lovely Priyanka Chopra) who doesn't even know he exists. Years later, through fate and a case of mistaken identity, the geek becomes the male nanny for his secret crush's little girl. This movie offers a buffet of movie genres; romance, comedy and drama. It's also a musical with such fun, catchy tunes as "Ten On Ten" and "Oopsy Doodle." I highly recommend it.

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I first saw this movie on Netflix. I was so impressed that I bought it on Blue Ray.

This is probably the best Romantic Musical Comedy that I have ever seen.

For the most part the film is in Hindi but there is a lot of english dialog in it.

All five music videos are fantastic. Any of them would become a top 10 hit if it had exposure. I find myself singing them in the car.

Blue Ray video and soundtrack quality is excellent.

What can I say?

This film is a sleeper.

I love this film.

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I relate to this movie so much, it's kinda sad actually. But Abhay Sharma (Uday Chopra) was the biggest pushover I've ever seen. I was frustrated at times when Abhay was acting like a complete geekazoid and not growing a pair to confront the one he loves, or the one whole stole his million-dollar idea. But excluding this, every part of this movie was perfect, and very enjoyable. The "Thai Tradition" part was kinda wacky and I didn't like it as much as some might, but it was very entertaining. Priyanka Chopra is a goddess as Alisha, and there is nothing else really I can say about her. Her young daughter, played by Advika Yadav, was annoying at times, but was very good in her part and even becomes very like-able towards the end.

I love this movie because I can really relate to it, and it's your standard beauty and the geek movie. Topped with Priyanka Chopra, you cannot go wrong. Watch it already!

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Quinn, Colin - Long Story Short (2010)

Quinn, Colin - Long Story ShortTo seriously date myself, I have been watching Colin Quinn since the mid-eighties when he was the announcer/sidekick on MTV's inspired pop culture game show "Remote Control." In truth, while I like Quinn fine, I've never been a particularly enthusiastic fan. His irascible persona has served him well in stand-up and TV shows (Tough Crowd with Colin Quinn, The Colin Quinn Show) and suitably on "Saturday Night Live," but he's never had the cross over success of fellow "Remote Control" alum Adam Sandler. It was of great interest to me, however, when it was announced that Jerry Seinfeld was backing and directing Quinn in a one man stage show. "Colin Quinn--Long Story Short" is a 2010 filmed presentation of that show performed at Broadway's Helen Hayes Theater, originally broadcast on HBO. The show's hook is that it is a satirical look at the history of the world in 75 minutes. Tying modern day phenomenon to ancient civilizations, Quinn journeys through different cultures and eras for a fitfully funny and surprisingly smart engagement.

To be fair, I wasn't sure what to expect when I sat down to watch this presentation. But Quinn acquits himself well in a routine that is thought provoking and insightful. This is NOT a stand-up comedy special. Those looking for traditional jokes might need to look elsewhere. This is an intricately constructed piece that is as much about history as it is about any punchline. While not always as laugh-out-loud funny as you might hope, it more than compensates by its ambition and scope. I've never given much thought to Quinn as an intellectual, but the sophistication in this piece has made me reevaluate that opinion.

Not all of the night's themes are particularly new to comedic interpretation. The main point seems to be that humans are their own worst enemies. Seeking proclaimed enlightenment, our follies and foibles lead us down the path to destruction every time. And history repeats--no matter the time or place. Some of the funniest bits have to do with frustrations in contemporary society as people relate to one another at the ATM or in an elevator. But Quinn is adept at relating the idiocies of the present to those of the past. He takes us through the historical settings of the ancient Greeks and Romans, through to the British Empire, all the way up to the Jersey Shore with lots of stops on the way. I absolutely loved Quinn's premise here. For sure, the material was a bit uneven (some even too expected)--but the success far outweighs any drawbacks. Smart and literate, this satiric romp through the ages is absolutely recommended to those who know what to expect. Once again, this is NOT stand-up but a fully realized one man show which is both funny and brainy--a winning combination. About 4 1/2 stars. KGHarris, 10/11.

My wife talked me into seeing this when he came to philly. i wasn't too sure but i'm glad i did. it took about 5 minutes to get going but when he did it just took off. my only regret is that i didnt bring paper and a pen to write down all the jokes that i wanted to repeat later to friends and family. i cant wait to get this in the mail so i can see it all over again

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Written and performed by Colin Quinn. Directed by Jerry Seinfeld. This show was so well done and so funny, I saw it Live twice at Bleeker St. Theatre. It was so well received it moved uptown to Helen Hayes Theatre in Times Square where I saw it again. Hilarious view of civilization. Highly recommend. Deserves a Tony, if there is a Comedy category. Glad it was made into a DVD.

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This is a hilarious, smart summary of the history of the world. Colin Quinn is largely accurate (I did notice a historical error on the Latin America piece) and wholly entertaining. I only wish there was an edited version I could show my world history students, as the curse words are free flowing. I can watch this repeatedly and still laugh heartily at Quinn's performance. I HIGHLY recommend this product!

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Colin takes us through history using wit and humor to shine a light on the similarities between "now" and "then". Wish I could have seen it live and in person as the audience was really into the performance. Makes me miss Tough Crowd, a lot.