Showing posts with label watch comedy movies. Show all posts
Showing posts with label watch comedy movies. Show all posts

I Hope They Serve Beer in Hell (Unrated & Unapologetic) (2009)

I Hope They Serve Beer in HellIf I had to choose between watching this movie again and getting kicked in the nuts I'd take a swift shot to my nads. The pain wouldn't last as long as this crappy movie did.

The book was great. This movie is an hour and a half of crap. It's basically a chick flick with a couple lines from the book thrown into the dialog. Over half of the movie is his friends telling him to grow up and him trying to change to become a better person so his friends will talk to him again. It's just one long disappointing chick flick that didn't contain a single funny moment. The plot and story line suck, the acting sucks, and the camera work sucks. This movie didn't have one redeemable quality.

I can't figure out how they could take such a great and hilarious book and make a heaping pile of crap that's suppose to be based on it. If someone knows please tell me. And I'd love to hear from tucker about this, I have now doubt that both he and his publicist read all these reviews. And here's a little piece of info for tucker, the movie didn't do poorly because of poor advertisement. It bombed because it SUCKED!!! Just like the new book.

If you are at the time in your life where you don't want to give up the bathroom humor, but you like to drink in excess and have sex with strangers, then this film is for you. Tucker was hoping to make some sequels to this film, thanks to this film bombimg, they will never get made.

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I read the book and thought it was funny. I'm not a Tucker Max fanboy or hater, but this movie was painful to sit through. It even made the book lose some of the humor in it because it felt so fake. If your a fan of the straight to DVD American Pie films then you may find a few laughs in this, otherwise save your time and money. The characters in this aren't interesting, the acting is bad, the plot is unoriginal and meaningless, and there just aren't many laughs. Every once in a while it will make you smirk but by the end of the movie you will have forgotten why. This is one film to avoid...

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I reasonably enjoyed the book, up until the end when it started getting a little tedious. Most of the stories were pretty outrageous, if somewhat repetitive.

This movie, however, has almost nothing in common with the book. It's loosely based on one story in the whole collection. A better platform might have been a series of shorts or something, but trying to tie it all in with the crappiest, lamest story arc I have ever seen was a pretty horrible move. The casting was awful, especially in the part of Drew, the smart-ass, gynophobic, comic-book inclined friend of Tucker. The movie did nothing to capture the essence of the book, which was essentially a huge recollection of drunken rampages. The production values are non-existent. The actors exude no charisma. The characters in the book were somewhat conflicted and always interesting, except for Tucker. The characters in the movie are one-dimensional cardboard cutouts.

I watched this out of sheer horror, like watching an asteroid smash into a playground, or watching a semi-truck carrying litters of puppies burst into flame on the interstate. The whole time I was asking myself: how bad can a movie truly get? I can definitely see why this went straight to DVD.

The saddest part of this sordid affair is Tucker Max himself defending this movie, saying that it has the potential to become a cult classic. If by cult classic he means misunderstood during it's time, or so bad it's great, it's not quite at that level. Expect this at the bargain bin at K-Mart sometime in the near future.

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I received the book as a Christmas gift and couldn't put it down. It has to be one of the funniest (albeit crude) books that I have ever read. Now, normally when you watch a movie based on a book, you expect it to deviate a little bit from the stories or storyline, but in the case of "I Hope They Serve Beer in Hell" that it is a gross understatement. I spent the entire 104 useless minutes of the movie wondering when they would show something even close to anything contained in the book. In fact, there is only one scene in the movie that is taken from the book it's actually the funniest part of the movie. Overall, don't waste your money buying, renting or even borrowing the movie from a friend. Just read the book and end it there.

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Caller

CallerThis is a great suspense thriller. Rather than relying upon gore, zombies and lots of blood, this film combines wonderful character development, a creative plot and good acting to create a nice film. The movie has an intriguing story line and a crazy ending. Do not listen to the bad reviews. I am sure those viewers wanted to see people get slashed throughout the film. This does not happen. Instead, enjoying this film requires something that is seriously lacking among today's movie viewers and writers: IMAGINATION!

The reviews here cover both movies:

The Caller (1987) with Malcolm McDowell and Madolyn Smith; and The Caller (2011). Very different from each other.

Amazon has mixed them together, the same reviews appear at both Amazon pages. There doesn't seem to be any way to contact them to correct this.

I just watched the 1987 movie and it was OK. Too much talk that wasn't clarified at the end. Surprise ending out of the blue only leads to more confusion. Poorly written but well acted.

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Compliments:

First, to the phone an ancient black rotary menace. Nice job creepy phone!

Second, at times endearing; at times disturbing; at times threatening phone voice created by Lorna Raver.

Third, to the claustrophobic apartment setting; subdued lighting, shadows and colors; use of sound and environment such as rain to enhance tension.

Fourth, to the actors for their casual naturalistic acting e.g. pauses, conversational dialogue, nuanced everyday behaviors, facial expressions. In particular Lefevre, who was tossed into the role at the last moment and might be well served to use that method for future roles, looked very comfortable. She is a talent that is being wasted in TV spots.

Brief storyline:

Mary moves into an apartment in about 2010 that was inhabited by Rose in 1979. Rose calls Mary from around 1979 which becomes obsessively more frequent. They both acknowledge that their connection is happening for a reason. Both Rose and Mary have issues with males close to them and just in general. "Men don't change ever!" Then Mary suggests to Rose, while thinking of solving her own problems, to "just get rid of him." At this point you see that Rose instantly alters the future by changing the past and more than once.

Spoiler (read when confused after watching the film):

The rotary phone in Puerto Rico in the 70s would not be unusual. Using a phone as a vehicle for the past to communicate with the present is common in film. The phone was shown, in deleted scenes, being found in a box in the pantry coincidentally it was a phone cord used by Rose to hang herself. Rose lived close to where Mary (as a child) lived so she is able to threaten Mary (as a child) as well as people close to her. Rose kills her boyfriend Bobby and Mary's friends George and John (but when John was a boy). Thus the future changes and memories of each from the moment of death ceases. Rose wraps them all in the same old burlap and rope tucking them into the pantry while building a brick wall to hide the evidence. Rose eventually becomes upset with older Mary and takes it out on young Mary by spilling hot cooking oil consequently we see the burn marks instantly appear on the older Mary. Mary, in response, tries to get Rose to kill herself and in failing to do so Rose gets even more upset and tries to kill the visiting young Mary. The young Mary protects herself by breaking a wardrobe mirror and uses the broken glass to disable Rose. In 2010 we see the the now broken wardrobe mirror as well as a now appearing scar in Mary's palm where she held the glass. Both the young and old Mary are trying to protect themselves from Rose at the same time. As for Mary's ex (Steven) who several times threatens (e.g. Wedding photo with "Till death do us part." written on the back as well as stalking) she eventually says, "Last chance Steven." and to which he says, "Yeah. Or what?" which is why Mary's dispatching and tucking him into the newly re-bricked pantry along with the others fits into the story. She not only is re-enacting Rose but is singing her Shafto "broken heart" song at the end.

Problems:

Most of the ages and times just don't match up e.g. the gravestone used for the missing young John appears to say 1924. Rose was in her 40s in the '70s and appears not to have aged and still moves like she in her 40s. Rose did not die when she hung herself according to deleted scenes which changes the story considerably such as how can she be calling from the 70s while also in the present where she again attempts to kill the now older Mary. Without seeing the deleted scenes we have Rose in two separate time periods at once. What do the previous occupants (Mr. Mrs. Alvarez) of Mary's apartment have to do with the story. The alternate ending of a refurbished apartment with ringing phone makes no sense. The reason for the two scenes with blood on her finger is not clear. The subway and dream scenes just add confusion. Generally too many holes from poorly developed backgrounds; in tidying up loose ends and editing made the movie more confusing than it should be.

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This reminds me of the old Hitchcock stuff. Mary divorces Steve and moves into an apartment. Steve is of questionable character. Mary gets calls from Rose asking for Bobby. Rose claims she lives in the 1970's. At first she thinks a friend of Steve's is behind this. Her and Rose become semi-friends. Weird things start to happen. Whatever changes Rose makes to the pantry in the 1970's materializes in the present day. This really spokes out Mary. Steven violates his restraining order and Mary gets help from her French teacher. Upon doing some research she discovers a Rose really did live there. Is this supernatural or an elaborate hoax?

The film hooks you from the first phone call. You can't wait for the phone to ring. Then at some point, you don't want the phone to ring. But it does...

Excellent writing. Excellent film. Good intensity.

F-bomb,brief sex scene, no nudity

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This reminds me of the old Hitchcock stuff. Mary (Rachelle Lefevre) divorces Steve(Ed Quinn) and moves into an apartment. Steve is of questionable character. Mary gets calls from Rose (Lorna Raver) asking for Bobby. Rose claims she lives in the 1970's. At first she thinks a friend of Steve's is behind this. Her and Rose become semi-friends. Weird things start to happen. Whatever changes Rose makes to the pantry in the 1970's materializes in the present day. This really spokes out Mary. Steven violates his restraining order and Mary gets help from her French teacher. Upon doing some research she discovers a Rose really did live there. Is this supernatural or an elaborate hoax?

The film hooks you from the first phone call. You can't wait for the phone to ring. Then at some point, you don't want the phone to ring. But it does...

Excellent writing. Excellent film. Good intensity.

Parental Guide: F-bomb,brief sex scene, no nudity

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Save the Date (2012)

Save the DateA real film about how life sort of just happens. very relatable story and characters. The story plays out like events would in life and that was what made this movie so great. if you enjoy stories that are more realistic then this is for yo Lizzy Caplan and Alison Bree are stellar and you will fall in love with them. The dialogue is key in this film so enjoy and pay attention. i will say the last scene wasnt my favorite but the rest of the story makes up for it

Lizzy Caplan steals your heart as a complex, self gaurded 30something who has love thrown at her when it's the farthest thing she wants. She most choose between the love she has become comfortable with, and the rebound guy turned soulmate. As well as her sister's (Alison Brie) wedding witch she feels obligated to help with. Great performances from Mark Webber, Geoffrey Arend and Martin Starr also.

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Really enjoyed this movie and the dark humor was a nice departure from the standard, cliched romcom. Sad at times and i wish it didn't end where it did (not that i'm always opposed to ambiguous endings), but I'd definitely watch it again! Loved the cast and in particular thought Lizzy Caplan did SUCH a credible job with the role.

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A good look to couples and relationships on some extreme tough situations but also with a very realistic intention to grow. Nice funny moments also. Sweet movie after all.

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Save the Date is a sweet and yet serious indie flick about two sisters who are as different as night and day. Sarah is terrified of commitment (Lizzy Caplan) and Beth (Alison Brie) is happily engaged. Sarah's live-in boyfriend proposes to her in a very public setting and she breaks up with him, and immediately begins a sexual relationship with Jonathan (Mark Webber). Beth is cynical about Sarah's new situation, she feels her sister is just passing time and is afraid to take risks in her safe little world. I thought Lizzy Caplan and Mark Webber have intense and wonderful chemistry, and I also thought Caplan's performance was heartbreaking and electric, this is the best I've ever seen her. Save the Date is a great film, it's not for everyone but if you're a fan of indie flicks then this one is for you. Enjoy!

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Say Anything... (20th Anniversary Edition) (1989)

Say Anything...One of the best teenage romance films of all time.

Like many teenagers and young adults, "Say Anything..." was the ultimate teen romance film when they first saw it back in 1989. And for some people, within the last 20-years, the movie still left an impression on those who watched it.

The film received rave reviews from critics, the publication Entertainment Weekly voted the film as the "Greatest Modern Movie Romance" in 2002 and #11 in their "Best High School Film" movie list.

The film marked the debut of Cameron Crowe ("Jerry Maguire", "Almost Famous", "Vanilla Sky") who wrote and directed the film. The film included cinematographer László Kovács ("Easy Rider", "Miss Congeniality", "My Best Friend's Wedding", "Two Weeks Notice") and music by composer Anne Dudley ("The Full Monty", "American History X", "The Crying Game") and Richard Gibbs ("Battlestar Galactica", "10 Things I Hate About You", "Singles").

"Say Anything..." is about Lloyd Dobler (played by John Cusack, "2012", "War, Inc.", "Runaway Jury", "Sixteen Candles", "Better Off Dead") who is a guy who wants to become a kickboxer. A normal guy who happens to have a big crush on the valedictorian Diane Court (played by Ione Skye, ""Fever Pitch", "Wayne's World", "The Rachel Papers"). Dianne is a very intelligent young woman but has not really experienced a boyfriend let alone any teenage social outings.

For Diane, she has a lot of things going for her. She won a fellowship to study in England and plans to go there at the end of the summer. But when Lloyd builds the confidence to ask here for a date, she is surprised by it and intrigued by him, she agrees to it.

So, Lloyd who never had a serious relationship is ready to go out on his first date and he gets advice from his sister Constance (played by Joan Cusack, "War, Inc.", "Ice Princess", "Raising Helen", "The School of Rock") and even his friend/musician (played by Lili Taylor, "Public Enemies", "Six Feet Under", "State of Mind") who is depressed and constantly sings about her on and off again boyfriend and also getting advice from his other female friends and his male friends which include Mark (played by Jeremy Piven, "Entourage", "Smokin' Aces", "The Kingdom").

Needless to say, both Lloyd and Diane fall in love. But Diane's father Jim (played by John Mahoney, "Frasier", "Dan in Real Life", "Primal Fear") is very strict and wants her to go to college, no distractions and to succeed. He sees Lloyd as an underachiever and doesn't want him around his daughter.

Unknown to Diane, her father is doing shady things at the nursing home that he is in charge of and is under investigation by the IRS for tax evasion.

With her father in trouble, Diane feels that she should put her father first and thus the two breakup. "Say Anything..." deals with two people who are in love but have their first major breakup and what one would do for the sake of love.

VIDEO & AUDIO:

"Say Anything... 20th Anniversary Edition" makes it debut in High Definition with a 1080p transfer that looks absolutely fantastic for a film that is 20-years-old. I have complained in the past of how 80's and early 90's film tend to get the DNR (digital noise reduction) treatment and sometimes the picture quality appears to be waxy and unnatural but in this case, there is a good amount of detail in the film. Compared to its DVD counterpart, you can see the clarity, the colors and also the nice deep blacks. Grain is definitely present which is great and I didn't notice any major compression or edge enhancement. This is the best I have seen of the film thus far. So overall, picture quality is pretty solid.

As for the audio, the film receives a DTS-HD Master Audio 5.1 (as well as English Dolby Surround Sound, Spanish and French mono). The film is pretty much front and channel-driven. There is no major sound effects as dialogue and music are what drives "Say Anything...". In fact, when I first watched this film, what made the biggest impression on me was hearing the musical soundtrack as we hear the Red Hot Chili Peppers "Taste the Pain", Fishbone or even the popular Peter Gabriel song "In Your Eyes" with such clarity. There could have been more surround usage but I didn't really notice anything via surround channels. But for the most part, this is the best that the film has ever sounded up to now and dialogue and music can be heard clearly.

As for subtitles, the film is presented in English, Spanish, French, Cantonese and Mandarin.

SPECIAL FEATURES:

"Say Anything 20th Anniversary Edition" comes with the following special features:

* To Know Say Anything...is to Love It! Trivia Track (over 200 questions) A Blu-ray exclusive, during the film, one can watch "Say Anything" with a trivia track playing throughout the film.

* An Iconic Film Revisited: Say Anything...20 Years Later featurette (21:57) A Blu-ray exclusive featurette. An awesome featurette as Cameron Crowe, John Cusack, Ione Skye, John Mahoney, Nancy Wilson discuss the making of the film 20-years-later and why the film has been so popular even today. Some interesting tidbits of the film, the boombox scene that may have never happened and the Peter Gabriel song that may have never happened and more.

* A Conversation with Cameron Crowe featurette (9:31) Cameron Crowe talks about the film and the characters and how Cameron Crowe became the director and learning from making his first film and challenges with the studio on the script and more.

* I Love Say Anything...! (7:31) Comedians and talent discuss what they love about "Say Anything" and their favorite scenes in the film.

* Intro and Commentary by Cameron Crowe, John Cusack and Ione Skye Featuring a 20-minute intro with director Cameron Crow, actor John Cusack and actress Ione Skye. The first 20 minutes features the three talking about reuniting for the first time since the early 90's and how big the film was for them and for the audience and how Cameron Crowe got the idea to write the film and then how he became the director. For the most part, the audio commentary is quite solid as we hear from the three about what went on behind-the-making of the film but for the most part, how real the chemistry was between John and Ione. In fact, the two admit that while shooting the film, they had a spark but the fact is they had their own relationships with other people and Ione Skye is the first to say that if they weren't dating other people, the two probably would be dating each other. Suffice to say, a pretty solid commentary.

* Alternate Scenes The following alternate scenes are featured: Scene 106 Lloyd at the Phonebooth, Scene 128x: Lloyd & Diane outside karate studio, Scene 108 Diane in Bedroom (with commentary by Cameron Crowe), Scene 109: Lloyd with boom box (with commentary by Cameron Crowe), Scene 109R: Lloyd with boom box (with commentary by Cameron Crowe).

* Deleted Scenes Featuring ten deleted scenes which include: Scene 46: Mr. Deegan at Party, Scene 56J/K: Lloyd giving advice to girl, Scene 57: Corey sings "He Hurts Me", Scene 70: Court in Front of City Council Meeting, Scene 80: Cool English Road Tape, Scene 87: Montage of Love Clips, Scene 107: Sims Questions Court at the Home, Scene 128: Diane looks for Lloyd, Scene 132J: Love Birds in Bed (MOS), Scene 137: Agent Sims in Eva's Room.

* Extended Scenes Featuring a total of 13 extended scenes.

* Vintage featurette (6:58) The original "Say Anything..." featurette. Featuring interviews from 1989 with John Cusack, Ione Skye, John Mahoney and director Cameron Crowe.

* Theatrical Trailers Featuring two theatrical trailers.

* TV Spots Featuring eight TV spots: I Love You, Phone Call, Boom Box, Scam Review, Pretty Great Review, Coffee Shop, Chilli Peppers, Fish Bone,

* Photo Gallery A "Say Anything..." photo gallery montage.

JUDGMENT CALL:

1989. I can easily remember when "Say Anything..." was released in theaters. The whole concept of a guy going for the girl that he falls for and just the lasting memories from the film. From the party, teaching his girlfriend to drive, the mixtape, the boombox... it was one of those film that just captivated me and as a teenager, I don't even know how many times I watched the film or listened to the movie soundtrack.

Having graduated from high school in 1989, for me at the time, the film was almost inspirational in some ways. If you want to ask a girl that you really like for a date, just do it. And sure enough I did and in the end, many years later... I married her. So, "Say Anything..." was definitely a film that was inspirational for me and I'm sure it was inspirational for others.

I loved the film mainly for how natural the characters were. I always felt that John Cusack and Ione Skye had tremendous chemistry and that they were phenomenal in the film. Of course, it was revealed in original DVD commentary that the two were actually pretty close with each other during the making of this film and even brought up by Cameron Crowe during his Blu-ray special feature and we learn that from the commentary.

Cameron Crowe was able to create a film that captures the natural emotion of finding that first love. John Cusack and Ione Skye did a fantastic job bringing that to the big screen. For example, after the two make out in the car and to see the character Lloyd sweating and shivering and of course, the chemistry between both characters as the kiss doesn't look like some sort of Hollywood acting style of kiss, these two were literally making out on screen. Those small details are emotions that are just well captured on film. Love, happiness, pain, sadness, anger. You name it...it's in this film.

The music was also fantastic. I literally played out the cassette to the point where you can't really hear the music all that well. From Living Colour's "Cult of Personality", Cheap Trick's "You Want It", Red Hot Chili Peppers "Taste the Pain", Peter Gabriel's "In Your Eyes", Depeche Mode's "Stripped", Fishbone's "Skankin' to the Beat". So, it was cool to hear the audio for this film in the lossless audio soundtrack and of course the picture quality is absolutely beautiful.

Overall, "Say Anything..." is a film that I probably am quite biased towards but the fact that many print and online publications regard it as a classic film in such a highest regard, that tells you how special this film is. And now the 20th Anniversary Edition is available on Blu-ray. Highly recommended!

This is the movie I use to see if someone is worthwhile. "Do you love '...say anything'?" I'd say. If the answer is 'yes', then I have a friend for life. If the answer is 'no', then be gone with ye.

This movie has many outstanding moments. Of course, there's the 'In Your Eyes' scene outside Diane's window. But I also love the moment where John Mahoney (who is great as always) breaks down in the bathtub. Or when Lloyd has his picture taken with Diane after graduation. "I gave her my heart and she gave me a pen". I could go on and on.

In most romantic comedies, it is essential for me to fall in love with the girl as deeply as the boy does. Usually that's the kicker for me. This is the exception. I didn't fall in love with Diane Court. I don't blame this on Ione Skye she did a great job with what she had. It's just that what she had is nothing spectacular. There's something cold and distant and unaware about Diane that I just can't wrap my head around. She is the kind of person I probably wouldn't think twice about. Come to think of it, she's the kind of person who probably wouldn't understand '...say anything'? Hmm.

And you know what? None of that matters. Because I fell in love with Lloyd Dobler. One of my three all-time favourite screen characters (along with Hannibal Lecter and Max Fisher), Lloyd is a unique individual. He's confidant yet vulnerable, extroverted yet shy, pure yet complex. John Cusack does a great job here. He plays Lloyd with pitbull intensity (witness the kickboxing) and yet puppy dog emotion. His relationships with his friends and his sister and his nephew are all super sincere and beautiful.

And just like his friends, I can totally see someone like Diane Court falling for someone like Lloyd Dobler. It's in the details, it is. He checks up on her at the party; he points out the broken glass; he teaches her to drive a stick; he eases her fears on the airplane. And that's why this movie is so great. Because even though I may not have fallen in love with Diane, I can still understand Lloyd's passion for her.

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It's been almost 20 years since I first saw this film -despite widespread critical acclaim -in an extremely uncrowded theater east of San Diego.

Perhaps because it lacked star voltage, perhaps because it lacked (at least back then) any recognizable household names, perhaps because it was strapped with a low budget yet enthusiastic TV ad campaign (compared to glowing newspaper ads published in L.A. and New York, which I clipped and still own, tinted brown with age) -almost everyone I know who has seen this jewel -never got to see it on the big screen. They caught it on video or on television.

The great news is everyone I know who has seen this film, fell in love with it.

Other reviewers have already done a terrific job discussing the machinations of the plot, the great acting, the fabulous, five-star ending ...that absolutely shatters you with joy and a sense of exhilaration that doesn't feel cheap or contrived. It feels earned, real, honest and true.

Some films are worth renting or seeing once and then perhaps catching up with few years later on television. But the story in "Say Anything..." hasn't aged at all, even though we're watching everything unfold based on objects and the perceptions of people in 1988 and 1989.

In my mind, there were only two GREAT films worthy of the Best Picture Oscar in 1989. It wasn't the winner that year ("Driving Miss Daisy"). And it wasn't the favorite to win that year ("Born on the Fourth of July"). My first choice was "Glory." My second was "Say Anything..." Neither film was nominated in the Best Picture category and neither film was a box office hit. But thanks to cable, both have since gained many fans.

So BUY this film. There's no need to "test screen" it first. You won't be sorry.

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This is quite simply my favorite movie about teenagers. What sets it apart from the rest of the pack is the fact that it's realistic and doesn't rely on horny teenagers a la "Porky's" to get laughs. This is a true, genuine film about kids in love.

The brilliant John Cusack stars as Lloyd Dobler, who asks out the class brain, Diane Court (played by Ione Skye) the day after graduation. A unique relationship begins, complicated by Diane's overprotective father, her impending move to England and Lloyd's general lack of direction. It's hilarious and moving at the same time.

There's a reason why this has become a cult classic. There are so many great moments. Lloyd's friend Cory singing all her songs about Joe; Lloyd's speech about kick boxing; Joe badly singing a Whitney Houston song at the graduation ceremony; Lloyd's meeting with the guys at the Gas'n'Sip; Lloyd's first "photo op" with Diane; and so on. Those of you who think crap like "She's All That" constitutes an honest, funny movie about high school...think again. This is the real deal.

The DVD is worth the wait...there's wonderful audio commentary from Cameron Crowe, John Cusack and Ione Skye; featurettes, deleted scenes, extended scenes and much more. If you're a fan of this movie or are discovering it for the first time, check it out. If you love the work of director Cameron Crowe or anything John Cusack has ever starred in, check it out. "High Fidelity" fans will eat this up. What are you waiting for?

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This is one of my all-time favorite movies. I saw it in the theater on a Saturday and loved it so much I went back with a friend on Sunday. As soon as I saw it on video, I grabbed it, and as soon as it's out on DVD I'll buy another copy.

Lloyd Dobler, John Cusack's character, is the kind of guy every girl should have for a best friend and if they're really lucky, a boyfriend. He's not pretty, not rich, not brilliant, not popular, not ambitious but he has heart and integrity that you seldom see in a teen movie. I shouldn't even call it a teen movie because it crosses that boundary.

I'm not terribly fond of Ione Skye's portrayal of Diane Cort ("a brain, trapped in the body of a game show hostess"), but except for her, the people in this movie are so real you feel you could have gone to high school with them.

Lloyd's best friend (played by Lili Taylor) has one of my favorite lines she tells Lloyd, "Don't be a GUY, be a Man." This movie does it all it's quirky, romantic, serious, happy, sad, funny there's even some kickboxing. You can't go wrong with this movie. Buy it. Buy two, in case you wear out the first one.

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Monty Python's Life Of Brian - The Immaculate Edition (1979)

Monty Python's Life Of Brian - The Immaculate EditionI suspect most fans of this film and Monty Python in general already own a copy on DVD. The bonus features in this new double-disc edition definitely make it worth the repeat buy. Most of the features from the Criterion edition (two commentary tracks, five deleted scenes, radio ads) are here. (The nice 1979 BBC documentary "The Pythons" is the only feature from the Criterion version missing from this new set.)

The new hour-long documentary included with this edition is worth the purchase alone. All five surviving Pythons are interviewed and offer a lot of insight into the film, from its conception, to the controversy surrounding its opening (in the US and in the UK), to its lasting standing as the Pythons' greatest work. (Yes, I know, many fans like "Grail" even more.) I'm always pleased to see up-to-date interviews with the team, now all in their sixties.

The other significant feature is an audio reading of the original script, recorded with all six members several months before filming began. This is much more enjoyable and watchable than you might expect, illustrated onscreen with storyboard drawings and script pages. The reading is 20 minutes longer than the film, and you hear some bits that never made it past this stage.

And the film itself, of course, is a treasure. A hysterically funny, yet thought-provoking satire whose target is group-think in general, and not merely religion or superstition.

This is the 4th iteration of this movie that I have owned. My first was on VHS, then came the Criterion LaserDisc, which was followed by the Criterion DVD edition. I really wasn't expecting much of an improvement over the Criterion DVD since this is an older movie. Regardless of what version you own, if you are a Python fan, you are in for a HUGE surprise with this latest edition on Blu-ray. The picture is near perfection with only a couple of scenes where I noticed the tiniest bit of film grain. Perhaps the biggest surprise for me was the remastered sound elements. After trying the different sound choices, I found the PCM soundtrack to be the best. I really wasn't expecting the sound to be that great for this movie, but BOY was I surprised. Sony has truly outdone themselves with this latest high def remastering of Life of Brian. This is the absolute best I have ever seen or heard of this zany film. There are details in the picture that I have NEVER seend before, and I have seen this movie MANY MANY times. If I had to complain about anything, it would be that the special features were not in HD, but that is not that big a deal since everything else about this title is just spot on.

There are many who would say this movie is a sacrilege. As a Christian, I would disagree with such a statement. I have heard some say that this movie is making light of Jesus' ministry, and especially his crucifixion. They are missing the whole point. I think this movie illustrates how some people will blindly follow religious leaders, or will just go with the crowd without really questioning what they're doing, or why they're doing it. The scene where Brian is mistaken for Jesus and chased by the crowd is a good example. When his sandal falls off, some take it as a sign that they should remove their own sandal, while some choose to follow the Holy Gourd of Jerusalem. How can anyone NOT see the humor in that??? Also, what if there really were some in the far back of the crowd at the Sermon on the Mount who couldn't quite make out what was being said??? I have seen this movie countless times, and at no point is Jesus ever actually made fun of. Even the crucifixion scene is obviously not a slight on Jesus' own crucifixion. He is not the only person to ever be crucified, since there were countless others who suffered this horrible form of death. The crucifixion scene obviously is not about Jesus' crucifixion since there are much more than three men being crucified. Of course, I'm sure there are those who would disagree with me. If you do find this movie to be offensive, then simply don't watch it. After all, this is still a free country. To those of you who have longed for a pristine version of this classic Python piece, you MUST get this one on Blu-ray. I will be waiting patiently for Sony to deliver a comparable version of the Holy Grail on Blu-ray soon.

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You have to be a genius to be this silly. Monty Python has done a fantastic amount of research into Jewish history and the birth of Christianity to make a total mockery of the hypocrisy found in people who claim to practice these religions. As a deeply spiritual man, I found this film completely unoffensive. This film doesn't poke fun at those who are a part of their religion because of an informed, knowledgeable decision, but rather at those who believe what they believe despite all evidence to the contrary and can't offer any valid explanation for it. Most people have probably been embarassed by people of that sort even in there own religion. Anybody who thinks that Monty Python's sense of humor is stupid isn't smart enough to understand the vast amount of research they must have done to turn verifiable history into such a ridiculous commentary on unchanging human behaviour. From the political issue made out of Stan's irrational desire to be a woman so he could have babys (You haven't got a womb. Where's the fetus going to gestate? You gonna put it in a box?) to the embarrasing meeting where the PFJ finds out that maybe the Romans aren't so bad (Okay, they did provide the roads, the aqueduct, public sanitation, education, the wine, etc.) to Pontius Pilate's speech impedement (Who do you want weleased? And no more Wudolph the Wed-nosed Weindeer.) followed by his best friend's linguistic problems (Thampthon of Thithily the Thaduthee thtrangler wanted for theveral theditious crimeth) to the finale of optomistics on crosses singing "Always look on the bright side of life." If you don't get this epic joke and at least appreciate some of what they deleted to keep the plot tight (DVD--Criterion Edition only) I feel sorry for you. But I'm not your judge. Review this film for yourself.

Read Best Reviews of Monty Python's Life Of Brian - The Immaculate Edition (1979) Here

...and blessed are the Pythons, the crackerjack British comedy troupe creating one of the most funniest movies I have seen in a long time.

The Life of Brian has long been one of my most favorite comedies, and no matter how many times I watch it, I cannot help but break out into raucous laughter at the insanity of this film. Truly blasphemous, truly hilarous, John Cleese and his troupe of merry men leave no stone unturned poking fun at anything and everything religious. From brainless mobs finding shoes as signs from God, to a lisping Roman emperor, to the classic cruxifiction song, this movie is not for the religious light-hearted.

Even better, this Criterion Collection version has so many extras, the true fan will be preoccupied for many hours enjoying it all. Especially wonderful were the deleted scenes and the running commentary by members of the troupe. Also, I appreciated the subtitles. For once I was able to get more of the jokes due to the British accents hard to understand with this untrained ear. If all DVD's were this rich, I'd be a happy camper. You are getting your money's worth for the price!

Rent or buy "Life of Brian Criterion Collection" immediately!!

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This movie is often decried for being sacrilegious. Quite the contrary! It should be seen by every Christian, as it so illuminates Christian history. But in a supremely enjoyable and funny mannermaking it, along with Princess Bride, the top comedy ever. Unless one feels they can not laugh *along with* God, there is nothing offensive in this movie. Here you get to learn why there are so many splits in the church, as people in the very beginning follow the holy shoe or the holy cloak. Or the fight that breaks out in the first scene of the movie (the only one depicting Jesus) over whether, when Jesus said "Blessed are the peacemakers," he meant cheese-makers or everyone in the dairy industry. How can one not see here a reflection of Christian misinterpretation and subsequent divisions through the ages? In truth, I know of no other work that in such a light-hearted manner shows me truly who I am.

Monty Python is always great acting, and even better writing; The consummation of British wit. They take reality around them, and twist it, to show us the reality that lies beneath. Some brief unfortunate gratuitous nudity is easily endured. Watching this movie provides innumerable quotes for future use. ("Splitters!" "What have the Romans ever done for us?") And the final song, which I can't describe for risk of spoiler, and also following reviewer guidelines, is worth the price of the entire video.

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American Reunion (Blu-ray + DVD + Digital Copy + UltraViolet) (2012)

American ReunionWhen "American Pie" came out in 1999 it was a box office smash. It was a movie that cost $10 million and banked over $235 million. That was enough to spawn two legit sequels and two not-so-legit sequels. The two legit sequels, "American Pie 2" & "American Wedding", in my opinion, failed to capture the magic of the first movie. "American Pie" was about high school kids, teen angst and sexual exploration but the thing that put it over the top was the honesty and truthfulness behind it. They weren't afraid to tackle taboo subjects, but they did it with honesty. The sequels relied too heavily on the angst and gross out jokes.

Another thing "American Pie" did was make stars out of Jason Biggs, Chris Klein, Alyson Hannigan, Shannon Elizabeth, Tara Reid and Seann William Scott. All of them rose to quick fame and some of them, Hannigan (How I Met Your Mother), have managed to hang onto that fame or increase it. Some of them have fallen right off the map, so it was a perfect time for a sequel and a return of the old cast. They are all back and sure, they all needed career boosts, but they also came back for good reason. The script for "American Reunion" is better and the audience that came to the original movie grew to love the characters.

There are jokes that are rehashed from the original and the raunchy nature of the films is completely intact, but more importantly the writers remembered the truth and honesty that pushed "American Pie" over the hump. Of course the laughs were important as well.

The best part about "American Reunion" is that they gave veteran actor and SCTV alum, Eugene Levy (Splash, Waiting for Guffman, Best in Show), a big part in this one. Having been a widow for the past three years, he's content with his Sudoku and nights at home alone until his son returns for his 13-year class reunion. Once out of the house, he steals the show.

"American Reunion", much like the entire series, isn't for everyone. It is offensive and at times gross, but at the same time it manages to be poignant and truthful. It is an entertaining film with all the characters returning 13-years later in real life as well. We all need our friends and if you were invested in the characters 13-years ago, you won't want to miss this either.

Just got back from a sneak preview of this and I LOVED it.

If you liked American Pie and it's first sequels (and their raunch level), you will really enjoy this great return from the original cast.

The Class of 1999 gets together for their 13th year reunion (really? 13th? well, that's not going to spoil the rest of the movie) and we get to catch up with what life after high school is like for everyone. For the most part, everyone's personalities are the same, and the writers and actors did a great job of projecting those characters into adulthood. Although projecting an older Stifler still doesn't seem like "adulthood..."

I don't want to give away any of the jokes, but this was a really funny movie.... funnier than I expected, to be honest. And not only will the audience be consistently laughing out loud, but viewers will also feel an unexpected nostalgia in watching.

As I said, I did expect it to be funny, but this movie is MUCH better than I expected.

As with other crude comedies, this will probably play slightly better in the theaters, because of audience reactions, but this is a wonderful return from the cast, and is very well written and directed.

Go see this movie!

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I am going to repeat the title of this review. I don't care what anyone says, I love the American Pie movies. Not the crappy, straight to DVD portions of it, but 1, 2, American Wedding and this little gem. Despite the gross-out gags and gratuitous nudity, the American Pie franchise is actually quite sweet and a very conservative heart beats underneath. Good films versus great ones usually work out that way. You think its about one thing, and it surprises you with depth. When I first saw American Pie, I didn't want to go, thinking it would just be another vapid, teenage sex comedy. I was dragged kicking and screaming (I wanted to see The Haunting) and it turned out to be a gem. The other films have continued this funny but deep trend. If you can handle it, I would suggest this film.

Read Best Reviews of American Reunion (Blu-ray + DVD + Digital Copy + UltraViolet) (2012) Here

Well, I am 25 now, and for awhile I've been struggling with some feelings concerning the things I used to like not being relative or popular anymore, moving onto new hobbies and leaving other things I was constantly into behind, having a broader view on many different subjects, having different opinions on things that I used to feel a certain way about, etc. To put it mildly, I am growing up. I've realized it's important to hold onto things from your past, but you also have to be ready, both feet planted on the ground and facing forward, for the future and what it brings as life continuously changes. To live in the past is death, and I feel that this movie perfectly sums up my feelings and gives them a voice.

I was expecting way more off color jokes, but this movie was SURPRISINGLY deep to me. If you are a warm blooded male, you can remember a time when chasing women was a main reason for living at one point...which has pretty much been the backbone of the American Trilogy...Hey, Stiffler and Finch, were all about Cadence in "American Wedding" despite Jim and Michelle tying the note being the big deal in that film. But here the tone is DRASTICALLY changed. The boys are still themselves, but older. New challenges arise, as they do with any grown man who is heading into adulthood and away from the care-free days of being a teenager or young adult in their early 20's.

Also, Jim's mom being dead (I hope I didn't spoil this, but I assume we all saw the previews) and the challenges faced by Jim's father, Noah, in moving on also struck a cord with me ( I lost my mother this year) and gave this film a "REAL" feeling. So we not only saw, young thirty somethings dealing with the loss of youth and the expectations of adulthood, but we also witnessed an elderly man recovering from the heart break of losing the love of his life and the mother of his son. (SOMETHING ANY MARRIED PERSON WHO STICKS IT OUT UNTIL THE END WILL UNFORTUNATELY COME TO ONE DAY)

Most of all, I think the challenges faced by the boys (I mean, men) in their marriages and dealing with their relationships struck the deepest with me because they were authentic problems I think all adult males will run into some of them, at some point in their lives. How they were all handled though, came off as beautiful to me. Watch Vicki's and Kevin's scene at the actual reunion, towards the end of the film, and tell me you don't feel your heart get tugged at a smidge, if not a lot, at the dialogue and how it's finalized.

Keep an open mind and you will enjoy this. When I was young...The adults I saw in their 20's and 30's were "The Real Adults" to me. Anyone over that, was an "old person." Well, funny how things work out. I am sure kids now look up to me as "A real adult" and my father, uncles, and their friends are now "The Old people," when they used to be "The real adults"...funny how things change, but still stay the same overall...and that's the perfect way to describe this film. The tone is EXTREMELY different, but the characters are still the same, and still extremely enjoyable. As one character said in the film to another (I think it was Choir chick to Chris)..."You are so different, but you are still the same."

If you are going to see 1 movie in theaters for a long time, make it this one. Thanks for reading, and maybe bring some kleenex, if you are emotionally mature and inclined to being moved by well done movies.

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To me this movie was flat out hilarious. I laughed more in this movie than I have in a long time. Far exceeded my expectations.

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Tremors (1990)

TremorsVal (Kevin Bacon) and Earl (Fred Ward) are two men trying to make a living in a sleepy, dusty little town, and eventually move themselves on to bigger and better things. However, a few suspicious deaths, and a rockslide blocking the only road out of town put a kink in their plans. Together, a female geologist (Finn Carter) recording seismic activity in the area, and the two unlikely heroes set out to determine the cause of the strange seismic readings and the local deaths. They get much more than they bargained for when they determine that a previously unheard of creature (a "graboid") is the cause of both. This eyeless creature travels through the ground tracking small vibrations in order to get to its prey. The townspeople must band together to try and get out of the valley before the small town's population dwindles down to zero.

The "monster" in this movie is something somewhat believable, as well as something that hasn't been done before. There are thousands of estimated species on this planet that we do not yet know about, and have yet to be discovered. Who's to say whether one of them is or is not a large underground-dwelling, vibration-sensing snake? It's slightly more believable, and thus slightly more scary than, Dracula, Frankenstein, or aliens. Regardless, it's an idea that hadn't been done before at the time, and hasn't been done since (not counting the less-than-stellar sequels to this film), and that's always a good thing no matter what genre of film.

This was one of the movies that got me into horror films. It definitely proves that "horror" need not be gory, high budget, or flashy to be great. In addition, a little comic relief can be a good thing! Furthermore, "B" horror films need not always equate with "bad" horror films. This movie is an incredible blend of a refreshing new idea, a great cast of characters, and an excellent, well thought out script. Tremors is action, adventure, thrills, suspense, and comedy all rolled into one. The dialogue is immensely entertaining, and the cast all put in great performances. Though this film is almost 15 years old and I've watched it several times, it never seems to get old. I have discovered that this DVD is not very easy to find anywhere, especially not at a decent price, so grab it up while you can! This is a very fun movie that I highly recommend!

Successfully mixing comedy and horror is a near-impossibility. There aren't many good comedy-horror films -"Gremlins" and "Army of Darkness" come to mind. And, of course, the mother of them all, "Bride of Frankenstein". "Tremors" is another outstanding film to add to this list.

What is particularly remarkable is that Ron Underwood, in his first job as director, nails it. Everything is... perfection. The timing, the tone, the pacing, are all models for this sort of film. It's as if he'd been directing all his life.

The casting is good, too. Kevin Bacon and Fred Ward make an interesting odd couple of handymen, with Ward about 20 years older than Bacon. Ward easily out-sexies Bacon, sauntering with widespread legs and swaying hips, as if he's just wandered in from a blue jeans commercial.

Except for the excessive edge enhancement (the worst I've seen in any Blu-ray), the image quality is excellent. The film appears to have been shot full-frame, without an in-camera mask, and the widescreen Laserdisk version looked as if it had been cropped too closely (which seems to be a problem at Universal), with a decidedly "claustrophobic" quality to some scenes. This edition appears perfectly framed.

TECHNICAL NOTE: The Blu-ray seems to be derived from the same source as the HD-DVD, with severe edge sharpening. This is particularly noticeable in the travelling matte shot in Burt's basement -you can see a white line surrounding him. A few seconds later, the Gummers are on the roof, and there are white lines around /everything/. It's pathetic. (These aren't the only examples, just the worst ones.)

Listen, Universal... I doubt most films need much (if any) sharpening. Certainly not /this/ much. If "The Searchers", a film more than 50 years old, can look breathtaking without sharpening, why is it needed for recent films? As far as I know, you can sharpen the image without introducing Gibbs artifacts. (You don't even know what I'm talking about, do you? Your transfer technicians merely locate the Sharpen knob and turn it all the way up to 11, without regard for the consequences.) This is typical of American companies -they screw up good things so they'll appeal to the lowest common denominator of customer.

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This review refers to the MCA/Universal VHS edition of "Tremors".....

Forget about building an underground shelter in case of a world catastrophe, that's exactly where all the evil lurks in this fun thriller.

Kevin Bacon(Val) and Fred Ward(Earl) star in this horror film that pays homage to the 50's monster flicks. They are two handymen in the small town of "Perfection", Nevada, who are just trying to get out of town and seek a better life.Everytime they try to leave though,they run into some grisly discovery. With the help of Rhonda(Finn Carter), a beautiful seismology student who has been recording underground rumblings, they stay and try to lead the few(but wacky) residents of Perfection to saftey. The rumblings, as it turns out, are no earthquakes, they are giant worm-like creatures, who go after anything that moves. Station wagons are just an appetizer for these grotesque subterranean monsters.

Michael Gross and Reba McEntire co-star as a couple who make their living selling guns. Their arsenal is astounding, and they are a treat to watch as they try to stave off these creatures. Annie Oakley ain't got nothin on Reba!

It's thrilling and funny, and you may want to hide your eyes, but you won't. Bacon and Ward play their roles with humor and a comradeship that works well.It was directed by Ron Underwood(City Slickers/Mighty Joe Young 1998),who keeps us laughing and screaming at the same time.Also look for a Ariana Richards, who plays little "Mindy". She is real good with creatures, as she went on to become "Lex" in Jurassic Park!

This VHS has an exceptioanlly good picture and the sound is equally as good in Dolby Surround/Hi Fi Stereo.

Check around for best availability and price. Also sold here:Tremors

If you're a fan of the old classic monster films and you think "They just don't make em like they used to.." try this one on for size.....Have fun....Laurie

also recommended:

Wolf see my review of 9/21/05 for film details

Read Best Reviews of Tremors (1990) Here

There are worse things than living in Perfection, Nevada. For instance, thirty-foot-long burrowing man-eating worms with snake tongues.

And sadly our heroes have both problems in "Tremors," a dark-comedy/cult-horror flick that has no pretenses of being anything other than what it is -a wonderfully twisted movie about big gross monsters that explode out of the ground if you step on it. Ron Underwood keeps the worm attacks going all the way to the end, along with splatters of monster gore, exploding floorboards, and lots of rock-paper-scissors.

Hired-hands Earl (Fred Ward) and Val (Kevin Bacon) are intent on getting out of the sun-baked, dead-end town of Perfection, especially since they're the guys everyone hires for the grossest jobs.

But then they encounter a pair of men who died under bizarre circumstances -and when they rush back to warn the other citizens, a grotesque snake-creature is found on their truck. With the phone lines dead and the road blocked, Val and Earl try to ride horses to the nearest town -only to discover that the snake-worm-thing is actually one of the tongues of a vast subterranean worm that sucks people down and eats them. Ew.

With the help of grad student Rhonda (Finn Carter), the guys manage to elude the marauding worms and discover a foolproof way of staying out of their reach. Unfortunately staying indoors isn't enough to stop the worms: they're capable of detecting the slightest vibration, strong enough to rip the town apart, and smart enough to figure out a way. But how can Val and Earl get the Perfectionites out of the town without being eaten by worms? For this, they'll need a PLAN!

"Tremors" is not a brilliant movie, nor is it a deep or groundbreaking one. It's just a thoroughly entertaining little movie about monstrous man-eating worms and how to avoid being eaten by them... which sounds like a rather dull concept for a movie.

Fortunately Underwood has a fantastic sense of tension and suspense. At first, he drops in some wonderfully gruesome demises without actually showing the monster (jackhammer and orange blood! Buried station wagon!) and fakes out the audience with a "snake" on the axle. But when the graboids appear for real, all hell (pardon my French) breaks loose -splatters of gore, some nasty deaths, vast ravenous worms, and a fun climax involving homemade bombs and (for once) a viable plan.

What really sets it apart is the excellent writing ("Something to keep 'em busy, like a... like a decoy!" "Hey Melvin... wanna make a buck?"). Well, that and its extremely quirky sense of humor (money-savvy Chang setting up a "be photographed with the big gross worm" kiosk") -you have to love how Earl and Val handle every problem, be it breakfast or suicide runs, by playing rock-paper-scissors. The only quirkiness that falls flat is the pole-vaulting scene.

Bacon and Ward do an excellent job as a pair of very, very rural hired-hands who aspire to a better life (IE, not draining sewage tanks), and frankly their characters would be cartoonish or obnoxious in lesser hands. Carter makes a good down-to-earth love interest ("Why do you keep asking me?"), and Reba McIntyre and Michael Gross are absolutely brilliant as the kooky survivalists who are prepared for anything. Except graboids, of course.

"Tremors" is a gloriously unpretentious little cult film, with many a confrontation between man and giant carnivorous burrowing worm. Definitely worth checking out... did you notice anything weird a minute ago?

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i actually bought this HD DVD because i recently purchased a hd dvd player for my xbox 360, and this movie was only about 3$ including shipping, so i couldn't pass up the deal. i mainly bought it because i can't find my VHS version and i wanted a better copy anyway! The picture has excellent quality and the sound compared to the VHS is....well... a huge leap (duh).

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Taking Woodstock (2009)

Taking WoodstockThis was a real treat. Being an extreme Woodstock-phile I know alot of small behind the scenes facts and details. The Michael Wadleigh documentary is simply the holy grail of doco's! I was under the assumption parts of this were made up for the movie and I refused to go to the theatre to see it. I was sooo wrong! Not only is it factual, they nailed so many details taken and recreated from the documentary!Like the nuns being filmed while flashing a peace sign! The Earth Light players! Hog Farmers!

All of the people who whine that it's a movie about a concert with no music in it, GO WATCH THE MICHAEL WADLEIGH 4 HOUR DOCUMENTARY! In fact, if ya wanna make a weekend of it, watch them back to back! This tells the background of the concert and the local politics. You don't need a movie with the music in it...The documentary already exists and more people need to become hip to it. This movie just made my heart jump when the first helicopter lands at the El Monaco motel!

Eugene Levy's portrayal as Max Yasgur is uncanny. No other actor could have pulled that off but him. He looks and talks just like the real Max. Watch the documentary right before Hendrix near the end and you won't believe the likeness! A perfect companion to the Academy Award winning documentary!

The 60's memoir Taking Woodstock is a story about how 20-something Elliot, son of a Jewish couple, was able to lure backers planning a music festival into the area where his parents run a `resort' motel. The story begins in a conservative rural community of farmers and small town folk in scenic New York countryside. The narrative hub revolves around the relationship between Elliot and his aging parents who own the El Monaco Resort Motel, a deteriorating business on the verge of foreclosure. His mother is a bitter character who oversees the finances and ordering of the household. His father is a withdrawn, tired man bent from years of bearing the weight of silent compliance before his wife while attending to the motel's maintenance. The townsfolk are a stagnant traditional group ekking out daily sustenance while news about the Viet Nam war, Arab-Israeli conflict and moon landing catch their attention in the background.

Into this languid summer come two key folk Michael Lang and Max Yasgur. Lang is an imperturbable saintly visionary from the City with the faith and means to walk the key parties through messy negotiations. Yasgur is portrayed as an enlightened agrarian businessman able to envision qualities lost on his parochial peers and acumen to make this into a venture profitable for all.

There were initial clashes between locals and those part of early negotiating. However, once contracts were settled and the project began to unfold the momentum of the operation overwhelmed the situation. Construction crews, event planners and early arrivals for the festival descended. Masses of gentle folk grew daily until the entire region was gridlocked by thousands of `citizens' of the `Woodstock nation'.

The carnival of freaks, politicos, quasi-psychotic acid heads, spiritualized bohemians and other assorted holy men and women were stereotypically characterized. Locals were bemused, perplexed, exasperated and offended, but most did not fail to succumb to the combination of gentle-spirited hippie culture and the financial boon that poured in.

One particular narrative episode captures the hippie mythos underlying the film's vision. The preparations for the event are done. Elliot, his father and Vilma, a free-spirited transvestite providing security for Elliot's family, stand overlooking a lake as nude bathers play openly. The first strains of Richie Havens move through the woods signaling the festival's beginning. Elliot's father nudges him to go and experience the festival. Elliot hesitates but Vilma urges him on, "Go" he says, "see what the center of the universe is like". Elliot finds himself wandering among groups of camping hippies still some distance from the stage. He encounters a young couple who gently seduce him to drop acid with them. They retire to the interior of their bus richly decorated for inner space travel where Elliot is initiated in the ecstasy of cosmic visionary experience. Some hours later he emerges an awakened soul accompanied by the female consort. Still flashing in colors and serenity they make their way to a bluff overlooking the sea of people dotting the night with campfires. The view is rolling and undulating, wrapping around a vortex the lighted stage in the distance. The lights, colors and liquid landscape coalesce in a visionary patterned dance around the pulsing brilliant core of illumination flowing from the stage. Space and time are lost in the enveloping ecstatic vision in the presence of the Center.

This scene is the sacramental center of the story. The whole event is actually a festive gathering to celebrate the eucharistic psychedelic ritual. Its enactment is the animus mundi, the navel of the world, around which the dance of being whirls. This entire countercultural phenomena is like a fountain of creative and colorful life flowing from the bellies of ecstatically enlightened participants. Bohemian and transient in nature it wanders about the land erupting into spontaneous happenings. This particular one, though `planned', nevertheless exploded into unexpected proportions and intensity.

Of course this story is one in relatively recent history with many participants and critics alive and well. And the verdict of history has unfolded less graciously on subsequent events. This is not lost on the filmmakers who put in the mouth of a confident Lang plans of another festival of peace and love at Altamont. The irony is not lost on those knowledgeable of the tragic events there.

Following this narrative peak the story winds down to address loose ends between Elliot and his parents. The windfall of the festival has paid off their mortgage with surplus and Elliot is free to complete the process of separation-individuation from his family.

It was a delightful film that will fade quickly from public attention, leave theaters and be on DVD shortly. For some who go it will be for a moment of nostalgia, an entertaining story resonating with faint longings that surface as one ages. For the counterculture youth of today it is not their history, it is the history of their grandparents. The heady excitement of the Sixties is textbook material to them and most are living out their own generational narrative. They have Burning Man, Goa, Ibiza, and elsewhere.

For some the longing pricked cuts perhaps more deeply. Sure enough it was a period whose potency faded with the passing decades. What seemed of cosmic significance at the time was swallowed in the relativity of social change Nevertheless, the glimpse into the white-hot core of mystery pulsing at the Heart of the Universe wouldn't be extinguished. It is a core memory implanted somewhere deep in psychic regions.

After the ecstasy many wandered back into the enveloping social order of the modern world. Some were damaged and wandered for years. Some re-acclimated into the status quo, even `succeeding' well at it. Some found creative paths integrating alternative spaces with demands of survival. Some became monks, roshis, gurus, disciples, teachers, and priests. None, however, whose hearts were pierced have forgotten when they were touched by the Center of the Universe.

Buy Taking Woodstock (2009) Now

I was lucky enough to see this movie in an actual theatre (remember those?) this past September, and it really was a delight. Watching with a small group of friends and loved ones, I felt a kinship with the central character and his simple desire to do something, anything, to change his fate while the world seemed to be changing its tune for those three days, at least. Being both a musician and a fan of all things European, I really liked the look and the pace of Ang Lee's film. While the book on which the film is based bubbles and froths madly and delightedly like a late Seventies hot tub, Lee's film presents a place and a time that feels alive and gentle like a spring leaf but also has the sullen gravity of the fallen leaf once the autumn comes. Demetri Martin comes across like a slightly-stoned Pinocchio, hoping through his 11th-hour involvement in helping to save Mike Lang's Woodstock festival from cancellation to become a real boy. (It's not coincidental that the actor who plays his father, Henry Goodman, looks a bit like Gepetto in the Disney animated classic of years ago.) Those who complain that this film doesn't have music are missing the point the film itself is music, and a soft and glorious one at that. Besides, there's a wonderful sequence towards the end of the film involving use of a song from `60s group Love being played on an 8-track cassette player in the back of a psychedelic VW van . . . that scene alone captures the real experience of being at Woodstock, at least as told to me over the years by those who were really there or who wanted so badly to have been there in person (though they were already there in their hearts). Having seen this film, I feel like I was at Woodstock too . . . and when this movie is available on DVD, I plan on going back . . .

Read Best Reviews of Taking Woodstock (2009) Here

I happened to recently find this movie on my On Demand cable service. I had not ever heard of it.

I'm a HUGE fan of 1969 WOODSTOCK, (have Collector's Edition of DVD). I have always felt I was born in the wrong era--I should have been there! (To me, there is really only ONE REAL Woodstock.)

I knew some of the facts in the movie Taking Woodstock, but it was AWESOME to see it put together and done so WELL!

I love the portrayal of Elliot, whom I perceived as the main character. I saw this as also a "coming of age" film, from his point of view. He was amazingly brilliant at such a young age and to make such excellent "business/promotion" decisions that had to be made under pressure.

It is *totally* a "feel good" movie. I thoroughly enjoyed it and would love to own the DVD!

I HIGHLY RECOMMEND IT!

In my opinion, the best review here on Amazon about the movie is by James Lossing (it should be the top review) so be sure to read it!

Want Taking Woodstock (2009) Discount?

Oscar-winning director Ang Lee's "Taking Woodstock" takes us behind the scenes of the Woodstock Music & Art Fair, but don't expect documentary-like accounts of the legendary concert. Based on the book by Elliot Tiber and Tom Monte, and adapted by James Schamus ("Brokeback Mountain"), "Taking Woodstock" is a comedy drama about a young man who wound up bringing Woodstock to the quiet town of Bethel, New York.

The film, set in the summer of 1969, centers on 34-year-old Elliot Tiber (Demetri Martin), an interior designer whose parents Jake (Henry Goodman) and Sonia (Imelda Staunton) run El Monaco Motel. The small motel, of which service and quality is not the best in town, is facing foreclosure.

Elliot manages to persuade the bank manager to wait for a while. Then he hears that the town of Wallkill pulled the permit for the upcoming Woodstock festival. Elliot, who happens to have a permit for a small local music festival, makes an offer to the concert's organizers. As it turned out, the music festival ends up attracting about 500,000 people to the town.

I am not interested in the factual accuracy of "Taking Woodstock." I know this is not a documentary (and there is already one, simply amazing "Woodstock"). The film beautifully captures the confusion (and near chaos) caused by the influx of attendees for the three-day concert. Ang Lee's comedy drama is full of fashion details and eccentric characters, mostly likable, but suffers from its underwritten drama about the protagonist and his family, and one-note performance from the lead. Where is Jake Gyllenhaal when we need him?

I enjoyed "Taking Woodstock" for its atmosphere of the late 60s America, and nice turns from supporting players (some of which sometimes border on caricature, though). What "Taking Woodstock" needs is a more strong portrayal of the protagonist, who is somehow the least interesting person in the film.

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