Showing posts with label upcoming movies. Show all posts
Showing posts with label upcoming movies. Show all posts

Evil Dead II (1987)

Evil Dead IIIf you've never owned "Evil Dead II" before, or if you've owned it a million times already across VHS, Betamax, LaserDisc, VCD, DVD, and Blu-ray, the new 25th Anniversary Edition by Lionsgate is THE version to have.

Lionsgate apparently returned to the original camera negative for this new transfer, and it shows. Detail is far above and beyond every previous home video release, including the dreaded waxed-over Blu-ray from Anchor Bay. A strong grain structure is present, although some mild DVNR tampering is visible--the grain generally moves as grain ought to, although sometimes it becomes more static, but never at a standstill. Color grading is a lot more dynamic and pleasing with realistic flesh tones and beautiful lighting I swear I've never quite seen before, while the contrast is more stable with night scenes looking appropriately dark, while daytime and near-dusk scenes look more appropriate and fitting than ever before. Black levels are solid, although there have been concerns of black crush being involved--that is, when shadow detail is lost, the shading variances gone and blacks being "crushed" instead. This doesn't appear to be any defect of the mastering, however; the film has always been dark, and it's my belief that the stark, detail-free blacks are due to underexposure during filming. The '98 VHS tape, THXand DiviMax-mastered DVDs, and original Blu-ray (all from Anchor Bay) that I own all feature the same "problem" (*); I believe it was an artistic decision and one that I find to be visually striking. To top it all off, the original age restriction warning before the Rosebud logo returns, which had been excised from Anchor Bay's Blu-ray.

*(This is not to say that old home video releases are correct and that they should be used as a guideline for how the film should look; old video masters should never be the standard of quality in any respect since they are often very inaccurate to the original film source. I'm simply saying that I doubt very much that ALL of these previous video masters would be so goofed up as to feature the exact same levels of black crush as featured on the Lionsgate Blu-ray, so it is almost definitely part of the original photography. The DiviMax/Book of the Dead DVD and Anchor Bay Blu-ray, by the way, are transferred from the same master.)

Full-res screenshots of the title can be viewed at caps-a-holic, which also compares this release to the Anchor Bay one.

Some may be upset to hear that the wires used to hold up the flying eyeball have been digitally removed. This doesn't bother me since they were never meant to be seen in the first place, but there is a quaintness that is now missing with their removal; far as I can tell, the rest of the wires remain intact, which is odd that they'd only fix the one. If only they'd gone all-out and fixed all the wires, the huge tear in Ted Raimi/Possessed Henrietta's rear, and fixed the shots where unfinished sets are seen. Hey, if you're going to fix one thing, why not fix it all à la "Blade Runner: The Final Cut"? It should be all or nothing; fix it all or leave it well enough alone.

The only audio provided is a DTS-HD 5.1 track with English, English SDH, and Spanish subtitles optional. An uncompressed original mono track would have been appreciated (coded as 2.0 dual mono); I've never been too wild over surround re-mixes, especially since only the original mix represents the intentions of the filmmakers. But, the 5.1 mix does the job well enough.

Extras include an all-new 100-minute documentary titled "Swallowed Souls: The Making of Evil Dead II", split up into several chapters and featuring endearing new stop-motion effects recreating scenes from the film (a whole full-length recreation of the film in this fashion would be a load of fun to see). The doc is fun and informative with a lot of new trivia that I'd never heard before, such as the existence of co-writer Scott Spiegel's short film "Attack of the Helping Hand" and its influence on the "Evil Dead II" script. A 30-minute behind-the-scenes production video is also provided, showing off among other things scenes which were deleted during the editing process which all have plenty of fascinating effects, and it's unfortunate that these scenes were not found and restored for this Blu-ray release as separate deleted scenes. A 7-minute return to the shooting locations is also new, and the standard definition "The Gore the Merrier" and Tom Sullivan photo commentary featurettes from the Anchor Bay DVDs are provided as well. The movie commentary is the same entertaining one which has been around since I believe one of the LaserDisc releases. The US trailer is thankfully presented in HD, and there are HD photo galleries as well.

"Evil Dead II", the fantastic sequel to the low-budget, DIY "The Evil Dead" (it's NOT a remake; the first seven minutes merely recap the first movie since rights to the footage could not be acquired), has never looked this pretty and detailed on home video, and is DEFINITELY worth the upgrade. (The THX-mastered DVD from 2000 can finally be retired.) Strangely, the restoration and transfer is not of the same caliber as Bob Murawski and Anchor Bay's work on the first film, so it's unfortunate that Lionsgate did not throw at the project quite the same amount of money and talent as the first film's HD restoration received, but it's an impressive transfer nonetheless, and the film has certainly never looked this good beyond its original theatrical exhibition. HIGHLY recommended for fans of this insane splatter comedy masterpiece and for newcomers as well. Sadly, the disc is Region A-locked. Sorry, overseas fans; hopefully you'll see this transfer released in your area before long.

Now if only "Army of Darkness" (both theatrical and director's cuts) would receive a Blu-ray release that doesn't look like sun-baked vomit. At least the NTSC Region 3 DVD put out by MGM exists.

Up until this past year's hilarious "Shaun of the Dead," this film, "Evil Dead II," really had no competition whatsoever for the funniest Horror film ever made. It would be easy to rave about this Cult Classic filled with trick photography, stop-motion animation, over-the-top gore-soaked casualties, Bruce Campbell's charming chin, and one of the most underrated endings in film history, but I will point out why this particular DVD is exceptional instead. What makes this DVD rock is that the sound has been digitally remastered into THX surround sound. The sound-effects in this film are essential to magnify the humor and horror to its great heights. The other reason to get this DVD is the commentary which includes writer-director Sam Raimi, star Bruce Campbell, co-writer Scott Spiegel, and special make-up effects artist Greg Nicotero. I swear that listening to these guys self-deprecate and otherwise rip on themselves and the movie is as much fun as watching this film for the very first time. No kidding. I was rolling with laughter. For the quintessential backstory on this film may I recommend Bruce Campbell's thoroughly enjoyable book, "If Chins Could Kill," which is loaded with reminiscences about his time before, during, and after making this landmark Horror film classic. "Evil Dead II" is a necessary purchase for any Horror film afficionado. Highly recommended.

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It comes in a groovy little tin with the European poster style on the top and inside has the booklet, a little ad for the video game and the dvd itself.

The booklet claims to have "rare photos", but it's just pictures from scenes throughout the movie that we've seen beforenothing special, but has some good insights from the special effects guys and Bruce.

Now for the DVD

I was really pleased with the extrasthe commentary was a lot of funI enjoyed it more than the first Evil Dead special edition because Sam Raimi actually throws in a lot more tidbits with Bruce and friends to back him up. There were no long pauses, everyone had something interesting to say and it's just a lot of fun listening to them mock the dialogue and point out the mistakes. Plus, there's only four people on the commentary so no one is overwhelmed and we can hear everyone talkingI think too many people on commentaries can be frustrating. Also find out what Kurt Russel's fav. line is from "Evil Dead 2" in a quite hilarious memory Bruce brings up.

"The Gore The Merrier" featurette was very coolit's lengthy too so we get to see a lot of the cool effects being made and used in the final product. We also see Raimi, Campbell and the rest of the crew clowning around and also a ridiculous/funny little skit that the special effects team came up with about a baby that comes back from the dead for revenge. The documentary was shot with a crappy camera, but back in '86'87home video cameras sucked anyway so I wasn't surprisedit's fine thoughjust a little grainy.

The theatrical trailer was edited very wellI hadn't seen it before and I was pretty impressed how spooky they made it.

The video game preview is awesomelike a teaser trailer, but it's really neatgotta see it for yourself.

The bios only consist of Bruce and Raimi, but they're better than most bios you find on dvds.

Photosno big dealsome candid shots.

Widescreen and full screen formatssweet. Love it when they have both.

And...sound is great. Overall, nearly poi-fect dvdI just would've liked some out-takescuz we know there was a lot of laughing going on from the reminiscing we hear on the commentary.

Buy it definately worth itgreat menu too, pretty much everything is worth mentioning!

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Bruce Campbell is back as Ash, the loveable, gun-toting S-mart employee turned demon killer overnight. After a slight, altered rehashing of what happened in the first Evil Dead we get to see Ash kill more demons spawned from idiots who read/listen to the Necronomicon! But wait, there's more! When Ash's hand gets "possessed" he has to take drastic measures, and that's where the true fun begins! The fight scenes involving Ash's hand have to be some of the funniest instances of pure comic genius ever put on screen. Bruce Campbell is the reigning King of Horror heroism and the Evil Dead 2 is a must for any Horror fan's collection. Any movie where someone attaches a chainsaw to his arm as a prostethic replacement needs to be watched over and over again! So if you haven't bought this movie yet do it now, who knows when you'll be in a deserted cabin fighting demons for your very soul! Evil Dead 2: Dead By Dawn, pure classic Horror!

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The blu-ray transfer is average at best. On a 50 inch screen its limitations are very evident. For example, the scene in the car at the beginning is very grainy and soft. This is a recurring problem, as is edge enhancement (e.g., when the demon comes for Ash towards the end). The good news is that once the blood (of many colours) starts to fly, the film becomes much more vibrant (as you would expect) to watch. Thus, reds, blacks, greens are a lot of fun in HD. Special effects are also noticeably underdone on blu-ray. One thing I did particularly enjoy was some aspects of the sound design. It often sounds like it was recorded at the bottom of a well, but one part of the film is great. Having seen the film in the theatre when first released, the zooming sound of the demon chasing Ash in the first part of the film is important for the impact it lends to that scene. In the blu-ray, it is very well done, moving around the listening room, and with a lot of nice bass extension and dynamic range (something the DVD lacks). Evil Dead II is a funhouse ride. You either love Raimi's demented sense of humour or you don't. I am an Evil Dead fan, so this is good enough for now, especially if you can pick it up at $9.99 (it was that price on Amazon, back in December 2009). If you want a reference quality copy of the film on blu-ray, this is not it.

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Get Him to the Greek (2-Disc Unrated Collector's Edition) (2010)

Get Him to the GreekInstead of reviewing the plot to one of the funniest movies of the year, which can be found in all other reviews, I will focus on what you get with this 2-disc Blu-Ray edition.

This set includes both the theatrical and an unrated version, which includes approximately 4 additional minutes.

Additional Features:

3 Documentaries -

"Getting Him to the Greek" which includes behind the scenes clips and interviews with the cast and crew

"Getting in Tune with the Greek" the writing and recording of the music of 'Infant Sorrow'

"The Making of African Child" a look at the making of the music video

Music extras -

Hilarious music videos for 5 songs from the film

Concert footage of the performances of 7 additional songs

Karaoke! Sing along with 15 of Aldous Snow's hits

Alternate Ending "Riding Daphne" (VERY entertaining!)

Audio Commentary the feature length commentary includes Jonah Hill, Russell Brand, Elisabeth Moss, Rose Byrne, director Nicholas Stoller, and producer Rodney Rothman.

Also includes Deleted and extended scenes, alternate intro 'The Castle,' two gag reels, Line-o-Rama, and cast auditions.

If you liked the movie you will not be disappointed with this Collector's Edition.

Brand and Hill are great, but P. Diddy steals the show in some scenes.

Right up there with Superbad, American Pie, the Hangover and Caddyshack.

Only "off" part was the end...look like they were desperate to wrap it up.

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This movie surpassed by expectations. It looked funny from the previews I'd seen and it was WAY better than I expected. Watching it never gets old. The only moderately negative thing I could say about it is do NOT watch this one with your parents or parents do not watch with your children. I'm 23 and would be exceedingly uncomfortable if my parents watched this with me.

Read Best Reviews of Get Him to the Greek (2-Disc Unrated Collector's Edition) (2010) Here

If you're easily offended by raunchy humor or satire is not your cup of tea, then this probably is not the ideal movie choice for you. I thought it was funny and entertaining from the beginning all the way to the end of the credits.

I loved the ridiculous songs and lyrics, and Russell Brand did an excellent job delivering them. To me this was a sort of 21st century take on the "This is Spinal Tap" type scenario minus the spoof documentary treatment (which I also love). If you've been in a rock band, spent some time around one or were a die hard follower especially during the '80s to mid '90s I think you might enjoy this even more.

I've read some reviews that mentioned a weakness in the "serious" moments in the film, but that's lost on me because I didn't see a serious scene in the entire film. And every time there was even a hint of a "warm and fuzzy moment" it paid off with another dose of humor. Drug abuse, outrageous parties, destructiveness and/or total self-indulgence has been the downfall of many entertainers and much like the film "Walk Hard" this an over-the-top satire of that unfortunate fact.

This is definitely going in my comedy collection.

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Sergio (Sean Combs) is looking for the next big thing to bring in revenue for Pinnacle Records. Aaron Green (Jonah Hill) suggests that they bring Aldous Snow (Russell Brand) to the Greek Theater in Los Angeles for the tenth anniversary of his last live concert there, which was the highest selling live album of all time. As a result Sergio sets up the concert and gives Aaron the task of escorting Aldous from London to Los Angeles in 72 hours. But since Aldous is off the wagon getting him there might be a little harder than Aaron imagined.

The character of Aldous Snow was first conjured up by Jason Segel and brought to life by Russell Brand in the 2008 movie Forgetting Sarah Marshall. Not too long after the release of Forgetting Sarah Marshall, director Nick Stoller announced they would be doing a spin off movie based on Aldous Snow falling off the wagon, and that movie would star Russell Brand and Jonah Hill, albeit, in a different role than Hill played Marshall. While the idea seemed intriguing, and the character of Aldous was brilliant in Marshall, I have to admit I had some reservations about the idea of a spinoff focusing on Aldous as a main character. So how did the movie turn out?

It turns out I had nothing to worry about. While the premise might sound a bit contrived at first (and the trailers don't help that feeling when you see Combs's character bring it up) the plotting feels nothing less than organic. While at times over the top, it never truly feels over the top, making the world these characters live in feel real. Part of the reason for that is the characters have been perfectly rounded out. One of the things that I was worried about, was in Sarah Marshall Snow wasn't completely fleshed out nor did he need to be, he was a blissed out rock star, and you really didn't need to know more about him for his role in the plot. For Greek writer/director Nick Stoller gives the character a soul, and Russell Brand does a great job of breathing life into that soul.

Speaking of Russell Brand, he might have stolen every scene he was in during Forgetting Sarah Marshall, but here he's upstaged, not by Jonah Hill, but (dare I say it) Sean Combs. I never would have expected that I would be saying anything of the sort, but Sean Combs truly steals the movie playing a music executive who's the spiritual brother of Tom Cruise's Les Grossman from Tropic Thunder. Everyone does a great job in their roles, but it's Combs and Brand that really make the movie.

Of course not everything comes up roses, the movie suffers from a nearly cliché third act that stops nearly dead in it's tracks as it gets overly serious. It's understood that in a movie where they show excessive drug use and debauchery things are eventually going to have to come to a head for the characters, at the same time this probably could have been handled in a more entertaining manner. About half way through the third act though things pick up, but it feels like a long way through the third act before they bring back the funny.

Overall I highly recommend this movie, and I wouldn't be surprised if when all is said and done at year's end this remains the funniest movie of the year. If you like other movies produced by Judd Apatow (The 40-Year-Old Virgin, Superbad, Pineapple Express, Knocked Up, and most definitely Forgetting Sarah Marshall) you'll most likely, almost definitely love this movie. Come for the brilliant performances of Russell Brand and Sean Combs, stay for the Vegas scene with the Jeffrey, trust me!

4/5

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Cop Out (Rock Out with Your Glock Out Edition) (2010)

Cop OutTo tell the truth, I wasn't looking forward to this film at all. I'm a pretty big fan of most of Kevin Smith's work, but he didn't write the film. It could be argued that he did write Jersey Girl and that could be considered a bomb, but his films usually average about $25-$30 million anyway. A Kevin Smith film isn't really about bringing in a large amount of money at the box office. His charm is in his writing, especially the dialogue and interaction between characters. There's a very specific audience his films will appeal to and none of them have really branched away from that. But him not writing this one made me think, "Eh. Not sure what that'll be like since he didn't write it." When it comes to Bruce Willis, I've never talked to anyone who dislikes him entirely. There always seems to be at least one of his films everybody enjoys. Die Hard, The Fifth Element, and Sin City are just a few off the top of my head. The real buzzkiller for me though was Tracy Morgan. He's just never been funny to me. He was beyond lame on Saturday Night Live and 30 Rock has never been able to hold my attention for very long. Not to mention all the trailers for Cop Out didn't make me laugh. Thankfully though, first impressions can be so very wrong.

One of Cop Out's biggest charms is that it feels like a buddy cop comedy you've seen before, but have forgotten how much you enjoy it. The film feels similar to a 48 Hrs or Beverly Hills Cop film. Bulletproof is also a good example. Cop Out is pretty much what you expect when it comes to roles Bruce Willis chooses as it's pretty much no different than his role as John McClane on the surface, but he's a lot funnier this time around. As far as Tracy Morgan goes, the funniest thing I could remember him saying was his one line in Jay and Silent Bob Strike Back ("Man... I don't know what the f--you just said, Little Kid, but you're special man, you reached out, and you touched a brother's heart.") until this film. He was downright hilarious at times. The only person who was funnier than Morgan was Seann William Scott who stole every scene he was in. Even though Kevin Smith didn't pen the script this time around, it still feels like a Kevin Smith film. It could be due to the fact that Jason Lee has a small role in the film, but I like to think it's because Cop Out offers the same kind of comedy you'd find in a Kevin Smith film with a bit more action. It also took me forever to place Scarface from Half Baked as Poh Boy.

Cop Out is surprisingly funny and incredibly entertaining. Give this film a chance even if the trailers may not be doing anything for you. I felt the same way and wound up thoroughly enjoying the film. After a long, stressful day at work, an R-rated comedy with a lot of laughs is one of the best ways to relax and this film offers just that. It's a great film to go into with no expectations other than to just have a good time. As long as you don't run out of the theater, you should catch the part in the credits. This might just be the funniest film released in 2010 thus far. Be sure to check it out. Highly recommended.

Those who have grown up watching the 80s police action films know the formula. Two cops, often long-time partners, investigate a murder case. Their investigation leads to gang-related crimes or corrupt authority. There are actions and laughs, and nice soundtrack music, too. "Cop Out" is, as one of the film's characters say, "homage" to the genre. But homage does not necessarily mean imitation.

"Cop Out" stars Bruce Willis and Tracy Morgan as NYPD cops Jimmy and Paul working as partners for nine years. They get suspended by the captain for messing up an undercover drug investigation, and Jimmy is forced to sell a very rare baseball card he owns. He needs money for the wedding party of his daughter Ava (cameo by Michelle Trachtenberg) who is getting married. A masked robber, however, breaks in the shop before he gets money, and takes his vintage card away. The veteran cops track down the stolen card, no matter what it takes, and the story somehow goes back to where it started: a drug lord (who loves baseball) and his gang.

This is a Kevin Smith film that is not written by Kevin Smith (written by Mark and Robb Cullen), and this is the most boring film he ever made. It is occasionally fun, I admit, thanks to the stars and Seann William Scott as s small-time crook (equivalent of Joe Pesci's character in "Lethal Weapon 3"), but random comically-inspired moments (ad-libbed, I suppose) do not make a good film. "Cop Out" drags for the most part of the hackneyed story despite the presence of talented cast including Kevin Pollack, Adam Brody, Ana de la Reguera, Guillermo Diaz and Jason Lee (regular of Kevin Smith films), plus the music by Harold Faltermeyer ("Beverly Hills Cop" and its sequel.

The film is made with an uninspired concept and half-hearted efforts, something Kevin Smith was not known for.

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I love this movie even though its the rental copy (meaning you are not able to view special features or director commentaries) its a funny movie and if you love movies with Tracy Morgan or Bruce Willis this is the movie for you and also the shipping was faster than I expected I thought I would get it in a week but it came around two days later and the condition of the disc was like new even though it said used there wasn't one scratch on it if you are thinking of buying this movie I highly recommend it

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Cop Out(Feb/10)is,from beginning to end,a total yawnfest.Now I'll tell you what I really think.This is director Kevin Smith's film and the blame squarely rests on his and the script writers shoulders.They have Bruce Willis to work with for gosh sakes,how hard could it be?Mind you Robert Swentke completely blew it with a stellar cast which included Willis in RED,so it does happen.What does come across right away as the film is unfolding is the lack of chemistry between Willis and his co star Tracy Morgan.Some one tell me what it is with SNL alumni?A comedian or comedienne gets a bit of a following on the show,becomes a popular figure and suddenly Hollywood is courting them for film work,as if they're already bona fide stars.And many of the newer crop of comedy actors from SNL desperately NEED real acting skills and time to hone them.Tracy Morgan is without question,one of them.

The plot involves Willis and Morgan as two NYC cops.Willis' daughter is getting married and he hasn't enough cash.So when Willis goes to sell a mint baseball card to raise the money he is robbed.Afterwards Willis finds out who stole his card,but as it turns out,that robber has sold the card to a Mexican drug dealer,who now has it.

When Willis and Morgan show up at the dealers house an arrangement is made.In exchange for a car the dealer desperately wants,Willis will get his rare card back.They track down the car only to find the girlfriend of a dead rival of the dealer they are "working' for,in the trunk and very much alive.She is the reason the dealer is after the car as she possesses vital intel on a flash drive she has in her possession.The two guard her but she escapes on Morgan when Willis steps out.She unfortunately walks right into the gangs hands and the dealer has her as a hostage.

Now that the cops bargaining chip is gone,Willis decides to enter the gang house to get his card himself,but the gang arrives home ahead of schedule and he gets caught inside.He escapes but only has to re-enter with Morgan to rescue the girl.The dealer stands to the right of the girl with a shot gun to the back of her head.Two shots ring out,as Willis' pierces the dealers head and Morgans goes into the heart.Later examination reveals that Morgans shot went through a vest pocket first,containing Willis' prized card which is now garbage.

The film ends at his daughters wedding as Willis has had to let his ex-wife's boyfriend pay for the wedding.But just as both men stand up together as the minister asks who will stand for this bride,Morgan pulls the new hubby back down letting Willis have the honour alone.

The film should have ended about 10 minutes previously with some judicious editing.It was a film too far,with a plot too thinly stretched to take on 107 minutes.There is a silly sub plot with Morgan being totally insecure about his wife and her sexual habits when he is not home.Also Seann Scott shows up as the burglar who robs Willis of his card initially.Scott provides the film with a few of its only endearing moments as he mocks Morgan when they first meet.Scott shockingly dies after falling out of a tree,hitting his head on a brick wall(Smith shows us the hit-bad move!).However the dynamic of that moment does not gel with the mood and flow of the film at all.Finally Tracy Morgan's futile attempt at humour,which in his case is mugging severely and over acting with alot of cursing thrown in for good measure,is plain terrible.That Willis and Morgan could ever be partners in real life or not, would have taken an acting feat of herculean proportions to pull off the believability factor.

Technically speaking the film is it w/s a/r of 2:40:1 and it is clear and crisp.Extra include the trailer and deleted scenes.

All in all a total disappointment from beginning to end.This was a waste of Willis' time and it showed how far Morgan has yet to go when it comes to anything even approaching acting.His SNL antics are not going to cut it on film with a "performance" like this.Give the film a wide pass.

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As a big fan of Bruce Willis for 25 years, and director Kevin Smith for 16 years, I hoped for movie magic when they teamed up on "Cop Out". I was VERY disappointed, though, and the film's biggest problem can be summed up in two words: Tracy Morgan. Unfunny, whining, and constantly mugging at the camera, Morgan may be Willis' worst co-star, ever (How bad is he? Seann William Scott, with less than 10 minutes of screen time, has more laughs than Morgan provides, the entire film). Willis spends most of "Cop Out" simply staring at Morgan and his unrelenting stream of chatter (director Smith, apparently, allowed him to ad lib at will).

It's supposedly a cop comedy (involving drugs, a kidnapped wife, and a stolen baseball card), and a 'hilarious' send-up of buddy films. It fails at both, and wastes the talents of Willis, Scott, Kevin Pollak, Adam Brody, Jason Lee, Guillermo Díaz, and Ana de la Reguera.

It simply isn't worth buying...What a mess!

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There's Something About Mary (1998)

There's Something About MaryI really can't understand how this one didn't get five stars from everyone here. I mean I know that tastes differ, but I think people may have been expected something this one couldn't possibly deliver. As a comedy, it is absolutely phenomenal. I really have to say that it's the only movie of the nineties that can match up with Stripes or Animal House. It's utterly amazing.

There's Something about Mary is a mélange of every kind of comedy. There's slapstick, physical situation, and intellectual social satire. This movie made Ben Stiller and rightly so. I recall seeing it in the theatre and not being able to breathe at times due to the convulsions erupting from my abdomen. No time was this more true than when Stiller walks into the gay rest stop and gets busted, but there are a million scenarios that could be cited. All the actors were sensational. Matt Dillon's character is exquisite in his cheesiness and he really excels in his role especially when he's playing football with the "retards" and showing off his sensitive side by pummeling them on the gridiron. Chris Elliot is exceptional in his role and any film that features Jonathan Richman that much is special and rare. I could not recommend this one any more.

You will laugh from begining to end with this movie. The humor is very crude at times, but not raunchy. I found myself saying,"oh my" and at the same time laughing out loud.

The storyline is unpredictable and extremely enjoyable.

It is a comedy and love story all in one, intertwined superbly.

I wouldn't recommend watching this with your mom and dad. I am 37 and would have crawled under the carpet if my mom and dad were in the room watching this movie during the scenes "before the big date."

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I hate it when they don't create a Blu Ray with a proper master copy! Why the hell would they bother using a lower quality copy to create this??!?! It's just plain lazy. Don't bother buying, as it is obviously about the same picture quality as the DVD you already own!

WAKE UP MOVIE STUDIOS!! IT'S SUPPOSED TO BE HIGH DEF, FROM THE ORIGINAL MASTER, WHY WOULD WE BOTHER BUYING IT IF THE PICTURE IS THE SAME AS DVD!!!

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The Farrelly brothers, who gave us Dumb And Dumber, Kingpin, and Me Myself And Irene, direct There's Something About Mary, a movie that stars Ben Stiller (Meet The Parents), Cameron Diaz (The Mask, Gangs Of New York), Matt Dillon (The Outsiders, Crash), Chris Elliot (Groundhog Day, Scary Movie 2), and many others.

Mary is a story about a Rhode Island loser named Ted, played by Stiller, who can't keep his high school dreamgirl Mary, played by the charming Diaz, out of his mind 13 years after their prom date went terribly wrong way before it happened. He hires an obnoxious guy named Patrick, played by Dillon, to spy on her and tell him what she's been up to. Well, Patrick falls for Mary, and decides to move out to Florida where she resides to get to know her, and he does. Ted discovers that Patrick isn't giving him the truth about Mary and goes out to find her himself. It turns out that Mary has many admirers who try to win her heart (or shoes!) besides the lonely Ted. So the movie becomes a race on who can get her first and forever.

It's a silly tale but under the Farrellys direction, it's a surefire laugh-fest all the way through. Expect to see lots of sick humor like a guy giving a dog CPR, or bodily fluids used as toiletries. Also, the characters in Mary are funny by nature. The funniest character of them all is Warren, Mary's handicapped and heavy set brother, who punches people who touch his ears and loves to give piggy back rides.

Recommended

B-

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This was an interesting movie. It kept me laughing so hard that the next morning my stomach muscles felt as if I had done about a 1000 crunches. You will truly enjoy this one, but if you are soft of heart, weak of stomach or easily offended this may not be the movie for you.

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Under the Tuscan Sun (2003)

Under the Tuscan SunWhat starts out as an Italian "Money Pit" with all the attendant broken pipes, crumbling walls and incompetent handymen makes a turn for the better about a third of the way through: a more emotionally centered and revealing movie,"Under the Tuscan Sun."

The luminescent Diane Lane stars as Frances, an intelligent, loving women with close and committed friends who finds herself in a situation that many people do: with a mate who has fallen out of love, wants a divorce as well as possession of a much loved and painstakingly renovated house, this one in San Francisco. After the divorce Frances goes to Tuscany on a lark, falls in love with a villa there, buys it and proceeds to renovate it. The villa then is the physical manifestation of the shedding of her old life and marriage and the hope for the renovation and rehabilitation of her love life as well as her life in general.

That she probably places too much faith in the physical to solve the emotional does not detract at all from the guts and hope that it takes to do so. And Lane is so psychically centered and open as Frances that you cannot help but be moved by her situation.

There are some silly plot lines and performances that I wish weren't, but with a central performance as attractive and genuinely loving and feminine as Lane's, "Under The Tuscan Sun" is as warm and inviting as bread just out of the oven.

I am peturbed that Amazon would spotlight two bad reviews. This was an awesome movie that kept me watching it from beginning to end. I haven't read the book, but after watching that movie, I do intend to. It's amazing how uplifting this spirited movie was. Diane Lane was supurb without coming across as trying too much. We never get to see her husband "Tom" who screwed her over royally in the divorce, which I think was a good decision. The movie stays in the present looking ahead to the future with a sense of hope and promise. Pick up this movie for an excellent movie night even if you're not a chick!

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We'll I'm not usually one to go to see comedy-romance films but my girlfriend insisted and I was persuaded by the fact that Diane Lane (one of my favorite actresses) was starring in it. Honestly, this is a very good movie. It is one of the best surprises of the year. The film is edited in a way that never makes it seem boring or long-winded and the film is very (I mean very) entertaining, with some great dialog and some excellent comedy and well-timed laughs. A few times I was uncontrollably laughing it was so funny. The acting was amazing with Diane Lane giving one of her best performances in the lead role as Frances Mayes. The film looked great and had an excellent soundtrack as well. I recommend this film very much indeed, even to guys because it isn't cliched and slushy in the same way other romantic films are. It sure makes a great date movie Under The Tuscan Sun is a marvel!

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I actually spent a year studying at a small italian university, fell in love with the country, and expected to HATE this movie because I really got sick of the American presence in italy. I have to admit, though, arguing with some of the previous reviews that I saw, that despite all of the stereotypes, they were mostly true! Certainly true to my experience. Italians are proud of who and how they are and although I didn't meet a single person who spoke english as well as anyone in this film, that was the only stretch as far as I could tell. Its an absolute pleasure to watch, especially for anyone who has been to Italy. And Diane Lane is adorable and full of life, almost inspirational.

See this film if you want to escape to Italy for 2 hours and be a single, liberated, middle-aged woman going on an adventure. That's really what it is good for transporting us americans away from our own "culture" and into a place that has a real sense of history and people.

Cheesy but delicious.

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This film was a very pleasant surprise. I picked it out as a movie for my girlfriend and I to watch, since I had heard good things about it several years ago. This IS a chick-flick type of movie, but it definitely does not follow the same VERY tired romantic-comedy formula script that Hollywood loves to crank out. Yes, I suppose Under The Tuscan Sun is a romantic comedy, but it is a GOOD one, and it is fairly original in its approach.

First, I should say the beautiful Diane Lane is a really great actress, and plays her part perfectly here. You truly believe in her character, which really adds to the believability of the film (suspension of disbelief is important to enjoying a movie). Most of the supporting cast does an excellent job as well (with the slight exception of "Stone Face" Sandra Oh, her face always seems devoid of emotion to me). Probably the most important member of the supporting cast is the SCENERY. The landscapes showcased in this movie are gorgeous and pretty astonishing. The excellent cinematography takes full advantage of the beautiful scenery Italy provides, and the movie is all the better for it.

While the film is not outright original per se, it does take a rather fresh approach to romantic comedy, and you won't be able to predict what is going to happen far in advance (when's the last time you could say that about a romantic comedy??). The script is very good, with quite a few laughs and excellent pacing, and the dialogue is sharp. All in all, a VERY GOOD movie that both men and women can enjoy.

A couple of other things: apparently, the film radically departs from the novel. I didn't read the book (and have no intention of doing so). You won't need to read the book to enjoy this movie. Also, I read a few gripes about Diane Lane not being 'beautiful' because she is 'old'. A matter of opinion I guess, but to me she looks fantastic in this movie at 38... and she really IS a great actress.

Under The Tuscan Sun is RECOMMENDED for anyone looking for a 'couples' movie that both will enjoy (but Macho He-Men shouldn't bother, you only like Rambo type movies).

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Runaway Bride (2013)

Runaway BrideContrary to what some might say this movie is wonderfully romantic as well as well written. It may be predictable but the acting and the dialog make for a movie well worth your time to see. Unlike most movies today Runaway Bride, has no sex scenes or other trash Hollywood uses to get ratings. Good show for everyone!

Enough already with the vulgar nonsense that almost all the movies these days have! This one is even better then Notting Hill! It was very cute, it was reserved though, no sexual content or nasty language, Julia Roberts and Richard Gere once again, pair up as a great couple in a wonderful movie! I would suggest this to anyone of any age!

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Journalist Ike Graham (Richard Gere) is desperate for a column as a matter of fact, he has to submit one to his editor (Rita Wilson) in less than 90 minutes. So, when a drunken gentleman in a bar hears his dilemna, he offers the story of a woman in his hometown who has this tendency to leave men at the altar, at the last possible moment. With an extra minute or two of research, he submits a column degrading this "runaway bride" as a "maneater" just in time for publication. Meanwhile, back in little town USA, Hale, MD, the "runaway bride" (Julia Roberts) reads the column and her complaints of inaccuracy result in Ike's termination. With the help of best friend and editor's husband, Fisher (Hector Elizondo), Ike heads down to Hale, MD to find out the truth. Hence, the movie "Runaway Bride" continues in such a hysterical fashion that you are prone to laugh approximately every 30 seconds for the remainder of this 2 hour movie. Director Garry Marshall manages to nearly exceed his stint 10 years ago directing Gere, Roberts and Elizondo in "Pretty Woman" by developing each character to the hilt, giving us little quirks of each one to think about continuously. Gere and Roberts attain the same level of chemistry as before but, this time, they have help from Peggy Fleming, owner of the beauty parlor (Joan Cusack, in yet another role of amazing hilarity), Mrs. Pressman, the owner of the town diner (an adorable minor role, perfected by Jane Morris), the I-shouldn't-be-single single cousin Cindy (Kathleen Marshall, with one of the best one-liners in the movie), and Betty Trout, the owner of the town bakery (an exceedingly funny Laurie Metcalf, formerly of TV's 'Roseanne'). Of course, to not mention Maggie's father, the alcoholic Walter (Paul Dooley) and her sex-obsessed grandma (Jean Schertler) would be a sin. Overall, Marshall assembled the best supporting cast of 1999, making for one crazy, funny movie with an adorable plot, not to mention an incredible soundtrack with classics by U2, Billy Joel, and Hall and Oates, as well as new songs by Shawn Colvin, Eric Clapton, Martina McBride, and 2 songs by grammy goddesses, the Dixie Chicks. Let's put it this way: this movie is perfect. Please don't miss it!

Read Best Reviews of Runaway Bride (2013) Here

This film reunited Julia Roberts and Richard Gere in a film that is more of a miss than a hit. The plot isn't that well developed feeling contrived and boring at times. The music is the only bright spot, and it is a must have. The chemistry that Roberts and Gere are so well known for is sadly missing. They looked like they weren't even having fun making it. Even the superb supporting cast cannot save this film.

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This movie is so cute and romantic. Bless the director of this film for bringing Julia And Richard back together again. This movie if so wonderful from start to finish and it will make you feel so special. If you loved "Pretty Woman" then hang on to your seats because Runaway Bride will capture your heart. 5 stars all the way!

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Say Anything... (20th Anniversary Edition) (1989)

Say Anything...One of the best teenage romance films of all time.

Like many teenagers and young adults, "Say Anything..." was the ultimate teen romance film when they first saw it back in 1989. And for some people, within the last 20-years, the movie still left an impression on those who watched it.

The film received rave reviews from critics, the publication Entertainment Weekly voted the film as the "Greatest Modern Movie Romance" in 2002 and #11 in their "Best High School Film" movie list.

The film marked the debut of Cameron Crowe ("Jerry Maguire", "Almost Famous", "Vanilla Sky") who wrote and directed the film. The film included cinematographer László Kovács ("Easy Rider", "Miss Congeniality", "My Best Friend's Wedding", "Two Weeks Notice") and music by composer Anne Dudley ("The Full Monty", "American History X", "The Crying Game") and Richard Gibbs ("Battlestar Galactica", "10 Things I Hate About You", "Singles").

"Say Anything..." is about Lloyd Dobler (played by John Cusack, "2012", "War, Inc.", "Runaway Jury", "Sixteen Candles", "Better Off Dead") who is a guy who wants to become a kickboxer. A normal guy who happens to have a big crush on the valedictorian Diane Court (played by Ione Skye, ""Fever Pitch", "Wayne's World", "The Rachel Papers"). Dianne is a very intelligent young woman but has not really experienced a boyfriend let alone any teenage social outings.

For Diane, she has a lot of things going for her. She won a fellowship to study in England and plans to go there at the end of the summer. But when Lloyd builds the confidence to ask here for a date, she is surprised by it and intrigued by him, she agrees to it.

So, Lloyd who never had a serious relationship is ready to go out on his first date and he gets advice from his sister Constance (played by Joan Cusack, "War, Inc.", "Ice Princess", "Raising Helen", "The School of Rock") and even his friend/musician (played by Lili Taylor, "Public Enemies", "Six Feet Under", "State of Mind") who is depressed and constantly sings about her on and off again boyfriend and also getting advice from his other female friends and his male friends which include Mark (played by Jeremy Piven, "Entourage", "Smokin' Aces", "The Kingdom").

Needless to say, both Lloyd and Diane fall in love. But Diane's father Jim (played by John Mahoney, "Frasier", "Dan in Real Life", "Primal Fear") is very strict and wants her to go to college, no distractions and to succeed. He sees Lloyd as an underachiever and doesn't want him around his daughter.

Unknown to Diane, her father is doing shady things at the nursing home that he is in charge of and is under investigation by the IRS for tax evasion.

With her father in trouble, Diane feels that she should put her father first and thus the two breakup. "Say Anything..." deals with two people who are in love but have their first major breakup and what one would do for the sake of love.

VIDEO & AUDIO:

"Say Anything... 20th Anniversary Edition" makes it debut in High Definition with a 1080p transfer that looks absolutely fantastic for a film that is 20-years-old. I have complained in the past of how 80's and early 90's film tend to get the DNR (digital noise reduction) treatment and sometimes the picture quality appears to be waxy and unnatural but in this case, there is a good amount of detail in the film. Compared to its DVD counterpart, you can see the clarity, the colors and also the nice deep blacks. Grain is definitely present which is great and I didn't notice any major compression or edge enhancement. This is the best I have seen of the film thus far. So overall, picture quality is pretty solid.

As for the audio, the film receives a DTS-HD Master Audio 5.1 (as well as English Dolby Surround Sound, Spanish and French mono). The film is pretty much front and channel-driven. There is no major sound effects as dialogue and music are what drives "Say Anything...". In fact, when I first watched this film, what made the biggest impression on me was hearing the musical soundtrack as we hear the Red Hot Chili Peppers "Taste the Pain", Fishbone or even the popular Peter Gabriel song "In Your Eyes" with such clarity. There could have been more surround usage but I didn't really notice anything via surround channels. But for the most part, this is the best that the film has ever sounded up to now and dialogue and music can be heard clearly.

As for subtitles, the film is presented in English, Spanish, French, Cantonese and Mandarin.

SPECIAL FEATURES:

"Say Anything 20th Anniversary Edition" comes with the following special features:

* To Know Say Anything...is to Love It! Trivia Track (over 200 questions) A Blu-ray exclusive, during the film, one can watch "Say Anything" with a trivia track playing throughout the film.

* An Iconic Film Revisited: Say Anything...20 Years Later featurette (21:57) A Blu-ray exclusive featurette. An awesome featurette as Cameron Crowe, John Cusack, Ione Skye, John Mahoney, Nancy Wilson discuss the making of the film 20-years-later and why the film has been so popular even today. Some interesting tidbits of the film, the boombox scene that may have never happened and the Peter Gabriel song that may have never happened and more.

* A Conversation with Cameron Crowe featurette (9:31) Cameron Crowe talks about the film and the characters and how Cameron Crowe became the director and learning from making his first film and challenges with the studio on the script and more.

* I Love Say Anything...! (7:31) Comedians and talent discuss what they love about "Say Anything" and their favorite scenes in the film.

* Intro and Commentary by Cameron Crowe, John Cusack and Ione Skye Featuring a 20-minute intro with director Cameron Crow, actor John Cusack and actress Ione Skye. The first 20 minutes features the three talking about reuniting for the first time since the early 90's and how big the film was for them and for the audience and how Cameron Crowe got the idea to write the film and then how he became the director. For the most part, the audio commentary is quite solid as we hear from the three about what went on behind-the-making of the film but for the most part, how real the chemistry was between John and Ione. In fact, the two admit that while shooting the film, they had a spark but the fact is they had their own relationships with other people and Ione Skye is the first to say that if they weren't dating other people, the two probably would be dating each other. Suffice to say, a pretty solid commentary.

* Alternate Scenes The following alternate scenes are featured: Scene 106 Lloyd at the Phonebooth, Scene 128x: Lloyd & Diane outside karate studio, Scene 108 Diane in Bedroom (with commentary by Cameron Crowe), Scene 109: Lloyd with boom box (with commentary by Cameron Crowe), Scene 109R: Lloyd with boom box (with commentary by Cameron Crowe).

* Deleted Scenes Featuring ten deleted scenes which include: Scene 46: Mr. Deegan at Party, Scene 56J/K: Lloyd giving advice to girl, Scene 57: Corey sings "He Hurts Me", Scene 70: Court in Front of City Council Meeting, Scene 80: Cool English Road Tape, Scene 87: Montage of Love Clips, Scene 107: Sims Questions Court at the Home, Scene 128: Diane looks for Lloyd, Scene 132J: Love Birds in Bed (MOS), Scene 137: Agent Sims in Eva's Room.

* Extended Scenes Featuring a total of 13 extended scenes.

* Vintage featurette (6:58) The original "Say Anything..." featurette. Featuring interviews from 1989 with John Cusack, Ione Skye, John Mahoney and director Cameron Crowe.

* Theatrical Trailers Featuring two theatrical trailers.

* TV Spots Featuring eight TV spots: I Love You, Phone Call, Boom Box, Scam Review, Pretty Great Review, Coffee Shop, Chilli Peppers, Fish Bone,

* Photo Gallery A "Say Anything..." photo gallery montage.

JUDGMENT CALL:

1989. I can easily remember when "Say Anything..." was released in theaters. The whole concept of a guy going for the girl that he falls for and just the lasting memories from the film. From the party, teaching his girlfriend to drive, the mixtape, the boombox... it was one of those film that just captivated me and as a teenager, I don't even know how many times I watched the film or listened to the movie soundtrack.

Having graduated from high school in 1989, for me at the time, the film was almost inspirational in some ways. If you want to ask a girl that you really like for a date, just do it. And sure enough I did and in the end, many years later... I married her. So, "Say Anything..." was definitely a film that was inspirational for me and I'm sure it was inspirational for others.

I loved the film mainly for how natural the characters were. I always felt that John Cusack and Ione Skye had tremendous chemistry and that they were phenomenal in the film. Of course, it was revealed in original DVD commentary that the two were actually pretty close with each other during the making of this film and even brought up by Cameron Crowe during his Blu-ray special feature and we learn that from the commentary.

Cameron Crowe was able to create a film that captures the natural emotion of finding that first love. John Cusack and Ione Skye did a fantastic job bringing that to the big screen. For example, after the two make out in the car and to see the character Lloyd sweating and shivering and of course, the chemistry between both characters as the kiss doesn't look like some sort of Hollywood acting style of kiss, these two were literally making out on screen. Those small details are emotions that are just well captured on film. Love, happiness, pain, sadness, anger. You name it...it's in this film.

The music was also fantastic. I literally played out the cassette to the point where you can't really hear the music all that well. From Living Colour's "Cult of Personality", Cheap Trick's "You Want It", Red Hot Chili Peppers "Taste the Pain", Peter Gabriel's "In Your Eyes", Depeche Mode's "Stripped", Fishbone's "Skankin' to the Beat". So, it was cool to hear the audio for this film in the lossless audio soundtrack and of course the picture quality is absolutely beautiful.

Overall, "Say Anything..." is a film that I probably am quite biased towards but the fact that many print and online publications regard it as a classic film in such a highest regard, that tells you how special this film is. And now the 20th Anniversary Edition is available on Blu-ray. Highly recommended!

This is the movie I use to see if someone is worthwhile. "Do you love '...say anything'?" I'd say. If the answer is 'yes', then I have a friend for life. If the answer is 'no', then be gone with ye.

This movie has many outstanding moments. Of course, there's the 'In Your Eyes' scene outside Diane's window. But I also love the moment where John Mahoney (who is great as always) breaks down in the bathtub. Or when Lloyd has his picture taken with Diane after graduation. "I gave her my heart and she gave me a pen". I could go on and on.

In most romantic comedies, it is essential for me to fall in love with the girl as deeply as the boy does. Usually that's the kicker for me. This is the exception. I didn't fall in love with Diane Court. I don't blame this on Ione Skye she did a great job with what she had. It's just that what she had is nothing spectacular. There's something cold and distant and unaware about Diane that I just can't wrap my head around. She is the kind of person I probably wouldn't think twice about. Come to think of it, she's the kind of person who probably wouldn't understand '...say anything'? Hmm.

And you know what? None of that matters. Because I fell in love with Lloyd Dobler. One of my three all-time favourite screen characters (along with Hannibal Lecter and Max Fisher), Lloyd is a unique individual. He's confidant yet vulnerable, extroverted yet shy, pure yet complex. John Cusack does a great job here. He plays Lloyd with pitbull intensity (witness the kickboxing) and yet puppy dog emotion. His relationships with his friends and his sister and his nephew are all super sincere and beautiful.

And just like his friends, I can totally see someone like Diane Court falling for someone like Lloyd Dobler. It's in the details, it is. He checks up on her at the party; he points out the broken glass; he teaches her to drive a stick; he eases her fears on the airplane. And that's why this movie is so great. Because even though I may not have fallen in love with Diane, I can still understand Lloyd's passion for her.

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It's been almost 20 years since I first saw this film -despite widespread critical acclaim -in an extremely uncrowded theater east of San Diego.

Perhaps because it lacked star voltage, perhaps because it lacked (at least back then) any recognizable household names, perhaps because it was strapped with a low budget yet enthusiastic TV ad campaign (compared to glowing newspaper ads published in L.A. and New York, which I clipped and still own, tinted brown with age) -almost everyone I know who has seen this jewel -never got to see it on the big screen. They caught it on video or on television.

The great news is everyone I know who has seen this film, fell in love with it.

Other reviewers have already done a terrific job discussing the machinations of the plot, the great acting, the fabulous, five-star ending ...that absolutely shatters you with joy and a sense of exhilaration that doesn't feel cheap or contrived. It feels earned, real, honest and true.

Some films are worth renting or seeing once and then perhaps catching up with few years later on television. But the story in "Say Anything..." hasn't aged at all, even though we're watching everything unfold based on objects and the perceptions of people in 1988 and 1989.

In my mind, there were only two GREAT films worthy of the Best Picture Oscar in 1989. It wasn't the winner that year ("Driving Miss Daisy"). And it wasn't the favorite to win that year ("Born on the Fourth of July"). My first choice was "Glory." My second was "Say Anything..." Neither film was nominated in the Best Picture category and neither film was a box office hit. But thanks to cable, both have since gained many fans.

So BUY this film. There's no need to "test screen" it first. You won't be sorry.

Read Best Reviews of Say Anything... (20th Anniversary Edition) (1989) Here

This is quite simply my favorite movie about teenagers. What sets it apart from the rest of the pack is the fact that it's realistic and doesn't rely on horny teenagers a la "Porky's" to get laughs. This is a true, genuine film about kids in love.

The brilliant John Cusack stars as Lloyd Dobler, who asks out the class brain, Diane Court (played by Ione Skye) the day after graduation. A unique relationship begins, complicated by Diane's overprotective father, her impending move to England and Lloyd's general lack of direction. It's hilarious and moving at the same time.

There's a reason why this has become a cult classic. There are so many great moments. Lloyd's friend Cory singing all her songs about Joe; Lloyd's speech about kick boxing; Joe badly singing a Whitney Houston song at the graduation ceremony; Lloyd's meeting with the guys at the Gas'n'Sip; Lloyd's first "photo op" with Diane; and so on. Those of you who think crap like "She's All That" constitutes an honest, funny movie about high school...think again. This is the real deal.

The DVD is worth the wait...there's wonderful audio commentary from Cameron Crowe, John Cusack and Ione Skye; featurettes, deleted scenes, extended scenes and much more. If you're a fan of this movie or are discovering it for the first time, check it out. If you love the work of director Cameron Crowe or anything John Cusack has ever starred in, check it out. "High Fidelity" fans will eat this up. What are you waiting for?

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This is one of my all-time favorite movies. I saw it in the theater on a Saturday and loved it so much I went back with a friend on Sunday. As soon as I saw it on video, I grabbed it, and as soon as it's out on DVD I'll buy another copy.

Lloyd Dobler, John Cusack's character, is the kind of guy every girl should have for a best friend and if they're really lucky, a boyfriend. He's not pretty, not rich, not brilliant, not popular, not ambitious but he has heart and integrity that you seldom see in a teen movie. I shouldn't even call it a teen movie because it crosses that boundary.

I'm not terribly fond of Ione Skye's portrayal of Diane Cort ("a brain, trapped in the body of a game show hostess"), but except for her, the people in this movie are so real you feel you could have gone to high school with them.

Lloyd's best friend (played by Lili Taylor) has one of my favorite lines she tells Lloyd, "Don't be a GUY, be a Man." This movie does it all it's quirky, romantic, serious, happy, sad, funny there's even some kickboxing. You can't go wrong with this movie. Buy it. Buy two, in case you wear out the first one.

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Rock-A-Bye Baby (1958)

Rock-A-Bye BabyThose who have eagerly awaited some of Jerry Lewis' post-Dean Martin classics being released on DVD and Blu-ray for the first time will have a special Valentine courtesy of Olive Films as 1958's "The Geisha Boy," 1958's "Rock-a-Bye Baby" and 1965's "Boeing Boeing" get a 2/14/12 release. It's hard to imagine that these films have not been made available on DVD prior to now! Of course, Lewis still remains a love it or loathe it proposition for many modern era film goers--but there is no denying his legacy and impact on the contemporary comedy scene. Oftentimes content to play the fool, Lewis displayed an innocent appeal on-screen that engaged a sense of silliness in us all. But he had genuine heart too, and his good-natured screen persona created some indelibly beloved characters that stand in contrast to his more complicated personal life. These films are an interesting cross section of Lewis' film catalogue as we see him doing what he does best but bringing additional elements of seriousness to the table. Made of a certain time and place, these films offer great nostalgia value for those that love Lewis--but also an opportunity for new viewers to discover Lewis in his prime.

"Rock-a-Bye Baby" provides Lewis with some of his more inspired and insane comedy bits. Were it content to be just slapstick silliness, it might be one of my favorites but (like The Geisha Boy) the film is also filled with its share of smaltzy sentimentalism. These lightweight concoctions want to tug on your heartstrings, but (in my opinion) rarely develop anything quite real enough in characters or plotting to really engage my emotions. Taking its original idea from Preston Sturges' classic screwball romp "The Miracle of Morgan's Creek" and then stripping away every element of that film's story to make a zany Lewis vehicle--this one is highlighted by Lewis hamming it up with three infants. Lewis plays a small town schlub whose former flame (a solid Marilyn Maxwell) becomes a big movie star. When finding herself in "trouble," she resorts to Lewis as a baby surrogate so that the triplets don't end her blossoming career and reputation. Put Lewis together with the babies and you've got comic mayhem.

Some of the wackier bits involve Jerry overacting a storm inside a broken television, a rock and roll contest of lunatic proportions, and (of course) a perpetually sleepy Lewis trying to attend to the multiple nocturnal needs of the infants. In addition to the unrequited love that Lewis displays for Maxwell, there's a secondary love story featuring her younger sister (an early Connie Stevens). Add in a few irresistible musical interludes, and the film has a little something for everyone. But make no mistake. As always, the primary draw is to see Lewis play the lovable clown. I don't know that in the slapstick shenanigans he breaks much new ground, but he's certainly committed to the lunacy. Suitable for family viewing, I know many people who think this is one of his best. KGHarris, 12/11.

Long before "Mr. Mom" or "Kramer vs. Kramer", Jerry Lewis made a great argument for fathers to have as much say in the raising and nurturing of their children as mothers. This delightful comedy (with just enough drama added in for good measure) is about a man who goes beyond expectation to care for three baby girls who are left at his doorstep.

Moreover, this is not merely a comedy, but a musical, with songs that deserve the right to be as well remembered as any from "The Wizard of Oz" or "The Sound of Music".

This, among other Jerry Lewis classics, should be issued on DVD, but until they are VHS still looks pretty good.

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It's tough to choose which Jerry Lewis movies is my favorite, but I have to start with this one. It's sweet, darlin' and romantic all rolled up into one. It's about Clayton Poole (Jerry Lewis) a bumbling TV repairman, who by surprise becomes an adopted father to triplet baby girls. Clayton's former girlfriend turned movie star, Carla Naples (Marilyn Maxwell) springs the surprise when she leaves them on his doorstep. Noble Clayton tries to keep everything a secret but all mayhem cuts loose. And Clayton's other love interest Sandy Naples (Connie Stevens) helps Clayton out of his dilemma and from the suspicions of their father Gigi (Salvatore Baccaloni). I'll leave the ending for you to see. If you love the wacky antics of Jerry Lewis and romantic comedy by all means go for it!

Read Best Reviews of Rock-A-Bye Baby (1958) Here

This is one of my favorites. I had seen it many years ago as a kid, and it made quite an impression. For several years I kept track of it on the internet to see when it would be available on VHS, and now I am doing the same thing regarding DVD. Not only is Jerry Lewis hilarious as a "mother in training", but I enjoyed Connie Stevens as a "sweet girl next door" who knows what or rather who she wants.

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I have always loved Jerry Lewis! I loved him as a kid and now my children do too! This movie has always been my favorite of Jerry's and I have waited for it to be released forever it seems! I have been serching the net for quite a while... Finally! My second favorite of Jerry's is, Ladies Man. It was years before I figured out the name of that one! I never forgot Rock-A-Bye Baby, and you won't either!!! Jerry Lewis is the greatest comedian of all times! You gotta see this one again and again!

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Taking Woodstock (2009)

Taking WoodstockThis was a real treat. Being an extreme Woodstock-phile I know alot of small behind the scenes facts and details. The Michael Wadleigh documentary is simply the holy grail of doco's! I was under the assumption parts of this were made up for the movie and I refused to go to the theatre to see it. I was sooo wrong! Not only is it factual, they nailed so many details taken and recreated from the documentary!Like the nuns being filmed while flashing a peace sign! The Earth Light players! Hog Farmers!

All of the people who whine that it's a movie about a concert with no music in it, GO WATCH THE MICHAEL WADLEIGH 4 HOUR DOCUMENTARY! In fact, if ya wanna make a weekend of it, watch them back to back! This tells the background of the concert and the local politics. You don't need a movie with the music in it...The documentary already exists and more people need to become hip to it. This movie just made my heart jump when the first helicopter lands at the El Monaco motel!

Eugene Levy's portrayal as Max Yasgur is uncanny. No other actor could have pulled that off but him. He looks and talks just like the real Max. Watch the documentary right before Hendrix near the end and you won't believe the likeness! A perfect companion to the Academy Award winning documentary!

The 60's memoir Taking Woodstock is a story about how 20-something Elliot, son of a Jewish couple, was able to lure backers planning a music festival into the area where his parents run a `resort' motel. The story begins in a conservative rural community of farmers and small town folk in scenic New York countryside. The narrative hub revolves around the relationship between Elliot and his aging parents who own the El Monaco Resort Motel, a deteriorating business on the verge of foreclosure. His mother is a bitter character who oversees the finances and ordering of the household. His father is a withdrawn, tired man bent from years of bearing the weight of silent compliance before his wife while attending to the motel's maintenance. The townsfolk are a stagnant traditional group ekking out daily sustenance while news about the Viet Nam war, Arab-Israeli conflict and moon landing catch their attention in the background.

Into this languid summer come two key folk Michael Lang and Max Yasgur. Lang is an imperturbable saintly visionary from the City with the faith and means to walk the key parties through messy negotiations. Yasgur is portrayed as an enlightened agrarian businessman able to envision qualities lost on his parochial peers and acumen to make this into a venture profitable for all.

There were initial clashes between locals and those part of early negotiating. However, once contracts were settled and the project began to unfold the momentum of the operation overwhelmed the situation. Construction crews, event planners and early arrivals for the festival descended. Masses of gentle folk grew daily until the entire region was gridlocked by thousands of `citizens' of the `Woodstock nation'.

The carnival of freaks, politicos, quasi-psychotic acid heads, spiritualized bohemians and other assorted holy men and women were stereotypically characterized. Locals were bemused, perplexed, exasperated and offended, but most did not fail to succumb to the combination of gentle-spirited hippie culture and the financial boon that poured in.

One particular narrative episode captures the hippie mythos underlying the film's vision. The preparations for the event are done. Elliot, his father and Vilma, a free-spirited transvestite providing security for Elliot's family, stand overlooking a lake as nude bathers play openly. The first strains of Richie Havens move through the woods signaling the festival's beginning. Elliot's father nudges him to go and experience the festival. Elliot hesitates but Vilma urges him on, "Go" he says, "see what the center of the universe is like". Elliot finds himself wandering among groups of camping hippies still some distance from the stage. He encounters a young couple who gently seduce him to drop acid with them. They retire to the interior of their bus richly decorated for inner space travel where Elliot is initiated in the ecstasy of cosmic visionary experience. Some hours later he emerges an awakened soul accompanied by the female consort. Still flashing in colors and serenity they make their way to a bluff overlooking the sea of people dotting the night with campfires. The view is rolling and undulating, wrapping around a vortex the lighted stage in the distance. The lights, colors and liquid landscape coalesce in a visionary patterned dance around the pulsing brilliant core of illumination flowing from the stage. Space and time are lost in the enveloping ecstatic vision in the presence of the Center.

This scene is the sacramental center of the story. The whole event is actually a festive gathering to celebrate the eucharistic psychedelic ritual. Its enactment is the animus mundi, the navel of the world, around which the dance of being whirls. This entire countercultural phenomena is like a fountain of creative and colorful life flowing from the bellies of ecstatically enlightened participants. Bohemian and transient in nature it wanders about the land erupting into spontaneous happenings. This particular one, though `planned', nevertheless exploded into unexpected proportions and intensity.

Of course this story is one in relatively recent history with many participants and critics alive and well. And the verdict of history has unfolded less graciously on subsequent events. This is not lost on the filmmakers who put in the mouth of a confident Lang plans of another festival of peace and love at Altamont. The irony is not lost on those knowledgeable of the tragic events there.

Following this narrative peak the story winds down to address loose ends between Elliot and his parents. The windfall of the festival has paid off their mortgage with surplus and Elliot is free to complete the process of separation-individuation from his family.

It was a delightful film that will fade quickly from public attention, leave theaters and be on DVD shortly. For some who go it will be for a moment of nostalgia, an entertaining story resonating with faint longings that surface as one ages. For the counterculture youth of today it is not their history, it is the history of their grandparents. The heady excitement of the Sixties is textbook material to them and most are living out their own generational narrative. They have Burning Man, Goa, Ibiza, and elsewhere.

For some the longing pricked cuts perhaps more deeply. Sure enough it was a period whose potency faded with the passing decades. What seemed of cosmic significance at the time was swallowed in the relativity of social change Nevertheless, the glimpse into the white-hot core of mystery pulsing at the Heart of the Universe wouldn't be extinguished. It is a core memory implanted somewhere deep in psychic regions.

After the ecstasy many wandered back into the enveloping social order of the modern world. Some were damaged and wandered for years. Some re-acclimated into the status quo, even `succeeding' well at it. Some found creative paths integrating alternative spaces with demands of survival. Some became monks, roshis, gurus, disciples, teachers, and priests. None, however, whose hearts were pierced have forgotten when they were touched by the Center of the Universe.

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I was lucky enough to see this movie in an actual theatre (remember those?) this past September, and it really was a delight. Watching with a small group of friends and loved ones, I felt a kinship with the central character and his simple desire to do something, anything, to change his fate while the world seemed to be changing its tune for those three days, at least. Being both a musician and a fan of all things European, I really liked the look and the pace of Ang Lee's film. While the book on which the film is based bubbles and froths madly and delightedly like a late Seventies hot tub, Lee's film presents a place and a time that feels alive and gentle like a spring leaf but also has the sullen gravity of the fallen leaf once the autumn comes. Demetri Martin comes across like a slightly-stoned Pinocchio, hoping through his 11th-hour involvement in helping to save Mike Lang's Woodstock festival from cancellation to become a real boy. (It's not coincidental that the actor who plays his father, Henry Goodman, looks a bit like Gepetto in the Disney animated classic of years ago.) Those who complain that this film doesn't have music are missing the point the film itself is music, and a soft and glorious one at that. Besides, there's a wonderful sequence towards the end of the film involving use of a song from `60s group Love being played on an 8-track cassette player in the back of a psychedelic VW van . . . that scene alone captures the real experience of being at Woodstock, at least as told to me over the years by those who were really there or who wanted so badly to have been there in person (though they were already there in their hearts). Having seen this film, I feel like I was at Woodstock too . . . and when this movie is available on DVD, I plan on going back . . .

Read Best Reviews of Taking Woodstock (2009) Here

I happened to recently find this movie on my On Demand cable service. I had not ever heard of it.

I'm a HUGE fan of 1969 WOODSTOCK, (have Collector's Edition of DVD). I have always felt I was born in the wrong era--I should have been there! (To me, there is really only ONE REAL Woodstock.)

I knew some of the facts in the movie Taking Woodstock, but it was AWESOME to see it put together and done so WELL!

I love the portrayal of Elliot, whom I perceived as the main character. I saw this as also a "coming of age" film, from his point of view. He was amazingly brilliant at such a young age and to make such excellent "business/promotion" decisions that had to be made under pressure.

It is *totally* a "feel good" movie. I thoroughly enjoyed it and would love to own the DVD!

I HIGHLY RECOMMEND IT!

In my opinion, the best review here on Amazon about the movie is by James Lossing (it should be the top review) so be sure to read it!

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Oscar-winning director Ang Lee's "Taking Woodstock" takes us behind the scenes of the Woodstock Music & Art Fair, but don't expect documentary-like accounts of the legendary concert. Based on the book by Elliot Tiber and Tom Monte, and adapted by James Schamus ("Brokeback Mountain"), "Taking Woodstock" is a comedy drama about a young man who wound up bringing Woodstock to the quiet town of Bethel, New York.

The film, set in the summer of 1969, centers on 34-year-old Elliot Tiber (Demetri Martin), an interior designer whose parents Jake (Henry Goodman) and Sonia (Imelda Staunton) run El Monaco Motel. The small motel, of which service and quality is not the best in town, is facing foreclosure.

Elliot manages to persuade the bank manager to wait for a while. Then he hears that the town of Wallkill pulled the permit for the upcoming Woodstock festival. Elliot, who happens to have a permit for a small local music festival, makes an offer to the concert's organizers. As it turned out, the music festival ends up attracting about 500,000 people to the town.

I am not interested in the factual accuracy of "Taking Woodstock." I know this is not a documentary (and there is already one, simply amazing "Woodstock"). The film beautifully captures the confusion (and near chaos) caused by the influx of attendees for the three-day concert. Ang Lee's comedy drama is full of fashion details and eccentric characters, mostly likable, but suffers from its underwritten drama about the protagonist and his family, and one-note performance from the lead. Where is Jake Gyllenhaal when we need him?

I enjoyed "Taking Woodstock" for its atmosphere of the late 60s America, and nice turns from supporting players (some of which sometimes border on caricature, though). What "Taking Woodstock" needs is a more strong portrayal of the protagonist, who is somehow the least interesting person in the film.

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Robin Hood: Men in Tights (1993)

Robin Hood: Men in TightsLove Robin Hood? Well, Mel Brooks has made fun of this timeless story in one of the "best ideas since pay toilets." This excellent and witty film has continued Mel Brooks' legacy of wacky, outrageous films such as Blazzing Saddles, Young Frankenstein, Spaceballs and History of the World Part I.

Cary Elwes probably described his own performance best: "Unlike some other Robin Hoods, I can speak with an English accent!" Cary Elwes brought comedic timing and a wacky calmness to literature's most heroic and stern characters.

Other great performances included Richard Lewis as Prince John who is constantly annoyed by the noise in his castle and his outstanding mobile mole. David Chappelle brings soul to the cast in a midevil attitude sort of way with impersonations of Malcolm X and famous lines such as "awww, white men can't jump!" Roger Rees also brings a wacky interpritation to one of history's greatest villains. Mark Blankfield brings and incredibly funny wacky blindman to life with excellent delivery and fast punchlines. Also, watch out for Little John, "but don't let the name fool you, in real life, he's real big!" played by Eric Kramer. Some other noticible performances were given by Amy Yasbeck, Megan Cavanagh, and Matthew Porretta.

Watch out for many famous stars making brief appearances such as Isaac Hayes, Tracey Ullman, Patrick Stewart, Dom DeLuise, Dick Van Patten, and of course, Mel Brooks.

You'll want to watch this hillarious movie over and over again to catch some of the faster jokes and to pick up on some of the older ones. I have seen this movie many times and I still repeat lines from it on almost a daily basis.

As Mel Brooks would say this movie is "the best thing to come since pay toilets!"

When Mel Brooks is "on," nobody is funnier. "Robin Hood: Men in Tights" is another side-splitting parody from the director, and like his other hits, it has some moments that have me falling out of the chair no matter how many times I see them.

The plot loosely (very, very loosely) follows the Robin Hood saga of yore. Robin, looking a lot like Errol Flynn, is surrounded by his Merry Men. They're merry, alright--they do a singing, dancing number entitled "Men in Tights" after trying to hike up said garments in "Ye Olde Privy."

Robin is lured into a nefarious archery contest concocted by the evil Prince John, with the help of Don Giovanni. This particular "Don" is played to the hilt by Dom DeLuise, doing a perfect imitation of Marlon Brando as Don Corleone. This is one of the aforementioned scenes that has me unable to sit in the chair! It is literally a show-stopper; so funny that it's hard to hear the lines.

When Maid Marion hears of the plot, she rides into the forest to warn her beau--accompanied by her massive Brunhilde of a chaperone (the aside to the audience by the chaperone's horse is another can't-miss piece of hilarity). Robin can't resist showing off his archery talents, however, and rides off to the tournament, knowing he is marked for death.

Need I say it--everything turns out great in the end. Except for the viewer, who has had a heart attack from laughing too hard! This is a must to add to your collection. Another Mel Brooks classic.

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My big question is why we can't find this movie in the States? I figure this movie has enough of a following to warrant putting it out on an acceptable medium opposed to VHS. I really just hope they wise up and put this one out for all of us to enjoy.

Read Best Reviews of Robin Hood: Men in Tights (1993) Here

"Oh look. It's Cary Elwes."

That was my line to my sister at the video store as she tried to choose between two films. We ended up with this one, and I have to say I could not stop laughing.

Although a sense of humor is appreciated with me, this was the first movie since I can't remember when that I couldn't stop laughing after I started. Usually I can stop when the first joke is over and begin again at the second, but I couldn't hold it back this time. This event took place during the Men in Tights song.

This wasbrace yourselfMY FIRST MEL BROOKS MOVIE. I'm pretty sure it was the first. I must have watched it 6 times in my five day rental period, and I am now addicted to it and Mel Brooks (doesn't that Matthew Broderick/ Nathan Lane version of The Producers look fantastic??). That's pretty good for the movie, considering I only recommended it because the last movie I saw before it was The Princess Bride and I wanted more Cary Elwes.

Rent this movie. It will hit your sense of humor every time.

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151 reviews (152 now) that give it an average of 4.5 stars...people BEGGING for this to be on DVD for years. Region free bootlegs selling on Ebay for $60+ (yipes), heck they didn't even try to capitalize on the fact it's one of Dave Chapelles first performances when he was REALLY being pushed. They've teased a release date several times (unfortunately they teased that it was being released in 1969 LOL) What more do we have to do to say that we want this movie before the studios finally release it? I hate that I can't get the movies I REALLY want to own (Robin Hood: Men in Tights, Mel Brooks' To Be Or Not To Be...heck I'd even like Madhouse,..reminds me of a very scary and unfortunately similar family experience) Meanwhile I can get absolute garbage-a-plenty. You couldn't pay me to take home The Simple Life or any number of Pauly Shore movies....but they're all available in quantity while movies I really want make me want to resort to bootlegs just to own them.

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