Showing posts with label the underground comedy movie. Show all posts
Showing posts with label the underground comedy movie. Show all posts

Drive Me Crazy (1999)

Drive Me CrazyIsn't it funny how some films don't quite fit their stereotypes? I settled down to watch Drive Me Crazy because I was in the mood to watch a mindless teen movie, and given that this film stars Melissa Joan Hart of Sabrina The Teen Witch fame, I was expecting really more of the same. It doesn't help that the beginning of the film reinforces the stereotype (complete with cheesy pop background music, neon-lit opening titles and slow pan across a typical teenage girl's bedroom followed by Melissa answering the phone in her best "a la Sabrina" perky voice).

What I encountered was a film that is still very much rooted in the teen "prom" genre, but is slightly deeper and sophisticated (as well as more ponderous and slow-moving) than I expected. It's quite a biting and penetrating observation of the high school social hierarchy as well as the conflicting emotions of young love. Think of it as a more serious version of Clueless with a dash of Dangerous Liaisons thrown in.

Nicole Maris (Melissa Joan Hart) is a pretty and popular girl at the Timothy Zonin High School (definitely in the "in" crowd) who is organising a big formal dance celebrating the centenary anniversary of her school. She has the hots for school basketball star Brad (Gabriel Carpenter) and hopes he will be her date for the dance.

Neighbour and fellow classmate Chase Hammon (Adrian Grenier) is on the other side of the school social stratum. Sporting a "rebel without a cause" attitude and a grungy appearance, he hangs out with nerdy Ray (Kris Park) and "Designated Dave" (Mark Webber) the latter so-nicknamed because he doesn't drink therefore he always chauffeurs the other kids when they are blind drunk and want to go back home after a party. At the beginning of the film, the three of them (masterminded by Chase) stage a prank involving putting coloured dye into the school sprinkler system which nearly gets them suspended.

Incidentally, Nicole and Chase used to be childhood friends but then grew apart into their different ways. Both have single parents (William Converse-Roberts as Mr. Hammond and Faye Grant as Mrs. Maris) as Chase's mum died of cancer and Nicole's father (Stephen Collins) is estranged. Their parents appear to be very "friendly" with each other, and later on in the film we find out why.

So, when Brad on the verge of asking Nicole to the centenary dance falls in love with a cheerleader instead (when he accidentally fell on her during a basketball game), and Chase's girlfriend Dulcie (Ali Larter) dumps him because she thinks he's too shallow (because she is into animal rights and he doesn't seem to be interested), Nicole and Chase strike an unholy deal they will pretend to be in a relationship with each other in an attempt to make their desired partners jealous.

Nicole gives Chase a Pygmalion-like makeover and suddenly it looks like their crazy plan may just succeed after all. Or will they fall in love with each other instead? And what about Nicole's best friend acid-tongued Alicia (Susan May Pratt) will she throw a spanner into the works?

The ending may be somewhat predictable, and yet the film as a whole seems to be more than the sum of its parts. The characters are reasonably fleshed out and have complex overtones to their personalities, and the dialogue is reasonably clever in places. However, overall I found the film to be somewhat slow-moving and uninvolving. The problem is, a romantic comedy with artistic pretensions can aspire to become a piece of serious drama, but an ambitious teen movie ends up looking awkward because let's face it what is the serious equivalent?

Incidentally, I think Melissa should really stop playing teen roles. She may still have the pert little body and a perky voice, but she is not as fresh-faced as she used to be and it would be nice to see her play her age for a change in a more substantial role.

I must admit right off the bat that I'm a sucker for these type of movies with the predictable, happy ending. However, I must also say that I truly believe this was a good movie because it both hit the mark with what high school can be like yet it was different from many of the recent high school flicks that have been made. It is different because neither character is chasing the other one and they are former friends rather than 2 people who know nothing of each other. Also, even though Melissa Joan Hart's character is the popular, perky one, Adrian Greiner's character is not your typical "loser" character nor would I classify him as a loser. He is not an academic nerd either, but a rebellious person who gets in some trouble. That being said, I do have some beefs with the movie. First, the "falling for each other" between Hart and Greiner doesn't develop as it should. It also bothered me that neither one says how/what they feel even at the end. The audience knows they are attracted to each other but they never say anything. Also, this movie really should have been longer so that the story could have developed more, again especially the relationship between Hart and Greiner. Still, a good movie overall and one worth seeing if you like romantic-comedies or this type of genre.

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I'm honestly not one to be a big fan of teenage movies, USUALLY. But...when I saw this movie I notcied that the world of teenage cinematic productions really DID have potential, can you imagine! Adrian Grenier is the cuuuutest, and Meslissa Joan Hart acually acts in this movie, hard to believe, but yes, she does! It has an interesting plot and is one I could watch over and over again. It is funny, smart, and witty. Never leaving you yawning this movie receives a 5 in my book! I would reccomend it to anyone!

Read Best Reviews of Drive Me Crazy (1999) Here

Britney sings the title track to this movie that Melissa Joan Hart satrs in.. relaly good teen flick

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Drive me Crazy on the surface is portrayed as a shallow,run-of-the-mill, simplistic movie.I also thought it would be this. But instead it is an eyopening web of complex emotions. Some of the beginning parts are questionable though (Chase goes from grunge-boy, to popular boyfriend in about 2 seconds with little instant remorse, or thought), but as the movie unfolds, it becomes something more. This is largely in part of the simple, yet true to the heart performances of the two leads, Adrian Grenier, who delicately portrays a teenager somewhere between a hurt child, and a noncomformist anti-hero, and Melissa Joan Hart believeably portraying a perky popular girl who has a slow change of heart about who she is and where she stands. As supporting characters ''Designated Dave'' is strongly played, showing acore of insecurity and hurt. BUt overall what makes the film worth seeing is the general feel of it. The simple, yet realistically portrayed wounds of hurt, insecurity, and inferiority that make the ''uncool'' kids try to be what they aren't. High school is finally realistically portrayed as a Nazi-like environment. As brutal as it seems, it really is. People get hurt, and suffer and are dehumanized in what is no less than a Nazi following of kids degrading each other. Hopefully other filmmakers will take the hint and start creating movies that are more true to life, instead of the upper-cut, simplistic movies they currently process.

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Gentlemen Prefer Blondes (1953)

Gentlemen Prefer BlondesWhile it will never compete with the likes of SINGIN' IN THE RAIN, GIGI, or MEET ME IN ST. LOUIS, this 1953 confection is nonetheless a real charmer. Based on a popular Broadway show which was itself based on the famous novel by Anita Loos, GENTLEMEN PREFER BLONDES tells the story of two cabaret performers--blonde bombshell Loreli Lee, who is determined to marry for money, and brunette beauty Dorothy Shaw, who prefers to marry for love. When Loreli's engagement to a millionaire's son goes awry, the two set sail for Europe, and comic complications ensue. The story is traditional fluff, pure and simple, and there is nothing in the least innovative or unexpected about the film as a whole--but it is all extremely, extremely well done.

The score is bright, including such tunes as the famous "Diamonds Are A Girl's Best Friend"--and all the musical numbers are cleverly staged and filmed. The overall look of the film is also eye popping: the ladies are dressed to perfection and the color cinematography is truly joyous. The script is full of comfortable wit, director Hawks keeps it moving at a nice clip, and the cast includes such enjoyable performers as Charles Coburn, Tommy Noonan, Norma Varden, and George Winslow. But what really makes the film memorable are Marilyn Monroe and Jane Russell, who simply sparkle with star quality and play their with roles in a twinkle-in-the-eye style.

Monroe and Russell have remarkable chemistry on screen, and although neither were really singers they each had enjoyable and very distinctive singing voices; their performances are so pleasantly amusing that you can't help but smile. Both also had a way with comedy, with Monroe offering her quintessential 'not so dumb blonde' and Russell matching her all the way as the wise-to-you brunette determined to keep Monroe out of trouble. And so well do they work together it is hard to pick a favorite between the two. Call it fluff, froth, foolish--but even jeweler Harry Winston couldn't refuse this good time, even at the risk of a diamond or two. Thoroughly enjoyable for any one still capable of a smile.

Arguably, along with the 'Seven Year Itch', this lighthearted 50's musical comedy is the most definitive 'Marilyn' film. In particular for her memorable 'Diamonds are a Girls Best Friend' number, so adorable in its (and her)innocent mocking self parody and brought to life again several decades later in Madonna's, 80's' Material Girl' Video.

This pairing of 'Monroe' and 'Russell' as two voluptuous show girls from 'Little Rock'" in search of fun and a man or two on their way to Paris aboard a cruise ship, is pure Hollywood sugar coated entertainment and escapism.

Marilyne is just so funny and cute as the wide eyed, but gold digging, 'Lorelei', the supposed 'Dumb Blonde' who knows what she wants however, and why. In suitable contrast Jane Russell plays 'Dorothy' the more serious, switched on and streetwise Brunette. Who on the other hand, lets her heart(rather than her bank acccount)rule her head when it comes to men and plays a kind of big sister role to her more naive, but materialistic focused compatriot.

Though it may be said that for the most part 'Russell' is somewhat eclipsed by the 'platinum' ultra luminous presence of the 'eternal woman-child' Ms Monroe. She undoubtedly brings a lot of energy to the role, and the camaraderie and chemistry they deliver as a pair contribute much to the films charm and success.

There are several very entertaining 'showgirl' type musical numbers throughout. But I confess I enjoy Marilyn's ditzy remarks, balanced by a her cunningly disguised 'knowingness' the most. Sooo cute when she refers to the ship's portals as 'round windows' and innocently tries on a diamond tiara around her neck. Then, at the end justifies and explains her money driven ways to her finance's contemtuous Father,in the most surprisingly clever way. Pure 'Marilyn' in all her pure, unique celluloid magic!

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A kiss on the hand

May be quite continental,

But diamonds are a girl's best friend.

A kiss may be grand

But it won't pay the rental

On your humble flat

Or help you at the automat.

Men grow cold

As girls grow old,

And we all lose our charms in the end.

But square-cut or pear-shaped,

These rocks don't loose their shape.

Diamonds are a girl's best friend.

Tiffany's!

Cartier!

Black Starr!

Frost Gorham!

Talk to me Harry Winston.

Tell me all about it!

There may come a time

When a lass needs a lawyer,

But diamonds are a girl's best friend.

There may come a time

When a hard-boiled employer

Thinks you're awful nice,

But get that ice or else no dice.

He's your guy

When stocks are high,

But beware when they start to descend.

It's then that those louses

Go back to their spouses.

Diamonds are a girl's best friend.

Gentlemen Prefer Blondes gave Marilyn Monroe and Jane Russell the perfect opportunity to showcase their numerous talents. They sing beautiful numbers including "(We're Just) Two Little Girls From Little Rock;" "Bye Bye Baby;" "Ain't There Anyone Here For Love" and "Diamonds Are A Girl's Best Friend." When Marilyn and Jane dance to some of these numbers their beauty and talent strike the viewer as incredible. Tommy Noonan turns in a strong and convincing performance as Gus Esmond, the American man who wants to marry Lorelei, who is played by Marilyn Monroe. Charles Coburn and Norma Varden perform as Sir Francis 'Piggy' Beekman and Lady Beekman, super rich people who got their wealth from diamond mining in South Africa. The crisp, clear color reflects the hard work to restore this movie and the sound is excellent, too! Jule Styne and Leo Robin provide wonderful music and lyrics for the classic songs in this picture.

The film starts as Lorelei and her girlfriend Dorothy Shaw embark on a ship for France. Although Dorothy plans to chaperone Lorelei, Lorelei has different plans and soon Dorothy's quest for a man distracts her from overseeing Lorelei anyway. The ship carries a male Olympic relay team and they certainly attract Dorothy's attention. A cast of characters are also on board, the most notable of which are Sir Beekman, who longs for an affair with a younger woman. His wife, Lady Beekman, travels with him. These characters all together on the same ship prove to be the ultimate formula for high jinks on both the high seas and overseas! Lorelei and Dorothy proceed to sink their claws into rich men for their money. However, unbeknownst to Lorelei, her fiancé's father, Mr. Esmond, Sr., employs a detective onboard. The detective, Ernie Malone, must follow Lorelei and find evidence that she will be unfaithful to her fiancé Gus Esmond. Mr. Esmond, Sr. can then destroy all plans for the wedding of Lorelei and Gus. Gus's father believes that such a marriage would be unsuitable for his son.

The scenes in Paris offer stunning backdrops and a wonderful idea of what Paris looked like in the early 1950s. After a few ups and downs Lorelei and Dorothy unexpectedly appear to be in a lot of financial trouble and they get jobs in a show to make money. Lorelei performs the unforgettable song and dance number "Diamond's Are A Girl's Best Friend" with male back up dancers. However, things become even more complicated when Lorelei stands accused of stealing a tiara that belonged to Lady Beekman. Actually, Sir Beekman gave the tiara to Lorelei in a weak moment because he found her to be beautiful--too bad he never told Lady Beekman! Lorelei and Dorothy sing the beautiful number "When Love Goes Wrong (Nothing Goes Right)." The cops begin to nip at their heels and Lorelei--or someone quite like her--appears in court because Lady Beekman wants her tiara returned to her. The ensuing court scene boasts a comedic, campy quality to it. Awesome!

Do things work themselves out at the end of this picture? Well, folks, there are no spoilers here--watch this movie and see for yourselves!

Marilyn Monroe fans will thrill to this great picture and Jane Russell fans will enjoy it just as much. People who enjoy musical comedies will also like this picture.

Read Best Reviews of Gentlemen Prefer Blondes (1953) Here

This is probably one of my very favorite Marilyn Monroe movies; just the perfect mix of comedy, dance, music, and eye-popping Technicolor. The Blu-ray looks amazing; clear crisp picture with just the right amount of film grain to look natural. The details are fantastic, too; you can even see Marilyn's jewelry with great clarity. The sound works just fine for a movie of its age; it does appear that some separation was done with some of the sound effects (noticed during the ringing of the bell for "Bye Bye Baby" where it came from a rear speaker, but nothing that is going to blow you away. Just clear sound that highlights the vocals of Marilyn and Jane Russell perfectly. The one drawback are the extras; very few to speak of. A few Marilyn trailers (which promote other Fox Blu-ray releases) and a short Fox Movietone Newsreel showing Marilyn & Jane Russell putting their handprints in the cement at Grauman's Chinese Theater. No restoration comparison, no interviews, no deleted scenes, and no commentary. Pretty disappointing when considering what an icon Marilyn is, even today. The one other oddity is that on the back of the case, the photo of "Marilyn" from "Diamonds Are A Girl's Best Friend" doesn't even look like Marilyn; either it's another model or she is so heavily photoshopped that it just doesn't look like her. A minor quibble. At least Fox seemed to put their best foot forward on the quality of the picture and sound, which truly is the bottom line for this release. If you're not familiar with the story, here it is in a nutshell. Jane Russell (playing Dorothy) & Marilyn (as Lorelei) are two showgirls looking for love. Dorothy is single, and Lorelei is tied to a nerdy man (played perfectly by Tommy Noonan) worth millions. Unfortunately, her boyfriend's dad doesn't approve of the relationship. In order to make his heart grow fonder, Lorelei separates herself from her honey by taking a cruise with Dorothy. Unbeknownst to the girls, the dad has the two followed by a detective. Dorothy falls for the detective which throws a wrench into the whole proceedings.

A number of memorable musical numbers by Russell ("Anyone Here For Love?") and Monroe ("Diamonds"). These two make a great combo, as you can really feel a genuine friendship with their on-screen chemistry. Highly recommended as one of Marilyn's most entertaining movies!

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World weary after watching Ted Koppel's reading of the names of all the U. S. soldiers who have died in Iraq-at least those we have the names of-I needed a little Christmas in May and found it by watching again this little cotton candy movie. Based on the work by Anita Loos, directed by Howard Hawks and starring Mariyn Monroe and Jane Russell, GENTLEMAN PREFER BLONDES was just what the doctor ordered. With great musical numbers, hooty costumes-particularly those of Ms. Russell-and a plot as silly and inane as is humanly possible-can anyone be so dumb as to think that a diamond tiara goes around her neck-the film will convince you, if only temporarily, that the world is not going to hell tomorrow in a wheelbarrow. It's interesting to see how much movies got away with in the oppressive 50's as evidenced in the quite sexy number with Ms. Russell and the scantily clad males from the U. S. Olympic Team, her fellow travelers on the boat trip to Paris.

Ms. Russell is no slouch as a comedic actress and gets off some good one-liners here. And Ms. Monroe, though often imitated, will never be equalled for what she was, the epitome of the blonde bombshell. This movie is now over 50 years old and will remain a classic.

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Keep Your Right Up (1987)

Keep Your Right UpLike so much of Godard, the photographic quality is wonderful and it has been so difficult to see good home video copies of his movies past "Weekend" (and even before). This blu-ray is a great improvement over the dingy Facets version and brings the imagery and the feelings behind it alive.

4 stars for the film, I've got the Facets edition and the subtitles on that are difficult to read at times, I would gladly snatch this Olive Films edition up if I knew that that problem wouldn't be an issue. Judging by other Olive releases I have it probably won't have a subtitle option, but beggars can't be choosers I guess. Thanks Olive Films for releasing JLG, may there be more in the future, for example British Sounds, King Lear, and Wind from the East to name a few.

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The Goods: Live Hard, Sell Hard (2009)

The Goods: Live Hard, Sell HardThe Goods: Live Hard, Sell Hard bombed hard at the box office this August for reasons I have yet to figure out. My wife and I expected nothing from this movie, and with the bar set so low we were astonished at just how gut-bustingly funny it was from start to finish. Jeremy Piven--so annoying is just about everything he has ever been in--finds a perfect groove in Don Ready, a used-car hustler who needs to impose his will on reluctant consumers the way the rest of need to breathe. He takes an almost prurient pleasure in these conquests which, by itself, would have been funny enough. The fact that he is joined by a team of similarly unscrupulous cohorts lets the movie maintain a comedic momentum which never lets up--start to finish. Ready and his gang (Kathryn Hahn and Ving Rhames, among others) are flown to James Brolin's car lot to spur enough sales for Brolin to keep his business from being taken over by...wait for it...Alan Thicke and Ed Helms. I have always maintained that Christopher McDonald, so slimy in Thelma and Louise, Happy Gilmore, and The Iron Giant, is one of the consistently best bad guys in the business, but Alan Thicke and Ed Helms give him a run for his money. They steal every scene they are in, and any remnant of the good heart that Thicke built up as the vanilla father on Growing Pains is obliterated within seconds of his appearance on screen. Their characters make a perfect foil for Don Ready, since they all share the lack of a moral compass and the open acknowledgement that there is no such thing as right and wrong--only winning and losing.

No stone goes unturned in pursuit of a laugh. The movie opens with a scene of Don Ready convincing an entire flight that the future of our republic hinges on his right to smoke on the plane, during which he seduces a naive flight attendant not because he wants to but just because he can. Other highlights include the beating of a Korean-American by salesmen whipped up into a gingoistic frenzy by Don Ready's recounting of Pearl Harbor, an openly racist/homophobic/misogynist elder salesman who despite every opportunity never learns the error of his ways, the uncomfortably sexual pursuit of a man-child by an under-sexed female sales rep, and an uncredited cameo by Will Ferrel whose character dies in the most ludicrous and hysterical fashion imaginable and whose meaningless death Don Ready, as expected, carries as a token burden (however paper-thin and utterly absurd). And in a throwaway role as a DJ who believes that audience song requests are little more than a subterfuge for slavery, the Office's Craig Ferguson expresses a quiet pain and rage without any trace of humor-killing irony. He's like a black Leslie Nielson.

So, do Don Ready and his team sell all of the cars and save the lot? What do you think? The plot exists only as a vehicle for the jokes, and to the film's credit almost all of the jokes are character driven--this isn't a story that relies on slapstick as a crutch. As such, it is one of the funniest movies released this year, and it definitely deserves to be seen. So ignore the naysayers on RottenTomatoes and enjoy yourself. You won't regret it.

Ithis movie is silly at times that you still can't help but watch. I love Jeremy Piven's humor in movies like this, I like seeing David Koechner and the gang. It had some good apperance from other actors as well. Good movie to sit and watch. If you like moves such as Old School, The Hangover, Couples Retreat then I think you might like this movie.

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Adolescent humor-yes. Bad jokes-yes. Gratuitous nudity-yes. But it all seems to work, perhaps because Will Ferrell didn't star in this Will Ferrell movie. He did manage a small role, which he typically smelled up. The movie is based on an occupation I don't believe exists, which is a crack team of migrant expert car sellers. They get the call to save a dealership. The movie has some laugh out loud lines like DJ Request saying, "Nobody tells DJ Request what to play." Or "Did you ever have a relationship last longer than a lap dance?" Besides the smelly scene with Will Ferrell, Ed Helms was fairly bad. I loved Ed on the Daily Show, but face it, he can't act. Rob Riggle did a good job as a 10 year old. The movie moves along smartly through the first day of sales after which the plot suddenly changes direction. Piven seriously examines his life, the car dealership is being sold, etc etc. At this point the movie goes down hill. This was supposed to be a senseless comedy about selling cars, not a bad lesson on establishing roots. Had the movie stuck to the original formula of car cheats and left out Will Ferrell altogether, I would have gave it 5 solid stars.

Read Best Reviews of The Goods: Live Hard, Sell Hard (2009) Here

Part of the latest stream of unabashedly vulgar slob comedies to come along, The Goods: Live Hard, Sell Hard is proud of its rampant crudeness and political incorrectness, and it's all the more funny because of it. Jeremy Piven channels his Ari Gold persona as mercenary car salesman for hire extraordinaire Don "The Goods" Ready, who is hired by a desperate dealership owner (James Brolin) to save his business. It isn't long before Don and his team (including Ving Rhames, David Koechner, and Kathryn Hahn) get things moving, and Don falls for the owner's daughter (My Boys' Jordana Spiro) who's engaged to a 30-some year old boy-band wanna-be (The Hangover's Ed Helms, in fine form). The developments and story of The Goods is predictable to its core, but what makes it work is Piven's hilarious performance, as well as seeing old pros like Brolin, Rhames, Alan Thicke, and Charles Napier have dirty, gleeful fun the whole ride through. All in all, if R-rated slob comedies are your thing, The Goods: Live Hard, Sell Hard delivers, well, the goods.

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this movie is soo amazing. i love it and then i found it here on amazon for 4.99 i jumoed all over it.

K-On! The Movie (2011) (2011)

K-On! The MovieAlright, those of you looking for a self-contained anime film will be disappointed this was a project that was obviously made for fans of the series. It's pretty much an episode of the series expanded to an hour and forty-five mins. It contains in-jokes from the series and while there is a plot there's no major conflict. In fact, the opening few minutes makes a joke about the lack of real conflict in the film.

Now, if you are a fan of the series, this is a dream come true. The characters are all there, most side characters get enough screen time that you get to revisit just about everyone. The plot is partially about the London trip which was discussed in the season 2 OVA, but it's also about writing the song that they will sing to their underclassman as they graduate. It's sentimental, sweet and everything you've come to expect from the series. As a bonus, just about every song in the series is in it at some point.

The animation is beautiful, and expands upon the already wonderful look of the series. The London trip is well done, and for those who have been there, you'll be sure to recognize some lovingly recreated sights. There are a few moments of CGI that feel a bit off, but that may just be my personal bias against CGI.

The quality of the Blu is wonderful. The animation looks simply breathtaking at times and there are a quite a few special features. As someone who has gotten used to anime discs only containing the opening and closing as special features, this was a treat.

In closing, if you're already a fan of K-On season 1 and 2, this is totally worth a purchase. It's a wonderful closing to one of the most fun anime series to come out in years.

One of my favorite movies based off an anime, You can tell the animators took their time on it. It is cute and the music is great. If you are a hardcore K-ON you'll love this movie ^_^

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[*First off, my apologies for the novel I seem to have written. I tried to strike a balance between short and informative. Anyhoo...*]

The overview below is based off the 2-disc DVD edition (so the content would be the same as the blu-ray but you'll have access to it all on a single disc). I outlined a summary but if you want a super short summary, it's basically: getting this movie gives you almost 2 hours of film and 2 and a half hours of special features.

The movie continues where the end of season 2 was leading into: the 5 members of the Light Music Club are going to London for their graduation trip and Yui, Mio, Ritsu, and Tsumugi plan what to get Azusa before they graduate. If you've watched the series then watch the movie; if you haven't [see my note at the bottom], start here (K-ON!, Vol. 1) or here (K-ON! DVD [Anime Legends).

--DISC 1--

-main feature [approx. 1 hour 50 minutes] *16:9 anamorphic

-audio selection [Japanese w/ English subs or English dub] *English 5.1 / Japanese 5.1

-scene selection

-"Also Available from Sentai Filmworks" [some previews to other anime produced by Sentai Filmworks; they're essentially textless openings]

-DVD credits

--DISC 2--

*note: unless otherwise noted, by "the cast", I mean the Japanese voice actresses for Yui, Mio, Ritsu, Tsumugi, and Azusa*

*the extra features are original content from the Japanese programs so they're in Japanese with English subs*

1. Minami Tanaka's Dubbing Investigative Report

--TBS announcer Minami Tanaka visits the cast at the recording studio and interviews them (they do a little tongue twister activity, they're asked what they're favorite scene from the show is, a message to the fans, etc.) [approx. 23 minutes]

2. London bus & Press Conference at TBS

--a pre-opening press conference with the cast (this was a week before the movie hit theaters in Japan) about their feelings about the movie, the live performances they've done, etc. [approx. 19 minutes]

3. Navi Show 1-2-3 is K-On!

--2 TBS announcers talk about the show and its characters (I guess this can be thought of as a crash course / refresher of the show) [approx. 24 minutes]

4. Movie Premiere Event

--the cast and director talk to the audience at the movie premiere about their feelings about the show up to that point [approx. 22 minutes]

5. Director Naoko Yamada in London

--the director does some "scenario hunting" in London over 4 days for the movie [approx. 29 minutes]

6. Good Luck Music Hall K-On! Music Hall

--...umm...I'm honestly not sure how to describe this extras clip...2 TBS announcers talk about K-On's music a bit and there are 3 short message clips about the movie from the Japanese voice actresses for Ui, Nodoka, and Jun [approx. 15 minutes]

7. Japanese Trailer

--not much to explain here [approx. 2 minutes]

8. Japanese Teaser

--a teaser...just a shorter version of the trailer [39 seconds long]

9. Japanese Spots

--short, entertaining tidbits advertising the movie; it's continuous [approx. 3 minutes] but it looks like it's 3 spot shorts...just a guess though...

10. Clean Opening Animation

--title: Ichiban Ippai [around 1:46 long]

11. Clean Closing Animation

--title: Singing! [around 1:34 long]

My personal opinion about the special features: the extras are great! It's nice to see the original voice actresses because nothing like this is available as special features from the series. However, there are interviews from the English voice actresses that were included in the season 1 DVDs and blu-rays but there are none whatsoever here. A bit of a letdown because K-On! is one of very few animes that I can comfortably switch between Japanese dub and English dub so it'd be cool to see how both teams feel about the characters they've grown with and their journey up to it becoming a movie. But hey, you can't have your tea and drink it too...

**Just some extra information for those late to the K-On! [tea] party**

Here is where the anime and manga stand as of near-end May 2013 so you know what you need to catch up on (the following dates are relative and approximate):

K-On! volume 1 (manga): released November 2010

K-On! volume 2 (manga): released March 2011

K-On! volume 3 (manga): released August 2011

K-On! volume 4 (manga): released December 2011

K-On! College (manga): released July 23, 2013 (K-ON! College)

K-On! High School (manga): planned release date of October 29, 2013 (K-ON! High School)

*manga published by Yen Press*

K-On! Season 1 (anime): available in DVD and blu-ray (the DVDs can be purchased as 4 separate volumes or a 4-disc complete collection and the blu-ray as 4 separate volumes--there's no blu-ray complete collection) in Japanese w/ English sub or English dub; released April 2011, July 2011, September 2011, November 2011 (as the 4 volumes) and February 2012 (as the 4-disc complete collection)

K-On!! Season 2 (anime): broken up into 2 parts (released June 2012 and August 2012, respectively) and available in DVD and blu-ray in Japanese w/ English sub or English dub

K-On! the Movie: available in DVD (2 discs) and blu-ray (1 disc) in Japanese w/ English sub or English dub; released May 2013

*season 1 is produced by Bandai and season 2 and the movie are produced by Sentai Filmworks; the English dubbing is in association with Bang Zoom Entertainment so the voice cast stays the same in both seasons and the movie*

Read Best Reviews of K-On! The Movie (2011) (2011) Here

Has a quick recap of the show in the beginning so if you haven't seen the show you're not completely in the dark. For those of you who have seen it get to have a cute narration by Yui which is why you watch this in the first place. K-On! girls are back, and heading to London, and their typical shenanigans, and fun ensues. Overall it was another good show to see them all again after graduation.

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As a major fan of all things K-On!, I have been waiting nearly 18 months for the English version of this movie; it finally arrived yesterday, and I watched it last night. Suffice it to say, it was well worth the wait!

The movie covers the girls of High-school Tea Time's last few weeks before graduation (except for Azusa, who is one year behind the other four, of course). They decide to go on a graduation celebration trip, and eventually settle on London as the destination (although Yui says she would have preferred to go to England, until the others point out that London is in England!). So, in the week following their finals, and before graduation day, they pile on a plane and head for the UK. I won't elaborate on the details, except to say that the story lived up to K-On! expectations, with Azu-nyan being the most together and organised of the girls, in spite of being the youngest. They visit many famous locations in London, all beautifully filmed and then digitally imported into the proceedings. The only complaint I have is that all the Londoners they speak to (in the English dub) sound like Dick Van Dyke did in Mary Poppins; surely they could have got some real Brits in to speak the parts? They really were awful! But that aside, and it is only a minor point, I loved every minute of it; Yui is suitably nutty as usual, and Azusa gets suspicious and paranoid when the others all stop speaking whenever she walks in the room, but actually they are planning a nice surprise for her!

The movie offers a somewhat different view of the run up to the girl's graduation than the second series did; it is more light-hearted, and not nearly as emotional as the latter, but great fun, nonetheless. If you are a fan of K-On!, just get it; it's wonderful!

One last point; I had puzzled for ages over the actual meaning of the term 'K-On!', but it turns out that it is a contraction of the Japanese word for light music, 'keiongaku' (軽音楽). So now you know!

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Committed (2000)

CommittedSome people drift through life, moving from one thing or one person to the next without batting an eye; others latch on to a cause, another person or a principle and remain adamant, committed to whatever it is-and figuratively or literally they give their word and stand by it. But we�re all different, �Made of different clay,� as one of the characters in this film puts it, which is what makes life so interesting. Some people are just plain crazy, though-and maybe that�s the way you have to be to live among the masses. Who knows? Who knows what it takes to make things-life-work? Writer/director Lisa Krueger takes a shot at it, using a light approach to examine that thin line between being committed-and how one �gets� committed-and obsession, in �Committed,� starring Heather Graham as a young woman who is adamant, committed, obsessive and maybe just a little bit crazy, too. Her name is Joline, and this is her story.

Admittedly, Joline has always been a committed person; in work, relationships, in life in general. She�s a woman of her word who sticks by it no matter what. And when she marries Carl (Luke Wilson), it�s forever. The only problem is, someone forgot to tell Carl-and 597 days into the marriage, he�s gone; off to �find� himself and figure it all out. When Joline realizes he�s not coming back, she refuses to give up on him, or their marriage. Maybe it�s because of that �clay� she�s made of. Regardless, she leaves their home in New York City and sets off to find him, which she does-in El Paso, Texas, of all places. But once she knows where he is, she keeps her distance, giving him his �space� and not even letting him know she�s there. She considers Carl as being in a �spiritual coma,� and it�s her job to keep a �spiritual vigil� over him until he comes to his senses. And while she watches and waits, her life is anything but dull, as she encounters a young woman named Carmen (Patricia Velazquez), a waitress at one of the local eateries; Carmen�s �Grampy,� (Alfonso Arau), who is something of a mystic; T-Bo (Mark Ruffalo), a truck driver who has issues concerning Carl; and Neil (Goran Visnjic) an artist who makes pinatas and takes a fancy to her. For Joline, it�s a journey of discovery, during which she learns a lot about Carl, but even more about herself.

There�s a touch of humor, a touch of romance, and some insights into human nature in this quirky film that is more about characterization and character than plot. And Krueger presents it all extremely well, delivering a film that is engaging and entertaining. Her characters are very real people, with all the wants, needs and imperfections that make up the human condition; a rich and eclectic bunch through which she tells her story. We see it from Joline�s point-of-view, as Krueger makes us privy to Joline�s thoughts and therefore her motivations, which puts a decided perspective on the events as they unfold. That, along with the deliberate pace she sets that allows you to soak up the atmosphere and the ambiance she creates, makes for a very effective piece of storytelling. There�s an underlying seriousness to this subject matter, but Krueger chooses to avoid anything heavy-handed or too deep and concentrates instead on the natural humor that evolves from the people and situations that Joline encounters. And the result is a well textured, affecting and upbeat look at that thing we call life.

Heather Graham takes hold of this role from the first frame of the film to make Joline a character totally of her own creation. She immerses herself in the part and gives a performance that is convincing and believable, adding the little personal traits and nuance that makes all the difference between a portrayal that is a mere representation of a person, and one that is real. And for this film to work, it was imperative that Joline be viable and believable-and Graham succeeds on all fronts. Her screen presence has never been more alluring, and her vibrant personality or even just the way she uses her eyes, is enough to draw you in entirely. it�s all a part of the character she creates; there�s an appeal to Joline that exudes from her entire countenance, who she is inside and out. She�s a likable, agreeable person, and because you�ve shared her innermost thoughts, you know who she is. It�s a good job all the way around, beginning with the way the character was written, to the way Graham brings her so vibrantly to life.

As Carmen, Patricia Velazquez is totally engaging, as well. Her performance is very natural and straightforward, and she uses her instincts to effectively create her character. She has a charismatic presence, but is less than flamboyant, and it gives her an aspect that is attractively down-to-earth. She is refreshingly open and up-front; you get the impression that Carmen is not one to hold anything back, but is totally honest on all fronts, and that, too, is part of her appeal. And, as with Joline, this character is well written, and Velazquez brings her convincingly to life.

Overall, there is a number of notable performances that are the heart and soul of this film, including those of Luke Wilson, Casey Affleck (as Joline�s brother, Jay), Goran Visnjic, Alfonso Arau and especially Mark Ruffalo as T-Bo, who, with very little actual screen time, manages to create a memorable character.

The supporting cast includes Kim Dickens (Jenny), Clea Du Vall (Mimi), Summer Phoenix (Meg), Art Alexakis (New York Car Thief), Dylan Baker (Carl�s Editor), and Mary Kay Place (Psychiatrist). A film that says something about the value of stepping back to consider The Big Picture-reflecting upon who we are, where we�re going and what we really need-�Committed� is an enjoyable experience; a ride definitely worth taking.

It takes a certain type of person to enjoy this movie for what and who it tries to appreciate. For the extremely introspective, honor-obsessed, and non-conventional folk out there, this IS the comedy to watch. I was left falling in love with the main character sometimes reminding me of myself, or mostly of people I know and was also left with one dominate, repetitive thought: I'm not alone.

People usually associate the comedy genre with lightness, and fluffy, not-too-deep mania. (I'm guilty of it myself) It just catches you off-gaurd how deep this movie really is, and how much it reveals about the human mind and emotions. The "let down" the other reviewers speak of, is going in to see this movie, looking for the wrong things. Perhaps we've ALL forgotten that deep thoughts can be funny.

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Lisa Krueger's second feature has Heather Graham as Joline, New York club owner who is married to a struggling phographer Carl (Luke Wilson). But this film is not your usual work of romantic comedy, because it has plenty of eccentric characters. Joline is just one of them, and the strongest one, for she is a committed person to the bone. Very committed to her action and words, she lets a "band" play on the stage even if all the member except for the bass player quit the band and left for Japan.

But her belief is to be tested when her newly-wed husband left her without obvious reasons, afterwards sending only a postcard with a blurred postmark. But she has to believe what she has believed, so she decides to hit the road, goes to El Paso, and tries to find something she has been missing in her life.

The story is interesting, but you soon find that the film has little to offer except the heroine's engaging personality. However, the whole film is somehow sustained by Heather Graham's presense, which almost compensates for its meandering plot. Of course, this means that if you don't like her character, or just don't get it, you lose interest in the film, but for Heather Graham's fans, it is not a bad thing to watch this one for once.

Another merit of the film is the unique cast of the film, which includes Casey Affleck, Golan Visnjic, and Alfonso Arau as male players, but more amusing are females, the cameos of Clea Duvall, Summer Phoenix, Patricia Velasquez (one of the best players in the sequel of "The Mummy"), and Mary Kay Place, who was in the director's previous film "Manny & Lo." Whether or not they are used in the most suiable way remains a point to be dabated, but it certainly is good to see them showing up on the screen. And the photography of the film captures the beauty and climate of El Paso very well.

"Committed" is not a good film, but still has original concept and lovely Heather Graham, last of which would anyway justify my defending the film. For her fans, or those who are looking for something totally different.

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This movie hit me at just the right time. Normally I would have turned it off as the pace was a little too leisurely but the little spiritual messages it was giving me were so perfectly spot-on that I had to watch it all. The main character reminded me of myself going through a hard time, and how a spiritual experience can look like a psychotic episode from the outside. The acting was good, the characters understandable and the road trip was a lot of fun.

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I was lucky enough to catch this film on cable, and not just because I was supposed to be doing housework at the time. After seeing Jurassic Park III, Planet of the Apes (2001), and America's Sweethearts, I had come to believe there were no story tellers left in the film industry.

This film is all about story and nothing about special effects. Heather Graham is wonderful as Joline (spelling?) and pulls of the humor--which is of an ironic rather than slapstick variety--with charm and charisma.

The story is unpredictable and filled with unexpected and appreciated turns. This is a film with nuance, one that requires viewers to pay attention, and if you do, you are in for a real treat--a movie with a quality story that holds up from beginning to end.

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Weekend at Bernie's

Weekend at Bernie'sI gave this film 5 stars because it is one of those rare movies that made me laugh out loud! This is a very dark comedy about 2 idiots who find their boss dead and convince hundreds of gullible people that he is actually alive. They walk him around a resort, go boating with his remains, have parties. They even convince the hitman who killed Bernie that he's still alive! So, you guessed it, the hitman tries and tries again to "kill" Bernie. The physical humor is absolutely the best. It's a unique concept. I guarantee that you will laugh until you hurt. It's totally 80's with a great theme song sung by Jermaine Stewart. Highly recommended.

The cast is perfect and the sets, music, and all that went into this movie seem to meld to make a very funny movie. Andrew McCarthy as Larry Wilson and Jonathan Silverman as Richard Parker are a good match for co-workers at an insurance company. Larry the brown nosing party man and Richard the hard working nerd. When Richard discovers a two million dollar mistake in claims their boss Bernie invites them over for the weekend to discuss it. What happens after that is sick, demented, and funny. Any fan of "8 Heads in a Duffel Bag" and "The Whole Nine Yards" should enjoy it. This is one of those rare movies were seeing a dead person being lugged around, beat up, dropped, bareface ski, washed around in the tide, shot, strangled, and more is just plain outrageously funny.

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This is a great film to make you laugh. Just old fashioned humor, I laughed from start to finish. The corps [bernie] is great and the two guys on holiday for the weekend have unfortunatley fallen into a difficult situation and try hard to get out of it, with many histerical idea's. Certainly a film to cheer you up on a cold dark evening, my sides ached after watching it.

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Fantastic film that i first saw when i was little and i like it still. Amazing black humour, nice and relaxing comedy. After 20 years is still funny: funny actors, funny scenario and just 5 stars.

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Terry Kiser is a blast to watch as "deadbeat" boss Bernie, whose former employees -Jonathan Silverman and Andrew McCarthy -find themselves dragging him with them for an entire weekend. Don Galfa also is a treat as the hitman who makes the unusual weekend possible.

The biggest problem here is that, in order to truly enjoy the movie, you have to buy into the premise that virtually everybody on the island is completely braindead: McCarthy, who has fun beating the dead man in cards; Silverman, who can't get past constantly lying to his love interest; Bernie's mistress, who still thinks he's alive AFTER a night of passion; and an island full of people, who somehow miss the odor of a rotting corpse in their midst.

Yes, this is a fun movie to watch. Just don't engage your brain or you'll miss out on the party.

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$5 a Day (2008)

$5 a DayI was surprised to see this at the local rental barn; I love Walken and had never heard of it. How can anything with him as the comedic star be shelved like this was? Chris has it all as an actor as well as a comic presence: tight timing, wryness to spare, and an endless reservoir of sly looks and moves. Not many actors have a resume with films like Pennies From Heaven, The Deer Hunter, King Of New York, Catch Me If You Can (another fine flim-flam film (say that three times fast)) and $5 A Day, to name but a few of Walken's best.

Not to mention his many classic skits on SNL (The Continental!), where his dancing and comedic skills finally gained the huge audience they deserve. This film is no exception; it's light on the hoofing but heavy on the laughs, mainly from Walken. The script has some fine moments as do the other actors, but 5AD is all Walken's, and he's fully up to the task. He easily controls every single scene he's in; you can't take your eyes off him---the sign of a true star---and he delivers the laughs here by milking every line for all it's worth with his trademark off-beat pauses. The guy knows how to use his eyes and voice to focus our thoughts exactly where he wants them, then bang! Yet another crisp bit of humor.

He makes a perfect con man here; Nat is charmingly duplicitous, and his never-ending schemes are rarely mean or uncouth...just slippery as an eel. He sucks everybody into his weird wake, and his son Ritchie has trouble holding the many grudges he has every right to. Walken makes Nat so likable that you end up cheering him on and cracking up every time he pulls another fast one. The only question for me here is why this took two years to come out on dvd, and got such limited release in theaters. It's a sweet little comedy, and even the oddly orange Sharon Stone is quite funny in it; I have a strong feeling this will be a real cult classic as the years roll by.

If you like Walken, have any charmingly roguish family members, or just love to crack up, $5 A Day will keep you laughing until its bittersweet end.

Recommended.

For some reason, Christopher Walken attracts people. His acting style is unique and his physical presence on screen is just magnetic. He is one of the very few actors who happens to be good in both dramas and comedies. So, when I learned that he was part of the film "$5 a Day," I couldn't wait. And I have to say this movie doesn't disappoint it is smart and funny, a total delight, with Walken being responsible for much of it.

Directed by Nigel Cole, who also helmed the wonderful "Calendar Girls" (2003), this picture has been referred by some as a road movie, which may be the case. Walken stars as Nat Parker, a good-natured and hearted drifter, con artist, scam operator he likes everything for free, provided he can get away with it --, who learns that he has a brain tumor and is about to die. He contacts Ritchie Flynn (Alessandro Nivola), his only son, and asks him to take him to New Mexico for a new, free treatment. Problem is, Ritchie has problems of his own, including an imminent divorce from his wife Maggie (Amanda Peet), and being fired from his job as a Health Inspector. Needless to say, he was also recently released from jail. As you can imagine, growing up with Nat, he inherited some of his "talents." Ritchie accepts against his will, and they travel by car from New Jersey to New Mexico, making stops in Pennsylvania, Indiana, Missouri, Oklahoma, and Texas. Along the way, as expected, many things happen some hilarious --, which make Ritchie learn more about his father. Along the way, too, they visit Dolores Jones (the very sexy Sharon Stone), who happened to be Ritchie's baby-sitter, and with whom Ritchie had a crush as a kid. This is pure gold.

"$5 a Day" feels fresh and it makes you feel good. It is also tender and touching, with awesome photography by Peter Donahue. The film also stars Peter Coyote and Dean Cain. The DVD includes director and cast interviews and more. (USA, 2008, color, 98 min plus additional materials). Image Entertainment.

Exclusively reviewed by Eric Gonzalez for on September 6, 2010.

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It seems like every year or so the cinema comes out with a 'road movie' an extended revelation of character deficiencies and nobilities played out on the open road (such as 'La Strada', 'Easy Rider', 'Thelma and Louise', 'About Schmidt', 'Motorcycle Diaries', 'The Adventures of Felix', 'Central Station' etc). They usually do well at the box office as a type of catharsis for the audience. That '$5 A DAY', given an excellent script by writing team Neal and Tippi Dobrofsky, a director with the comic timing such as Nigel Cole, and one of the finest groomed casts around, wasn't a major hit is puzzling. Timing, I suppose, but at least we have the great opportunity to see this little jewel of a movie on DVD. By all means pay attention.

Richie Flynn Parker (the gem of an actor Allesandro Nivola who can play comedy as well as he handles drama) is unhappy: he is a conservative Health inspector of restaurants fired when his police record is uncovered (he had taken the rap for one of his father's capers), whose girlfriend Maggie (Amanda Peet) is leaving him because he never communicates about who he really is, and discovers a letter from his gallivanting grifter huckster father Nat Parker (Christopher Walken in a pitch perfect comedic role) who claims he is dying from a brain tumor and needs a ride to New Mexico for a special treatment. Because Flynn's life is such a mess he consents to go and he and his father set out in a 'Sweet and Low' advertising little auto. Nat shows how he can live on $5 a day by sleeping in empty homes, pulling shenanigans to get free food, entry into parties (Dean Cain plays an 'old acquaintance'), and money and gas. The two spar about why Nat was never there for Flynn, how their relationship is broken, and gradually Flynn discovers the realities of his background realities he nightly shares on voicemail to his girlfriend Maggie. Along the way the two make stops including a visit to Flynn's previous babysitter Dolores (Sharon Stone, better than ever!), a woman who knows how to bolster Nat's morale and brighten his life as well as fill Flynn in on some important truths about his parental past. Flynn questions whether Nat really is dying or is just pulling off a scam to get a trip to New Mexico. But in Albuquerque Nat meets up with an old debtor Kruger, now wealthy because of Nat's assistance years ago, and in the process of correcting problems with the past, Flynn's true identity is revealed. What began as a raw, near hostile relationship between Nat and Flynn is transformed in a very touching manner.

It is such a pleasure to jump into the trip and go along with this entertaining ride with Walken and Nivola because they are so very fine in their roles that we feel like we know them well. The balance between hilarity and pathos is excellent and the quality of every aspect of this little Indie film is first class. Highly recommended! Grady Harp, August 10

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A sleeper of a movie! Christopher Walken is fabulous. Interesting story, great characters, intriguing storyline, wonderful twists and turns. I loved this film and have shared it with many friends. The story and development of the characters is intimate, touching, enlightening and sweet. Fun, laugh out loud and tender all at the same time. Sharon Stone was sensational, too. A great surprise of a movie. I'd love to know what you think of it.

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For Christopher Walken and Peter Coyote fans, this is pretty much guaranteed to be enjoyable. Walken still has a thoroughly compelling screen presence and owns every scene. But the entire cast is solid, the writing is tight, the cinematography and direction provide a nonstop visual oasis, and perhaps all of this tends to underscore that the screenplay itself is not deep. Far from it, the storyline is very surface but yet contains enough twists and turns that the audience is subtly reminded that people's motives, good and bad, can be very mysterious indeed.

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A Fork in the Road (2009)

A Fork in the RoadWhat I'm rating here is the lead in to the movie because the producers do not allow me to skip over the filthy, subjective comments in this gross attempt at advertising. I purchased the movie because I wanted the movie. Since I paid for the DVD I should be allowed to go directly to the movie without watching any advertising. The first coming attractions were of SPRING 1941 and includes a man and a woman in the middle of hot, steamy sex. The next coming attraction is of STUNTMEN and what is pictured is a dirty old man being asked why he got into stuntwork and his answer is "Pussy". A little later a woman holding an nterview offers her opinion of real supreme as having a "Rhinoceros cock." I was throughly discusted not only with these previews but the fact that I was not allowed to avoid them and go directly to the movie. I do not feel the producer of this DVD has any right to force customers to watch these coming attractions prior to watching what was ordered. .

Found this movie on Netflix and loved it so much I had to buy it. Have lent it to friends and they bought it. It's definitely my kind of movie. If you live by Murphy's Law (What ever can go wrong, will go wrong) you'll appreciate it.

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I wrote this film with Jim Kouf, who also directed it. Jim has written some very big features and I mostly write for Network TV. A couple of years ago, Jim got wind of some guys who wanted to put a few dollars into an independent film. So Jim and I sat down and decided to write a "studio" type film that we could do on a low-budget. We wanted to make a little black comedy, with the emphasis on comedy and also something that almost the whole family could see. We had a blast writing it and it was the first time in both of our careers that we wrote exactly what we wanted without a studio or a network looking over our shoulders and telling us what we could or couldn't do. We decided to shoot it in Montana because it's pretty easy to crew-up there with excellent people. Not only that but every time you turn the camera around, you've got a shot that makes your movie look like it cost a lot more than it did. We tested the movie in both L.A. and in Montana and our test audiences all laughed in the places we thought we're funny. Plus we got over eighty percent "recommends", which usually denotes a hit. However, for some reason we never did get a theatrical release. But, as you can see, it's now on DVD. It's got a terrific cast, a mixture of seasoned comic vets and some very funny new faces. We made this film so people could kick back and have a few laughs and forget about their day. We hope that's you.

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Starts out sort of hokey but just keeps getting better & funnier as it goes along. Very entertaining & worthwhile.

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We loved it. We referred it to others. Watched it 3 x & others will probably. Great acting & plot

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Black Orpheus (The Criterion Collection)

Black OrpheusDo they clean the streets in Rio De Janeiro? Well, of course they do. When this carnival is over.

And if you watch this movie you will see that they do it very near the end of the last reel, as in the morning when the truck comes round spraying water, just one of a thousand little details that director Marcel Camus got right, and one of the most insignificant. But it is from a multiplicity of detail that an edifice of cinematic genius is constructed.

The true brilliance of Black Orpheus lies in the people who live on the side of the cliffs overlooking the harbor at Rio. It is their energy that prevails. Then there is the color, the costumes, the pounding rhythms, the spectacular vitality of life that is depicted as a carnival of dance and song in which we are driven along as on a wave. And yet there is the constant reality of death. And it strikes in ways we cannot comprehend, fatalistically, and we are helpless to do anything about it. And then Orpheus sings, a new Orpheus perhaps, and the sun rises again, and a little girl in white, looking like Eurydice in miniature, begins to dance as the little boy Orpheus plays his guitar, telling us that time has come round again.

Well, that's the plot as adapted by screen writer Jacques Voit from the play by Vinicius d Moraes as divined from the Greek mythology. Supporting this arresting conception is the music by Antonio Carlos Jobim and Luis Bonfa. I recall the former as the composer of bossanova who gave us "The Girl from Ipanema" and made the samba international. Starring in the title role as the streetcar conductor who is loved by all is Breno Melo, who might be seen as the natural man and native of paradise. The very pretty Marpessa Dawn plays Eurydice, an innocent from the country who falls in love with Orpheus and his song. Lourdes de Oliveira plays his intended, Mira who is hot blooded, vital and beautifully ordinary. But the actress I recall most vividly from the time I first saw this in the sixties was Léa Garcia who played Serafina. Her exuberance and comedic flair struck me as something completely different from anybody I had ever seen before. And then there are the boys who follow Orpheus around and emulate his every move. With their torn shirts and unflagging optimism, they represent the new day that will dawn.

If you haven't seen this strange and beautiful film, you are in for a singular experience. There is nothing else like it that I know of. And it is as fresh today as when it was made almost half a century ago.

--Dennis Littrell, author of "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!"

A lot of people were surprised when this won for Best Foreign Language Film at the 1959 Academy Awards. It hadn't been widely seen, except for winning at Cannes, it was a French director with a Portuguese-language film, with a black cast. (I've been to Rio and there's no racism, though some class-ism and other political nonsense). I saw this film in the 60's and loved it for its sincerity and profound lesson. I was in high school, and didn't really know much about the Orpheus legend. I was taken in by the narrative presented by Marcel Camus, and never forgot it. I subsequently visited Rio, and watching this film is most interesting, because it's about real people (not what the tourists see), but the exquisite photography not only shows vast vistas of Copacabana and Ipanema Beaches, but vivid colors, as well as how seriously the Cariocas regard "Carnaval". Bruno Mello (Orpheus) was a handsome soccer star, and a fine actor. Marpessa Dawn, as Eurydice, is really excellent (according to liner notes, she was from Pittsburgh). A real natural. An interesting thing to notice is that, even when looking though an open door, there are great shots of the beaches, Rio's finest feature. I also attended a Macumba ceremony while there, and the one depicted in the film let me know that mine wasn't a fake. Then there's the brilliant score by Jobim and Bonfa, which, by now, has become standard/classic. The music truly carries the film, the acting is first-rate, and the use of color by cinematographers Louis Stein & Rene Persin is breath-taking. This is indeed a great film with humor, a few scares, great love story, and just about everything anyone would want. The music alone will entertain; everything else is like a fine sauce over an excellent entree.

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A wonder-filled whirl of color and sound, this movie will provide a boost for the hopeless romantic. The never-ending love story of Orpheus and Eurydice is regenerated in "modern" Rio during Carnival. Beautifully photographed with an excellent sound track, this movie is a must-see for any serious film connoisseur.

Links to the original Greek tragedy will test your knowledge of mythology and the trip to "Hades" with its voodoo incantations will stick in your mind like a fever-induced dream. The beauty and rhythm of this film will make you think of your first true love, and, if you're one of the lucky ones out there, make you glad you never let that person go.

I first saw Black Orpheus in New Orleans. One of my life's fondest memories is viewing this film at a local repertory theater. Whenever there were carnival street scenes, balcony-bound moviegoers would let loose with Mardi Gras beads and doubloons, adding to the carnival atmosphere.

Also, although I have a copy of the subtitled Orpheu Negro, which I would never part with, I have seen a dubbed version, only once and then on television. I would very much like to acquire a dubbed copy. Can anyone out there help? I remember there being much more to the story line revealed with the dubbed version. (For example, when at the pawn shop, as patrons are passing the guitar down to Orpheus, they are saying, "This is for Orpheus. This is for Orpheus." This phrase is transposed from person to person into "This is Orpheus. Here's Orpheus.", giving the guitar mystical properties and seeming to make it the embodiment of the spirit of Orpheus. Inscribed on the guitar are the words "Orpheus is my master."

I would give this film my highest recommendation and would encourage anyone to view it at least one a year.

rmelhorn@aol.com

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The classic film that brought Brazil's bossa nova music to the world outside, this was a wry modernist update of the classical Greek myth of Orpheus and Euridyce, the starcrossed lovers whose passion could not be denied, even by all the powers of Hell. The film is adapted from a bold stage play written by Brazilian poet Vinicius De Moraes, who enlisted a then-unknown Antonio Carlos Jobim to compose the classic bossa tunes that stud the films soundtrack. In this version, Hell is a blend of the futurist modernism that created Brasilia, the sterile and unappealing new capital of Brazil, and the heedless bacchanalia of Carnaval; Vinicius's vision of the lower rings of Hades as a bureaucrat's office is a stroke of pure genius. I first saw this film when I was in high school; viewing it again as an adult steeped in Brazilian popular culture, I certainly got a lot more out of it. Although some Brazilians (prominently, Caetano Veloso) chafe at the fact that this version was directed by a European, director Marcel Camus, I think it's still safe to say that it is a brilliantly made film. Heavy on the textual symbolism and, yes, a bit voyeuristic in its depictation of the happy natives dancing to their catchy samba rhythms, but brilliant nonetheless. It also captures a moment in time -Brazil's transition into a modern nation, and the heady days before the 1964 coup -in a way that is precious and ineffable.

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This movie explodes onto the screen in a riot of color, music, dancing and drama so intense that it blows our minds. It's a retelling of the ancient Greek myth of Orpheus and Eurydice, brilliantly transplanted to the favelas of Rio de Janeiro during Carnival week. The pulsing samba rhythm throughout the movie is so hypnotic that more than once I had to get up and dance while I was watching it at home. And what else could be more hypnotic than Brazil during Carnaval?

"Black Orpheus" brings us a marvelous cast of black actors lead by Breno Mello in the title role and Marpessa Dawn as Eurydice; she is fleeing Death in the form of a sinister stalker and takes refuge with her cousin Serafina, winningly played by Léa Garcia. But Orpheus has a fiancée in the persona of Mira, a sexy bombshell played by Lourdes de Oliveira, who doesn't appreciate Orpheus falling in love with the beautiful and desperate Eurydice. Mira and her friends are the Furies relentlessly hounding Orpheus in the middle of Carnaval, while he tries to protect Eurydice who is being relentlessly stalked by Death. But Death and the Furies are too strong for both of them, and Orpheus can only be reunited with Eurydice in another world.

The marvelous setting in the hills above Rio, the vibrant cinematography, and above all, the brilliant samba music by Luis Bonfa and António Carlos Jobim, all come together to work on our senses until we are totally caught up in the film. This movie is not so much for watching as for experiencing. And even after all the tragedy, we leave the film on a positive note watching the exuberant dancing by three very young children, who remind us that in the midst of death we remain gloriously alive.

Judy Lind

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Solitary Man (2010)

Solitary ManThe film follows Michael Douglas as he comes to grips, or doesn't, with his age and the fact that his personal life as passed him by. The movie begins with Douglas receiving the news that he needs some test performed on his heart because his doctor has some concerns. Time then flashes forward six years, where Douglas is now divorced with a daughter in her early 30s (played expertly by Jenna Fischer), a grandson who is five, and a girlfriend (Mary Louise Parker) who he is using for her father's power. Hints are dropped that Douglas was involved in some sort of scam that caused him to lose his extremely profitable business and threw him into a scandal that destroyed his reputation. The rising action begins when Douglas must escort his girlfriend's daughter to his alma mater for the weekend. While in Boston, Douglas makes a terrible decision that threatens to unravel whatever life he has left.

Though this film received little attention, I thought that it was absolutely excellent and worth an Oscar nomination (being that they're handing them out willy nilly now). Susan Saradon plays Douglas' ex and does so expertly with just the perfect amount of anger, pity, and old love. Douglas plays the philandering 60+ year old who still thinks he's 20 perfectly. The end of the movie leaves people guessing, but can also be used as a conversation starter and had me thinking about the film long after I left the theater.

Customer review from the Amazon Vine Program No one does loathsome charm like Michael Douglas! In a career filled with oily characters, Ben Kalmen is easily one of the more reprehensible creations that Douglas has fleshed out. Seemingly without one redemptive character trait, "Solitary Man" doesn't shy away from the ugliness, desperation, and fear that fuel Kalmen's self destructive bent. And as much as you may despise the man, Douglas manages to convey enough humanity and humor to keep you hoping for more. It's an intricately balanced role and Douglas deftly handles its challenges. If you're not with Douglas for good and bad, than you will likely find "Solitary Man" quite unpleasant. Douglas had me, however, and backed by a solid and wildly appealing supporting cast--"Solitary Man" became an amusingly direct look at a man dealing with his own mortality.

With a brief introduction, we meet Douglas as a successful man facing a possible health crisis. Fast forward six years. Douglas is now broke, unemployed and practically unemployable due to a scandal, divorced, and carrying on with a woman for her business connections. He's an aging lothario who seems to be actively working to estrange himself from his family and his closest friends. The thought of not living life on his own terms has caused him to systematically deconstruct everything that was once successful and lovable about his old persona. Douglas is fearless as I mentioned above and his trysts with younger, and some patently inappropriate, women range from comical to quite unsettling. Douglas ultimately does have to start addressing his shortcomings, but is it too little and too late?

While Douglas may be difficult to like--he is certainly surrounded by a plethora of people who still care. The film shines in its supporting cast. I'd single out Jenna Fischer (TV's "The Office") as Douglas's daughter who in many ways is the heart of this piece and Jesse Eisenberg as a youth idolizing Douglas who is the hope of the film. Both are terrific--perhaps Fischer's best work to date. Mary-Louise Parker, Danny Devito and Susan Sarandon also lend solid support. Ultimately, "Solitary Man" may be too slight for some viewers--there are no big declarations and/or revelations. As a character study, it is a fascinating look at a flawed individual making bad choices in order to feel relevant and alive. To see this cast at work, that's all I needed! Not for everyone--but those that like "Solitary Man" will like it a lot. KGHarris 9/10.

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"Solitary Man," stars Michael Douglas, who plays Ben Kalman, a middle-aged man whose annual physical triggers a self-centered need to recreate his youth. He throws off all responsibilities in his life. He was a very successful luxury car dealer, happily married and set for life. The doctor's recommendation to have more tests on his heart shocks him visibly with fear of dying. He does not want to know more or take tests to find out what the diagnosis is.

Over the next six-and-a-half years, Ben transforms into an unappealing pathetic soul as one by one friends and family cut him off. He continues begging people for money and jobs, plus finds time to get into complicated sexual situations with a friend of his daughter as well as the daughter of the woman he is currently dating. His career in a mess and he is a loser with every woman he meets. He cannot find pleasure in positive things, and in the end he is alone, a "Solitary Man."

Somehow Douglas makes this unappealing character real, and the movie is a fascinating drama-comedy.

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"Don't know that I will but until I can find me

A girl who'll stay and won't play games behind me

I'll be what I am

A solitary man

A solitary man"

Neil Diamond

It has been said that the role of Ben Kalman was made for Michael Douglas. Could be, there are similarities of the behaviors from what I have read. However, Michael Douglas made this man, Ben Kalman come to life. No doubt, no question.

Ben Kalman has always been the man in the middle of the room, that everyone stared at. The man everyone wanted to know. As a car dealer, he built a business that was the best in New York State. He appeared on the covers of all the right magazines and all the right television shows. Until that day when a physician told him he had something not quite right on his electrocardiogram. He had already started to feel invisible. I think he meant that all the attention was no longer on him. So, he became a real lady's man, bedding whatever female he met. This led to a divorce from the only woman, he ever really loved, Nancy, played by Susan Sarandon. And, he became an absent father to his daughter, Susan, played by Jenna Fischer. But, of course, daughters forgive and she is in and out of his life. Ben has an affair with a rich woman, Mary-Louise Parker. Her father has strings and can open avenues for a new car dealership. Her daughter, wants to go to the same college Ben did in Boston and Ben brings her there to talk with the Dean and smooth things out. As things fall apart, so does Ben. But, as always, he thinks he can charm his way out of anything. In the end, Ben has to make decisions, and does he make the right ones?

A film of a man who is alone, lonely, fills his life with younger woman, wine and song. He forgets what matters in life, and even though his best friend, Danny Devito, tells him like it is, Ben doesn't see. Michael Douglas plays Ben as the man everyone wants to be, the man who would beg for rent money from his daughter, and finally as the man who needs to face himself. Probably one of Michael Douglas's best performances. He was a contender!

Highly Recommended. prisrob 09-23-10

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SOLITARY MAN is either a depressing movie or a movie about a depressing society until the film is over and afterthoughts dredge up memories of very similar people. Then it simply becomes a Greek tragedy. Writer Brian Koppelman introduces a character that is all charm and façade who begins to take himself seriously (believing the false front that has lead him to a 'successful' life) after a routine physician's check up reveals an abnormal EKG. Facing the ultimate fragility of life and the insight that his last years may be approaching more rapidly than he ever thought possible, our 'hero' begins a downhill skid and the effects. It is a march that is sad to watch, but due to the sensitivity of directors Brian Koppelman and David Levien and to the impressive performance by Michael Douglas, it stays imprinted on the brain long after the film's subtle ending fades.

Ben Kalman (Michael Douglas) is the person of interest in this story, a man who six years prior to the opening of the film is informed of his mortality, and in the last six years this car dealer has gone form disposing of his honest reputation to the point of participating in scams, being arrested, bedding every 19 year old girl he can, losing his money, divorcing his wife (Susan Sarandon), losing the respect of his daughter (Jenny Fischer) whose husband requests she not see her father nor expose their son to him, cheating on his girlfriend with important family ties (Mary Louise Parker) by inappropriate activity with her daughter (Imogen Poots), and being refused financing despite his friend (Ben Schenkman) attempts on his behalf. He finally ends up on the campus where he met his wife, meets a shy student (Jesse Eisenberg) and in attempting to give him lessons about how to attract women unveils an even more ugly aspect of his position, and finally meets up with his only friend from college days the local pub man (Danny DeVito) who may never have reached the heights of Ben but has remained an honest and caring friend. How all of these errors of judgment and despicable behavior catch up with him frames an ending for the film one that leaves the audience to decide if he has indeed learned form his missteps.

Not a happy story and while billed as a comedy/drama, it is the drama that usurps the comedy. Michael Douglas hands this role with complete involvement: would that we could only care about his character. The stars attached to the cast give excellent cameos. For a 'downer' film it is well done. Grady Harp, September 10

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