Showing posts with label romantic comedies movies. Show all posts
Showing posts with label romantic comedies movies. Show all posts

On Approval (1944)

On ApprovalThis is a sophisticated, light comedy of the highest order. It works at every level: acting, directing, pacing, production. Especially for those who tend to appreciate the often higher caliber expertise of movie-making out of the 1940s, this movie will be bright and fresh. It holds its own with the best of that era, yet is so rarely seen today that even connoisseurs of sophisticated satire and gentle wit scarcely know of its existence. For anyone who enjoys ironic word plays, playfully disparaging witticisms, and occasionally biting satire upon upper-class manners -all done in grand style -this movie is a joy to experience. The DVD release corrects the sound and other technical problems of the VHS version, allowing the movie to be recommended without reservation for those who appreciate this style of comedy. Don't miss this one!

I won't recap the storyline, but will only add to what others have said. On Approval is an extremely amusing comedy of upper class British manners. It is wickedly malicious without being mean-spirited. The four leads play off each other flawlessly. Clive Brook, who also wrote and directed the film, is priceless as an aristocrat who finds it entirely reasonable to take his pleasures at the expense of others.

Brook is largely forgotten now, but he was a major British actor in his time. He made only one movie after this, 1963's List of Adrian Messenger. At 76 he could still command the screen, even when sharing scenes with George C. Scott.

The DVD's look and sound is very good.

Buy On Approval (1944) Now

A subtle, overlooked English treat, "On Approval" is top high-brow English comedy in the vein of Oscar Wilde and Noel Coward. Though the British upper-class reserve is ever-present, it's integral to the comedy, with the proper English language employed like a rapier. It's also a rare cinematic opportunity to see Clive Brook and stage comedienne Beatrice Lillie in action. Sophisticated, irresistible fun.

Read Best Reviews of On Approval (1944) Here

This is one of the best comedies ever made. An absolute romp through the 19th century outlooks and the problems encountered by four improbable companions two of whom are looking one another over with the prospect of marriage. The witch, so to speak, of the four makes the movie. Her performance as the hard to get along with rich widow is magnificent. The rest of the crew do a great job as well. The ending is not what is expected but it is a happy ending which makes the movie even more fun.

A must see movie for all comedy fans, especially romantic comedy.

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In 1943, Clive Brook, a good British actor, produced, adapted and directed this early 1920's comedy of manners by Frederick Lonsdale. It stars Brook, as well as Beatrice Lillie (in one of her few film roles), Googie Withers and Roland Culver. Brook changed the setting to late Victorian England, which serves the material even better than it did in the early 1920's, when the original play was to have taken place.

The basic premise: Maria Wislack (Lillie) is a widowed woman of 41 who's very exacting. George, the 10th Duke of Bristol (Brook) is poor and down on his luck, despite his title and his very dry, exacting nature. Richard (Culver) is in love with Maria, but hasn't the funds or the courage to propose marriage. Helen (Withers) is in love with George, but she cannot get George to think of her as a possible bride.

Maria gets Richard to propose with the understanding that they go off to her house in Scotland for one month's trial "marriage", on approval. What transpires is each finding out much more about each other.

The dialogue is bright, dry and wicked, at times. Brook did a wonderful job adapting the play, directing the film and working with the designers to produce wonderful sets and costumes. Everything's absolutely perfect about the production....except for one small complaint. Googie Withers is a terrific actress, but she's playing an American in London and Wither's British accent is all wrong for the part.

This film has become one of my favorite films...good for repeated viewings. This Image transfer is perfectly acceptable, without it being a proper restoration.

Highly recommended....if for no other reason, for you to see the legendary Beatrice Lillie in one of her very few film roles.

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The Stunt Man

The Stunt ManThe Stunt Man has always been one of my favorite movies. It contains some of the best work of Peter O'Toole's, one of England's great actors. A young Barbara Hershey is, like the candy bar, good enough to eat and Steve Railsback delivers a great performance as the paranoid fugitive/stunt man. When this movie first was released, it was one of the most unique films I had ever seen. A rare blend of action/adventure, comedy, satire, and love story, it defied simple categorization. Although today we are much more knowledgeable about movie making techniques and thus can shoot a few more holes in the story, "The Stunt Man" holds up pretty well to the test of time. After watching it countless times, I still marvel at the witty dialogue and clever plot twists. It is not your typical Hollywood formula movie.

Perhaps the most enjoyable parts of this new DVD are the special features. The director's audio track and the companion disk "The Sinister Saga of the Making of the Stunt Man" finally shed some light on the trials and tribulations that Richard Rush encountered while making and releasing this film. If you loved the movie like I did, you must see this recent (2000) look back by the director on his greatest movie accomplishment. It includes recent interviews with many of the stars. It is interesting to hear how this project affected them and their careers. If you have never seen "The Stunt Man", you owe it to yourself to do so. You won't be disappointed.

There are just some movies in your life that really speak to you--that connect to you on some emotional or intellectual level in a very special way. "The Stunt Man" from director Richard Rush is such a film for me. Released in 1980, this ode to movie making is a challenging, intelligent, incisive and fun film that very few people saw upon its initial release. After a 10 year preproduction struggle by Rush, a tumultuous shoot, and no support from a studio that didn't care about the film--it was essentially dumped with no fanfare. Even star Peter O'Toole has commented, "The Stunt Man wasn't released, it escaped." But with amazing clarity and foresight, the film was surprisingly awarded with three major Academy Award nominations--Best Actor for Peter O'Toole, Best Director for Rush, and Best Screenplay for Rush and Lawrence Marcus. In the years that have followed, the film has attained a cult status and a legion of faithful fans (myself among them). In fact, I have seen this film probably 15 times and it was the first (really!) VHS tape I ever bought--now that's dating me!

To relate the plot of "The Stunt Man" in a concise way is to deny the subtleties and intricacies that really distinguish this as a bold and unusual work of art. But here's a brief synopsis. The film begins as a convict, played by Steve Railsback (Charles Manson in "Helter Skelter"), makes a break from the cops who are transporting him. Fleeing into the neighboring seaside village, he stumbles onto a film set where a tragedy that will likely be investigated has just struck. To avoid police intervention, the film's director (Peter O'Toole) embraces Railsback and identifies him as the company's stunt man who was just involved in an accident. It seems an ideal setup, as Railsback needs a new identity and the film production needs to account for the missing stunt man. As the film progresses, Railsback learns about movie making, becomes infatuated with the leading lady (Barbara Hershey), and starts to suspect that O'Toole has sinister ulterior motives.

The beauty of "The Stunt Man," which may be one of the most delightfully "inside" films about the industry ever made, is that it works on so many different levels. You could aptly describe the film as a drama, a comedy, a thriller, and action picture, a romance, a satire of filmmaking, and a study of truth versus illusion--what is reality? Seriously, it is successful in every one of these fields. Add breathtaking action sequences, a wickedly funny and literate script, and bravura performances--and this mini-masterpiece truly stands the test of time. Hershey and Railsback are terrific, but O'Toole steals the show as the megalomaniacal director! Anyone who loves movies, and the art of filmmaking, should find much merit in "The Stunt Man." But make no mistake, as much as I will defend this as a great film--you, in no way, have to be a film snob to enjoy it. This film is deliriously entertaining and a wild ride!

This film carries my highest recommendation to movie lovers of all ages. While maybe not one of the 5 "best" pictures ever made, it is easily one of my 5 most enduring "favorites." Check it out. KGHarris, 02/07.

Features (some old, some new) for the newest 6/7/11 2-disc Special Edition DVD set):

* Audio Commentary With Writer/Director Richard Rush, and Stars Peter O'Toole, Steve Railsback, Barbara Hershey, Alex Rocco, Sharon Farrell and Chuck Bail.

* The Maverick Career Of Richard Rush Exclusive New Featurette

* Peter O'Toole Recounts The Stunt Man Exclusive New Featurette

* Devil's Squadron Exclusive New Featurette With Steve Railsback And Alex Rocco

* Barbara Hershey On Nina Franklin Exclusive New Featurette

* The Sinister Saga Of The Making Of The Stunt Man Feature Length Documentary By Richard Rush

* Theatrical Trailers

* Deleted Scenes

Buy The Stunt Man Now

There are just some movies in your life that really speak to you--that connect to you on some emotional or intellectual level in a very special way. "The Stunt Man" from director Richard Rush is such a film for me. Released in 1980, this ode to movie making is a challenging, intelligent, incisive and fun film that very few people saw upon its initial release. After a 10 year preproduction struggle by Rush, a tumultuous shoot, and no support from a studio that didn't care about the film--it was essentially dumped with no fanfare. Even star Peter O'Toole has commented, "The Stunt Man wasn't released, it escaped." But with amazing clarity and foresight, the film was surprisingly awarded with three major Academy Award nomination--Best Actor for Peter O'Toole, Best Director for Rush, and Best Screenplay for Rush and Lawrence Marcus. In the years that have followed, the film has attained a cult status and a legion of faithful fans (myself among them). In fact, I have seen this film probably 15 times and it was the first (really!) VHS tape I ever bought--now that's dating me!

To relate the plot of "The Stunt Man" in a concise way is to deny the subtleties and intricacies that really distinguish this as a bold and unusual work of art. But here's a brief synopsis. The film begins as a convict, played by Steve Railsback (Charles Manson in "Helter Skelter"), makes a break from the cops who are transporting him. Fleeing into the neighboring seaside village, he stumbles onto a film set where a tragedy that will likely be investigated has just struck. To avoid police intervention, the film's director (Peter O'Toole) embraces Railsback and identifies him as the company's stunt man who was just involved in an accident. It seems an ideal setup, as Railsback needs a new identity and the film production needs to account for the missing stunt man. As the film progresses, Railsback learns about movie making, becomes infatuated with the leading lady (Barbara Hershey), and starts to suspect that O'Toole has sinister ulterior motives.

The beauty of "The Stunt Man," which may be one of the most delightfully "inside" films about the industry ever made, is that it works on so many different levels. You could aptly describe the film as a drama, a comedy, a thriller, and action picture, a romance, a satire of filmmaking, and a study of truth versus illusion--what is reality? Seriously, it is successful in every one of these fields. Add breathtaking action sequences, a wickedly funny and literate script, and bravura performances--and this mini-masterpiece truly stands the test of time. Hershey and Railsback are terrific, but O'Toole steals the show as the megalomaniacal director! Anyone who loves movies, and the art of filmmaking, should find much merit in "The Stunt Man." But make no mistake, as much as I will defend this as a great film--you, in no way, have to be a film snob to enjoy it. This film is deliriously entertaining and a wild ride!

The Limited Edition of the DVD also contains the feature length documentary--"The Sinister Saga of Making The Stunt Man." This is a fascinating look at the trials and tribulations of getting "The Stunt Man" to the screen by a writer/director with no intention of compromising his vision. I recommend this edition while it's still available, the journey of this film is a tremendous and impressive story! And Rush is easy to admire and like.

This film carries my highest recommendation to movie lovers of all ages. While maybe not one of the 5 "best" pictures ever made, it is easily one of my 5 most enduring "favorites." Check it out. KGHarris, 02/07.

Read Best Reviews of The Stunt Man Here

Peter O'Toole, Barbara Hershey and Steve Railsback are superb in this movie. Railsback is a Vietnam vet who accidently kills a copy and stumble upon a WW I movie being shot by O'Toole, who plays the director. After his stunt man is killed, O'Toole blackmails Railsback into becoming his stunt man, and Railsback thinks O'Toole is trying to kill him.

Barbara Hershey as Railsback love interest looks gorgeous. O'Toole is amazing. Not your usual, predictable Hollywood plot. A very special movie worth owning for repeat viewing.

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An image so vivid that unlike any previous blu-ray I have purchased to date, I had to dumb-down my monitor from "vivid" to "standard" to compensate, which is a good thing as the reduction in contrast subdues the occasional film grain which is evident quite often but short-lived, such as when Director Rush presumably zoomed in on the film negative for a close-up in post-production as an afterthought rather than having done so 'in camera' during the shoot. Though the original mix was mono, discrete surround sounds are quite evident from time to time. After enduring the poor print quality of the laserdisc pressing it's good to see Rush's beloved film get its due on blu-ray, both of which are well worth the upgrade if you're a big fan like myself, but if you're not and already have the two-disc Limited Edition, you won't find enough of a difference to warrant this upgrade to blu-ray.

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Youth in Revolt (2009)

Youth in RevoltYouth in Revolt is the adaptation of C.D. Paynes cult book by the same title. It follows the storyline of his first three novellas (later combined into a single book) that follow a young man by the name of Nick Twisp, who after discovering the love of his life does whatever he must to stay with her.

The film itself is a far cry from the hilarious prose of the witty novel that inspired it. However by itself, Youth in Revolt is surely a great romantic comedy, and Michael Cera's best performance to date. If you are looking for a short, well-directed, well-acted and hilarious romp then look no further. This is a movie I think all movie buffs should add to their collection and one that sadly went unnoticed in theaters.

After you watch the movie, if you find the characters entertaining I highly suggest picking up the books. They are a light read, very entertaining and even more well-crafted than this short feature film.

Two Thumbs Up!

Well, it's been a long wait, but Youth in Revolt is finally hitting the big screen in a wide release. And it's worth the wait. I laughed through just about the whole movie. And before I get deep into the review, I have read the book. So let's get into it.

BAD:

1. Quite short. A 90 minute romp through a 500-page novel. What?

2. CUTS! Many characters from the novel such as Apurva and Fuzzy hve been severed from the movie. Maybe Apurva was cut from them film to emphasize Nick's love for Sheeni. But Fuzzy's cut? He's the whole reason they can go to the French boarding school in Act II. What?

3. No Carlotta, really! If you have read the book you know what I mean with this.

That's it for the bad.

GOOD:

1. Hysterical! Does this really need an explanation? It's funny!

2. Animation sequences. These occur at certain points in the film to facilitate scenes. Very creative!

3. Good Acting/Cameos. The film has very good acting. Michael Cera and Portia Doubleday really steal the show. Also, they have an ensemble cast of cameos, such as Fred Willard and Steve Buscemi. Very well acted.

4. Quite faithful to the novel. Miguel Arteta did good with the novel. No new characters were introduced, only cuts.

Overall Score: 9.0 out of 10

A ten, but not really any Carlotta and no Apurva or Fuzzy. And, way too short.

Buy Youth in Revolt (2009) Now

This is a film that seems strange at first watching, but after a second viewing the movie is absolutely hilarious. Similar to films like "Little Miss Sunshine" and "Observe in Report," "Youth in Revolt" is an indie-esque movie with amazing performances praising its great source material. This is my favorite film with Michael Cera, and he definately displays all of his talent in this movie. The ability to play two distinct personalities that do not seem as if they are the same person, is a quality that makes Cera a fine actor. The supporting cast is perfectly formed with actors like Buscemi and Justin Long. I disagree with the critical reviews saying that Cera and Doubleday have no chemistry. Their chemistry is practically flowing out of my big screen and spilling onto the floor. And then I'll have to call Stanley Steamer to clean the chemistry off my rug. Anyway, what makes this a five star film follows:

*Hilarious script due to source material

*Every actor perfect for the role

*Amazing soundtrack that's worth buying

*The indie flavor to the film

*Crisp cinematography

*Animations and claymations(very creative way to move through a scene)

Is it worth getting on blu-ray you ask? Absolutely! The picture looks astonishing. The special features kind of lack, but there's enough to satisfy the casual Blu-rayer. Youth in Revolt is not for everyone, but it's one of my favorite comedies. Now I'm definately drawn to the C.D. Payne books. I'll be satisfied if they're half this entertaining.

Read Best Reviews of Youth in Revolt (2009) Here

*** This review may contain spoilers ***

I really wanted to like 'Youth in Revolt' since it began with a likable protagonist, Nick Twisp (in another typical Michael Cera 'insecure with woman' role) and his love interest, Sheeni Saunders (played by attractive newcomer, Portia Doubleday). Also in the mix is a quirky supporting cast including such luminaries as Steve Buscemi, Zach Galifianakis, Ray Liotta and Justin Long.

One is immediately drawn to Nick and Sheeni with their intellectual discussions focusing particularly on film (Nick loves art house Japanese director Ozu and Sheeni is a committed Francophile, with a particular infatuation for the famed French actor Jean-Paul Belmondo). You would never guess that Nick and Sheeni were so cerebral and liberal minded. considering the background of their parents. Nick's mother Estelle has taken up with a low-life boyfriend, Jerry (Galifianakis) who has just sold a lemon of a car to three sailors who want their money back. Jerry and Estelle with Nick in tow, take off for Clearlake (California) where they spend the week in a beat up trailer. Later Jerry has a heart attack and dies and Estelle takes up with an obnoxious Oakland police officer. Meanwhile, Sheeni's parents, who are more middle class, also happen to be fanatical fundamentalist Christians and won't let Sheeni keep 'Albert', a mangy mutt that Nick has purchased for Sheeni.

All of the offbeat banter and characters proves pretty engaging for the first thirty minutes of the film until Nick invents an alter-ego character, Francois Dillinger to help him win Sheeni's heart (he also must contend with Sheeni's preppie boyfriend, Trent Preston, who seeks to undermine Nick at every turn). The alter-ego assisting an insecure male in an attempt to woo a seemingly unobtainable love interest calls to mind the Woody Allen classic,"Play It Again Sam". You'll recall that the 70s comedy also features a lovable loser who must call upon an iconic film figure to help transform himself into a character who is decidedly confident with women. Play It Again Sam works because the alter-ego is Humphrey Bogart, who not only represents the apotheosis of male confidence with women but also the 'bad boy' who refuses to dispense with his ethical principles despite all the temptations (in Play It Again Sam, Bogart plays Rick, the good guy cafe owner from Casablanca, who saves the girl and defeats the Nazis).

Youth in Revolt, on the other hand, unfortunately gets it all wrong. Dillinger, with his pencil thin moustache, is also supposed to be a 'bad boy', attractive to women. But unlike Bogie, he's ethically challenged. He ends up advising Nick to "blow up half of Berkeley". Nick listens to his wilder, demented half and ends up crashing Jerry's Lincoln into a restaurant, causing a fire. Nick's now a wanted man (or rather a juvenile delinquent wanted by the police). Nick does more sorry things.

After going to the exclusive French private girl's boarding school where Sheeni has been exiled by her parents, Nick meets Bernice Lynch, Sheeni's next door neighbor at school, and tells her that Trent has been badmouthing her. In order to get back at Trent, he convinces Lynch to place sedatives in Sheeni's drinks. Sheeni ends up getting expelled after constantly falling asleep in class.

Since Dillinger is so unlikeable and Nick constantly takes his advice, we lose complete respect for the protagonist. Unlike Woody Allen, who through Bogart's advice becomes self-actualized, Nick becomes completely unhinged. At the end of the film, Nick attempts to stage his own death by pretending to be in a car that falls off a cliff. The bungled stunt is seen for what it is in front of a few local police officers who observe Nick fleeing in his underpants. What kind of moral are we supposed to take away from this film? That committing crimes are advisable, leading to success with women? In the end, even Sheeni has lost her sheen. She falls for the pathetic Nick and appears to acquiesce in his misbehavior. It's Sheeni who reassures him that he'll only do three months in the slammer.

Nick has more than one sidekick in 'Youth in Revolt' and they're all underdeveloped. His best friend Lefty has little screen time and by watching the DVD extras you can see that the rest of his scenes were left on the cutting room floor. Better is the second sidekick, Vijay, an Indian from South Africa played by the talented Adhir Kalyan who I predict we will see more of in the years to come. Vijay has a few amusing bits when he accompanies Nick in his foray to Sheeni's boarding school. He's also seen in an animated sequence while he drives with Nick in his grandmother's car. Finally there's Paul, Sheeni's brother, who Nick bonds with for a short time over a bunch of psychedelic mushrooms.

While the quirky characters which I alluded to before are initially engaging, they are all so underdeveloped that by the time the film concludes, we care little about them. Buscemi is particularly left high and dry in his one-note depiction of a constantly angry parent who finds himself unable to connect and bond with his alienated son.Youth in Revolt does have some rather neat 'claymation' animated sequences, highlighted during the opening and closing credits. Coupled with an effective 'folky' soundtrack as well as clever editing, 'Youth' comes across better for its look rather than its content.

I don't know how the films' backers could have allowed the scenarists here to so easily undermine the solid character of the films' protagonists. This could have been a simple story about an insecure, geeky kid who gains confidence with women by inventing and then following the lead of his own 'bad boy' creation--a bad boy however, that still has some heart and soul. Unfortunately, the alter ego has no class and it makes little sense that the 'good kid' would choose to go down such a dark path.

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There aren't very many adaptations of books into film that manage to not to wreck themselves. I am very happy to say Youth in Revolt does not mangle the book, but in fact adds a layer of realism and earnest emotion that the book strays away from.

Youth in Revolt is a teenage fantasy coming-of-age story set in central and northern California, about one young man's quest for love. Beyond this basic setting, we have no other cues to tell us when the action is happening; the protagonist Nick uses a computer that looks like it's from 1992, the teenage characters all speak with Shakespearean wit, and everyone seems to regularly write letters and keep journals. (Like I said, it's a fantasy.)

This otherworldly element was fortunately imported in from the original book. Another spectacular motif that was thankfully maintained is showing the extreme lengths teenage guys will go for love; some of the more twisted elements of the novel (like Nick drugging his girlfriend so she is expelled from school and forced to go back to her hometown, also where he forced his father to move) ring true to the source material. Which I think is really commendable and brave on the filmmakers' part; not many studios would make a movie where the character we are supposed to sympathize with pulls that kind of stunt, even in the name of love.

What the film does even better is bringing this often-fantastical story back down to earth. Eventually Nick's crimes (yes, they are crimes) do catch up with him and he is forced to reconcile with his past, while in the book he is able to skirt it yet again. In literature though, disbelief is much more easily suspended than in film, so it is refreshing to see this problem actually brought to light for a medium in which that plot development is simply implausible.

The film also humanizes the actions taken by the characters. Both the young lovers, Nick and Sheeni, pull some pretty bad s*** throughout the course of the story. Exhausted with the situation, Sheeni eventually tells Nick that she can't put up with Nick's shenanigans any longer. "I'm tired of being alone." He thoughtfully replies, "I've been alone all my life. That's why I'm doing this." A real motive is fueling their love, not just the boredom of disaffected youth (which appears to be the case in the novel).

One minor (unrealistic) critique I have of the film is how comparatively minor in scope the movie is when looking at the novel. The original is an epic 500-page trilogy of books (bound together in one volume) and deservedly so; Nick goes through a lot to finally win over Sheeni. I had been expecting similar treatment for the film (clocking in at at least 2 1/2 hours?) but alas, my contemporary American epic can apparently be told in 90 minutes. Still, I'm amazed they pulled off the stellar project they did.

This movie seems perfect for our contemporary era of culture and sophistication re-entering the base requirements for courtship. The characters (convincingly) discuss arthouse film and dress fashionably (but affordably). Despite its more fantastical elements, this film still seems incredibly weighted and a more realistic depiction of teenage life (well, mine anyways!) than the typical teen sex comedy fare you get in the multiplexes. By far the best high school film in recent memory, and one of the best movies of 2009.

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Piranha: Roger Corman's Cult Classics (1978)

Piranha: Roger Corman's Cult ClassicsWhere would we be without the venerable Roger Corman? Lovers of B-movie madness would likely have a lot more time on their hands to read books, interact with family, or take part in generally otherwise fulfilling life experiences had old Rog chosen a different career path. Fortunately, or unfortunately as the case may be, Corman sat out in Hollywood for three or four decades making low budget exploitation films. He also tried to cash in on every movie fad in modern cinema. And I do mean EVERY fad. You see, Roger had a dream to take an idea and make a profitable picture out of it that would entertain the masses. The problem was that someone else invariably had the idea first. Thus Lucas's "Star Wars" allowed Corman to unleash "Battle Beyond the Stars" on an unsuspecting public. Car chase movies saw Roger replying with "Grand Theft Auto" and "Eat My Dust." I could go on and on. There wasn't anything Corman couldn't do with someone else's idea. Perhaps the best example is "Piranha," a 1978 ripoff of Spielberg's "Jaws." This film made our man a lot of money, which allowed him to make even more spectacular ripoffs for years to come.

The flick starts with a couple of kids breaking into some sort of rundown fish hatchery for an evening swim. Something in the water kills them. End of movie. Seriously, something rather nasty does do away with the two idiots. We then see an insurance investigator by the name of Maggie McKeown (Heather Menzies on loan from Julie Andrews) heading out to discover what happened to these two dolts. She rather quickly hooks up with an embittered alcoholic with a penchant for flannel named Paul Grogan (Bradford Dillman channeling Grizzly Adams) who lives in a cabin down by the river. Somehow or other Maggie convinces Paul to head over to the fish hatchery with her. Sure enough they discover that something sinister has been going on there under the aegis of Dr. Robert Hoak (Kevin McCarthy). How do we know this? Because there's lots of nasty looking scientific stuff lying around all over the place. Anyway, Hoak eventually lets our two heroes in on a little secret: the government paid him a bunch of money to create a breed of piranha as part of some weapons program. Personally, I'm for anything that keeps communists out of our swimming pools, lakes, and rivers.

While all this nonsense goes on we know the piranha have escaped from the hatchery (thanks Maggie and Paul!) and are preparing a full-scale assault on the human race. A few locals fall prey first, but the real threat is the summer camp and an aquatic park downriver. Just to ratchet up the emotional element of the film a bit, we also learn that Paul's daughter is currently attending the camp. Oh dear! It's a race against time as Paul and Maggie set out with the twitchy Dr. Hoak in tow to stop the madness. As for the folks at the camp and the park, they haven't a clue as to what's about to happen. The only concern at the camp is the fascistic machinations of Mr. Dumont (Paul Bartel), a guy who takes great joy in ordering kids into the water and snooping on the foxy female counselors. At the water park, the owner plans on making a bundle on opening day and couldn't care less if a battleship full of exposed nuclear waste sailed into harbor. You can pretty much guess what happens in the last part of the film. Screaming, blood in the water, and a lot of out of shape Americans in unflattering bathing suits thrashing around on the beach in agonies. Fun!

I don't know whether to laugh or cry with this one, folks. Lots of people adore this film, and I probably would to if I'd seen it as a wee lad. I didn't, and I'm not that impressed. The swarms of piranha zipping through the water look so like the pieces of plastic they are that it's tough not to snicker. It's even worse when we see them up close chattering away on an exposed leg or belly. We're definitely looking at cheesefest central on a buck and a half budget here. At the same time, I did find a lot to like about the film. Seeing veteran horror babe Barbara Steele popping up from time to time as a government scientist named Dr. Mengers was a nice surprise, although she's largely wasted in the role. Kevin McCarthy plays frazzled well, and the script requires him to morph into a sniveling wimp for most of his screen time. Heck, we even see Richard Deacon (Mel from "The Dick Van Dyke Show") in a small role as Maggie's boss. Can't beat that. The talent behind the camera is moderately impressive too considering the budget. Joe Dante directed this flick, and John Sayles wrote the script. Both men went on to greater success, Dante with "Gremlins" and Sayles with "Eight Men Out," "The Howling," and several other mainstream movies.

Extras on the disc include a commentary track, extra footage, bloopers, and a few other odds and ends. Corman apparently took this film, or at least a similar concept, to television in the mid-1990s. If so, I haven't seen that version and thus cannot make a comparison. If the remake, or retread, or whatever it is looks and sounds like this movie, more laughs await us. Corman continues to churn out pap at an alarming rate, and has even recently inked a deal with Disney that will release his entire catalogue on DVD and keep it in circulation until the sun burns out. I've dogged on Corman quite a bit, but I do appreciate his films. If nothing else they are entertaining, and this one definitely works most of the time.

Joe Dante's Piranha is a very humorous spoof and a fine homage to Steven Spielberg's classic Jaws. Though plagued with poor acting from Bradford Dillman, Heather Menzies, and Keenan Wynn, this is definitely not the type of film that you would ever take seriously. The inside film jokes and cinema references add a lot of intelligent spice to the film's proceedings, but it is the cheesy yet effective special effects by Phil Tippett (Robocop) that make Piranha a must see for mosnter movie buffs. Watch out for the obviously fake piranha as they make a spectacular bloddy debacle of a children's summer camp. The DVD edition of Piranha has many elaborate features including a Joe Dante commenty, a making-of-documentary, film bloppers, and other theatrical trailers of Corman films. P.S. Joe Dante would later go on to direct such horror classics as The Howling and Gremlins.

Buy Piranha: Roger Corman's Cult Classics (1978) Now

A justifiable cult classic, PIRANHA boasts an impressive pedigree. Oscar nominated screenwriter John Sayles; director Joe Dante (Gremlins); and some fine character actors: Bradford Dillman, Keenan Wynn, Dick Miller, Paul Bartel, Barbara Steele. The attacks are vicious and quickly paced so you don't pay too much attention to the cheesy special effects. There's satire about the military as well. There are some good suspense sequences, and I almost forgot: Body Snatcher's Kevin McCarthy is on board as the misguided scientist. The best of the subsequent spinoffs, PIRANHA is a great little horror classic.

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Jaws (1975) frightened a whole generation of people out of the water. Why? Because of the very real elements within the film, being that there are sharks in the oceans, and occasionally they do attack people. Do they ever get as large as the one in the film? Possibly...regardless, the fear was real enough...fast forward to 1978...prolific B movie director/producer Roger Corman, in an effort to capitalize on the immense popularity of the film Jaws, released Piranha, directed by Joe Dante (Gremlins, Innerspace, The `burbs) and written by John Sayles (The Howling, Wild Thing), which, while didn't elicit the response anywhere near that of the film it borrows from, still provides us with a great deal of entertainment (genetically altered super fish just didn't come across with the same level of realism as a giant man-eating shark).

The film stars Branford Dillman, who, along with his extensive television credits, appeared in scores of films like Escape from the Planet of the Apes (1971) and The Swarm (1978), to name a couple. Also starring is Heather Menzies, who appeared in films like The Sound of Music (1965), SSSSSSS (1973), along with various television shows throughout the 70's. Rounding out the cast are Kevin McCarthy (Invasion of the Body Snatchers), Paul Bartel, Barbara Steele (Caged Heat and Shivers), Melody Thomas Scott, and character actors Dick Miller and Keenan Wynn.

The film opens at night with two victims, er...I mean backpackers in a hilly area (somewhere in Texas, as we find out later), who happen to come across a seemingly deserted facility surrounded by a large fence, and signage stating `Military Testing Facility' and `Keep Out' (it seemed pretty clear to me, as I could read it, but these two knuckleheads completely missed it, bringing to mind the old adage, `if it was a snake, it would have bit you'). Anyway, lunkhead number one and lunkhead number two, looking for a place to camp for the night, decide this looks promising, and make their way past the fence to find a large, in-ground cement pool. Do you think it contains piranha? And do you also think said piranha are hungry? I do, on both counts, especially given that it's the title of the film. Anyway, they decide to go swimming and quickly discover the pool contains more than water. We also learn the facility isn't entirely deserted...

Apparently someone cares about these two now missing backpackers, enough so to hire private investigator Maggie McKeown (Menzies) to look for them. While initiating her search in the general area, she find a shack occupied by Paul Grogan (Dillman), a divorced, reclusive, mass alcohol consuming (every five minutes he's swilling from a canteen, but never actually seems to get drunk) outdoorsman type, who she basically enlists to aid her, despite his protests, in her search. They find the deserted military facility, which was once some sort of breeding farm for fish, and decide to drain the large pool in hopes of finding clues. As they throw the switch, they get attacked by a wily old man (his name is Dr. Robert Hoak, played by McCarthy) as he freaks out learning that the fish have been released into the river system. The manage to subdue him, and he speaks of his experiments, specifically his genetic experiments for the military in creating a super breed of piranha, meant for use during the Vietnam conflict, but since the war ended, the program was terminated, but apparently no one told Dr. Hoak. So now the highly aggressive and carnivorous super fish are in the local river system. And they're hungry...and breeding...

For a B movie, this tends to one of the better ones I've seen. Even here you can see that Dante has talent in directing, despite what I am sure was probably an extremely tight shooting schedule (Corman always kept this aspect tight). Sayles provides a better than average script for this type of outing, and the actors present enjoyable performances. I do tire of the whole `government and/or big business conspiracy' cliché that is so often used in films of any type to move the plot along, as it tends to indicate a lack of imagination (just look at some Steven Segal movies, specifically On Deadly Ground (1994) and The Patriot (1998), for a couple of examples). I especially liked the scenes with Keenan Wynn speaking of how much the river gives him, and also the scenes with Dick Miller, who plays the sleazy real estate agent and proprietor of Aquarena, an entertainment water park that recently opened along the river. He's got one of the more memorable scenes in the film when his assistant approaches him about piranha in the waters, and he asks, "What about the godd@mn piranha?!", to which the assistant replies, "The piranha...they're EATING the guests, sir". Paul Bartel also makes a great appearance as an uptight director of a summer camp located on the river (do you think a big part of their program involves swimming?). The special effects are quite good (no CGI work here) and there is a good helping of blood and underwater scenes with the fish tearing flesh off hapless victims.

Presented here is an excellent looking full screen print (Dante claims this is the original aspect ratio of the film, but the titles appear to be in wide screen format). Special features here are copious, including a commentary track by director Dante and producer Jon Davidson, original theatrical trailer, a blooper reel, a short `Making of' documentary, cast biographies, a reproduction of the original Theatrical Marketing Guide, an eight page booklet titled `The History of Roger Corman, and trailers for some of Corman's other films including Grand Theft Auto (1977) and Humanoids from the Deep (1980), among others. If I learned anything from Piranha, it's that if you are warn authorities about mutant piranha loose in a populated waterway, you're better off crying toxic waste, as they not apt to believe the piranha thing.

Cookieman108

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As a kid growing up on all the classic monster films on TV, this low-budget Roger Corman creature feature was always one of my favorites. As a teenage video collector in the 90's, I found this to be nearly impossible to find on VHS. Now as an adult in my early 20's, I own not only the video but have recently picked up the DVD and what a trip down memory lane, this "special edition" was for me.

"Piranha" is Corman's answer to "Jaws", a bad genre film that takes joy in being a bad genre film. When a private investigator goes looking for two missing kids at an old army test, she unwittingly releases a school of mutated killer piranha into the town's river system. With the help of a local mountain man, the two try to warn everyone from the military to a local resort. As is always the case in these films, the military has another agenda and they don't want the truth revealed.

Over the years, "Piranha" has earned a reputation as a true cult classic. With a great script from John Sayles, an amazing musical score from Pino Donaggio, and tremendous performances from underrated actors like Dick Miller, Keenan Wynn, Paul Bartel, and horror legend Barbara Steele, "Piranha" is the ultimate "nature goes wrong" B-movie.

My only real complaint about this DVD is that it is presented in a full-frame format (though the opening credits are finally presented in widescreen as the other way cuts the names pretty badly). Well, that and the fact that they didn't include any of the added footage from the original network TV version. Those complaints aside, it is good to hear director Joe Dante (who went on to direct "Gremlins") and producer Jon Davison reminisicing on the filming of this movie. Not to mention, the added value of seeing lots of never-before-seen footage from the making of the film. If you loved this movie growing up or are just a fan of the classic "creature feature" titles, this is a must-have.

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Cheaper by the Dozen 2 (2010)

Cheaper by the Dozen 2I truly enjoyed this movie and wouldn't hesitate to allow some of my young children to see it! There is no foul language, and dating and first crush situations were handled very tastefully and even with a flair of innocence about them! I happen to be the oldest of 7, my husband is one of 8, and together we have 5 children so we are very much pro big families. It is very refreshing to see a positive story involving not one, but TWO large families! In this day and age where society pushes the idea that 1 or 2 children makes the perfect family, this movie gives the viewer a fairly accurate glimpse of what life can be like with many more siblings. Of course there will be times of difficulty and disagreements, but there is also plenty of love to go around, and this is the ultimate conclusion of this movie in BOTH families! There are many lessons to be learned in this film not the least of which is the need to have a clear vision of what is more important in life. Both fathers in this story are struggling with competitiveness that has become an obsession, but I found it truly moving when Steve Martin's character chooses to forfeit the final tie-breaking event because of the potential risk to his 9-months-pregnant daughter. His was the choice of a true champion, and in the end, both fathers come to recognize that their families are so much more important than winning another trophy! What a truly refreshing message to families and young people who are being bombarded with messages of "me first" and "look out for number one!"

I most certainly do not regret the time and money spent to see this film! If you are tired of all the sex, violence and gore present in so much of today's movie choices, I suggest you give this film a try. It is rare to walk out of a movie theater feeling uplifted, but that is exactly what this film did for me!

I was basically shocked as all heck when I saw a trailer for this movie on TV over the holidays. Given the modest success of the first film, I was surprised they were going for a sequel. I was even more shocked that the bigger stars like Hilary Duff and Tom Welling returned for this, but somehow the timing was good enough for all fourteen original characters to reprise their roles.

After seeing "Cheaper by the Dozen 2" quite a few times in the theater this Christmas, I have to say that it was very nicely done and certainly outdid the 2003 film.

It's not anything that's going to win an Oscar or be discussed in passing years from now, but then again it wasn't trying to be either of those things. It was released as a clean, lighthearted movie, ideal for a day at the movies with the kids over the holiday break from school, and I thoroughly enjoyed every minute of it.

Don't get me wrong, I watched the first "Cheaper by the Dozen" in 2003 and liked it well enough. But right off the bat, the one element of this sequel that sets it gloriously apart from the original, and that's the general attitude of the Baker children. Remember how bratty they were three years ago, treating their parents like dirt, treating one another like dirt, and pulling juvenile pranks left and right? Well, now they're a little older, they get along with each other, and they're actually nice to their parents. It makes for a much more relaxing and enjoyable viewing experience with less children screaming and acting up.

The premise for this sequel finds Tom and Kate (played perfectly, once again, by Steve Martin and Bonnie Hunt) finding that with their three oldest children stepping out of the nest and the remaining nine becoming more involved in their own activities, it would be a good idea to get the whole family together for one last summer at the lake house. Sounds good....that is, until we meet Jimmy Murtaugh (played quite nicely by Eugene Levy), who has a large family of his own and is determined to strike up another heated competition with his longtime rival Tom Baker.

As I said before, the Baker kids are much more likable this time around, and each are presented differently in the film. First off we have:

Nora, who is now married (not to Ashton Kutcher, haha) and pregnant with her first child. Perabo does a nice job here; she and her husband are funny and sweet to watch together, and Perabo contributes to a very heartwarming final scene at the end of the movie.

Charlie, a college student working to pay off loans and trying hard to please his parents, all while attempting to figure out his "next move" in life. "Smallville" star Tom Welling puts forth a good and modest performance, just as he did in the first film.

Lorraine, whose graduation opens the film and introduces her plan to pursue an internship in New York in the fall. The return of the infamous Hilary Duff is probably the most surprising part of the movie, but it was nice that she came back for this and helped get the sequel made. Her number of scenes are small and spread out, and she seems a bit bored most of the time, but Lorraine has a few nice interactions with younger sister Sarah that help demonstrate Duff's ability to get into character, an especially notable feat with such a large cast.

Henry, Jake, Mark and Mike, the four middle sons, who aren't given much to do in this movie except a few lines here and there.

Sarah, the third-oldest preteen daughter seeking her own independence and developing her first crush on none other than one of Jimmy Murtaugh's sons. Roger Ebert said it, a myriad of other big-time movie reviewers have said it, and I'm not going to deny it: Young actress Alyson Stoner delivers what is arguably the movie's most heartfelt and well-done performance in this role. The scene where she goes out on her first date literally brings tears to my eyes every time I watch it, and even though the storyline about a tomboy plunging head-first into adolescence and finding her very first crush is nothing new, it is still something that practically every woman can relate to. It's a somewhat cliched character analysis, yes, but Stoner plays it so sweetly and with such youthful innocence, she absolutely makes the entire movie. This actress really comes into her own with this role, and I genuinely hope to see more from her in the future.

Twin daughters Jessica and Kim, too, don't have much of a personal storyline to play off of, but actresses Liliana Mumy and Morgan York do well enough with what they are given. The only thing I'd have to say about them is that the writers clearly tried way too hard to give them witty lines and funny things to say in unison (e.g. "Lay off, Dad!" and "We agree to participate!") and in the end it didn't quite work. The little girls playing the parts are cute, though, especially the red-headed Liliana Mumy. She's another one with a distinctively expressive personality and cute face that could land her roles in other movies.

The two youngest Baker kids, identical twins Kyle and Nigel, probably stand right behind Alyson Stoner as the next best thing about the movie. Those are the same adorable faces you see on the television series "Desperate Housewives," and even though they don't have much to do in this film either, they melt your heart whenever they come onto the screen.

Steve Martin and Bonnie Hunt do a terrific job in their scenes, as well; both of them seem custom-made for the roles as nurturing parents, and they work very well together as on-screen husband and wife. With all the chaotic events going on with the kids, the two of them portray a very special lesson for viewers with the amazing love that they still have for one another. Eugene Levy and Carmen Electra round out the main cast, both playing their roles with humor and ease, and all in all this is a nice movie that handles its overwhelming cast much better this time around. The 12 kids were basically a train wreck in the first movie, running around and getting into all sorts of trouble, but now they are more fleshed out and established in the plot. It is funny, appealing, and yes, even touching, all while outdoing the original 2003 film and remaining more than ideal for parents to enjoy with their children.

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Depending where you at when you watch this flick, but if you're on your ski vacation, then watching this film you'll forget that your snowboard is outside and that it's cold, because the film concerns a family vacation at a lake around labor day.

Steve Martin is funny as always and there are a few new lines and ideas. And sure there are a couple of stupid scenes that should have been left out, but not too bad so that your 8-year old can probably still watch it without asking too many questions. Eugene Levy (probably not as well known by his name to too many folks) is excellent and I like him goofing off even more than Martin for the most part.

The storyline is about two extended families that apparently had a type of rivalry going on for many years, and now they meet at that particular lake again and on labor day they have a family competition there and so on. While Martin plays the loving Baker dad who's not too well off financially, Levy plays the now wealthy Murtaugh dad who's on his third marriage (with Carmen Elektra as number 3) and who owns most of the land around the lake.

The only problem I can see is that much of the fun is predictable, but there are still a number of hearty laughs. It's a relaxing family movie and you just wish that it was summer out there and you too could go for a swim and/or so some water skiing in a lake instead of the apres ski. Well, this movie is an opportunity to take your popcorn and relax during this busy holiday season, and to have some clean fun for the most part.

Read Best Reviews of Cheaper by the Dozen 2 (2010) Here

This movie was funny and family friendly. Anybody of any age would enjoy it. It's clean, and you don't have to worry about your young kids seeing/hearing stuff that you don't want them to hear. It is rated PG for very mild language. The "p" word is said once. However, I still think it would be ok to let small kids see it.

I know that there are probably some actors or actresses in this movie that people don't like, but I think that fact can be overlooked. It's a good movie worthy of at least renting. I saw it in theaters and I didn't regret it.

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This movie is one of my favorite movies of all time. Now I loved the first one, it is still one of my favorites. But this one is so good. I really like the storyline on this one. It has a good story and it goes into detail with some of the kids who you didn't really get to know in the first one. Like Sara Baker. It goes into detail about her. This movie is very funny and when it comes out, I'm going to buy it. I recommend this movie to anyone.

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Old School (Unrated and Out of Control!) (2003)

Old SchoolI just saw this movie about three hours ago, and I have to say it is the best movie I've seen in the theater in a long, long time. The starring cast is unbelievable, as Luke Wilson (from 'The Royal Tenenbaums' and 'Legally Blonde'), Will Ferrell (SNL funnyman/'A Night At The Roxbury' star), and Vince Vaughn (from both 'Made' and 'Swingers') star as three married buddies who begin a fraternity; or something like it. And along with the three stars, there's a great list of supporting roles and cameos. Including Sean William Scott (Stifler of 'American Pie'), Andy Dick, CBS Late Late Show's Craig Kilborn, and Jeremy Piven. And once you get past the long cast list, you have a very funny movie. As the movie starts, you get a glimpse of each of the three stars and their lives; as far as their marriages go. Then as it turns out, none of them are really happy.

And as Mitch (Luke Wilson) gets divorced and moves into a frathouse near a college, they decide to start a fraternity. But it's not like any old club on campus--for this one you don't even have to go to the college. Anyway, as the film roles on, you can imagine what (and if you saw the previews, you get the gist of it) they do. They drink, party, and slowly drift away from the lives they have with their wives. And I have to say, out of the three star performances, Vince Vaughn's was the best. Will Ferrell's certainly is the funniest, but Vince was great. He sort of carries in the same swagger-style he had in the riotous movie 'Made'; something that works very well for him. I don't want to give too much away, but I will say that the previews don't even begin to prepare you. It's definitely not one of those movies that is only funny in the previews. The laughs portrayed there are multiplied by 100, at least.

For those of you who saw 'Road Trip' you'll not be let down with 'Old School'. And being that it's from the same director (Todd Phillips), that makes sense. But this one is better. Much better. This time around the director takes it to a whole new level. And the characters are more well-rounded here than they were in 'Road Trip'. The slogan of the movie says it all: "All the fun of college. None of the education." I think that speaks for itself.

So I could leave you here saying that if you liked 'Road Trip' you will like 'Old School'; and that's it. But that's not true. This is not just a "teen cult" movie--or whatever they're calling it these days--it's much much more than that. It's a hilarious movie with an astonishing/almost too hilarious cast that will keep you laughing even through the closing credits (courtesy of Ferrell and Vince). And it's not every day I put an exclamation point on my review titles, much less two. I gave the movie 5 stars because that's what it deserves. It's a 5 star movie, there's not getting around it. And again, if you saw the previews and you laughed (or even thought about laughing) then you need to see this movie. There's so many great lines and so many awesome scenes that I couldn't even begin to list them; I wouldn't know where to start. Go see this movie.

This movie is hilarious, and I would give the movie itself 4 our of 5 stars. But there is hardly any difference between the unrated cut and the R rated cut of the movie. When you have topless women on the menu and on the back of the cover, one might be mislead to think there was tons more nudity, when in reality there are 2 brief scenes with any type of nudity (besides will ferrel's butt scene). This movie could have easily passed the R rating cut, as the unrated thing is nothign but a marketing ploy. I bought the movie for laughs and definately not for sex, but for someone who does, the "UNRATED AND OUT OF CONTROL" part is quite misleading.

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"Old School" brings back the fun and irreverence of the days of "Animal House" that so few movies seem willing to revisit. Comedy these days seems built around 'paint-by-numbers' formulas or 'let's see how much we can gross people out' shock characteristics. Current releases like "Boat Trip" and "Bringing Down the House" fall in the former category while any movie involving Tom Green or the Farrelly Brothers falls into the latter category. In "Old School", it's refreshing to see a movie that takes a 'devil may care' attitude with its plot and characters while also have the common sense to push the envelope where appropriate without ever crossing the line (following "Animal House's" lead).

In "Old School", Mitch (played by Luke Wilson) is depressed after a breakup with his longtime girlfriend. He moves into a new house near the local college campus and his two best friends, Beanie (Vince Vaughn) and Frank 'the Tank' (Will Ferrell) decide to cheer him up by using his new house to throw a wild 'freedom' party. In a party complete with nubile co-eds, binge drinking, and a performance by Snoop Dogg, the party becomes legendary and draws the ire of the college dean, who just happens to be some nerd that Mitch, Beanie, and Frank tormented in high school. He attempts to take the house from Mitch by claiming it can only be used for campus-related events. This sparks Beanie's imagination to create the most unorthodox fraternity in existence to circumvent the dean's ruling. From there, "Old School" engages in the type of 'us against the administration' hi-jinx that made "Animal House" such a riot.

Will Ferrell gives a performance worthy of John Belushi with his Bluto-esque take as Frank the Tank, whose relapse back into his college days fractures his brand new marriage. Yet, it doesn't seem to affect Frank too too much. Ferrell, as witnessed by his years on Saturday Night Live, is one of the more gifted physical comedians performing today. He has the lunacy of a Jim Carrey without any of the pretentiousness or self-importance that seems to plague Carrey. Vince Vaughn gives another winning performance as a typical, sleazy salesman type who remains just enough on the side of respectability that you still like the guy. It's classic Vaughn. Luke Wilson's performance isn't quite as memorable, but his lovable-loser demeanor fits the role of Mitch perfectly. There are a number of other supporting characters that, while barely more than one-dimensional, make this film a winner (Blue, the 80-year fraternity pledge is a personal favorite).

With world events becoming more somber and depressing and with movies becoming increasingly disappointing, it's quite a relief a no-frills good time can be had at a theater. "Old School" lets the audience feel that kind of relief.

Read Best Reviews of Old School (Unrated and Out of Control!) (2003) Here

I was expecting a good movie when I went to see "Old School," but I wasn't expecting something THIS good. This movie is, simply put, absolutely hilarious, and it's got lots of brains and heart to go with the goofball humor. I'm not really into lowbrow comedies, but "Old School" is a very intelligent take on the typical fratboy fare. The humor is goofy, but witty at the same time, and there are even some real emotions on display. The plot revolves around three thirtyish friends who start up a fraternity with some local college students, and it gets a nonstop stream of laughs out of the idea of guys trying to reclaim some of their lost youth. Will Ferrell is especially great as the loopy Frank, whether he's shooting himself with a tranquilizer dart at his friend's son's birthday party, setting himself on fire trying to jump through a hoop, or belting out an unforgettable rendition of Kansas's "Dust in the Wind" at the funeral of an elderly pledge. The underrated Luke Wilson makes a perfect straight man as Mitch, and Vince Vaughn is the picture of intensity as Beanie. It's really too bad this movie doesn't seem to be getting much attention. I don't go to the movies much anymore, but this one was more than worth the trip.

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I know, I know, the plot for this film has been rehashed from "Animal House" and countless other college debauchery flicks, but so what? OLD SCHOOL is a hilarious romp of scintillating and titillating proportions, a 90-minute mad dash of sight gags, crude one-liners, and tongue-in-cheek zaniness. If college fraternities were really like this I never would have left academia (well, I did have my own "eight-year-plan," but that's another story).

Three thirtysomething buddies (Luke Wilson, Vince Vaughn, Will Ferrell) decide to revitalize their lives by cranking up a college fraternity whose members are not required to be students at the local university. Of course, such a blasphemous act draws the ire of the college's administrators (insert "Animal House" plot here), and accordingly, the fledgling frat must do battle with the corrupt, unscrupulous establishment. Sure, this ground's been covered before in countless other movies, but OLD SCHOOL adds its own loony spin of mayhem--from concrete blocks tied to fragile appendages, to eye-opening mud wrestling.

While OLD SCHOOL's cast, from top to bottom, is excellent, Will Ferrell dominates this film (much like Dangerfield in "Caddyshack," or Belushi in "Animal House"). As Frank "the Tank" Ricard, a newlywed with a party animal mentality, Ferrell's over-the-top antics are bust-a-gut, roll-on-the-floor funny. Ferrell, whether he's streaking or performing a gymnastics floor exercise, carries this film like a fullback with a football.

If in fact we equate entertainment with escapism (which I do), OLD SCHOOL delightfully fits the bill. You'll forget the problems of the day with this puppy, and you'll have fun in the process.

--D. Mikels

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Coming to America (Special Collector's Edition) (1988)

Coming to AmericaNo doubt at all that, 'Coming to America,' is one of Eddie Murphy's finest movies of all. A true comedy classic, this film will have you rolling from start to finish at the zany characters and performance throughout.

The DVD itself, on the other hand, leaves much to be desired. As far as extras go the only ammenity offered is 1 lousy trailer. Also, the video transfer itself is far from pristine and the Dolby 5.1 audio track sounds like it could still be sweetend up. Sure, i suppose the fact that this DVD was authored back in 1999 may explain why the disc comes across as a bit primitive in terms of bells and whistles, but with that being said, it's high time for a proper re-release to do this comedy classic some audio-visual justice!

This is one of my all time-favorite African-American movies. First of all, Eddie Murphy is hilarious (in all of his roles). Arsenio Hall is a perfect foil for Eddie's hijinks. Eddie let his full range of talent show in this film; he played an innocent person who grows into a mature adult right in front of our eyes and realizes that there is a price to pay for love; whether or not you are born into royalty. This is one of those movies that a person watches over and over again and ends up reciting the lines as the movies is playing. James Earl Jones and Madge Sinclair are wonderful in this movie as well as the King and Queen. Madge Sinclair was one of the world's best actresses and I miss her greatly. She tells James Earl Jones "put a sock in it, Geoffrey, the boy is in love." Nobody can deliver that line to a black king, except a black queen. John Amos, (whom I have loved since Good Times), is a great actor as well. He plays the part of a black businessman so well, and as a father he takes no stuff off of the King. He tells James Earl Jones, "I will break my foot off in your royal _____); now that's a ghetto father for you. James Earl Jones knew where to draw the line with Cleo McDowell.

I also like the fact that the Kingdom of Zamunda was filled with kindness, and the people were happy, the royal family was truly wealthy and had everything. You know, this movie is truly a fantasy and helps us escape from our everyday lives. Just to see the Queen and King eating breakfast and talking to their son on a "speaker phone" because the table is so long, is funny. The King and Queen taking their entourage to Queens when they received the telegram to send $1 million to Semmi who had spent up all his pocket change is one of my favorite scenes. That music that is playing during the sequence when the entourage arrives in Queens is so wonderful, moving and swirling, I am buying the soundtrack just to get that song. When I get married, I would like that song to play as my "court" walks down the aisle before me.

All the cameos in this movie are great as well. Nobody can play a doped-up thug like Samuel L. Jackson; Samuel is a natural at playing a killer. Also, Louie Anderson was funny, so was Eriq LaSalle, and Alison Dean.

Now the guys in the barbershop have to be taken from classic characters in the black community. In all the black neighborhoods I have been in during my whole life; there has got to be a black barbershop full of men eating, talking stuff, and cutting hair. When "Clarence" says that Martin Luther King, Jr. ran up to him and hit him in the chest, I just crack up, cause Martin Luther King, Jr. was a prophet of non-violence. And, Eddie Murphy playing a white man is too funny, and a Jewish white man on top of that. Now, that takes creativity; and comic genuis, and Eddie's got it. And, Arsenio's portrayal of Rev. Brown is right on target, there is always some country preacher in the neighborhood that comes to every event, eats up the food, and blesses the weddings, blesses the children, and buries the dead.

One of my favorite parts is when Lisa tells Prince Akeem, she cannot marry him; because he lied to her about his identity. That made Akeem grow up very fast, and learn that nobody; no matter who he is, can buy love.

The clothes in this movie are also wonderful. Deborah Nadoolman did a great job showing how royalty would dress in a foreign country where it is warm, Also, how they would dress in Queens during the winter; those fur coats Madge Sinclair had on were fantastic and so were the suits worn by the King himself. His coat of an entire lion's skin was dramatic and the diamond eyes on that lion's head were cool.

The ending this cinderella story was great, love did really win out in the end.

Well, I could go on and on about how much I liked this movie but, I am going to stop now. Get this movie and keep it in your video collection so you can watch it and laugh over and over.

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A charming, polished and original comedy featuring a great performance from Murphy and some memorable laughs. Some of my favorite scenes are:

when they all get up from the leather couch and there is soul glow grease all over it from where their heads were ("Just let your Soul GLLLOOOWW!!").

when Samuel L. Jackson robs the McDowell's restaurant that Murphy and Hall are working at. The ensuing scene between Jackson and Murphy is classic.

when Murphy gets his hair cut off in the barbershop (Snip. "that'll be 10 dollars").

that "She's Your Queen to Be" song.

There are so many more scenes that I love that I could mention. A must-see!

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Eddie Murphy has made many great movies (Beverly Hills Cop, Trading Places & The Distinguished Gentleman) but Coming to America is his very best. This movie is so funny and I never get tired of watching it!

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Hilarious tale of an African prince named Akeem (Murphy) and his royal servant (Hall) who head off to the United States in search of the perfect Queen. After deciding to go to New York City (they saw that the city had a borough named "Queens"), Akeem becomes a pauper in order to woo the perfect woman (Shari Headley) to become his wife.

Although the film had many pre and post-production problems (director Landis almost walked off the set due to a fight with Murphy; Murphy was successfully sued by columnist Art Buchwald for "stealing" his idea of an African prince who goes in search of a wife) the final production is pure comic genius at it's best. Undeniabley, Murphy is the king of a thousand faces. Just like his success in doing multiple roles in such films at the "Nutty Professor," in this film he plays 4 roles.

Besides Akeem, Murphy is hysterical as the barbershop owner, the old Jewish man who frequents the barbershop, and finally as the talentless singer Randy Jackson (who performs with his band "Sexual Chocolate"). Makeup artists Rick Baker does a spectacular job as always when creating the different personas.

Shot mostly in New York, this happens to be Murphy's last great comedy during his years at Paramount. Most of his later films such as "Harlem Nights," "Distinguished Gentleman," and "Another 48 Hours," were not big box office hits. With a recent string of hits produced by Imagine/Universal, Murphy is back to his comedic genius.

Keep an eye out for a pre-"ER" Eriq LaSalle as Daryl, the Soul-Glo King, and Samuel L. Jackson as a guy who holds-up the McDowell's (not "McDonald's"--watch the film to understand why) restaurant. Other celebrity players such as James Earl Jones, Louie Anderson, and Frankie Faison give the film more comic momemts. Also, several band members of the great funk group "Cameo," appear as members of the band "Sexual Chocolate".

Before Martin Lawrence, there was Eddie Murphy. Check out this film to see one of the greatest comic geniuses at work.

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Anchorman: The Legend of Ron Burgundy (Unrated) (2004)

Anchorman: The Legend of Ron BurgundyI LOVED this movie when I saw it in the theatre over the past summerso I was pumped to see an "unrated" version come out on DVD.

Whomever was in charge of putting this DVD together yanked a huge chain on this release. I had expected the "unrated" version to be funnier than the theatrical version which I thought was one of the year's funniest movies, because in general, "unrated" cuts have been better than the "regular" release.

This "unrated" version skips a couple really great monents from the theatrical version, one instance is when Carell's character "Brick" utters "I ate a big red candle" during the party hangover sequence and they replace it with a joke that's nowhere near that great non-sequitor. Near the end of the film they edited out Ferrell's lines just before he picks up the phone in the bar (something about "once being an anchorman")which was more in line with the film's plot/angle than the new scene of Burgundy eating cat poop. A TERRIBLY UNFUNNY ADDITION.

The crapper of it is, the unrated DVD has different and admittedly better extras than the theatrical DVD release, so to actually get the theatrical cut(which is a better cut than the unrated version) the customer gets screwed if they want the better extra features. lame.

in all actuality this review would be 4 for the movie, and 1 for the way this fiasco was put out on DVD.

This limited edition version which is only at sale at a certain retail chain and here evidently features a interesting box with a 'diary' of Ron Burgundy and trading cards. The package has two blu ray discs with a unrated version of the movie and a made for dvd flick as well. I don't know if they will release this modern classic comedy on a regular blu ray without the extra film but certainly the packaging will be different after this edition sells out. Making it a collectors edition. This imo is a modern classic comedy, the movie just does everything right , it's funny and has great acting from everyone involved and it features the golden age of news anchorpeople the seventies, that was the decade when women really made inroads into the field and laid the groundwork for all the top anchors that would follow. The seventies too are always a great decade to have a comedy in, it's the predigital age (1980's-) and things were in someways better than today for sure, others not. but at least they didn't have bad rap music to contend with.

The characters are real enough not be believable too, after all the seventies was THe decade of excess and personal out of control freedom gone amuck. The blu ray looks stunning on all versions in this package. This one sold out at the chain store I got it at so grab this limited edition if you are a fan of great comedy and this one has quite a following because in the last decade it was one of the better comedies out there. And this one is without a doubt Will Ferrels most complete character and best work of his comedy career. He just creates a perfect character here which is more realized than some of his others movies characters.

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I for one, unlike many reviewers here, thought this was one of the funniest movies that was made in 2004. People may pass this off as "stupid" slapstick humor, which is true in for the most part, but the basis for this comedy is genius.

The 70s anchor man is funny to begin with. Not to mention they poke fun at all the ignorance that was displayed by most people in the 70s. Such as littering, acceptance of sexual harassment, style of clothing, hair and a number of other corny things that we remember from the 70s, even if you weren't alive then.

This is filled with an incredible cast, and pushes satirical humor to the limits. Don't listen to all your idiot friends who says it sucks, just because they didn't get the satire. If the basis of the movie sounds funny to you, you will probably like it. It's a smart comedy. I know it had me tears.

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This movie's comedy is not everyone's cup of tea because it's very unique. This is a very random film and it takes a real lover of Will Ferrell (and a person with unique sense of humor) to laugh it "ow now brown cow" and "the human torch was denied a bank loan." But if you like that sort of thing, then you will absolutely love this film. I did.

Pairing David Koechner, Steve Carell and Will Ferrell made a great cast, plus the addition of many other fine actors, although I myself don't really care for Fred Armisen. Later on, Ben Stiller and Tim Robbins appear in the Battle of the Newsteams, which is one of the high points of the film. Brick Tamland (Carell) and his absolute stupidity are hilarious, like the times when he is, out of no where, just holding a grenade, when he says the most idiotic things like "I love lamp" and "I'm Brian Fantana", and when he kills the "guy with a trident."

I personally believe that the dialogue and the "Afternoon Delight" song are what made this film. To hear Will Ferrell's take on what "San Diego" means is highly amusing. I love everything about this film, honestly. Ferrell's rendition of "Aqualung" by J-Tull was also pretty nice.

If you don't like random dialogue and you prefer a more intelligent comedy, don't buy or watch this film. If you like Ferrell's work in Talladega Nights (directed by the same man, Adam McKay) and his brand of comedy, then you will love this movie.

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Lets be real. This movie is good, and I mean really good. Don't act like your not impressed. Will Ferrell is a genius, honestly. If you disagree with me I will fight you. Simple as that. I will fight you. This movie is rich and compelling. Bottom line. You won't regret watching this movie. Bottom line. I mean who cares if he doesn't speak spanish? He looks really good in this movie. He makes Sinatra look like a Hobo. This movie is also very informative. It could be a documentry. You learn alot about things you probably wouldn't have known before you watched this movie. For instance, did you know diversity was a old old wooden ship that was used in the civil war era? I'll be the first one to say I did not know that. I also was unaware of the meaning behind the name San Diego. I also didn't know that the germans discovered San Diego. Suffice to say, I learned a lot while watching this movie. Go watch it now.

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