Showing posts with label pakistani comedy movies. Show all posts
Showing posts with label pakistani comedy movies. Show all posts

Sunshine Cleaning (2008)

Sunshine CleaningEvery review I've read has been quasi-negative but not being one to listen to critics, I took a chance. I was very pleasantly surprised. Depending on why you go to a movie, you may not like this because it is not escapism. It deals with real life issues and things most of us can relate to. I found the movie to be very refreshing and all the characters real to life. The main character is a single mom trying to raise a precocious son. She has to deal with a dead-end relationship and an aging father, an irresponsible sister and a job she hates. How she copes and what she does is more believable than most of the "chick flick" films out today. I think this is one of the better movies in a sea of fluff to spend time and money on. Amy Adams is wonderful and it is always refreshing to see Alan Arkin. Please don't dismiss this film because of iffy reviews. It is worth going to see.

I cannot understand those who were bored by this film. I was entranced; good performances all around married to a well-developed plot with skillful writing yielded a totally satisfying experience. As one who did not much care for "Little Miss Sunshine", I was certainly not hoping for a repeat. And did not get it.

The guy at my Blockbuster store said "Oh, good movie. My wife and I watched it three times; we really liked it," when we checked it out. Three times may be a bit much, but it held us. The subplots that go nowhere (the blood bank gal, the problems in school) were, to me, perfect expressions of the fits and starts that life endlessly presents. Not everything gets tidied up; not everyone sees our attempted generosity as we do; not all stories have a satisfactory conclusion. Sometimes people are jerks, bad things happen, and we get stuck. One other pleasure was that the two people who seem to be experiencing the first sparks of interest do not hook up. How nice for a story to allow two lonely people to stay lonely, at least for now.

The other thing I truly liked about this film is that everywhere else Hollywood despises low paid labor and those who perform it. (In the movies that is; in real life, where stars are lining up defending illegal immigration so their lawns, pools, and bathrooms can be cared for at bargain rates, things are different.) But a maid and a small shop owner are treated respectfully. These are hard-working people trying, not terribly successfully, to make a go of things, and the film never laughs at them or insults them or condescends to them. Thank you.

And it wonderfully destroys some idiotic fantasies. Suicide is not glamorous and poetic, not heroic or brave; it is the ultimate act of self. You can not claim to love people when you splatter your brains across their floor and allow them to clean up the mess. That is absolute selfishness. It is not love. Love means working hard to help people, giving up something of value. Love is not motel sex. It is not sex at all; it can, and often is, the exact opposite. Love is not glorifying the old days, hoping they come back. Love is living in the now, doing what must be done, giving up what must be cast aside, and pulling together despite all the reasons there are to pull apart. This film shows that with tenderness and beauty.

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Customer review from the Amazon Vine Program A very enjoyable quirky film which is after alot more then quick easy laughs. This film gets pretty serious at times and what an enjoyable ride it is made easier by the stellar cast. Amy Adams as Rose and her sister Norah, Emily Blunt, tend to Rose's 7 year old son, Oscar and their own cleaning business they are starting. This is no ordinary cleaning business but a crime scene clean up after the bodies have been moved and evidence secured and all that remains are the blood and the remanants of the deceased's life. What I loved about this film is the humanity of the characters, real people, real problems and real situations that have you pulling for them even as you shake your head at their mistakes. Alan Arkin is a joy as the cranky, scheming father of Rose and Norah, he is at a place as an actor that he brings so much of what you expect from him as an actor while also bringing such subtle differences to all his characters that you never feel you're seeing the same character you might've seen in another movie. Amy Adams is a shining revelation of eternal optimism and she has you pulling for her as she tries win over her own demons. Emily Blunt and Jason Spevak as Oscar are wonderfully funny and real. There is a real honesty amidst some outrageously funny stuff that never panders or lectures and never cheats the audience. I only felt cheated at the end when the movie ended. I wasn't ready to leave this family behind and wanted to live with them a little longer. That is a good thing when a movie leaves you wanting more.

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When Rose (Amy Adams) needs to make money to put her son Oscar (Jason Spevack) into a private school when he keeps getting in trouble at his regular school, she turns to her unreliable sister Norah (Emily Blunt) to help her start a bio-hazard removal/ cleaning business. Even knowing that part of their job is to clean up after dead bodies, they still don't anticipate the job being as difficult as it is. From Norah trying to find the daughter of a suicide to Rose dealing with the personal issues of being a single mom and having an affair with a married cop, the sisters deal with life and a job that's out of the ordinary.

Christine Jeffs (Sylvia) and first time screenwriter Megan Holley came up with the idea for Sunshine Cleaning from the story of two women from Seattle they heard on a National Public Radio "All Things Considered" segment. In real life the women are actually best friends who own a biohazard removal/ cleaning service, but naturally with all adaptations things are changed to better move along the story, or to help the audience to identify with the plight of the main characters.

By choosing a pair of regular women to go into a job of this nature, the filmmakers have done a great job of making a movie that has a hint of originality. Also, by choosing a profession of this nature, the movie is also able to deal with elements of life and death, moving on and dealing with the darkness in our past. The movie effectively communicates it's messages while never being overbearing in it's way of dealing with them.

The acting in this movie is great as would be expected from this cast of characters. Twice Oscar nominated Amy Adams (Junebug, Doubt) does a great job as the more stable sister who can't let go of her past. Oscar winner Alan Arkin (Little Miss Sunshine) returns to familiar territory as the patriarch who is always trying new business ventures to try and help his family out, internally showing signs of inadequacy having raised his daughters as a single father. The real winner in the cast is the up and coming Emily Blunt (The Devil Wears Prada, The Young Victoria) as the unstable daughter who can't get over elements of her past that seemingly tear at the fabric of her being.

I really liked Sunshine Cleaning, but I kept getting the feeling that the filmmakers were trying to exert their independence in this indie film by being a lot like other films. Don't get me wrong, homages are the highest form of flattery and some of my favorite filmmakers make great living by making full films based on homages. The problem comes when watching the entire film makes you think of one film in particular in structure and in characterizations. Also following the indie model means that the characters often times have quirks that don't really further the characterization, but are just there to exert the filmmaker's passion to be non-mainstream.

I do highly recommend the movie, and intend to add the film to my collection. I will admit that the indie-isms have a tendency to frustrate me at times, but that doesn't mean that you'll feel the same way when you watch this film. If you like movies like Little Miss Sunshine, you'll enjoy this movie.

4/5

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There are mega movie blockbusters that beat down the doors of the local multiplex, pushing the competition out with promises of big bucks and taking over 10 of 18 screens at one shot. Sure, this means that the movie in question will be able to handle all comers the first weekend. But what about the little guy? What about the small independent movies that don't garner big budget advertising or multiple screens? These films play art houses and special theaters. Or they arrive on DVD with the chance to be found. SUNSHINE CLEANING is one such film.

We all have dreams of where we want to go with out lives. Rose Lorkowski (Amy Adams) was the head cheerleader, the girl most likely to succeed, the one in love with the big man on campus. Those dreams died and she moved on, becoming a single mother who works for a house cleaning service to make ends meet. She continues to see Mac (Steve Zahn), her knight in shining armor and now a homicide cop, but he's married with children and unlikely to leave.

When Rose's son Oscar (Jason Spevack) becomes more than the local school can handle, Rose must find a way to not only do better for herself but to be able to afford a private school for her son. During one of their liaisons, Mac suggest to her she start her own cleaning business cleaning crime scenes. The pay is great and she has time for her son.

After thinking it over, Rose takes on the task and recruits her sister Norah (Emily Blunt) to help. But Norah has problems of her own, mainly a rebellious streak that stems from Rose being overprotective and having to deal with a never present mother. But she goes with the flow and helps out Rose, making money for herself as well.

The pair start slowly with tips from Mac about which scenes to go to first. Stopping in a local warehouse cleaning supply store, Rose makes friends with the owner, a one armed shop keeper named Winston (Clifton Collins Jr.). Seeing the problems they are having, Winston helps her along the way with suggestions about cleaning supplies and classes she might want to take.

Their first job is one that almost makes them give in. A trailer whose owner died several days before being found, Rose and Norah do the job at hand. As they clean, Norah finds a fanny pack that belonged to the home's owner that contains a packet of pictures tied with a bow of a young girl from childhood to graduation, a treasure. It hits Norah that this woman held on to these pictures for a reason and rather than toss them out, she holds on to them and searches for the woman in the photos.

The business goes well at first and Rose seems to be getting along fine. But a chance encounter with an old school chum just before she left her old job leaves her feeling hollow and disappointed in the life she expected but that never came to be. Invited to the woman's baby shower, she makes a point of planning to attend to relive her glory days with the women she knew then.

Norah seeks out the young woman and finds her in a staling type way. They become friends without the woman knowing the real reason for her meeting Norah. The resolution to this friendship is unexpected and more real than one would think.

The chance to make it big comes with a call from State Farm Insurance who wants to hire Sunshine Cleaning for a job. Excited by the prospect, Rose shrugs off her responsibilities to go to the shower and sends Norah to do a job by herself. Face it, a happy ending is not waiting around the corner. Perhaps.

The movie does a great job of storytelling, not only moving along at a nice pace but giving us characters who feel real and who we can care about as it unfolds. Rose is a determined woman who wants the best out of life but for some reason just can't seem to reach the goals she sets for herself. Adams does a fantastic job as Rose, bringing home the despair and hope seen in the character from one moment to the next.

Emily Blunt does an outstanding job as well, offering a sister with problems that began years ago searching for the answers the questions she's not even quite sure she knows to ask. A history that involves the girl's mother and what became of her results in one of the most touching images towards the end of the film.

SUNSHINE CLEANING may not be everyone's cup of tea. It's low key, it feels like it's in the real world we want to escape while watching a movie, but at the same time it offers hope and a spark of life seen in few films. This may not be the biggest or most expensive film released this week, but it is one that has plenty of heart in its center and worth giving a watch.

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Knucklehead (2010)

KnuckleheadIgnore the reviewer who mentioned "Jackass" in his review. This is not a bunch of idiots daring each other to do stupid things, it's a family movie. Paul Wight plays Walter, a 7 foot tall orphan who has never left the orphanage, also a gentle giant who wouldn't hurt a fly. The orphanages kitchen burns down, and in order to save the orphanage, they have to raise money in a week to replace the kitchen. So a trainer discovers Walter, and takes him on a road trip to train him to be a fighter and attempt to win a martial arts contest to get the money.

Sure, the plot sounds pretty thin, but as does most light-hearted family comedies of this type. You will see the typical love interest, fart gags and corny jokes that go into the making of these kinds of films. It's a decent movie, better then you might expect, but just do not expect it to be a Steve Austin action movie or a Glen Jacobs (Kane) horror movie it is far from either. Take note when you see the PG-13 rating, and not M or R, so do not expect "JACKASS" to appear and start clubbing each other in the nads to win over some mindless teenagers idea of what funny is. And do not expect Paul Wight to bring out a Show Stoppa either... however, he does bring out the Show Ploppa!

Paul "Big Show" Wight plays Walter Kronk, a 32 year old orphan who's looks like a giant but it really just a child at heart & accidently sets fire to the kitchen in the orphanage causing thousands of dollars of damage that will result in the place being shut down in a week if they don't get the money to begin repairs. Elsewhere is a man named Eddie Sullivan (Mark Feuerstein) who's a mixed martial arts promoter who owes a heavy debt to Memphis Earl (Dennis Farina) & is trying to find a new fighter to win a tournament to get the money he needs to pay off the debt. After meeting Walter, Eddie convinces the head nun Sister Francesca (Wendy Malick) that Walter could make the money as a MMA fighter in a tournament out in New Orleans & send him off on the road, for the first time in his life, with her assistant & Walter's friend Mary (Melora Hardin) as a chaperone. From there they get attempt to build his reputation via the internet by fighting in the most unusual situations such as churches, backyard at a children's party, a bear at a carnival, and frat houses while running into issues of their own such as transportation issues, Eddie & Mary facing their past, Walter seeing this as his only opportunity to be a hero, and Memphis Earl & his fighter Redrum (Lester Speight) trying to stop them at all cost.

Anyone who's seen Big Show on WWE television or the now famous Saturday Night Live episode back in 2000 knows that Show is funny doing the "Chris Farley" method in that he's a big softhearted guy who's just very clumsy & doesn't realise just how big he is at times leading to a lot of physical humor. Doing this led to show having some very funny moments like breaking the bed in the hotel room, walking into a ceiling fan (I can relate to that one), using a small bathroom on a bus, and riding in a motorcycle sidecar with sparks coming off the back. As I stated earlier, this comedy relies more on physical humor more than punchlines & jokes as the acting wasn't much but I was still entertained at the end of the day. In the end, this was WWE Studios first attempt at a comedy film & the movie did it's job in that I laughed & was entertained for the most part so this is definately worth checking out for a viewing.

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This was a gift for our whole family for Christmas. My boys love WWE and found that seeing "Big Show" in a comedy was great! It was funny and entertaining!

Read Best Reviews of Knucklehead (2010) Here

A delightful surprise. The movie was entertaining and funny. It did not try to be anything more than fun entertainment. I am not sure why it went DVD only as it was as good as any comedy of late at theaters. The storyline is easy to follow and the development of the story and its direction is easy to identity with. It is a cute movie with minimal foul language. You do not have to be embarasses if you watch it with your kids. The cast and supporting cast is quality actors and Big Show does a good job in his role.

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In an interview, Big Show admited, "This is not 'Gone with the Wind.'" So you have to go into this film in advance knowing it's poor quality. However, he didn't let fans know that in this flick, you get to see his gluteus maximus twice. You may have to use the slow-down button on your remote control, but it's definitely there. When seeing Big Show wrestle, if you've ever said, "I wonder what he looks like naked?", then this film will give you some idea of that. If you love you some big men, then you should see this flick despite its obvious shortcomings.

Derriere aside, yes, this is predictable and silly, as anyone could assume. The characters crash a bus in a field and they just walk away from it. No farmer ever takes them to task for destroying his land. The explosion never sets the whole field on fire. A boy doesn't know a fire is going on while playing a video game. Yes, young people can be focused, but a person at any age would say, "Why do I smell smoke?!" Big Show's character is supposed to be unsophisticated, yet when the subject of family jewels comes up, he is all of a sudden able to make double entrendres and witty repartee. Of course, there's a predictable love story line here too. There are some stolen bits from the 1980s film "Annie" here too, if you think about it.

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Valentine's Day (2010)

Valentine's Day In honor of today actually being Valentine's Day, I wanted to see this movie. I actually liked it. It is very funny, and very romantic. All the characters are interesting and you care for them. There were a few twists that I didn't expect. This movie is filled with a lot of great actors.

On Valentine's Day, we see the lives of different couples and how they deal with love and friendship. Some hearts are broken, and some will find true love on this magical day.

Ashton Kutcher plays a florist named Reed Bennett who pops the question to his girlfriend. Jennifer Garner plays a teacher named Julia who falls in love with a doctor who is unfaithful. Anne Hathaway plays a receptionist named Liz who tries to hide the fact that she is a phone sex operator. A kid in Julia's class named Edison tries to send flowers to his Valentine. All this and much more happens on the day of love. I highly recommend VALENTINE'S DAY!!!

I thought this would be a fun light-hearted movie, but it was a mess of differenct stories and lack lustre performances. I was even disappointed in Jamie Foxx, and I think he is a top notch actor in other films. Taylor swift was extra ditsy in this, and I don't think it helped her aspiring movie career. I would recommend renting it from Redbox for $1 before you decide to purchase it.

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Garry Marshall takes a play from the Robert Altman handbook with "Valentine's Day", a romantic comedy about interconnecting people on the famed holiday in Los Angeles. It's a cheerful but shallow picture to say the least. While the film is packed with stars (23 in total) and a few good laughs, this modern day romance has nothing important to say, hell, it has nothing to say at all. The main lesson learned is that everyone needs to make their own definition of love... okay, thanks. Regardless, it's a really breezy film. It's bright, the stars plays to their strengths and it's just long enough to have all the stories resolved. It is what it is and "Valentine's Day" makes for a good film to accompany the holiday.

Read Best Reviews of Valentine's Day (2010) Here

This is such a cute movie and has so many amazing actors and actresses in it! I like how they're all connected in some way. I would definitely recommend it to anyone!

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A painful collection of obvious vignettes, stilted dialogue and walking paychecks. It was like making a lasagne with the ingredients for a pie.

Love, Actually may have turned in its grave.

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The Blues Brothers (Blu-ray + DVD + Digital Copy) (1980)

The Blues BrothersLet's get this straight -this blu-ray contains both the theatrical AND the extended cuts, for the misguided soul here (obviously NOT on a mission from God) who says stick with the 25th Anniversary edition.

And let's get this clear as well -the quality of the picture is superb, much MUCH better than the DVD. Older films have issues when you transfer them to blu-ray, no question about it, but this image is as good as it can possibly get (don't believe me? Check out Blu-ray.com for a review of it).

On the extended version the extended scenes aren't as good a quality -the source material there wasn't available and they probably transferred it from the DVD master. But it's not WORSE than the DVD, only not improved.

And on that note, IMHO the theatrical version is the one you want anyway. This is a film that does not get better when the timing gets slower -and at nearly 2 1/2 hours the extended version just drags. Watch the theatrical version first and if you are still jonesing for some more Brothers you can pop on the extended version (my guess is you will have gotten full -satiated and satisfied. And if times were different you'd kick back, light one up, pull down your shades down over your eyes and watch the cool, blue smoke drift hazily towards the ceiling and dream about getting the band back together).

Just buy it. If you say no, Elwood and Jake will come to your house for breakfast, lunch, and dinner every day of the week.

I've read the reviews on Amazon but wanted the blu-ray upgrade. Amazon's details may not be complete. The blu-ray I purchased has theatrical and extended versions on a single disc. There is a banner at the top front on my cover with says "Includes Theatrical and Extended Versions" and it is also mentioned again on the back cover. The DTS sound is outstanding on my Polk 360 home system and I don't think I am missing anything by not having lossless DTS sound. This movie looks and sounds great on blu-ray and the price is affordable. I found myself enjoying the movie and singing along with the sub-titled songs. I saw it in the theater when it first came out and here it is over 30 years later looking and sounding just as good if not better.

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What a let down! The promise of "never before seen footage" turns out to be the same "never before seen footage" from the last DVD. The bonus materials on this disc are a joke (and not in a funny "ha ha" way). The special "Introduction to the film by Dan Aykroyd" is 23 seconds long. The "Day on the Blues Brothers Tour" is nothing more than a lame performance by the current Blues Brothers at the House of Blues. But the real insult is the featurette called "Remembering John: An ultimate portrait of John Belushi." It clocks in at 9 minutes long (including credits). Ultimate?? This is John Belushi, not Garrett Morris!

You might be reading this wondering, "So what was this guy expecting?" Well, how about an audio commentary? Perhaps some outtakes? Bloopers? Maybe concert footage of the REAL Blues Brothers on tour with Steve Martin? Why not include Blues Brothers performance footage from SNL? How about revisiting the locations made famous in the movie (the abandoned mall is still standing and still abandoned)? Instead, they chose to include John performing as the Killer Bee on SNL. Instead of a track listing booklet inside the case, they'd rather you have an ad for other "great" DVD titles available from Universal. Instead of never before seen footage, you get the same documentary, the same production notes/pictures, and the same interviews that were included in the previous release.

It's obvious that this was thrown together with little thought or effort. The Chicago Sun Times did a better tribute piece to the anniversary of the Blues Brothers than Aykroyd did for his own film.

Oh well...only five more years until the 30th Anniversary Edition comes out.

Read Best Reviews of The Blues Brothers (Blu-ray + DVD + Digital Copy) (1980) Here

I love The Blues Brothers. This is one of the all-time great comedies; a truly epic comedy. In it's original form, it is flawless from beginning to end. Five Stars easily.

Unfortunately, this "Special Edition" dvd includes 15+ minutes of scenes. Not under a "deleted scenes" section, which would have been appropriate and very welcome, but inserted into the movie itself. To be fair, the extra footage doesn't really hurt the music scenes. But did we really need to see Elwood at his place of employment? Did we really need to see where the Blues-mobile is stored when not being driven? None of the extra footage adds anything to the movie. In fact, it really ruins the perfect pacing of the regular cut.

I truly hope Universal sees the error of their ways and reissues this film on DVD with the original cut. They could even make the added footage viewable within the movie, through seamless branching, but for the love of Pete, give us the option!!!

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The Blues Brothers is a true classic movie, one of the few SNL movies that is actually a good story. Joliet Jake is recently released from prison and picked up by his brother Elwood. The two discover that the orphanage they grew up in is going to be sold to the Board of Education unless they can raise $5,000 to give to the State Assesors office. The Blues Brothers try to get the money by putting their band back together and doing a few gigs. Along the way, they anger the Illinois State Police, the Illinois Nazi Party, the owner of Bob's Country Bunker, and a band from Nashville, the Good Ole Boys. This movie is great from beginning to end. The musical numbers are all great including Jake's revelation in the church, Ray Charles singing Shake Your Tail Feather, Aretha Franklin singing in her soul food diner, the peformance in Bob's Country Bunker, and finally the concert at the end including two of their best songs. As well, there is action galore from Elwood jumping a bridge with their 1974 Dodge Sedan to their chaotic ride through a crowded mall to the police chase at the end through the streets of Chicago( especially Lower Wacker Drive) and the chase up the staircase to the Assessor's office. The Blues Brothers has something for everybody and should not be missed.

The Blues Brothers are played to perfection by John Belushi as Jake and Dan Aykroyd as Elwood. The two actors are hysterical together throughout as they anger just about everybody in the city of Chicago. There are far too many lines to mention, but it is obvious that they had fun making this movie. There are plenty of musical cameos also including Cab Calloway, James Brown as a preacher, Aretha Franklin as the owner of a Soul Food diner, Ray Charles as the owner of music store, and John Lee Hooker as a street peformer on Maxwell Street. The film also stars Carrie Fisher, John Candy, Kathleen Freeman, Henry Gibson, and many more. Also look out for a very funny cameo by Frank Oz and a short appearance by Steven Spielberg. Also worth mentioning is the Blues Brothers band including Matt "Guitar" Murphy, Donald "Duck" Dunn, Murphy Dunne, "Blue Lou" Marini, Tom "Bones" Malone, Steve "The Colonel" Cropper, Alan Rubin, and Willy "Two Bits" Hall. The Collector's Edition DVD offers widescreen presentation, the original theatrical trailer, a making of documentary with interviews with the cast and crew, and footage not seen since the original release in 1980. This is a great movie that all viewers will find something to like in it. Do not miss this classic!

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Rags and Riches: The Mary Pickford Collection (The Poor Little Rich Girl / The Hoodlum / Sparrows /

Rags and Riches: The Mary Pickford CollectionGladys Marie Smith, better known as Mary Pickford (1892-1979), was one Hollywood's first female megastars, a Canadian actress which would be known as "America's Sweetheart." Throughout her life, she starred in 52 films, ending her acting career in 1933, after the arrival of sound, to which she could not adapt. She was also called "The Girl with the Curls," which allowed her to play children, even in her twenties. Her power and popularity in the industry was also a key in her being one of the founders of United Artists, together with actor/comedian Charlie Chaplin, Douglas Fairbanks (her popular actor and husband), and director D.W. Griffith. She was also one of the original founders of the Academy of Motion Picture Arts and Sciences. "Mary Pickford Rags and Riches Collection" is an awesome collection that comprises three of Pickford's best films, and one of her movie shorts. In them, you will witness the greatness of her acting and extreme charisma in the high quality images of the Blu-ray. This is one remarkable and historically important collection that brings America's Sweetheart back to life, thanks to the gigantic effort from the folks at Milestone Film and Video.

"Mary Pickford Rags and Riches Collection" includes three Blu-ray discs. The first one presents "The Poor Little Rich Girl" (1917), which opens with "In the house of everything, except the love she longed for, dwelt Gwendolyn, the poor little rich girl." These words perfectly describe, in the shortest way, what the film is about, in which Pickford plays Gwendolyn, daughter of a wealthy businessman and a mother that is too busy socializing to pay attention to her. She desperately wants to experience the world outside their big house, and finds ways to do just that, only to be punished for being a free little poor girl, telling her dad, "I had lots and lots to tell you, daddy. I'm so lonely, I..." This is a heartbreaking story with lots of funny moments. Disc Two includes "The Hoodlum" (1919), featuring Pickford as Amy Burke, a spoiled, rich girl who inherited her grandfather's "tyrannical temper as well as his money." Her father, on the other hand, is an intellectual, described as a "sociological writer," who lives in a poor immigrant neighborhood, doing research and writing a book. Her grandfather goes for a vacation to Europe and invites her to come along, but she chooses to stay with her father. Little did she know about the big change in lifestyle that she was going to experience. Here, Pickford shines with her natural ability for slapstick comedy my favorite of the three films. This disc also features "Ramona," a 17 min short done in 1917, starring Pickford. In Disc three, on the other hand, we have "Sparrows" (1926), perhaps the most serious and dramatic film of the collection, which opens with, "The Devil's share in the world's creation was a certain southern swampland a masterpiece of horror." In this film, Pickford stars as Molly, the oldest of a group of children which have been stolen from their parents and/or been allowed to be cared of by a man named Grimes. Sadly, the children parents' don't know that Grimes is a mean-spirited, abusive old man who treats the kids as slaves and starve them to death, if possible, stealing the money that the parents send for their children's welfare. Grimes, his wife, and his wife's son have the perfect criminal operation running, at times "shoving" the kids that they didn't like in the swamp. So, as you can imagine, is up to Molly to find a way out from their misery. This movie has a dose of Christianity and hilarious moments created by Pickford, who, once again, proves why he was so talented.

Each film in this collection has an introduction for kids, in which Pickford, as well as B&W silent movies are introduced to them in a very smart way. In addition, there are commentaries by film historians; home movies on Pickfair, Pickford and Fairbanks' home, featuring Charlie Chaplin and others; outtakes; trailers; and much more. This is one truly wonderful collection that makes a great Christmas present for all family, in which all will enjoy and perhaps discover the talents of one of the best actresses of cinema's silent era. Great job, Milestone, for your hard work in releasing this collection! (USA, The Poor Little Rich Girl, 1917, 75 min, B&W or tinted; The Hoodlum, 1919, 92 min, B&W or tinted; Sparrows, 1926, 90 min, B&W or tinted) Reviewed on December 10, 2012 by Eric Gonzales for Milestone Film and Video Blu-ray

I was extremely disappointed upon receiving this collection. These movies, all obviously from the pre-widescreen era, have been either formatted or encoded to display in a pseudo-widescreen format (meaning that they aren't 4:3, and display on my widescreen television not quite to either outer edge of the screen). I can only assume, based on this format, that some information has been lost top and bottom, as these movies were released in a 4:3 format.

I wrote to Milestone and they responded by telling me that the authoring was done to accomodate the needless "kid friendly" introductions. This makes little sense, as every other classic movie release is formatted such that the display quickly changes from widescreen for the FBI warning and/or menu, to a correctly formatted movie. There is no reason they couldn't have done that here.

Given that Milestone simultaneously released their Charley Chase collection formatted correctly, I can't understand why they put this Mary Pickford collection onto the market with this major error.

This is no reflection on the films themselves.....just on Milestone's release of the films. Also, this comment applies to the DVD ONLY! I do not have, and cannot comment on the Blu-Ray release of this collection.

As much as I hated to have to do so, I sent this one back for a refund. Maybe someday some studio will release these films correctly. I'll try again then.

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This is a wonderful collection of Mary Pickford films, and it's a shame that the rating has been spoiled by two rather querulous reviews. All three films are classics of the silent era and among Pickford's greatest. In fact, this set serves as a splendid introduction to Pickford's work as all three films represent different aspects of Pickford's cinema persona.

"The Poor Little Rich Girl" is the first film in which Mary Pickford plays a little girl over the course of an entire film, and it remains one of her best. It also marks the first time she works with screenwriter Frances Marion, who would become Pickford's closest collaborator over the next several years. "The Poor Little Rich Girl" is a remarkable evocation of childhood, capturing the wonder, the terror, and the ludic abandon of being a child more successfully than any film of its era.

In "The Hoodlum," Pickford plays a girl several years older than Gwendolyn and decidedly more tomboyish. Amy Burke is similar to many of Pickford's other high-spirited characters like Tess of the Storm Country, and, "The Hoodlum," like many of her other films, presents the disparities between the lives of the rich and those of the poor. I had never seen this film before viewing this DVD, but I was definitely pleased to see it at last as it is one of Pickford's finer efforts.

"Sparrows" is commonly cited as Pickford's masterwork, and in terms of the overall aesthetic quality of the production it very well may be. It definitely is a must-see for any fan of Pickford or silent film in general. In this film, Pickford plays a mother of sorts; in fact, her character is called "Mama Molly" by the children of the baby farm. (Indeed, the three films of this collection neatly represent three different ages in the life of a woman: girlhood, adolescence, and finally motherhood.) The supporting cast is wonderful as well, and all of the children deliver very realistic performances. "Sparrows" is a beautifully acted and directed film and represents silent film at its peak.

There are some bonus features to the set, including two very informative audio commentaries for "The Poor Little Rich Girl" and "Sparrows," the D.W. Griffith-directed short "Ramona," some home videos of Pickford and Pickfair, and three "kid-friendly" introductions to the films (with the sort of embarrassingly bad acting you would expect). While I appreciate the wish to impart Pickford's legacy to the next generation, it's hard to see how these intros wouldn't turn off any young viewers.

Another reviewer states that the films display in "pseudo-widescreen," and while I really am no expert, I think that what Hugh Munro Neely says in the comments to that review is actually correct. As he states there, the films appear slightly wider than the traditional 4x3 aspect ratio because more of the original negative is included. I don't see why cropping the negative to adhere to rigid 4x3 would be better. I have played the DVDs on a 4x3 and 16x9 TV screen, and while there is windowboxing on the 4x3 TV, it is not as severe as others make it seem. The films all display correctly on my 16x9 TV, slightly wider than traditional 4x3 as more image is included. I for one applaud Mr. Neely's decision to include all of the image on the negative.

I am so glad that Milestone Films is continuing to release Mary Pickford's films on DVD, as they do a wonderful job. I doubt Criterion could present the films any better, and all three films look beautiful in this set. I can't wait for future releases! (Maybe "Dorothy Vernon of Haddon Hall"?)

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This collection is beautifully restored and the optional introductions are extremely valuable if you wish to introduce a young person to this era of film making.

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The Mary Pickford Collection was released last year and it is one gem of a DVD collection.Included in this three DVD set are four films that I think are a good opening starter and representation of Mary and her works.They are all historical treasures and it brings back to the fore that peerless talent that was Mary Pickford.She could make you laugh and cry all within the span of a few seconds.Many people think Mary's films are sweet,soppy and overly sugar coated films of a by gone era.Nothing could be further from the truth.She had a way of creating characters that spoke to each and everyone in a theater seat.Everyone could relate to and probably knew many of the character types in her films.There was also a dark undercurrent and/or very realistic tone running through them all.And these four films more than show that concurrent running dark side:she is either in the "thick of it" and trying to cope with the situations as they present themselves,or she is initially above it but ends up tumbling into reality,picking herself up,and learning along the way a valuable life lesson/compassion.Comedy,drama,pathos and so much more are all part of Pickford's artistic canvas,and she used them like no other artist before her or since has.

It is a shame that when she retired she felt that the public at large did not care for her films and/or saw them as totally antiquated celluloid.It is shocking to day to think that could have been the case,but I have the very issue of Life magazine in the early 40s that showed a picture of a happy Mary strolling beside the young girl who took her crown away from her in the 30s,Shirley Temple.The title reads:"A Couple of Has Beens".Both had been tremendous stars with unprecedented box office appeal/receipts,but this is what they had been distilled into.Well,luckily there were those who saw the value of Mary's contributions,and we have a good portion of her work still with us, but sadly not nearly all of it.And we have The Mary Pickford Foundation in Los Angeles to thank along with Milestone Video for their tireless efforts to make these major releases of her wonderful works.

The Poor Little Rich Girl(released March/17)has Mary in the title role as a rich girl who has everything,but the love she so yearns for from her parents.She is not allowed to play outside and she is literally brought up by one servant or the other.One night when one servant wants to go out to socialize but cannot because of her duties,she over drugs poor Mary,who almost dies.But there is a happy ending when her materialistic and selfish parents finally see the light.There is commentary included and a very special piece of historic film.Some home movies at Pickfair featuring Mary,Douglas(Fairbanks) and Charlie Chaplin!

The Hoodlum(released Aug/19)has Mary as a rich and spoiled teenage girl living with her grandfather.As her grandfather plans a European trip Mary's father enters the picture.She decides to stay with him and they both end up in a seedy part of New York City.She is quickly forced to adapt.Her grandfather disguises himself and comes to live in the same tenement building as she and her father.Thrown into this mix is some intrigue her grandfather,a wealthy and stodgy businessman,pinned on an innocent ex employee who Mary falls in love with.The extra on this disc is Mary in the 1910 Biograph short Ramona.Mary plays a Spanish girl who falls in love with an Indian.The film follows the persecution of the two and its unhappy consequences.

Sparrows(released May/26)has Mary as a young girl on a baby farm in a swampy part of the countryside.It's owner is a snide,morally corrupt and all around nasty character,who will buy or sell children at will,just to make money.He relies on Mary to look after his charges,but gives Mary little in the way of food or proper living conditions with which to do a proper job.When one of her precious babies dies,Mary ends up leading the rest out of the swamp to freedom.This film has commentary,an interview with the now grown up daughter of the baby who died in Sparrows,three film tests of Mary in the barn loft holding the dead baby in her arms as an angel comes to take the babies' soul away,and an extra special item:the TRAILER for the film.I have never ever seen a silent film trailer at all and this was quite the revelation for me.

Technically speaking the films are presented in their original aspect ratios.The films on your set are surrounded on all four sides by black.The film doesn't fill the screen.The films have the usual visual specks and defections associated with films of this age,but they generally look very good.All have been tinted(except Ramona).What also makes this DVD set special is that The Mary Pickford Foundation has included as an intro and outro,if you so desire(it is optional),i.e.,vignettes with young teens coming to the attic of one of their friend's grandfather.He explains who Mary was,the process of film making in the "silent" era,the camera's,and on and on.These DVD's have been designed to give a new and younger audience a heads up and hopefully create a new generation of not only Mary Pickford fans but of the art of silent film in toto.I can say I was duly impressed.This wasn't some cheesy production at all and I thought the impression it gave came across as great food for thought for younger budding film and Mary novices.

In conclusion this set is a grand introduction to the world of,I believe,the greatest actress of her or any other generation.Mary was ahead of her time and accomplished what few actors of any genre have ever accomplished.Kudos to Milestone and The Mary Pickford Foundation.Let us hope this is just the start in a long line of Mary Pickford releases.

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Train of Life (1998)

Train of LifeThe comparison to Life is Beautiful is inevitable. The only similarity that I can see is that both are a comedy that encompasses the biggest horror in humanity: the Holocaust. Whereas La Vita e Bella is a one-man show, this is a story about a community that has to deal with the crisis in their own unique way.

When the Germans are approaching the little Jewish village in France, the village votes to purchase a train, a German train rather, and a group of the villagers would pretend to be German soldiers accosting the condemned Jews to the concentration camp. On their way to Russia and safety, one thing after another goes bad, there is the dissension in the rank by the "Communist Jews", there are a French soldiers who really think that the train is a real German train and try to bomb it to save the Jews. Then they meet up with real German soldiers and the adventure continues. Whether they make it or not, you would have to watch it yourself, I won't ruin your ending.

The comedy is rather heavy-handed, along with the amusing adventure, you learn about the passengers, their hopes and dreams. At times it almost falls into drama while quickly making a retreat back to the comedic genre. A light-hearted comedy this is not, at every misadventure they come to, as an audience, your heart jumps along. You wonder if they will make it past this obstacle. You predict that they will, since it is a comedy after all, then again you probably remember how Life is Beautiful ends. Can you really make a pure comedy out of such tragedy?

This is the aspect that keeps the movie rolling. The anticipation of what is going to happen next. The movie contains enough moments to keep you laughing. However, it is during the moments when nothing happens and the passengers deal with their own issues, that the movie gets interesting.

without being biased (since I'm Romanian) I have to admit that the movie is simply great! the comic part just wants to shift the accent from the extremely sad situation to a rather pleasent occuring... all the twists and turns give the movie its capability to keep you seated until you see what happened to them. like many other European movies it is a greatly phylosophical movie as well and it is far from the ordinary comercial movies that bring in the money for box offices.

the actors are great. the picture is also amazing...

WATCH IT!

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I've had this movie stolen from me three times. It's better than Life is Beautiful! It's amazing. Without giving away too much of the story, I will say, pay attention to the words of Schlomo the village idiot. His monologues are profound. Pay attention to the transformation of the "Nazis" who struggle not to become their uniform, and I promise you the last 30 seconds of the film will take your breath away.

An amazing movie that has not gotten nearly enough attention in the United States. This movie deserves a full run. It may be overlooked but it can never be anything less than what it is; one of the best movies ever made.

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I wholeheartedly second the review by 'Mt.Healthy Mountaineer "intrepid reviewer"' but would like to note that he has the geographical details all mixed up: the film DOES concern the fate of a little Jewish village as the Nazis approach, but the village is NOT in France. There have never been any little Jewish villages in France. This village is quite clearly set in Eastern Europe (Poland, Romania, Lithuania...), where such villages were actually to be found. I'm guessing Romania, because the director (and writer, if I remember correctly) of this film is himself a Romanian. And for all the elements of farce in this film, it has about it the unmistakable LOOK of authenticity.

What made the previous reviewer think that this film was set in France? Simple: it happens to be a French-LANGUAGE film (with English subtitles, of course), and its actual title is "Train de Vie".

So now the story line begins to make sense: News reaches the little Jewish village in Romania that the Germans are approaching (from the West), and that all the citizens of the neighboring villages have been put on trains and shipped WEST toward Germany...and not one of these Jews has ever been heard from again. In desperation, they hatch a plan to buy an old train, paint it to look like the trains the Nazi's are using, disguise some of themselves as Nazi officers and the rest as their prisoners, and "deport" their whole village...no, not West, toward Germany, but EAST, to neighboring Russia, where they believe they'll be free and from which some of them might eventually even head for Palestine.

(Of course, had the village really been in France, then heading East would have taken them right to...Germany.)

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This is a World War II Jewish Holucaust comedy, if you can believe it. It is in French w/subtitles and it concerns a little French Jewish village that knows the Nazis are coming to deport their village. Everyone is panic-stricken until the village idiot has a brilliant idea the village should get a train and "deport" themselves all of the way to Palestine. The movie is all about their purchase of a delapidated old train, its refurbishment into a Nazi-style train and their escape across Europe and the chase by the Nazis.

Along the way, there are all kinds of humorous encounters with Nazis, the French Resistance, Gypsies and Communists. Parts of it are "Keystone cops" and parts of it are "Monty Python-esque".

I will not tell you how it ends, because the ending packs a powerful emotional punch. However, I do whole-heartedly recommend the movie.

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Sex Drive (Unrated and Cream-filled) (2008)

Sex DriveHeed the director's advice and watch the R-rated theatrical version first. If you enjoy the R-rated cut, you can check out the unrated version. The unrated version is actually a joke, a jab at all those "unrated" comedies on DVD.

The movie itself is pretty funny, and the picture quality on this Blu-ray Disc is very good. Unfortunately, due to having two different versions of the film on one disc, there wasn't enough room to include HD audio.

I saw Sex Drive at a sneak preview. It's a seemingly typical teen sex comedy in the vein of Superbad meets Road Trip. Zuckerman plays Ian, a young virgin with no luck with the ladies, a crush on his childhood friend Felicia (Crew), a jerk of an older brother (Marsden), and is best friends with an Austin Powers-esquire Casanova by the name of Lance (Duke). On the internet, he poses as a football player while courting a mysterious girl online. When the girl invites him to go "all the way", he steals his brother's GTO and heads to Knoxville with Felicia and Lance. Ian's character has the usual nerdy teen virgin-in-a-movie problems: falls for the wrong girls, takes few risks, gets caught in embarrassing sexual situations. On the road trip, they run into a series of hilarious, awkward, and weird situations. And on the way, they discover that sex isn't the most important thing, and that true love can be found in both odd and familiar places.

It's not exactly stunningly original, but it's still a hilarious film. The three leads do a pretty good job, Lance being a particularly funny character. Marsden and Green steal the show in all the scenes they're in, and all of the characters in the film are interesting, even if most of them are stock characters. The script is also well-connected, with most of the characters being connected to the larger plot, and combines wit, ribaldry, and straight adult humor well. Every gag sequence gets big laughs, and the comedy never slows down or dies out. The internet cutaways are especially hilarious supplements.

It's refreshing to see a genuinely adult comedy not coming from the Apatow crew or McKay and Ferrell. Although it lacks star leads and filmmakers and will probably drop under the radar, I definitely recommend Sex Drive to anyone looking for a big laughs.

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Plenty to read about regarding this film out in the Internet world. The trailers have been playing in the store for a month now and the buzz has been positive (since no one got to see this in theaters). Analyzing a high budget teen/sex comedy for acting is pointless, so I will stick with the BD quality and extras.

The video and audio look and sound fine, typically the outer channels get used with the LARGE volume of songs played throughout; and some nice GTO throttlings. The special features have roughly 30 minutes of docus reviewing production and self loathing/lampooning of the cast: Marsden Dilemma & Duke of the Internet clips.

The big question: differences between the UR and R. Plenty to list. 20 extra minutes of gratuitous male and female nudity, longer takes of certain scenes (the two confident geeks verbiage, pool party, condom buying fiasco, left-in flubs, changed phrases, sex sounds [sheep, bjs, etc.]), most noticeably CGI-imposed nudity in 20 or so random scenes with a graphic intro by the director/writer about what to expect in the UR version.

Overall, a funny film with plenty of comedian cameos, decent writing, love searching, and sexual awakenings (even in the Amish country). A worthwhile purchase for fans of the film plus they kept it all one on disc (everything is the same as the 2 disc DVD).

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Although I'm still officially a teenager, I've never really been into movies like "American Pie"; that type of humor just struck me as shallow, immature, and to put it blunty, plain stupid. I had never even heard of "Sex Drive" until the day I went to see it with a friend. After watching the preview online, I had rather low expectations. The further the film progressed however, the more I came to like it. The plot is ok, but it's definately the actors that make this movie; I fell in love with the characters! Especially the guy with the glasses. It's a shame this movie didn't do too well at the box office; it surely deserves more attention than it's gotten! You won't be dissapointed with this film!

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I saw this in the theatre and didn't think that I would like it but it was pretty funny, way better than I expected. Typical story plot but with some off the wall humor.

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Maiden Heist

Maiden HeistThe prior reviews of The Maiden Heist have given a good idea of the story of this film. To those I have some non-spoiler comments.

The Maiden Heist, to judge from the clapboards, was originally titled The Maiden Lady from the painting that Christopher Walken is obsessed with. This film answers the question if museum guards actually like the art they protect. The three guards of the story Christopher Walken, Morgan Freeman and William H. Macey are all obsessed with different pieces of art. They feel very protective about their art so when they learn that the entire exhibit will be moved to a museum in Denmark and replaced by some avant-guard art, they decide to save their favorites.

Morgan Freeman plays a soft-spoken affable man who enjoys drawing and painting; William H. Macey's character claims he was a Marine but changes his combat stories and Christopher Walken is a quiet homebody who daydreams about protecting his Maiden Lady from ant harm. Marcia Gay Harden has a marvelous supporting role as Christopher Walken's wife who-must-be-obeyed.

The fun of the film is that the three guards fumble their way through the heist. There are many funny scenes in the film but also some that stretch the imagination. The conclusion of the film is one of real charm and understanding. The DVD comes with bonus features that include a making of the film, deleted scenes and bloopers. The many scenes that were deleted struck me as wise decisions. The performances are what make this film and are excellent even when the material is lacking.

Even though Marcia Gay Harden has a supporting role here as Christopher Walken's retro-laden wife, she plays pitch perfect the supplemental but powerful wife. Otherwise, the only other stand-out surprise would be William H Macy's bold outing as a bronze statue obsessed museum guard (right down to the several nude scenes where he shows off his impressive 59-year old muscular tone).

The story follows three museum guards as they decide to pull off a heist of their favorite artwork after the museum sells the pieces off. Each of these guys have their own weird little nuances that make them the perfect trio of dysfunctional museum guards, but most of their backgrounds are never really delved into. Most of what we get are three old guys trying to be something more than they ever have been but in a low-key semi-realistic kind of way. Morgan Freeman plays the affable "sexually questionable" (from the making-of) character which just did not feel right, and Christopher Walken really only gets to be himself in the opening sequence (a great shoot-out dream sequence loved it). The supplements are decent and include:

* 17:45 minute making-of. It is a little too heavy towards being reliant on film clips but the remaining half of the documentary gives some average background on what the four A-listers thought about their characters. Gives some good insight into why Marcia Gay Harden is so retro in this film.

* 12:19 minutes of deleted scenes. Glad they were cut especially the corny museum guard supporting cast trying to be funny.

* 3 minutes of bloopers. Funny once or twice.

* Commentary by the main crew. Unless you really need to know how great it is to work with the main four actors then just stick with the making of.

Have to admit I love the writing at the end of the film with regards to Marcia Gay Harden's character she is a beauty. 3.5 for the film and .5 for the extras. Not an action film or an outright comedy, but just a light take on some old guys trying to make their masterpieces stay in their lives.

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Some of these reviews seem a bit harsh for this enjoyable and endearing film. Let me share what I liked most about it. Christopher Walken.

He stares at a painting entitled "The Lonely Maiden", and has fallen deeply in love with it over the years, while his very attentive and loving wife (Harden) waits patiently for him to come back around to her. She does not know about his love affair with the painting, and she comes off as kind and doting. SHE is the lonely maiden. I figured that out early. Walken is entranced with the painting, when all the while the true lonely maiden was right in front of him. Of course, he loves his wife and is attached to her forever (you can tell that they have an old-fashioned and sadly-gone view of marriage--stick it out to the end no matter what). And as he plans the heist with his fellow security guards, he keeps his wife's needs in mind the whole time. There is also a very sweet happy ending for these two (Shhhh).

Macy's character is married but we only know that because he said so. Macy's character is an odd one. He has some dubious military training and takes leadership in the heist. And he likes to get naked in front of a nude male statue... nothing more. Really. Just strip down and pose in front of it.

Freeman's character likes cats (and obviously has no wife). Any man who likes cats is okay in my book!

This heist movie is fun and friendly; we enjoyed rollicking around town with these three old guys.

BOTTOM LINE: if you like grumpy-old-men, this is like not-so-grumpy old men. They make you laugh and wince, and you may still be smiling when you're done. There are also some hilarious bloopers in the special features. SWEET!

Enjoy the movie!

Ellen C Maze, author

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Quirky characters and a fun plot make this a movie a great escapist mini-adventure. I'm drawn to slightly off-kilter films and this one fits the bill. Three men, Macy, Walken and Freeman each have a passion for one particular painting or statue in the museum where they work. After years and years of emotional connectedness to their art they discover the pieces will be traveling to Denmark. When following the art, uprooting their lives to be with their paintings/statues, proves impossible, they plan the next best thing...grabbing their pieces and making them their own.

Almost slapstick at times, the film moves fairly briskly after the plan is hatched and the pieces begin to fall into place. Walken is deadpan and anxious and charmingly himself. Freeman plays an accomplished painter who has painted "his" painting many, many times but lacks the certain aura. His cats keep him company when he is not obsessing over his lovely painting. Macy plays a military man who may or may not have served anywhere even though his tales imply near-superhero skills.

Those who don't like slow-moving character pieces or artsy-quirky fun probably should skip it. Also, if you don't particularly want to see Macy's naked behind several times, well, this isn't the film for you. He poses. Often. Not creepy as much as it is just weird.

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It went straight to video, apparently because of trouble with the company that owned the distribution rights, but if "Wild Hogs" made money, this shouldn't have had any trouble.

The plot involves two museum security guards who've fallen in love with two paintings, and a third guard who has . . . some other relationship with a statue, destined to be sold to another museum and replaced by suitable horrific modern art repellent to the guys, namely Christopher Walken, Morgan Freeman and William Macy. By the title you can tell what their solution is, so I need say no more about that.

The tone is light, comedic, but there are no real out-loud laughs, despite best efforts. Obviously the acting is very good, the chemistry works, but there are very large holes in reason and common sense. That shouldn't bother you if you don't expect too much out of the movie, but it might be rather annoying at times to some. Still, overall it worked reasonably well, too bad it didn't get a chance at the mall.

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Land of the Lost (2009)

Land of the Lost"Captain Kirk's nipples!"

...and if that quote didn't tell you the new big budget big screen "Land of the Lost" film isn't exactly directed at the Saturday morning TV crowd... I fondly recall spending those mornings in the 70's with Will, Holly, Dr. Marshall and the Sleestak, so when I heard Will Ferrell would be taking the lead I was content in the knowledge that the campiness of the original Sid and Marty Kroft show would be preserved. As fate would have it this preservation extends even to the cheesy theme song which Ferrell nearly performs in one scene...this theme song pretty much covers the series and movie's premise...the aforementioned characters, on a "less than" routine expedition via an earthquake and a tachyon gadget (this part is new) end up in a parallel space they call the "Land of the Lost" complete with prehistoric critters and lizardmen. Unlike the series they need to find Dr. Marshall's misplaced gadget in order to get home, this leads to lots of mishaps and sight gags. But as I mentioned, this is not your father's "Land of the Lost" this is a Will Ferrell, albeit watered down, but nonetheless, a Will Ferrell film, so as you'd expect there is overt crude references flying aplenty, including hot Sleestak-on-Sleestak action (not really on screen), nothing to cringe-worthy...although some drug and vague sexual jokes.

"LOTL" is bookended by a "TODAY" show sequence in which Matt himself interviews Dr. Marshall about is kooky space/time theories and then again later interviews a vindicated Dr. Marshall at the movie's end. Dr. Marshall is classic Will Ferrell, the pompous, dimwitted boob he plays soooo well, so you know precisely what you will get upon entering the theater. This time he is a nutty paleontologist who has a strange fixation on "Chorus Line" and comfort food binges. "Land of the Lost" is more "Elf" than "Anchorman", I guess. What is new here is the digital dino and big bug eye candy, not really the norm for a Ferrell film, more in the spirit of Ringo Starr's "Caveman" than "Jurassic Park" though (especially the cave-boy-speak).

The kitsch aside, if possible, "LOTL" includes some impressive sets, some true to the original show, like the Sleestak ruins and some less Kroft, but equally cool, parallel world Bermuda Triangle parallel world clutter ala desert complete with missing ships, planes and gas stations. Also true to the Kroft look are the Sleestak lizard people (one of which is voiced by Leonard Nimoy a.k.a Spock) who look largely unchanged, but I'd have bought a ticket just for them anyway.

We watched this movie on our DVR, kept it around, watched it again, and then again, and then again. By the third time, we found it to be really funny and my family still quotes the movie all the time. It's not 'Black Swan' but life's too short to ignore this movie. I only wish they'd do an 'Extras' version but that's probably not going to happen.

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I'd read plenty of negative reviews of the film before deciding to give it a look.

What the film lacks in cohesiveness it makes up for goofiness. It is most definitely a vehicle for letting Will Farrell run wild and free. It wasn't a script in search of a star so much as it is a familiar premise functioning as a playground for a comedic improv actor.

I wouldn't say it is "based on" the classic Saturday morning series so much as "inspired by" it.

Nevertheless, the cast seem to have fun in this lighgweight romp and it makes for a reasonably funny way to pass 90 minutes.

I don't know if I'd buy it for my home video library but I certainly wouldn't object to watching it again from time to time.

I didn't get to listen to the Director Commentary track before I returned the rental disc, but I've listened to others by this director and he tells interesting stores.

And the cameo by Matt Lauer is worth the price of admission!

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This movie is hilarious. I rented it two days before Christmas Eve when everything else was already out. I laughed until I cried. I knew then I had to add it to my movie collection. I have watched it several times with my family since receiving it. Highly recommended. Do not let it's rating fool you. It does have some adult references, but no nudity or horribe language. Perfect movie for a night in with the wife and teenagers.

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Always loved THE LAND OF THE LOST original 1974 Acid & Marty Krofft show, even when walking around in pjs on a Saturday morning and watching it on our black n white TV. I bought the second season of the series not long ago. So I knew I had to see this. And even though Will Ferrel is usually hit and miss with me (more often miss than hit), I thought this was the best thing he's done in a long time! And really, it's kind of a clever spin/spoof on the original that does manage to generate a fair amount of interest even in terms of an adventure story. It's great seeing how they come up with things that we know from the original. The dinosaur was certainly fierce, well-done, and filled in nicely for Grumpy. I thought the Zarn guy, Enic, could have been a little more convincing, a little closer to the original perhaps. Finally, the story stayed true to the original not in it's comedy flavor, but just in how whacked out it was falling in and out of this dimension and that one the original Land of the Lost is true sci-fi (albeit on low budget). This one also managed to bring forth and add some new twists to the old "routine expedition" gone terribly awry. And terribly ridiculous as well. I think this movie was a great idea.

PS I watched it twice the second time with friends. I liked it as much or better the second time. Some really funny scenes and kind of a clever story as well. Scenes with Chaka are HILARIOUS ("I am your master, Chaka"). This film is gonna be a classic one day.

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How to Lose Friends & Alienate People (2009)

How to Lose Friends & Alienate PeopleI missed this in the theaters, even though my girlfriend and I are huge Simon Pegg fans. Unfortunately the way it was marketed when released made me think it was a romantic comedy / follow-up to the Devil Wears Prada. I also had no idea that Simon Pegg was the film's lead (which would have been a driving factor to get me into the theater). With that said, I really enjoyed the overall feel of the film and found it far more entertaining than Run Fatboy Run, a film which didn't allow Pegg to do what he does best ... which is be damn funny.

While not in the same genre of films that Hot Fuzz and Shaun of the Dead blazed into, this film is a nice balance between a mild romantic comedy and some stinging satire regarding the ridiculous relationship between print media and Hollywood's elite. It's definitely worth watching for Pegg's performance, and Kirsten Dunst is far more likeable here than in the latest Spider-man film, playing a more complex and human character than MJ part trois.

In regards to the low rating the film is currently seeing on Amazon, I can only say that it's disappointing the film didn't do well in theaters, but regardless of the lack of extras and tomfoolery going on with MGM's home entertainment management, it's a shame that people are rating the film so poorly. Unfortunately, if people just see the listing for this film with a paltry two stars and don't go on to read the reviews they'll miss out on a refreshing and entertaining comedy starring one of England's funniest, freshest and most talented actors.

On a side note, I'm continually impressed with the range of actor Jeff Bridges' in his portrayal of various characters in his many film roles. His turn as the villain in Iron Man was memorable and I found his portrayal of media mogul Clayton Harding to be entertaining and an excellent compliment to Pegg's hilarious Sidney Young. Definitely worth your time to rent and perhaps even own if MGM gets smart about releasing a revision of the DVD with proper extras (or how bout a Blu-ray edition MGM ... I'm sure we'd all eat that right up!)

Simon Pegg stars as Sidney Young, a hack writer with a British celebrity magazine whose only desire is to be with the people he trashes in his columns. Clayton (Jeff Bridges) is the successful editor of New York celebrity magazine. He offers Sidney a job which he accepts. Sidney quickly discovers he is way out of his league and if he doesn't shape up he will lose his job. Kirsten Dunst plays Simon's boss who sees him as a zero and would like to see him fail. Meagan Fox plays an actress that Simon would like to get close to at any cost.

Simon can do no right, sort of an obnoxious Mr. Bean. However as the story progresses we discover that Simon isn't as shallow as our first impression. His turn around and redemption is what turns this film from a romp to a heart warming tale.

PARENTAL GUIDE: F-bomb, no sex, nudity (Margo Stilley)

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HOW TO LOSE FRIENDS & ALIENATE PEOPLE

I am a huge Simon Pegg fan as most people probably are now days; come on all of his stuff has been great. I remember seeing the previews for this and thinking "all right here is his forte into mainstream movies". Now I knew that could go one of two ways, those of course being bad or good. Thankfully this while not his best film is really good and that is mainly because of Mr. Pegg himself. I know what you are saying "of course he is good in it" and I know that but I felt the need to say it, so get off my back.

The film follows an off the wall writer named Sidney Young [Pegg] as he goes from wanting to be in the "it" crowd to actually being there. The thing about it though is that what got him to the dance just might be the one thing he has to give up in order to be successful. Writing for a small magazine that trashes the stars [or at least he does] over in the UK, he is offered a job in the US by his hero in the biz Clayton Harding [Jeff Bridges]. Once there the hero he looked up to is looking more and more like a sell out and after meeting Sophie Maes [Megan Fox] he just might do the same. The only real person at least in his eyes is Alison Olsen [Kirsten Dunst], so he tends to hang around her while wanting Sophie.

This film based on a book by Toby Young is well handled under the direction of Robert Weide. The film is well paced even though it is a bit long which may be it's only down fall, the only one I guess. Written for the screen by Peter Straughan and acted out well by the entire cast this film is really entertaining. The film has laugh out loud moments but it is much more of a wittier humor or subtle type if that makes sense. Still I find the film to be very entertaining and found the cast to be real fun to watch.

Simon Pegg is excellent as the lead in this film and it was cool to see him in this type of role, in fact he should do more of these. Kirsten Dunst is great as well in this film and gives one of the better performances. Jeff Bridges is great as usual and Megan Fox does a good job as well as does the rest of the cast. Like I said this is not the best film ever and is not even Pegg's best film, but it is still a very entertaining flick. I recommend this film to any one reading this if only a rental that is fine, I bought it.

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super funny and smart...Simon Pegg is hilarious, one of my favorite brits of all time to watch. cool and unpretentious

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Loved this movie the first time around in the theater, had to rent it to watch again with a friend.

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Pillow Talk (Blu-ray + DVD + Digital Copy) (1959)

Pillow TalkRating for this movie -5 Stars.

Rating for the 2004 DVD version of the film -1 Star.

"Pillow Talk" stars Doris Day, Rock Hudson, Tony Randall, and Thelma Ritter. It remains today what it was when released in October of 1959, and that is -a highly-entertaining and well-acted romantic comedy.

The film was re-released on DVD-Video by Universal Studios on April 6th, 2004. This newer version has been enhanced for 16x9 widescreen TVs, and the anamorphic enhancement has helped in many places. However, the picture quality here does seem to be a bit of a "hit and miss" proposition. Several portions of the movie still look rather crummy (artifact-wise), exhibiting obvious dirt speckles and "noise". The opening titles sequence is peppered with dirt and artifacts galore, as are a few other parts of the film, particularly ALL of the "split screen" scenes. For some reason, it seems that these "split screen" shots could not be cleaned-up nearly as much as the other portions of the movie.

But by far the biggest atrocity is the fact that this 2004 DVD print has been mis-framed! In some places pretty badly, too. Head room is way too tight here, with the tops of many character's heads being cut off. This was NOT the case with the previous 1999 DVD print of this movie.

When you compare the '99 print with this 2004 one, the mis-framing is obvious in many places. It appears that this new print has been "zoomed in" quite a bit, creating the tight head room. Some of the most blatant examples of this "zooming in" occur in Chapter 10, where the piano player's head is severely cropped. Whereas, on the '99 DVD, her entire head is visible in the frame. Plus, a few seconds later in that "Roly Poly" scene, we see a shot of several people singing along to the music and clapping their hands. In this shot, TWO ENTIRE PEOPLE (one on the left and one on the right side of the frame) are totally cut out of the shot! Plus, part of another man is cut out of the frame on the left! These "missing" people are all visible on the 1999 disc.

And check out Chapter 14! This scene is simply horrifying from a framing standpoint! Literally half of Rock Hudson's head is missing here! When we KNOW it should be in the frame (based on the 1999 disc, which is perfectly framed for the 2.35:1 aspect ratio of the movie). Yikes!

This is ridiculous carelessness on the part of Universal's quality control department! Many scenes are totally botched with this zoomed-in mis-framing of the print!

Looks like yet another case of a Universal product being mishandled in the DVD transfer department. A pity! For "Pillow Talk" is one of the best romantic comedies you're likely to see this year, or any other year. And it deserves better treatment than this. It's just plain stupid to let an obviously-botched DVD video transfer like this one get into any consumer's hands! Doesn't ANYONE check these framing issues before finalizing the product? Mind-boggling indeed!

This newer DVD version of the film contains the exact same Menu design and Special Features as the previous non-anamorphic variant (minus a text info page about Universal "Web Links"). The bonus features aren't very plentiful, being limited to the original theatrical trailer and some very extensive and informative text notes on the film and its cast members. (FYI -These text-based items are verbatim to the older "Pillow Talk" DVD release; but definitely worth a read. Until reading these Production Notes, I never knew a sequel to the film was being planned in 1980. But, unfortunately, the project never got beyond the initial planning stages, and the film was never made. Too bad. I'd have liked to have seen that sequel.)

I'm severely disappointed with this DVD. I looked forward very much to having this film in an enhanced anamorphic state. But in this butchered, mis-framed version, it's nearly impossible to fully enjoy the film. Because the FULL film is not here!

If you've already got the older non-anamorphic DVD of "Pillow Talk", you'd be better advised to just hang onto it, and skip this version entirely. Upon looking over both versions side-by-side, the older one really isn't very much worse (fuzziness-wise) than this new one. And when factoring in the mis-framing problem of the new one, the old DVD displays the WHOLE picture; while this new one definitely does not.*

* EDIT/FOOTNOTE (OCTOBER 2005) -Universal has supposedly fixed the mis-framing problem with this 2004 DVD release -although I've ordered multiple copies of the "new" disc (from different e-tailers) and still haven't seen a properly-framed copy. I've had to return each one thus far (and they were ordered more than a year apart). Very discouraging. So, you're taking your chances when you order this '04 version of the film.

~throws hands in air in disgust~

Doris Day and Rock Hudson are perhaps the best duo in movie history. Pillow Talk is one of the most clever comedies ever made. This film is about a painful reality in the 50'sparty lines. When Jan Morrow wants to use her phone, she must first listen to her other "party" Brad Allen romance the women. She finally works out a deal with him to each have a thirty minute slot where they can make calls, but selfish Brad doesn't adhere to the rules at all! Brad accidentally meets the other end of his party line at a restaurant, and makes a quick decision to become someone else. He ultimately romances Jan, while she has no idea that he is her arch enemy. For it's time, Pillow Talk was one of the more risque films, but yet one of the funniest and most romantic ever made.

On that note, I have to say I was so disappointed with this DVD. There are no extras to speak of other than the trailer and some production notes. As successful as the stars of this movie were, you think Universal could have put a little more punch into this DVD. The quality of the DVD is also quite poor. There was no digital remastering, only a direct copy from vhs to dvd. If you are a person who only has dvd's, I would still get this because this is such a classic, you have to have it around. If you still have your vhs machine, get it on vhs, it's cheaper and not any less quality than the dvd.

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This is probably the most well known pairing of Doris Day and Rock Hudson. A laugh out loud comedy in which Tony Randall and Thelma Ritter also showcase their vast comedic talent. Jan Morrow shares a party line with Brad Allen, which she has tried to put a stop to, but the phone company won't cooperate. She uses it for her work as an interior decorator, while he uses it to seduce a multitude of women thru his song writing. When they meet by accident, he assumes another identity to get close to Jan hoping to deceive her until he has the opportunity to get what he wants. When she becomes wise to his deception, all bets are off!

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Of all the classic comedies that starred Doris Day and Rock Hudson, or the two stars with other co-stars, this remains my favorite.The legendary late Rock Hudson was at his peak in this romantic comedy, and who better to showcase his charms against, than quintessential girl-next-door, Doris Day. Hudson thrives on his ability to charm indeed, as a songwriter named Brad Allen. Brad is a love-em and leave-em kind of guy, who entertains a seemingly endless array of lovesick females at his well equipped bachelor pad. He also sings to them over the phone for hours on end, tying up the telephone party-line he shares with Jan Morrow, interior designer, enter a perturbed Doris Day. Every time Jan picks up the phone, she hears Brad sing "You're My Inspiration...", and always with a new girls' name attached to the end. Flabbergasted at his womanizing, she sends a phone company rep to have a word with Mr. Allen, only to find that she TOO has fallen for the tall dark and handsome playboy.

Jan tells her boyfriend of sorts played by the wonderful veteran comedy legend Tony Randall, about her dialing dilemma. Randall, as always, plays himself. He's neat, dapper and proper, as not only Jan's boyfriend, but Brad Allen's friend and boss as well. After extoling the virtues of Jan to Brad, and mentioning that she shares a party-line with "some nut", describing the singing phone routine, Brad is too curious to find out what Randall is so wild about. After Brad Allen finally glimpses Jan Morrow dancing at a club, and sees the other end of his party line is not the shrew he expected, he sets out for his sweetest conquest of all.

"Pillow Talk" is a timeless gem of classic comedy. Amazingly, it was considered quite risque in it's time. This only goes to show just how jaded the world and cinema has become since 1959. Rock Hudson was actually embarrassed, and nearly declined the role. We can speculate in retrospect why he felt that way, but no one could've been a better cad than Rock as Brad! The one and only Doris Day is sweet as sunshine, until the duped decorator delighfully disarms Mr. Allen's charms, leaving him, for the first time, really in love with someone other than himself. Thelma Ritter is amusing as Jan's perpetually hung-over housekeeper. It's a truly comic moment when Ritter counsels Brad over a few too many drinks on how to win Jan over, and Hudsons' head hits the table with a thud, while Ritter babbles on oblivous to her companions condition. Tony Randall is his classic prim self, and laugh out loud funny, as he storms into his own place to rescue Jan from the smug seducer huffing the line "At least you could have had the DECENCY...to bring your OWN champagne!"

There are too many wonderful moments in this film to cover them all. If you somehow haven't, it's far better for you to enjoy watching this long lost genre of the innocent, fun, fresh feel-good romantic comedy, and experience first hand, the pure delight it has to offer in abundance.

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I was so excited to see that Universal is making a special edition of PILLOW TALK's 50th Anniversary on dvd. The 1959 comedy romance movie about an interior decorator Jan Morrow (Doris Day) who shares a party line with a womanizing wolf Brad Allen (Rock Hudson),was an unbelievable box office hit in 1959, and I thought Universal will really make this Golden Anniversary of the film a great one! Upon viewing the film, I at once noticed nothing new. I am a huge Doris Day fan, so I pulled out my other Pillow Talk dvd copies, looked at them side by side and here's the facts:

This dvd is the EXACT dvd that was made for the 2007 THE DORIS DAY AND ROCK HUDSON COMEDY COLLECTION, which includes all 3 movies they made together: Pillow Talk, Lover Come Back and Send Me No Flowers.

This 2007 Doris/Rock Set is an improvement over the Pillow Talk dvd's that were made in 2004 and earlier, as Universal "remastered" it with a tiny bit more brightness, a tiny bit more detail and a tiny bit more frame area. 2007 was the first year Universal made tiny "upgrades" to Pillow Talk when they made this Doris Day/Rock Hudson dvd set. All they did for this 50th Anniversary Set, was use this 2007 Pillow Talk dvd.

This Anniversary Edition includes these Bonus Features:

Commentary with Film Historians Jeff Bond, Julie Kirgo and Nick Redman.

Chemistry 101: The Film Duo of Doris Day and Rock Hudson. Featurette that talks about how filmmakers first saw the sparks between Doris and Rock, and how that made them put the duo together for 2 more successful films.

Back in Bed with Pillow Talk: Film Historians, experts, authors, cast and crew discuss the many elements that propelled PILLOW TALK to a top box office spot for Universal Studios in 1959.

Theatrical Trailer.

This 50th Anniversary Edition is great to own, if you never bought the 2007 "upgrade" of Pillow Talk, as it is a slightly better copy over all the dvd's that were made before 2007. The Bonus Features are not that exciting, as Doris is not in anything new. I'm disappointed that Universal could have made a fantastic upgrade of this film, and included better Bonus Features, and included Dorisif only for 5 minutes!! (Look what they did for Disney's 50th Anniversary of Sleeping Beauty and Wizard of Oz's 50thabsolutely gorgeous.) If they had only included 5 minutes of Doris and spent another 5 weeks upgrading the original 35 mm film, they would have gotten my 5 stars!!

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