Showing posts with label old movies. Show all posts
Showing posts with label old movies. Show all posts

The Nutty Professor (Blu-ray + DVD + Digital Copy) (1996)

The Nutty ProfessorTotally awesome movie with jokes and sight gags galore. Eddie Murphy is one talented man playing all those roles of the Cletus family plus Buddy Love. A little crude yet but alot of laughing......gas!

Definitely pick this one up and pass on the sequel as that one overdoses on the fart jokes. This one uses a multi-joke formula all the way to success.

I haven't seen an Eddie Murphy movie yet that wasn't hilarious and The Nutty Professor is one of the best he's ever made. He plays the role of an overweight and intelligent professor that likes a gorgeous new teacher, but he doesn't have the courage to ask her out because of his size. He develops a formula that turns him into a skinnier, arrogant man that seems to have a better chance with the teacher that Mr. Klump (the overweight professor)likes. She turns out to like the skinnier, more arrogant version of Eddie Murphy but thinks he's too out of control. Later on, Eddie Murphy gets stuck in the new body and wants to go back to being Mr. Klump, but the new arrogant version tried to keep him from becoming Mr. Klump again.

The professor creates a formula that can drastically make anyone lose weight within seconds and can't wait to prove it to everyone. However, even this is a challenge when the new, skinnier Eddie Murphy tries to take over and do away with Mr. Klump.

The Nutty Professor is one of the funniest movies ever made in my opinion. Some of the sequences might not be as good as the others, but I don't know anybody in my family or any of my friends that didn't like the movie. It's one of Eddie Murphy's best and if you feel like laughing, you need to get this movie.

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Eddie Murphy did a great job in The Nutty Professor with his role as Professor Sherman Klump/Buddy Love and also playing the entire Klump family. While watching scenes from the family dinners it is obvious what a great job Murphy did in this film. Each of the family members has their own personality and quarks that make the otherwise pointless dinners very enjoyable and fun to watch. The special effects and make-up used in this film are also amazing and they portrayed very real looking qualities.

Sherman Klump, a very bright professor who is also dealing with an obesity issue, finds himself falling for a colleague, Miss Carla Perdy. Klump is convinced that he doesn't have a chance with Carla because of his appearance. He believes that he needs to change himself in order to get Carla to appreciate him so he decides to try a formula, which he has been testing on hamsters, on himself. The formula is a DNA restructuring chemical and when it is ingested by Klump he drops 300 pounds immediately. This skinny, obnoxious and loud version of Professor Klump comes to be known as Buddy Love. Buddy is very critical of people, especially obese people, and he is determined to take over Klump's body and his life.

This movies main objective is to show that you should be happy with yourself. The jokes in this film were also carefully thought through so they wouldn't offend most viewers, especially overweight viewers. I found this movie to be more enjoyable than the original, starring Jerry Lewis, which has very few similarities with this version. I highly recommend this movie to anyone who enjoys a little comic relief.

Read Best Reviews of The Nutty Professor (Blu-ray + DVD + Digital Copy) (1996) Here

THE NUTTY PROFESSOR STARRING LEGENDARY STAND-UP COMEDIAN/ACTOR EDDIE MURPHY. HE SHOCKED YOU IN HIS 1982 STAND-UP LIVE CONCERT DELERIOUS. HE SURPRISED YOU IN HIS 1982 MOVIE 48 HOURS WITH NICK NOLTE. THEN HE TOOK IT TO THE SPEED LIMIT WITH EVERYBODIES FAVORTIE COMEDY COP AXL FOLEY BEVERLY HILLS COP. AND FINALY, HE BLEW UP TO 400 BOUND OF LOVE PLAYS SHERMAN KLUMP BUDDY LOVE AND HIS FAMILY IN... THE NUTTY PROFESSOR. A GREAT COMEDY GEM THIS ONE. GO BUY THIS DVD. THERE IS NOTHING LIKE FAMILY GETTIN TOGETHER HAVING A GOOD MEAL.

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I love this movie, it's absolutely funny and has a good morale to the story, on why people should accept people the way they are especially in an age where everybody is crazy about thin models.

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Honey 2 (Blu-ray + DVD + Digital Copy + UltraViolet) (2001)

Honey 2Honey 2 offers serious, serious hip-hop dancing. Despite of what everyone else says, I totally dig it. To me it is one of the best dance movies out there. Here are some reasons why:

1) The dancing and choreography are awesome. Check out the first solo by Kat, the main actor, for example. It is mind-blowing.

2) The second most important reason why I dig this movie is that the message it sends is deeper, better, and more realistic than in other dance movies. It's about dealing with problems by being constructive rather than destructive. (In many other dance movies, the message is pathetic.) In this category it beats all previous dance movies I've seen.

3) The movie is packed with dance scenes; I would say, it has more cumulative dance time than any other movie.

4) The actors are so cute and can actually dance. No doubles as in one of the most famous dance movies, whose name shall remain unmentioned here.

5) I just really like it, especially Kat and the girls, but really all of the HD group. The characters and lines of the girls actually make sense.

The absurd part is that this movie has received a lot of negative criticism. So bad in fact that it never made it to the theaters in North America but went straight to DVD. The ratings on this movie are bimodal. Many actually give it the highest rating, but others give very low ratings, which leads to a dismal average. I definitely belong to the first group. If you're looking for a blood-thirsty hyper-spectacular movie, you will indeed be disappointed. But I like awesome hip-hop dancing with a warm positive human story. In my humble opinion, Honey 2 is one of the best dance movies of all time.

This movie is the best i have seen kat graham in. the vampire diaries are good but this movie is good too. its funny and the dancing is great.

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Honey 2 has many good dance sequences but falls short in every other department. As a movie, its too long and rather boring.

I took dance throughout high school, so I enjoy watching movies about it. But Honey 2 doesn't have a very interesting story, and the acting isn't good. The main character needed to be nicer, but instead she was very, I don't know...bitchy.

Other dance movies are much better, such as Footloose, Shall We Dance, Black Swan, etc..

Which proves you CAN have a movie with both good dancing and a good story.

Honey 2 just doesn't cut it. Movie: 1/5 stars.

The blu-ray has good video and audio, typical for a normal blu-ray release. Video and Audio gets 4/5 stars.

Overall: 2/5 stars. Watch it for the dance sequences but don't expect anything else. Fans of the film will enjoy the blu-ray release.

Rating: PG-13. Typical stuff here, some language and suggestive content, partying, and a few verbal fights. Much milder than the recent remake of Footloose, which seemed more mature. Ages 12 and up.

Read Best Reviews of Honey 2 (Blu-ray + DVD + Digital Copy + UltraViolet) (2001) Here

I liked the dancing and I liked that the star stood up to another sleeze bag. I liked that one woman supported another woman.

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Bought this as an xmas gift for my girlfriend and she really enjoyed the music and plot of this movie.

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The Disappearance of Haruhi Suzumiya (Blu-ray/DVD Combo) (2010)

The Disappearance of Haruhi SuzumiyaThe disappearance of Haruhi Suzumiya is based on the light novel by Nagaru Tanigawa. *note, I have seen it, and will try not release spoilers on this post* This is a continuation of the Haruhi series. Clocking in at almost 3 hours long, it is one of the longest anime movies Ive seen. This takes place around the middle of December where Haruhi is planning a Christmas party for the SOS Brigade.

About a day later (end of the prologue) Kyon wakes up and finds out that everyone except him, has forgotten Haruhi even existed. It is a world where Haruhi never existed. He has no idea what caused it, or what he's suppose to do to fix everything. Yuki, who in this is a scared timid girl, who smiles when happy, and even cries. A certain character makes a return appearance. A person other than Haruhi also goes missing. And everyone thinks Kyon is crazy when he lashes out about Haruhi.

It is truly an excellent film, and was HIGHLY rated among anime communities. Note that to understand alot of this movie you have to have seen seasons one and two, lest you be lost in the multiple references to earlier episodes. Personally I bought the movie with English subs, and watch it multiple times. I cant wait for this release (disregard this statement after its release).

This movie keeps your attention throughout the whole thing, and when you think its over, your only half-way through, with a very satisfying end. This movie delivers exactly what Haruhiists have been hoping for since its announcement.

I realize that there are many other Amazon reviews for "The Disappearance of Haruhi Suzumiya," so I'll be brief:

THE FILM:

I enjoyed watching this high-end production of one of the most interesting story arcs in the "Haruhi Suzumiya" light novel series. The movie is slow-moving at first, but it really picks up half-way through. The animation, story adaptation, music, and character development are top-notch, and Kyoto Animation obviously put a lot of effort into the making of this film. It seems that this was their "love letter" to the fans of the Haruhi Suzumiya series (and, perhaps it can be seen as an "apology note" for making many people frustrated over the infamous "Endless Eight" episodes). However, if you're a newcomer to the series, it would be best to watch the TV series beforehand (or read the manga or light novels, if you prefer). Unfortunately, this film isn't very accessible to newcomers, and it's almost required that you recall and understand certain events from the series in order to fully enjoy the story. If you're new to the series or if you're a fan who needs a little refresher on the plot, the most important episodes to look over are "The Melancholy of Haruhi Suzumiya" (Parts 1 through 6) and "Bamboo Leaf Rhapsody." Although a bit slow paced and lacking accessibility to new fans, I thoroughly enjoyed watching this film. {Film Rating: 4.5 out of 5}

Bandai's DVD/Blu-Ray Combo Pack Release:

As for Bandai's release, the voice-acting for the English dub is excellent, and once again, Crispin Freeman's performance as the brooding protagonist, Kyon, steals the spotlight. The picture quality of the Blu-Ray looks great on a big High-Definition Television. There's a fair amount of extras included on an extra DVD disc, although I wish they also included the extras together on the Blu-Ray disc. The packaging feels a bit "bare-boned"---for one of Bandai's most highly anticipated releases of the year, I wish they put a bit more effort into making the packaging feel a bit more special and attractive. Overall, this is another high-quality release by Bandai, but I wish they put more effort into the packaging to showcase this special movie. {Bandai's Release Rating: 4 out of 5}

BOTTOM LINE:

If you're a fan of the series, save up your pennies and buy this. If you're a newcomer who's interested in getting into the series, go and watch the TV series first. You'll certainly not be disappointed about this purchase.

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Kyon wakes up one day to find his whole world has changed. None of his friends recognize him, not even the unflappable NAGATO Yuki. What's more, Haruhi is no where to be found. So starts a clever twisting, turning story in the Haruhi Suzumiya universe. And it is one of the best. If you are a fan of the original television series, this show is an absolute must. But even if you aren't, or have never seen anything Haruhi related, this film can stand alone and is a joy to watch. The art is crisp, the story-telling is compelling, the drama with all the twists and loopholes is engrossing, and you get the chance to see Yuki with a more rounded personality! Sadly, to say much more about the story would give too much away. Suffice to say, Nagaru Tanigawa somehow keeps his overlapping stories straight, no matter how many times Kyon time travels.

Among the stories that Nagaru Tanigawa has penned in the Haruhi series, this is among the very best. On top of that, the production quality of the film is top-shelf. If you own a Haruhi anime, this should be it. If you are an anime collector, this should be in your collection. I would say more, but I am usually critical and this time have nothing to be critical about.

Read Best Reviews of The Disappearance of Haruhi Suzumiya (Blu-ray/DVD Combo) (2010) Here

Anyone who has seen the first 2 seasons of this anime needs to experience this movie if you have not seen them, please do or read below. Clocking in at over 2 hrs 43 min, The Disappearance of Haruhi Suzumiya is a faithful representation of the novel, but in my opinion, conveys the message more effectively than the source material. It is a masterpiece that had me endure almost every human emotion at one time or another.

For anyone who is not familiar with this, the Haruhi Suzumiya saga (Suzumiya Haruhi in Japanese) is an anime adapted from a series of light novels by Nagaru Tanigawa. (PLEASE NOTE THAT I WILL TRY TO KEEP THIS AS SPOILER FREE AS POSSIBLE, BUT IN ORDER TO UNDERSTAND THE MOVIE, YOU MUST UNDERSTAND THE PREMISE OF SEASON 1 AND 2 VERY LIGHT TO NO SPOILERS WILL BE REVEALED ABOUT THE MOVIE.)

It is the story of a sarcastic young man named Kyon who tells us early on that he has put away childish heroes and myths and is ready to experience the real world. On his first day of school he meets a beautiful yet interestingly bored young girl named Haruhi. Yet, unlike a "normal" female student who is interested in dating, sports, or joining school activities, she announces to her class that her only goal is in meeting "aliens, time travelers or espers (psychics)." Pretty weird to say the least!

However, the plot quickly jolts when Kyon unwittingly inspires the melancholic Haruhi to create her own club which she dubs the SOS Brigade (Spreading excitement all Over the world with Suzumiya haruhi brigade or S-O-S for short). The now spirited, eccentric, and almost intimidating Haruhi forcibly drafts Kyon and 3 other students into her club and sets out on a mission to find these supernatural beings and help other students who have dealt with mysterious happenings.

Of course, this would not be a unique anime without using sexy bunny costumes to advertise the club, blackmailing the computer club to set up the brigade's computer network, and students trying to kill Kyon to see how Haruhi's attitude will change...What???...just stay with me for a moment. Also, everyone has to keep Haruhi happy all the time because she has the power to destroy the universe if she gets angry or bored...YES THAT'S RIGHT! Ms. Suzumiya, unbeknownst to her, has supernatural powers that can recreate the entire universe or even destroy or change reality itself!

Another catch...the 3 other SOS club members soon reveal to Kyon that they are in fact the beings Haruhi has been searching for a time traveler, alien and esper who were sent by their respective organizations to keep an eye on Haruhi while preventing the end of the world. To top it off, Kyon is not allowed to tell Haruhi and has to pretend that life is peaches-and-cream, while he experiences giant crickets and lasers shooting out of people's eyes...just to name a few bizarre happenings. And of course, who is behind it all...you guessed it...Haruhi! So how does our cynical and want-to-be normal Kyon feel about this...NOT TOO HAPPY!

Many adventures take place in the first 2 seasons, which is why I heavily recommend watching them before this movie which is in fact the 4th novel in the series. In addition, there are character development and plot elements that rightfully set the viewer up for what happens.

The Disappearance of Haruhi Suzumiya takes place during Christmastime and the SOS Brigade (really Haruhi) plans to throw a Christmas Eve party in the club room. Kyon, still furious over Haruhi's hi jinx and the fact that he cannot experience a normal life continues to pout over his ridiculous reality...that is until he wakes up one morning and finds out that everything he knows changes. Students and classrooms are missing, sickness is plaguing the school, SOS brigade members have no idea who Kyon is and most importantly...Haruhi Suzumiya disappears!...and no one even remembers who she is!

In a hybrid of "It's a Wonderful Life" meets "Back to the Future," Kyon is given a rare perspective of how things can be without the supernatural chaos that has plagued him for the last few months. Be prepared to undergo numerous emotions as we see Kyon diagnose this new world without Haruhi Suzumiya and even contemplate if this is a reality he secretly desires to remain in. Of course, he still does not know how Haruhi could do such a thing...or is something else pulling the strings of the universe...? Kyon, who has wanted no part of any of this, is now in the driver's seat and is forced to make decisions that will change his life and the world's forever.

This Blu-ray is the Hong Kong version Region A and is compatible with US players, including the PS3. It is well made with the box art being the graphic shown on this page. The disk includes pop-up menus you would expect from a Blu-ray interface and fans of the series will immediately recognize the main menu song "Bouken Desho Desho?" (the opening for Season 1). I will mention that there is an animation of images from the film that could be a little spoiler happy, but nonetheless is still beautiful to see and did not ruin anything for me. The special features are only the trailers, but the real special feature is watching this in High Definition.

The English subtitles are in a crisp white (no yellow -italics garbage) and the animated visuals are gorgeous. There are a few spots where the color seems a bit washed in certain bright scenes but this might appear differently for people's televisions. In addition, it is true that people can watch this movie on the web, but there is no comparison to watching it in 1080p in your living room.

The movie is currently being dubbed in English and should be coming to our shores later this year (which I too will pick-up). However, if you cannot wait, pick up this Japanese language/English Subs edition.

In conclusion, in my opinion, this is the best anime movie that I have ever seen. What Season 1 and 2 did in comedy and suspense, Disappearance bridges into seriousness and contemplation. The soundtrack, produced by Satoru Kosaki, sounds simple yet magnificent especially the track "Ready." Although the movie is lengthy, it always captures my attention in all the right places and I am left wanting more. You will laugh, you will cry...you will reflect even after the movie finishes. For those who have seen both Season 1 and 2, you will love and feel for characters even more. For all, I hope you will walk away with an assessment of your own life...and as Kyon has to do, realize just how important your decisions are to yourself and to the world around you.

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This disc won't play in all Blu-ray players.

It will not play in my Denon BDCI 3800 Blu-ray player I bought 2 years ago. I contacted Denon tech support and after 2 months of research they discovered the problem. This disc which was manufactured in Blu-ray Profile 2.0 only which means it will only play in newer Blu-ray players. Most discs created in Blu-ray Profile 2.0 are backwards compatible with older Blu-ray 1.x Profile players. This disc is not backwards compatible.

The Blu-ray Profile (1, 1.1 or 2) is the actual hardware of the player and no firmware update can change a Blu-ray Profile 1.x player into a Blu-ray Profile 2 player.

Blu-ray Profiles explained:

Blu-ray Profile 1 Has simple menu items like a DVD menu.

Blu-ray Profile 1.1 Has pop-up menus like most Blu-ray discs.

Blu-ray Profile 2 Also known as BD-live with the ability to access content from the internet and 1GB of internal storage.

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Tucker & Dale vs. Evil (2011)

Tucker & Dale vs. EvilEver seen a horror movie with hillbillies in it? They're usually psychotic chainsaw-swinging inbred cannibal psychos who like to murder anyone who happens to drive by.

But don't expect any of THAT to actually appear in "Tucker & Dale Vs Evil," a clever black comedy that asks, "What if the HILLBILLIES were the innocent victims of the doomed college kids?" Tropes are inverted (or lampshaded), there's gore aplenty, and Alan Tudyk and Tyler Labine make endearingly rough-hewn heroes.

West Virginia hillbillies Dale (Labine) and Tucker (Tudyk) have just bought a dilapidated little house out by a remote lake, and plan to spend some time fishing and drinking beer. They also end up rescuing Allison (Katrina Bowden), a college student who hit her head while swimming, and she soon finds that these seemingly terrifying hillbillies are actually kind, gentle and sometimes quite smart.

Unfortunately, Allison's friends get the wrong idea, and think that she's being held captive by a pair of chainsaw-swinging psychos. As they try to attack Dale and Tucker, they end up accidentally dying in bizarre and gory ways. As Dale, Tucker and Allison try to defuse the situation, they also have to deal with the increasingly bloodthirsty Chad (Jesse Moss).

I have no idea why it's taken so long for "Tucker & Dale Vs. Evil" to make it onto DVD, because this movie is absolutely hilarious -a gory, satirical little comedy that acknowledges every hillbilly-slasher cliche right before turning it on its ear. And yes, writer/director Eli Craig homages many a horror movie, from "Evil Dead" to "Friday the 13th."

And even though it's obviously a spoof, "Tucker & Dale Vs. Evil" is actually very well-written -clever foreshadowing, a shocking climactic twist, and all sorts of hilarious situations that make Dale and Tucker look... well, like psycho hillbillies. For instance: Tucker accidentally destroys a beehive, and ends up racing through the woods, screaming and waving his chainsaw spastically.

And yes, there are lots of OTHER hilarious moments, such as lampshading hillbilly stereotypes ("Oh, I love Earl Grey") and the college kids' gory deaths (impaling themselves on sticks or jumping into woodchippers).

And the acting is absolutely brilliant. Labine and Tudyk are amazing as the protagonists, respectively playing a sweet timid teddy bear and an outgoing good ol' boy. Yeah, don't judge these guys from their appearances, because you will be ALL WRONG. And the rest of the small cast also does an excellent job, especially given that most of them are shrieking horror movie cliches.

"Tucker & Dale Vs. Evil" is pretty clearly destined to be a cult classic, right alongside other fun spoofs like "Shaun of the Dead." Hilarious, bloody and clever.

The set up is a lot like the recent installments of the Texas Chainsaw and Hills Have Eyes franchises or Wrong Turn. A group of college kids go camping in the woods. They're unnerved by the backwoods, hillbilly-chic locals. And, naturally, they suspect the worst of them. Perhaps for the first time in horror movie history, these kids assumptions were wrong.

Tucker (Alan Tudyk; A Knight's Tale, 28 Days) and Dale (Tyler Labine; Rise of the Planet of the Apes, TV's Mad Love) are two loveable, kind-intentioned idiots on a bro-mantic fishing trip. Their interactions with the campers are misconstrued such that they appear to have performed malevolent deeds. After nearly drowning, Tucker and Dale save Ally (Katrina Bowden; Piranha 3D, 30 Rock) of the girls. But when they pull her into their boat and yell "we have your friend" to the others, it is perceived that they "took" her and then cruelly goaded them. Naturally, when Ally regains consciousness, she thinks she's been abducted.

Just from the trailer I think everyone knew that this would just "work" on film. This was Eli Craig's first job as director (he wrote this, too) and I'm itching to see what he does next. He took a smart comic premise and peppered in some solid doses of Sam Raimi-esque gore. As the kids try to "rescue" Ally from her "captors" they get accidently killed under silly circumstances delivered with perfect timing. A true horror hound, I tend to laugh at many of the kills in serious horror flicks. But this movie invites all to join in the laughter as mulched entrails shower over the face of a mortified friend.

American Psycho and the Scream franchise may have mastered the slasher movie satire. But this stands out as more of a paramount slasher movie farce, much as Shaun of the Dead was for zombie fare.

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Very infrequently do you see a movie that blends its satired source with comedy as well as Tucker & Dale vs. Evil has. When you find yourself laughing out loud as teenagers hurl themselves into wood chippers, impale themselves on tree branches or set one another ablaze you realize that the horror element is vastly outweighed by the ironic humor that the entire piece is littered with.

If you're comfortable with a little blood and a little cursing then this movie will be a surefire winner.

Read Best Reviews of Tucker & Dale vs. Evil (2011) Here

I don't write reviews but felt the need on this one. I also don't watch gory movies what's the point? We got this on a whim and it is actually REALLY funny and the gore is minimal which is awesome. So if you are a gore wimp like me you will like it. I was completely surpised by this one and enjoyed it. If you are looking for something insanely funny and off the wall this is the movie!

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Just writing a review to get the word out that this is worth a lot of watches so it is worth owning! This movie is a hoot from beginning to end! Although they should of called the film Tucker & Dale vs. College Kids...that is my only complaint! My wife and I sat and watched this with our 18 year old college student and we laughed our butts off because we know how teenagers act and we could relate! Although this is a low budget movie it is pretty well done for the special gore effects. The one-liners from the two hillbillies is what makes this movie though! For a horror movie...this one is quite original! Think Evil Dead movies...if you enjoyed that series....you'll enjoy this one!

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American Pie Presents: The Book of Love (2009)

American Pie Presents: The Book of LoveAnyone that has watched the films in this series since the beginning (American Pie Unrated (Widescreen Collector's Edition)) is going to inevitably rate this film in comparison to the other films. The first film, much like another film of that same general era (The Matrix (10th Anniversary Edition) [Blu-ray]) was somewhat ground breaking. It was raw, crude, lewd, and really, really funny thanks to being so lewd and crude. The later films in the series have had that bar to jump over and some have been mildly successful (American Pie Presents The Naked Mile) while others have been merely amusing. This particular film (Book of Love) seems to fall into that range with nothing to really push it towards a higher rating. For me, I think I'd have to put this one into the same ratings area as American Pie Band Camp (Unrated Widescreen Edition). While this film is, at least in the Unrated version, loaded with more gratituitous T&A than that earlier film, the story seems to be about as weak as that earlier story was.

There are several cameos in Book of Love that do add to the fun, and a load of extras that add value as well, but personally I'd have to say that this one veers far more to rental territory than to purchase territory. Tread carefully here. If you aren't a fan of the series, then look elsewhere.

Hopefully the next film in the series delivers something a little better for everyone to enjoy.

The AMERICAN PIE series is by far my favorite group of comedy films so I hate to say that BOOK OF LOVE is a bad film but it really is. Certainly none of these films are CITIZEN KANE but they have all had some funny gags, likeable and attractive characters and fairly decent scripts (the first four in particular). Sadly this group of actors (who are supposed to be in high school but look to be in their late twenties) can't even pull off this lame material which includes screwing a peanut butter sandwich, oral sex from the family dog and the "Stiffler" character getting plowed in the rear by a CGI moose. All of the characters are unpleasent for the most part (although Ms. Arquett does a decent job). There is really no one to identify with in this film. This time around no attempt is made to link Stiffler with his previous onscreen relatives and his character amounts to little more than a cameo. Even Eugene Levy phones it in on this one. The entire premise of the film is also extremely unlikely and rather stupid. Hopefully the inevitable part 8 will get back on track. This one is true mess.

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Once again Universal dumps the high end cameras and transfer into one of their franchises, so the resulting Blu picture and sound are flawless, but in a film that does not qualify. The DTS was mixed perfectly, especially in each fantasy sequence the music didn't drown anything out. The picture was crystal enough to see every pore and flesh tone and there is a great deal of that. Aside from the cameos and fun fantasy sequences, the movie is forgettable, but the supplements are fun and worth the watch, including:

* Making of, 8:00 minutes. Director intros with how he dislikes the usual fare so this and all of the others could have been one long documentary of gags, outtakes and fun on the set. This one covers some brief interviews and gags.

* Love Manual, 5:50 minutes. The hot girls from the movie and some of the cameo guys give their take on how to get with ladies.

* Trivia. One of the cast goes around the set and tests people's memory on some good American Pie trivia. Enjoyable.

* Pie-Cons, 6:50 minutes. Interviews with the long list of cameos in this film.

* Deleted scenes, 11:14 minutes. Plenty of extra skin and forgettable dialogue.

* Gag Reel, 4:00 minutes. More outtakes and adlib stuff hilarious.

* From the Set, 10 clips totaling 19 minutes. Essentially more deleted scenes with lots of extra ladies sans their clothing in funny sequences. Obviously this crew/cast had a good time making the film.

The extended is only a few minutes longer and there really isn't that much of a difference to warrant watching this twice. I would say bookmark the few worthy music scenes on your BD player (love that feature) watch the supplements and skip the rest, but the quality and extras make this a worthy addition to your library if you like the franchise. 3 stars for the positives listed. Enjoy.

Read Best Reviews of American Pie Presents: The Book of Love (2009) Here

With the American Pie movies 2 of them stand out as by far the worst and best of the series. The best being oddly enough American Pie 2 and the worst being American Pie Presents Band Camp the second worst dreaded forth sequel of an movie series with the worst being Wrong Turn 4. Another odd thing about the American Pie movies is that Book Of Love is the second worst of the series and it's follow up American Reunion is the second best of the series.

The plot of the movie is pretty simple 3 guys (Nathan, Rob, and Lube) are trying to lose their virginity in high school and keep striking out big time kind of like Finch, Kevin, Oz, and Jim in the first pie movie. The main character Rob takes the place of Jim in this movie since he is tying to get with a girl named Heidi and keeps woosing out when trying to pick her up, kind of like Jim does with Nadia in the first pie movie. Except the big difference is Heidi isn't an exchange student, is present through out the entire movie, and isn't really comparable to Nadia in the first pie movie. Then there's Nathan who has a girlfriend who won't go all the way kind of like Kevin does in the first pie movie. Except the difference is Nathan's girl (Dana) is not a virgin and has black hair. Then Lube because he's overweight kind of plays the part of Oz and Finch combined without being involved in any sports. And then Scott Stifler takes the place of Steve Stifler in the movie.

Rob accidentally sets part of the school library on fire when going after Heidi at a school dance and puts the fire out with water. After he puts the fire out with water he finds the book of love/bible in ruins through serving detention cleaning up his mess. Him, Nathan, and Lube try to read the book of love and use it to get laid. Then after they end up killing a prostitute (Monique) over 65 years of age in Canada by Rob trying to have sex with her due to a passage in the book of love that was written in 1975 about having sex with Monique that Rob, Nathan, and Lube thought was written in 1995. Rob, Nathan, and Lube find the name Noah Levenstien as the first person who checked out the book, contact him, and find out he was the original writer of the book. Then Noah, Rob, Nathan, and Lube contact everyone else who checked out the book to re-print what they'd wrote in the book.

Now lets look at the mistakes in the movie

*Scott Stifler is by far the least funniest of all the Stiflers including Eric. It seemed like the actor who played him really lacked that jerky voice and presentation of anger it took to play a Stifler. Plus the Stifler's play LaCross and football not basketball.

*Way too many embarrassing youtube videos on Rob. It was almost like Rob's little brother put too many youtube videos up of Rob's embarrassing moments during the movie and the director didn't spread out all the boys trying to lose their virginity getting embarrassed through out the movie like in the first American Pie with Finch, Stifler, Jim, and Oz. Instead (even though Lube got an embarrassing moment or 2 in the movie) it seemed like everything was focused on Rob. And Stifler got a good embarrassing moment at the end of the film that was pretty good. Plus all the embarrassing moments in this film unlike the first American Pie just seemed too fictional and non believable causing them not to be as funny as they were in the first American Pie.

*Stifler's house-When Scott Stifler threw a party at his house it just didn't seem believable as your typical get drunk high school party. The party seemed to have too much going on at it and just wasn't the same as the party's Steve Stifler threw at his hose in American Pie 1 & 2 and American Reunion.

*Eugene Levy has the smallest part of any American Pie movie-Eugene Levy wrote the book of love/bible, why is he only in the movie for 20 minutes straight and not spread out through out the entire movie like he is in the other 7 American Pie movies? And why was the book of love written in 1969 when Noah Levenstien (played by Eugene Levy) was in high school, when according to American Pie Presents The Beta House Noah was captain of the Beta House during the last greek games in 1969 (well technically second to last since in Beta House the house does have the greek games against another fraternity house at the end of the film)?

*No Kevin or Tom Myers-When Rob, Nathan, Lube, and Noah re-construct the book of love they call everyone who's checked it out and wrote in it. These people include the East Great Falls principal, Brett Michaels, and other people. Why where Kevin (ie Thomas Ian Nicholas) and Tom (ie Casey Affleck) Myers not in any of these scenes when they were the ones who were talking about and using the book of love in the first American Pie movie?

But all in although American Pie Presents Book of love may not be the best of the pie series, it's still better then American Pie Present's Band Camp and has a much better ending. Even though it seemed like the creator of this movie tried to take the same approach the creator of the first American Pie did. Except the big difference is the creator of the first American Pie found much better and younger actors no one knew about.

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The Book of Love is the final entry in the American Pie Presents series and it is the worst. Eugene Levy's cameo can't help this outrageous and unfunny sequel. Well, actually it is a recycled version of all the American Pies with the reintroduction of the book of love. The cast has no chemistry and the script feels like it is a first draft. Yes, there's graphic nudity, graphic language, sexual situations, and gross out humor, but it is all done in bad taste. There are a few scenes that attempted to be funny, but failed to do so. I bought the movie for a $1.96 at a Black Friday sale, otherwise I would have never watched it.

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Midnight Movie/Killer Movie (2008)

Midnight Movie/Killer MovieSlasher movie called "Killer Movie"? I did not expect this to be good, and it wasn't it was freaking great. Killer Movie is a movie that will be loved by some and hated by many because this is extremely unoriginal and not everyone will get the humour in it but this hit home for me. Just like "Scream Bloody Murder", Killer Movie knows how to make me smile while still delivering all the kills that one could want from a slasher flick. It's gory, funny and even made me jump a couple of times. Heck, I even enjoyed this more than My Bloody Valentine. Killer Movie isn't constantly over the top so when the gory scenes come, they're so unexpected that you can't help but to cheer a little inside your head. This is a slasher fan's dream. Unlike many other reality-TV oriented slasher flicks, Killer Movie doesn't really act like a reality-TV show, it's just about a bunch of people shooting a reality-TV show. This means that the movie doesn't look like it was shot with a camcorder. In fact, the movie looks good enough to be a theatrical horror flick. Anyway so these people are shooting a reality-TV show in a small town, unknowing of the fact that a masked serial killer is on the prowl, following their every move. The movie starts out quite slow so you don't really know what to expect at first. We get to know all of the characters quite thoroughly and the movie doesn't give away whether it's a comedy or a horror flick at once. The jokes are all very subtle which is why some people won't get it but I just loved the sarcastic tone of it all. Then when the horror hits, it hits hard and it increases by every kill until it's finally a complete bloodbath.

Blues Brothers 2000 (1998)

Blues Brothers 2000Love it or hate it, it doesn't matter, this is still a great blues film. Sure this sequel has a silly plot, but so was the original....it's a joke, get it? I found myself laughing repeatedly as the plot continued to satirize the entire concept of a sequel.....if it was too subtle for you, watch it again....it's right there, brazen as can be.

But who on earth would watch this film for the plot? True to the original, 2000 is a great blues MUSIC sequel. You've got to admire the script writing that has Elwood earnestly trying to convince his band they can compete in a battle of the bands against Clapton backing B.B. with Clarence on sax, or Aretha actually delivering a better take on Respect than on the original film, or John Goodman doing James Browns' cape.....this is great stuff.....and what really matters is that the musicians are having a ball.....and it comes through loud and clear, with soul to spare.

Buy this one for the music, the charisma that jumps off the screen and realize that Belushi would have loved it no matter what.....after all, it still celebrates the blues!

Boy, it took guts to not submit this review anonymously, though I feel less ashamed of myself for liking it after seeing other reviews here. Well, it's not the original-nothing is, and no-one can replace Belushi. (you can't help thinking of that joke while watching this, the one that goes 'what's blue and sings alone? Dan Ackroyd') Thank GOD they used John Goodman instead of Belushi's brother. I didn't like the scene where they all turned into zombies, that was embarrassing--and what the heck did it have to do with the plot? Speaking of the plot, it was pretty much non-existent, mainly an excuse to rehash scenes from the original. But as for the good stuff...Ackroyd did as good of a job as he could. He obviously took off weight for the role, though he is far from the slim, fast-dancing, sexy Elwood he used to be. His dancing has slowed down, but is still solid. He's actually still pretty charming in parts. The kid didn't annoy me anywhere as near as much as I thought he would (mostly because he didn't have many lines) and could really dance, though I winced when he sang. The scene I replayed over and over, that I will probably buy the movie just to own, was when they did "Ghost Riders in the Sky" and there are these killer visuals of storm clouds and then the actual ghost riders themselves--I practically levitated, that part looked so damn cool. Of course, the best thing by far was the sound-track. "John the Revelator" gave me goose bumps. "Lovelight" and even the corny "Lookin for a Fox" caused me to go out and buy the sound-track almost immediately, though I couldn't meet the clerk's eye when I bought it, I was so embarrassed. I love listening to that tape! Worth seeing just for the music-fast forward through everything else if you have to, and stick around after the credits for a treat.

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How could any fan of "blues," not like this? I mean, look at all the great performers in this film and how much better does it get to have all of them join in for a couple of jam sessions at the end? The movie sports a "Who's Who" of modern-day blues musicians and singers and also is directed by John Landis, who has directed some of the most entertaining films of the last 25 years.

Yes, it's a dumb story......very dumb......but it's about the music.

The leading actors were amusing: Dan Akyroyd and John Goodman and a really neat-looking little kid in J. Evan Bonifant who really makes me laugh. Just looking at this 10-year-old dancing is his Blues Brothers outfit alone is worth a number of laughs. Some of the characters in here are so outrageous they would be tough to describe. The car chases, the dances and clothing were all over-the-top story. No, this isn't Shakespeare and it wasn't meant to be. It's probably closer to Dukes Of Hazzard. It's a much nicer-edged movie than the first Blues Brothers but too many people want "edgy" material all the time.

Not only are the characters colorful, so is the cinematography, making it both a visual and audio treat. So....just look at it as a blue concert with a few laughs, and, hopefully, you'll enjoy it.

Read Best Reviews of Blues Brothers 2000 (1998) Here

This is a must see if you enjoyed The Blues Brothers. It follows on in the same madcap way with more excellent music, You will not be disappointed,

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William Goldman has said something along the lines that movie sequels are usually written by literary... I like Dan Aykroyd a lot. John Landis has a lot of talent as a director. And I enjoyed almost all of the original BLUES BROTHERS. However, I'm sad to say that this long delayed and awaited sequel is a poor companion to the original; Akyroyd and Landis have prostituted their talents for almost nothing. It has nothing to do with the absence of the late John Belushi either (John Goodman does a decent job as a replacement). It has everything to do with the poorly written script. The original film had a few outrageous scenes (the chase at the end is far-fetched, but remains as the best chase scene of all time), but they were tightly knitted together. Not so in BLUES BROTHERS 2000. It is as though Aykroyd and Landis just rehashed stuff from the first movie to make this film seem Blues Brothersish. It just doesn't work. Outside of Goodman and Aykroyd, the only thing that saves this film from being a total flop is the music. Therefore, you're better off listening to the soundtrack than watching the movie. You won't miss out on anything that way and are saved watching a lot of garbage.

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Four Lions (2010)

Four LionsOne of those films that took me by complete surprise, `Four Lions' is a pitch perfect `dark comedy' that delivers one laugh after another with an unexpected touch of poignancy that elevates the material to create something special.

`Four Lions' details the haphazard terrorist plot conceived by five dimwitted Jihadi suicide bombers. Mainly focusing on three conflicting personalities (Omar, Waj and Barry), `Four Lions' takes a stab at the root (or roots) of terrorism; exposing the allegiance and trivial stupidity that steeps itself in the act. Omar and Barry butt heads from the start. Both are leaders (self-proclaimed as they may be) and both expect a degree of servitude. Omar is arrogant, considering himself superior in intellect (and most likely he is), while Barry is abrasive and condescending in his own right; using his brutish demeanor to demand a faux respect. Waj is more of a simpleton; completely confused by his own allegiance. He wants to believe in something but he can't commit his heart to their actions. Instead, he becomes a pawn; taken advantage of by the more dominant personalities. By focusing on these three characters, `Four Lions' shows the polar sides of terrorism; the way that influence can overtake both and strong and the weak. As these characters devise their plot against oppression, they struggle to explain themselves and thus struggle to convince themselves that what they are doing is really the right thing to do.

As an intellectual piece, `Four Lions' is far smarter and deeper than one may expect. It is a blatant farce, an unapologetic comedy and yet it is laced with such stark realism. That said, it is the comedic shamelessness that really makes this film so incredible. The script is one of the best I've seen put to use on the big screen in a long while. The sharpness of the dialog is perfectly complimented by the visual antics. The explosions never lack in comedic weight, and the one-liners delivered are side-splittingly hysterical.

"I'm not confused brother! I just took picture of my face, and it's deffo not my confused face."

The repartee between the actors is also borderline genius. Everyone totally gets their respective roles and they go `no holds bar', attacking the characters without hesitation. Best in show props go directly to Nigel Lindsay, who layers Barry's ignorance with such undeniable wit. He's pitch perfect in every scene.

In the end, I can't recommend this movie enough. It is controversial, sure, but it understands how to approach the subject so as not to `cross the line' while simultaneously `crossing it'. Taking jabs at both sides of the `war on terrorism', `Four Lions' feels real and authentic despite the outlandish nature of the whole thing. It's preposterous, but on the other hand it's so crazy it just might be true!

Chris Morris co-wrote and directed a very dark, shockingly wicked, tour de force about four inept British would-be suicide bomber jihadists. This ferocious farce grabbed me immediately. Terrorism can be as much about idiots as ideology. Here's a brilliant film that does not flinch or blink in the face of the horrific reality of our times. Can urgent truth be funny? Yes. Time called it "The blackest, ballsiest political comedy since DR. STRANGELOVE." Can mockery and ridicule dilute hate? Maybe. Maybe not. But laughter sure can. Is Allah laughing?

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I was mostly bewildered the first time through this film. The Northern English dialects, often intermixed with other non-English foreign accents and naturalistic speech made the movie all but incomprehensible. Parochial cultural references (Not TJ but TK Maxx, Rubber Dinghy Rapids, Mr. Bean), British slang (slags) and a sprinkling of Arabic (kuffars, wasalaam) also hindered understanding until I got around to looking these things up. However you can find the English subtitles on the Web. The subtitles were faithful to the dialogue but you'll probably have to adjust the synchronization. All that extra effort will pay off. FOUR LIONS is very funny and the comedic acting and timing are superb. The two exceptions were Hassan and Omar's wife, who showed in their facial expressions that they were in on the gags.

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Note: Paragraph 2 is a synopsis, and only paragraph 5 that contains spoilers.

Four Lions is a daring little comedy with balls of iron. Using terrorism as a source of comedy maybe one of the hardest methods to make people ponder about this important issue. Especially the way that Director Chris Morris pursues the subject, one often fears that the topic may be used as the butt of jokes, and form a debased comedy. I have no clue how Morris does it, but he never crosses the moral/ethical line of GLORIZING the terror or demeaning the victims.

This comedy is based on a group of extremist Muslims who decide to demonstrate in the face of all this consumerism and corruption of the West, the beauty of their religion by commiting horrible deeds-that in their eyes are nothing but noble. Take note that they are from Sheffield, England. Four of the men are identifiably Muslim, but one stands out like a nerd on the football team. He is a white convert to Islam, and the most radical, impatient, and extreme of the pack-trying to convince them to attack a Mosque. Two members, Omar and Waj, get sent to a terrorist training camp with disastrous result-keep watching after the credits to understand the extent of their tragic contribution. After returning, all five, which includes the new recruit Hassan, decide to find a target to express their rage.

These are not organized or trained newbie terrorists. They act independently on their dogma, and hilarity ensues. They are also quite well rounded, unlike the terrorist picture many of us may imagine: isolated people lacking in friends, and lovable family. Omar, for example, has a son, wife, and quite a large group of friends-many which are British. They have no detailed philosophy besides the idea that this consumer Western society is corrupt, and needs to be punished. There is almost no discussion of Bin Laden, Al Qaeda, or any terrorist organization. However, They strive to be Jihadists, and ascend to Heaven. It's that simple in their eyes. No discussion of their victims ever take place, and for good reason. These characters are simplistic in their desires, so even a superficial thought of their victims innocence may thwart their plans.

Chris Morris reportedly has done years of research for this film, predating the 7/7 London Bombings. Unfortunately, we don't see the fruits of his research directly on screen. If his research finds its way in to the final cut of this film, it must be very subliminal because I could not see any evidence that this was deeply researched. Due to his research which included collecting personal account from countless different sources, it seems that Morris at parts is unable to shed light on the emotional aspects. Truths that are self-evident to him are not necessarily evident to us, and certain aspects require more emotional investment.

Many examples of such emotionally ambivalent scenes are spread throughout the film, however they are most evident during the scenes involving Omar's family. Of Course, Omar's son does not know about his father's true intents, but he is teaching his son the moral reason for his task through Disney's Lion King. After their overseas debacle, he explains to him that Simba must lie for now until he can accomplish his true goal. These intimate scenes are done well, as we begin to realize that these men are not hopeless young teens without futures. One of the most out of place scenes occurs after Omar deserts his fellow brothers, disappointed and depressed about their plans. His wife's word about his plans, and eventual demise, are so cold heartedly encouraging that we suddenly recall this is a piece of fiction. She seems to be actually encouraging and advocating his plan, clearly aware that its execution will leave her without a husband, and her son a father. Before this scene we saw these two adults use a water gun to force a friend out of their house. They may share the same ideas about the "depravity" of Western culture, but they are a loving couple. Morris, in this scene, makes the woman out to be absolutely heartless about her husband, and maybe ready to get rid of him by granting his services to the Lord in Heaven. This scene is made all the more preposterous by the inclusion of their son in this conversation. Another complaint maybe that the wife is simply a foil character with nothing worthwhile to express. As said before, Morris has done much research on this topic, and maybe the families of terrorists are as "open-minded" as this, willing to give up their husbands, and parents in the Lord's service. Even if this is the case, Morris needs to stray from his facts, and show more compassion in these scenes, or progress to this line of though gradually, not spontaneously.

Four Lions also suffers from a smug sense of profundity. It often feels that the film believes besides laughs it is giving us an earnest and deeply insightful view about terrorism. Whenever Morris decides to make his work more insightful, the comedy suffers drastically. True, we are talking about people blowing themselves and others up by explosives, yet a truly comedic tone fits this successful premise well. The film's serious moments are so far and in between that they never make the impact that he desires. A prime example is the concluding scene when Omar wants to make Waj, one of the co-conspirators, to give himself up. When this fails, Omar marches in to a pharmacy completing his mission. This serious scene steals from the comedy of the four men running around for twenty minutes in preposterous costumes ranging from Honey Munster to an ostrich. After this, a somber songs begins that is truly not in the spirit of the film. I believe Morris believed he had made a serious statement, like the one at the beginning and conclusion of American Beauty. Four Lions loses it's touch, and becomes somewhat disjointed from its black comedy elements when it choses to take such a drastically different route.

Despite all this criticism, I found Four Lions to more insightful and original than most current comedies distributed in the last few years. Morris of course does not succeed in all his goals, but miraculously saves himself from much criticism that his Brass Eye series received in the last decade. He looks at the issue at a very specific angle which makes the comedy, despite the subject, extremely funny. His characters are somewhat stupid and carless which are necessary elements for a film on such a bleak subject. If only the bomber's of 7/7, and hijackers of 9/11, were as independent and clueless as these men are, the victims of their actions would be miniscule in number.

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*** THIS REVIEW IS FOR THE BLU RAY VERSION ***

Five twenty-something lads from Sheffield wanting to be Afghan terrorists on British soil is not exactly an easy sell for a film even for the most liberal minded of viewers. This is the kind of material that walks a thin line between black humour and the need to tell the truth no matter how offensive or uncomfortable it may be. But "Four Lions" 'so' works. Written and Directed by CHRIS MORRIS his debut is an edgy risk-taking movie and absolutely chockers full of laugh-out loud moments and for all the right reasons...

It goes like this the constantly babbling, but worldly naïve Waj is easily influenced by the disillusioned but far more radical Omar (Kayvan Novak and Riz Ahmed). Both 'brothers' want to do 'God's will' which they believe is to become Mujahideen soldiers and start their own Islamic Jihad somewhere in affluent materialistic England. They essentially want to blow something up. Helping them away from Western materialism and Chicken McNuggets is the self-appointed cleric Barry (a fantastically funny turn by a scene-stealing Nigel Lindsay). Barry rabbits on about 'surveillance protocols', eats SIM cards and once planted a 'twin towers' cake in a local mosque to incite the faithful. Rolling under garage doors like an SAS commando and sidling up to people's porches likes he's Jason Bourne Barry is convinced that a passing mother and child is a cop and the American Feds are watching him on satellites in space. Barry is the worst and most boorish of the five. A converted white man and bearded radical, he is full of nice things to say about open-mindedness like "...we've got women talking back bruv! We've got people playing stringed instruments!" Barry orders silver nitrate from Amazon and wants to "Boom! Fast track to final days! Proper war!"

Thrown into this pool of misguided idiots is the slow and permanently bewildered Faisal (Adeel Akhtar) a hapless bomb-maker who stashes thousands of bottles of hair peroxide in his lock-up. Fassal wants to attach detonator devices to crows and fly them into Government buildings (hence the poster). Last but not least is Hassan (Arsher Ali) an on-the-fence believer who wants to go 'proper' Afghan. Hassan talks the lingo about 'a new purpose in life' but Omar suspects that maybe he doesn't have the balls to actually do the dirty deed. None of them do. It's all a big game to the other four and Omar will need to make it 'real' this time. Plots are hatched in the bedsit above the men's shop Bolby Tailoring, rocket launchers go off backwards and Omar's microwave oven gets sacrificed in the name of the 'cause'. And on the mayhem goes to the London Marathon of 2010 where they're dressed as chickens with something more than lean cuisine beneath their feathers. But of course it stops being funny very, very fast when the consequences and repercussions of what they're doing becomes all too real...and they get more than hurt...

How do you deal with extremism humour is one weapon Chaplin knew this. But part of this script's genius is to go deeper into the monster's psyche to show us how 'religion' seriously screws with a person's moral compass especially if that belief system has an 'our way is the only way' core mentality. There is also the lure of power the power of a gun how it gets you noticed even respected. And of course that's amplified if you're prepared to have a bomb strapped to you and seek martyrdom.

The danger in all this is that despite the film's best intentions Muslims are tarred with a terrorist brush but the writing is smart enough to address this and even deal with racism among their own ranks by slagging both off with real skill. Subtle touches include Omar receiving an e-mail at work (he's a security guard) telling that his trip to the Pakistan is in 2 days time (spy talk for a training camp). He tells his boss he's attending a 'shotgun wedding' and if you look real close you'll see that the e-mail address is hilaryclinton055.

Housed in a fetching book package, the BLU RAY picture quality varies from very good on the indoor sequences (bedrooms, cafes and sheds) to crystal clear and superlative on the outdoors shots (Afghanistan hills, London streets). As the dialogue is all Sheffield in Northern England and comes at you fast and furious, the lone ENGLISH SUBTITLE will probably be more than handy for overseas viewers. The extras include DELETED SCENES and 2 featurettes. The deleted scenes are short, but wickedly funny, while the 2 featurettes are unrelated to the film itself, but act as background to the project. First is a real-life documentary called "Lost Boys" which follows 4 Pakistani lads in a car as they drive around their hometown of Nelson in Lancashire. They talk of fights, racism and persecution nothing to do every night. You can just see how they're ripe for recruitment. The 2nd is even stranger an interview with Ahmad who is a white lad accused of Muslim extremism and arrested under the Terrorist Act. He shows paintings that express what he feels about Islam (deeply loves it). Neither feature makes judgements but they do give you insights into why stuff happens...

To sum up with our media and politicians locked into a sort of sickening and stifling political-correctness of late material like "Four Lions" is refreshing to say the least and even a bit brave. And the fact that you're laughing so much for three quarters of the movie, but hurting with sadness at the end is testament to its heart. It elevates "Four Lions" above clever froth into the realm of something that stays with you and makes you think and reassess...

I loved this film. And Film 4, Wild Bunch and Optimum Releasing and all associated with "Four Lions" are to be praised to the nines for it.

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Billy Elliot (Blu-ray + DVD + Digital Copy) (2000)

Billy ElliotBeginning with an exuberant title sequence, this charming, offbeat, coming-of-age story revolves around Billy Elliot (Jamie Bell), the younger of two sons of a widower coal miner (Gary Lewis) near Newcastle in Northern England. It's 1984, and the National Union of Mine Workers is engaged in a long, bitter strike, marked by street battles with riot police and protests against the busloads of scabs crossing the picket lines.

Following the family tradition, Billy is expected to learn boxing at the Everington Boys Club where, instead, the 11 year-old becomes enthralled by the girls' dancing class, led by a chain-smoking teacher (Julie Walters) who soon recognizes his raw talent. He loves watching Fred Astaire in old movies and is instantly drawn towards the ballet class, but when his macho father and rabble-rousing brother (Jamie Draven) discover he's taking ballet classes, they ridicule Billy "Lads do boxing and football and wrestling, not friggin' ballet!" forcing him to hide his slippers under the mattress and sneak off to class. Then come the auditions for the Royal Ballet School and Billy's defiantly joyful, foot-stompin' "I Want to Boogie" sequence.

What makes this heartfelt English import such a gem is the collaboration of screenwriter Lee Hall, cinematographer Brian Tufano ("Trainspotting") and former stage director Stephen Daldry ("An Inspector Calls"), who despite the simplistic predictability of the plot create eccentric, lovable characters and evocative imagery. One haunting sequences focuses on a little neighborhood girl dragging a stick along a brick wall, which dissolves into a phalanx of plastic police shields. Another involves the father grimly chopping up Billy's mother's beloved piano for needed firewood. While some of the authentic, heavily accented dialogue may be indecipherable to some, the musical soundtrack, combining classical and pop, is terrific.

In the title role, newcomer Jamie Bell embodies awkward determination, juggling grim reality with a surreal fantasy world, explaining, "Just because I like ballet doesn't mean I'm a pouf!" As Billy's father, Gary Lewis ("My Name is Joe") is tough-yet-tender, and Julie Walters ("Educating Rita") scores as Billy's crusty yet compassionate teacher. ("I feel like a sissy," Billy tells her. "Well, don't act like one," she retorts.) Jamie Draven and Stuart Wells lend strong support. Jean Heywood is touching as Billy's senile grandmother, whom he tenderly cares for and who repeatedly recalls, "I could have been a professional dancer."

While the bleak setting, in the 1984 miners' strike in northeastern England, is reminiscent of "The Full Monty," the energetic mood evokes "Flashdance" and it was a bit hit at both the Toronto and Cannes Film Festivals. On the `Lund Movie Scale' of 1 to 10, "Billy Elliot" is an exhilarating 9. Combining comedy and poignancy, it's all about being able to express yourself.

Jamie Bell is pure magic in this wonderful coming-0f-age film that tells the story of a working class English lad who takes up ballet as a way to hone his boxing skills. In the process, he discovers himself, learnes some valuable life lessons, and fills a deep void left by the death of his beloved mum. Despite his family's strong objections (and financial straits) Billy ends up studying dance from a local teacher (the effervescent Julie Walters, who won an Oscar nomination for her work here). Her lessons both technical and moral serve as the basis for a devastatingly real connection between Billy and his disgusted macho father. What ensues is a dramatic comedy that inspires us at every turn without condescension or pity. The heartening interaction that develops between father and son is truly evocative, especially so for anyone who ever followed (or didn't) their dreams despite their family's objections. Not only does Billy "Dance!!" for his supper...he befriends the local outcast gay teenager and copes with questions about his own sexual orientation heady topics for a movie about a dancing teen. All of this is handled in a mature, thoughtful manner, which makes the film a visceral, haunting experience. You can take or leave it's many messages, but theere is no denying its emotional core.

It's rare for a movie to challenge social mores and values by focusing on the dominant male principals. But "Billy Elliot" succeeds on more levels than other underdog-come-from-behind flicks. First, its based on a true story and resonates with truth, integrity and spirit. And, Bell's brash, authentic portrayal is pure magic. His feet literally take over his soul...he dances in the street, mimmicking Gene Kelly, and in the process taps his way into your heart. The performance is so accomplished it's a wonder Bell didn't receive an Oscar nomination. Even Russell Crowe who won the 2000 BAFTA and Oscar for "Gladiator" admitted Bell deserved the BAFTA Prize instead. Having resisted "Billy Elliot" at the movies, I finally caught it recently on HBO and was taken in immediately. This is a film your entire family can and should enjoy...if they don't, perhaps a little side trip to an English coal-mining town will help them appreciate this wonderful heartwarming film. Seriously, in this day and age, every one of us could use more Billy Elliots and fewer Scorpion Kings. A keeper!

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If you love intimate, moving character films like Cinema Paradiso, you will love love love Billy Elliot. A small, rousing British film with cleverly written characters, this movie is both sentimental and expertly crafted. The performances, particularly from Julie Walters as the dance instructor, and that winsome, melancholy but excpetionally gifted boy as Billy, will truly steal your heart. The simple premise is instantly grabbing -an artistic boy, only 11, is unfortunately the most forgotten element in a fractured, sad little family, which includes a pre-Alzheimer's grandmother, an angry older brother and a defeated, sad and tense father. While Dad and bro are on strike, money is tight the year is 1984 at the height of British strike/tensions. Billy is sent to boxing lessons, where, by happenstance, he discovers a true vent for his budding creativity -and especially his joy in dancing. Filled with infectiously appealing pop and light-classical music, this film is part Rocky, part Hollywood musical, part Flashdance and part Cinema Paradiso. The chance that these disparate, unlikely approaches might actually add up to something compelling are unlikely, but you must experience this movie to understand how exciting, moving and intensely gratifying it can be. Painted in bold, creative colors and shot with a springy exuberance, Billy Elliot is terrific.

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My son dressed up like Beauty(Belle from Beauty and The Beast...not the concept of beauty) for halloween. He dressed like the Mother Superior when we took him to the sing-along Sound Of Music. The other day he got a superman toy and was putting a Barbie Shoe on it. I am living in the world of the unique child.And I know there will be a day where someone will try to change my son........ This is why I cried in Billy Elliot......This is a beautiful film about being different in an uncompromising world. It is a film about economics and society, and how art is developed through frustration and need...but with all that aside it is a truly entertaining and fabulous film. Stephen Daldry, the reknowned theatre director, makes his debut here. The direction is the thing that gives this it's guts. This is a much better film than it needed to be. And the performances....Julie Walters, Jaime Bell and Gary Lewis(such an amazing performance as the dAd)...Just check this out. The movie goes places that you don't expect, and thankfully, places you do. I have just been thinking about the end of the film, and how it is an ugly duckling story...the coolest thing about it is that more than Billy turn into a swan. It seems like the entire community turns swanish. Art and individuality can do that. I was the quasimodo of ducks before my som came along.

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Billy Elliot is an 11-year-old boy played by Jamie Bell. On his way to a boxing lesson, he happened upon a ballet dancing class. Soon he discovered that he was very good at ballet, and he then wanted to become a dancer despite his family's wishes. This is a really touching and inspirational film about achieving dreams that will leave you cheering!

This is easily one of the best movies I have ever seen, and I have seen quite a few considering that I'm only 14. "Billy Elliot" is very similar to "October Sky", which is another great movie. (Even the kid's dad is a coal miner!) But it is also very different in the way that it is much more complex and subtle. I have noticed that because this is a British movie, it seems to be a lot more daring than most American movies, with a lot of things that Americans might consider extraneous. But that's what I like about it; Every character is so well developed even if they have a very small role (e.g. Billy's supposedly gay friend). These little aspects of these minor characters add a really nice touch to the already powerful story.

Also, DON'T let the R-rating fool you. THIS IS A FAMILY MOVIE. This movie is NOT pornographic, or violent, or chock-full of coke-sniffing. It just contains some language that little kids shouldn't use. Even so, the profanity is used very maturely. It is never gratuitous or unnecessary, it's just how these British people speak. And the film never seems to glorify the use of such language.

This film was WAY overlooked at the Oscars. It's definitely better than "Gladiator". "Gladiator" may have cool combat actoin, but it's got a very straightforward plot which doesn't make you think. I have NO IDEA why Jamie Bell wasn't nominated for his act. He has a very auspicious start in his filom career with this movie!

If there's one thing to criticize about this movie, it's the fact that the dialogue is spoken with heavy British accents, making it hard to understand at times. But that's not enough to keep me from saying that this is one of the best movies I have ever seen! Watch "October Sky" first, to give you an idea of how an American movie tells a dream, then watch "Billy Elliot" for a more sophisticated British idea.

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