Showing posts with label new movies online. Show all posts
Showing posts with label new movies online. Show all posts

Priceless (2008)

Priceless"Priceless" (Hors de prix) is a romantic comedy of a sort only the French would make. Jean Simon (Gad Elmaleh) is a bartender at a posh hotel on the French Riviera so conditioned to fulfill the guests' every wish that he can't say "no". Irene Mercier (Audrey Tautou) is an attractive young woman kept by a wealthy older man whom she hopes to marry to secure a life of luxury. When Irene's companion Jacques (Vernon Dobtcheff) falls asleep and spoils her plans for the evening, Irene dejectedly saunters to the hotel bar, where she mistakes Jean for a rich guest. Jean sheepishly accommodates her mistake, and they have a drunken fling. When she returns to the hotel a year later, engaged to Jacques, their mutual attraction threatens her marriage plans, Jean's job, and everyone's equilibrium.

This is a genuinely charming and funny film, but I had to laugh at its effrontery as well as it script. "Priceless" adopts a jaunty, optimistic tone at the point when Jean and Irene begin prostituting themselves to rich patrons. This film would not be made in the Untied States. It accepts the casual exchange of sex for money as an amusing and self-evident aspect of life, and sexual jealousy simply does not exist. Irene couldn't be more charming than when she attempts to educate a smitten Jean on the arts of gold-digging and seduction. Irene and Jean's meal tickets, the wealthy bon vivants that keep them in designer fashions, are interesting and smart people themselves, which helps elevate the film.

And there is always something interesting going on the background. I enjoyed director Pierre Salvadori's peeks behind the scenes at how luxury hotels function. I was impressed by his respect for the support staffs that keep the hotels running, and it enhanced the feeling of grandeur that Irene single-mindedly seeks. "Priceless" was obviously inspired by "Breakfast at Tiffany's", a film that I don't care for. It is not as coy about the lady's profession, however. And Jean and Irene are much more appealing and good-humored leads. "Priceless" is a very good-looking film, a scandalous tale that wisely gives no hint of scandal, with a smart, funny script. There are no bonus features on the First Look 2008 DVD. Subtitles are available in English SDH and Spanish.

I'm going out on a limb and giving this film 5 stars. No it's not epic long lasting cinema, but it's a perfectly enjoyable, wonderfully well made, bit of entertainment. It's in the same vein as Cousin Cousine Cousin, Cousine, or when you read the synopsis, not a movie you would want to watch. However, the French have this ability to make films that take what, to American sensibility, would be an offensive film, and make it charming.

This film is a little charming film. From the start you are drawn in, beautiful scenery, an intriguing bell man (Jean) working hard to make money. Working so hard, Jean actually falls asleep standing up while working. And the counterpart is a young woman (Irene) with an older man. He passes out drunk on her birthday and she ends up with the Jean. You can think long and hard about what Irene does or is, but why? By this time you are hooked on the charm of this film. Just go along, enjoy the ride.

The scenery in and around Nice is wonderful. The people are beautiful. The language gorgeous. The sun, the sea, just enjoy.

We watched this movie on a cold December snowy evening, and enjoyed the full two hours non-stop.

The subtitles / translation is done rather well. The only nit to pick, the name of the film. Hors de Prix is more like outrageously priced, or extremely expensive. It's not necessarily pricelss. With the matercard ads we lean more to priceless meaning, can't be bought for any money. Like Jean, hors de prix, humans can buy these things, they might just have to take out loans to buy them. Priceless things can't be bought.

As was said in another review, the sex bits are very subtle. It's definately a romantic film. This is really a PG-13 film if you used language (the f word is never said or subtitled), nudity (there is none), and violence (somebody gets slapped with no blood) as your gauge (as the MPAA does on American films). However, the topic, well it's probably not going to be interesting to anyone under 15 or 16 anyway.

Very enjoyable film. Charming. A real pleasure to watch. A great cold night watch.

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This gem sparkles like diamonds on display in Tiffany's. Audrey Tautou shows her physical beauty and amazing acting range, pulling off a seemingly impossible character arc from selling her self to the highest bidder to finding true love. Twists along the way let us see the world from all points of view, a rare thing in storytelling. Having it all feel seamless and natural is an amazing tour de force by actors, writers, film crew and the director. "Priceless" is one of the very few romantic comedies that can be watched again without losing an ounce of its punch. And whoever did the costumes for Ms. Tautou deserves an Academy Award.

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Like Nicholas Stoller's "Forgetting Sarah Marshall," Pierre Salvadori's "Priceless" could be considered distinctly unsavory if the story weren't so funny and the actors so charming. Both films share a basic theme--sexual hanky-panky in luxurious resort hotels--but whereas "Forgetting Sarah Marshall" concentrates on the sex itself, making it thoroughly American, "Priceless" is very French in concentrating on the dollars-and-cents (or euros-and-cents) calculations of love for a price. "Priceless" redeems itself by having true love triumph over money in the end (and you knew it would going into this movie; this is "Priceless," not "Darling.") Audrey Tautou is alluringly hard-edged as a shameless golddigger who, through a series of mixups, ends up sleeping with a shy barman (Gad Elmaleh) she mistakes for a tycoon. The mixup costs Tautou her current sugar daddy, with nothing and no one to fall back on. When Elmaleh presses his suit, Tautou exacts an expensive revenge which leads to all sorts of repercussions and complications, all set against the opulent backdrops of Biarritz and Monte Carlo captured glowingly by cinematographer Gilles Henry. Tautou is funny and touching as a mercenary woman who gradually melts under the spell of true love, and Elmaleh is a perfect example of the lovable deadpan comedians France excels at producing. The various rich folk whom Tautou and Elmaleh, ahem, bump up against--played to perfection by Marie-Christine Adam, Vernon Dobtcheff, and Jacques Spiesser--become more loathsome with each second of screen time, making the ultimate triumph of love over money all the sweeter. "Priceless" is a prime, and unexpectedly pointed, example of French bedroom farce.

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Hors de Prix (Priceless) stars audrey tatou ("amelie," l'auberge espagnole," "dirty pretty things")as a woman who exists and subsists on the kindness of rich old men but only for a short time: before she gets bored, before he dies, before she realizes that there is another bigger score afoot. tatou plays irene (she is painfully thin in a play i think to replicate the mesmerizing, luminous audrey hepburn of "breakfast at tiffany's") and to add some friction to the mix, director pierre salvadori manipulates a meeting between irene and jean ( gad elmaleh) a poor guy who irene mistakes for her next victim but who meets a rich woman who absurdly wants jean to be her paid escort. Irene takes on the job of transforming jean into a proper french gigolo.

what is refreshing about this film is that director salvadori and his writer are not conflcted in the least about irene and what she does: there is no judgement about these kinds of things in french films. irene's actions are deliberate and goal oriented. irene is a prostitue (a high class one, yes but a prostitute nonetheless), a gold digger, a woman who lives off the kindness of old men who crave her company and her affection.

gold digging as an elevated, something to be strived for activity/way of life: the interplay between jean and irene is witty, fun and thoughtful as irene teaches jean the ropes.

"Priceless" is a frothy bit of film making, made even lighter by Audray Tatou's ethereal Irene and gad elmalah's sad sack Jean.the idea that we americans are going to re-make this film sends shudders up my spine. quelle dommage!

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It's in the Bag (1945)

It's in the BagAddendum 6/8/13: This new Blu-Ray reissue IS the preferred non-voiceover version, read on.

Where to start? First, there are two versions of this hysterical farce but one of the versions is severely hampered by Fred Allen's voice overs through many of the best comedy segments. The other, and I'm guessing, "original" version involves no voice overs and this version is an unmitigated classic for which we can give a big thank you to producer Jack Skirball.

It's in the Bag is one of the screwiest comedies ever. It's the story of Fred F. Floogle(Fred Allen)an unsuccessful flea circus exhibitor and his madcap family; devoted and wholly unsatisfied wife Eve(Binnie Barnes), soon-to-be-bride daughter Marion(Gloria Pope) and genius son Homer(Richard Tyler)who is given many of the best lines though there are zillions of funny lines and millions of gags in this one-of-a-kind romp. Exterminator(Robert Benchley)is determined to not let his son Perry Parker(William Terry) marry into such an inferior family as Fred's, that is until Fred's millionaire uncle dies leaving his entire fortune to his long lost nephew, or so everyone thinks. Everyone thinks it enough to extend Fred and his family whatever they wish and they're wishing the moon. But when Fred and Eve meet with his uncle's former business partners(headed up by John Carradine in a rare, intentionally comedic role)they find that there's "no money", only a set of chairs.(This is where Mel Brook's "Twelve Chairs" may have found it's basis or vice versa if the period piece is actually from that period.)Of course Fred sells the chairs only to later dicover there's a fortune and the name of his uncle's murderer hidden in one them and now they must be retrieved. Along the way we run into Don Ameche, Jack Benny, Rudy Vallee, William Bendix, Jerry Colonna, Sidney Toler and Victor Moore to name some of the bigger names but there are what seems to be hundreds of well known faces of comedic character actors in tons of riotous bits. This movie is a real hoot. If you're old enough to understand that phrase, then this movie might be for you.

As I've said in past reviews, the fact that this and Champagne for Caesar, Ball of Fire, The Male Animal, The Senator Was Indiscreet, Cold Turkey, The Loved One, A Slight Case of Murder and Larceny Inc. plus many, many more have not been restored and tranfered to DVD format IS A CRIME.

Oh, that's Joe.

There have been numerous attempts at fashioning movie vehicles for radio stars:most of them failed to work,or work consistently well,but It's In The Bag is something of an exception.Starring Fred Allen-who had a great face for radio-and featuring cameos from Jack Benny,Robert Benchley,Don Ameche,Rudy Valee,and William Bendix,this is a simple,plot-driven movie packed full with in-jokes and tried-and-tested routines.Mel Brooks would return to the source material a Russian short story for the 1970 movie The Twelve Chairs,but the pretentiousness of that version is missing here.If you like Benny(who is on fine form) and Allen(who is at his most appealing,or least unappealing,depending on your perspective)then It's In The Bag is well worth a look.

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It's a shame that only a chosen few REALLY KNOW who Fred Allen is. In the 1940's his popularity was that of names we still cite today Jack Benny, Abbott & Costello, etc.

But in his day Fred's radio program was incredibly popular, as well as his "fued" with Jack Benny. If you love old radio, or old time comedy you will enjoy IT'S IN THE BAG. Fred Allen was, as still is, one of the smartest writers of comedy there was even today great legends such as Mel Brooks and George Carlin cite his influence.

One drawback with the film is that to get all the jokes you will need to be familiar with "the age" when the film was released since some of Fred's jokes are dated (commentary about crowded theaters comes to mind), but some of the jokes are just as fresh today as they were 56 years ago (commentary on how relatives get in the picture, why do we need to watch credits, psychoanalists, etc.)

In some ways it's a very "da-da-ist" film -as in the vein of W.C. Fields' INTERNATIONAL HOUSE. You can read the film synopsis above so I won't waste time with that I'll just say, see it for an enjoyable, smart comedy.

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this is a funny movie, though under-rated. this and what i call the companion movie called "It's a Joke, Son!" starring Kenny Delmar as 'Senator Claghorne' are must-have films for Fred Allen fans (even though Fred isn't in the second film with Delmar, it's based on a character created by Fred all the same.) On this "It's in the Bag" film, the one and only Fred Allen stars as Fred Floogle, a flea circus showman. The film is about a guy who has a wealthy relative who passes away. Fred follows human nature and starts buying expensive things and puts money on stocks. Fred thinks he's inherited his uncle's $12 million fortune but all he gets is 12 chairs after the will is read. angry, Fred has his son sell the chairs. It's only later that a vinyl record surfaces with Fred's uncle instructing him to claim the $300,000 he hid in one of the chairs! Too late...they've been sold to countless people all across town. this causes Fred to go on a wild goose chase tracking down the 12 chairs. This is where the film starts to pick up speed. An array of '40s radio stars make cameo appearances: Rudy Vallee, Don Ameche, William Bendix, and the immortal Jack Benny. Bendix spoofs his "tough-guy" build by being a cowardly leader of a gang of muggers. Ameche and Vallee hit the stage in a night-club but the bass singer is missing. Fred joins them on stage as an imposter who sings a terrible bass section {by this time in the film he's running from the police because they think Fred is working for the Bendix Gang!}. Along the way Fred encounters Mrs. Nussbaum (Minerva Pious, the same woman who played that character on Fred's radio programs) in an eerie segment that allows the viewer to see what "Allen's Alley" would've looked like had Fred went into TV. Jack Benny's scene is the stand-out of course. Cheap jokes are here...Fred acts like he's the president of a Jack Benny Fan Club and needs an item for display. Fred, of course, wants the chair that Nussbaum sold Jack. an assortment of sight-gags follow (including a cash register inside his living room and wax paper to wrap the chair in!). all the while he's being chased by a detective trying to prove that Fred is in ca-hoots with the Bendix gang. Walter Tetley has a memorable role as an elevator operator. The "immediate seating" gag is hilarious as well. Jerry Colonna, the wide mustache maniac side-kick of Bob Hope, has a zany appearance as a psychiatrist who slaps himself across the face numerous time thinking a tsetse fly is swarming his face! Victor Moore plays the campy Chef and others making cameos are John Carradine, Robert Benchley, and Binnie Barnes. Fred finally tracks down the chair with the money but reality sets in...and you'll never believe what happens next...the film is an overall lesson in greed and irrational behavior. Fred Allen was a radio comedian from 1932-1949. He's famous for his topical humor, battles over censorship, battles with network executives, the "Allen's Alley" routine that ran from 1945-1949, and his false feud with Jack Benny. Allen wrote all of the material that made it to the air...he employed several writers but they served as leg-men and joke finders, nothing more. It's said that Allen read up to 100 newspapers for material. His leg-men also scoured the headlines and back-pages of newspapers for potential material. Fred Allen hated TV...we don't really know why but some have speculated that Fred didn't have a face or a delivery for TV. to see for myself I taped a TV game show Fred hosted...i did this on a cassette and i played it back and i was amazed to hear how great it SOUNDED but it didn't feel so great WATCHING it! Due to Allen's inability to make it on TV with a major hit, the TV generation doesn't know him at all. In 1954 Allen headed to the fourth chair on the panel of "What's My Line?". Ironically, Fred died in 1956 of a heart attack amidst his popular run as a panelist on "What's My Line?"...a TV show of all things!! But, "It's In The Bag" might well be the greatest thing to showcase Fred, visually, aside from his "What's My Line?" years.

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DO NOT BE Fooled!!!! The original Fred Allen movie 'It's In the Bag', had Fred 'narrating' through the movie. This has been entirely cut out The worst cut is the Quartet of Rudy Vallee, Don Amache, Fred Allen & Victor Moore. It is only HALF there. The original had Fred narrating about "this group breaks windows..."

I have tried to get an original uncut but it is apparently no longer available.

DO NOT THINK YOU ARE GETTING THE ORIGINAL MOVIE...

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Ceremony (2011)

CeremonyCEREMONY is one of the brighter starts to rise out of Hollywood this year. Though it was made in 2010 and released on Demand TV before its ultimate release on theaters, it is hopefully going to gather the audience it so richly deserves. It is a young work: the writer/director is Max Winkler, son of Henry Winkler, a bright young talent who essentially makes his debut with little sparkler. Not only has he come up with a fresh idea for a story but he has also matched that story with a script that is at all times warmly entertaining and at many points a sensitive, philosophical examination of relationships today. And he has cast the film with some of the finest young actors on screen at present.

Sam Davis (Michael Angarano, a brilliant young actor in his early 20s, so memorable in the deeply touching 'One Last Thing') writes children's books and lives in the child like fantasies of kids. He has a friend Marshall Schmidt (Reece Thompson, another early 20s bright young talent) who happens to show up as the only member of an audience to hear Sam read his latest new children's book. The two boys rekindle their friendship, stagnant for the past year while Marshall recovered from an altercation and hid in his parents home while Sam had a momentary encounter with a beautiful 30s something woman Zoe (Uma Thurman). The two lads decide to take a little trip to ostensibly to get Marshall out of his parent's home to see the world, but in actuality Sam has heard that Zoe is marrying some wealthy guy, Whit Coutell (Lee Pace, another brilliant actor remembered for his shattering performance in 'Soldier's Girl'), at Whit's lavish seaside home.

Sam and Marshall mend long absent feelings of closeness and taking some daring steps they drive to the seaside estate, obtain an invitation to Zoe's party (her wedding to Whit Actually) from Zoe's drunken brother Teddy (Jake M. Johnson). Sam confronts Zoe, stating his love and his desire to marry her, but Zoe needs more than a young kid to satisfy her and sees the opportunities of marrying the moneyed Whit. In a series of incidents both hilarious at times and deeply tender at others all characters discover new concepts of relationships. How the film ends is left for the viewer to discover.

Michael Angarano is pitch perfect as Sam, a young man whose ideals are tested and who must learn the adult role. His skills are so polished at this young stage in his career that he is bound to become a major star. Reece Thompson is not far behind, and Uma Thurman gives one of her most well rounded performances. Lee Pace makes the most of his role, sparkling as the reigning optimist of the story. But in the end most of the credit for the success of this little gem is due to the talent of Max Winkler who writes as well as he directs: he is a formidable force. Highly Recommended. Grady Harp, April 11

This was actually a very believable and fun film, and it finally gave Lee Pace a chance to show his acting range before being possibly typecast with the upcoming Twilight and Hobbit roles.

The story follows a twenty-something played neurotically well by Angarano (who showed great maturity in Gentlemen Broncos [Blu-ray]) who cannot get over falling for a forty-something played by Uma Thurman. He finds a way to try and crash her remote upstate New York wedding and pre-party while using his friend as a cushion and unbeknownst helper. The story has some comedic, yet realistic moments highlighted by the best performance (and comic relief role) in the film with Jake Johnson playing the perpetually drunk brother of the bride.

The Blu quality is standard, with there being some nice views of the island they filmed at and around. The clarity is not superb or benchmark, nor is the DTS and the yellow lens bled out the brightness, like Winkler was trying to make it look retro (which when you let the menu play customers thought it looked like a 70s film). The weakness of this product though are the Blu supplements, which in this volume of bad quality makes it hard for me to rate the product any higher than four:

* Deleted scenes, 2 minutes. Glad they were cut as they would have made for some tedious additions.

* Outtakes, 2:35 minutes. Unfunny and could have been left off the disc.

* Extended scene, 2:36 minutes. The only supplement I liked it was from the dinner table scene and involved more Jake Johnson comedy (I remember him most as the roommate in No Strings Attached (Two-Disc Blu-ray/DVD Combo + Digital Copy)), mistake to cut it.

* Making of, 21:47 minutes. A very dry interview and clip laden piece with the mains and director dissecting their roles and love for each other, skipper.

* Max Winkler Makes Ceremony, 8:18 minutes. A strange mix of tabletop interviews and behind the scenes showcasing his thinking out loud process. I suppose any huge fans of his will want to see this.

* Behind the scenes footage, 7:17 minutes. Big mistake to include this as it was either meant to show how bored people were in between takes, or was providing a yearbook clip of the moments wanting to be forgotten during production, skipper.

* A Year in a Tent, 3:50 minutes. The full length clip/short film of Lee Pace's character in Africa. LoDef and slightly tedious, but worth the watch if you liked the clips left in the film.

* HDNet promo, 4:25 minutes. Did not even look HD and grabbed quips from the other supplements here.

English language with subs in same and Spanish. I did not see any real benchmark Blu clarity on sound or picture (though still worthy to see) and the supplements were hopefully a lesson in how-to and what not to include for this first-time feature director. I liked the outcome (not your typical ending) and it is quirky enough to give it a comedy tag. Four for the film and zero for the rest.

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I watched this entire movie. I say that because pretty much from the first five minutes, I was questioning the wisdom of continuing all the way up until the end. While it was approaching decent as endings go, it really wasn't worth the painful chore of sitting through it. I can't believe it's flashing up the same reviews as much better movies, though the fact that it has only 11 reviewers speaks volumes.

The characters were two-dimensional, the story was drawn out to the point of being drawn thin, and the movie as a whole is A COMPLETE BORE-FEST. Ultimately, I just didn't care about any of the characters-they were wet-toilet-paper thin, and boredom seemed to be their only motivations for doing ultimately pointless things. Sure, there were attempts at exploring deeper themes and their resolutions, but they were primitive and trite; nothing here is worth the amount of time and film that this movie wastes.

Pass on this clunker and watch "Hi Fidelity" instead-it's a much better version of the same kind of story: a self-centered central character on an awkwardly-painful-to-watch tirade who eventually finds himself and turns out to be a decent guy. And it has other characters who are actually interesting and shallow in all the right places.

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I loved Ceremony and was shocked it didn't get a wider release in theaters. Angarano is brilliant and Jake Johnson gives one of my favorite performances in a long time. If you're looking for a very unique, fresh new movie filled with young talent check this out.

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I could not get past about 20 minutes into the movie. The main character does not talk like any guy I've ever met saying things like "drinkies, snackies, and you silly goose" to another guy? really? He annoyed the heck out of me, so I couldn't have cared less about why he was doing what he was doing.

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Lavender Hill Mob (1951)

Lavender Hill MobThis will be a short review, since I concur with the other positive comments on this classic Ealing comedy, as well as the extensive plot summary ( actually a little too extensive for people who have not seen the film ). I gave it four stars only because I consider "The Ladykillers" to be superior.

As always, Sir Alec shines in the lead role, with fine support from Stanley Holloway and Sidney James, years before his "Carry On" fame. The humour here is dark and subtle, and of course there is a delightful "twist" at the end, an Ealing trade mark.

I found the quality of this DVD to be more than acceptable for a 50 plus year-old film. Some of the location scenes in London are interesting, with areas damaged by the "blitz" in World War II still very evident.

So--if you like comedy with genuine wit and style ( very rare today, in the era of teen-oriented gross-out movies ), you will enjoy this one. Recommended.

I'm usually not a fan of movies featuring bumbling innocents trying to do right, brought down by an endless series of accidents and mistakes. The futility of the whole exercise frustrates me, and I can't find any room for humour in the whole endeavor. "The Lavender Hill Mob" nearly falls into this trap, but thankfully doesn't. The reason it doesn't -and it's a reason I can't go into without ruining the wonderful surprise ending -preserves the comedy of this delightful little heist movie.

It's a very subdued comedy. The word on the street led me to believe that wacky hijinks and silly shenanigans would be the order of the day. Not true. Actually, there's a lot of quiet dignity here. Which makes the moments of action that much funnier. Alec Guinness as the mob's "boss" Henry Holland, a 20-year vet of the straight and narrow, is a desperate man, but he always does his best to maintain control in stressful situations. He screws up his face, peers (with glorious wide eyes) knowingly from behind his glasses, and does his best to understand and analyze the predicaments he finds himself in. When he's successful in that endeavor, the proceedings are funny. But when he isn't... well... they're that much funnier. Stanley Holloway plays his cohort, Pendlebury, a disgruntled manufacturer of cheap souvenirs. He's a less menacing, almost innocent Sydney Greenstreet-type, who gets roped into a situation that appears foolproof. Too bad these men aren't fools; they'd have gotten away scott free. It's their intellect that does them in. They're joined by a couple of charismatic career criminals, who may dress the part but seem more at home sipping tea than casing joints. The scene where the four men meet, while simultaneously trying to rob a payroll safe, is a wonderful moment of manners in the face of criminal activity. A joy to watch.

The giggly English schoolgirl scene (a classic) is creepy and disturbing. It's hilarious how a group made up of innocents can be turned menacing in a certain context. Combine the danger of the heights (they're at the top of the Eiffel Tower) with their high pitched giggling, and their tragic effect on the plot, and the girls turn into a dangerous phenomenon. It's quite ludicrous, and very funny. This is followed by a wonderfully surreal chase scene, in which Holland and Pendlebury chase them down via a spiraling staircase. Even though the special effects are cheap and obviously fake, it felt like a ridiculous version of Hitchcock's "Vertigo". It's combination of the stuffy Englishman, the Tower spinning around them, and a wind-whipped trenchcoat tossed overboard makes for some great fun. And the finale, a romp through a police exhibition, has a cool Keystone Cops quality to it that had me giggling with glee.

Unfortunately, at times, deteriorated audio tracks and murky, fuzzy video marred some of the action. Wading through the thick accents would have been tough enough, but when you can't hear their voices (or at worst see their lips move), understanding these men was a trial. Too bad, because what I did manage to hear was charming, witty, and terribly funny.

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This is a typically wonderful Ealing comedy starring Alec Guinness as a lowly bank official in charge of transporting gold bullion for the Bank of England. For years he schemes how to steal some of it and finally figures a way: he enlists souvenir trinket caster Stanley Holloway and together they decide to cast their stolen gold into replicas of the Eiffel Tower and ship them to France where they will collect them.

A madcap chase follows involving innocent English schoolgirls on holiday who buy some of the Towers and a stolen police car; the final scene with Guinness in handcuffs is a real beauty. The humor is marvelously droll and sophisticated. This movie represents the famous Ealing Studios at their creative best. The DVD transfer is excellent and an interesting bio of Guinness is included. Definitely worth a watch.

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Charles Crichton, who 35 years after directing "The Lavender Hill Mob", would go on to direct "A Fish Called Wanda", paces this wonderful film with the skill of a master. There are a lot of elements that this film and "Wanda" have in common, besides the obvious crime comedy genre. Probably the most notable comparison is the frantic chase scenes at the conclusions of both. Probably the only difference between the two is that the latter is loaded with sexual situations and obscenities...but that was what the times permitted.

Alec Guinness, Stanley Holloway, Sid James, and Alfie Bass turn in bravura performances. (I especially liked the scene in which masterminds Guinness and Holloway "meet" their two gangmembers, James and Bass.) To me, though, the minor characters are equally enjoyable: the landlady, the old woman who loves pulp fiction, the cop who loves "Old MacDonald Had a Farm", and several others. This is an all-around wonderful film, with some significance for history buffs: the scenes of post-war, rubble-strewn London undergoing renewal is both sad and inspiring.

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...it might have been." In the early to mid 50's, many studios were churning out comedies, perhaps more so in an effort to get people past those old post war blues, but few did it as well or consistently as the British Ealing Studios (in my humble opinion), helped immensely by the talents of Alec Guinness...what?! Alec Guinness a comedic actor? The same Alec Guinness who starred in such serious films as The Bridge on the River Kwai (1957), Lawrence of Arabia (1962), Doctor Zhivago (1965), and A Passage to India (1984)? Yes, it seemed by the end of the 1950's, Guinness had pretty much dedicated himself to more serious parts, but not altogether as he later appeared in the fantastic comedy Murder by Death (1976), which I recommend to anybody in search of a truly good laugh. While many consider The Lavender Hill Mob (1951) to be one of the best of the Guinness/Ealing comedies, I'm partial to one of their later films, The Ladykillers (1955), which was recently remade by the Coen brothers and featured Tom Hanks (I've haven't seen it yet, but I heard not so good things about it). Directed by Charles Crichton (The Titfield Thunderbolt, A Fish Called Wanda), the film stars, along with Guinness, Stanley Holloway (Nicholas Nickleby, Passport to Pimlico). Also appearing is Sid James (The 39 Steps, Upstairs and Downstairs) and Alfie Bass (The Fearless Vampire Killers, Revenge of the Pink Panther).

This comedic caper begins in a tropical setting, where we meet a man named Henry Holland (Guinness), who seems quite popular probably because of the fact he's pretty free with his money. He thus begins to relate a tale to another man, taking us into a flashback that makes up the rest of the film and we learn Holland, prior to being a somewhat well to do philanthropist sort in South America, actually came from humble beginnings as in a previous life he was a mild mannered bank worker, responsible for regularly escorting gold shipments from the smelting facility (that's where they take the raw gold and turn it into bars), to the bank. His coworkers and superiors look upon him as a quiet, by the book sort with no ambition, imagination, or initiative, as `his one and only virtue is honesty'. And that's exactly the way Holland likes it...especially since he aspires to one day steal one of shipments of gold and live out his days well beyond his current means. The only problem is, once stolen, gold bars are extremely difficult to transfer into cash...but a solution soon presents itself in the form of a new tenant to the boarding house Holland resides, one named Alfred Pendlebury (Holloway)...the name of the tenant, not the boarding house...Mr. Pendlebury just happens to operate a modest die casting business, one whose specialty is producing paperweights, one perfectly suited for Holland's needs. Soon the die is cast (so to speak), and the pieces are in place, but, as everyone knows, even the best-laid plans are subject to disaster once in the implementation stage as the human element is always the most unpredictable.

As I said before, of all the Guinness/Ealing comedies, I prefer The Ladykillers most of all, probably due to the darker tone of the material and more outlandish nature of the characters, but that's not to say this film isn't of superior quality, as it won an Academy Award for best writing, story and screenplay, and earned Guinness his first nomination (Gary Cooper won for his role in High Noon). One of things I like most about these older comedies is they don't pander to the lowest common denominator in terms of comedic content, but rather speak to the audience with respect, maintaining a consistent level of intelligence not so often seen nowadays...but that's not to say this couldn't be enjoyed by anyone. I had originally seen this film quite a number of years ago, and appreciated it for the more visual elements as opposed to last night when I enjoyed the more subtle aspects due to a general understanding one usually gains with maturity. Regardless, this is one of those films where everything works well together to bring about a wonderful story. The direction is exceptionally strong and wastes none of the films lean 81 minutes running time. Guinness is about as good as you'll ever see him, fostering a belief that he is, now and forever, the meticulous, level-headed, slightly devious character of Henry Holland (at least until his next film), but is certainly assisted (nearly upstaged) by his costar Holloway, the romantic character, yearning to express his artistic nature, stifled by the drudgery of actually having to earn a living through the mass production of tourist souvenirs. There are any number of wonderful scenes and sequences presented throughout the film, but two come to my mind as being my favorites. One features Mr. Pendlebury moving into the boarding house where Holland lives, and Holland learning of Pendlebury's profession which sets in motion him gingerly broaching the possibility of utilizing Pendlebury's die casting business as a means to process the stolen booty. Holland and Pendlebury, both eventually on the same page, begin almost convincing each other and themselves of the very real possibility that it can be done...the other is the scene where Holland and Pendlebury go about enlisting a couple of extra, but necessary, members for the gang, as the gold shipment is too much for the two of them to handle themselves. It's not like you can put an ad out in the paper for such a thing, so they utilize a very unique method to contact prospective applicants. And there's a bonus! If you love classic movies, you'll be in for a treat...watch for the appearance of a minor character, played by a soon to be legendary actress, about three or four minutes into the film...yes, that's who you think it is...but don't blink, or you'll miss it...

Anchor Bay Entertainment provides a very clean and clear full screen (original aspect ratio) picture on this DVD, with a decent Dolby Digital mono audio. Special features include an original theatrical trailer, and an extensive Alec Guinness biography and liner notes. By the way, I heard there is a remake of this film in the works, scheduled to be released in 2006...I guess time will tell if it's any good or not, but the way I see it, what's the point? I hardly see how they could improve upon the original...

Cookieman108

By the way, there is, as I write this, an Alec Guinness DVD set offered by Anchor Bay Entertainment featuring five of his early comedies, including this one, offered at a price that is cheaper than purchasing these DVDs separately, so if you're interested, it might be worth looking into...

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Boogie Woogie (2009)

Boogie WoogieThis is a dark, dark look at the world of artists and those who deal in art. Calling this a black comedy is a gross understatement. Essentially everyone in this armpit of existence is in it for themselves. All are jockeying for position to get more, more, more for themselves. And they'll screw or screw over whomever they have to to get what they want.

There are a couple of stories running throughout this film. On one end you have Stellan Skaarsgard (an art collector) and Danny Huston (his art broker) trying to screw each other by outbidding each other to buy a piece of art (The Boogie Woogie of the title) which the owner, Chrostopher Lee, doesn't even want to sell. Meanwhile, Skaarsgard's assistant, Heather Graham, wants his backing to open her own gallery and start with a show by a maybe up and and coming video artist. To do so she will screw said artist's current promoter and screw Skaarsgard out of his cut. And Skaarsgard's wife, Gillian Anderson, will fool around with another up and comer and then want a divorce which will lead to more people screwing other people. You get the picture.

This is an acerbic view of how this part of society works. Everyone's disregard for the feelings of the people around them is unbelievable. There is a scene where Skaarsgard presents a "gift" to his new assistant. How, in anyone's world, this would be considered an appropriate gift is way beyond me.

The director, Duncan Ward, does a great job of giving you the look and feel for that part of London. The beauty, the hipness, the wealth and the attitude. All the acting is good and the writing is, for the most part, outstanding. Some might consider it "too", and they're probably right which is why I didn't give this the big FIVE stars. But all in all this is a great ride. It moves at a quick pace and doesn't linger on anything too long. I can recommend this to anyone who is even remotely interested in this part of existence.

This movie snuck up on me....I knew the loveyly Heather Grahmn was in it but that was it. Let me say that it was very funny and Heather looked amazing....She always brings something new to the table in each of her movies.

All I can say is that you won't be bored and that you may be surprise by how much you like it....

No spolilers here.....just my opninon....

Get this movie for your collection.

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I know critics and fair share of movie fans didn't like this movie. I don't think it was bad in my opinion. I find if you are a person who loves your art cinema, you will excuse most of the inconsistent plotting and find a lot the subject matter related to the art world and its artists quite relateable. The acting is enjoyable and made the plot work despite its choppiness. All in all, I believe the movie worked thanks to actors involved and the art gallery finale had alot of a life imitating art that saved the flim.

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it was perfect just as i have thought , absolutely recomended.

i will buy more products, totally reliable , very goos

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a fun and entertaining art house film about the art world with a great ensemble cast playing the most interesting characters you'll see.

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2001 Maniacs (2005)

2001 Maniacsthis is the original one, and not the Follow up [ field of screams ] this one is FAR better than the sequal

Take one part `Texas Chainsaw Massacre,' one part `Wrong Turn,' one part `Cabin Fever,' one part `Deliverance' and one part `Song of the South' and mix it all together and you'll get Tim Sullivan's 2001 MANIACS, which was produced by `Cabin Fever' direct Eli Roth.

`2001' is a mess of a film; but even with a terrible screenplay that's loaded with vomit inducing one liners that would make Dee Snider's character from `Strangeland' jealous, awful cinematography and some unforgiving acting, the film was stillat timesa blast.

The film is based on Herschell Gordon Lewis' `2000 Maniacs,' where a group of kids heading off to Florida for spring break end up in a crazy town in Georgia where everyone dances, sings and has a hoot of a time like the good old days in the souththe south before the civil war. Sure Mayor Buckman (Robert Englund) seems like a fantastic chap and his wife Granny Boone (Lin Shaye) acts like the grandma you always wish you hadbut it's obvious something's upbut what is it? As the three groups of kids get paraded around and treated like kings, one by one they are picked off. Is there a purpose behind these murders or is it just in good ol' fun?

The positive side to `2001' is something that slipped under many peoples radar and will really hurt the audience for the film is that it plays out just like a Herschell Gordon Lewis filmfrom start to finishon many different levels.

Sure it was gory as all hell, but most of the blood and guts were extremely cheesy looking, which will bother most horror fans. I thought it was intentional, because it was like a Lewis film. There were some really sweet kills like one of the kids injests acid and his chest melts through the bed. Then of course his internal organs follow and pour out of his cavity all over the floor. On the other end there was a scene where a guys face explodes and it looked terrible. I personally loved the FX in the film, it was easily one of the bloodiest films I've seen in years, but some people might be put off with the qualitythe Herschell Gordon Lewis quality.

Another thing that worked for and against the film were all the jokes. Some I thought were hilarious every single time, especially the ongoing joke with one of the redneck kids who keeps trying to screw a sheep throughout the film. Then there were the numerous `Deliverance' references, such as their own rendition of the "dueling banjoes." But the one linersGOD! Some of them were so painfully bad. If you've seen Dee Snider's `Strangeland' and heard some of the dialogue, then you know how bad it can be.

One of the saving graces of `2001' is the strong cast. Robert Englund is fabulous as always, he's got a touch of Freddy showing but he was able to make me believe he was the Mayor and nobody else. Lin Shaye, one of my favorite actresses ever, was hilarious only like she can be. She is so good at carrying a serious tone while being freakishly nice at the same time. This is easily one of her better horror performances next to `Dead End.' Another person I always enjoy watching is Guiseppe Andrews (Detroit Rock City), who was also in Roth's `Cabin Fever.' He plays the suave creepy guy in `2001' and once again proved he could be so much more. But as this movie continues to prove it's 50% good and 50% bad, most of the other actors were horrendous and unbelievable.

To me the number one thing that ruined this movie was the cinematography. I don't know if it was intentional in order to make it look like a Lewis film, but whether that's the case or notit destroyed everything. It's amazing how a film like `Open Water' could look more appealing than `2001 Maniacs,' especially after Eli Roth's `Cabin Fever' was such a beauty. What happened here? It's a mess and I don't understand why! The entire movie looks exactly the same, bright and boringlike something you shot on your own while walking through the woods with a girlfriend. The only scene that looked unbelievable was the end fight sequence with Robert Englund. During the scene there are flames in the background with blackness completely surrounding them as Robert fights one of the lead teens. It looked phenomenal.

To continue further down the spiral, another major problem with the movie is its defining characteristics. What type of movie is this? At first it seems like just another crazy family, then all of a sudden one of the evil redneck girls has creepy veins cross her faceshowing she's supernatural in some sort of way. Then there's no reference to this supernatural activity again. This is the ONLY reference to this town being demonic. So what it is man? Are you making a psycho family movie or are you making a supernatural demon flick? Pick one and stick with itand if you want both, make sure you don't just tease one.

Whether you end up enjoying this movie or not truly depend on what you expect and what type of horror fan you are. If you are expecting some beautifully shot expensive insane flick, maybe you don't want to see this. But if you're looking for something along the lines of `Blood Feast 2,' like a big budget Troma film, you might get a kick out of Tim Sullivan's `2001 Maniacs.'

Picture quality for blu ray was first rate with very few problems. There are no complaints about the sound quality either. This edition comes with the following extras:

Two Commentaries, both quite enjoyable, one with Sullivan and Englund, and the other with Sullivan, co-writer Kobin, and co-producer Christopher Tuffin. It would have been fun to have also had co-producer Eli Roth (who has a cameo in the film itself) involved in one of these.

27 (count 'em) Alternate and Extended Scenes (SD; 37:13), including a whole new prologue featuring director John Landis doing his best to "act".

Inside the Asylum (SD; 42:26), a decent behind the scenes look at the film, with some extended interview segments with cast and crew.

Audition Reel (SD; 6:36) a pretty sad and embarrassing document of the younger cast members attempting to read and chew gum at the same time.

Shop around, you can pay what you want for this film. On the release week I was able to get it for $7.99.

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great film not the best but way better than the 2nd the 2nd was way

to silly but this one is a lot better give this one 4out of 5

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If you like off beat,strange, rare, kooky, funny movies you should check this one out. I collect weird movies and this one was a must have. It's sort of gory, but in a tongue n cheek way, it's a spoof on horror flicks.

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Drew Barrymore (2012)

Drew BarrymoreDrew Barrymore has really grown as an actress. These three movies not only show that but also her comedic talents. These are no brain er movies that are just fun to watch. Seeing Hugh Grant dancing and singing was a great treat. For the price you can't beat this deal.

Here are three movies, starring Drew Barrymore, that are just plain fun to watch. Lots of laughs with great co-stars.

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If you're a fan of Drew Barrymore, this is a definite buy. I honestly bought it more for "The Wedding Singer" as that movie always makes me laugh. However, I really did like the movie "Music and Lyrics" with Hugh Grant and "Going The Distance" was one I had never seen and was pleased with as well. The blu-ray transfer looked great on all three movies, and when I bought this, it was only $10 so you couldn't ask for a better deal to have three good movies at this price!!

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As always. Drew Barrymore shines in these three movies. Hughly recommended for all three of these. My favorite DB movies are "EverAfter" ,"Never Been Kissed" and "Duplex."

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Because the movie was a Blu-ray and it had all the upgrades from the standard DVD and huge upgrades from the older VHS tapes; "The movie picture and sound was Grrrrrrrreat!!!! Their speedy service was awesome and as such, I hope to purchase more from them in the future too!

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