Showing posts with label new hindi movies. Show all posts
Showing posts with label new hindi movies. Show all posts

Burn After Reading (2008)

Burn After ReadingI just wanted to point out that every single complaint that the one-star reviews dole out are just icing on the cake as far as me totally loving this movie. The characters had no depth? The plot was too amorphous? THAT WAS THE POINT FOLKS. The characters are examples of typical character flaws that are variations on stupidity. You're supposed to enjoy their lives falling apart. I sure as hell did.

I am shocked at the amount of negative reviews here. This is a comedic masterpiece. I think the one star ratings are coming from simpletons that have no clue about truly subtle and intelligent humor. THE ABRUPT ENDING WAS PART OF THE POINT!

THE LACK OF A PLOT WAS PART OF THE POINT!

THE POINT OF THE MOVIE WAS HOW TRULY POINTLESS MOST THINGS ARE!

In their brilliance, the coens were MAKING A POINT BY MAKING A MOVIE WITH NO POINT!

This film is true genius and one of the funniest films I have ever seen. Clooney was a perverted mess and Pitt was genius as a mindless but fun good samaritan. If you know anything about comedy, you will love this film.

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After the true genius of No Country For Old Men, the Coen Brothers come back with a whole new dimension. Burn After Reading is a dark comedy about idiots faced with an intelligent and complex situation. Two Gym instructors Linda Litsky (Frances McDormand) and Chad Feldheimer (Brad Pitt) find a disc containing the memoirs of ex CIA agent Osbourne Cox (John Malkovich). They, being idiots think it's a disc containing top secret information and try to bribe Osbourne for money which would help pay for Linda's cosmetic surgery. Things don't go to plan as Osbourne has bigger things on his mind, his wife Katie (Tilda Swinton) is having an affair with the paranoid Harry Pfarrer (George Clooney).

This film is actually quite intelligent in its own right, the characters seem well defined and are played superbly. The characters were specifically written for the actor playing them and it really shows.

John Malkovich portrays the agent lost of all hope well, you become quite intimidated by both his intelligence and temper.

George Clooney as the paranoid individual who's having more affairs than you can wave a stick at doesn't falter. He's jumpy, but hey who wouldn't be if you were sleeping with three different women. This eratic behaviour becomes a bit tragic and leads to the death of one of the characters in the film.

Brad Pitt as the loveable and wannabe cunning idiot is fantastic, the facial expressions and general stereotypical dexterity of what we would expect a personal trainer to be really works. This becomes especially amusing when he enters into the bribing game with Malkovich and starts to enter into the character of cunning spy. It has to be seen to be believed.

Frances McDormands character is the real shining light of the whole film as she's the catalyst leading up to the films biggest events. She's a middle aged gym instructor paranoid over the look of her body. While trying to get plastic surgery, she's turned down by her insurance company and is the one that convinces Pitts character to bribe Cox. She's a woman on the edge of giving up on life and wants to take one last leap into the chance of a relationship, but is made even more nervous by her own body insecurities.

The Coens once again create a film that is both surreal and believable, the characters are shockingly brilliant. The scenario is a bit over the top but comes together perfectly. There is something that bothered me, however, and that's the fact that every character in the film seemed to be having an affair with someone else. I don't know, maybe that was the whole point that made the film work. For fans of the Coens this is definitely one that sits proudly in their film catalogue next to such greats as No Country For Old Men and The Big Lebowski. I would strongly recommend it to any film fan overall, it's definitely worth it just for the Brad Pitt & Clooney facial expressions. Be warned though as if you're easily offended by swearing, then you might as well take your pad and pen with you to start writing your complaints letter.

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Do you remember the first Blu-ray you ever bought? Mine was Burn After Reading on the same day that I purchased my first Blu-ray player. It's a title that receives very little recognition and it regularly features in sales. Why is that the case?

The movie is directed by the Coen brothers and stars Clooney, Pitt, McDormand, Malkovich and Swinton. What's not to like?

I'm hard to please when it comes to humor, but several Coen brothers films hit the spot. It's clever dialogue rather than slapstick physical humor, and some of it is unpredictable. I can't laugh when I see a joke coming from a mile away wearing a T-shirt with "This is funny, laugh now" written on it. I like to be surprised.

So what is surprising about Burn After Reading?

Harry Pfarrer (Clooney) has no redeeming features. He's married, but sees other women at every opportunity. He's having an affair with Katie Cox (Swinton). Harry is shallow, paranoid and somewhat stupid and Clooney plays the character with his usual charm and good humor.

If there is anyone dumber than Harry, it has to be Chad Feldheimer (Pitt), who works in a gym. Chad is a complete idiot in every way. His friend at the gym is Linda Litzke (McDormand), who is obsessed with undergoing cosmetic surgery to improve her appearance.

Osborne Cox (Malkovich) is married to Katie and works as an analyst for the CIA. Most of his sentences include at least one profanity and he's borderline alcoholic. The story begins with a meeting in which Osborne is told that he will be demoted, but instead of accepting the situation, he quits. Katie is not pleased, even though she's on the verge of leaving him for Harry.

There's not much of a plot. Chad acquires a CD containing the beginning of Osborne's memoir and believes it to be secrets of national importance. He thinks that Osborne is sure to give him a reward if he returns it and that leads to an amusing phone call. Linda decides that the Russians may be interested in the worthless CD and that they might reward her for the useless information.

Everybody seems to be sleeping with everyone else and what could go wrong does go wrong. This is not a serious story in any way.

There's a great cameo by J. K. Simmons who plays a CIA boss. He's utterly clueless about the significance of the events we witness because they are all meaningless. Watch his reaction at the end of the movie when he makes a decision about what further action to take.

Burn After Reading is a good way to spend an hour-and-a-half. No analysis is necessary. All of the characters have funny moments. Ignore the negative reviews and see it for yourself. You can pick it up for under $10 if you like it.

Overall score 4.5/5

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Every once in awhile the Coens love to throw one at you just for fun. Burn After Reading is in many ways a "Double McGuffin," playing into a wide range of conspiracy theories and jaded views on life. A pair of misfits hope to extort a former CIA analyst when they stumble across a disc at a fitness club. I suppose in many ways this film is a satire of the political thrillers, set during the last days of the Bush administration when we were still living on colored alerts. The Coens draw on a wealth of talent, from John Malkovich as the disenchanted CIA analyst preparing to write a book of his experiences, to Francis McDormand who stumbles across a CD that contains much of the information he has garnered, to George Clooney as a two-timing federal marshall. Even Brad Pitt gives a stand out performance as McDormand's screwball accomplice. There are enough twists and turns to keep you guessing, but this movie is played mostly for laughs.

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The Amateurs (2008)

The AmateursTHE AMATEURS is about as close to the quality of British film comedies (a high compliment indeed!) as we have seen, thanks to writer/director Michael Traeger. It is everything a small town community aura represents without the stumbling blocks of cruelty that so often provide the turning point in 'rural stories' that defame the simple homespun humanity that is too often foreign to the big city life. Perhaps to refer to it as 'sweet' will rile some review readers, but for this viewer the overriding emotion at the close of the story is just that sweet, in the finest sense of the term.

The film is narrated by the down and out, unemployed, newly divorced middle-aged crisis victim Andy Sargentee (Jeff Bridges) who spends his time in the local watering hole trying to come up with an idea that will change his fortune and life. Giving up his marriage to Thelma (Jeanne Tripplehorn) and his son Billy (Alex D. Linz) has been painful but Andy believes he will somehow regain their respect by discovering his 'big idea'. Surrounding him are other underachievers such as Some Idiot (Joe Pantoliano), Barney Macklehatton (Tim Blake Nelson) hopelessly in love with loony dreamer Helen (Glenne Headly), church janitor Otis (William Fichtner), local video store worker and video buff Emmett (Patrick Fugit), Moe/Ron (John Hawkes and Brad William Henke) who are never seen alone, the closeted gay Moose (Ted Danson), and bartender Floyd (Tom Bower) among other 'observers'. A wild idea occurs to Andy: he and his friends could make an amateur porn film and make money and gain fame. Out of both love of Andy and individual needs to make something of their boring existence in the little town, the group commits to helping Andy with his project. How the steps succeed and fail underline the integrity and unconditional friendship these simple people represent. Along the way we meet the porn film's stars including Valerie Perrine, Judy Greer, Fiona Hunter, Isaiah Washington, Melinda Dahl all of whom eagerly participate in the 'very private' filming concept of an amateur porn film. How the final product is threatened and ultimately survives produces the warm ending to the film. And along the way we get to know Thelma's new husband Howard (Steven Weber) who breaks the stereotype of the rich new stepfather, and these small town folk including Dawn Didawick, Jayne Taini, Lauren Graham, and Eileen Brennan (who contributes a very special cameo role).

The film has been named THE MOGULS and DIRTY MOVIE in other countries and perhaps that confusion of titles has been part of the problem of the lack of promotion the film received in the theaters. But in a way, seeing this very special movie in home surroundings adds to the intimacy and the very warmly honest view of the genuinely kind and caring interrelationships among the people of this small town. There is much to be learned from this film and the added features include the writer/director sharing the experience with each of the actors in this truly ensemble work. Highly recommended. Grady Harp, March 08

The low-key effect of the film grabbed my attention from the beginning as actor Jeff Bridges began his narration of his life in the little town of Butterface Field. He introduced the characters while playing his character engaged in troubled thought, sitting alone, in the local restaurant bar.

Bridges is Andy Sargentee, a husband and father who places his impulses above the economic viability of the family by relieving himself on the desks of every supervisor he has had (and despises). His wife, played by Jeanne Triplehorn, sets off into divorce and the sunset with the station wagon and their son.

Bridges only support now is the town of Butterface Field, the place in which he was born and raised. The townsfolk know him well enough especially when he is about to come up with a brainstorm, which they are apprehensive about. Friends and neighbors at adjacent tables see the mental storm brewing. (He led them into a Ponzi scheme before just when the tulip bubble bubbled, proving his brainstorm nothing more than a light drizzle).

But now, he's got it!

He and the town will make a fortune creating a genuine, amateur porn film! He quickly enlists his friends to invest their meager sum and even more meager talents as actors, writers, directors and so on. They also have to get girls for the part, and enlist Black actors for their presumed assets. They find a young, counter girl from an ice cream store, an aging stripper, and a bedding store saleswoman, who insists on getting it on with the storeowner.

Jeff Bridges, Ted Danson, Joe Pantoliano, William Fichtner, Lauren Graham, Glenne Headley, Tim Blake Nelson, and Jeanne Tripplehorn make this "light" film work along with the superb direction of Michael Traegor. No actor overplays his or her part. The humor is subtle, even hilarious at some points. And for a movie about porn, there is no flesh or foul language.

A colleague at work recommended this; her stock has gone way up.

This is a keeper.

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I can't quite put this up at the 5 star level, but it's awfully close.

Big props to the cast here as they really do a great job here and seem perfectly cast for the roles each is asked to play.

Lead actor Jeff Bridges puts on a great performance as a man (Andy Sargentee) that is looking for his one big break, but unfortunately has failed at everything he's ever tried. Early on we find that he lost his wife because he's just not able to be responsible and can't take care of his family because of his lack of steady income. His son's birthday comes up and he goes to the store to buy a gift for him only to realize he just can't afford the one he feels is right. Real embarassment kicks in when he goes to his wife's new home and finds that it isn't just a big home, it's a complete mansion.

From that embarassment springs inspiration as Andy sits deep in thought in the town bar. Eventually he's inspired to make a porn movie with the help and support of his friends, a cast of some of the weirdest and wildest characters you'd ever find assembled.

This film isn't a continuous laugh fest, but it is very entertaining. Some parts would seem predictable, but the story does a good job of planting timely distractions and diversions along the way that keep things very fresh.

While the movie is about the making of a porn film, the nudity in the film is fairly tasteful and there is no sex really shown in the film. There are however sexual references, sex toys and discussion of porn movies is prevalent so this isn't a film for the easily disturbed.

Well worth a purchase and priced at a fair level.

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"The Amateurs" Is a perfect little gem tucked between boxes of costume jewlery. With so many video choices out there just taking up space on the shelves, it is a pleasure to find a film that has real value.

When you finish watching "The Amateurs" you will feel like you have been given a very special gift. The framework around the substance of the film is recognizable: A father seeking a meaningful relationship with his son;"characters" in a small town who stumble around and win in the endbut the movie is much more than that. The characters have dimension, and belie stereotypes.

This film is about kindness, generosity, friendship, acceptance, and just doing the next right thing. Using the creation of such a crass commodity as a porno film as the vehicle these lessons arrive in is just sublime. "The Amateurs" may be rated R for language and sexual content, but I have never seen these potential offenders made so impotent than they are by their treatment in this film. If Frank Capra worked in 2008, "It's a Wonderful Life" might well have looked like this movie.

I keep very few films on video for repeated viewing. Most just don't have long-term presence. I'm keeping this one so my son and his friends can watch itseven years from now.

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"The Amateurs" won't change your life, but it may make it a little easier to bear.

Yes, it's heartwarming. Yes, the little town is filled with the predictable eccentrics who do the expected offbeat things. Yes, everything ends well for everybody (except the big brother). Despite all those drawbacks, this movie is funny. Great casting, great writing, great acting (as much as is demanded by the material).

The Jeff Bridges overstory and narration is the glue that brings all the individual characters and their lines into one whole; his gentle persona creates the film, not only in the story sense but in reality. A great entertainment if you're not offended by graphic but good-natured language.

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Knucklehead (2010)

KnuckleheadIgnore the reviewer who mentioned "Jackass" in his review. This is not a bunch of idiots daring each other to do stupid things, it's a family movie. Paul Wight plays Walter, a 7 foot tall orphan who has never left the orphanage, also a gentle giant who wouldn't hurt a fly. The orphanages kitchen burns down, and in order to save the orphanage, they have to raise money in a week to replace the kitchen. So a trainer discovers Walter, and takes him on a road trip to train him to be a fighter and attempt to win a martial arts contest to get the money.

Sure, the plot sounds pretty thin, but as does most light-hearted family comedies of this type. You will see the typical love interest, fart gags and corny jokes that go into the making of these kinds of films. It's a decent movie, better then you might expect, but just do not expect it to be a Steve Austin action movie or a Glen Jacobs (Kane) horror movie it is far from either. Take note when you see the PG-13 rating, and not M or R, so do not expect "JACKASS" to appear and start clubbing each other in the nads to win over some mindless teenagers idea of what funny is. And do not expect Paul Wight to bring out a Show Stoppa either... however, he does bring out the Show Ploppa!

Paul "Big Show" Wight plays Walter Kronk, a 32 year old orphan who's looks like a giant but it really just a child at heart & accidently sets fire to the kitchen in the orphanage causing thousands of dollars of damage that will result in the place being shut down in a week if they don't get the money to begin repairs. Elsewhere is a man named Eddie Sullivan (Mark Feuerstein) who's a mixed martial arts promoter who owes a heavy debt to Memphis Earl (Dennis Farina) & is trying to find a new fighter to win a tournament to get the money he needs to pay off the debt. After meeting Walter, Eddie convinces the head nun Sister Francesca (Wendy Malick) that Walter could make the money as a MMA fighter in a tournament out in New Orleans & send him off on the road, for the first time in his life, with her assistant & Walter's friend Mary (Melora Hardin) as a chaperone. From there they get attempt to build his reputation via the internet by fighting in the most unusual situations such as churches, backyard at a children's party, a bear at a carnival, and frat houses while running into issues of their own such as transportation issues, Eddie & Mary facing their past, Walter seeing this as his only opportunity to be a hero, and Memphis Earl & his fighter Redrum (Lester Speight) trying to stop them at all cost.

Anyone who's seen Big Show on WWE television or the now famous Saturday Night Live episode back in 2000 knows that Show is funny doing the "Chris Farley" method in that he's a big softhearted guy who's just very clumsy & doesn't realise just how big he is at times leading to a lot of physical humor. Doing this led to show having some very funny moments like breaking the bed in the hotel room, walking into a ceiling fan (I can relate to that one), using a small bathroom on a bus, and riding in a motorcycle sidecar with sparks coming off the back. As I stated earlier, this comedy relies more on physical humor more than punchlines & jokes as the acting wasn't much but I was still entertained at the end of the day. In the end, this was WWE Studios first attempt at a comedy film & the movie did it's job in that I laughed & was entertained for the most part so this is definately worth checking out for a viewing.

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This was a gift for our whole family for Christmas. My boys love WWE and found that seeing "Big Show" in a comedy was great! It was funny and entertaining!

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A delightful surprise. The movie was entertaining and funny. It did not try to be anything more than fun entertainment. I am not sure why it went DVD only as it was as good as any comedy of late at theaters. The storyline is easy to follow and the development of the story and its direction is easy to identity with. It is a cute movie with minimal foul language. You do not have to be embarasses if you watch it with your kids. The cast and supporting cast is quality actors and Big Show does a good job in his role.

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In an interview, Big Show admited, "This is not 'Gone with the Wind.'" So you have to go into this film in advance knowing it's poor quality. However, he didn't let fans know that in this flick, you get to see his gluteus maximus twice. You may have to use the slow-down button on your remote control, but it's definitely there. When seeing Big Show wrestle, if you've ever said, "I wonder what he looks like naked?", then this film will give you some idea of that. If you love you some big men, then you should see this flick despite its obvious shortcomings.

Derriere aside, yes, this is predictable and silly, as anyone could assume. The characters crash a bus in a field and they just walk away from it. No farmer ever takes them to task for destroying his land. The explosion never sets the whole field on fire. A boy doesn't know a fire is going on while playing a video game. Yes, young people can be focused, but a person at any age would say, "Why do I smell smoke?!" Big Show's character is supposed to be unsophisticated, yet when the subject of family jewels comes up, he is all of a sudden able to make double entrendres and witty repartee. Of course, there's a predictable love story line here too. There are some stolen bits from the 1980s film "Annie" here too, if you think about it.

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Tim & Eric's Billion Dollar Movie (Blu-ray/DVD/Digital Copy) (2012)

Tim & Eric's Billion Dollar MovieMy wife and I are big T&E fans... I'll admit that I'm a much bigger fan than my wife, but we both love their work on TGTTM and T&EASGJ!, not to mention the many other pies they have their fingers in. I have watched every episode of the aforementioned shows so many times that I'm surprised that there's room for anything in my brain *aside* from Tim and Eric quotes at this point.

Now that B$M is out, the Internets are filling with 5or 10-star reviews from other fellow fans. So I guess I'll be the first to say that we were both a little let down by the movie.

A lot of folks have commented that this is "just like Awesome Show." I agree and disagree, and on both fronts it's not necessarily a 100% good thing. A great number of the gags are things that have been effectively recycled from past Awesome Show episodes. Stretched out to cinema pace and viewed through the "clearer" eye of film, the recycled stuff doesn't work nearly as well as it did when new.

Meanwhile, the intertextual public-access / VHS-glitch stuff that makes so much of their comedy on TV doesn't quite jibe on the big screen, since there really is no cinematic parallel to the raw, unintentionally hilarious crappiness of public access (unless you consider Birdemic to be mainstream cinema). T&E seem to have wisely recognized this, and have (mostly) kept the broken/ obsolete-tech humor to segments that are based around the third-party viewing of TV formats. But it's sorely missed... and when it's present, it looks pretty odd (as opposed to funny).

The plot is a ridiculous afterthought, effectively, and I don't think any T&E fan would reasonably expect otherwise. T&E have left room for as many pokes at big / dumb mainstream cinema tropes as possible. But given this, it really could have contained a great deal more pokes. The pacing seems a little slow and lazy in quite a few places, although I suppose almost anything would seem slow compared to Awesome Show.

And though it feels weird to bring this up in a review of a Tim and Eric production, I also feel that things were formally imbalanced. With all the time spent at the S'wallow Valley Mall, we only get a (painfully) narrated rush-through of how T&E ended up in their billion-dollar predicament to begin with. In my mind, at least, it would have been so much funnier to *see* this setup play itself out. (Maybe this went down because they were trying to keep things to 90 minutes. I've gotta ask: why do all modern comedy movies have to be exactly 90 minutes long? Things can be funny for longer than an hour and a half.)

Finally, Zach G and John C. Reilly-who have contributed SO much to past episodes of Awesome Show (and of course, in the latter case, to Check It Out!)-find their talents kind of wasted in this film, in relatively one-dimensional roles that could have been so much bigger and so much more funny and/or complex. Will Ferrell is great, though (something you can't always say for him), and Will Forte is also wonderful as usual.

T&E have also found great roles for nearly all of their "best" non-celebrity Awesome Show supporting cast; it's so great to see more than five seconds of a Quall standup routine for once. (I still would have liked to see more Palmer Scott, though, and I am sure some of the many DL-H fans will be a little disappointed with the extent of his screentime.)

The Reddit Q&A that T&E undertook on the day of on-demand release seems to suggest that they see the immediate future of their work in film. Make no mistake, I liked B$M, thought it had some really great moments, will undoubtedly watch it many more times... and I would LOVE to see another film from Tim and Eric (and yes, I'm also chomping at the bit for a chance to see The Comedy).

But I don't think Tim and Eric can make another film anything like this one and remain vital. I'm hoping that, having gotten the apparent cinematic conclusion to Awesome Show out of their system, these two geniuses will now turn to showing us what they can *really* do with the movie format... something really new that departs significantly from their past work, while retaining their inimitable and uncompromising sense of humor-*and* the cerebral qualities of their best past work. The latter is the part I think I miss the most in watching B$M, which comes off like T&E at their intentionally-dumbest more often than not on first blush. Maybe I will feel differently after repeat viewings, though.

One last note: This movie is for existing fans. Contrary to what you might reasonably expect from the duo's first Big (or "Big") Theatrical Release, there is absolutely *no* accomodation for the uninitiated, who will probably hate this and/or will have no idea what the hell is going on throughout. If you're new to the T&E universe, start with an early season of Awesome Show, or possibly Tom Goes To The Mayor.

Another winner by timanderic.com. This movie was inspired by Jackie Chan's 100 years in show business. My dad would be so proud of the boys but is unable to hear the movie because of an unfortunate incident with the trumpets.

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--There is no reason to consider this movie if you aren't into this kind of humor--

This humor, Time and Eric/Matt and Trey/ type humor is so crazily specific that I can't possible understand why you would bother buying this without at least doing some research on it first. Check out their other things, their web episodes of their shows, check out interviews online, watch the trailer, if you don't like it then don't touch this movie because it is so at a complete other level of humor that the only way you'd like this movie is if you KNOW you'll like this movie before you even see anything other than the title.

If you don't know what this movie is, if you don't recognize the name combination "Tim and Eric['s]" and if you haven't seen Tom Goes to the Mayor, Tim and Eric Awesome Show Great Job, or Check It Out, then you will not like this movie. Check one of those shows out and if it's your bag of bones they you'll love this movie with it's outrageous story and effects (basically no budget and a bunch of celebrity spots). It's a crazy stupid story, of course, but it's an amazing movie if you are fans of Tim and Eric.

Also the movie is really gross. Having said that I'm going to get this.

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This movie is so terrible, but that's probably why I like it so much. I am a massive Tim and Eric fan and this Blue-Ray of their movie is a must-have. Let the shrim wash over you.

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Epically hilarious, as Tim and Eric always are. If you loved the show, be prepared to fall in love all over again. Thankfully, my new husband also enjoyed it. I'd hate to have to divorce him.

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Little Johnny the Movie

Little Johnny the MovieIt is simply a fun watching an animation of school kids mimicking the adults while smart ass Johnny commented the events well reflecting a brutal meaningless surrounding existence in picturesque Australia changed not much since an original B&W 1967 year anime version.

Today, probably, such a kid ought to be referred to a psychologist with all the records following him upon a life spin and parents could a little to do.

Funny movie but only watch on PC as it is in south pacific format!!! Tried the Blue Ray and the regular DVD.... Called customer service and they said it was American format, but no good!!

Tried my three DVD and one blue ray only played on computer!!!! Sucks!!

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Best funny movie. I will watch again and again. I love the little Johnny jokes. When is part 2 comming out?

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It's so rare that I give a movie a one star review, but this was easily one of the worst movies I have ever seen... little needs to be said about it except that basically every one of the jokes is recycled from old Little Johnny jokes, so if you've heard them, you've seen the movie, the animation is awful, looks as if it was made in the '70s, and the plot is barely there.

I try not to be a cynic, but when you watch a movie without a fraction of originality, it's hard not to be. Even the attempts at being "offensively funny" with the minorities portrayed fall so flat on their face that you can't even feel offended.

If you have never heard a joke in your life, then this may give you a laugh or two... other than that, this movie is impossible to recommend on any level.

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its so easy to use. all i do say is if your from any other country please rememeber to use the your country dollars. it makes life easy. thank you amazon

Daniel Tosh: Completely Serious (2007)

Daniel Tosh: Completely Serious4.8 stars

By far the best stand-up performance I've seen since Chris Rock's perfect Bigger And Blacker, this is one hour of extremely edgy yet somehow good-natured comedy. Tosh spares nothing and no one, least of all America in general. And he does it all so slyly, with that engaging grin and flashing eyes that say, yeah, you know I'm right, admit it.

The material here is twenty minutes longer than what the Comedy Chunnel shows from this dvd. They cut a lot of the best, most over the top bits, so it's a treat to see them here. What really distinguishes Tosh is the intelligence and subtlety of some of his lines. He's skewering all of us, and our selfish society, and does it with so much verve and bonhomie that you hardly notice how deep the cuts go.

I enjoy a comedian who can get straight to the heart of things, and Tosh is a master at that already on his first dvd. He's one of the few stand-ups I've seen in years who clearly has the goods in spades, and seems more interested in commenting on his version of the truth than getting easy laughs. He says things that seem so wrong at first, but one quickly realizes what's really wrong is how right he is about our complacency and prejudices.

His new show on CC, Tosh.0, is decent, but goes for easy laughs and is nowhere near as funny as this dvd and his earlier cd. Let's hope the tv stardom doesn't derail his excellent stand-up, and that he doesn't go the Rock route and release only one performance every five years. Truth is at a premium these days, and this guy is poised to be a prime conduit.

Absolutely recommended to any fan of Carlin, Pryor, Hicks, or Rock.

Just watched this free on Prime Instant Video and it was GREAT!!!! I have seen his Tosh.O show a couple times, but never thought that much of Tosh as a comedian. After this I am a HUGE fan. Everything he said was true, but offensive, which is ok. I think most people are too PC these days. It reminds me of "It's Always Sunny In Philadelphia", in that they say the things we are thinking, but are "ashamed" to say. I liked how he wasn't afraid to make fun of his crowd, and thought the jokes about the Midwest were hilarious (I live in Missouri). If you like shows like "Louie" or "It's Always Sunny", then you will LOVE this standup special. Give it a try.

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This is so amazing, I did like it better than happy thoughts. Just because you don't find him funny, doesn't mean he isn't, someone you know will find this funny. Would recommend for anyone, unless you can't sit back and just laugh away.

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As random and sarcastic as he is, this uncensored DVD captures Daniel Tosh at the very top of his game! Filmed two years before the bombastic rise of his hit Comedy Central series, "Tosh.0", he is given a mic, an hour of CC air time, and the green light to speak his thought-out, insane mind. Definitely a must-buy for any fan of comedy, :)

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First off, I would have to say that this type of humor isn't for all people. Daniel Tosh can be very crude. But if you like that type of humor, this special will not disappoint. For years, Eddie Murphy's RAW and Eddie Izzard's Dress To Kill were my two very favorite stand up specials. Now I would say Daniel Tosh's Completely Serious takes it's place at number 1. I've watched this special at least 10 times and I always laugh uncontrollably. It just never gets old!

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What Women Want

What Women WantThis is a very formulatic romantic comedy, but it shines largely in part to the performance of Mel Gibson. It takes someone very confident in his masculinity to put on a bra, paint his nails, and put on pantyhose all in the name of comedy. When he is suddenly struck with the gift to hear what women think, it is almost karmic destiny in retribution for his playboy ways of the past. When the shoe is on the other foot, and he sees first hand what is dealt to the fairer sex, it changes him profoundly.

It's not a new premise. It's actually an old one. What do other people think about you? More importantly, what do members of the opposite sex think about you? And if you knew, what could you do with that information?

These are the questions posed to Nick (Mel Gibson). A self professed "ladies man" he waltzes through life from one sexual conquest to another, all the while confident that he is a handsome, well liked, object of affection to women everywhere. But soon Nick's world comes crashing down. He is passed over for a promotion, and his job is given to woman (Helen Hunt). Through a series of comical event Nick is blessed (or cursed... you decide) with the ability to hear the thoughts of the females (not specifically human) around him. He soon learns that he in not the end all, be all object of desire to the female community that he thought he was. After he re-groups, what Nick decides to do with his new found powers makes for some very funny moments. What does he do you ask? Well, I'm not going to be the one to spoil it for you.

Overall, "What Women Want" is a very good movie. It has all the makings of a fine romantic comedy; A handsome man, a beautiful woman, and a great deal of conflict. The only real flaw to the film is towards the end when it starts to become a little too heavy and takes itself just a little too seriously. Those are the times when the movie seems to drag and has trouble getting started again.

Gibson and Hunt are actually quite good together, and really have some good on screen chemistry. In addition, the use of Alan Alda, Bette Midler, Delta Burke, and Marisa Tomei in supporting roles is terrific. The soundtrack is also top notch with a great collection of classic standards by the Chairman of the Board, mixed with a few modern Top 40 tunes. Gibson really surprises with a small homage to Fred Astaire, and shows that he actually quite light on his feet.

If you haven't seen this yet, then you really should, but I would suggest renting before buying... just in case.

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This movie is surprisingly charming, given the fact that critics pilloried it when it first came out. All I can say is that Mel Gibson still has what it takes to be a leading man in a romantic comedy.

The movie certainly opens promisingly enough with a hilarious sneak preview into the childhood of the main character, Nick, a top advertising agency executive that Mel Gibson plays with great aplomb. Nick is a divorced, male chauvinist who thinks that he is God's gift to women. Unfortunately, as so many men of this type are, he is dead wrong. He is just a man's man who thinks that he is a ladies' man.

He begins to get his comeuppance when the coveted job of Creative Director, to which he is expecting to be promoted, is offered to someone outside the agency, another advertising whiz named Darcie, affectingly played by Helen Hunt. She gets the job, rather than he, so that the agency might be better able to tap into the women's market. She is now his new boss, and Nick is not happy.

After their first meeting, the disgruntled Nick goes home and drinks himself into a stupor. Look for the wonderful dance routine done in best Fred Astaire style. It is a charming salute to an all time great. While in his inebriated state, however, Nick has a shocking accident (pun intended) that enables him to be able to read women's minds.

This ability causes him some distress, as he is amazed to find out what women really think of him, and it is not always flattering. It also enables him to please women as never before, as he is able to read their innermost thoughts and anticipate their needs. It even helps him repair his relationship with his fifteen year old daughter who is undergoing teenage angst.

He uses this ability, however, to trump Darcie, unbeknownst to her, as he has every intention of getting the job he coveted. What he does not anticipate is falling in love with her. This certainly puts a kink into his plans. The question is whether love will triumph. Watch the movie and find out.

The contrivance of being able to read women's minds creates some very funny scenes and interesting situations. It also allows Nick's character to grow as a person and become more three dimensional. There is a strong supporting cast that includes Delta Burke, Marisa Tomei, and an unbilled cameo by by Bette Midler. This is an engaging film that, oddly enough, is sure to delight both men and women, and Mel Gibson, with his easy going charm, is definitely what women want.

Read Best Reviews of What Women Want Here

A star-studded cast is gathered in this tale of an advertising man who manages to gain the power to hear what women are thinking. While at first he almost goes crazy, he soon learns, with the help of an odd therapist, to take advantage of the situation and improve his relationships with the various women he is in contact with. Three women are his main targets. Marisa Tomei is a simple sexual conquest. Helen Hunt is the woman who became his boss. And a quiet office worker who may need more help than anyone.

Mel Gibson does an excellent job as the man with the power. Helen Hunt does a passable job as a love interest but the script just does not show her as qualified for her new job. She is shown as being a good advertiser but not as a Creative Director. This is the fault of the script and not the actress. I was a little put off by the Bette Midler character who basically convinces Mel to take advantage of women. This is probably not really what was intended but it is what the script results in. But still, the acting is pretty good throughout with Gibson really shining during his solo scenes.

A pretty good movie for couples although the final resolution may be a little weak for couples looking for a really good romance story. Light humor, heavy humor, and some touching moments combine to keep the movie fresh and moving. Check it out.

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What can I say? Ladies will most likely love this movie, and men will most likely not. Funny, romantic, but ultimately sexist and insulting, "What Women Want" is not the movie you should suggest on your first date. Cheer it on with your girlfriends, but spare your boyfriend or husband this "relationship test" and watch "When Harry Met Sally" instead.

Mel Gibson plays a charming yet chauvanistic man who suddenly finds he has the ability to read women's minds. At first overwhelmed, Mel uses his gift for his own personal gain, yet gradually he learns to understand and love women, and in the end he is stripped of his undesirable male qualities and falls for the film's "every-woman", Helen Hunt. Gibson's subtle performance provides the only personality in this entire film, keeping it from becoming a dry, sexist political statement. This includes a beautiful dance number to Sinatra which recalls Estare and Crosby (this scene was entirely Gibson's idea). The other performances, including Helen Hunt's, all fall along the lines of "the universal woman" vs. "the universal man." Basically, all the women Gibson interacts with are the same woman, just at different stages in her life. All the men are deceitful, uncaring, or clueless, save for gorgious hunk Gibson who "changes".

Fans of this movie might claim that Gibson's highly chauvanistic character lends some balance to the male-bashing, but they fail to realize that healthy men and women are offended by both. Consider: not only does this film's "perfect man" look like Mel Gibson, but he can read minds as well. Not even the real Mel Gibson can meet those standards. The "romantic" ending of this film has Gibson kissing the heroine right after she fires him. Our hero. I find it funny that the trailers for this movie showed some derrogatory scenes against Arab women which were cut from the film (pre-Sep 11) for obvious reasons. It highlights the basic nature of this film.

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Full Frontal (2000)

Full FrontalThe Blu-Ray, which is already available at Best Buy, includes a 111 min cut of the film that's a bit different from the 101 min theatrical cut.

I think it's just a mistake, as it feels like an unfinished version. The difference in running time is more down to additional shots and portions of scenes than whole new scenes. (I ran the DVD and Blu-Ray at the same time to compare).

As this is a bargain Blu-Ray coming out with no fuss, I don't think it's an officially recut version by Soderbergh.

Because the film has a different running time and different content, the audio commentary from the DVD has been dropped, as nothing would match up in the new cut.

People with the DVD considering this Blu-Ray should know about these differences and know they should hang onto their DVD, even if they buy the Blu-Ray.

I am not one to criticize a movie because it doesn't fit the mold, in fact I find the quieter, more character driven movies more interesting than others (see Lost in Translation). However, as an experimental piece and ensemble movie, I just never got into it. I didn't care about any of the characters and while I applaud Soderbergh for trying something new and different, it didn't translate very well even if the cast was probably have a good time going outside their zone of comfort.

The Blu-ray at least has a fair amount of features including the original cut (the main one is an extended version for some reason) with the Soderbergh/Hough commentary (the only way to view the movie is with the commentary, however) along with cast interviews (the actors in character), 17-minutes worth of deleted footage and a standard interview with Soderbergh.

*/***** for the movie

**/**** for the Blu-ray as a whole

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Management (2008)

ManagementThis film was absolutely beautiful. It has that shy pre-emptiveness we expect from films which deal with tender topics such as love and approaching a girl. We all know that the chances of watching a Jennifer Aniston film and being completely bowled over are slim but this film does do that. I thought she was very good in the film and man, did the film have it's funny moments. Before watching this film, I saw Sunshine Cleaning and I quite liked the film. The one thing that is common between this film and Sunshine is Steve Zahn. Management, however, is the film that I liked more and I thought it had it's heart in the right place. At just 1 hour 20 minutes, this film never promises to conquer the world but it makes you go into guffaws.

This film has no flaws and unlike films like "You, Me and Dupree" this film never tries too hard to be cute. It's amazing how such films can be churned out even in 2009. I wish I had waited and seen this at the movies but that was not meant to be. I sneaked an advanced screening copy from some place and I'm sorry for that. There is wonderful chemistry between Zahn and Aniston. Girls, you will love this. Guys, you will not hate your girls for this. Genuine, free spirited and unabashed.

This movie really brought tears to my eyes. I thought it was going to be a comedy. Instead, it was a romance with very honest characters and an unusually realistic feel to it. I think this is the best role I've ever seen Jennifer Aniston play. Steve Zahn is someone I've liked but never saw him as a leading man.

The words 'leading man' hardly describe him in this movie. He is one of the two main characters (Aniston is the other) and he draws the viewer into his world. At first, you wonder if you really want to be in that world. Then, by the end of the movie, you feel like he could be your best friend.

I can't help but think of another movie, 'Being John Malkovich', that tries to bring the viewer into a world. Sure, that world is topsy-turvy but the point is: that movie doesn't succeed in doing that half as much as this movie does. And that movie was critically acclaimed. This movie has not gathered much notice but I predict it will gain a reputation and stay around for a long time. I've already thrown out my copy of 'Being John Malkovich'.

It takes 20 or 30 minutes to establish some things and it does this at a very slow pace. Stay with the movie it picks up quickly and you love the characters, you just can't help it.

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This is one of Jennifer annistons lesser known roles. She and Steve Zahn are a most unlikely romantic couple. This movie is a little gem in the morass of overhyped stuff that hits the markets these days. It's gentle, humorous and has unexpected moments.I guess it would be a chick flick since there are no car chases, but my husband has watched it three times.

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Is this a romantic comedy? If so, they forgot the romance and the comedy. Aniston is dried up here, but I guess that was her character. Steve Zhan is the most likeable character, but that's not saying much. Woody Harrelson si simply a cartoon as a retired punk musician turned yogurt mogul. Someone must have thought this vehicle would fly, but it doesn't. It takes a weird turn halfway in, when Zhan starts jumping out of airplanes and turning into a Bhuddist monk. Check this one off on your list of Jennifer Aniston date movie flops.

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I can understand why some people didn't like this: it is unusual, not your standard Rom Com. But here is what I loved about it:

extremely well acted: the main characters have a sweetness and muddledness that evolves during the course of the movie, and does so in a way that is both moving and convincing. And, while at the beginning it was hard to believe that the two characters could grow close, by the end (or really the middle), it was very believable. I loved both Zahn and Aniston. and the supporting actors were funny (woody herrelson) and good (everyone).

the story is romantic but not in a usual way. it's paced more slowly, which I liked a lot once I got used to it.

it has a sweetness that derives from the Steve character (played by steve zahn), and actually from the other characters too.

if you like independent movies, with their unusual pacing, then definitely try this one.

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The Prince & Me 2: The Royal Wedding (2006)

The Prince & Me 2: The Royal WeddingAs a fan of the original Prince & Me this sequel has to be one of the worst ever made. Aside from the talented Luke Mably (who clearly looks uncomfortable in his reprised role as Prince Edvard of Denmark) the rest of the cast and the whole plot of the film is hideous. The actress portraying Paige (Kam Hesketh)lacks any depth and refinement that Julia Stiles brought to the role in the first film. In this sequel some ancient law prohibits Edvard from marrying Paige. Enter some poor Norwegian royal and his ditzy daughter Princess Kirsten who wants to marry Edvard and become Queen of Denmark. In the role of Zoren (The Prince's assistant) Jonathan Firth manages to retain some of the dignity that Ben Miller created, but Maryam D'Abo's Queen Rosalind looks more like a well worn socialite from the Cape and the King has suddenly transformed into a bald and bearded old man. There is no Arabella (Edvard's sister)and Paige's parents are totally miscast. I cannot understand why this follow-up was ever made since Luke Mably is the only returning cast member. This film went straight to DVD so the studio will never recoupe their losses for this turkey.

The only original cast member present is the Prince (Luke Mably) and while he is enjoyable to watch, the chemistry isn't there with this "Kam" person. Julia Stiles brought a down to earth quality to the role, which was what it was meant to be. This new girl is a terrible actress and on top of that, she has this prissy looking curly do throughout the film. Paige is supposed to be a down to earth, no nonsense girl, who is a med student and would never wear such a prissy hairstyle. The Prince's sister is completely absent in the family. The mother doesn't have the same regalness about her as the original actress and the father is looking in top shape when supposedly he stepped down due to health reasons, so Edvard could take the throne. This is just awful. Don't waste your money.

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You just saw the Prince and Me, and with magic in your eyes you want more, well, you are not going to find it here in this straight to video horror.

The scene where the Prince's future wife walks into a room of the worst computer animated butterflies should have been hint enough but there is more...

First you wonder where the rest of the cast has gone, not even the minor, minor characters have returned for a reprise (except the poor Prince).

The plot is not worthy of a movie of the week. It is the typical "We must prevent a commoner from ascending to throne."

Trust me, put the first one back in the DVD player and lets pretend it just did not happen. Watch it and you will be royally sore.

Read Best Reviews of The Prince & Me 2: The Royal Wedding (2006) Here

I loved the first "Prince and Me" and was sad to see that Julia Stiles did not return for the sequel. I didn't expect much from the movie after having read some of the reviews but "Prince and Me 2" really isn't as bad as it is made out to be. You cannot compare it to the first film because the first film did have more going for it a bigger budget, more experienced director and screenwriters, more talented cast (Julia, James Fox, Miranda Richardson and Ben Miles sadly do not return), better script and higher production values.

"Prince and Me 2", however, isn't totally devoid of charm. Luke Mably is back and still as handsome as ever. His character IS more serious and more grown up after all, he is king now. Kam Heskin (who I did like in the modern day "Pride & Prejudice") replaces Julia as Paige Morgan and does what the script demands of her. The always likeable Jonathan Firth (Colin's brother) is a fair replacement for Ben Miles as Soren eventhough his role is fairly small. Clemency Burton-Hill is quite good as the conniving Princess Kirsten and the majority of locations from the first film are back in the sequel.

Instead of the romantic drama that "Prince & Me" was, this version is more of a romantic comedy. In fact, I couldn't help comparing it to "The Princess Diaries 2" somehow. After all, this film is about a nobleman relative who introduces a 'complication' to the royal succession and brings forward his younger relative (his daughter) as a more suitable wife to the prince. "TPD 2" is very similar except that the nobleman puts forward his younger relative (his nephew) as a more suitable successor to the throne.

This film has its faults, of course. There are a few scenes that are a tad silly or corny (several comedies are guilty of this, unfortunately). The actors in this film simply do not have the experience and talent that the first film had. The screenplay could use some work. I also agree that though Kam Heskin's Paige is not bad, this Paige is just not the same intelligent, ambitious, down-to-earth and no-nonsense Paige that we fell in love with in the first film. I really wish the filmmakers made more of an effort to follow the story thread and characterizations of the first film.

All this aside, I still liked this sequel to "Prince and Me." It was nice to see Paige and Prince Edvard's relationship reach its conclusion and Luke Mably is always a pleasure to watch. If you like romantic comedies with the sort of slapstick humor that "Princess Diaries 2" or "Ella Enchanted" have, for instance, then this movie is worth a watch. Lower your expectations and don't expect it to be exactly like the first "Prince and Me" and you won't be disappointed.

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I hadn't even realized that there were plans to make a sequal, I happened to stumble acrossed this film while purchasing another movie. At first I was excieted because I am a self proclaimed royalty acholic and I enjoy finding any film or show royalty related. This however was the biggest disappointment since the last Princess Diaries book came out. It was more like a satire of the first film than a sequal, resorting to slap stick acting and totally unrealistic scenario's. Worst of all, the wedding dress and tiara, they looked like she ran to the local mall and picked them out. Last time I checked Denmark had a nice jewelry collection, they weren't going to let the future queen wear something at least real? There are some Danish fashion houses I'm sure who would have made that poor girl an original dress so she wasn't stuck with one right off the rack. Utterly disappointing at best.

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Accidents Happen (2009)

Accidents HappenI saw this film yesterday at a regional film festival in Dubbo NSW. It is one of several Australian films (yes, it was shot in suburban Sydney!) in recent years, aimed at the American market. But it remains thoroughly Australian in its quirky, almost black humour at times.

The film revolves around the central character of Billy Conway and his dysfunctional family (in fact, all the characters seem a bit that way inclined...). It recounts his misadventures and disasters, from the opening scenes where he plays under the hose sprinkler on his front lawn while the next door neighbour accidentally incinerates himself, to the car accident which kills his sister and puts his dynamic & mischevious older twin brother Gene into a vegetative state. When he takes up with Gene's 'partner-in-crime' Doug, son of a neighbouring family, they accidentally kill HIS father as well... The lovely Geena Davis plays a convincing and at times heart-rending role as Billy's sharp-tongued mother Gloria, ably backed by some wonderful emerging new talent in 14-year old Harrison Gilbertson as Billy, and Harry Cook as the also-ran 'other' twin brother, Larry (whose performance is loosely reminiscent of Gabby Millgate's character Joanie in Muriel's Wedding... "Muriel, you're awful...").

The ensuing trail of accidents & disasters ("I'm not exactly a good luck charm," Billy tells Doug at one point) are actually woven between some moments of genuine pathos and depth. The consequent collision of guilt, truth and self-discovery prove to be just what Billy and his family need to move on.

There are also some humorous cameos, like the two policemen... who become more of caricatures as the film progresses. And never underestimate the potential of a bowling ball....

Quirky comedy, coming-of-age movie, nostalgia trip... this film crosses over between several classifications. It was a pleasure to watch, evoking as it did considerable laughter, some tears, and a good deal of hope... and some profound moments to boot.

I was surprised at the R rating, despite a couple of graphic scenes... perhaps the innate black humour was not understood by the classification board as well as the audience I watched it with.

It is the debut feature from Australian writer/director Andrew Lancaster. Accidents Happen was also runner-up in the Audience Award at the 2009 Sydney Film Festival and was included in the Official Selection of the 2009 Tribeca Film Festival.

I look forward to seeing more of some of the previously unknown new talent in this film.

This was a well produced video that held your interest. No guns blazing, no fighting, sex or drugs (well except for the one joint and an alcoholic son). It was just a well made and acted movie with some black humor that never seemed to end. In the credits I could not believe it was made in Australia, everything said and looked like SURBURBAN AMERICA. Good video, see it, buy it keep it. Not a block buster but it kept you interested with a tear or two near the end, along with humor.

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I have watched this movie several times. It is funny, scary, and has a great ending. I would definitely recommend it.

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This is a excellent comedy and well put together. When looking at it. Just about every scene reminded me of something that happened to me in life. I normally don't look at the arts in this way. But, this movie just stuck out there in my face for real.

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Absolutely wonderful movie! It was funny and moving all at the same time. I recommend this movie to anyone who enjoys dark comedy.

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Stripes (Extended Cut) (1981)

StripesNope! It's NOT just the same movie simply put:

You haven't actually seen Bill Murray's 'STRIPES' until you obtain this 2005 re-release DVD!

The bonus scenes featured DOES INDEED answer various inquiries we once had re this comedy:

e.g. why are those 2 guys ALONE sitting against the EM-50 in Italy before they take it for a spin?....and when in Germany Russell flat-out refuses to rescue the captured troops with the other three in the EM-50, what made him change his mind? (to mention a few)..

Another one of the deleted scenes is the (talked-about) 7-minute "South America" segment

where we DO see another side of Harold Ramis while Murray is truly hilarious!

A BETTER print with superior STEREO 5.1 dolby sound now vs the previous mono DVD, including a great feature in two parts -"Stars & Stripes" that will leave you dazzled in understanding this entire film: how it was made, rare image stills, and how the actors (a good number of them)

felt in doing the film along with Murray himself, being interviewed from of all places TOKYO!

This new DVD gives you 2 movie options:

1.) the EXTENDED version featuring the deleted scenes-

(with added option of audio commentary from the director and head writer)

2.) the ORIGINAL theatrical version-

*BOTH WS*

There's also the option of seeing all SIX bonus scenes one after the other -

The EXTENDED version does a fine editing job inserting the deleted scenes at the right places,

even indicating (via small permanent text) where these bonus scenes START and END -

-an extremely smooth flow minus any pauses or audio dropouts...

However on this strange ORIGINAL version, there ARE crude pauses/slight audio drops only at the marks where the deleted scenes were MEANT to be placed (or were previously removed),

it's as if they didn't (wouldn't or couldn't) simply EMPLOY the main original print for this DVD -

-unsmooth/choppy at these marks, esp when the guys drive to Germany and meet the girls -

e.g. Murray hugs P.J. Soles with the line: "I Brought The Magic Suitcase"..

That very scene literally disappears thus disappoints on this ORG version -

One Major Blunder:

A bonus scene w/P.J. Soles (there's MORE of her) & Murray in a hotel bedroom from Germany

is in fact the EXACT same bedroom set in a PREVIOUS short scene where she pulls Bill out of the trunk at General Barnacy's house; When you compare the two you'll believe they intended this to be START of the 'Barnacy Bedroom' segment..

But overall (the pauses & blunder notwithstanding), they did a great job

in christening this DVD as: "The ULTIMATE Stripes"

definately worth forking over (at best) a Hamilton and an Abe for...

The mark of a great comedy is that it remains funny after numerous viewings. "Stripes" (the 1981 release that helped make Bill Murray a star) passes this litmus test with flying colors. Now at last there is a DVD release, replete with extras, worthy of this enduring comedy.

Ivan Reitman directed Murray, Harold Ramis (who has subsequently directed many comedies of his own) and a great supporting cast led by John Candy as new recruits in the U.S. Army.

The wonderful veteran actor Warren Oates, who died shortly after the film's release, is their tough-as-nails drill sergeant. The by-play between Murray and Oates (opposites don't always attract) is priceless.

Suffice it to say that hilarity ensues, with the improbable unit putting on a virtuoso performance at their graduation ceremony ("That's the fact Jack!) sans their injured sergeant. This leads to them being charged with the security of a new super weaponized mobile home (it's called an, "urban assault vehicle") in Europe. Improbable? Absolutely. Hilarious? Most definitely.

Murray and Ramis also each has a lovely MP to accompany him on the duo's escapades as the ribaldry doesn't stop until the closing credits.

You can watch the "Stripes" with deleted scenes included or without.

The obvious highlight of the DVD extras is an hour long documentary on the movie with all principles interviewed (at his insistence, Murray's interview is done in black light). It is one of the better retrospectives of its kind.

And "Stripes" is one of the best comedies of this or any other time.

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Absolutely one of the funniest movies ever made. It would definitely have to be highly ranked, if only for the fact that it is possibly the most quoted movie of all time. Who among us has never said "Lighten up, Francis" or "You can't leave, all the plant are gonna die! ". Bill Murray is at his best, and Harold Ramis is the perfect straight man for him. Add in a supporting cast that includes John Candy, Judge Rheinhold, John Laroquette and Sean Young, and you have something pretty special. Also, gains points for the fact that it doesn't start to fade out at the end, like many comedies do when the decide to get "message-y". It just keeps up the energy and humor right up to (and including) the credits. To this day, the only movie I have ever enjoyed so much that I went right back to see it the very next night.

Read Best Reviews of Stripes (Extended Cut) (1981) Here

Stripes was one of my favorite movies as a kid, and I'm happy to say that I still find it just as funny today. This extended cut adds several deleted scenes, some good, some not-so-good. My personal favorite is one where Harold Ramis' character reaches the breaking point and he and Murray go AWOL, hitching a ride on a cargo plane and parachuting into South America. This scene gives Harold Ramis a chance to shine, and is very funny, but during the commentary track it is mentioned that it was cut from the film (despite being a favorite of the studio execs) because it didn't seem to fit in the film from a pacing aspect (it is suggested it would've gone well over the end credits, but this was before such a thing was common).

Speaking of the commentary track, it isn't mentioned on the packaging, but it's there, and includes director Ivan Reitman and writer/producer Dan Goldberg. And apparently, the extended cut wasn't Reitman's idea -some of the deleted scenes he prefers to not have in the film. The DVD also includes a nice 2-part documentary which includes interviews with the cast.

A great film!

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I'm a bit perplexed by the reviews criticizing this movie because of its unrealistic depiction of the Army. Do these same people complain that "Animal House" doesn't accurately display college life or that "Vacation" isn't what a family trip across the country is really like? (Hey, I live in St. Louis and could easily take exception to the outright offensive inaccuracies in "Vacation", but I still love the movie!) This is a comedy, folks. It's not "Saving Private Ryan" or "Band of Brothers", and it never claims or tries to be. It uses exaggeration and absurdities to make us laugh. It isn't striving for realism, although to its credit, I have heard plenty of people say that this is the best movie they've ever seen at giving you the feel for what its like going into the service, and that their own drill instructor was identical to Sgt Hulka.

The first half of this movie is just about the funniest comedy ever made. Bill Murray and Harold Ramis are the perfect slobs with shiftless lives who try to maintain what's left of their dignity by enlisting in the Army. Their chemistry is wonderful and they truly are believable as out-of-shape but likable losers. Virtually every line and every character is memorable (Psycho, Ox, Cruiser, that lady in the cab, John Laroquette, and of course Russell and Winger), and this has to be the most quotable movie in history. No, John Candy would not have spoken to a superior officer that way when he gets off the bus (or at least not have gotten away with it), but that's what's so funny about it! And speaking of Sgt. Hulka, Warren Oates should have been given an Oscar nomination for this role. He's the high point of the movie for me, and his intense, over the top performance reminds me of Robert Shaw in "Jaws"some actors are so good that they can chew scenery and get away with it. So for the first half of the movie, there's not an unfunny moment. Maybe basic training isn't like this, but the scenes are so well-done that a generation of adolescent guys has grown up thinking that it is and have no doubt gone into the military with this movie in the back of their minds.

The second half of the movie sort of devolves into a bearable but not great action movie, with its contrived plot about the stolen military RV and the rescue mission across the Czech border. Still, the same characters are present and continue to sustain the movie until the end. Great music, tooI don't think this has ever been issued as a soundtrack but it contains one of the most memorable themes ever written for a movie.

The DVD itself is passableno extras, somewhat grainy video, unspectacular sound. But we surived watching it over and over again on basic cable with plenty of edits and subpar picture quality, so I can't complain too much. I suppose someday it will be given a "Special Edition" with a commentary and a retrospective from the stars, but the movie stands on its own without anything fancy.

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The Forever Marilyn Blu-ray Collection (2013)

The Forever Marilyn Blu-ray CollectionJust got the magnificent FOREVER MARILYN blu-ray dvd set of 7 films yesterday. Very nice box and presentation, with a little booklet of pictures and lines from the films as a keepsake. I must say the films look stunning, particularly 'Gentlemen Prefer Blondes'. 'How to Marry a Millionaire' looks extraordinary its its full very widescreen ratio (16:9) and so does 'There's no business like Show Business'. I've watched most big production numbers like 'Heatwave' and 'Diamonds are a Girls Best Friend' again and again, and seeing them on blu ray on my big flat screen HD TV, is like seeing them glisten with real detail, depth and color for the first time. The blacks are black, the whites white, and Marilyn's lips and nails are a real luscious fire engine red. 'Gentlemen Prefer Blondes' in (4:3) ratio is glorious, the transfer just sparkles with sheer magic and jumps right out at you. Made just before widescreen became popular, I do believe only one number from the film, 'Diamonds are a Girls Best Friend' was filmed in Cinema-Scope as a test. That would've been nice to see here as an extra, because if any musical number EVER deserves to be seen in widescreen, its that one. The sound (dts-HD) on all films overall is impressive too, clear and crisp, especially through big speakers. The song and dance sequences are breathtaking. Mesmerized I found myself looking at everything technically, the clothes, the sets, the makeup all seemed so perfect as to be surreal. Marilyn is just beautiful, so is Jane and Lauren and Betty too. The awesome technicolor they achieved in the color films here, and the technical excellence will never ever be repeated. The brilliant 'Some Like It Hot' was made for black and white, and as the greatest comedy ever made, it is an absolutely perfect movie. It would've been nice to see as extras long lost cut songs from 'Gentlemen Prefer Blondes' especially that 'Paris' number we see in vintage lobby cards, but not in the actual film. Or a new doco for the 50 years since we lost Marilyn perhaps. But we must give thanks for the fine re-mastering of these Marilyn Monroe films for their long awaited blu-ray release. The pristine quality delivered here will keep me happy for a long time. Robert.

MARILYN NEVER LOOKS anything less than marvelous, especially on these seven films marking their debut on the 50th anniversary of her death, Aug. 4, 1962. Five have been re-mastered for high-definition Blu-ray viewing, along with "Some Like It Hot" and "The Misfits" that were upgraded earlier.

A collection of comedies, a drama, a western and a musical have one dynamic influence ‒ Marilyn Monroe. She was never anything less than gorgeous whether in full make-up as in "Gentlemen Prefer Blondes" and her showcase number "Diamonds Are a Girl's Best Friend" or in pioneer rags in "River of No Return." Still, intelligence and sadness lived just beneath her remarkable beauty. She was an iconic sex symbol, yet women liked her as well, drawn perhaps by her unspoken vulnerability and innocence. Everyone knows about her battle with severe depression and childhood sexual abuse. Today she would have been diagnosed with PTSD and there would have been medication and therapy to help her.

Extras in "The Seven Year Itch" reveal that her illness began to appear during filming when she started being late to the set and had trouble remembering her lines. Problems took hold after the famous subway grate sidewalk shoot. According to Monroe's assistant, the actress came to work the next day with bruises all over her arms, the results of a fight with then-husband Joe DiMaggio. There is some surprising speculation as to DiMaggio's anger over his wife's sexy posturing and jealously over how the crowds cheered for her. Regardless, they were divorced soon after.

Later, when asked why she wasn't replaced, co-writer/director Billy Wilder replied that he had an 80-year-old aunt who always showed up on time, but no one would pay to see her in a movie.

The picture in these re-mastered Blu-ray presentations range from good to excellent. Color is knock-out gorgeous; detail and delineation is bold and sharp, particularly in "Itch" and "Gentlemen Prefer Blondes." (A friend told me he'd never seen Monroe's lips more perfect than in "Blondes.") Soundtracks have been upgraded to Master Audio 5.1; dialogue, music and effects come through clearly, but mostly through the front speaker. The black-and-white "Some Like It Hot" is outstanding. Directed by some of Hollywood's greats Howard Hawks, Otto Preminger, John Huston, as well as Billy Wilder these are films to be enjoyed again and again.

"Gentlemen Prefer Blondes" (1953), directed by Howard Hawks, Blu-ray full-frame. I confess; this is one of my favorite movies of all time. Monroe teams with the spectacular Jane Russell, whose brunette beauty and talent holds her own in a musical about two showgirls on a cruise to France. Monroe's Lorelei Lee is engaged to a rich young man (Tommy Noonan), but his suspicious father has her trailed by an investigative reporter (Elliott Reid). Look for goofy humor, snappy lines, and outstanding musical numbers including "Diamonds Are a Girl's Best Friend." Movietone news shows Monroe and Russell putting their handprints in front of Grauman's Chinese Theatre.

"How to Marry a Millionaire" (1953), directed by Jean Negulesco of classics "Daddy Longlegs," "Johnny Belinda" and the 1953 Best Picture "Titanic" with Clifton Webb and Barbara Stanwyck; also uncredited for Monroe's "River of No Return." Blu-ray widescreen. Secretaries played by Monroe, Betty Grable and Lauren Bacall as secretaries are looking for rich husbands. It's not one of the best films but there are moments, as when Bacall refers to Humphrey Bogart as "that old guy in `The African Queen.'" Bacall gets most of the laughs as Monroe plays the near-sighted gal trying to hide her glasses. This was Fox's first production in CinemaScope and it looks like a first attempt with unstable color and definition; still, it's way better than the DVD. Trailers and a newsreel make up the extras.

"River of No Return" (1954), directed by Otto Preminger and an uncredited Jean Negulesco. Blu-ray widescreen. Two gentlemen hunks Robert Mitchum and Rory Calhoun co-star with Monroe in this CinemaScope Western filmed in Canada. Monroe plays a saloon girl trying for a better life; she follows her treacherous gambler husband (Calhoun), who's out to claim a gold mine he's won in a card game. When Mitchum appears, a widower with son played by "Lassie's" Tommy Rettig, we know Calhoun's time has come. There are terrific white water rapids scenes and beautiful scenery. Monroe sings the title ballad and saloon songs. Color and sound are consistently good. Trailers are the only extra.

"There's No Business Like Show Business" (1954), directed by Walter Lang of "The King and I" and "State Fair." Blu-ray widescreen. Monroe takes a backseat to Ethel Merman and Donald O'Connor in a showcase of music by Irving Berlin. Merman and O'Connor as Mom and Pop Donahue and their three kids are a song and dance vaudeville act, the Five Donahues. The act hits a snag when the oldest son falls for aspiring singer Vicky (Monroe). O'Connor dances with statues that come to life, Merman belts out tunes in her bombastic style and Monroe performs "Heat Wave" in a way that gives you chills. Color wavers a bit although not as badly as in "How to Marry a Millionaire." Trailers are the only extra.

"The Seven Year Itch" (1955), directed by Billy Wilder. Blu-ray widescreen. Originally Wilder wanted James Stewart for the male lead but scheduling conflicts kept them apart. A young Walter Matthau auditioned for the role, but the studio wouldn't back him, so Tom Ewell, who had won a Tony for playing the part on Broadway, was chosen. This comedy about the temptation of adultery is slow and dated now, although there are still plenty of good lines. It's summer in Manhattan when wives and children are sent to the country while husbands continue to sweat it out at work in the Big Apple. Mid-life crisis hits while the wives are away and Ewell finds himself tempted by his new neighbor, "The tomato upstairs."

This disc has loads of extras including commentary by Wilder biographer Kevin Lally, who compares the film with its stage version and puts the content in context with `50s morals. There's information about the 1930 Hay's Code, the Motion Picture Production Code that begins: "No picture shall be produced that will lower the moral standards of those who see it. Hence the sympathy of the audience should never be thrown to the side of crime, wrongdoing, evil or sin." Read the entire list of rules at It's a gobstopper.

Another documentary, "Monroe and Wilder: An Intersection of Genius" provides interviews from several people who knew them well, and who cover the breakdown between Monroe and her husband, Joe DiMaggio, over the famous subway grate photo shoot. Also find a picture-in-picture track about censored material, a series of short Fox documentaries duplicating info from the other features, deleted scenes, a still-gallery and more. The picture looks stellar and the sound is excellent.

"Some Like It Hot" (1959), directed by Billy Wilder. Blu-ray widescreen. Wilder finally got to shoot a film in black-and-white, just like he had wanted to do with "The Seven Year Itch." The American Film Institute voted "Hot" the best comedy ever made and I'd give it that vote, too. Set during Prohibition, two luckless musicians played by Curtis and Lemmon happen to walk in on the St. Valentine's Day Massacre. Now targets of the mob led by George Raft, the boys disguise themselves as girls, join an all-girls' band and head to Florida. Monroe plays the lead singer in dresses that would be daring and dangerous even today. Curtis falls for the delectable Sugar (Monroe) who falls right back. But it's Lemmon and Joe E. Brown who get the last line and laugh, observing: "Well, nobody's perfect." The picture is brilliant; definition and contrast outstanding. Sound is great.

This is the same disc from an earlier Blu-ray release with a commentary by co-writer I.A.L. Diamond's son, Paul Diamond, with screenwriters Lowell Ganz and Babaloo Mandel, with spliced archival remarks from co-stars Tony Curtis and Jack Lemmon. Also, watch "The Making of Some Like It Hot" featuring interviews with co-writer/director Billy Wilder, co-writer I.A.L. Diamond, Lemmon, Curtis and others.

"The Misfits" (1961), directed by John Huston; written by Arthur Miller, Monroe's husband at the time. Blu-ray widescreen. This was Monroe's and co-star Clark Gable's last film; he died of a heart attack a few weeks after filming wrapped and she passed months later in 1962. But there's more to this than its place as the last film of two great stars. It's a drama of disillusionment and dysfunction with Gable as an old, modern day cowboy who's seen his way of life die. Gable's character and two other men played by Montgomery Cliff and Eli Wallach fall for the new divorcee played by Monroe. She takes to Gable but things just go from bad to worse as the story rambles on. Sound and picture are both very good in high-def, but there are no extras except trailers.

Buy The Forever Marilyn Blu-ray Collection (2013) Now

I am like millions a huge Marilyn Monroe fan and was so excited to hear a blu ray collection was on it's way as well as the new Marilyn Premiere Collection which includes 17 dvd's. I received both sets today and from a packaging standpoint it freed up ALOT of room for your DVD shelves. While I adore Marilyn I am utterly confused about these sets. The bluray package is very nice and is the size of a standard DVD case made of cardboard however, it is easily damaged, mine was crushed and now I am awaiting a replacement. Also if you get this open it with CAUTION as my blurays and the dvd sets fell out of their holders which are NOT sturdy enough to keep the discs in place. The cardboard sleeves also had small tears making the blu rays slide right out of place. The blu rays look great. Gentlmen Prefer Blondes is stunning and the best of the bunch in my opinion. All the others are very nice and clear but in my opinion this title of GPB' looks the best. Gone are the special features from The Diamond Collection with the exception of The Seven Year Itch. If you love Marilyn the set IS worth getting based on the clarity alone and it's the best we will get I am sure, for a very long time. What ANNOYS me is the selection of films. Where is Niagara, Lets Make Love, Bus Stop AND most importantly the documentary The Final Days with the reconstructed mini film of Something's Got To Give???? Even more odd is in The Premiere DVD Collection it has 17 films but excludes "River of no Return". WHY!!!!! Granted if you buy both sets you will have all her films just a handful in blu ray.

Who the heck made these decisions? Why? And what was the thought process?? I wish they asked us as fans to pick what we would like to see in a blu ray collection. I wish FOX would have just released the Premiere DVD collection in blu ray. Many of Marilyn's early films look good and would likely have transferred over well to the blu ray format.

I hope this helped. Worth buying? Yes! Worth getting them in HD? Yes!!

I just am not sure why FOX chose to exclude Niagara, Don't Bother to knock, Bus Stop and Let's Make Love and I find this very odd indeed!

It is worth getting and I would recommend it ONLY if you are a die hard Fan . If you already have them save your money on the premiere collection. My only hope is Fox is remastering and cleaning up Bus Stop, and all the others for a 2nd blu ray collection. To clarify I compared the Blu ray collection to the new DVD collection and the blu rays are a vast improvement. These sets really go hand in hand if you want all your Marlyn in one small space. I would love to speak to the fools at Fox on how they came up with this selection. Some Like it Hot and The Misfits are included and if FOX could license these MGM titles why not also use The Asphalt Jungle and The Fireball (also MGM/WB) Clash by Night and The Princes and the Show Girl??? (both WB) and lastly they couldn't license Ladies of the Chorus????

I suppose it's better than nothing. A zillion stars for the talent of Marilyn, 4 stars on the blu ray transfers and two stars for the poor selection, flimsy packaging and that Fox didn't include a new documentary for the 50th anniversary of Marilyn's tragic demise. Overall 3 stars.

Read Best Reviews of The Forever Marilyn Blu-ray Collection (2013) Here

The 7 blu-ray titles are: The Misfits Some Like It Hot There's No Business Like Show Business River Of No Return Gentlemen Prefer Blondes How To Marry A Millionaire The Seven Year Itch.

Want The Forever Marilyn Blu-ray Collection (2013) Discount?

First thing is I agree with the other reviewers about there being NO NIAGARA in this set, what were they thinking to leave it out? This review is mostly for the package design for the FOREVER MARILYN Blu-ray set and not the films, that has already been done. Once again I bought a new set of Blu-ray or dvd films that had all the discs jammed into cardboard pockets that are not lined with anything to protect the data side and all discs had some sort of scratches or scuff marks. Other sets with similar packaging: 10 film John Wayne box set, the 15 disc Leading Men Collection and 15 disc Leading Women Collection. When will the STUDIO HEADS that control package design listen to their customers? Also there is no information on the box or inner sleeves to let the buyer know which films are widescreen or which films have any extra features. The only good thing with the package design is the nice pictures on the cardboard pages of the disc sleeves. Why couldn't FOX/MGM use the same plastic box they used with the KIRK DOUGLAS or PAUL NEWMAN 7-movie Collections?, these 2 sets were well packaged and protected and still a lot smaller than 7 regular dvd/ blu-ray cases taking up room on a shelf. Amazon should have posted an image of what the inside packaging looks like, showing the discs in their pockets, to inform potential buyers. Also looks like Amazon has gotten cheap and started recycling used shipping materials. When the package arrived it was in a box that had another shipping label under my address label and the box had been tapped shut after being opened. I'll get off my soapbox now, I'm thru venting.

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