Showing posts with label indian comedy movies list. Show all posts
Showing posts with label indian comedy movies list. Show all posts

The Perfect Host (2011)

The Perfect HostI think I am still in shock over this one. David Hyde Pierce is astounding in this very unorthodox role of madness. This movie is so psychotically delicious, it borders on "The Twilight Zone" meets "Sybil". I found myself laughing out of total fear of the incredulousness and depravity of the host. I did NOT see the ending coming or even imagine it to end the way it did. The movie works on several levels, from the civility of human compassion to the intrinsically evil darkness of insanity. This movie is a must see for those looking for just plain "bizarre". This one had me thinking about it several days after watching it and when a movie does that to me, then my appetite for wanting 'something different in a movie' is complete. Get ready for one heck of an emotional roller coaster ride. Mr. Pierce, WOW.

This movie will never, ever play anywhere near me, so I was pretty excited to see that Amazon had it available for download at the same time it is being released in the theatre.

It did not disappoint. It's a very character-driven suspense story. Even if you figure out the first couple twists, you won't guess them all. This movie does not contain a lot of graphic violence; very important if you are like me and don't have a high tolerance for that.

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I am not a fan of Strange movies but The Perfect Host with it's surprising twist and ending which you could have not seen coming seems to be a must watch just for the story alone and why Looks can be deceiving,a Victim turns the tables and it is one long strange and at times amusingly funny but yet sad situation after another.I highly recommend it,In the End,it is the most enjoyable and not sickening at all.

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This movie is awesome! My husband and I had high expectations for this movie and they were greatly exceeded. Anyone who enjoys a good black comedy should definitely see this one!

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Films with a twist are a strange animal, aren't they? Certain filmmakers have made a career out of it like Christopher Nolan and M. Night Shyamalan while films like Oldboy and The Usual Suspects completely rely on a twist to give everything a bit of a deeper meaning. But when does it become too much? If a film has more than one twist is it overkill? What about the ones with several? Getting tangled up in swerve after swerve probably isn't a good idea. That's one of the reasons most people hated Basic. Maybe it's a guilty pleasure of mine, but I almost always enjoy a movie with a good twist or two in it. And frankly, The Perfect Host is unlike anything the films it may share traits with.

Everything seems like an open and shut case as the movie begins. John Taylor (Clayne Crawford) just robbed a bank and is looking for a sanctuary of sorts to take cover in until the heat blows over. He stumbles onto the home of Warwick Wilson (David Hyde Pierce), which happens to be a rather extravagant home. Warwick is preparing for a dinner party and eventually lets John in after John convinces him that he's a friend of a friend. Push comes to shove and suddenly Warwick is up to speed and John now has the upper hand. But things aren't always what they seem and it just so happens that John walked right into Warwick's trap. The night only gets stranger and stranger for John as Warwick's insanity takes center stage.

The movie is mainly a cat and mouse game between John and Warwick. John Taylor initially comes off as a selfish, despicable lowlife but there's actually a pretty interesting back story to him. Warwick's story is just as interesting. He's classy, quirky, and charming in an awkward kind of way. He has this Jack Torrance quality to him that draws you to his character. His antics are what make the film as good as it is. It'd be like injecting Rubber's outlandish qualities into the first half of The Human Centipede before the actual human centipede comes into play. The Perfect Host is a dark, humorous, and spellbinding journey.

The music also compliments the visuals so well. The quieter and more orchestral sounding pieces not only match the class that Warwick is trying to project, but also make his darker intentions put you a bit more on edge. Not that anything is relatively terrifying in The Perfect Host, but everything is so outlandish that you're not entirely sure what to expect. The music tends to get more over the top to match Warwick's spiral into madness, which is a superb quality for a film like this to have.

The Perfect Host may be a bit overwhelming to some. The way the film is constantly twisting and turning in directions you don't expect may come off as a little tiresome, but it is really fantastic if you're a fan of unpredictability. Things you've thought you've figured out unravel to reveal you only knew part of the story. It's as if The Perfect Host has a never-ending amount of layers that's driven by the rather incredible performance of David Hyde Pierce and the equally impressive Clayne Crawford. The Perfect Host won't be for everyone, but to the ones it does speak to is some of the finest bat$#%! insanity to ever be filmed.

The DVD is mostly bare bones when it comes to special features. We get a Making of featurette featuring writer and director Nick Tomnay. The feature is about eleven minutes long and features Tomnay talking about the film spliced with scenes of the film. There is some interesting stuff in there like how The Perfect Host was originally a short, black and white flim that was shot in 2000, only taking 17 days to shoot the film, and Clayne Crawford putting a rock in his shoe to keep his limp up throughout the film. Tomnay also tells us how David Hyde Pierce came aboard and discusses how important the music is to the film. Then there's the four and a half minute featurette HDNet: A Look at The Perfect Host. This is mostly just a highlight reel from the film along with David Hyde Pierce talking about it. Throw in the theatrical trailer and that wraps up the special features.

The Perfect Host is rated R for language, some violent content and brief sexual material. It's presented in English 5.1 Dolby Digital sound with optional Spanish subtitles and has a widescreen aspect ratio of 1.78:1. It's approximately 93 minutes long and should be available in both retail stores and most online retailers now.

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Mr & Mrs Smith (2007)

Mr & Mrs SmithMany people have been ripping this release apart without so much as a glance at the product itself. While the DVD may fall short of other recent Collector's Edition DVDs, such as the Alien films, this is a superb presentation, with some genuinely interesting Special Features.

What has sparked the most debate about this release is easily the "Unrated" cut itself. The film is largely the same, running only 6 minutes longer than the original cut. The added scenes are interesting additional dialogue with the counsellor in the opening, a few extra dialogue sequences between Pitt and Jolie before they learn each others identities, and a handful of alternate takes for certain sequences. Perhaps the most notable and most controversial is the extended love scene halfway through the film. The scene is very steamy, but those expecting excessive raunch or skin from the gorgeous stars will be disappointed. This is a love scene, not a sex scene, and there is only the tiniest hint of skin from both actors, with Pitt (or Pitt's body double, as the shot in question is from the neck down) showing the most.

And far the the SPECIAL FEATURES go, the disc is very careful not to double-dip. It includes: (1) Deleted Scenes, including an alternate ending. None of the deleted scenes are repeated from the original reelase, and many are well worth a watch. (2) A feature-length commentary from director Doug Limon that, while informative, offers little insight not mentioned in the original release's commentaries. (3) Doug's Film School. This section is essentially a breakdown of abandonded concept and sequences that never made it on film. Of note is a lengthy alternate version of the Desert sequence, located at a snowy mountaintop and ending in a hand-to-hand battle between a masked Pitt and Jolie, as well as several animatics for various sequnces throughout the films. Also of note is the inclusion of the deleted "villain" sequences mentioned of the commentary of the first release's commentary. (4)Confidential Files. This is actually where the deleted scenes are located. Also included in the "file" is a 4-minute gag reel, and a hidden Easter Egg (another deleted scene). (5) Behind the scenes documentary. This 30-minutes featurette offers more insight than that of the original release, as well as a significat amount of B-Roll footage from several of the film's major set piees, including the in-house battle and the desert scene. (6) Photo Gallery. 2 dull on-screen scroll-through photo galleries.

While this reelase has met with much criticism, those who enjoyed the movie should be informed that this is one of the rare double-dips that doesn't FEEL like a double-dip. No features are repeated from the original release, and the unrated movie itself is different enough from the theatrical version that it is well worth owning both versions. Also, the picture is much clearer and less grainy, and the sound more crisp.

The disc also includes a DVD insert, with random facts about the film anda Chapter List (36 Chapters).

Grade: B+

Amazon seems to be mixing together reviews of this product and the regular, unrated version of it, so I will say right off the bat that my review is for the Unrated DVD edition of this movie. So please don't vote it unhelpful just because Amazon put it in the wrong place!

Basically, the unrated disc is a waste of money. For one, "unrated" only refers to less than a minute of previously cut footage from the big love scene. But for some reason, the people who cut this version of the movie actually cut OUT scenes from the original DVD -scenes that actually added to the plot, whereas none of the restored scenes do. This is quite aggravating. In addition, none of the extras make this DVD worth owning. They should have made this cut of the movie available on the original DVD release instead of giving it its own release. This was an obvious ploy to make more money, and I'm quite sorry that I fell for it. Here's hoping my review keeps you from doing the same.

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If you haven't watched the theatrical version of this movie plenty of times, you may not notice the minute changes from that version to this director's cut version.

Some of the dialogue has changed and some scenes are extended. The Bogota Dirty Dance scene has been extended, as was the War of the Roses fight and love scenes. The Dance of Death towards the end is also slightly different. Also different was the hidden lives of both Smiths weren't revealed until much later in the movie.

I truly enjoyed the original cut, but this cut cleared up some minor foibles I had w/ the first. Adam Brody's scene was cut out of the beginning, which I thought worked better for the movie because in the original his introduction went nowhere, other than his reappearance toward the end. There appeared to be a lot more character development in this version as well. Of course more Bogota scenes are dreamily sexy as was the love scene after their big marital spat.

If you're a huge Mr. & Mrs. Smith fan, I would recommend buying both the theatrical release and the Director's Cut. If you don't want to buy both, I think the Director's cut is actually better than the original.

The only part I wish was that Brad & Angie to do some of the commentary. The commentary on this disk wasn't as interesting as the Original Version dvd, because Doug Liman is constantly talking about the cost of the production which is kind of boring, I would have liked hearing more about the plot, tidbits about the sets, bloopers, more on why some scene got added or removed---anything but the cost and days of production.

As far as the Bonus disc, there are plenty of deleted scenes to enjoy. I would highly recommend getting this edition.

Read Best Reviews of Mr & Mrs Smith (2007) Here

No, I'm not. And I'll tell you why:

When this was released, a lot of drama appeared in the tabloids regarding Brad and Angelina's then illicit affair. Many cynics (including myself) knew this was a cheap move on both actors' parts to promote a movie they felt insecure about letting stand on its own virtues.

Srangely enough, they didn't have anything to worry about, although I suspect nobody (actors, producers, marketing people, director) knew any better, except for perhaps the script-writers.

Many critics were distracted by the press storm Brangelina generated, and let that taint their opinion of this movie. And of course it drew the gossip-mongers and celebrity-worshippers among us to this movie in generous numbers.

What they found (and what you'll find, once you ignore the hype) is a well-thought out movie about couples therapy!

The clever writers of this movie managed to work into the plot an entire cycle of rebuilding the trust in a relationship back from nothing. Every requisite action sequence, sex scene, and conversation fits nicely within the context of an estranged married couple taking steps toward reconciliation.

For all the hype and unfortunatly unimaginative branding of this movie (suffering from luddite marketing, like "Mean Girls" only worse) this is a highly entertaining movie about the not-so-happy subject of repairing a relationship.

For this reason, I strongly recommend this one as a good choice for both male and female audiences, particularly married ones. At the very least, It's certainly a lighter take on mending a marriage than most other movies that stray into the subject.

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First: I FINALLY get the Brad Pitt thing after all these years! He has aged marvelously and is both a great-looking guy, and an excellent actor and unexpectedly fabulous comedian, based on his performance in this movie. His facial expressions, body language, and dialogue delivery are superb, and complement those equally great ones by Angelina Jolie extremely well. Quite honestly, I can't remember when I've seen this kind of superlative chemistry between two leads in any recent movie. I had little expectations about this movie; after I'd seen it, I ordered the Unrated DVD so I could enjoy it again and again.

So here's the bad part: the Unrated DVD. Yes, I expected there to be a few more possibly graphic or explanatory scenes included, but it never occured to me that there would be DELETED scenes and dialogue from the original movie!!!! And there are several key pieces missing here, including but not limited to:

The critical dialogue in the shed just before the end battle, where Jane says, "There's no place I'd rather be than here, with you." GONE

Eddie awakening to the $400K bounties for the Smiths on his Blackberry. GONE.

Jane saying, "We need a car," after their house blows up (you just see John say "The Colemans."). GONE

In addition, the Extras disc 2 isn't very intuitive about finding the extras. However, the Alternate Ending is great, and very prophetic given the current domestic situation of Brad & Angie.

I expected to get at least all of the movie I fell in love with and knew word by word, action by action, and this DVD version disappoints. Sad. And it will make me think twice about spending extra money on any future 'Unrated' DVDs from Amazon.

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Bottle Rocket (The Criterion Collection) (1996)

Bottle RocketReleased in 1996, this is Wes Anderson's first feature movie and the beginning of a great career that has also included the fantastic quirky comedy-dramas "Rushmore" and "The Royal Tenenbaums." "Bottle Rocket" isn't the equal of those films, but it is a great start to Anderson's career, and a fine little comedy. It also marked the beginning of the stardom of Owen Wilson, who co-wrote the script with Anderson and plays the most noticeable and memorable part. The film was shot in Texas, Anderson and Wilson's home state, based on a short film they had made two years earlier.

The movie has the type of laid-back and character-driven humor that won't appeal to everyone. This is comedy that doesn't target laughs or build up elaborate set-ups as most comedies do. Instead, the humor is continuously slow-pitched to you in the form of weird but likeable characters, off-center attitudes, and situations that seem familiar to us but are played in unreal ways and thus become extremely funny. All together, it's an extraordinarily enjoyable and pleasant movie that strolls through its story with no particular rush.

Owen's brother Luke Wilson, who had so far appeared in every Wes Anderson film, plays Anthony Adams, who gets out of a voluntary mental hospital after recuperating from a breakdown. His friend Dignan (Owen Wilson) has big plans for both of them -a life of easy and enjoyable crime! Dignan doesn't have any good ideas, but tries to make up for it with endless enthusiasm and an outrageously optimistic view of life. Unfortunately, when things inevitably don't go well for him and his friends start criticizing him, he can fall into pretty bitter depressions. Owen Wilson has the character nailed down, and Dignan sets the tone for most of Wilson's other characters: the enthusiastic but misguided nut. Dignan gets his friend Bob (Robert Musgrave) in on his plan to pull a 'job' (and all of Dignan's 'jobs' are minor-league suburban affairs) that will attract the attention of the local crime boss/landscaper, Mr. Henry (James Caan in a brief but darned funny performance). Dignan get obsessed with his planning and attempts at damage control, while Anthony and Bob are more busy with the really important things in their lives: Anthony falls for a housekeeper at a motel (Lumi Cavazos, from "Like Water for Chocolate"), and Bob tries to deal with his bully of a brother, Future Man (Andrew Wilson -yep, another Wilson).

The film has some sad and serious moments -after all, these are characters who are really going NOWHERE in a very boring suburban landscape -but with Dignan around it never stays down for long. There are plenty of chuckles and some real moments of howling laughter, especially during the climatic 'take down' (and I'm really using that term pretty loosely). Another Wes Anderson favorite actor, Kumar Pallana, who appeared as Pagoda in "The Royal Tenenbaums," is on-hand to add comedy as a safe-cracker (and again, I'm really using that term loosely).

If you like quirky, odd, but realistic comedy, and if you've enjoyed Owen Wilson in many of his later performances, "Bottle Rocket" is really worth a look.

(This DVD is, unfortunately, nothing special. The picture and sound are good, but it hasn't a single extra on it, not even a trailer.)

The Criterion 2-disc Bottle Rocket is outstanding, but don't toss your original disc just yet... the new edition is a slightly different edit that loses one laugh and adds another. I couldn't find any reference to these changes in the supplementary material at all.

MISSING: Originally, during the book store robbery, Anthony grabs a random book off the shelf and opens it, revealing the title page "Job Opportunities in Government 1995" which always gave me a little chuckle. Now for some reason the book opens to a black and white photograph of a military plane (it goes by so fast you'd have to freeze frame to make it out.)

ADDED: Originally, when Bob hands his earnings over to Future Man to cover his attorney fees, he asks if he can keep a few bucks for gas, and the scene ends. Now the scene plays a few seconds longer, and we hear Future Man's reply: "No, you can't."

In addition to these minor (and somewhat baffling) changes, I was also unable to find any images of the one-sheet art or logo anywhere on this set (as appears on the menu page and sleeve of the original release).

So if you're a hardcore Bottle Rocket fan or completist, hang onto your old disc and buy this set as well. In addition to a beautiful transfer, commentary track, documentary, the original short film, and other extras, the booklet insert is a miniature replica of Dignan's 75-Year Plan notebook, along with reproductions of Anthony's drawing of Inez on horseback, the book store heist plan schematics, etc.

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This movie grabbed my attention the first time I rented it at my local videostore for it's low key atmosphere and entertaining storyline. The highly persistent (if not entirely insane) Dignan, played by Owen Wilson has got to be one of the most memorable character portrayals in any movie I've ever seen. The slow pace of the movie makes everything just right (you won't be blown away by special effects, unless you consider an altogether cerebral script pyrotechnic) but you will come away from this movie with a sense of adventure and a deep desire for one yourself. The fact that this movie is practically a remake of an earlier project adds even more to its appeal. The caper scenes are hilarious, the dialogue will make you think as well as laugh, and you will come away from this movie with a new appreciation for film making in general. It's not all about explosions after all. And you will find yourself scaring the hell out of your friends when for no reason at all you start screaming "Ka-Caw, Ka-Caw!". If you like this movie check out Rushmore, also directed by Wes Anderson.

Read Best Reviews of Bottle Rocket (The Criterion Collection) (1996) Here

Taking a trip into Wes Anderson's head is like going into a parallel universe where most things are the same, but the nature of reality is just slightly warped. And that formula holds true for "Bottle Rocket," his first collaboration with actor Owen Wilson (who also stars), an absurdist crime caper.

Anthony (Luke Wilson) has just been released from a mental hospital after being treated for exhaustion ("You haven't worked a day in your life. How could you be exhausted?"). He hangs out with his idealistically weird pal Dignan (Owen Wilson), who has mapped out his life over the next 75 years. Dignan, having seen a TV special, has decided to become a master criminal.

First they recruitt the timid Bob (Bob Musgrave) as the getaway driver, as he is the only one who has a car. They practice for a while on smaller-time burglaries, such as robbing a bookstore -then hiding out at a motel, where Anthony falls in love with the pretty South-American maid (Lumi Cavazos). However, the guys find themselves in hot water when they bump into a REAL crime boss (James Caan).

Wes Anderson's touch is a little rough in his movie debut, but it's that slightly unpolished touch that makes his offbeat style a delight here. For example, Anthony "escapes" from a hospital that he can leave anytime he wants. That unnecessarily complex opener sets the tone of the rest of the movie, of thrillseeking young men who are just a little out of sync with the rest of us.

Don't expect stupid puns, toilet humor and bad sex jokes. "Bottle Rocket" shares the dry, funny, erratic humor of Anderson's later movies. Not to mention a thousand funny little lines ("Bob stole his car!"). Anderson and Wilson avoid being self-consciously cool, in favor of being earnestly quirky. No banter, just wit.

The Wilson brothers are in fine form here, especially when interacting with one another. Anthony is calmer and thinks a lot; Dignan is idealistic and wacky almost to the point of mental illness. They have a certain innocence despite their illegal ambitions, and it's fun just to see them ramble around. They, Inez and Bob are sort of misfits, but not the kind you laugh at.

It's a little erratic, but "Bottle Rocket" comes across as fresh, weird, and extremely well-done. Funny, zany and charming crime comedy with a twist of Wes Anderson.

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"BOTTLE ROCKET" is most definitely a hilarious but yet an insanely awkward film that just sticks in your head because of how wild and crazy it is.

Released in 1996, the film would be the directorial debut for Wes Anderson ("RUSHMORE", "THE ROYAL TENENBAUMS", "Life Aquatic with Steve Zizzou") and the debut of the Wilson brothers: Owen Wilson (Co-writer) and Luke Wilson (plus brother Andrew) and Robert Musgrave who all grew up together in Texas.

Back in 1992, the first initial concept of "BOTTLE ROCKET" was shot in 16mm film on B&W after the group was able to raise about $4,000 and raise more money and eventually have the 13 minutes extra to have a short film and submit it to the Sundance Film Festival in 1994.

After being screened for the festival, the film was able to attract a few producers who were willing to invest in making "BOTTLE ROCKET" to a full-length film and thus, Wes Anderson and Owen Wilson had their first major opportunity.

As the story goes, the film did terrible in its first test screening which shocked everyone. The film then had its final released cut which then was released in theaters in 1996 and the film bombed. In fact, to everyone's surprie, the film couldn't even get screened at Sundance (where the short film version was able to be screened years prior).

But there were many people who loved the film and for critics, it was a critically acclaimed film that some critics were quite passionate about such as the LA Times (blasting Sundance Film Festival for not screening it) and then followed by director Martin Scorsese calling it one of his favorite films in the 1990's, the film reached cult-status.

Flash forward 12 years later and with three of Wes Anderson's films released on THE CRITERION COLLECTION on DVD, what an awesome way to kick off THE CRITERION COLLECTION's entry to Blu-ray in Dec. 2008 with the release of "BOTTLE ROCKET", Anderson's first film.

VIDEO & AUDIO:

THE CRITERION COLLECTION is all about gathering the greatest films around the world and publish them in the highest technical quality but the focus is to present the film the way the original director intended. For film fans, THE CRITERION COLLECTION is known for its quality and rarely do fans question the releases, the releases are embraced as fans are introduced to important classics or contemporary films.

For "BOTTLE ROCKET", the film is presented in its original aspect ration of 1:85:1. The film's presentation was supervised and approved by Wes Anderson and the Director of Photography Robert Yeoman. The high definition transfer was scanned on a Spirit 2K Datacine from a 35mm interpositive and thousands of instances of dirt, debris and scratches were removed using the MTI Digital Resotration System and Pixel Farm's PFClean.

The video quality of this film looks great especially for a film created in the early to mid-90's. Typically films released on Blu-ray during these years have been clean but have this softness effect where the vibrancy of the colors are not as beautiful as I would like it to be. With "BOTTLE ROCKET", the film had many outdoor scenes and literally from the red's to the blues and greens and the yellow jumpsuit that the guys wear, these colors are vibrant in Blu-ray HD.

As for audio, audio was mastered at 24-bit from the original magnetic tracks and audio restoration tools were used to reduce clicks, pops, hiss and crackle. The film is primarily a dialogue based film, thus a lot of the audio is coming from your front channel speakers. There are scenes with gunshots and music that come out quite live on your home theater channels but the film is primarily a dialogue-based film.

SPECIAL FEATURES:

For the special features, the following are included:

* AUDIO COMMENTARY A commentary featuring Wes Anderson and Owen Wilson. The commentary is not more on the filmmaking perspective but more of nostalgia as the guys talk about memories of people they worked with, areas they shot and how some of the people on the crew have moved on to bigger things.

* THE MAKING OF "BOTTLE ROCKET" A featurette with interviews with Wes Anderson, the Owens brothers, James Caan, Kumar Pallana, the producers and more. You learn a lot about the behind-the-scenes of the film from creating the short film, Sundance, how the test screening was a bomb, how the film was not a commercial success but became a cult hit and much more. Great insight on the actors about being part of the job, how they were able to get James Caan for the film and how the producers felt about the talent at the time. A fun and informative documentary by filmmaker Barry Braverman.

* The Bottle Rocket Shorts The actual 13-minute B&W short film that was created back in 1992.

* Storyboards Wes Anderson's original storyboards and sketches for the film.

* Anamorphic Test Anamorphic test shots of several scenes from the film and how Anderson originally planned to shoot the film in widescreen Panavision. Test shots.

* "The Shafrazi Lectures, No. 1 Bottle Rocket" A guy who is reviewing the film and talking about why he loved it.

* "Murita Cycles" A Short film created Barry Braverman (friend and collaborator for Anderson and the Wilson family) about his father, a Staten Island bicycle shop owner which inspired the guys to create "BOTTLE ROCKET".

* Behind-the-Scenes Photograps by Laura Wilson The Wilson brothers also had a talented mother who is a photographer that took pictures of Wes, Owen and Luke during the planning stages of the film and also at Sundance.

* Deleted Scenes There were a quite a number of scenes that were cut and eleven featured on the disc. Scenes that would have explained how "Futureman" got his name, what Dignan and Applejack were up to when they went to by Bob's place, another scene of how the pot was found in Bob's home and much, much more.

Also included is a booklet that features an appreciation by director Martin Scorsese (which is a tribute that appeared in the March 2000 issue of ESQUIRE Magazine), an essay book by executive producer James L. Brooks (written as an introduction to the "RUSHMORE" screenplay published in 1999) which really goes into detail of how "BOTTLE ROCKET" was created and things that happened behind-the-scenes not mentioned on the special features and artwork by Ian Dingman.

JUDGMENT CALL:

"BOTTLE ROCKET" is just an amazing, awkward and hilarious film. Forget about the "Oceans #" type of films that try to bring comedy to heist films, BOTTLE ROCKET" was special because it came from these young people who were not known at the time but their vision of filmmaking and storytelling just sticks into your mind.

You know that feeling about pulling a prank that got a lot of laughs during your younger years and you remember it to this day. This is how I felt about certain scenes from "BOTTLE ROCKET". There were a lot of humor that was not meant to be taken in as a joke but for these characters of Dignan, Anthony and Bob, you can't help but be entertained and laugh.

From memorable scenes of the group putting tape on top of their noses before their heist, to how rob the bookstore but at the same time, those being held hostage just look at them as non-dangerous and almost humorous (despite Dignan carrying a gun).

And then scenes of love as Anthony falls for this woman who can't speak any English and goes where she goes as she cleans each hotel room and just falls in love. And his far out drawings of his love for Inez.

And also the team assembled by Dignan for their major heist. One would think, why he would select really old men (especially one who had some major memory loss issues) to bring with him for a major robbery? But you realize it's Dignan and you just accept his approach to pulling of a heist and enjoy the ride.

There are many of these moments in the film that you just think back and just be amazed of how much of those type of scenes were included. Wes Anderson and Owen Williams are just an amazing duo and although at the time, they were not known in the industry, it just showed you how much potential these guys had when they first emerged and eventually they would go on to have successful careers making many more films together.

As for the Blu-ray disc, again, THE CRITERION COLLECTION manages to pull of another wonderful release. Wonderful picture quality that is vibrant in colors and again, I've reviewed many major films released in the early and mid-90's and although cleaned up, never have the vibrancy or sharpness but this softness that always bugged me. This was not the case of "BOTTLE ROCKET", the film looks great!

And the amount of special features and also the booklet that really help enhance one's appreciation for the film. You wouldn't expect anything less from CRITERION and sure enough, they delivered.

"BOTTLE ROCKET" is a fun, hilarious and well-written film that is so different from any film that has come out. It's not a moronic film, nor is it a serious heist film. It's just a film that is just all-out fun and one can understand why it has become a popular cult film.

Highly recommended!

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Down To You (2000)

Down To You... and I ended up being pleasantly surprised.

Back when this film was first released, I was forced into seeing it with a female family member. I expected the worst. It had Freddie Prinze, Jr. in it. The commercials for it seemed to imply that it was geared towards the teen set. I really wasn't expecting to like this film. Boy, was I surprised!

This film ended up becoming one of my favorite romantic comedies. The story itself, about the evolving of Alfred and Imogen's relationship, was so well written and unpredictable. It wasn't one of those films where you could predict each plot twist twenty minutes before it happened.

The cast is above par for movies of this genre. Stiles and Prinze do a good job in their lead roles. Selma Blair and the actor who played Alfred's "artsy-fartsy" porn actor friend were also entertaining. Film and TV legend Henry Winkler added a lot of gusto to the film in the supporting role of Alfred's Emeril-esque dad as well.

Guys, if you want a good date movie to watch with your girlfriend that won't leave you squirming, this is the one to get. I highly recommend it!

Down to You didn't last long in the movie theaters, and I was surprised to see it on the shelves at the video stores. The main reason why I saw it was because of Julie Stiles, who I thought was good in 10 Things I Hate About You. I didn't want to see it at first, because I can't stand Freddie Prinze Jr! I thought I'd give it a shot because Julie was in it, and I enjoy watching high school type movies. This wasn't your typical high school movie though. It was more towards the late teens/early twenties crowd. Julie plays Imogen, a Freshman at the local college that's studying to be an Artist. Freddie plays Al, also a student at the college, that wants to be a world famous chef, like his father (played by Henry Winkler). Al's father has his own cooking show on TV (just think Emeril Lagasse). His father has plans for him and Al to have their own father-son show, but Al wants to work his way from the bottom up. The main focus of the movie was concentrated on Imogen and Al's relationship of course. The movie has some great characters in it, like Al's father, his best friend that's in the porn industry, and a wanna be Jim Morrison. I thought the story was good, and the directing as well. I liked how both Al and Imogen were both telling the story. The only part that I didn't like about the movie was when Imogen ruined their relationship by......well not to spoil it for you, but you should watch it. This is a good date movie, and should make your date cry!

Buy Down To You (2000) Now

It was set out to be aimed at 13 year old girls but somehow it got a wider audience. Most teen movies take place when the stars are in high school but this taked place when they are in college. This movie shows that not all relationships are fairy tales. The theme is giving first love a second chance and while it does give audiences a dose of reality it does seem to give a little too much information sometimes. Julia Stiles is smart in her career choice because while she does movies aimed at teens her films are somehow more serious but at the same time fun. This film deals with heavy issues but it doesn't let you know that it's getting you to think about certain things like teen pregnancy, drug overdose....and so on and so forth. If you are a fan of Julia Stiles or Freddie Prinze, Jr. then I recommend this movie. It's not your typical run-of-the-mill teen flick. But beware guys, this is a chick flick!

Read Best Reviews of Down To You (2000) Here

This is the perfect romance film to watch as a couple, to remember your first love and reminisce about the good and the bad times. It starts off with Freddie Prinz Jnr (Al) and Julia Stiles (Imogen) narrating between flashbacks.

Julia Stiles is one of the best young actresses of the moment, and her & Freddie Prinz Jnr make a great couple. Selma Blair, Shawn Hatosy and Zak Orth also star, along with a permanently stoned Ashton Kutcher, who apparently looks like Jim Morrison from The Doors.

The scene where Imogen sings/dances to Al is the best, and it shows what the whole film is about despite the fact that Al gets embarrassed as he's a sophomore dating a freshman.

Imogen & Al are very different people and show that opposites can attract. She likes painting and he likes to cook. Al's friends aren't happy that Al & Imogen are practically turning into an old married couple before their eyes, already having a pregnancy scare barely a year into their relationship. You know this relationship is doomed from the start of the film, due to them being different & pressure from their friends.

The narration between the flashback scenes does break the film up, and the first time I watched this film, it really annoyed me, but it also shows the film from Al & Imogen's point of view.

There's a classic line in this, which is Imogen's fear: "One day we'll pass each other on the street and have that artificial conversation".

The ending is great, and the Billie Myers song sums up the whole film.

This film is a must-see for Julia Stiles/Freddie Prinz Jnr fans, or to see as a couple, or to watch alone, simply to reminisce and not get embarrassed when you start crying.

Extras include the theatrical trailer; TV spots; cast & crew interviews; on the set; and Billie Myer's "It All Comes Down To You" music video.

Want Down To You (2000) Discount?

In my opinion, I have to say that this teen comedy was, well,DIFFERENT than the rest. But I mean that in a very very good way. Why? The story is not the type of teen movie that you can just predict every moment in the story. It was edgier and bubblier than any other High School-type teen comedy. The story takes place in college, which I find more entertaining than an average High School movie. The first half hour of the movie was kind of strange to me.I mean, a roommate that is a porno movie director and a dad who is a famous cook( played by Henry Winkler) is not your usual dialogue in this kind of movie. Which made me love this even more! I am crazy about romantic comedies and this is BY FAR(so far) the best one I have seen. After you get introduced to the Very Different characters, you find that this movie is incredibly well-written and really sweet and entertaining. i also happened to laugh a lot more than a typical teen comedy. Julia Stiles is my fave actress and Freddie is probably one of the most talented, HOTTEST men on this planet(this was the reason, in the first place, why i watched this movie).Even my boyfriend loved it(and believe me, thats pretty amazing). It has a great soundtrack, too. To summarize my opinion: A funny, sexy, romantic,and edgy must-see movie for almost anyone.(i cant stop watching it) If you like Freddie, I also recommend Boys and Girls.

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Becoming Jane (2007)

Becoming JaneThe only portrait I ever saw of Jane Austen appears on countless spines of the Modern Library edition of "Pride and Prejudice." Drawn by her sister Cassandra, Jane looks, well, like one would expect the witty Miss Austen to look: poised, civilized, reflective and intelligent. With some imagination and forgiveness with regard to the talent of the artist, she could even be conceived as pretty with her large dark eyes and ringlet fringe peeking out from the typical gentlewoman's cap of that time period. How ingenious for Hollywood to cast the sumptuous Anne Hathaway with her silky brown hair, curvaceous figure, deer-in-the-headlights eyes and perfect lips as the young burgeoning author? Let's face it---no one wants to be a plain Jane and plain she is not--she's pretty much got it all: not only is she innocently stunning, she's independent, wants to work, exhibits impeccable manners, loves her family, acts upon noble ideals all of which along with her cricket skills results in attracting and snaring the deliciously boyish James McAvoy ( Last King of Scotland) as supposed ill-fated lover, Tom Lefroy.

As a film, all of this romanticism works wonderfully. The verdant countryside shimmers in the sunshine. The period clothing---all empire waists, beribboned hair, top hats and velvet frockcoats----sway and rustle delightfully as the couples dance and speak in clever well-mannered innuendo as expectant matchmaking parents play chaperone and contemplate lucrative alliances that will set their children up for life. The dialogue sufficiently reflects that Austenian repartee which the educated audience delights in as it makes them feel they are on an even keel with one of the greatest satirists in the English language. The notion of Austin's relationship with Lefroy as presented first in Jon Spence's biography from which the film gets its name, suggests that many of Austin's dream partnerships as presented in her novels were based on actual, personal and emotional incidents that although painful, gave her characters so much flesh and blood poignancy, we still discuss them today.

Whether or not any of this is actually true matters naught. The film seduces with the same charming intensity of McAvoy's blue-eyed stare as he quite openly undresses Hathaway in his mind. Is Lefroy the basis for Mr. Darcy? This is difficult to say, but I wouldn't mind bumping into this film's Tom Lefroy while I was taking my daily constitutional. Of course, I'd have to go back in time to become a few years younger---or perhaps not as flirty cousin Eliza de Feuillide certainly does have her way with Jane's rakish brother, Henry Austen (Joe Anderson)---oh, what money can buy!

With that in mind, leave the historical authenticity to the Austen scholars and enjoy the film for its performances and its visual delights. Secondary players congregate to form a veritable Austen menagerie of characters that for the most part plays a bit too conveniently to reflect reality. But take it all in fun ---the film leads one to believe that Austen needed little imagination to conceptualize her personalities; rather they were all there under her nose, just waiting to be captured on paper. Nevertheless, Maggie Smith as the formidable Lady Gresham never fails to elicit a chuckle as does her fictional counterpart Lady Catherine de Bourgh from "Pride and Prejudice." Julie Walters and James Cromwell as Jane's parents seem the perfect Mr. and Mrs Bennett clones while Laurence Fox, as Mr. Wisley (Mr. Collins again from "Pride and Prejudice") interjects just the right 21st century computer geek persona to the mix to act the perfect foil for the more glamorous but definitely shallower Tom Lefroy character.

Bottom line: After countless Masterpiece Theatre adaptations of all six of Jane Austen's novels as well as a herd of popular films set to popular music (Bride and Prejudice was one Bollywood version) it is not surprising that the author herself has come into scrutiny in this charming albeit fictionalized biopic. If you are not tired of yet another Darcy/Bennett rendition, you will most likely find "Becoming Jane" two hours worth of Jane Austen's world lovingly preserved. Recommended.

Diana Faillace Von Behren

"reneofc"

The DVD for this movie will be coming out Feb 12, 2008 and will feature deleted scenes, commentary with director Julian Jarrold, writer Kevin Hood and producer Robert Bernstein, becoming Jane Pop-Up Facts & Footnotes(ok, this is enough to make me want to buy it)and a Discovering the Real Jane Austen featurette

The actors were wonderful in this movie and it was well staged. The movie is supposed to be based on a few months of Jane's life when she was 20. H Some scenes were added to make her life more dramatic. There isn't very many facts known about Jane so any biographical movie about her will contain fiction, but I think what most people criticized about this film is it borrows too much from Pride & Prejudice.

The facts about Jane are she was a witty and lively person. We know this from her letters and her writings. She was sort of a tomboy when she was young and played baseball and cricket. She had a handsome and adventurous brother named Henry who helped publish two of her novels after her death. He did marry their cousin. Tom Lefroy was a person she knew and she did flirt with him when she was 20. Many years later he said he did love Jane but it was a "boyish love". His first daughter was named Jane. When she was 27 she was proposed to by a weathly but awkward man named Harry Bigg-Whithers, who she at first accepted but changed her mind the next day.

For people with children, there is some brief nudity (male backsides), some women that appear to be prostitutes, fist fighting and some suggestive language.

Other people have criticized this movie because they see it as another way to cash in on Jane Austen's popularity. I feel that the film does try to shed a little light on her real personality.

Buy Becoming Jane (2007) Now

My new all-time favorite movie. Some people may not like it because "it's not 100% true to Jane Austen's life"... Can you say that with 100% certainty though? No. Even if you can, just enjoy the movie for what it is, a beautiful love story! James McAvoy is so convincing as Mr. LeFroy, you can't help but fall in love with him! I already have the Region 2 UK DVD (because I simply couldn't wait forever for the movie to come out on DVD in the US), but it only plays on my laptop, so I intend on buying this DVD when it's released. :) It's worth it!

Read Best Reviews of Becoming Jane (2007) Here

Becoming Jane is the fictionalized account of Jane Austen's (a luminous Anne Hathaway) early years and supposed romance with Thomas Langlois Lefroy (James McAvoy, The Last King of Scotland (Widescreen Edition), Rory O'Shea Was Here). The screenplay was based on real events from the book Becoming Jane Austen by Jon Spence, who also served as historical consultant to the film.

Jane is the younger daughter of Reverend Austen, and the family is in dire financial straits. Jane's older sister Cassandra has just been engaged, and Jane's family desperately wants to find a husband for her due to the family's financial circumstances. However, Jane is headstrong and turns down numerous offers, including Mr. Wisely, the nephew of the demanding Lady Gresham (Maggie Smith). When young Irish lawyer-in-training Thomas Lefroy is sent to Hampshire from London due to his "unseeming" conduct, Thomas and Jane begin a flirtatious battle of wit even as Jane struggles to escape the attentions of Wisely. Her first impression is one of Lefroy's arrogance. Throughout this period, Jane continues to work on novels, including Pride and Prejudice (Lefroy was the inspiration for Mr. Darcy).

Jane's sister Cassandra suffers a terrible blow, and Jane herself must reassess her chances at future happiness due to the fact that a woman being able to support herself based on writing was virtually unheard-of at the time. Her mother gives her a heartbreaking lecture on marriage that displays how fragile the relationship between marrying for affection (desirable) and marrying for financial solvency (indispensable). Her brother Henry is actively courting a widowed cousin who was married to a French count executed during the French Revolution. Another brother, George, is a deaf-mute (historical records show that Jane mentioned that the two talked using sign language), although he plays a very small role in the story, and I had to research him online since there is no explanation of who he is.

My impression of the film was one of disjointedness. One fact that bothered me was the inclusion of a none-too-necessary nude scene featuring Lefroy and Henry stripping down after a cricket game and jumping into the river. Also, several of the subplots could have benefitted from trimming (like the blink-and-you'll-miss-it inclusion of George). The casting was generally quite strong, but I found that McAvoy's Irish accent (which was convincing in Inside I'm Dancing) was fairly eclipsed by a nondescript British one. Many Austenites found fault with the casting of Hathaway, and more specifically, her now you hear it, now you don't English accent. However, her luminous beauty was set off wonderfully by the period costumes, and she lives and breathes the constricting customs of Jane's era with a poised, confident grace. Yes, the accent does falter from time to time, but not enough to be a constant distraction. Maggie Smith is wonderful as the frigid interfering aunt who feels that Jane's family is below her, James Cromwell brought a weathered dignity to his role as Jane's father, and Ian Richardson (who recently passed away) is utterly captivating as the sour uncle on whom Thomas's large family depends.

Special mention goes to the cinematography, filmed on location in Ireland, the period costumes by Eimer Ni Mhaoldomhnaigh, and the lush period soundtrack (Becoming Jane) by Adrian Johnston. The DVD contains several deleted scenes, a featurette on Discovering the Real Jane Austen, and pop-up facts and footnotes. Final verdict: although the film is wonderful to look at, it is ultimately a depressing look at Jane's first romantic attraction and of her subsequent fate in life. If you're looking for a feel-good Jane Austen movie, you're better off renting Ang Lee's Sense & Sensibility (Special Edition).

Want Becoming Jane (2007) Discount?

"Becoming Jane" is an unexpected cinematic treasure, and one which deserves attention not only from Jane Austen fans, but from a wider audience as well. Much to my amazement, this film is remarkably true to Jane Austen's spirit, portraying her as a thoughtful, willful, almost modern, woman. I wasn't expecting a tour de force performance from Anne Hathaway, but she's absolutely perfect as Jane Austen, having successfully immersed herself in this role; perhaps her finest bit of film acting to date. James McAvoy has garnered some well-earned critical acclaim for his fine performances in "The Last King of Scotland" and "The Chronicles of Narnia: The Lion, The Witch and The Wardrobe". His portrayal of the young Irish barrister Tom Lefroy, who befriends Jane, is also right on the mark, that's a very compelling portrayal of someone who could have been Jane's intellectual and romantic soul mate for a brief time in the late 1790s. While Hathaway's and McAvoy's performances are the best reasons to see "Becoming Jane", there's also excellent acting from the rest of the cast, most notably James Cromwell's Reverend Austen, Jane's father. If you're at all curious wondering why Jane Austen's fiction has endured, then "Becoming Jane" might offer some tantalizing cinematic answers.

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Quartet (2012)

QuartetHere is a cast to die for, playing characters in a home for retired opera singers; they are preparing for their annual celebration of Verdi's birthday. But there is a "spanner (wrench) in the works" when a former diva arrives, in the person of Maggie Smith. Based on the play by Ronald Harwood and directed by first-timer Dustin Hoffman, this delicious PG-13 comedy bathes us in classical music, witty dialogue and a lovely setting. In fact the opening credits include some of the finest editing I've had the pleasure to enjoy in recent years. Kudos to Barney Pilling for the film editing; Ben Smith for the art direction; and Dustin Hoffman for respecting the music.

The world of opera is a relatively small one, so it is no surprise that a few of these divas and divos have a shared "history," and therein lies our tale.

Let's look at some of this wonderful cast:

* Maggie Smith ("Downton Abbey") is Jean, who always had at least 12 curtain calls but hasn't been in the spotlight for far too long!

* Michael Gambon ("Harry Potter") is Cedric, in charge of the star-studded gala, with a towering ego of his own.

* Billy Connolly ("Brave") is Wilf, proof positive that an old horn dog never quits sniffing around.

* Tom Courtenay ("Gambit") is Reggie, a kind, considerate fellow who is still nursing a broken heart.

* Pauline Collins ("You Will Meet a Tall Dark Stranger") is Cissy, the sweet busybody who can't think of one bad thing to say about anyone.

Just a couple of important tips: 1) If you have any hearing problems, either see this in a theater that features closed captions, or wait for the DVD with Amazon.com so you can turn on the subtitles. 2) Be sure to stay through the final credits because Mr Hoffman generously included the faces of many of the performers, along with a head shot of that same performer during his or her heyday. What a beautiful finale!

BTW: I just received my DVD from Amazon and it DOES have closed captions. Yippee!

Beecham House, the setting of this film, is an English country estate, a posh historical mansion surrounded by acres of park and garden. It's autumn, the leaves are gorgeous, Golden Pond was never so scenic, and the inhabitants -a couple dozen octogenarian "retired professional musicians living on charity -are effectively in Paradise. They're a handsome crowd too, these oldsters with much of their talent and all of their ego intact. Not an oxygen tank or a movable chemo-drip in sight! Alzheimer's, senility, dementia? Acknowledged but quaintly innocuous. Crotchets and squabbles? No worse than among younger folk. A doctor in residence and a staff of sympathetic nurses? Hey, nothing but the ritz for beloved stars of yestershow! A real place? Don't we wish, we soon-to-be-aged musicians! It's fantasyland, but I'm NOT complaining. The film is too visually luscious not to be appreciated, and the acting is too artful not to be admired.

Bill Connolly has the "Peter Pan" role as Wilfred, the irrepressible flirt and funster of Beecham House. Pauline Collins is the sparkly but memory-challenged Cecily, the perfect Tinkerbell to run errands and deliver messages in this musical Neverland. Tom Courtenay is Reginald, earnest and unimpaired though subtly challenged by his own realism in this kingdom of Children Who Decline to Grow Old. Maggie Smith is the haughty, acerbic narcissistic super-diva Jean, to whom falls the Captain Hook role of antagonist. We the audience all know that she'll be captured eventually, conquered by joie de vivre, and join the Lost Boys in their climactic gala rumpus. Great fun! Who doesn't love Peter Pan?

"Getting old is what people do," says Reginald somewhere in the middle of the film, and ain't that the bleary-eyed truth! I've seen three movies in real theaters this winter -Quartet, A Separation, and Michael Haneke's devastating Amour -all of them focusing my 71-year-old attention on aging and dying. Is this some kind of omen? Foreboding? A warning shot across the bow of my walker? I won't grow up! I won't grow up! Peter? Tinkerbell? Where are you now that I need you?

Perhaps Dustin Hoffman is the J.M. Barrie of our generation.

Buy Quartet (2012) Now

I'm not sure if you have to be over the hill (as I am), to love this movie (as I did) about a home for retired musicians, but it certainly appears that way to me after coming home and reading A. O. Scott's middling New York Times review and its online reader responses, which seem to be either total disdain or absolute delight and nothing in between.

It probably helps to have a lifelong love of classical music, especially opera, with just a smidgen of Gilbert & Sullivan & vaudeville mixed in.

While, as expected, Maggie Smith, Pauline Collins, Tom Courtenay, Billy Connolly and Michael Gambon are superb in the leading roles, the supporting player-musicians, who also inhabit the beautiful, scenic Beecham House, some of whom are familiar faces but most of whom I'd never heard of, are a joy to behold as well. Please be sure to stay for the closing credits where you'll see headshots of each of them as they are now and as they were in a key role from their heydays.

No one sums it up better than Ann Hornaday in her rave review in the January 24, 2013 Washington Post: "Smoothly navigating the perilous line between insufferably twee and heartbreakingly grim, "Quartet" is a subtle, sure-footed delight -made all the more enjoyable by the fact that it was directed by a 75-year-old first-timer named Dustin Hoffman. Judging from this debut, the kid's got a future."

RE THE DVD EXTRAS: There's a batch of short clips of the leading actors talking about the movie and what it was like to work with Hoffman. But my fave is Hoffman's commentary track. You get the impression of an old friend sitting alongside you with his feet up, filling you in on the story behind the creation of these scenes, how they found all those wonderful old musicians for the supporting roles, sharing anecdotes about the actors and production challenges, pointing out how much of what's on screen was in the script and how much (quite a lot) was improvised. (Example: Pauline Collins's request--which was granted--that she adapt and play her character as being in the early stages of dementia, modeled on her own real-life mother.) It's great fun to go back to the movie for another look with DH's insights and anecdotes and backgrounders in mind.

I'm thinking this DVD might make just the right double feature for "The Best Exotic Marigold Hotel."

Read Best Reviews of Quartet (2012) Here

Dustin Hoffman's "Quartet," from Ronald Harwood's screenplay, takes the middle ground between "Amour" and "The Best Exotic Marigold Hotel." Like "Amour," it depicts the infirmities of old age honestly. But like "Marigold Hotel," it takes an upbeat view of its elderly characters, portraying their lives as triumphant rather than tragic.

There isn't much to the story, which takes place in Beecham House, an elegant but financially troubled home for retired musicians. The residents are planning their annual gala on Oct. 10, Verdi's birthday, the revenues from which comprise a good portion of Beecham House's operating funds. Cedric (Michael Gambon), the imperious director of the annual gala, has commanded Reggie (Tom Courtenay), Wilf (Billy Connolly) and Cissy (Pauline Collins) to persuade Jean (Maggie Smith), a famous diva newly arrived at Beecham House, to sing at the gala. Jean, Reggie, Wilf and Cissy made a legendary recording of "Rigoletto" many years before, and their singing the quartet from "Rigoletto" at the gala would guarantee a big enough attendance to keep the home open indefinitely. However, Jean is painfully conscious that her voice is no longer what it was, and angrily rejects her friends' entreaties.

There are further complications, the biggest is which is Jean and Reggie's painful romantic and marital history. Also, Wilf and Cissy are not well: Wilf has had a series of strokes, and Alzheimer's disease is tightening its grip on Cissy.

Despite the sorrows, however, the overall mood of "Quartet" is genial and celebratory. Michael Powell once said that the only important things in life are love and art, and both are worth dying for. Hoffman and Harwood show us characters for whom art--specifically, the art of music--has been their entire way of life. Between that art and the love they bear for each other, they can go, if not gently, at least with equanimity into that good night.

The final scenes of "Quartet" will leave you smiling through tears, but the final credits--which shows pictures of the various cast members in their prime--will have you bawling and applauding simultaneously. "Quartet" may not be an important film, but it is a sublimely satisfying one.

Want Quartet (2012) Discount?

I'll watch anything with Maggie Smith, but this is an amazing and charming performance. However, Pauline Collins and Billy Connolly steal every scene they are in! Set in a retirement home for British musicians, this sweet, funny, touching film has something for everyone. The characters are charming and engaging, but the script does not make them buffoons or treat them as stupid children. You will fall in love with each of these three-dimensional people.

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Battle Girls Time Paradox: Complete Collection (2013)

Battle Girls Time Paradox: Complete CollectionHideyoshi is a lazy middle school girl. One day she is taken away to a parallel universe inhabited only by women. She meets a warrior named Oda Nobunaga. Nobunaga is after the pieces of a legendary set of armor. It is said that whoever obtains the armor will conquer the world. Hideyoshi gets involved with Nobunaga and tags along with her on the quest to unite the country.

This anime was a big disappointment for me. The first thing that bothered me was the main character. She is dumb, annoying, and whiny. Brittney Karbowski voices her, and she's very hard to listen to. Normally, Brittney Karbowski does a good job most of the time, but her character in this is whiny, shrill, and barley tolerable. She's a far cry from Icaros in Heaven's Lost Property or Ayu from Kanon.

The story is pretty mush a waste. Nothing really happens in this series. There are a few decent fights, but most of this anime is just fluff. The battle at the end, that was supposed to be the climax, is a major let down. Most of the voice actors, the animation, and the soundtrack are all pretty good. That's all it has going for it. Good production quality. It's a shame that Sentai sees fit to dub half baked shows like this and produce excellent shows without dubbing them. If you're looking for fan service and yuri, this anime has it. If you want good characters and a interesting story, look somewhere else. I can't recommend this anime to anyone. It simply a waste of time.

this is a great anime and i couldnt be any happy. i will be buy from this again . and the price is not bad at all

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i was not overly inmpressed with this anime. seems a little childish even though it was in the mature section.

Read Best Reviews of Battle Girls Time Paradox: Complete Collection (2013) Here

The artwork is great and the storyline is great. There are some points in the story that seem really slow but other than that I enjoyed watching this anime.

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This anime is amazing. Its very funny and never gets boring. The artwork is awesome and the storyline is great.

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Back to the Future: 25th Anniversary Trilogy (with Hot Wheels Back to the Future Time Machine)

Back to the Future: 25th Anniversary TrilogyThis 2005 release, "Lowest Price Ever" on the front package contains the corrected Widescreen versions of Part II and Part III. The original release in 2002 with an oval sticker on the package contains the defective versions of Part II and Part III.

The framing was so bad on Part II and III, you actually missed visual jokes! In Part II when Marty sizes the jacket in the future, the framing cut off Marty's hand when he presses the button to size the jacket. In Part III, when Marty and Doc are in the Drive-In to leave for 1885, Doc makes the joke about Marty's tennis shoes because the boots don't fit, but the framing cut off Marty's feet. When Doc tries alcohol in the Delorean and blows the fuel injection manifold, the majority of the explosion is cut out of the frame.

Part II DVD will have the marking, "V2" on the outer edge next to the copyright. Part III DVD does not have any new markings, but the Widescreen framing has been corrected in this 2005 re-release.

If there's only one thing DVD's should be applauded for, it's for giving old classics a new lease of life, and this particular title was destined for digital before anyone even knew what digital was. The Back to the Future Trilogy will, in most of us, invoke the same feeling of overwhelming nostalgia as when veiwing the original Star Wars trilogy.

It's been such a long time since I've viewed the original and wow, why did I wait so long before re-stepping back into the familiar DeLorean and riding through one of the most cleverly scripted and tightly paced films in history. I was blown away all over again by what the makers achieved in terms of, pretty much, everything. The performances are every bit as convincing and funny as you will remember and the sight of the DeLorean taking hair spin turns and breaking the time barrier only serve to ingrain this film deeply in your subconscious. It's simply what it set out to be, a thrill ride of honest intensity and adrenaline populated by sincere and truthful human characters that you generally care about.

The second part is, in more ways, even more successful. The plot is so tightly woven and controlled that you can't help but gasp at how much detail is included, from the Mc Fly family history to the correct way to turn on lights in the future. And for visual candy, you cannot beat the beauty of the flying DeLorean.

How much you enjoy the third will ultimately depend on how much you like westerns. While obviously retaining the style, wit and bravado of the BTTF legacy, it is alot more digestable in terms of plot and even set pieces. Though as a film by itself, it is a wonderful achievement in entertainment, viewing the installments in order may lead you to feeling ever so slightly let down by a conclusion to the one of the most twisted and brilliant trilogies ever to take place outside of a galaxy far, far away.

Keeping in tradition to the BTTF stamp of excellence, the extras on the DVD hit eighty eight miles per hour from the get go and rarely let up. Embarrassing other lesser DVD boxsets with it's desire to leave no stone unturned, we get 'on location' and retrospective documentaries examining the aspects and realities that the film makers endured in order to bring this adventurous tale to the silver screen. Cast and crew remincese fondly about how everyone involved was so excited about the potential of the script and the freshness that Michael J. Fox brought to the production. The star himself even sits in for a few interviews, giving himself wholeheartedly to talk about the movies that made him a household name.

While a frankly shocking reason is given to explaining Crispin Glover's absence in BTTF part 2 and therefore, all the extras thereafter, it is the absence of Doc Emmett Brown himself, Christopher Lloyd, that resonates most of all. Why he was not included in this celebration of the trilogy goes unexplained and therefore, unforgiven.

This minor gripe aside, this box set is for everyone who managed to hop onboard the DeLorean first time around. For others, this is the perfect medium and compliation to catch up with the time travelling duo as they were meant to be seen. It's astonishing how well the films have aged, and how much better than recent films they remain to be. A knockout!!!

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The picture quality of these dvds is really pristine, and the extras are quite nice, though I would have liked to see more interviews with supporting cast members.

As many people have noted, parts 2 and 3 seem to have been matted too high on the open matte original print, so stuff tends to get cut off the bottom of the screen, like Marty's jacket and hoverboard in part 2. Plus there's too much headroom on many of the shots as a result. I just called the Universal DVD return hotline and they are offering a free replacement of those 2 wrongly matted dvds. You need to send in the 2 dvds (without the packaging they came in) to:

Back to the Future DVD Returns

PO Box 224468

Dallas, TX 75260

You need to include your name and full mailing address, along with your daytime phone number and reason for exchange.

I also noticed that on Part 1 when I try to watch the commentary with Michael J. Fox that it cuts out and takes me back to the menu screen around chapter 8 or so. Not a big deal but I do think it's a glitch that occurs in some dvd players.

Read Best Reviews of Back to the Future: 25th Anniversary Trilogy (with Hot Wheels Back to the Future Time Machine) Here

Well, after too much Internet gossip and anticipation, we can finally enjoy the DVD version of this great trilogy. Actually, nothing needs to be said about the story or the fantastic crew that made it happen, everybody knows it (and if not, you're a caveman amongst other cavemen...or cave-women...). The DVDs have many extras you'll enjoy and then some...

Probably the most-talked about issue of this release is the product's interpretation of the soft matted original cut. If you dig deep enough in Internet sources, you'll read a mixture of positive and negative responses. Fact is, on this 1.85:1 version, you will see less picture information in height, and more in width than the 4:3 version. This movie was shot in soft-matted format, which basically means that the original prints were in a kind of '4:3' format, where in the upper and lower regions there is information that needs to be covered (the microfone syndrome...), and was not intended to be part of the screening of the film. This is done in theaters, and again with every video/ld/dvd release. This in contrast to 2.35:1 movies, or otherwise matted films and formats, in which case the widescreen format is 'directly' converted to DVD, and will give a much more complete film than the 4:3 viewing. But that's not the case here.

What all this means is that with the Back To The Future DVDs, a new matting has been applied that has converted the original soft-matted material to a new 1.85:1 format. This means that, like I stated earlier, when you compare the 4:3 VHS (that everybody knows) to this release, the 4:3 has some extra film top and bottom, and this DVD has some extra film left and right. This is what the 'confusion' on the Internet is all about. Some people, rightfully, indicate that they are missing peaces of the film (Marty's sci-fi jacked is f.i. not fully displayed in the DVD whereas it was on ld and VHS), but other information is added on the DVD (the hard matted special effects sequences). Thus, some people are inclined to say that this is not the original movie version. Actually, being a soft matted presentation in theaters in the mid '80's and later, it probably differed each time it was presented, with a different projector setting each time, resulting in a different matting and screening each time. This DVD version is just another interpretation of matting. And everybody has something to say about this one!

To make a long story short, please enjoy this classic and its many extra features, with or without the knowledge that in every different media format, there is a different viewing of this wonderful peace of family entertainment.

Want Back to the Future: 25th Anniversary Trilogy (with Hot Wheels Back to the Future Time Machine) Discount?

I was reading through the reviews and felt compelled to point out some misconceptions, especially in the review by the "Viewer from Wilmington". These movies were shot in Super 35, as some directors (Cameron) perfer to do. This method shoots a large, square area, with the idea that it will be matted when shown at a theatre. The director frames out what is SUPPOSED to be shown in each shot, whether it be 1.85:1 or 2:35.1. The point of widescreen is not to have more image shown, but to present the movie as it was shown at the theatre. The error for parts 2 and 3 is not that they are presenting a fake and deceptive letterbox image, but that when the engineer was matting a few scenes, the matted image was placed too high in the picture, therefore ommitting important information at the bottom.

So to sum up, the full frame version is all the actual visual information shot by the camera, while the widescreen version is the matted information that was intended by the director as all you should be seeing and is what was shown originally at the theatre. You can certainly prefer and buy whichever version you want, but you should at least have a correct understanding of what the choices are.