Showing posts with label free movies to watch. Show all posts
Showing posts with label free movies to watch. Show all posts

That's What I Am

That's What I AmAndrew Nichol narrates this story about his younger self (Chase Ellison) being a 12 year old student who was is pared with Stanley a.k.a. "Big G" (Alexander Walters) for a school project by his teacher Mr. Simon (Ed Harris) to do a short story on tolerance. Stanley is the school's biggest outcast due to his size including one incident where he was sprayed with a water gun to make it look like he wet his pants & always hung out at a section of the school called "Geek Corner" with the other outcast of the school. Despite Stanley always keep his self-respect, Andrew didn't understand why he let people pick on him while Stanley's best friend Norman (Daniel Yelsky) would always get mad at him for doing things he felt that would just get them picked on more. Along with having to do the assignment with Stanley, Andrew is also dealing with his father who is constantly on his case for not being able to do anything correct by his standards while develops a crush on Mary Clear (Mia Rose Frampton) who had her best friend tell him that she likes him as well. That didn't set well with Mary's last boyfriend in Ricky Brown (Jordan Reynolds) who's the school bully & keeps threatening Andrew to stay away from Mary. While all of this is going on, Mr. Simon is the most popular teacher in the school & even won the California Teacher Of The Year as he's very loved by his students but after an incident involving a student named Jason (Camille Bourgeois) that caused him to get suspended, he started spreading a rumor about Mr. Simon being a homosexual causing Jason's father (played by WWE superstar Randy Orton) to bring allegations against him with Mr. Simon refusing to comment stating that his teaching should stand on it's own.

This was definitely a different type of film that we've gotten from WWE in the past as they put their own superstars in the background (Randy Orton only appeared in for maybe 10 mins. total) & did a family drama that focused on real issues as bullying, tolerance, and acceptance. Ed Harris was top notch like always while all the children performed really well so this is a movie that I would go out of your way to see.

This was just one of those wonderful stories and certainly a "should see" if you have teenagers in school. No big budget or special effects just a great story with great acting!

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It's a feel good movie. A touch of reality. I agree with the other reviewer, the acting was just that, kids acting most of the parts. All in all, it was a wonderful family movie. Taking a stand for others isn't very popular these days. I hope that this movie will entice children and adults to stick up for each other and not allow bullies to do their thing.

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This movie was great fo teaching kids that bullying and making up stories is not acceptable in todays world. I used it to teach a group of scouts about what not to do and also what to do when facing a bully

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This is a well written, well acted powerful story about a boy coming of age. I think it's an excellent movie to watch with your pre-teens and teenagers. It is set in 1965 when things were a lot different than today but the message doesn't change. Human Dignity + Compassion = Peace. I watched it and after doing so it took me back to that time in my life and it made me do some soul searching of my own. I asked myself how many times I may have hurt someone's feelings maybe without even realizing it.

Someone mentioned that the teacher Mr. Simon addressed the rumours of his being homosexual by simply quitting. There's so much more than that. He realized that if he didn't quit or deny the allegations it wouldn't just be him he'd be affecting it would be his dear friend the principal who was trying to keep her job as the first female principal and trying to put two boys through college. He took the high road and decided to save her job by leaving his.

I think everyone should watch this film and if I was a teacher I'd actually show it to my class. It carries a powerful message.

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Fever Pitch (2005)

Fever PitchI'm a Red Sox fan and a sucker for romantic comedies, so I waited for the "Special Red Sox Collectors Edition" before even seeing the flick for the first time -I knew I wanted to buy it. This review contrasts the two editions, with some minor comments about the movie at the end.

Now I see I paid an extra $4 for the "Collector's Edition" over the regular DVD release for what amounts to about a minute of extra Red Sox highlights interpolated at the end. That's it. That's the only difference. That, my friends, is a rip-off from the marketing people, and a pretty crummy one.

Not to say that as a DVD this isn't a very nice package. The gag reel is pretty funny. The directors' commentary and a couple of the featurettes are interesting enough. And the deleted scenes, frankly, make it into a better movie; I only wish they'd done a Director's cut and re-inserted the deleted scenes, because it makes the occasionally thin plot a lot fleshier. In particular, the deleted scene of Uncle Carl taking young Ben to his first game at Fenway is actually pretty wonderful, and great back story for why Ben is so addicted as an adult. It's a major weakness of Farrelly Brothers movies that they seem to cut for time what are often the best parts of the movies, resorting to the truly wretched device of voice-over narration to substitute for what would've been better done as actual story. "Me Myself and Irene" serves as the ultimate monument to this awful problem of trying to use voice-over narration to solve story problems, where script and editing problems could've been overcome with some attention before production was ever started. "Fever Pitch", fortunately, manages to stand up well enough even with the narration. It's just that it's more obvoiusly in watching the deleted scenes that this could've been raised from an enjoyable but somewhat fluffy movie to one with more of an edge -both sweet and sour -had they put them in the "original" movie.

And, as I note, I did enjoy the movie -the romantic comedy is relatively adult, and despite some glossing over of Ben and Lindsey's respective addictions to the Red Sox and the workplace, one does get a sense of adult motivations and a real relationship between the two. Jimmy Fallon, quite suprisingly, does an excellent job at walking a fine line here between not trying to be a film dreamboat (which he couldn't pull off) and avoiding being a complete moron in the loveable-moron school (which would've been unbelievable, given the Drew Barrymore character's sophistication.) In particular, he does a nice shift of gears from the sweet "winter Ben" to some over the top moments in the height of his Red Sox passion.

One quibble, another thing that could've been fixed with the deleted scenes restored: you never quite get that verisimilitude of exactly what kind of dumb things us Red Sox fans get cranked up by -arguing on the phone with, say, talk radio about managerial moves at 11 PM while your girlfriend lies naked and beckoning in bed, for instance. Still, good job on getting the essential passions on the table.

But all that said, why on earth did I get charged an extra $4 for a few baseball highlights that do nothing to make the movie better? No good reason. If you like the movie or the idea of the movie, just buy the regular non-collectors' DVD edition. Even if you're a Red Sox diehard like me, no reason to shell out the extra money for the collectors' edition, because there's nothing to collect you won't also be able to get in the deluxe 2004 playoff DVD set of the games.

Selfless love exists in many forms. "Fever Pitch" artfully weaves two of them.

One of Ben Wrightman's (Jimmy Fallon) 9th grade muses asks him, "When have the RedSox ever loved you back?" But for all of us who have loved and lost and loved some more, the answer isn't so clear.

Especially during these past few years (thank you John Henry, Larry Lucchino, and Theo Epstein), that love has been requited. But the years of Jimmy Williams and Dan Duquette weren't so bad after all either. And we'll always have Ted Williams (and Harry Hooper, and even Babe Ruth for a few years . . .)

Drew Barrymore plays her second romantic movie ending on a baseball field (Never Been Kissed) extremely well. She's a vulnerable cutie with lots of female power and a straight shooter. In my opinion, she shares her secret shame of "seeing patterns of numbers and rearranging them into new patterns" quite well. Her buddies are convincing women characters that test and question her.

Jimmy Fallon plays a wonderful sweet school teacher, err man, with "something not quite right". His buddies exist on the RedSox plane only -maybe because there's nothing else. Some of his little bits are perfect moving the movie forward by adding dimension to his personality.

For me, "Fever Pitch" works on practically all levels. I have seen it thrice and cried every time. My wife (from Boston) liked it as well.

For my NY Yankee friends, probably not.

Go Sox!

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forget Jimmy and Drew. This is really not about them. It is the actual story of how the city of Boston has developed a love/hate relationship with the baseball team that has broken their hearts for too many years. Every spring, the fans of Red Sox nation begin their courtship of a championship season and every autumn they are once again left at the alter. Except the year this movie was made. Somehow, someway, the Sox did it and it was captured in this movie. Buy it just to keep your Red Sox highlight disk company.

Is God a movie fan..He must be!

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I am a true Yankee fan and although the Red Sox are now our biggest rivals I still enjoyed this movie. I had to close my eyes at the end for a few seconds when they showed the Red Sox comeback in the AL Championship series.

Because the Red Sox our biggest American League rival people think it was always that way. But it wasn't. When I grew up in the 1950s the Red Sox had great hitters like Ted Williams and Pete Runnels. But they were never a contender. The Yankees rivals were the Indians and White Sox, the only two teams to beat them out for the American League pennant. But those rivalries were nothing compared to the Brooklyn Dodger vs New York Yankee rivarly that develop when they meet in the World Series 4 times in the decade.

In this movie Jimmy Fallon meets Drew Barrymore and falls in love with her. But this happens in the winter and the true Red Sox fanaticism doesn't really come until baseball season. She gets a hint when she see how his apartment looks like Fenway Park. But the true understanding doesn't hit until she see him with friends on ESPN while they were down in Florida watching for the new prospects.

The theme of the story is all about her finding time for a man in her life and we see how this very succesful woman is embarrassed when she is caught sleeping on the job. For Fallon it is about finding time for her with his busy schedule attendiing Red Sox games. He inherited two season tickets and before the season starts he and his friends get to decide who gets to go with him for these games. With Drew in his life he picks her to go with him to the most important games. One day he had to miss a game for a dinner appointment with her parents.

The last straw seems to be when he hesitates about taking a trip with her to Paris because the Sox would be in town. In the end he is depressed and decides to sell his tickets and show her that he would give up the Red Sox for her. If you go see it watch how it plays out. It is very funny and romantic.

For me the most interesting part was that it was filmed during the 2004 season and so as they filmed the outcome was in doubt because it hinged on how the Red Sox would do. The soap opera story of the Red Sox being humiliated in game 3 of the AL Championship Series, then being down with no wins and three losses even their die hard fans were throwing in the towel. After all no team in the history of the playoffs and World series had ever comeback down 3-0 to win a 7 game series. But in Hollywood fashion they did. That gave them the impetus to reverse thecurse and sweeo the Cardinals in the World Series. Fallon and Barrymore actually attended some of the games and were filmed there.

This film is good for men and women. Men love it for the baseball and an undersanding of how serious fans can be about their team. Women love it for the romance, a real chick flick.

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This movie was fun!

One of the reviewers stated : "The Red Sox theme got blown out of all proportions" but I couldn't agree less. Through the entire movie my family kept pointing at Jimmy Fallon saying, "oh my God! That's you!"

After a life-time of having my heart and emotions shoved through a shredder by the Red Sox, a little romance set against the impossible dream of MY Team winning, actually winning, a World Series is great fun. And none of us misses the irony that this movie was supposed to showcase true love against inevitable despair; that irony makes the laughter all the sweeter.

This is a fun little movie; and as a friend of mine once said, "not every movie has to be a FILM." Fever Pitch may not be "high cinema," but it is a lot of fun; and again, after a lifetime of "high cinema" and rousing despair from the Boston Red Sox, a fun little movie on the tails of a World Series Championship is just the ticket.

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Running With Scissors (2006)

Running With ScissorsI don't know how I could have missed this when it first came out. Augusten Burroughs is my favorite memoirist and I've read all his books and praise them all. So, when I heard that Running with Scissors was being made into a film I was thrilled. I think, though, when I saw that it was marketed as a comedy AND the reviews were just mediocre, I decided not to see it. Big mistake.

This is an amazing story. And, the cast was incredible-the acting absolutely superb. I am just shocked at the poor reviews here. Not one thing was wrong with this movie. Really. Not one thing.

Jill Clayburgh and Annette Benning should have received an Academy for their part in this. Brian Cox was fantastic. And Joseph Cross, as Augusten was absolutely perfect. I can't praise Cross enough and I don't think too many people would have been able to pull this character off. Knowing Burroughs from his books, you see he has a caustic yet self-deprecating wit. But, to actually SEE him as the child he was-maintaining his innocence while being exposed to horrendous circumstances he was exposed to actually made me appreciate Burroughs even more than I already do. Alec Baldwin, as always, played his brief part perfectly-with empathy and depth.

Burroughs grew up in one of the most dysfunctional homes you will ever read about. After his parents divorced, he lived with his mentally ill and completely narcissistic mother until she handed Augusten over to her just-as-mentally-ill psychiatrist to raise him. The environment in this psychiatrist's home has to be seen (or read about) to be believed. Poor Augusten lived there for several years while his mother attempted to "find herself" and nurture herself at her son's expense. She even had the psychiatrist adopt her son.

Ironically, although it is difficult not to blame Burroughs' mother in all thisshe's the epitome of narcissism-the truth is, the MD is really the one to be reviled. Had his mother been treated by almost any other mental health professional rather than this one, it is likely everyone in Augusten's family would have been better off. Instead of treating his patients, the doctor did everything to mistreat them. I would like to believe that he was just insane, too, with no evil intent. But the truth is, I'm not so sure.

Somehow, despite his childhood, Augusten Burroughs became an adult to be admired. He went through incredibly difficult times, even after he left the psychiatrist's home. But, he persevered and his character was not permanently damaged. When reading his other books, it's clear that he analyzes all his behaviors and feelings and strives to be the best person he can possibly be.

This film is NOT a comedy. It has comedic elements, but it is a travesty that it was marketed as a comedy. One of the things that makes Burroughs' books so good is his dry (almost gallows) humor. But, his life isn't really a comedy. It's a tragedy that, thankfully, has a happy ending. Yes, I laughed at some parts, but it's laughter at the horror of what he lives through and the insanity of his environment. This movie is one of the most gut-wrenching films I've seen and should have been marketed entirely differently.

I really hope that the bad reviews here won't deter you from either purchasing or renting this film. I can't praise it highly enough.

...they'll seem like the poster children for mental and emotional health, after watching this film!

Augusten Burroughs (Joseph Cross) grows up in a household with his mother, Deirdre (Annette Benning), who has severe mental stability issues. I am no psychiatrist so I am not even going to try to label her. He also has an alcoholic father, Norman (Alec Baldwin), who seems to have little to no interest in his son. In fact, because of his absence, I thought at the beginning of the film Augusten's parents were already divorced.

Deirdre is more dependant on her son than he is on her, he seems to care for her, and she seems to lean on him. She is an aspiring poet who lets her son skip school to do her hair and plan parties. The mother and father fight right in front of Augusten without a thought to him or his feelings. After a rather explosive fight they seek marital counseling and that's our introduction to the colorful Dr. Finch (Brian Cox). Through a series of events Augusten ends up living with the Finch's and we are wrapped up in another household filled with the emotionally and mentally unstable.

Despite his surroundings, you watch Augusten grow up to be relatively 'normal'. In his need for stability and normalcy, he finds the unlikely hero in the form of the long suffering housewife of Dr.Finch, Agnes (Jill Clayburgh). She really touched me in the way she cared for Augusten.

With all the craziness that occurs in this film, it should be a lot darker than it is. Surprisingly this movie makes humor out of situations that should horrify. I laughed more than I cried; I giggled more than I gasped. In real life, none of the situations portrayed would be amusing, I don't think I could have watched the film without the humor; it would have been too depressing. The acting in this movie, by everyone, was absolutely excellent, real and flawless. The movie reminded me a bit of The Royal Tenenbaums, the crazy, surreal family.

This was a good movie and I really enjoyed it, but it did make me think people should have to pass a series of tests in order to procreate and raise children, yikes!

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This was a plesent surprise to pick up and watch the film adaptation of this book based on the memiors of Augusten Burrough, who at the age of 15 was signed away by his mother into the guardianship of her psychiatrist. This movie does an excellent job of portraying mental illness (bipolar and schizophrenia) and what actually occurs in the minds and daily lives of those who struggle with it. As for the Dr. Fitch, he is the exception to regular psychiatry, with loose boundaries and inappropriate relations with patients ended actually helping one of them. To those with mental illness, what appears to be real or "normal" to them can appear unbelievable to us. For Agusten, he grew up with no rules or boundaries, and it is amazing to see what will and insight can do. This is a great depiction of someone who overcame tremendous barriers to become something great. Thank him for sharing it with us. Rent this buy this read this, worth the time

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Definitely one of the most dark psychological comedies to come along in years, RUNNING WITH SCISSORS has an excellent cast telling a truly warped story. What makes this even more interesting is that it's semi-autobiographical. Based on the life of Augusten Burroughs and his dysfunctional surroundings, young actor Joseph Cross does an excellent job in portraying what it must've been like to grow up an adolescent amidst the chaos of mental illness, yet come out the other end as a functioning adult.

Annette Bening stars as Deidre Burroughs, Augusten's unstable mother, and does so brilliantly. Her mood swings and mental breakdowns are frightening, tear-jerky, and funny all at the same time. When she sets up Augusten to be adopted by her psychiatrist, the audience feels both a sense of relief and a terrible foreboding. Brian Cox stars as the manipulative yet strangely lovable psychoanalyst, Dr. Finch. His family is a mish-mash of his own kids and those he's adopted and taken advantage of financially. His wife Agnes, played superbly by Jill Clayburgh, is one of the shining lights in the film, giving us a much needed resting post to lean against while trying to grasp the amazing flaws of everyone else (she has her shortcomings, too, but they aren't as broad).

The story pulls no punches either, showing how Augusten's early development lead him toward homosexuality, Dr. Finch discussing his masturbatorium (figure it out), Deidre exploring lesbianism after a nasty divorce from her husband (played very well by Alec Baldwin), and the discovery of bowel movements as prognosticators.

The only downside to the entire movie was that it feels unbalanced, sometimes accelerating through scenes in mere seconds before grabbing traction again and moving fluidly forward.

One could also see the screenplay being a complete disaster if it weren't for the all-star, powerhouse cast. Brian Cox, Annette Bening, Alec Baldwin, Gwyneth Paltrow, Evan Rachel Woods, Joseph Fiennes, and many, many others lend their ample talents to the film. But the ending certainly makes up for any lagging script qualities. To learn that Augusten survived this raucous period in his life and came out the other end still a productive member of society is something to marvel at. And you probably will...

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Based on the memoirs of Augusten Burroughs, "Running with Scissors" was a film that I didn't know much about and wasn't truly interested in seeing in the first place. I had caught glimpses of it here and there, but never actually took the time to sit down and watch it. Well, curiousity got the better of me. After all, any film that stars Annette Bening ("American Beauty"), Brian Cox ("Manhunter,"Zodiac"), Gwyneth Paltrow ("Se7en"), Joseph Fiennes ("Shakespeare in Love," "Enemy at the Gates"), and Alec Baldwin ("The Departed) can't be that bad. Well, folks, it can be.

The film revolves around the life of Augusten Burroughs in the 70's. As a child, he's raised by his bipolar, poet mother, Deirdre (Annette Bening) and his hard-working father (Alec Baldwin). Towards the beginning of his teenage years, Augusten (Joseph Cross) copes with his parents divorcing and then taking care of his mother, who knows she'll make it big in the poetry business someday. Deirdre begins to see a psychiatrist, Dr. Finch (Brian Cox), to help her with her problems. Eventually, it comes to the conclusion that she needs Augusten out of her life if she ever wants to succeed with her dreams. The solution is to hand him over to live with Dr. Finch and his family, who consist of the loving, but quirky matriarch Agnes (Jill Clayburgh), the hot-headed Natalie (Evan Rachel Wood), the spiritual Hope (Gwyneth Paltrow), and the gay, adopted son, Neil (Joseph Fiennes), who Augusten begins to have feelings for. As years pass, Augusten begins to move past supporting his own mom and learns to start having to deal with his new family.

I've never walked out of a movie in my entire life. Even if I hate what's happening on the screen and can't stand it anymore, I still stay, hoping for some good to happen. "Running with Scissors" is a film that I almost stopped, mainly because of how much I disliked it. It's about as interesting as watching paint dry while the only sound you can hear are people yelling and cursing obscenities at each other. If I had stopped watching this film, not only would I have not missed out on anything great, but I would have been better off.

The film tries to be too quirky, but then tries to be too dramatic as well. There's no balance whatsoever. There is humor in the film, but it's quite dark. For instance, a character feels that her cat is going to die. She feels that she can speak to the cat and that the cat wants to die quickly. So what does she do? She puts a laundry basket over it so it can't move and it eventually dies from lack of water and food and the filmmakers play it off as a joke. Hilarious...no, sick and twisted. I didn't laugh once in the film, well, at least, not in the right spot (more on this later). Even though the Finch family is weird, there was no real reason to laugh at the situations they got themselves into because there was no purpose for them being weird. They're just weird. The dramatic aspect of the film didn't fare any better. I didn't understand any character choices whatsoever and no relationships were developed well enough to make me care about them. Again, the Finch family didn't feel like a family unit, but just a group of individuals living under the same roof. The film tried to be a drama with comedic bits, but it failed in that regard.

Before I begin this part of the review, I want to say that the acting is fairly good in the film and not terrible by any means. The main problem with the entire film is the characters, who are so poorly written, that it's criminal. Annette Bening's character was the worst of the bunch, which is unfortunate, because she's a great actress in the first place ("American Beauty" rules). If there's ever been a person I've wanted to slap in a film, it would be her character. Everytime she appeared on screen, I wanted to skip past it. The character is one-dimensional throughout the entire film. She's either angry, depressed, or drugged and that's it. I had no idea why Augusten still wanted to be with her, which made me care less about the story. Natalie, the chain-smoking, foul-mouthed daughter of Dr. Finch, also suffers from bad writing. She's annoying and complains about wanting to go to college, but talks about how she doesn't have money and other reasons hinder her. If we wanted to fall in love with her character, give her some drive and determination. Anyone can complain and moan about their situation. Big deal. Get over it and move on (this would be a good tagline for the film). Then, she tries to make the audience pity her in one scene and all I could do was laugh. And that laugh was the only one that came from me while I watched the entire film. I could go on and on about how much I loathed most (if not all) of the characters, but I don't want to waste that much more time on the film.

Another issue I had with the film was the profanity. Now, I can handle large portions of bad language only if it serves the story and the situations that the characters have to deal with, but in "Running with Scissors" it just felt so overdone and unnecessary. It became mind-numbing and tedious after awhile that I wished I could just gag all of the actors' mouths. I don't know if the filmmakers were aiming for humor at those points, but they just came off as being dirty and not needed at all.

The only reason I actually continued watching the film was Jill Clayburgh, the actress who played Agnes. As the mother of the household, she tries to keep everything together and everyone happy. Agnes is the most sympathetic character of the bunch and when she would get sad or angry, I felt that emotion due to the great acting by Clayburgh. In a film filled with unlikeable characters, I truly loved Clayburgh's performance and felt that it belonged in a better film. The final scene of the film with her and Joseph Cross was the best part of the film (not saying much), because of the character and the actress who portrayed her.

Overall, "Running with Scissors" is not a good nor enjoyable film at all. It's not a comedy nor a drama either. The characters are terribly written and unlikeable and the story as a whole doesn't work well either. The only person that comes out of the rubble unscathed is Jill Clayburgh, who turns in a fine performance. Besides that, there's nothing great to write home about. I really wish I had just turned it off in the first place.

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House (The Criterion Collection) (1977)

HouseCriterion is a great company -arguably, the best DVD releasing company in the world. They are known for standards of excellence that aren't traditionally seen in most other companies' releases; not only in their DVD transfers and special features, but for the consistent high quality of the films they release. Most of the films Criterion release are already well-established, traditional, "classic" films. So, it's always nice to see a somewhat more "obscure" film get the Criterion treatment -this film definitely deserves it.

While not completely "obscure" -it's quite well-known in Japan, as well as amongst underground horror and experimental film lovers around the world -it certainly doesn't seem as, dare I say, "important" as many other Criterion releases. But being the underdog works here, since the film only costs $26 brand new (well below most "big" Criterion film's releases) so it will hopefully motivate more people to check out this work of art.

...YES, a work of art. While touted as a "horror" film, this most resembles an art film, one of the more experimental variety, and it is masterfully-shot and -directed. Utilizing all sorts of outrageous effects and downright bizarre editing, this often brings to mind directors like Shuji Terayama (Emperor Tomato Ketchup) and Toshio Matsumoto (Funeral Procession of Roses). While there are some more straightforward "horror" elements -skeletons, an evil kitty -most of them are downright silly, and remind me somewhat of American "classic" b-movie cheesefest Spookies than any serious work of horror. It is NEVER scary, and gets by mainly on absurdity and cheese.

So, why is this film getting 5 stars? Why is it "worthy" of a Criterion release? Well, opinions will differ, but I found this movie absolutely brilliant, one of the most entertaining I have EVER seen, with brilliant scene after brilliant scene of surreal absurdity. This film is downright INSANE, but it's charming. It's one of those films that you'll watch and say, "Okay, I HAVE TO show this to every single one of my friends now!" Infinitely rewatchable (I've probably watched my Japanese copy 20 times in the past 5 years), hilariously madcap, and endlessly inspiring. There is violence here, but it's all so silly... this is about as much a "horror" film as Riki-Oh is a "kung-fu" movie; it has all the "cool" elements of a genre film, but it's really just an excuse to cram as many insane scenes into a film as possible.

Oh, did I mention a piano eats a girl? ... The effects are what really make this film a sight to behold. They're actually surprisingly well-done, and even though I already own this film, I'm going to buy the Criterion edition just to see how they pulled off some of this stuff! Yes, as usual, the Criterion DVD is loaded with great special features, the best of which has to be the 1966 short film "Emotion" -without a doubt one of the greatest short films ever, and definitely my favorite of the "experimental Japanese New Wave" school (along with the aforementioned Matsumoto and Terayama). Honestly, "Emotion" is even better than the main feature -how insane is that? This is just one unbelievably value packed release, one that everyone needs!

So, yes, it is a very unlikely Criterion release, but kudos to them for taking a chance with this one. It is a film that needs to be seen -I can't imagine anyone NOT having a good time with it. And I really hope it sells well, because there just flat-out aren't many DVD companies releasing these kinds of crazy Japanese films anymore, since Tartan folded. Maybe, just maybe, if we're lucky, we'll all be able to see a Pastoral: To Die in the Country (aka "the greatest film ever made") release from Criterion sometime in our lifetimes....? Well, I can dream. But until that day comes, I'll be watching this one about once a month. Order it today!

Every once in a while you read about a film that it's indescribable and like nothing you've ever seen before. Usually that's hyperbole; it's just a bit offbeat. Not in this case. House (made in 1977) is genuinely like no other film I'd ever seen before, and I loved every minute. The closest in vibe to this film that I've seen is Funky Forest: The First Contact but that one's all over the place, and lacks the continuity of a single strange story like House. It's surreal horror, a hallucinatory and often hilarious supernatural thriller about Japanese schoolgirls who spend their school vacation visiting the aging aunt of their classmate. This is the kind of film you want to see in theaters if you have a chance but barring that see it at home, after it's out on dvd, with an open-minded crowd of friends who dig foreign, cult or arthouse films.

Gorgeous, as she's known, is irate that her father has decided to remarry, and so she invites her friends to stay in the aging and empty country house of her aunt rather than go with her father and his fiancee on vacation. We are introduced to each of her friends, all of whom have nicknames that describe their temperament and character: there is the beautiful Gorgeous, there's the apparently dreamy and gullible Fantasy, the brainy Professor, the always hungry Mac, the musical Melody, and so on. Along the way, on a magical train ride in which the animated fantasy background that shines through the windows of the train seems to resemble a film strip, she tells them how her aunt had once loved a man who promised to come for her after the war, but never returned. When they arrive, their aunt seems a bit too eager to see them, and odd remarks lead to inexplicable occurrences, and pretty soon it's over-the-top scary silly supernatural surreal mayhem. The director seems to delight in retro-styled effects and sight gags, using stop motion and many other inventive techniques to create a fantastic realm of visual jokes and horror. Combining live action and animation, the film transcends kitch and schlockiness into a realm of cinematic magic, that draws upon Japanese magical traditions of Yokai and witches and vengeful ghosts, but also evokes the era in which it was made, and appears to be making fun of a certain kind of depiction of youth in cinema. Fun stuff, and exciting to see that Criterion is releasing it (not surprising given that Janus films is supervising the current critically acclaimed theatrical rerelease).

Here's what to expect on the 1-disc Criterion set:

-a new, restored high-definition digital transfer (with uncompressed monaural soundtrack on the Blu-ray edition)

-a video piece featuring interviews with director Nobuhiko Obayashi, story scenarist and daughter of the director Chigumi Obayashi, and screenwriter Chiho Katsura

-Emotion, a 1966 experimental film by Obayashi

-a new video appreciation by director Ti West (House of the Devil)

-the theatrical trailer

-new and improved English subtitle translation

-and an essay by film critic Chuck Stephens

Buy House (The Criterion Collection) (1977) Now



Video review by future world famous serial killer Christopher Mackshere.

Read Best Reviews of House (The Criterion Collection) (1977) Here

There is very little I could say about House to do it justice. It is such a unique film that anything I say about it will be misleading. Suffice it to say that in a world where the same movie is remade over and over and over House is something that appears to be completely original. It is also extremely entertaining. I am grateful to the Criterion Collection for bringing this outstanding film to my attention. If you are reading this page then your curiosity is already sparked. If you find yourself interested in watching an extremely absurd and funny horror/art film with great visuals, then you cannot go wrong buying this DVD.

Want House (The Criterion Collection) (1977) Discount?

The people who are giving this movie bad reviews need to loosen up. This movie is great. The most amazing 70's visual effects I have seen besides Star Wars... If you are in to the "vintage 70's film look", Michel Gondry, Japanese pop art, 70's horror movies, Phsycedelic art, ect.., you will love this! And NO you do not have to be high to love this, you just have to have good taste.

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