Showing posts with label comedy movies list. Show all posts
Showing posts with label comedy movies list. Show all posts

Damsels in Distress (2012)

Damsels in DistressThis is the long-awaited return of writer-director Whit Stillman, who we last saw with the delicious 1998's "Last Days of Disco" movie.

"Damsels in Distress" (98 min.) brings the story set at a fictional Northeast university in which a group of young women, namely Violet (played by Greta Gerwig), Rose (played by Megalyn Echikunwoke) and Heather (played by Carrie MacLemore) take a transfer student Lily (played by Analeigh Tipton) under their wings. The group is determined to bring a better life to students, running the Suicide Center (which they rename the Suice Prevention Center). Of course that is not counting for the guy troubles that may, and will, occur. One of those is a fellow named Xavier. There is a hilarious scene in which Lily tries to explain that Xavier is spelled with an X, when one of the other girls say that it is surely it is spelled with a Z, as in "Zorro", at which point Violet surmises that the letters X and Z are pronouned the same when not ending in a word, ha! Gerwig's performance pretty much carries this movie, as she shows her vulnerability and you can't help but rooting for her all the way.

This light and quirky tone never leaves the movie, and I found myself quite smiling a lot (but not laughing out loud). Truth be told, the "tone" of the movie is better than the actual plot (which I won't give away here, you'll just have to see for yourself how it all plays out). In all, this is a quirky little but loveable movie. This is MILES away from your Hollywood standard fare, and if you are into such type movie, I would readily recommend this. Nothing earth-shattering, just plain likeable. In that sense, "Damsels in Distress" is HIGHLY RECOMMENDED!

After reading reviews I thought this film would be much different than his others but now that I have seen it I think it was quite similar. It is critical, smart, interesting, and funny. Some of the dialogue is absolutely hilarious. Whit Stillman is the only filmmaker I know of that writes pretty realistic yet comic films about the elite. It is fascinating to me to see how these people think. This film, even more than his others, shows how sad and pathetic the people that run the world really are. Sure they are oppressing just about everyone on earth and their actions cause untold devastation and suffering yet they believe they are doing the right thing "God's Work". This is a scathing yet sympathetic critique of the American aristocracy. One would think this would be impossible but here it is. He really has matured as a filmmaker. This is his most complex and nuanced work yet. Also, as with most cutting edge art, this film will likely require repeated exposure for one to learn to really appreciate its brilliance. I look forward to many further viewings.

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I knew nothing about this director; this was a random choice of movie for me after seeing a preview. It's definitely quirky, ridiculous, and all those other adjectives people have used. You either like that or you don't, and maybe you like this version of it or you don't.

The first part got a little old for me and I did consider not finishing the movie but I'm glad I did. The characters and plot changed and evolved and I laughed and smiled more in the second half and found the ending charming.

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Whit Stillman helped start the great '90s indie boom that will be long remembered for bringing great talents like himself to the cinema world's attention. Few directors make such unique works and now he's back with "Damsels in Distress." The film, which is a college comedy of manners, is one of my favorite films of the year. The dancing, quirky dialogue and great cast made it a fun theater going experience. I was wondering if Stillman could still pull it off after all of these years and he did. A bit different from his earlier works, but still fits wonderfully in his canon. With "Barcelona" now over $100 on amazon, I may be buying 100 copies to use as a retirement plan.

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There may be spoilers.

Director Whit Stillman hasn't made a movie in more than a decade, so I was looking forward to this, his fourth film. There are few writers who can assemble such thoughtful, provocative and articulate words together and at the same time, make us laugh. "Damsels" isn't one of those laugh-out-loud movies but one where you snicker, smirk, chuckle and maintain a smile on your face throughout the 99 minute playing time. With a fine cast led by atypical beauty Greta Gerwig as Violet, the film takes a while to find its footing.

Violet is a college do-gooder with suicide prevention her primary focus. She softly commands 3 others who join her effort. Violet is one of those individuals who somehow manage to tell the truth, or her version of it, no matter how it might affect someone. She does take considerable effort to minimize the hurt by use of her flourishing vocabulary. Violet and the girls aren't mean or vicious. They actually want to help the frat boys in spite of their bad smell, low intelligence and brutishness. In one scene, Violet breaks up with a short-term boyfriend from France after catching him with another girl. He had a strange religion which involves an "unusual" position for sex and as she tells him, "I couldn't respect any religion that worships on Tuesday."

After a short stent alone in a cheap motel, Violet discovers the wonderful scent of the complementary soap the motel provides. After testing the smell on her friends, she decides this could be transformative and supplies samples inside a package that the fraternity boys think makes for a great Frisbee. Violet has also been working on a new dance "sensation" that will ease depression, isolation and even suicide. The movie ends with the role out of the Sambola. This is a fun, unusual and easy to watch film.

The Blu ray edition comes in a 1.85:1 aspect ratio presented in 1080p. Watching this on a large display the transfer seems a bit washed out. It is not unusually crisp and sharp. I suspect this was intentional as the director wanted a smooth yet detail picture. It certainly didn't bother me. The audio is excellent with the DTS-HD Master Audio 5.1 delivering the mostly centered action. There is nothing that stands out as this is mostly a dialog heavy film. For whatever reason, the volume is lower than usual. I had to crank my receiver's volume up quite a bit.

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Lady for a Night (1942)

Lady for a NightJoan is a riverboat queen who runs her casino with the aid of political boss Wayne. I saw this movie years ago in California and thought it was corny but cute. Certain scenes are rather ludicrous such as the raven in the window foretelling evil ahead and the malevolent presence of Blanche Yurka as Julia Alderson lingers in the memory for her campy playing. Yurka tries to poison Blondell when she tries marrying into the Alderson clan, but alas the potion is drank by a family member and guess who is charged? There are several musical numbers such as Blondell singing "Up in a Balloon" . A harmless way to while away an hour.

If you don't expect anything amazing, you'll enjoy this film. It's well-intentioned and could have been more, but it just doesn't have that magical chemistry that makes for a great movie. The plot is a bit hokey and predictable, but it wasn't trying to be anything more than that in the first place. Not a must-see, but a nice southern romance full of intrigue type of movie to sit back and relax with.

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This Republic Poverty Row B-movie is actually a pretty lavish costume drama set in post-Civil War Memphis; but filmed, I'm sure on a Republic back lot. Joan Blondell, a wonderful leading lady at Warner Brothers in the 30's, is the star, not John Wayne, and she gets to show off her singing and dancing abilities in the "Up in a Balloon" production number on the Memphis Belle, a gambling riverboat in Memphis, co-owned by her character. Jenny Blake and Wayne's character, Jack Morgan. Jenny, from the wrong side of the tracks, has a chance to marry a high society, but bankrupt, plantation owner and takes advantage of it. The plantation owner, played by a forgettable Ray Middleton, is completely unlovable and there is certainly no chemistry between Middleton and Blondell. While not an important film for Wayne, his role is a significant one, with his character, Jack Morgan stepping in to rescue Jenny in her time of need. What chemistry there is takes place between Wayne and Blondell. Enjoyable film to watch especially for Blondell and/or Wayne fans but the cheesy production values and often cringe-worthy dialogue keeps this one in the solid three-star category.

Read Best Reviews of Lady for a Night (1942) Here

If John Wayne is in it, how can it be bad? Joan Blondell and the Duke make a pretty good pair.

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this also helped compleat my set still want more of the early ones i have not got the man betrayed yet

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Ted - Limited Edition Gift Set - Blu-ray Combo Pack + Exclusive T-shirt (2011)

Ted - Limited Edition Gift Set - Blu-ray Combo Pack + Exclusive T-shirtWhen you grow up with a woman who makes teddy bears by hand and sells them for a living, they kind of become that extra member of the family. As a child, there were times when the bears would be in positions or places that weren't where they were thought to have been left. Our theory was that whenever we weren't around, whether it was if we left the house or went to bed or whatever, the bears would get up and throw parties when we weren't around. So any movie that features something like a living teddy bear that can talk probably resonates a bit more on this end than for the average person.

"Ted" pretty much already had that nostalgic factor to it with the concept alone. While Seth MacFarlane doesn't always hit it out of the park with each episode of "Family Guy," "American Dad," or "The Cleveland Show," when he does get it right it's something special; it's hilarious, it's emotional, and its references are spot-on. "Ted" is MacFarlane at his best. The trademarks he's known for are all in there whether it's the incredible music that is heavily Frank Sinatra inspired, the ridiculous movie and pop culture references, or the humor that always seems to take a flying leap over whatever the accepted standard might be; it's all in the stuffing/inner workings of "Ted." The only difference is this is a different medium; a different plane for MacFarlane to bring his offbeat humor and influences into.

The spin MacFarlane puts on a familiar story is what makes everything so good. Of course, hearing Patrick Stewart as the narrator is a pretty great way to start any movie. There are a few surprises in "Ted" that are worth keeping that way. There's this huge emphasis on "Flash Gordon" that results in some really memorable sequences.

By now, you've probably heard the thunder song that John and Ted sing whenever a thunderstorm hits. It's still funny no matter how many times you hear it. Giovanni Ribisi was the best part of last year's "The Rum Diary" and he always seems to show up when you least expect him to like in "Avatar" or "Public Enemies." He has the most hilarious sequence he's ever been a part of in "Ted." It'll be difficult not to think of this particular scene whenever you see him from now on.

"Ted" is an R-rated comedy first and foremost, but it also crams a lot of heart into its 106-minute run time. The strain that's put on both the relationship between John and Ted and John and Lori's relationship results in the last twenty or so minutes of the movie being purely emotional. So while you'll more than likely remember the movie for the farting scene at the restaurant, the dirty fozzy scene at the grocery store, or the most amazing hotel room brawl involving a teddy bear that you've ever seen, "Ted" is secretly setting you up for that tight feeling in your chest when that pull string on your heart is tugged a little too hard.

"Ted" is the best thing Mark Wahlberg has been a part of since "The Fighter." It also gives the impression that Seth MacFarlane is still in the upswing of his prime and still has a lot to offer to anyone who's a fan of comedy in general. With its magnificently rich score, flawless use of CG, heartfelt sucker punch neatly tucked away at its core, and endless barrage of references and foul mouthed and vulgar humor, "Ted" gives "21 Jump Street" a run for the funniest R-rated comedy of the year. In fact, it may even get your vote as the best comedy of the year. It's like 2012's secret weapon for comedy at least until we can get our hands on an Apache helicopter.

After being beat down by Hollywood's recent (say, the last 15 years) interpretation of comedy, I was skeptical of this movie.

But, since it seemed different from your basic mindless, re-hash comedy(Epic Movie), or endless do-over (W. Farrell, J. Carey), thought I'd give it a chance.

After watching Ted, I was actually happy to have taken the time to see it, and that doesn't happen often in this age of re-makes and sequels.

Being 49 years old, it's tough to come across a new, funny comedy. This is definitely one.

Admittedly, there are one, or two, scenes that even made me cringe.

This is NOT a movie for kids, or folks whose laces are tied a bit tight(as noted by a few bad reviews,... 'What did you expect, Teddy Ruxpin?').

Most people will find this quite funny. 'Most'.

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I kind of expected Ted to be crude, but it surprised even me. There were a couple of chuckles, but the novelty of the talking teddy bear wore off quickly and the humor was too shallow to sustain my interest so I didn't even finish the film. Ted's voice is *exactly* the voice of Peter Griffin, too, which was more distracting and annoying than comical.

Read Best Reviews of Ted - Limited Edition Gift Set - Blu-ray Combo Pack + Exclusive T-shirt (2011) Here

Keeping this short this movie was great on many levels. It was dead-on Boston accents, regional humor, while also appealing to comedy lovers in general! Growing up in MA, and living/working in Boston for years this movie is personal to me but what a funny premise, great use of CG, and frankly great characters throughout the film. This is on my must-buy list when it comes out! Instantly a classic comedy in my opinion.

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i love this movie full of laughs and not a dull moments wish i could have got the movie on kindle instead of rent it

Aspen Extreme

Aspen Extreme"Dexter Rutecki lived a life that was short and funny and sad and hard and good. Most of the time it was good. It was good the day he died. The snow was deep and pure white. The sun high and cold. He was my best friend."

This film, while some will cry "Predictable", is entirely watchable and utterly enjoyable, almost to the point of sin. Granted, it's not "Chicago", "Phantom of the Opera" (2004 version), "Dances with Wolves", or "Titanic". However, it is certainly not cutting room floor crap either, and WAY better than "Hot Dog" because it doesn't rely on nudity to sell the story. Come to think of it, that's probably why the film wasn't a smash at the box office. YES! That's it! I'm sure of it! No nudity, that remains this film's fatal fault for the vast majority of America.

As for me, this film deals with far more human issues than simply throwing the odd breast on the screen to drawn in crowds. No, this film deals with two friends desire to attain success together (and not in that way).

This is an overall good film if one can manage to see the issues at hand. A man's climb to the top, the value of friendship, and the horror when your world comes crashing down. Then, yes, there is death, remorse, and dealing with all of those feelings in a way that leaves you among the living.

Predictable, yes, but if it wasn't it would either be "too real life" or "depressing". So what if it's predictable. That is why we see films. We watch to either be happy, or sad, or vindicated. Predictability is a good thing. If it wasn't, you'd take your date to what was supposed to be a "chick flick" and need a ride home at the end.

Bravo for predictability and Bravo for Aspen Extreme. It's a fine film and a guilty pleasure sure to be watched countless times over.

This will be a short review chances are, if you're reading this, you're already a fan of the movie and looking to see how the blu ray release turned out. I won't review the movie itself other than to say I liked it quite a bit enough to buy the DVD a few years ago only to be extremely disappointed in the picture and audio quality (likewise with the other Mill Creek disc I purchased, "Indian Summer"). Thankfully, those issues have all been fixed and the blu-ray is a fine release mind you, this isn't a reference quality disc and there are no extras what-so-ever (the menu consists of 'Play' and 'Scenes'). But the picture is finally presented in 'anamorphic' widescreen which was all I was really hoping for to begin with. In fact, the picture is more vibrant than I expected I'm fairly certain there wasn't any sort of restoration done, but it looks pretty darn good nonetheless. The other nice surprise is the DTS-HD Master soundtrack again, not reference, but it sounds quite nice and many times better than the DVD. Bottom line: for the price, this is an easy purchase for fans of the movie looking to upgrade from the awful DVD. If you haven't seen it, give it a shot for a 90's film about a couple of down-n-out guys looking to live out their dreams of hitting the big slopes, it's probably deeper than you're expecting. Enjoy!

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First off, I love this movie. Sure, it's a bit ridiculous, but I like the characters, and the skiing footage is great. I'd probably give the movie itself 4 stars, but the DVD production deserves 2 stars, at best.

Issue 1: The video transfer is not very good. I did a side-by-side comparison with my VHS version, and the DVD image isn't much of an improvement. The colors are a little brighter, but the image isn't any sharper, and there is even dust evident on the DVD transfer. But what's worse is the letterboxing. I prefer to see all my movies in the original aspect ratio, so I was excited to finally see a widescreen version of Aspen Extreme. However, I was incredibly disappointed to discover that the 1.85-to-1 aspect ratio was achieved by cropping the top and bottom of the VHS image, rather than restoring the sides of the frame.

Issue 2: There is no Dolby Digital 5.1 sound. As you would expect from a not-so-popular catalog title, it didn't receive any special sound treatment. All you get is the Dolby 2.0 surround.

Issue 3: And finally, as you would expect, this title received no extra treatment in the special features department. Granted, with the ...price tag, you probably weren't expecting much, but if you didn't already know, this is the movie only. There's not even a theatrical trailer.

In short, if you already have the VHS version of this movie, don't bother to buy the DVD version. It's not offering you anything you don't already have.

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I watched this movie thinking it would be some shallow t&a moviebut one with great ski sequences (which I why i thought it worth a look). How wrong I was!

Aspen Extreme is one of the rare films about male friendship that gets its right.

It portrays, as few films do, how a close male friend can simultaneously be your emotional anchor and greatest competitor. Dexter and TJ ( the main characters) have that complexity and paul gross and peter berg are great actorsyou actually believe they are lifelong friends who need each other, even while they know they may be going in different directions as they get older.

The ski sequences are excellent and teri polo shows why she should have become a major star a decade ago (if there was any justice in the world)

the only negativefiona hughes was too one dimensional and not on par with the three leadsyou never once get the feeling this person is a successful businesswoman!

the plot twist towards the end is a little shockingbut moving and effective.

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If you love to ski or snowboard (especially if you love the 80's) you must see this film. It pretty much (along with Hot Dog!) defines the 80's ski scene. Great stunts, good story line and awesome clothes and soundtrack make this the perfect film to enjoy watching after a long day on the slopes (drink in hand of course!).

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Passion Play (2010)

Passion PlayIf nothing else, Mitch Glazer's "Passion Play" scores points for being different. Part existential drama, part swoony romance, part gangster epic, and part fantasy parable--this offbeat tale actually works better than you might anticipate. Expecting relatively little, I bought into this adult fairytale and its eccentricities. For its first hour, it spins a rather sweet fable with deceptively hard edges. It is in this juxtaposition of moods and themes that the movie really sets itself apart. But after establishing an effective premise and winning me over--the film suddenly loses a bit of momentum, takes a complete tonal shift, and ends on a rather unsubtle note meant to be uplifting and fraught with meaning. It's like there was an intriguing idea for a story, but the movie doesn't know how to get to its end in a dramatically cohesive way. Still, I liked the film--but I definitely felt a division between its parts. The first hour rated about 4 stars, but the final thirty minutes kind of felt hollow for me.

When a hapless jazz musician (Mickey Rourke) raises the ire of a local gangster (Bill Murray), he soon finds himself looking down the barrel of a gun. Narrowing avoiding execution, he stumbles upon a traveling carnival and becomes enchanted with Megan Fox who performs as a sideshow attraction. I'm sure plenty of reviews and descriptions of the movie will give you more information--but I think the film works best if you let a few surprises occur naturally. Soon Fox and Rourke hit the road but their blossoming romance is threatened by Rourke's need to square himself with Murray. Fox's allure may be just the ticket to saving his life. Through no fault of the actors, it is when Fox and Murray meet that the film starts to lose a bit of its life force. Who, if anyone, will end up with whom? Or are there greater powers at work on this trio of damaged souls?

Rourke is an interesting presence here--understated and believable. Fox displays credible vulnerability and acquits herself well. However, the grand success of the movie depends on them having an impassioned bond. And although both are good independently, I never felt the real heat of connection and chemistry. The illusion of their romance is not able to withstand their separation--and the longing looks and teary wistfulness were never entirely convincing for me. Murray, for his part, also restrains himself with a sly menace that serves the piece well. And while I'm sure some will be won over by the ending, it just seemed to be trying a bit too hard--especially lacking a tangible love bond. Still, it's worth a look--especially if you enjoy the actors. About 3 1/2 stars overall--I admired what the film tried to accomplish even if I felt it wasn't wholly successful. KGHarris, 5/11.

Customer review from the Amazon Vine Program Passion Play focuses on a down on his luck trumpet player named Nate (Mickey Rourke) and his encounter with a young woman named Lily (Megan Fox) in a Mexican sideshow who just happens to have wings. As their lives quickly intertwine, things go from bad to worse when they run away from her overprotective carny father (Rhys Ifans) and into the spiraling web of the mobster who wants Nate dead, Happy Shannon (Bill Murray).

The premise is interesting. Not quite a noir tale, not quite magical realism... Passion Play, if I may be a bit spoilerish, is a tale of Purgatory. Unfortunately, it's not artfully done. It's too real and mundane to be fantastic, other than Lily's wings, and too casual about said wings for anyone to take it seriously. The ending is the only brave thought in the film, and even it is tainted by the plodding narrative and superfluous side characters.

Passion Play attempts subtlety through lingering character shots and uninspired dialogue delivered with horrible timing by both Rourke and Fox. Ultimately, it all falls flat. Bill Murray's Happy is the most interesting part, but even his poetic lines lack for drama and poignancy. I don't think that's his fault, though. The entire piece is earnest, but fails.

If you're looking for noirish films that deal with similar subject matters, I'd probably recommend The Salton Sea. Passion Play? I honestly can't even recommend a rental. It's not the worst movie, but it's pretty bad.

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This is a slow moving neo-noir modern western. Mickey Rourke plays Nate Poole, a jazz player has-been who has been caught with a mobster's wife. He is taken out into the desert to be shot when suddenly a group of Native Americans, dressed in white, shoot his killer. Nate walks until he reaches a sideshow carnival, complete with a woman with huge angel wings (Meagan Fox) named Lily Luster (short for Lilith, a fallen angel?). As the carnies are ready to kill Poole, Lily rescues him.

Rhys Ifans plays Sam Adamo (another Biblical reference as Lilith in mythology was Adam's first wife). He is the head carny and Lily's caretaker. Nate plans to exploit Meagan by going back to the mobster Happy Shannon (Bill Murray) who is anything but happy, as he is a "recent widower." Nate is aided by Harriet (Kelly Lynch) who runs the "Dream Lounge" in case you thought we were running out of symbols/metaphors. Oh yes, Happy's real name is "Michael" like the angel.

Poole seems to ruin his chance for redemption when he decides to exploit "angel." The movie contains tons of slow, seemingly useless, endless dialouge. The Sartre ending was expected as soon as the first shot was fired. This is more of an "indie" style movie or perhaps an "art" film. I think everybody will find something boring in this film in spite of the haphazard use of metaphors.

F-bombs, one dimly lit sex scene, nudity (not Meagan).

Read Best Reviews of Passion Play (2010) Here

If nothing else, Mitch Glazer's "Passion Play" scores points for being different. Part existential drama, part swoony romance, part gangster epic, and part fantasy parable--this offbeat tale actually works better than you might anticipate. Expecting relatively little, I bought into this adult fairytale and its eccentricities. For its first hour, it spins a rather sweet fable with deceptively hard edges. It is in this juxtaposition of moods and themes that the movie really sets itself apart. But after establishing an effective premise and winning me over--the film suddenly loses a bit of momentum, takes a complete tonal shift, and ends on a rather unsubtle note meant to be uplifting and fraught with meaning. It's like there was an intriguing idea for a story, but the movie doesn't know how to get to its end in a dramatically cohesive way. Still, I liked the film--but I definitely felt a division between its parts. The first hour rated about 4 stars, but the final thirty minutes kind of felt hollow for me.

When a hapless jazz musician (Mickey Rourke) raises the ire of a local gangster (Bill Murray), he soon finds himself looking down the barrel of a gun. Narrowing avoiding execution, he stumbles upon a traveling carnival and becomes enchanted with Megan Fox who performs as a sideshow attraction. I'm sure plenty of reviews and descriptions of the movie will give you more information--but I think the film works best if you let a few surprises occur naturally. Soon Fox and Rourke hit the road but their blossoming romance is threatened by Rourke's need to square himself with Murray. Fox's allure may be just the ticket to saving his life. Through no fault of the actors, it is when Fox and Murray meet that the film starts to lose a bit of its life force. Who, if anyone, will end up with whom? Or are there greater powers at work on this trio of damaged souls?

Rourke is an interesting presence here--understated and believable. Fox displays credible vulnerability and acquits herself well. However, the grand success of the movie depends on them having an impassioned bond. And although both are good independently, I never felt the real heat of connection and chemistry. The illusion of their romance is not able to withstand their separation--and the longing looks and teary wistfulness were never entirely convincing for me. Murray, for his part, also restrains himself with a sly menace that serves the piece well. And while I'm sure some will be won over by the ending, it just seemed to be trying a bit too hard--especially lacking a tangible love bond. Still, it's worth a look--especially if you enjoy the actors. About 3 1/2 stars overall--I admired what the film tried to accomplish even if I felt it wasn't wholly successful. KGHarris, 5/11.

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I really liked this movie a lot. I watched it on cable one night with no expectations.

Mickey Rourke was fantastic as the burnt out trumpet soloist Nate and Megan Fox was quite good in a role

that allowed her to stretch her wings a bit (no pun intended lol).

I loved the whole David Lynch styled atmosphere of the film and couldnt find too many things to say about it

except I believe the critics were wrong. They are like vultures and will pick off a film if they feel the others

circling sometimes I believe movies are dismissed because of what their peers think.

To go into the plot at all will spoil it for those who havent seen it, but this is definatley one

of Rourke's most interesting roles since Angel Heart and Bill Murray is sensational as the bad guy.

Dont listen to the critics they got it wrong Passion Play is a suprislingly excellent little film with touches

of Noir and is shot with an arthouse sensibility. And with the drivel that is being spewed out of the pens and

studios of Hollywood at the moment this is one of the more original films to come along in a long time.

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The Good, The Bad, & The Ugly (1966)

The Good, The Bad, & The UglyMGM released a DVD edition of "The Good, the Bad and the Ugly" in the late 1990s, but it had few extras, a mono soundtrack, and a scratched print. Finally, MGM has given Sergio Leone's Western epic the double-disc special edition it deserves. The print is restored and as clear as I've ever seen it, the sound is now an astonishing 5.1 Surround (listen to the glass falling off Tuco after he springs through the window in the opening sequence!) nineteen minutes of footage from the Italian original have been restored, and the discs are packed with extras. Even the packaging is great: a sturdy interlocking box, with the DVDs kept in the upper and bottom parts of the two lids. Also inside the box are cards containing posters for the film in five different countries.

The film, like most of the European Westerns of the 1960s, was critically disregarded in its day. The New York Times said of it: "the most expensive, pious, and repellent movie in the history of its peculiar genre. There is scarcely a moment's respite from the pain." It's amazing how people missed the brilliance of this movie, which turned Western conventions upside down in such a wonderfully bizarre, European way. Now the film is considered a classic, and only Sergio Leone's own "Once Upon a Time in the West" (another great 2 DVD set, by the way) has more respect in the genre. Leone's strange style -stretched out time, obsession with close-ups and extreme wide-shots, focus on rituals, and use of Morricone's wild and avant-garde score -are all in full force in this tale of three treasure-seekers searching for a cache of gold coins on the Texas-New Mexico border during the Civil War. The implacable and unflappable 'hero' Blondie (Clint Eastwood), the crazy comic bandit Tuco (Eli Wallach), and the calculating immoral sadist Angel Eyes (Lee Van Cleef) cross each other's paths amidst the senseless violence of the war. Leone perfectly contrasts the self-interested men with the greater backdrop of the tragedy of war. It's a strangely emotionally affecting picture despite its focus on three men who are detached from normal society and seem not to care about anything but money. So many individual scenes stand out for their virtuosity that the movie a parade of "greatest hits." Most astonishing of all is "The Ecstasy of Gold" sequence where Tuco dashes madly through a cemetery, looking for the grave that might hold the gold. Morricone's music here is especially overwhelming.

Chances are you've seen the film and love it. What about the new scenes and the extras?

Nineteen minutes of footage have been restored that were never shown in the American prints. The scenes integrate perfectly into the film, and after seeing them once, you won't be able to imagine they were ever missing. Among the scenes are Angel Eyes visiting a destroyed fort; Tuco hiring bandits to help him chase Blondie; Blondie and Angel Eyes having a face-to-face when they first set out together to find the gold; and some extra conversation between Tuco and Blondie in the desert. However, these scenes were never dubbed into English in the 1960s. Therefore, the DVD producers had to newly dub them. Eli Wallach and Clint Eastwood do their own voices. An actor named Simon Prescott does the imitation of the deceased Lee Van Cleef. Admittedly, Wallach and Eastwood no longer sound the same, but I couldn't imagine someone else imitating their voices -it couldn't have been done any other way. Prescott is pretty good as Angel Eyes, if a bit more gravelly.

The extras...

Disc 1 has audio commentary by Richard Shickel, a film historian who wrote Eastwood's biography and also did commentary on Leone's "Once Upon a Time in America" DVD. His comments can be pretty dry, and he focuses mostly on Leone's style and techniques instead of on background information on the filming itself. Nonetheless, there are many interesting insights, and Shickel manages to say a lot during the three-hour running time.

Most of the extras are on Disc 2:

"Leone's West" -A 20-minute documentary about the making of the film. Includes interviews with Shickel, producer Alberto Grimaldi, author of the English dialogue Mickey Knox, and best of all, Eastwood and Wallach. There's some very interesting info and memories here, mostly from Knox and the two actors.

"The Leone Style" -A 23-minute documentary, really just an extension of the first one. It spends more time on Leone's unusual techniques. The same interviewees appear here.

"The Man Who Lost the Civil War" -A 14-minute documentary that was produced separately from the DVD. It makes no mention of the movie, but is about its historical backdrop: the disastrous General Sibley campaign in Texas. Sibley appears in the film briefly, and this short documentary gives the viewer an important insight into the world of Blondie, Tuco, and Angel Eyes.

"Reconstructing The Good, the Bad and the Ugly" -An 11 minute look into the painstaking work involved with fixing the picture and sound, restoring the cut scenes, and re-dubbing it.

"Il Maestro: Ennio Morricone" -8 minutes; mostly an interview with music scholar John Burlingame about the film's score. At the end of the feature, you can choose to listen to an audio-only twelve-minute lecture by Burlingame that provides a much more in-depth analysis of the music.

"Deleted Scenes" -Two scenes couldn't go back into the film. The extended torture scene had a damaged negative, so here it is in its rougher state. An apparently lost scene is reconstructed through text, stills, and clips from the French trailer.

Finally, there's a gallery of posters, the original trailer, and MGM tossing in some gratuitous advertising for their other films.

Don't miss this DVD. Not only is it one of the great action films and one the great westerns, but it's the kind of release that the DVD format was invented for!

I am a huge fan of Leone's work, especially his Westerns. The Good, the Bad and the Ugly is a fantastic entry in his oeuvre (though I rank Once Upon A Time in the West and For A Few Dollars More just above it). It is full of his great style, it's very entertaining, and it features one of the best adversarial trios ever put to film in Blondie, Tuco, and Angel Eyes.

So it is with sadness that I have to rate this Blu-Ray 3 stars (and it's closer to 2.5). I've bought this movie three times now, not counting this Blu-Ray: on VHS, the first single disc DVD, and the SE that came out a few years ago. It should be obvious that I love this movie. When the Blu-Ray was announced, I was ecstatic. High definition Leone? Sign me up! I pre-ordered it along with the new T2 disc. Then I started reading early reviews that said the picture quality wasn't up to snuff. I was disheartened, and decided to cancel my order until I could check out the disc for myself.

I rented it from Netflix, and have unfortunately found my fears confirmed. While it certainly looks better than the SE DVD, it is not the best this movie can look. The over-zealous Digital Noise Reduction that has been applied completely robs many scenes of the fine detail we might otherwise have seen in 1080p. I put the old SE DVD in my Xbox and flipped back and forth between the Blu-Ray and DVD on a single scene (Blondie stands alone against some hills in the background in the final scene). While the Blu-Ray looked "cleaner" (that is, the digital artifacting visible on the DVD was gone), there was actually no further detail to be seen on the Blu-Ray! It was as if you took the DVD image and smeared it until the noise was gone, then bumped it up to 1080. I looked specifically at Blondie's eyes to see if any more detail was visible on the Blu-Ray, but there wasn't. The bushes on the hill in the background, too, looked like sharpened up-scaled blobs rather than bushes captured on film by a camera.

So, the picture quality isn't as good, but how about the rest? Well, it's mostly great! The extras, carried over from the SE, are all still interesting, and the new commentaries (which I haven't listened to yet) are very welcome and appreciated. The new menus are also nice. But I do have one more negative point: the sound.

If you watch the special feature on restoring the movie, the producer notes that in order to make a 5.1 audio track, he had to add sound effects. While I'm sure some appreciate having a 5.1 track, the sound effects (specifically the gun-shots) sound way off from the original unique and integral Leone effects. They use the exact same stock gun-shot that you've heard on TV cop shows and it really detracts from the movie if you've seen the original as many times as I have. The Blu-Ray includes many audio options, but unfortunately, an original mono track is not among them. It did have an English 2.0 mono, but it's still the remastered sound with the lame gun-shot effects, oddly. To hear the difference, pick a scene (like Tuco in the bath), and switch back and forth between the English 5.1 or 2.0 and the Italian 2.0. It's very obvious and really bugs me. So if I want to hear the original sound effects, I have to watch it in Italian? Come on, MGM/Fox, how hard would it have been to include the ORIGINAL 2.0 Mono track?

So, in conclusion, you have a great movie on Blu-Ray with lackluster picture and no original English soundtrack, but a plethora of great extras, all on a single disc. Worth it? Not for me, but it may be for you. I'm holding out hope that one day MGM/Fox will get a good transfer that isn't overly digitally tampered with (Leone should have some GRAIN, man! Check out the Italian BR releases!), and includes the original mono sound in English. Until then, I'm going to have to buy the old 1-disc DVD release used to enjoy this great movie.

Buy The Good, The Bad, & The Ugly (1966) Now

"The Good, the Bad and the Ugly" is Sergio Leone's epic masterpiece. While it is part of his Spaghetti Western Trilogy( all three films have different characters and plots), the film stands on its own and really shows you how good a movie can really be. This movie has it all. It has action, drama and even some comic relief in it. It is a timeless classic that is unforgettable. When I first saw it, I was a little kid and couldn't truly appreciate it as I can now at age 22.

Blondie (The Man with No Name) isn't your typical good guy. He mainly does things that suits his own agenda. However, when compared to the murderous Angel Eyes and the greedy Tuco, Blondie is a saint. This tale involves bloodshed, shoot-outs, search for treasure, and double-crossing. And it all takes place while the Civil War is going on, which makes things a lot more "interesting" for the notorious three. The West has never been wilder or more unpredictable than it is now. With an incredible score, excellent acting, and superb story-telling, this is one memorable film that you will never forget.

As I said in the beginning, the first time I saw this was when I was a little kid. When I just recently purchased this new edition of the movie, it truly was like I was watching it for the first time. Coming from a guy who isn't a big fan of Westerns (I don't mind them, but I don't watch too many of them), I absolutely LOVED this film. In fact, I wanted to give it a standing ovation when it was all said and done due to how moved I was by it. This really is filmmaking at its finest. I wasn't terribly impressed with Leone's "Once Upon a Time in America," but he is absolutely flawless with this amazing and timeless Western. It is slower than the second film ("For a Few Dollars More"), but I think that makes this all the better. The build up of tension is much more present in this film, and you really get the sense that these characters are real people. Clint Eastwood, Lee Van Cleef and Eli Wallach are brilliant in their roles, and a lot of props need to go to Lee Van Cleef as he is absolutely chilling in his role.

This new edition really does the film the justice it deserves. The film has been restored to the director's original vision as much as possible, giving you an extra 18 minutes. You will notice the added scenes as the voices have been re-dubbed (the first time you will notice this will throw you, as I think that specific part has the worst re-dubbing, but the other added scenes are done a lot better, even if you still notice it). The picture looks incredible and the sound is great. Extras included are commentary from Richard Schickel, a couple of documentaries and featurettes, poster gallery, deleted scenes and the original theatrical trailer. Along with the nice packaging, you get an 8-page booklet that includes pictures from the film along with Roger Ebert's most recent review of the film. And, you get some mini-posters included inside the packaging as well. A superior edition of the movie, without question.

"The Good, the Bad and the Ugly" is a pure triumph in filmmaking and should be seen by everybody at least once. Don't let the fact that this is a Western throw you. I think this can be enjoyed by everybody, and even by those who are not big fans of Westerns. A film filled with authentic emotion and action, this is one that shouldn't be missed by anyone. I LOVE this movie, and I cannot express that enough. -Michael Crane

Read Best Reviews of The Good, The Bad, & The Ugly (1966) Here

Don't miss Christopher Frayling's terrific commentary which is packed with production information and incisive observations. Particularly touching is the way Frayling takes up for Leone's decision to humanize Tuco, pointing out that this movie, far from a straight shoot-em-up, shows Leone coming of age. (This part of the commentary is during the great scene where Tuco meets his brother.) Frayling makes a few errors that are a bit surprising... Eastwood says "sure" rather than "pshaw" in a key exchange that Frayling gets wrong, and Frayling claims that Lee Van Cleef does not have part of his finger missing, a point definitively refuted by scenes in FOR A FEW DOLLARS MORE... but his love for this movie comes through resoundingly. This is one of the best commentaries I've heard. And the transfer, despite whatever DNR was applied, looks very detailed, film-like, and beautiful. Take it from somebody who has seen the movie over a hundred times... this Blu-ray is worth getting!

EDIT: I recently got the Mondo Blu-ray of this title and what everybody has been saying is true; it is utterly superior to the MGM transfer in picture quality. It's a shame that this Italian version (transferred from a print owned by the Leone family) doesn't have an English soundtrack, but since I know this movie by heart anyway, I'm fine with it. Let's hope that someday this beautiful transfer is issued in English.

Want The Good, The Bad, & The Ugly (1966) Discount?

This is the best edition of GBU that I have seen so far. I do not agree with the reviewer that complained about the absence of grain due to DNR. For me it looked sufficiently grainy and I could not see any DNR artifacts (on a 1080p plasma screen). There is some minor problem with the film's sprocket hole registration, meaning that the picture is shifting slightly in steady shots. This can be attributed to the 40 year old film technology, but it could have been corrected during the restoration.

The language and subtitle options are awesome, even the two audio commentaries, by Schickel and Frayling, have subtitles. I still have to take the time to enjoy the commentary by Frayling, which is new to this edition. The Schickel commentary was already on the 2 disk DVD edition from a few years back.

And, as mentioned by others, the cover states incorrectly a running time of 161 minutes, when it is in fact 2:58h (178 minutes).

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The Proposal (2009)

The ProposalFor some reason Amazon is not listing in Product Details what is actually included in the 2 disc DVD other than a movie description. So for those like me who like to know what Xtras (+ Digital Copy) you're getting here it is:

Alternate Ending

Deleted Scenes

Audio Commentary

Featurette

"Set Antics": Outtakes And Other Absurdities

Subtitles: French, Spanish

Disc Two: Digital Copy of Feature Film

I saw this at the theatre 3 times. It is so funny. I was laughing out loud all through the movie. This is not a chick flick. Lots of men were in the theatre with me and they were laughing louder than me and my girlfriends. The acting doesn't get much better than this. The director has to be pleased with this one because these actors showed up knowing just what to do. Sandra Bullock and Ryan Reynolds were so good together. Ryan was great even when he wasn't speaking. Just his facial expressions were hysterically funny. He also gave singing a try which was even funnier. Betty White played his grandmother and was as good as ever. Sandra and Ryan try hard not to like each other but it just didn't work. Sandra Bullock looks great. Girl can't help it, she is just too pretty. I don't write much about the story because it is described on the Amazon listing and I don't want to spoil anything. Go watch this movie. It is the comedy of the year. I like spontaneous type comedy and not fake made up comedy and The Proposal is just that. You will watch this movie over and over.

Buy The Proposal (2009) Now

If you have just survived another tough week at the office and are looking for a weekend pick me up, "The Proposal" is your sure bet. Yes, I laughed outloud often, and so did most of the audience. The comment frequently heard as the credits rolled was: "Ooohhh, that was sooo goooood!".

The story: a tough lady-boss (Bullock) is being deported to Canada for willful non-compliance with the US immigration department. To save herself, she directs her doormat of an assistant (Reynolds) to marry her. He reluctantly agrees to play along, after she "helps" him understand the virtues of being employed. If you think you know where this story is going... well, you are right. The "happily ever after" cannot be avoided. 'Tis a comedy after all...What is fresh is how skillfully the writers and the director allow the story to veer away from the "happily ever after" course, keeping us on the edge of our seats until the satisfying end, which we have known all along was bound to arrive.

The chemistry between the two leads is another pleasant surprise. I am not a particular fan of either Bullock or Reynolds. Though each smoking hot and talented, neither has made many inspired project choices. However, the roles here suit the pair's natural acting styles reasonably well, which in turn further enhances the believability of their characters. The look of constipated doom on Reynold's face, as he's being informed he's engaged, is side-splitting! I do regret Bullock does not play "mean" better; the intended juxtaposition of her supposedly tough as nails character against her overly compliant secretary is lost at times. We are TOLD she is a witchy boss, and yet she comes accross nothing more then efficient (Sandra: call me! I'll give you some pointers. In return you can teach me how to find a secretary as hot as Reynolds ;0) ).

Another gem in this comedy is Ms Betty White (of "The Golden Girls" fame), an octogenarian in real life as well as playing one in "The Proposal". She has made an art of delivering "campy" with emotional intelligence. She does not dissapoint here either.

Final verdict? Will this film change the course of modern cinematography?

Not a fat chance!

Did it chase my blah's away until Monday morning?

AFFIRMATIVE!!! ...Till Wednesday... at least!

Read Best Reviews of The Proposal (2009) Here

There are two deleted scenes with optional commentary by director Anne Fletcher and writer Peter Chiarelli. There is a nice scene with Andrew's parents (Nelson and Steenburgen). We also see Margaret and Andrew getting a little more comfortable with each other. They are nice enough scenes but not essential and one can see why they were cut.

There is an alternate ending with optional commentary. Fletcher and Chiarelli talk about why they didn't use this ending and another one that they didn't use as well. The humour in this scene is much broader than the rest of the film and seems out of place.

"Set Antics: Outtakes and Other Absurdities from The Proposal" is a montage of the cast goofing around on set. It looks like they had a lot of fun making this film.

Finally, there is an audio commentary by Fletcher and Chiarelli. They start off explaining the dichotomy between the two main characters. Fletcher says that Bullock loved the screenplay and gave Chiarelli all kinds of notes to make her character nastier. He talks about the mechanics of the story while she talks about the challenge of working on location. This is a fairly decent track by two people clearly proud of their film.

Want The Proposal (2009) Discount?

I am in no way a big fan of romantic comedies, but I found myself buying this film anyway. I had heard plenty of good things about the film (that I was very skeptic about)and these are two actors who I've got quite a bit of respect for. Most movies don't really get me to laugh. We're lucky if you even get a smirk out of me. Yet I found myself sitting on my living room floor laughing harder than I have in a long time. Now as for why I like this film:

There's something to be said for acting without speaking and Ryan Reynolds has this down. His facial expressions can tell some real stories.

I'm a fan of "The Office" and seeing Oscar in this role was a real treat despite how awkward it was at times. But awkward in a funny/good way.

Betty White is her usual adorable self. I can't think of anyone else to replace her.

Sandra bullock did an interesting job of making an evil boss lovable.

The location was interesting. How many of these movies are set in New York or the Bahamas? Not this one.

No sex scenes. As odd as it is for an 18 year old to say, "I hate sex scenes," I do. I want to watch a movie with my mom and not feel extremely awkward. Plus I find it really annoying when two people who hardly know each other are jumping into bed the first chance they get. I wouldn't really call that "Romantic". It just comes off as a cheap way to sell a movie. This movie had NONE of that.

And it isn't extremely predictable. I like to predict endings just from previews and I thought I had this one nailed, but 30 minutes in, I began to wonder if I bet on the right horse.

Now this isn't the kind of movie that's going to win awards for special effects or best musical number, but there's something about the simplicity that makes it all the more enjoyable. It really manages to stand on it's own.

Even my dad, "Hater of anything not made in the 70's," was laughing with us.

You'll see what I mean if you decide to see it, and I hope you do.

Bridget Jones's Diary

Bridget Jones's DiaryDissatisfied at age 32 with the direction her life is taking, a young woman vows to make some changes, and to keep herself on track she decides to start a daily journal, hoping it will make her toe the line, in "Bridget Jones's Diary," directed by Sharon Maguire and starring Renee Zellweger. Bridget (Zellweger) begins with some New Year's resolutions that include no more drinking or smoking, not being paranoid about her weight, and developing poise. And-last, but not least-to avoid any romantic attachments to alcoholics, workaholics, peeping Toms or perverts. Of course she promptly falls for the one man she knows who embodies all of those characteristics: Her boss, Daniel Cleaver (Hugh Grant). In the meantime, her mother, Pam (Gemma Jones), continues to play matchmaker for her daughter. At a holiday gathering of friends and family, Pam nudges her in the direction of an old childhood chum, Mark Darcy (Colin Firth), now a respectable attorney, and recently divorced. Their initial meeting, however, proves to be a less than monumental event, further complicated by the fact that Cleaver was Darcy's Best Man at his wedding, and has some tales-out-of-school to tell about the subsequently ill fated marriage that puts Darcy in a rather bad light. But Bridget could care less; she thinks Darcy is rude and a bore, and anyway, Daniel is her guy. Work is good, her life is going well and-as she is about to wake up and realize-she hasn't kept a single one of her resolutions. And, oh! she should have.

First time director Maguire proves with this auspicious debut that she certainly knows her territory and how to negotiate it. She has the touch and the eye for detail of a seasoned professional, and her sense of timing is impeccable. She successfully avoids a major pitfall that do in many rookie directors right out of the chute, by never fishing for the cheap, forced, disdainfully pretentious or concocted laugh. Everything in this film, especially the humor, flows freely and naturally from the circumstances of the characters and the story, which makes it all real and believable and allows it to be readily embraced by the audience. This is a funny, often hilarious movie, but it's also very warm and at times poignant, and for handling it so sensibly, and with such sensitivity, Maguire deserves to be granted even more kudos. It's quite simply an exceptionally well made film, presented with a style and grace that reflects that of the director herself.

Of course, having a superlative leading lady was certainly not disadvantageous to Maguire's efforts, either, and Renee Zellweger has never been better than she is here as Bridget. With her quirky good looks, personality and charisma, she is endearing, and she invades Meryl Streep territory by affecting a perfect British accent. Whether she's lip-syncing to a Celine Dion song, doing karaoke at an office party after having a bit too much to drink, or battling with a blender, it's easy to believe that someone would like her just the way she is. Even with her hair mussed, or in a somewhat disheveled state, she's alluring, and it all has to do with who she is deep down inside; Zellweger makes it clear that this is a woman of substance, and it's easy to like her. There's a down-to-earth honesty and accessibility about her that makes her appealing, and she's someone to whom many in the audience are easily going to be able to relate. For her portrayal of Betty in "Nurse Betty," Zellweger received a Golden Globe; "Bridget" should land her smack in the middle of Oscar territory.

As Bridget's smarmy boss, Daniel, Hugh Grant turns in a noteworthy performance, putting a rather tarnished sheen on his natural charm that works so well for this character. It's a nice departure from his usual bumbling, reserved Mr. Nice Guy routine he perfected in such films as "Notting Hill," and "Four Weddings and A Funeral." With this role he challenges Greg Kinnear's part in "Someone Like You" for the top spot in the Boss-You-Should-Never-Date category. And Firth does a memorable turn as Darcy, fairly reprising his role of the same name in the PBS miniseries, "Pride and Prejudice," from which this story is loosely derived. Initially appearing a bit sullen, he gets the chance to develop his character as the story unfolds, and he does it quite nicely, ultimately revealing Darcy's true nature.

In a supporting role, Gemma Jones gives a performance that deserves mention, doing a good job of fleshing out Bridget's mother in the brief time she is allotted. Rounding out the supporting cast are Crispin Bonham-Carter (Greg), Jim Broadbent (Colin Jones), James Callis (Tom), Sally Phillips (Shazzer), Honor Blackman (Penny), Embeth Davidtz (Natasha), Shirley Henderson (Jude) and Celia Imrie (Una). A warmly humorous, uplifting film, "Bridget Jones's Diary" is a delightful and satisfying experience with more than a touch of magic in it. Not only is it an entertaining showcase for Zellweger's many talents, but heralds the arrival of a director from whom we can expect great things in the future, Sharon Maguire. A well crafted, reality based comedy/drama that is enjoyable and refreshingly devoid of inane nonsense or gross jokes is a rare find these days, and this is one of the best to hit the screen in a long, long time. It's a film to be heartily embraced, and one I guarantee you'll want to see more than once.

Renee Zellweger does a fabulous job of portraying Bridget Jones. You would never guess that this great accent came from a Texan. At the age of 32, she is unhappy with her unmarried status, and everyone constantly throws it in her face. She is interested in her boss Daniel Cleaver, but knows he is not the type of man that she should see. When she meets Mark Darcy (a set up by her mother), they dislike each other immediately, and the fact he hates Daniel is just a bonus. The comedy that follows is just hilarious.

This is a very entertaining movie. Hugh Grant sheds his normal good guy persona to be the guy you love to hate. He is very effective in the role switch. Colin Firth is just plain loveable. This is a movie to pull out and watch again and again.

Buy Bridget Jones's Diary Now

I saw this movie, kicking and screaming, when my younger sister foisted it upon me. Thinking that it was going to be another Gen X piece of claptrap, I gritted my teeth and prepared myself for what I erroneously thought would be a waste of time. Was I ever wrong! It turned out to be a sublime cinematic experience.

Renee Zellweger is definitely the star of this film. She positively twinkles! She is absolutely marvelous in the role of Bridget Jones, our single, thirty something, English Holly-Go-Lightly. Employed as a somewhat graceless publicist, the plump and perky Bridget enters into an affair with her caddish, handsome, sexy boss, winningly played by the ever charming and debonair Hugh Grant.

Meanwhile, her mother has introduced her to an attorney, the stiff-necked Mr. Darcy, played to taciturn perfection by Colin Firth. Even though they were once childhood playmates, he and Bridget do not initially click, and it is not love at first sight, as Bridget's mother had so hoped. Bridget goes on her merry way with her boss, unaware that he is two-timing her. When she discovers his perfidy, it is too late, as she already fancies herself in love with him.

Mr. Darcy, however, re-enters the picture, and what happens is a thing of beauty to watch. The film is very funny. Rene Zellweger as a Brit is totally believable. She is so good that she would even fool the Queen into believing her to be one of the Queen's own subjects. Without a doubt, this is one of Ms. Zellweger's best roles to date, and she is positively delightful. Moreover, Sharon Maguire's directorial debut is certainly noteworthy, as she shows signs of a deft comedic touch in her direction. This is simply a terrific film. Bravo!

Read Best Reviews of Bridget Jones's Diary Here

I cannot rave enough about 'Bridget Jones' Diary'! It is so marvelous that finally there is a woman conveyed on film who's got a real body and has problems she's trying to control, and she can still get the man of her dreams.

Renee Zellweger does excellent as a thirty-two year old singleton who is having problems with cigarettes, alcohol, and men. Her mother is constantly trying to set her up and the latest is Mark Darcy, who has recently gotten a divorce. But Bridget has other ideas and is soon flirting with her boss (not to mention making a total fool of herself, but that's why we love Bridget!)

Nonetheless, the story is very sweet and enduring. And it is HILARIOUS! I haven't laughed this much at a movie since 'Meet the Parents'. I just loved the fact that this movie had a smart heroine who wasn't afraid to mess up and to just be herself. And it's nice to finally see Hugh Grant as a real bad guy instead of his usual roles. And I loved Colin Firth. This movie is definately a must-see! Bridget rocks!

Want Bridget Jones's Diary Discount?

American Renee Zellweger did it. She made a convincing Brit. She also looked fabulous, even though she had to gain weight for the role. I loved this movie. The script was a well-done adaptation and it is very fun to watch.

I was very surprised by the performance of Hugh Grant. He typically gets cast in the romantic lead role, playing some sort of charming, bumbling idiot that you can't help but fall in love with. This movie, he actually tries something different. He still plays an idiot, but this time he's the sort of idiot you love to hate. It's a nice change. And, if there are any of you out there who hate Hugh Grant, this is the movie for you--there is a particular scene that you'll love (but I don't want to ruin it for you).

Colin Firth also does a marvelous job. His character is probably one of the most interesting in the movie (aside from Bridget herself). He progresses in a way that you don't really expect from the beginning, and it's rather nice. I love Colin Firth.

If you're in a bad mood, this is a great movie to see. It fits the romantic comedy mold, but it's good to watch even if you're not a fan of that genre. It's great fun.

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7 Steps to Make a Comedy Movie

Have you ever wanted to make a good, comedy movie? Don't know where to start? Look no further.

Steps
  1. Plan it out. It's best to plan it out and think of the jokes that you can change some of the stuff in and out. But, for now just try to write a script and get the cast to help you make it up as you go on if you want.
  2. Make good, realistic jokes. After a while all of your Superman jokes will get old.
  3. Start to record with whatever you Have. Even a webcam works. Digital Cameras help a lot, because they are already in format and are a easy transfer to your computer.
  4. Try to have music that fits with your scene, it wouldn't make sense to have a sappy love song with a funny fight scene.
  5. Use editor programs like Windows Movie Maker, Sony Vegas, etc. to remove extra scenes that you don't need. But don't delete them. If your video is a big success you'll want to add bonus features such as deleted scenes, or how scenes were made.
  6. Get a company to review your movie and hope it is a big success.
  7. Finally save the movie and store it somewhere or put it on a DVD. You can now upload it to youtube, dailymotion, etc. OR you can watch it with friends
Tips
  • Try to not steal material off other movies or stand up comedians without their permission.
  • Use a variety of different props.This adds a real effect to a movie.
  • Try to make it relate to your audience.
  • Try to not add lots of profanity. People will have kids watching this.
  • Have a plot and don't be too random with stuff.
  • Try to have a good setting.
Warnings
  • Try to not use copyrighted works this could get you sued by the company it was made by.
  • Don't offend people with your jokes. (This includes racial jokes.)
Things You'll Need
  • A film capturing device
  • A sense of humor
  • Paper for your comedy script
  • Money for movie making necessities