Showing posts with label comedy movie quotes. Show all posts
Showing posts with label comedy movie quotes. Show all posts

Monsieur Gangster (1963)

Monsieur GangsterPartially because of the difficulty of translating some of the French slang wordplay, Les Tontons Flingueurs which roughly translates as The Gunslinger Uncles, though it was released internationally as both Mr Gangster and Crooks in Clover isn't a barrel of laughs in its English subtitled version but does offer plenty of dry humour once it gets the plot setup out of the way and gets down to business. Lino Ventura is the former crook who's been making a decent living selling tractors for 15 years who's suddenly summoned to Paris to visit an old friend who had been deported only to sneak back into the country because "France is the only place to die." Which he promptly does but not before leaving Ventura his criminal empire and guardianship of his gorgeous teenage daughter (Sabine Sinjen), who must be kept in the dark about both his death and his criminal activities. Naturally this doesn't go down to well with the rest of the organisation, particularly would-be heir apparent Bernard Blier, and it's not long before the lead is flying and Ventura has to get them back into line and avoid their assassination attempts while dealing with his new niece's cultured poseur boyfriend Claude Rich ("I don't charm, I enchant!").

Adding to his woes is the fact that business isn't what it should be and no-one's paying on time. Whether it's his very capable bodyguard showing off his new Beretta while bemoaning the fact that the high cost means he has to work more, a madame complaining about the recession keeping her customers at home and watching TV because they can't compete with soap operas or a bootlegger complaining that the young drink sodas for their health and the old drink mineral water for their livers while his drivers go off to the Sahara for the free health care and overseas allowance, everybody's got a hard luck story. And one of them has a birthday present for Ventura that ticks...

Based very loosely on the wonderfully titled Grisbi or Not Grisbi by Touchez Pas Au Grisbi's Albert Simonin, Tontons didn't make much of an impact when it was released in 1963 but was one of those films that reissues and TV screenings turned into a massive favorite with French audiences over the years. Beginning like exactly the kind of polar it goes on to satirise and playing both on nostalgia for the good old days when criminals were criminals and gently satirising respectable family values, it's one of those films that builds nicely and, thanks to Georges Lautner's direction, never overplays its jokes even when things get more boisterous. It's a perfectly cast piece too, with Blier's reactions to constantly taking the fall for everything particularly cherishable, but everyone else is on top form too, from Ventura's alternately hangdog or exasperated lead and Francis Blanche's lawyer to Venantino Venatini's loyal hood and Horst Frank's philosophical and homicidal moonshine merchant who'll find someone else to take potshots at if he can't kill who he's aiming at "It's not fair but it makes me feel better." Even Robert Dalban's terrible English accent as the safecracker turned butler is forgivable thanks to his deadpan delivery. Ending with everyone getting what they deserve (and a sly throwaway cameo by Paul Meurisse as his `Monocle' character from Lautner's series of French spy spoofs that will baffle many viewers almost as much as it does the cast), it's such a delight it's a surprise this somehow managed to avoid the run of American remakes of French comedies over the years.

Gaumont's region-free French Blu-ray release offers a very nice widescreen black and white transfer with as decent an English subtitling job as you can expect for a film filled with wordplay and cultural references which will mean little outside of France. In fact, some of them clearly need explaining to modern French audiences too since the disc comes with a neat 22-minute guide to them that's sadly not subtitled for English speakers (nor are the making of featurette, 52-minute documentary on composer Michel Magne or the tongue-in-cheek narration extolling the film's moral and family values in its original trailer). Be warned that the French DVD has no English subtitles on the feature.

I am too bias with Michel Audiard to be objective...! to watch, watch again and speak argot "Audiard"...it is like Molière....in more funny

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Well this may very well be a sendup of gangster films, but I'll never know the whole of it there are no subtitles ! Shame on me for not electing to study French in high school/college !

There should be a listing of this dvd's features, and Amazon LLC sold it ! And I should have checked more thoroughly on this Gaumont release.

This refers to this specific version of this title -

amazon.com/tontons-flingueurs-Ventura-French-version/dp/B002MD2Z10/ref=sr_1_1?s=movies-tv&ie=UTF8&qid=1345514032&sr=1-1&keywords=Les+tontons+flingueurs

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bonne qualité du dvd . il y a qu'a l'étranger que l'on peut trouver ces dvd à un prix défiant toutes concurrences . je regrette juste le manque de bonus dans cette édition .

à part cela je le recommande vivement à tous ceux qui sont fans de ces années audiard / lautner et ces merveilleux acteurs , lino ventura , bernard biler , jean lefevre .

:-))))

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Karthik Calling Karthik Bollywood Blu Ray With English Subtitles (2010)

Karthik Calling Karthik Bollywood Blu Ray With English SubtitlesI was shocked by the previous review because I loved this film. Could be differing expectations; mine were not only met but exceeded. This psychological drama set among the professional world of young, educated up-and-comers in Mumbai is one of the most "un-Bollywood" of Bollywood films I've seen, and I've seen many. Farhan Akhtar plays Karthik, a bright but painfully shy & insecure man who suffers regular abuses by his boss and is virtually invisible to all the other employees at the construction company headquarters where he works. Out of the blue he begins receiving phone calls from another "Karthik" which offer him support and advice, improving his life. He eventually becomes completely dependent on his connection to the caller, and when the calls turn dark they threaten all he has achieved.

The screenplay and directing by 31-year-old, first-time writer/director Vijay Lalwani were taut and understated, which to me is far more effective at drawing the viewer into the story than the excesses of the typical masala Hindi films. The music by Bollywood veterans Shankar-Ehsaan-Loy was spot on, not showy for it's own sake but lending uncannily perfect support to the story in every scene, even down to the incidental passing scenes. Deepika Padukone is stunning as usual and her work gets better and better. She plays Shonali, Karthik's long-desired love interest, with a nice balance of vulnerability and coolness. But it's Farhan Akhtar's film, and he's a revelation here, adding the perfect comedic and dramatic touches to Karthik to steal your heart and send you on an emotional rollercoaster. At 135 minutes, it's also on the short side for Bollywood films, and as wrapped up as I was in it, it flew by.

Sharp and sophisticated, this movie has just risen to my Top Movies of All-time list. I was not expecting much since I simply bought it to see the context of it's most successful song, "Uff Teri Adaa". But from the beginning I was hooked by the clever plot line and the endearing characters, none of whom I knew from other works. I won't spoil the Hitchcock-like fun of the plot other than to say that the resolution/conclusion is not in any way contrived or a cheat (like aliens are to blame or it was just a dream). If there is any shortcoming to the conclusion is that it is too well explained. I immediately had to watch the movie again to find the subtle clues and with the director's commentary it was even more fun and entertaining. All the music is appropriate and fitting, the language clean (PG in my estimation with nothing remotely racy), and the characters sweet and charming. Cinematography is not something I typically notice, but the filming was superb. I show this movie over and over to new audiences who always love it and want to know more about it so I give it my HIGHEST RECOMMENDATION!!

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"Karthik Calling Karthik" is a sweet and wholesome yet diabolically Hitchcockian schizophrenic love story. Not the sort of movie we Americans usually see exported from Bollywood.

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Actually this was a really good move! I liked it! I think psychological thrillers are an underdeveloped genre. As far as Bollywood movies go, it wasn't just another stupid love story... It does bring to light some very important issues and that is psychological disorders. I think that mental diorders is still a taboo subject for Indians. This movie brings to light that ultimately, they are just people who are suffering from what can be a very debilitating and life threatening mental disorders. I thought that the acting on both parts was very organic and none of it was very forced. I liked their Chemistry together, I thought they were very believable as a couple.

My only criticism is that it bends the truthfullness of Multiple Personality Disorders quite a bit. It's not QUITE being untruthfull, but it certainlly streches the breaking limit!

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As the strange name "Karthik calling Karthik" forces you to think about movie, ditto with the well maintained suspense. It forces you or better says engages you for 2.5 hrs that most other bollywood movies never accomplished even for few mins. It's nice to see lot of bollywood movies coming up with tight script and engaging direction. Even most traditional film director/actor is coming with as bold movie as "My name is Khan"!! . As bollywood is always blessed with powerful actors, but it's only since last few years we are seeing above par script and well crafted direction, and on top of that versatility of subject selection is like icing on cake. Let's hope this trend will continue.

As movie is suspense thriller, it's not worth to discuss story. At glance it look more like beauty and geek kind of material, but turns into more meaningful storyline that keeps you engaging till end. As for Deepika, she is still learning and did as expected to do but Farhan Akhatar is improving with every film. At first he started acting for fun, but now he seems more sincere about the same.

Nothing negative about this movie.

All in all KCK is one more movie from bollywood this year that is worth watching

Ladybugs (1992)

LadybugsThis my favorite movie of all time!!!!!! I don't know what was with all of the people who said they thought it was terrible; me and everyone else I know who saw it absolutely LOVED it!!!!!!! One reviewer said that they thought that adolesant girls might find it amusing. We do. And so does everyone else on the planet (at least the ones that have senses of humor) Basically, everyone who isn't strict and uptight will get at least ONE laugh out of it (if not 400) All in all, I think it's a great movie, amazing (and VERY ORIGINAL)plot, with really good actors who pull the whole thing together and make it a movie that's definately worth seeing!

Ladybugs should be made available in every blockbuster AND on DVD. I may start a petition. It is one of the most amazingly hilarious movies I have ever had the privilege to watch. Do yourself a favor and sign my petition. The end.

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My wife and 4 daughters love this movie. They are all soccer players and they like the cute story.

Tikiman100

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This film has to be one of Rodney Danfield's best films of all time just to receive recognition for an older movie to come back on Blu Ray is an honor but this movie is definately worth it. The funny part of this movie is not the story line because it not the best story of all time like an Avatar but its the hilarious side jokes here and there that lets you know why Rodney is so funny. His timing on jokes are flawless, the way he gets out of trouble here and there during the movie is priceless. Even the comments that he had against other soccer coaches during the film. One scene the ladybugs were lossing very bad during the game and the assistant coach said "we still got a chance" and Rodney said "Some chance, like a one-legged man in an ass kicking contest." Now see you gotta laugh at something like that because the movie is full of little side jokes like it you dont see that type of comedy today and if you do you at least know where its origins started from.

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I love the idea of this movie and I couldn't tell you the amount of times I watched it. At times, Rodney Dangerfield's character, Chester, grates on my nerves but there are so many laugh out loud moments that I can deal with it. Chester is trying to impress his boss and, to do so, agrees to coach the boss' daughter's soccer team. Unfortunately, the team sucks so he convinces his soon-to-be stepson to dress up like a girl and join the team.

If you enjoy fun, Disney-type teen movies, you'll love this. My favourite character is Chester's assistant, Julie, who has some fantastic lines. :-)

Hair (1979)

HairIf "Hair" were only a period piece, it would still be wonderful entertainment but it's so much more. Previous reviewers have already spoken for me in praising this film's astonishing energy, its fine acting (not stereotypes, but iconic characters), and its forever-fresh-as-a-summer-flower soundtrack. I can only agree with them completely, and add my positive vote to theirs. This is a highly (no pun intended) recommended film!

But I'd like to emphasize something else now. Those reviewers who complain about the film being dated are missing an important point. Love, friendship, joy, exuberance these things are never out of date. And it raises an interesting question: why are some people so embarrassed and downright afraid of the so-called "hippie-dippy" aspect of this movie, and the years it captures so well? Possibly because it goes against the current wisdom, which claims that the uglier and nastier and more downbeat something is, the truer it is.

Well, no one is claiming that this is a perfect world far from it! but there is still plenty of joy and beauty and magic to be found in it! Yes, in too many ways it's a more cynical world now ... which is all the more reason to celebrate and uphold those naïve, utterly necessary values. Don't be afraid of looking foolish, don't worry about having to be cool and detached all the time, don't be afraid to embrace the Universe and exult in it let the sunshine in!

I saw "Hair" three times in two days when it first came out in the theaters, and I have watched it every chance I've had since then. I was 12 when the Vietnam War ended, but the anti-war passion of this film hits me anyway. Beyond that, there are great performances by Treat Williams, Beverly D'Angelo (who, as one other reviewer pointed out, is one of the great underrated actresses working today) and John Savage. And beyond THAT there is the astonishing music -"Aquarius" (sing along, now), "Hair", "I Got Life" and "Let the Sun Shine", which makes tears run down my face every time I see it, even if I see it for the 100th time. This is a magnificent piece of filmmaking, and I don't care if the Broadway show was better or different or more soulful or whatever -each product stands or falls on its own. "Hair" stands proud 20 years after it was made, and I think it's going to stand proud for a long time to come. To the reader in Israel -I hope you get to go to Woodstock!

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Yes, 5 STARS! That said, I find my rave of this film odd...I can say that "Hair" is the worst film I've ever loved. And I don't mean "worst film" in that "B-Movie, Camp Classic, so bad it's good..." What I mean to say is that there are major weaknesses in this production, but the strengths outweigh the minuses to the point that I still say 5 STARS and MUST SEE! Let me pick on the movie's sorry points first: I was one of those Hair fanatics in my teens (late 70s, there were lots of us "Boy weren't the 60s cool?" types back then), and I loved the storyline of teen hippie Claude Bukowski's fantasies about becoming a Brit instead of a Flushing, NY middle class adolescent, being a blossoming film producer, debating whether to answer Uncle Sam's draft notices... the film transforms Claude into an Oklahoma boy who befriends hippies in NYC, and he breaks out singing "Manchester, England" (in the play, Claude's theme song where he proclaims himself a Brit and film mogul) out of nowhere, with no explanation as to why he's singing these lyrics(other than another character saying "he just got off the boat," when in fact, he arrived to New York by bus). Mix a few other songs that have nothing to do with the story with some embarrassing dialogue, and you will cringe, looking for the exit sign.....BUT WAIT! There's more, and it's damn good! Whether the songs fit the plot or not, whether lame lines lead into the musical numbers, the dance choreography and singers keep this film in the "worth your $$$$$ and time" range. Dance legend Twyla Tharp choreographed this potential mess into a beautiful display of dance. She put such a unique spin into the dance numbers that even a "layman of dance" like myself could appreciate. I am still floored every time I see numbers like "Aquarius," "Ain't Got No," and "Hare Krishna." I have become a fanboy of Ms. Tharp; you see this creativity in her dance numbers just shy of coming off as esoteric to a layman like myself, but instead of talking down to me, it wins me over. It's artsy, yet salacious enough to seduce my senses! Add actors with a sweet presence like Treat Williams, Dorsey Wright, Beverly D'Angelo and John Savage to the mix, and the bad dialogue doesn't hurt as much as it should! Melba's Moore's rendition of "Aquarius" is fantastic; this might sound like sacrilege to "Hair" fanatics, but this version of "Aquarius" matches up with Ronnie Dyson's in the Original Broadway Cast. This DVD is great viewing, even if you've never experienced "Hair" before!

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Hair is a movie near to my heart; I saw it when it was released (I was ten) and loved it, enchanted by the music. As an adult I find it still works.

What's remarkable is that Forman created film that has endured out of a stage play that hasn't. Ever wonder why the show hasn't been revived on Broadway? Well, that would be because it's a horrifically grating, plotless mess...

Which is why it's wonderful to hear the really great music, minus the awful book. The movie imposes a simple plot, nothing terribly interesting but totally serviceable. Performances are mostly dead-on, with a fantastic cameo by a young Nell Carter (another by Betty Buckley). Twyla Tharp's sharply lyrical choreography manages to feel completely impromptu and totally intentional. Impressive cinematography makes it a great film to look at, too, especially the devastating shot of soldiers boarding a transport plane at dawn.

Of course, the messy play much better reflects the 60s than this well-ordered film. But which would you rather watch?

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I grew up with Reagan and recession and Republicans I couldn't get away from. From the time I was about 10, I can remember turning on the TV (before cable was common) and seeing snippets of some weird, hippie musical. I was probably 18 before I actually saw the movie start to finish and it changed my outlook on life. It was okay to be myself, express myself despite everything I had been taught. Are you curious about what happens outside your everyday experience? Watch this movie. You may not be a hippie, but its speaks to the freedom upon which this country is based-be yourself!

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Terri (2011)

Terri"There's good hearted kids and there's bad hearted kids. When I look at you I see a good heart." Terri (Wysocki) is a larger then average 15 year old. Feeling like an out cast and having to take care of his sick uncle he seems to give up. After repeated tardiness to school and his new wardrobe of pajamas only, the school's principal (Reilly) decides to take Terri under his wing. This is a new take on the outcast school kid movie. The actor playing Terri does a fantastic job with this and even Reilly is subdued and adds a lot to the character. While the movie is not anything original you really feel for this character and want things to go his way. Unlike most other outcast movies like "She's The One" or even "Naploean Dynamite" this one seems much more realistic and that makes it better then most of the movies in this type of genre. The humor in this is more subdued but still a pretty funny watch. Overall, not a bad movie with the type of humor that not everyone will get. Worth checking out though. I say B.

Would I watch again? No I don't think so.

*Also try Cyrus & Youth In Revolt

This is a contemplative film about an alienated teen with some new unlikely friends, including his school principal. There is a lot of sexual content that may make some uncomfortable and parents would not like to watch it with their kids, I imagine. Also, if you are looking for resolution and a lot of action, this is not the film for you.

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Pretty excellent melancholy comedy. Now here are the other sixteen words I need to write to make this comment public.

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Terri (Jacob Wysocki), is a boy. Normally Terri for males is spelled with a "Y" as opposed to the cutesy "I" for females. This is symbolic of his role as a "victim of circumstance" in this awkward coming of age story. Terri is 15, obese and pathetic. He cares for his uncle who has memory lapses and bad days. Terri goes to school wearing pajamas and has a nemesis (Justin Prentice as Dirty Zach) who picks on him as well as is semi-intimate with a blond girl (Olivia Crocicchia as Heather) in which Terri is interested.

John C. Reilly plays the semi-cool, slightly creepy, misfit school principal Mr. Fitzgerald who takes an interest in Terri's life as he is frequently late for homeroom. Terri quickly realizes that the principal only meets with misfits and is upset he is in that group. We see Terri and Heather's relationship bloom during a very bad music montage. The movie lumbers along slow and steady like Terri. At times I found myself waiting for something to happen that wasn't as boring as real life. Like most Indy movies it relishes in its uncomfortable scenes, substituting real human drama, which we get enough in our own life, for exploding heads on the screen. I admit it, I am shallow and enjoy exploding heads.

If you are a big fan of Indie films and John C. Reilly this is a 5 star must see movie. The characters were unique and realistic. The dialogue flowed but was not abundantly witty or clever. There is a scene where graffiti states "Fitzgerald is a zombie." John C. Reilly played an uncredited "bathroom zombie" in "Zombieland," perhaps an inside indie joke. The movie includes some real life views and philosophy expressed through the understanding John C. Reilly. Good Indie.

F bomb, sex talk, near sex. No nudity.

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Being totally unfamiliar with director Azazel Jacobs's work, I sat down to watch Terri unsure of what I was in for. One hundred or so minutes later, I was pleasantly surprised by an intimate movie that reminds us that the small things are what makes life worth living. Centered around the travails of friendless, overweight teen Terri as he navigates high school, the world of the movie is lovingly crafted with interesting characters, all broken in their own ways. In tiny bursts of joy, these characters escape the pain and frustration of their lives and find enough momentum to keep moving forward. Jacob Wysocki gives a perfectly naturalistic performance as Terri, John C. Reilly is a combination of genuine and hilarious as an assistant principal, and Creed Bratton's portrayal of Terri's turning-toward-dementia uncle is surprisingly impressive. When he experiences a brief moment of clarity, it turns into the movie's best scene. Terri manages to surpass the clichés of the indie high school movie, and should be experienced by anyone who has ever managed to find joy in the little things.

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Along Came Polly (2004)

Along Came PollyThis movie fits the mold of a romantic comedy perfectly. Stiller does well and has some hilarious moments. Jennifer Anniston supports his purpose and does well on her own, also.

For me, the standout role was played by Phillip Seymour Hoffman. From the equivocal sex and relationship advice he gives to Stiller's character to his commentary on the basketball court (screaming out "Let It Rain", "Iceman" and "Raindrops" while his gut comes flying out of his shirt, for example), he is hilarious. Hoffman also gets to speak the most memorable line of the movie when he tells Stiller's character that he just sharted and that it is indeed time to leave the party.

I recommend this movie if you're a fan of most Ben Stiller movies. It's a movie that will remind you of a dozen other romantic comedies, but it is worth the viewing.

If one is a fan of Ben Siller and one enjoyed him in the films, "Zoolander", "Meet the Parents" and "Something About Mary", then one will enjoy this light, fun filled comedy that does not take itself too seriously. It revolves around insurance risk-assessment analyst, Reuben Feffer (Ben Siller), who marries the woman of his dreams, Lisa Kramer (Debra Messing), only to lose her on their honeymoon, when she betrays him with the very buff Claude (Hank Azaria), the scuba diving instructor with a seriously deranged French accent.

Returning home from the honeymoon, alone and forlorn, he runs into an old childhood friend of his, Polly Prince (Jennifer Aniston), who has gone from being a math geek to being a totally free spirit. They begin dating, even though they appear to be total opposites. Let the games begin! There are a lot of jokes in the film, often scatological, and sight gags. The path of true love certainly does not seem to run smoothly when one is plagued with irritable bowel syndrome and one's girl-friend is fond of hot, spicy food.

Ben Siller is funny in a hapless, hang dog sort of way. Phillip Seymour Hoffman, as his best friend, Sandy Lyle, also adds to the humor, lowbrow though it be. Hank Azaria is very buff and over the top in the role of the sexy, scuba diving Frenchman, Claude, with the laughable accent. Jennifer Aniston is a terrific in the role of Polly, a total natural, playing it straight and always charming. The rest of the stellar supporting cast, Alec Baldwin, Debra Messing, Bryan Brown, Michelle Lee, and Bob Dishy, all contribute to the success of this comedic effort by writer-director Jerry Hamburg.

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Along Came Polly is a complete waste of time. Like Zoolander, the only funny parts were in the trailer for the film. Don't get me wrong, Ben Stiller was really funny in Meet the Parents, but don't even expect 1/92nd of the laughs. Dont rent it, dont buy it, or you'll be just like me, warning everyone else not to make the same mistake. Take your money, and if you havn't bought Return of the King, do yourself a favor and buy that instead.

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I caught this film while channel surfing after I'd finished "My Super Ex-Girlfriend" on Pay Per View. After watching a few minutes I thought, these are the same characters.

If Uma Thurman's G-girl didn't have any powers in "Ex-Girlfriend" she'd be a lot like Jennifer Aniston's ferret-loving Polly Prince. Ben Stiller plays a risk assessor for an insurance agency who's just as dorky and introverted as Luke Wilson's "Super Ex" architect. And instead of Rainn Wilson ("The Office") as the boorish best friend dishing out bad relationship advice, "Polly" has Philip Seymore Hoffman ("Capote") as a washed-up child-star slob, egging Stiller to slap Aniston's rear during sex and ask "Who's your daddy?" It's this exchange that sets up the film's conflict: Aniston, repulsed by the comment, boots him out of her apartment. Stiller then has to learn to see Polly through his own eyes and prove his love before he loses her in the third act.

"Along Came Polly" is as safe, generic and cut-and-paste as a romantic comedy can be. Surprising, since director/screenwriter John Hamburg provided plenty of laughs in "Meet the Parents," and "Zoolander" was at least somewhat original, if a little stinky. That's not to say "Polly" isn't beyond repair: there are several amusing sight gags involving Aniston's blind ferret and Stiller's indigestion; Aniston and her salsa instructor give Stiller several opportunities to make light of his inadequacies (something he's a master at). Bryan Brown ("FX") is entertaining as Stiller's potential insuree, an Austrailian millionaire who also happens to be an extreme sports enthusiast. And Hoffman gave me a lot of laughs when he tried to be the lead instead of Judas in the Hell's Kitchen community theater version of "Jesus Christ Superstar."

So, "Along Came Polly" is worth a shot if you catch it on TV, but ultimately forgettable. Actually, the soundtrack is better than the movie, though it's still nothing to swoon over.

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This is a very cute movie. Excellent choice for a date night! Ben Stiller is at his best and compliments Jennifer Aniston perfectly. This is a must see!!!

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Pillow Talk (Blu-ray + DVD + Digital Copy) (1959)

Pillow TalkRating for this movie -5 Stars.

Rating for the 2004 DVD version of the film -1 Star.

"Pillow Talk" stars Doris Day, Rock Hudson, Tony Randall, and Thelma Ritter. It remains today what it was when released in October of 1959, and that is -a highly-entertaining and well-acted romantic comedy.

The film was re-released on DVD-Video by Universal Studios on April 6th, 2004. This newer version has been enhanced for 16x9 widescreen TVs, and the anamorphic enhancement has helped in many places. However, the picture quality here does seem to be a bit of a "hit and miss" proposition. Several portions of the movie still look rather crummy (artifact-wise), exhibiting obvious dirt speckles and "noise". The opening titles sequence is peppered with dirt and artifacts galore, as are a few other parts of the film, particularly ALL of the "split screen" scenes. For some reason, it seems that these "split screen" shots could not be cleaned-up nearly as much as the other portions of the movie.

But by far the biggest atrocity is the fact that this 2004 DVD print has been mis-framed! In some places pretty badly, too. Head room is way too tight here, with the tops of many character's heads being cut off. This was NOT the case with the previous 1999 DVD print of this movie.

When you compare the '99 print with this 2004 one, the mis-framing is obvious in many places. It appears that this new print has been "zoomed in" quite a bit, creating the tight head room. Some of the most blatant examples of this "zooming in" occur in Chapter 10, where the piano player's head is severely cropped. Whereas, on the '99 DVD, her entire head is visible in the frame. Plus, a few seconds later in that "Roly Poly" scene, we see a shot of several people singing along to the music and clapping their hands. In this shot, TWO ENTIRE PEOPLE (one on the left and one on the right side of the frame) are totally cut out of the shot! Plus, part of another man is cut out of the frame on the left! These "missing" people are all visible on the 1999 disc.

And check out Chapter 14! This scene is simply horrifying from a framing standpoint! Literally half of Rock Hudson's head is missing here! When we KNOW it should be in the frame (based on the 1999 disc, which is perfectly framed for the 2.35:1 aspect ratio of the movie). Yikes!

This is ridiculous carelessness on the part of Universal's quality control department! Many scenes are totally botched with this zoomed-in mis-framing of the print!

Looks like yet another case of a Universal product being mishandled in the DVD transfer department. A pity! For "Pillow Talk" is one of the best romantic comedies you're likely to see this year, or any other year. And it deserves better treatment than this. It's just plain stupid to let an obviously-botched DVD video transfer like this one get into any consumer's hands! Doesn't ANYONE check these framing issues before finalizing the product? Mind-boggling indeed!

This newer DVD version of the film contains the exact same Menu design and Special Features as the previous non-anamorphic variant (minus a text info page about Universal "Web Links"). The bonus features aren't very plentiful, being limited to the original theatrical trailer and some very extensive and informative text notes on the film and its cast members. (FYI -These text-based items are verbatim to the older "Pillow Talk" DVD release; but definitely worth a read. Until reading these Production Notes, I never knew a sequel to the film was being planned in 1980. But, unfortunately, the project never got beyond the initial planning stages, and the film was never made. Too bad. I'd have liked to have seen that sequel.)

I'm severely disappointed with this DVD. I looked forward very much to having this film in an enhanced anamorphic state. But in this butchered, mis-framed version, it's nearly impossible to fully enjoy the film. Because the FULL film is not here!

If you've already got the older non-anamorphic DVD of "Pillow Talk", you'd be better advised to just hang onto it, and skip this version entirely. Upon looking over both versions side-by-side, the older one really isn't very much worse (fuzziness-wise) than this new one. And when factoring in the mis-framing problem of the new one, the old DVD displays the WHOLE picture; while this new one definitely does not.*

* EDIT/FOOTNOTE (OCTOBER 2005) -Universal has supposedly fixed the mis-framing problem with this 2004 DVD release -although I've ordered multiple copies of the "new" disc (from different e-tailers) and still haven't seen a properly-framed copy. I've had to return each one thus far (and they were ordered more than a year apart). Very discouraging. So, you're taking your chances when you order this '04 version of the film.

~throws hands in air in disgust~

Doris Day and Rock Hudson are perhaps the best duo in movie history. Pillow Talk is one of the most clever comedies ever made. This film is about a painful reality in the 50'sparty lines. When Jan Morrow wants to use her phone, she must first listen to her other "party" Brad Allen romance the women. She finally works out a deal with him to each have a thirty minute slot where they can make calls, but selfish Brad doesn't adhere to the rules at all! Brad accidentally meets the other end of his party line at a restaurant, and makes a quick decision to become someone else. He ultimately romances Jan, while she has no idea that he is her arch enemy. For it's time, Pillow Talk was one of the more risque films, but yet one of the funniest and most romantic ever made.

On that note, I have to say I was so disappointed with this DVD. There are no extras to speak of other than the trailer and some production notes. As successful as the stars of this movie were, you think Universal could have put a little more punch into this DVD. The quality of the DVD is also quite poor. There was no digital remastering, only a direct copy from vhs to dvd. If you are a person who only has dvd's, I would still get this because this is such a classic, you have to have it around. If you still have your vhs machine, get it on vhs, it's cheaper and not any less quality than the dvd.

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This is probably the most well known pairing of Doris Day and Rock Hudson. A laugh out loud comedy in which Tony Randall and Thelma Ritter also showcase their vast comedic talent. Jan Morrow shares a party line with Brad Allen, which she has tried to put a stop to, but the phone company won't cooperate. She uses it for her work as an interior decorator, while he uses it to seduce a multitude of women thru his song writing. When they meet by accident, he assumes another identity to get close to Jan hoping to deceive her until he has the opportunity to get what he wants. When she becomes wise to his deception, all bets are off!

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Of all the classic comedies that starred Doris Day and Rock Hudson, or the two stars with other co-stars, this remains my favorite.The legendary late Rock Hudson was at his peak in this romantic comedy, and who better to showcase his charms against, than quintessential girl-next-door, Doris Day. Hudson thrives on his ability to charm indeed, as a songwriter named Brad Allen. Brad is a love-em and leave-em kind of guy, who entertains a seemingly endless array of lovesick females at his well equipped bachelor pad. He also sings to them over the phone for hours on end, tying up the telephone party-line he shares with Jan Morrow, interior designer, enter a perturbed Doris Day. Every time Jan picks up the phone, she hears Brad sing "You're My Inspiration...", and always with a new girls' name attached to the end. Flabbergasted at his womanizing, she sends a phone company rep to have a word with Mr. Allen, only to find that she TOO has fallen for the tall dark and handsome playboy.

Jan tells her boyfriend of sorts played by the wonderful veteran comedy legend Tony Randall, about her dialing dilemma. Randall, as always, plays himself. He's neat, dapper and proper, as not only Jan's boyfriend, but Brad Allen's friend and boss as well. After extoling the virtues of Jan to Brad, and mentioning that she shares a party-line with "some nut", describing the singing phone routine, Brad is too curious to find out what Randall is so wild about. After Brad Allen finally glimpses Jan Morrow dancing at a club, and sees the other end of his party line is not the shrew he expected, he sets out for his sweetest conquest of all.

"Pillow Talk" is a timeless gem of classic comedy. Amazingly, it was considered quite risque in it's time. This only goes to show just how jaded the world and cinema has become since 1959. Rock Hudson was actually embarrassed, and nearly declined the role. We can speculate in retrospect why he felt that way, but no one could've been a better cad than Rock as Brad! The one and only Doris Day is sweet as sunshine, until the duped decorator delighfully disarms Mr. Allen's charms, leaving him, for the first time, really in love with someone other than himself. Thelma Ritter is amusing as Jan's perpetually hung-over housekeeper. It's a truly comic moment when Ritter counsels Brad over a few too many drinks on how to win Jan over, and Hudsons' head hits the table with a thud, while Ritter babbles on oblivous to her companions condition. Tony Randall is his classic prim self, and laugh out loud funny, as he storms into his own place to rescue Jan from the smug seducer huffing the line "At least you could have had the DECENCY...to bring your OWN champagne!"

There are too many wonderful moments in this film to cover them all. If you somehow haven't, it's far better for you to enjoy watching this long lost genre of the innocent, fun, fresh feel-good romantic comedy, and experience first hand, the pure delight it has to offer in abundance.

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I was so excited to see that Universal is making a special edition of PILLOW TALK's 50th Anniversary on dvd. The 1959 comedy romance movie about an interior decorator Jan Morrow (Doris Day) who shares a party line with a womanizing wolf Brad Allen (Rock Hudson),was an unbelievable box office hit in 1959, and I thought Universal will really make this Golden Anniversary of the film a great one! Upon viewing the film, I at once noticed nothing new. I am a huge Doris Day fan, so I pulled out my other Pillow Talk dvd copies, looked at them side by side and here's the facts:

This dvd is the EXACT dvd that was made for the 2007 THE DORIS DAY AND ROCK HUDSON COMEDY COLLECTION, which includes all 3 movies they made together: Pillow Talk, Lover Come Back and Send Me No Flowers.

This 2007 Doris/Rock Set is an improvement over the Pillow Talk dvd's that were made in 2004 and earlier, as Universal "remastered" it with a tiny bit more brightness, a tiny bit more detail and a tiny bit more frame area. 2007 was the first year Universal made tiny "upgrades" to Pillow Talk when they made this Doris Day/Rock Hudson dvd set. All they did for this 50th Anniversary Set, was use this 2007 Pillow Talk dvd.

This Anniversary Edition includes these Bonus Features:

Commentary with Film Historians Jeff Bond, Julie Kirgo and Nick Redman.

Chemistry 101: The Film Duo of Doris Day and Rock Hudson. Featurette that talks about how filmmakers first saw the sparks between Doris and Rock, and how that made them put the duo together for 2 more successful films.

Back in Bed with Pillow Talk: Film Historians, experts, authors, cast and crew discuss the many elements that propelled PILLOW TALK to a top box office spot for Universal Studios in 1959.

Theatrical Trailer.

This 50th Anniversary Edition is great to own, if you never bought the 2007 "upgrade" of Pillow Talk, as it is a slightly better copy over all the dvd's that were made before 2007. The Bonus Features are not that exciting, as Doris is not in anything new. I'm disappointed that Universal could have made a fantastic upgrade of this film, and included better Bonus Features, and included Dorisif only for 5 minutes!! (Look what they did for Disney's 50th Anniversary of Sleeping Beauty and Wizard of Oz's 50thabsolutely gorgeous.) If they had only included 5 minutes of Doris and spent another 5 weeks upgrading the original 35 mm film, they would have gotten my 5 stars!!

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