Showing posts with label comedy central movies. Show all posts
Showing posts with label comedy central movies. Show all posts

Agent 8 3/4 aka: Hot Enough For June (1964)

Agent 8 3/4 aka: Hot Enough For JuneAgent 8 3/4 I'm psyched about this comedy/thriller from 1964 finally being released on DVD. Dirk Bogarde plays an unemployed writer who inadvertantly gets caught up in international espionage. Released in Britain as HOT ENOUGH FOR JUNE, this delightful adventure has rarely played on TV ( I only saw it once on a PBS station back in the '70's) and I've been looking for it ever since. Hopefully we'll get a good widescreen transfer on the upcoming release!

Just as a postscript to this review, I recieved the DVD yesterday and watched it this evening. Let me tell you, this WIDESCREEN TRANSFER IS FLAWLESS ! Both in visual and audio, this print looks like it's BRAND NEW!!! The colors are GORGEOUS, the sound is CRYSTAL CLEAR and LOUD, so you don't have to crank up your audio. Frankly, I was floored just amazed as the quality restoration they did on this film. And mind you, this is the regular DVD, so I imagine the BLU-RAY is astounding as well!

"Agent 8-3/4" or (AKA: "Hot Enough for June") was a bit of a diversion for its director Ralph Thomas who also brought us the Eurospy films that brought a definite threat to James Bond in the line of a Bulldog Drummond series starring Richard Johnson as the insurance investigator in "Deadlier Than the Male" (also starring Elke Sommer and Sylva Koscina) and its lesser sequel "Some Girls Do" (with Daliah Lavi) and also rather stodgy affair, "Nobody Runs Forever" with Christopher Plummer and Rod Taylor. In "Agent 8-3/4" he was wise to cast Dirk Bogarde opposite Sylva Koscina as Bogarde is quite at home in droll British comedy and what it develops into, romantic suspense in Communist Czechoslovakia. It is quite handsomely done in a rather low-key fashion. Robert Morley and Leo McKern are also in the cast, with Morley trying to steal every scene he is in. Noel Harrison has a bit speaking part. VCI Entertainment has brought it to us in a beautiful Blu-ray and also in DVD format from the Rank Organization. The original novel is by Lionel Davidson and the screenplay by Lukas Heller. In beautiful Eastmancolor.

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Superb Quality on Bluray in its original 1.85 WideScreen format.

Dirk Bogarde in a good role,before he became a serious actor.

This and Campbells Kingdom are excellent.

Highly Recommended

Read Best Reviews of Agent 8 3/4 aka: Hot Enough For June (1964) Here

When James Bond came along in 1962's DOCTOR NO, he changed the way audiences enjoyed spy movies and the way that filmmakers made them. The success of the franchise also inspired a slew of imitators and spoofs, and one of the earliest and best has just come to Blu-ray disc courtesy of VCI Entertainment: 1964's AGENT 8 3/4 (a/k/a HOT ENOUGH FOR JUNE), starring Dirk Bogarde and Sylva Koscina.

Nicholas Whistler (Bogarde, MODESTY BLAISE) is an unemployed, Czech-fluent writer living in England, when he is completely unbeknownst to him recruited by British Intelligence for a mission to Prague. He thinks he's on a goodwill visit from a London glass manufacturer, but the Czechoslovakian Secret Police and everyone else knows he's a spy. A female Czech operative, the comely Comrade Simonova (Koscina, DEADLIER THAN THE MALE) is assigned to be his driver and keep an eye on him, but before long, she falls for the handsome, hapless writer. By the time that Whistler finally realizes that he is, indeed a spy, he's trapped in Prague, hunted and pursued by the Secret Police, and only the lovely, conflicted Comrade Simonova can possibly help him.

Deftly directed by Ralph Thomas, AGENT 8 3/4 is a breezy, Cold War-era satire that evokes not only 007, but Hitchcock's espionage thrillers, as well. It's suspenseful and even thrilling at times, but also witty and occasionally farcical which is why a lot of modern viewers might not be able to get a handle on it. The script is clever and sharp, and the cast, which also includes Leo McKern and Robert Morley, is exceptional across the board. Bogarde is amusing and convincing as the somewhat clueless unintentional agent who must rise to the occasion when his support system falls apart, and Koscina is just stunningly gorgeous. The cinematography is beautiful, even when portraying the drab, behind-the-Iron Curtain world of Communist Czechoslovakia. Overall, it's a slick, early-Sixties spy-fi spoof and highly entertaining, if you're in the right mindset.

VCI's new Blu-ray disc appears to be the same high-def transfer used by the UK company, Network, presented in 1.78:1 widescreen 1080p HD. Picture quality is astoundingly good with the exception of one or two brief shots, detail and colors appear to be perfect. VCI offers two audio options: Dolby Digital 2.0 Mono and an enhanced 5.1 remix. The only extras are a theatrical trailer (under the original British title of HOT ENOUGH FOR JUNE) and a still photo gallery. The title is also available in standard-def DVD.

AGENT 8 3/4 (I have to say, I like the British title much better) is a great slice of sly Cold War pop culture, and a must-see for fans of 60s spy flicks.

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I had never heard of this film despite being quite a Bogarde fan in my youth and still living in the UK when it came out. However, after reading the reviews on Amazon I ordered it and we watched it recently. For a film that is coming up to fifty years old it holds up amazingly well. The humour is quite remarkably current, particularly the sublety of Robert Morley's performance hinting at all sorts of things that never really come out. I particularly enjoyed seeing a lot of my favourite British actors of the latter part of the last century, often in very small roles. I really was not able to recognise several of the actors listed at the beginning of the film and one irritation is that there is no list of who played whom at the end. I did recognise John Standing, though, the acting baronet!

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Cannes Man

Cannes ManI've been to Cannes and this film captures it to a T. If you're looking for a Johnny Depp film, this isn't it he does a ten minute cameo in it with Jim Jarmusch. But it's the funniest ten minutes I've ever seen Johnny Depp be. If you are interested in film festivals, or wanted to know what the real Cannes festival is like, this video is hilarious.

Sy is a movie producer who is in Cannes for the festival, as usual. However, he needs for someone else to pay all his bills there so takes a bet, that he can turn a young nobody seen on the beach into a credible writer that he can use to raise ...millions while in Cannes. Not a single word has been written but Sy sees that as no impediment to approaching every star in the universe to become involved in his movie, with virtually all of them saying yes, from Johnny Depp to Dennis Hopper to John Malkovich and so on. A hilarious, droll view at the film world that is light as a souffle. It won't stick with you but it is fun for a night.

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This movie is very mildly amusing for about ten minutes. Yes, it is slightly interesting to see the Cannes environment, but not enough to watch this film. It could be a cure for insomnia, though. Fans who are looking forward to seeing their favorite actors in a satire will be disappointed. You can count in seconds the amount of time any famous actor is on the screen, and it's really just very boring. All those fans of Johnny Depp: be particularly warned. He may have co-star billing, but blink and you'll miss him.

Read Best Reviews of Cannes Man Here

Cannes Man was funny. I don't know why this movie was in the drama section of Blockbuster, but it made me laugh out loud. Just goes to show that nobody knows anything in lalaland, and movies are made by a bunch of nincompoops who don't know their **s from a hole in the ground.

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It is different even for Johnny. Not the best movie that he has been in, but Johnny was in it and I collect and added this.

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Miss March (Unrated Fully Exposed Edition) (2009)

Miss MarchThis is a stupid, crass, moronic, juvenile ile and I loved every minute of it. There are at least 5 scenes that I have never seen before in a film. Add that to the Tucker guy being one of the funniest guys I've seen in a long time, and a rapper named Horsed*ck.Mpeg and you got yourself a party. don't confuse it for THE OFFICE now, it's not clever. Miss March is just plain laugh out loud funny. It's absurd. I highly reccomend it for those of you who like silly, leave your logic at the door comedies. Plus what other movie has the line: "Lesbians...break down that door!" Get it and laugh.

Oh and amazingly enough, Hef was very good in his part. It didn't seem forced or fake. I bet if I'd break into his den, he'd talk to me the same way!

but I couldn't help but laugh at the insane humor on display here. I suppose I'm just an immature teenager at heart sometimes (and I love The Whitest Kids U Know, well, at least the first 2 seasons).

I don't know if I can recommend this film, because it's obviously not for everyone......in fact I don't think it's for anyone really, except for me and my friends. So if any of you are reading this.....oh what the hell, you're gonna buy it anyways.

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Every once in a while a film defies all logic, has no business getting a four star rating and offers nothing new to a genre and yet it succeeds where so many other like films fail. 'Miss March' is so stupid that you can't help but laugh at the over the top gross out gags that propel this stupid film through it's running time like a torpedo propelling through water.

The cast especially Cregger and Moore play two childhood friends, one who is a sex crazed kook and the other a reserved guy waiting for the right time to lose his virginity to his girlfriend of 2 1/2 years. After one of them comes out of a 4 year long coma(don't ask!), the two embark on a cross country road trip and extreme wackiness ensues!

The film is full of raunchy ridiculous high jinks and nudity and shouldn't even be worth looking at, but I must confess that I haven't laugh so hard in a while. It's just stupid fun, but I think this film will only appeal to a certain crowd of people who like a little shock humor in their diet.

Read Best Reviews of Miss March (Unrated Fully Exposed Edition) (2009) Here

For those who watch the whitest kids u know... you know what i'm talking about... some people just don't understand this type of humor... i would seriously watch a few clips online to make sure you wanna buy it first... other than that.. I PERSONALLY LOVED IT... i own all the wkuk dvd's too... so i knew i'd like this movie.

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I can't believe this movie received such low ratings...it is soooo funny! Both my husband and I laughed our butts off. I say give it a try, it is kind of stupid funny, but hilarious none the less. I highly recommend it!

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Cop Out (Rock Out with Your Glock Out Edition) (2010)

Cop OutTo tell the truth, I wasn't looking forward to this film at all. I'm a pretty big fan of most of Kevin Smith's work, but he didn't write the film. It could be argued that he did write Jersey Girl and that could be considered a bomb, but his films usually average about $25-$30 million anyway. A Kevin Smith film isn't really about bringing in a large amount of money at the box office. His charm is in his writing, especially the dialogue and interaction between characters. There's a very specific audience his films will appeal to and none of them have really branched away from that. But him not writing this one made me think, "Eh. Not sure what that'll be like since he didn't write it." When it comes to Bruce Willis, I've never talked to anyone who dislikes him entirely. There always seems to be at least one of his films everybody enjoys. Die Hard, The Fifth Element, and Sin City are just a few off the top of my head. The real buzzkiller for me though was Tracy Morgan. He's just never been funny to me. He was beyond lame on Saturday Night Live and 30 Rock has never been able to hold my attention for very long. Not to mention all the trailers for Cop Out didn't make me laugh. Thankfully though, first impressions can be so very wrong.

One of Cop Out's biggest charms is that it feels like a buddy cop comedy you've seen before, but have forgotten how much you enjoy it. The film feels similar to a 48 Hrs or Beverly Hills Cop film. Bulletproof is also a good example. Cop Out is pretty much what you expect when it comes to roles Bruce Willis chooses as it's pretty much no different than his role as John McClane on the surface, but he's a lot funnier this time around. As far as Tracy Morgan goes, the funniest thing I could remember him saying was his one line in Jay and Silent Bob Strike Back ("Man... I don't know what the f--you just said, Little Kid, but you're special man, you reached out, and you touched a brother's heart.") until this film. He was downright hilarious at times. The only person who was funnier than Morgan was Seann William Scott who stole every scene he was in. Even though Kevin Smith didn't pen the script this time around, it still feels like a Kevin Smith film. It could be due to the fact that Jason Lee has a small role in the film, but I like to think it's because Cop Out offers the same kind of comedy you'd find in a Kevin Smith film with a bit more action. It also took me forever to place Scarface from Half Baked as Poh Boy.

Cop Out is surprisingly funny and incredibly entertaining. Give this film a chance even if the trailers may not be doing anything for you. I felt the same way and wound up thoroughly enjoying the film. After a long, stressful day at work, an R-rated comedy with a lot of laughs is one of the best ways to relax and this film offers just that. It's a great film to go into with no expectations other than to just have a good time. As long as you don't run out of the theater, you should catch the part in the credits. This might just be the funniest film released in 2010 thus far. Be sure to check it out. Highly recommended.

Those who have grown up watching the 80s police action films know the formula. Two cops, often long-time partners, investigate a murder case. Their investigation leads to gang-related crimes or corrupt authority. There are actions and laughs, and nice soundtrack music, too. "Cop Out" is, as one of the film's characters say, "homage" to the genre. But homage does not necessarily mean imitation.

"Cop Out" stars Bruce Willis and Tracy Morgan as NYPD cops Jimmy and Paul working as partners for nine years. They get suspended by the captain for messing up an undercover drug investigation, and Jimmy is forced to sell a very rare baseball card he owns. He needs money for the wedding party of his daughter Ava (cameo by Michelle Trachtenberg) who is getting married. A masked robber, however, breaks in the shop before he gets money, and takes his vintage card away. The veteran cops track down the stolen card, no matter what it takes, and the story somehow goes back to where it started: a drug lord (who loves baseball) and his gang.

This is a Kevin Smith film that is not written by Kevin Smith (written by Mark and Robb Cullen), and this is the most boring film he ever made. It is occasionally fun, I admit, thanks to the stars and Seann William Scott as s small-time crook (equivalent of Joe Pesci's character in "Lethal Weapon 3"), but random comically-inspired moments (ad-libbed, I suppose) do not make a good film. "Cop Out" drags for the most part of the hackneyed story despite the presence of talented cast including Kevin Pollack, Adam Brody, Ana de la Reguera, Guillermo Diaz and Jason Lee (regular of Kevin Smith films), plus the music by Harold Faltermeyer ("Beverly Hills Cop" and its sequel.

The film is made with an uninspired concept and half-hearted efforts, something Kevin Smith was not known for.

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I love this movie even though its the rental copy (meaning you are not able to view special features or director commentaries) its a funny movie and if you love movies with Tracy Morgan or Bruce Willis this is the movie for you and also the shipping was faster than I expected I thought I would get it in a week but it came around two days later and the condition of the disc was like new even though it said used there wasn't one scratch on it if you are thinking of buying this movie I highly recommend it

Read Best Reviews of Cop Out (Rock Out with Your Glock Out Edition) (2010) Here

Cop Out(Feb/10)is,from beginning to end,a total yawnfest.Now I'll tell you what I really think.This is director Kevin Smith's film and the blame squarely rests on his and the script writers shoulders.They have Bruce Willis to work with for gosh sakes,how hard could it be?Mind you Robert Swentke completely blew it with a stellar cast which included Willis in RED,so it does happen.What does come across right away as the film is unfolding is the lack of chemistry between Willis and his co star Tracy Morgan.Some one tell me what it is with SNL alumni?A comedian or comedienne gets a bit of a following on the show,becomes a popular figure and suddenly Hollywood is courting them for film work,as if they're already bona fide stars.And many of the newer crop of comedy actors from SNL desperately NEED real acting skills and time to hone them.Tracy Morgan is without question,one of them.

The plot involves Willis and Morgan as two NYC cops.Willis' daughter is getting married and he hasn't enough cash.So when Willis goes to sell a mint baseball card to raise the money he is robbed.Afterwards Willis finds out who stole his card,but as it turns out,that robber has sold the card to a Mexican drug dealer,who now has it.

When Willis and Morgan show up at the dealers house an arrangement is made.In exchange for a car the dealer desperately wants,Willis will get his rare card back.They track down the car only to find the girlfriend of a dead rival of the dealer they are "working' for,in the trunk and very much alive.She is the reason the dealer is after the car as she possesses vital intel on a flash drive she has in her possession.The two guard her but she escapes on Morgan when Willis steps out.She unfortunately walks right into the gangs hands and the dealer has her as a hostage.

Now that the cops bargaining chip is gone,Willis decides to enter the gang house to get his card himself,but the gang arrives home ahead of schedule and he gets caught inside.He escapes but only has to re-enter with Morgan to rescue the girl.The dealer stands to the right of the girl with a shot gun to the back of her head.Two shots ring out,as Willis' pierces the dealers head and Morgans goes into the heart.Later examination reveals that Morgans shot went through a vest pocket first,containing Willis' prized card which is now garbage.

The film ends at his daughters wedding as Willis has had to let his ex-wife's boyfriend pay for the wedding.But just as both men stand up together as the minister asks who will stand for this bride,Morgan pulls the new hubby back down letting Willis have the honour alone.

The film should have ended about 10 minutes previously with some judicious editing.It was a film too far,with a plot too thinly stretched to take on 107 minutes.There is a silly sub plot with Morgan being totally insecure about his wife and her sexual habits when he is not home.Also Seann Scott shows up as the burglar who robs Willis of his card initially.Scott provides the film with a few of its only endearing moments as he mocks Morgan when they first meet.Scott shockingly dies after falling out of a tree,hitting his head on a brick wall(Smith shows us the hit-bad move!).However the dynamic of that moment does not gel with the mood and flow of the film at all.Finally Tracy Morgan's futile attempt at humour,which in his case is mugging severely and over acting with alot of cursing thrown in for good measure,is plain terrible.That Willis and Morgan could ever be partners in real life or not, would have taken an acting feat of herculean proportions to pull off the believability factor.

Technically speaking the film is it w/s a/r of 2:40:1 and it is clear and crisp.Extra include the trailer and deleted scenes.

All in all a total disappointment from beginning to end.This was a waste of Willis' time and it showed how far Morgan has yet to go when it comes to anything even approaching acting.His SNL antics are not going to cut it on film with a "performance" like this.Give the film a wide pass.

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As a big fan of Bruce Willis for 25 years, and director Kevin Smith for 16 years, I hoped for movie magic when they teamed up on "Cop Out". I was VERY disappointed, though, and the film's biggest problem can be summed up in two words: Tracy Morgan. Unfunny, whining, and constantly mugging at the camera, Morgan may be Willis' worst co-star, ever (How bad is he? Seann William Scott, with less than 10 minutes of screen time, has more laughs than Morgan provides, the entire film). Willis spends most of "Cop Out" simply staring at Morgan and his unrelenting stream of chatter (director Smith, apparently, allowed him to ad lib at will).

It's supposedly a cop comedy (involving drugs, a kidnapped wife, and a stolen baseball card), and a 'hilarious' send-up of buddy films. It fails at both, and wastes the talents of Willis, Scott, Kevin Pollak, Adam Brody, Jason Lee, Guillermo Díaz, and Ana de la Reguera.

It simply isn't worth buying...What a mess!

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Mr. Bean's Holiday (2007)

Mr. Bean's HolidayThe movie:

Some chuckle moments, but not Bean at his finest. Picture quality is a lot better than the DVD counterpart, but sadly one of the funniest parts has been omitted from this UK release. For some reason the laptop scene at the beginning is cut, which is a shame because this is a classic Bean moment and I can think of several scenes I would have rather chopped before this. I suspect the over officious BBFC has a part to play here.

The Disc:

Presentation is as bare bones as it gets with the same extras as the DVD. The laptop scene can be once again be viewed in wonderful standard definition as part of the deleted scenes segment albeit minus the fight on the platform.

This is a region free disc and so I recommend looking at the Amazon.UK website as it's considerably cheaper.

This movie is far better than the first Mr. Bean movie. The plot is funnier and the characters, even Mr. Bean, are more sympathetic. And Willem Dafoe's appearance as an egotistical movie star is priceless.

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The Blues Brothers (Blu-ray + Digital Copy + UltraViolet) (1980)

The Blues BrothersThis is one of my favorite movies. I love the part where Ray Charles play the piano and everyone dances to "Shake a Tail Feather" and when Aretha Franklin sings "Think." And of course who could forget the car chase. That was the best car chase ever in a comedy.

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Zombieland (2-Disc "Nut Up or Shut Up" Edition) (2009)

ZombielandI generally rate movies on, "Will I Buy This Movie?"

If I can buy the movie, it's a movie I'm willing to watch again, and exceptional. This is one such movie.

Not saying there isn't gore, as there is some gore (blood smears, zombies tearing out some tendons), but this is also not like typical horror movies in which someone takes a chainsaw and you see the whole scene.

This is a fantastic comedy. Brilliantly done.

Think "Scary Movie", but not utterly idiotic and stupid.

There's some suspense which I guess classifies this as a mild horror movie (keep in mind, I wasn't scared at all during this movie, I don't think it's a real horror, it's more of a comedy). But more than anything is the humor which is just excellent.

Characters are all quite awesome. There's basically four characters and the rest are zombies.

The BluRay quality is exceptional as well.

Just love this movie, that's all I can say

I think this movie is great from beginning to end. Sure there are some predictable parts, some corny parts, but it's a comedy about zombies. I don't know how many times I've watched it, but just writing the review makes me want to watch it again.

And in all seriousness, I've learned quite a few tips on how to survive once zombies attack. Between this and playing Left 4 Dead, I'm set.

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I usually don't like horror themed movies but Zombieland and Shawn of the Dead are two Comedies that I liked watching. Zombieland jumps right into a world of that is full of zombies are sick from one man eating a hamburger. Columbus, the protagonist survives by his list of rules. The rules is the beginning of the comedy because of the way they first explain and show them and then throughout the movie the rules randomly pop up. This movie is very gory and does have a significant amount of foul language. There is no sexual innuendo besides a scene early on where a cute girl falls asleep on Columbus on the couch just because she is so scared. I liked how the writer put Tallahassee, the critic, with Columbus throughout the whole movie. They make a good polar opposites tag team. Tallahassee is the rough and tough character that survives through just plain killing the zombies; where Columbus survies through strategy and the rules. I give the movie a 3.5 out of 5 stars. I haven't bought it yet and I probably won't unless it goes on sale, but it is still worth renting more than once. I wouldn't recommend it for families or people that can't handle bloody gore in a movie or a high amount of language.

Read Best Reviews of Zombieland (2-Disc "Nut Up or Shut Up" Edition) (2009) Here

I love this movie, its definitely a different take compared to most other zombie movies, flicks. Its got great amounts of comedy and interesting characters, absolutely love the Twinkie search..

The movie revolves around the life of an awkward guy that finds himself in a zombie apocalypse trying to survive. He's got his own series of rules each comedic in its own way and excellently mixed in with the story.

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Love the rules to living in zombie land. Super fun film and bound to be a classic. I'm craving a Twinkie about now.

Meatballs (1979)

MeatballsUpdate: Just received mine last week (6/14/07) and it is ONE disc, not two. Picture quality is BEAUTIFUL! The night scenes are actually not one big black blob!

Just an update on the 2007 2-disc Special Edition of Meatballs, since Amazon is not providing any information and all the reviews on this page deal with the less than stellar previous dvd release. The 2007 Special Edition is digitally remastered in Widescreen 1.85:1 Color (Anamorphic). It is in 5.1 Dolby Digital Stereo [CC] and it features subtitles in English, Spanish and French.

DVD Features:

Commentary with Director Ivan Reitman

"Summer Camp: The Making of Meatballs" Featurette

Amazingly, no theatrical trailer is included. Also available in Blu-Ray.

Technical Specs:

Aspect Ratio: 1.85:1 Digitally Re-mastered

Audio: Dolby Digital 5.1

This is one of my favorite movies from childhood, and I still love it (I'm now 27).

Bill Murray is terrific as head counselor Tripper Harrison in this warm and funny feel-great movie. All of the players in the ensemble cast are good, and the music is also really effective. If you like summer, good times, goofy humor, if you were born in the seventies (or even if you weren't) check out "Meatballs". It's a great way to spend a Friday evening--make something strange for a midnight snack and put on "Meatballs".

As for the DVD transfer, here are a couple of comments:

1. It does include the trailer. 2. It's a "matted" widescreen version, which means you actually see less than you do on the full-screen VHS version, because they simply lay black bars across the top and bottom of the full-screen image (I compared the two versions scene-to-scene). 3. For some reason, some of the music has been changed in the DVD version. I found this unfortunate, because the music is one of my favorite parts of the movie. Whenever the song "Meatballs" plays, for instance, an alternate version is played. Also, the "Makin' It" song at the "big social" scene is cut differently.

Aside from these few complaints, I'll still give the disc five stars, because I love the movie so much.

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As a person who spent many of my summers at camp I found this movie to be excellent. It also doesn't hurt that this movie stars Bill Murray...one of my favorites. I've owned this movie on VHS for many years now and have watched it numerous times. I just bought the DVD and noticed that the actual song titled "Meatballs" (originally written and performed by Rick Dees) is different than it is on the VHS version. The DVD version is actually sung (or more like halfway spoken/rapped) by Bill Murray himself. There is also about ten seconds of footage added at the end of the cafeteria scene that isn't on the VHS. Not much, but to a fan of the movie it's kind of cool. I wish the DVD had more features on it (like deleted scenes), but none the less this is still probably the best camp movie you could ask for.

Read Best Reviews of Meatballs (1979) Here

Ivan Reitman's 1979 comedy hit stars Bill Murray, who effortlessly parades around campgrounds and cliches found in many a kids' outdoor comedy, in this warm and satisfying summer-camp classic, packed with all the genre hallmarks one would anticipate.

You may have seen other movies like it, but "Meatballs" is still the seminal camp movie, with its semi-raunchy humor (you'd never see a PG rated kids comedy now with as much adult material as this), fun mix of Elmer Bernstein score and songs (many written by Elmer and Norman Gimbel), and steady stream of laughs making for a good time for one and all.

Surprisingly, "Meatballs" had something of a turbulent post-production process. Reitman's original version of the film focused mostly on the adventures of the various camp counselors, but when the director went to cut the film down, taking out nearly an hour of footage, he found himself with a 70 minute feature that needed "more." The director then decided to develop more material around the relationship between Murray's counselor and young Chris Makepeace, resulting in an enhanced emotional center at the heart of the picture (those scenes also stand out since Makepeace looks noticeably older).

An independent production that's bounced around various video labels over the years, "Meatballs" was last issued by Sony in a Special Edition DVD that included a decent retrospective documentary. That edition was supposed to be released on Blu-Ray but never happened, leaving fans to wait until this excellent new Lionsgate HD package materialized. While the BD lacks the Sony documentary and other extras (it does retain a fascinating commentary track with Reitman and co-writer Dan Goldberg), the 1080p transfer is spectacular: crisp, colorful, and freed of DNR. The DTS MA stereo audio is likewise fine, and the original Paramount logo is retained (Paramount beat Fox and Universal for the rights to distribute the film theatrically in 1979). For Murray fanatics and comedy fans, this is a terrific catalog release that comes highly recommended.

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Murray's interactions with the boy are so good that I used excerpts from the film for a final exam on basic counseling I taught at a graduate school the students had to identify the techniques used by Tripper and suggest alternatives. This may be a far more educational portrayal of counseling than any of the wierd therapist-involved movies Hollywood has produced over the past decade.

Beyond all that, this is a film of good-natured humor that has sympathy for its characters. Among the very best things that Bill Murray ever did.

And where is Tripper today when we need him?

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Star Trek: Motion Picture Trilogy

Star Trek: Motion Picture TrilogyPLEASE NOTE: THIS REVIEW IS FOR THE BLU-RAY EDITION OF THE TRILOGY. AMAZON HAS A BAD HABIT OF COMBINING THESE REVIEWS UNDER THE DVD ONES AS WELL.

The "Star Trek" films with the original cast get a Blu-ray release with mixed results. I sprung for the trilogy because, frankly, outside of "Star Trek: The Undiscovered Country" these are the best films from the series of films produced with the original cast.

"The Wrath of Khan", "The Search for Spock" and "The Voyage Home" are ALL in high definition contrary to a misinformed review here. They also all use too much Digital Noise Reduction to eliminate film grain which "softens" the image and eliminates much of the detail that Blu-ray is famous for. The result is that skin textures look waxy lacking detail. Edge enchancement has been used to "refocus" the image a bit (DNR is a technique used to manage film grain and video "noise" but when over used it robs the image of the very qualities that make Blu-ray outstanding. This is often done by digitally throwing the image out of foucs if I recall correctly and then using edge enhancement to refocus the image). "Wrath" looks better simply because it was restored while the other two aren't).

You probably won't notice the difference unless you're watching this on a monitor above 40 inches (and if you watch it with a projection system it will be REALLY noticeable). That said, all three films could look better but they still look better than the DVDs. Audio sounds terrific.

We get a lot of new extras as well as all the original stuff from the 2 disc DVDs except the text commentaries. "The Wrath of Khan" features a new commentary track with director Nicholas Meyer and Manny Coto ("Odyssey 5", "Star Trek: Enterprise", "24"). We also get "James Horner: Composing Genesis", "Collecting Star Trek's Movie Relics", A Tribute to Richardo Montalban", "Star Fleet Academy: The Mystery Behind Ceti Alpha VI" all in HD. We also get on all three films "Libary Computer" which is an interactive dictionary replacing in many respects the text commentary. Be aware that the pop up menu cannot be accessed when watching the film in "Libary Computer" mode.

"The Search for Spock" includes a new commentary track by long time "Next Generation" writer and "Battlestar Galatica" producer/writer Ronald D. Moore joined by "Trek" writer Michael Taylor. While they had nothing to do wih the film Moore an entertaining speaker discusses the differences between the films, the original series and "The Next Generation" with insight. "Spock: The Early Years", "Star Trek and the Science Fiction Museum and Hall of Fame", "Starfleet Academy: The Vulcan Katrar Transfer" are all presented in high def. Something I never noticed before while watching "Khan" or "Spock" is that one of the shots of the Genesis Planet is less than a perfect matte--you can see the stars behind the planet if you look carefully.

"The Voyage Home" features "Star Trek" writers Roberto orci and Alex Kurtzman in a brand new commentary track. "Pavel Scheko's Screen Moments", The Three Picture Saga", "Star Trek for a Cause", "Starfleet Academy: The Whale Probe" are all in HD. Also included is the "Libary Computer" again while all three films have "Star Trek I.Q." available only via the Blu-ray Live option.

The packaging leaves something to be desired--I would have preferred each in its own slimline Blu-ray container. This is presented in a fold out style holder. The artwork is attractive enough but the slip case and fold out holder may not stand up well to wear and tear.

As far as the quality of the films themselves even with the small budgets for the films all three are well written with strong performances and direction. Unfortuntely we don't get the "Director's Special Edition" of "The Wrath of Khan" which has been digitally restored (the film was in fairly bad shape) and remastered. Grain is quite noticable throughout and it appears that DNR wasn't used quite as heavily here as on the other two films (which were remastered first).

The script by Nicholas Meyer and Harve Bennett (although Jack Sowards is credited his script was one of five that was the basis of the final script along with writer/producer Harve Bennett) for "Khan", by Bennett for "Spock" and with Nicholas Meyer for "Voyage Home" are all strong and feature the humor/action that was characteristic of some of the best episodes of the original series. Bennett never really got the credit (or the thank you from Roddenberry)for reviving the show and giving it a production that captured the best of Trek.

I'm looking forward to "Star Trek: The Motion Picture" receiving a deluxe Blu-ray transfer with the "Director's Cut" included since it features the many visual effects that Wise wanted added as well as added him the luxury fine tuning the edit of the film (something he never had a chance to do because of the time constraints due to visual effects snafus and a drop dead premiere date).

So a mixed review--all three films look better than they did in their DVD incarnation but the transfers could be better. Audio sounds terrific and the extras are all good and welcome. The packaging though could be better but the price for this three disc set is pretty good. Hopefully "Star Trek: The Motion Picture" and "Star Trek: The Undiscovered" country will be available separately with the former including BOTH versions of the film and the latter including the "Director's Extended Cut".

Theres a lot of hating going on in this customer review section and I totally understand. Yes, this set is a blatant cash-in from Paramount, and yes they only 'fully restored' one of the films in the set. I read these same reviews and was a little leary of getting this set, but at $40, i figured thats not too bad for three great Trek films, one of which was guaranteed to look good.

So I took a risk and bought the set after reading elsewhere that the other transfers were actually pretty decent. So after watching all three films I can say that it was a pretty good purchase considering all thats included in the set.

As far as PQ is concerned, Wrath of Kahn is definitely the best. Great colors, great depth and great detail. Nothing like The Dark Night, but very respectable for a film of its age. I would give it a 9/10.

PQ on The Search For Spock fairs a little worse, but not by much, colors and detail are right up there with Kahn, though not quite reaching its quality. Its not OBVIOUS that II was restored and III was merely remastered, they are very close with the only real knock against III being its depth. The image is just slightly flatter than II, but again, not by much. 8.5/10

The only downside for me was The Voyage Home, which while decent on its own, is noticably lacking when compared to the first two. The colors are often muted and a bit hazy, and the depth is just not there. However some space shots look great, so its not terrible. 7/10

I watched this set on a 50" 1080p plasma and really only noticed the DNR when I got right up to the screen otherwise it rarely bothered me.

So there you have it. Yes I would have liked Paramount to go all out on restoring these movies and Im sure they will someday, but IMO unless youre a videophile you'll probably only notice it on STIV because III looks about as good as II. So if youre like me and are on the fence about whether or not to buy this set now or wait for Paramount to give a proper release a few years from now, I would say that while you might not be blown away by these transfers, theyre definitely respectable and far from as bad as the other reviews would have you believe. Plus, at $40 its a pretty good deal for what you get. Highly Recommended.

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I don't know who Paramount is trying to lure into buying this set. But for what it's worth, this is a pretty sweet package.

In case you're unfamiliar with the "Star Trek" franchise, this set includes the 2nd, 3rd, and 4th movies. The reason it's tagged as a "trilogy" is because each film starts almost immediately where the previous one left off. Also, these are three of the most popular of the series.

I could talk forever about these movies, but I think the important thing to remember is that all of them will hold up if you're not a fan of the franchise.

"Star Trek II: The Wrath of Khan" is a fan-favorite for many reasons, one of them that the villain is a character from the original 1960s TV show. But, if you've never seen Khan's appearance from the TV show, I think you'll still get a huge thrill seeing him ooze of cold vengeance. Admiral Kirk's struggle to face life & death --both literally and spiritually --is sure to please anyone who enjoys a good character drama. The drama and relationships between the characters are what drive the story from start to finish, and you don't need to be a fan to appreciate the connections. The space battles are still a treat even after over 25 years, and the ending scenes are incredibly powerful.

"Star Trek II" is one of my favorite movies of the 80s, and I'm sure I'd say that even if I wasn't a fan of this franchise. It's an expertly-crafted sci-fi action/drama, and earns its acclaimed status.

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"Star Trek III: The Search For Spock" is probably the least favorite from this trilogy, but it's still a good one, in my opinion. Even though non-Trekkers may be confused by a few of the story developments (notably Spock's Vulcan culture), I believe this one holds its own simply because of its production merits. James Horner's music reuses tracks from "Star Trek II", but has a few haunting melodies specifically for this installment. The action is good, and kinda brutal when the Klingons take decisive action. And I find the premise intriguing...try to recover a resurrected companion who's stranded on a planet about to explode, while you're being hunted by ruthless, greedy warriors!

"Star Trek III" will speak well enough to newcomers, but it's definitely tailored more for the familiar audience.

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"Star Trek IV: The Voyage Home" is sure to be a pleasant ride for anybody. Our heroes must travel back in time to recover an extinct species to save the planet. Why and how humpback whales are supposed to tell an alien to stop ruining our O-zone layer is beyond me. But somehow it all makes sense, and it's not the reason to invest in this film.

In addition to the usual merits we look for in "Star Trek" movies (great music, engaging special effects, and fun characters), this one is faltout hilarious! Try to imagine how seven 23rd Century explorers (one of them an alien) attempt to steal two enormous mammals when their spaceship has lost most of its energy after their time travel. You got misused profanity, Cold War tension, primitive technology, and contemporary music. But rather than being a farce, the movie is great fun.

"Star Trek IV" may not be my favorite of the series, but I'm sure it's the one that everyone will enjoy. It stimulates your brain, uplifts your spirit, and forces some strong laughs.

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To my knowledge, some of the bonus extras that were released on the 2-disc sets back in 2001-2003 won't be on this "Motion Picture Trilogy". Instead, there will be a new goodies.

The main reason I want to check this set out is that Ronald D. Moore provides a track on "Star Trek III". Moore wrote some of the best episodes for "The Next Generation" TV show, was the driving force behind the new "Battlestar Galactica" series, and has proven to be an engaging speaker through his podcast commentaries.

But that's just the fanboy in me. I don't see much of a reason to buy this set if you already own the 2-disc releases of these movies. But if you've never owned "Star Trek II, III, or IV" --or never SEEN them --then this is a good way to go.

Read Best Reviews of Star Trek: Motion Picture Trilogy Here

What's good about it: contains the 3 best "Trek" films that feature the original cast. The picture is slightly better than the 2-disc DVDs of these films, which looked great. The Dolby Digital EX sound is a nice improvement over the previous releases.

What's bad about it: Wrath of Khan is the theatrical cut, whereas the 2-disc DVD was the Director's Cut. NONE of the incredible bonus features from the 2-disc releases are included with this set, and the all-new features are mostly a bust. The visual effects featurette in this set is a real letdown, as it covers the first 6 movies in 13 minutes, so there is no time for any great detail on the FX work.

Bottom line: The transfers, both video and audio, are as good as DVD gets. If that's what you are after, or if you don't have the out of print 2-disc releases, this should do fine.

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I got an advance copy of this and the first thing I noticed is that ONLY "The Wrath Of Khan" has been re-mastered in Hi Definition!

BEWARE: The other two movies are NOT Hi Definition transfers! So why buy Blu-Ray copies of Standard Definition transfers? You are only going to buy "The Search For Spock" and "The Voyage Home" again when Paramount re-masters them in Hi-Definition!

Some customers may not notice this cheap-out when buying this set. The BIG lettering on the back says "DIGITALLY REMASTERED WITH BRILLIANT PICTURE AND SOUND QUALITY", but if you look closer you will see the small print says "The films have been digitally remastered and The Wrath of Kahn has been fully restored in high definition picture quality and 7.1 Dolby TrueHD."

So it seems that Paramount only had one of these movies ready for Blu-Ray but wanted to have a Box-Set on the store shelves when the new movie came out.

****CLARIFICATION****

Some fans are confused by my review. Let me first say that I am a television engineer, not a novice Blu-Ray owner. So I want to list some clear facts to help all understand what this set is.

1) Are all of these movies 1080p High Definition video presentations? YES

2) Do all of these movies have 7.1 Dolby TrueHD Audio? YES

3) Will all of these movies look better than the older releases? YES

What is the difference?

Paramount returned to "Khan"'s original film negatives to make new high definition transfers and restore the movie. All of the other movies are the 2001 transfers, digitally enhances using DNR technology and upconverted to 1080i for a high definition look. This is a form of DIGITAL REMASTERING IN HIGH DEFINITION. And this is the term that confuses the average Blu-Ray collector. 90 percent of the time when a studio claims "digitally remastered" on a DVD or Blu-Ray Disc they do NOT mean they went back to the original film negatives to make a new transfer, they just used digital technology to clean up the old transfer.

So why the complaint?

Because we all believe that Paramount will re-release these again, newly "Restored" from the original negatives. If you do not believe that, look back at Paramount's track history of Star Trek releases.

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The Extra Man (2010)

The Extra ManWriter Jonathan Ames seems to be a media darling these days. Creator of the successful HBO television series Bored to Death, he's now making the leap to the big screen with this adaptation of his 1998 novel, The Extra Man. Two adjectives that immediately spring to mind, whether speaking of Ames's fiction, non-fiction, or his life, are quirky and comic. And those are definitely the two adjectives that describe this film, co-written and directed by husband and wife team Robert Pulcini and Shari Springer Berman.

It's the search-for-identity story of Louis Ives (Paul Dano), a young English teacher we see fired in the film's opening scene. Louis uses the setback to follow his heart to Manhattan, where he hopes to pursue a career as a writer. His first priority is to find a home, which leads him to answer the apartment-sharing ad of the endlessly eccentric Henry Harrison (Kevin Kline). Soon, the introverted Louis gets sucked into Henry's wacky world, peopled with the likes of elderly billionairess Vivian Cudlip (Marian Seldes) and Klingon-like neighbor Gershon (John C. Reilly).

This is an odd story filled with quirky and sometimes off-putting characters. There's something anachronistic about Dano's Louis, exhibited outwardly in old-fashioned manners and vintagey three-piece suits and inwardly in his Gatsby-esque fantasy life. Classic fiction isn't the only thing Louis fantasizes about, though. In fact, he's tentatively exploring his sexuality and trying to come to terms with transvestite urges, all while pining for a pretty co-worker (Katie Holmes).

Henry, on the other hand, is larger than life, and Kevin Kline throws himself fully into the role--literally, as it happens, when the character dances. Henry isn't particularly nice. He doesn't much like women, and is adamantly against sex. He describes himself as, "somewhere right of the Pope." His apartment is cluttered and filthy. He's ethically-challenged and teaches Louis how to scam tickets to the opera and urinate in public. He is not the best role model. And, yet, that is exactly what he becomes, introducing Louis to the concept of "the extra man."

Henry's lifestyle is sustained by squiring wealthy elderly woman to their dinners and art openings and vacation homes. And it is Kline's innate charm, despite the character's flaws, that makes him believable in the role. It is also Kline's over-the-top performance that drives the film's humor. His line readings are priceless, and you simply can't help but laugh at his antics. In fact, a day after seeing the film, I dissolved into tears trying to describe him attempting to wipe his fleas onto a Yorkshire terrier. Who does that?

This isn't a mainstream film, and it won't appeal to every viewer. The humor is smart, edgy, strange, sophisticated, physical, and just weird. But I laughed long and loud. The performances (many by New York stage actors) were excellent, and Kevin Kline's alone is worth the price of admission. Not every joke lands, and parts of the film are uneven, but I never knew what would happen next. I think The Extra Man will find its audience among fans of Wes Anderson's quirky, charismatic films. It deserves to find an audience. Take a break from formulaic summer fare and give it a chance.

"The Extra Man" is a great comic experience, a joyful movie providing a lot of laughs with the sheer enjoyment of life bubbling in it.

The movie is about two fruitcakes, two off-the-wall flakes who get together and blend their nuttiness into a friendship. Louis (Paul Danol) is kind of unworldly, a dreamer, a teacher in an exclusive prep school in Princeton, New Jersey. Louis has an urge to be a cross dresser, and is turned on by women's undergarments. One day while holding up a bra to his chest in the faculty room, he's caught by a matronly staff member, is canned, and decides to go to New York to become a writer. He has always admired Gatsby.

In New York he answers an ad for apartment sharing and is interviewed by Henry Harrison, an older "gentleman" (brilliantly played by Kevin Kline), the apartment's resident tenant, who has weird, iconoclastic and screwy ideas about everything. Henry is broke but he's a walker, an extra man who accompanies women to dinners and events. He's not a gigolo, but he does like the good life with his wealthy older women friends of the Palm Beach circuit. Henry is his own worst enemy, is finicky, touchy, hypercritical and turns people off.

A neighbor in the apartment building is Gershon (John C. Reilly) another kook who is very funny because of his high-pitched voice (adopted for this movie). I think this is the kind of movie Charles Dickens would have loved, because the characters are done in broad strokes of caricature. Anyone who has lived in Manhattan will know that these oddballs would fit right in. In the movie nothing seems totally realistic, but that's the essence of comedy: the odd, the eccentric, off-the-wall fun.

One of the really exhilarating moments in the film is when Kline is teaching Louis how to waltz on the beach in the Hamptons with Reilly singing into a "microphone", a hood ornament that Henry has broken off a car inadvertently. It is a feel-great moment in the movie.

Kline is funny when he's teaching Louis how to relieve himself surreptitiously in the street, or when he's trying to transfer his fleas to a wealthy woman's lap dog.

It's great acting. You feel like you are really in New York, but it is hard to tell which era you're in because the director wants you to feel as if you've slipped back a generation or two in time. Both Henry and Louis live in the past and would be happier living in a previous era.

The movie`s wacky characters reminded me of a "Seinfeld" kind of humor. I haven't seen a movie in a long time that kept me laughing the way this one did.

Buy The Extra Man (2010) Now

Not the perfect movie, but the perfect role. Kline's inept charisma is quite charming as the odd little man trying to be dashingly bold in spite of his crumbling existence. Romantic and whimsical as the seemingly unessential man defines his essential existence. We are all free to dream and create our dream reality. Thumbs up.

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I just watched this last night, and to be frank I don't understand the hate. I felt that Kevin Kline is a hilarious character in this film, he lights up the screen every chance he can get. He did great in this. Paul Dano is also one of my favorite actors, and I thought he did great as well. The supporting characters like John C. Reilly and Katie Holmes did great as well. I found it very entertaining and I would definitely watch it again. I would highly recommend it.

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4.5895 stars

I'm surprised by the tepid reception this got, but their loss! I howled with laughter many many times during this incredibly droll film, especially at the Kline scenes. The guy has never been funnier, except maybe in Wanda. This kind of humor is probably waaay too dry for many, but if you like Wes Anderson or Jared Hess or any other off-beat, smart new writer/director, there's something for you here.

I'd go so far as to compare this to Withnail And I and Death At A Funeral (the original) for its sustained yet muffled hilarity, and those are two of the funniest modern movies I know. Not all of The Extra Man is great, but most of it is, if your mind is open and your funny bone doesn't mind being tickled from various obtuse angles. I laughed more during this film than most any movie I've seen in a year or two, but then I like it dry, and this is that, to be sure.

Ames' characters are both endearing and frustrating, and ring true in all their satiric excesses. I liked everyone in this, and even Reilly's campy voicework somehow fits in, particularly in the beach scene. The cross-dressing might be a little weird for some, but then weird can lead to some very unique laughs, and the scene with the Spankologist has a gorgeous moment: watch her face after their first kiss. It glows in joy and memories of much younger days and it's actually very touching, made even better by being subtle and brief.

There's a lot of heart in this film, and I'm surprised more folks didn't feel it. I sure did, and think it's a minor masterpiece in its own way, especially if you know enough older people to enjoy the sly wit Ames and Pulcini/Berman share with us. I also thought the direction was pleasantly quiet and unshowy, but set up the best lines very nicely time and again. Plus, some of the scenes have something very warm and genuine about them, a real rarity in any film.

Maybe I'm nuts, but I loved almost everything about The Extra Man, and think that time will treat it very kindly. It's one of a kind, and Kevin Kline shows why he's one of the great comic actors still working, classic on the level of Peter Sellers.

If you don't mind a little pathos with your comedy, and like your laughs both broad and edgy, you might just find this to be a gem.

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