Showing posts with label black people comedy movies. Show all posts
Showing posts with label black people comedy movies. Show all posts

Without Men (2011)

Without MenSome movies beg indulgence form the audience. This movie should beg forgiveness from the people who financed it. Based on a novel by James Canon and adapted for the screen and directed by Gabriela Tagliavini, the story (what little there is of it) concerns the women of a remote Latin American town who are forced to pick up the pieces and remake their world when all the town's men are forcibly recruited by communist guerrillas. They are devastated that they have to do `men's work' such as cleaning the town and governing the village. The local priest (Oscar Nuñez) prays to God and is instructed that he must populate the village with new men by sleeping with all the women of childbearing age. Unable to perform his duties, he is ostracized. One woman (Eva Longoria) becomes mayor and the women gradually make the town a women's place yes, even to the point of deciding that physical relationships between women are just fine and clothing is optional. A side bar story that simply doesn't fit is the presence of a reporter (Christian Slater) who is sent by his boss (Camryn Manheim) to get a front page article about the little town of only women. Et cetera.....

The lines these poor actors are giving are so poor that they are embarrassing, but the level of acting in general is on the junior high school level. Slater has so little to do that it seems as though he was hired simply to sell tickets in the theaters. This is a `must miss' little bit of deflated fluff. Grady Harp, April 12

I'm always up for an independent movie. Never quite know what you're gonna get.

This one was a pleasant surprise. It's a cute comedy about what happens when all the men in small village are shanghaied off to war and the women have to take charge. They find that they're capable of all kinds of new things, including finding love. It's light, slightly over the top and never takes itself too seriously. There's some genuine lol moments and lots of others that'll give you a chuckle. (If the priest doing his "duty" doesn't start you laughing, you're wound too tight!)

If you're in the mood for something light, sweet and funny, give this one a try.

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I love this movie first it has an all Latina Cast Eva Longoria who doesn't love her and the next Mexican Queen Kate Del Castillo I love her in this movie I love her in general She puts her on twist on every character she plays and You can see the Humanity in her that is rare. just a great movie buy you won't be disappointed

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felt movie left one hanging. would have liked a longer movie showing a little more of what happened in the village.

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This was a bad movie with few redeeming qualities. Would not rent and am sorry for the purchase. The story started out with potential and of course they added a man to the mix, making it limited in scope and lacking in execution.

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Notting Hill

Notting HillLet me just say that I'm not particularly a Julia Roberts fan. So when my wife asked to go see Notting Hill in the theater, I politely declined... but I figured that I'd give her a suprise and buy the DVD for her. Well, I sat and watched it with her, and was pleasantly suprised, myself!

Set in the real-life Notting Hill section of London, this VERY fairy-tale story is filled with moments of true belly-aching laughter, painful heartbreak, and one delightful "car chase."

Julia Roberts portrays Anna Scott, a fifteen-million-dollar per picture movie actress who gets tangled in the trappings of love with William Thacker, a bumbling, but likeable book-shop owner convincingly played by Hugh Grant. Notting Hill wastes no time in setting up this premise and rockets off from there. The film moves along at a good pace and only has one noticible slow spot. The music chosen to accompany the film is beyond perfect. Watch the screen closely when you hear "Ain't No Sunshine" by Bill Withers.

I would be remiss if I did not mention "Spike". Rhys Ifans plays Spike, William's very odd, very Welsh flat mate. You can't help but laugh every time he's on the screen. Luckily, the director and editor didn't over-do Spike's antics, so we can truly enjoy the moments when he's on.

The Collector's Edition goodies make the DVD a true gem and a great bargain. The musical highlights let you quickly jump into the middle of the movie to enjoy a song while watching the movie roll. (After you've watched the movie, go find "Ain't No Sunshine"!) The deleted scenes give a glimpse of what could have happened in the film. After watching, I'd say that I agree with the director's choice of endings.

This movie proves that romantic comedies can still be done well... and you don't have to have Tom Hanks and Meg Ryan to do it.

Hugh Grant's role as Travel Book Shop employee William Thacker reprises the same shy, humble, lovable, but lonely character with a small group of friends that made him a star in Four Weddings And A Funeral. That may be because Notting Hill, like FW&AF, was written by Richard Curtis. "And so it was another hopeless Wednesday when I walked a thousand yards to work, not suspecting that this was going to be the day my life would be changed forever." In two words, that catalyst is Anna Scott, currently one of Hollywood's biggest stars, who is promoting her latest film Helix, a sci-fi film whose costume design and one interior setting owes a nod to Kubrick's 2001. She happens in his bookshop, but that first meeting sets off a series of meetings where they spend time with each other.

Eccentric barely describes Spike, his Welsh roommate with a shock of wild blond hair. Never have I seen a more comical opposites since Felix and Oscar of the Odd Couple. Spike is clearly the Oscar of the pair, but then again, I doubt if Oscar would have worn a T-shirt saying, "Get It Here", with an arrow pointing downwards, or unwittingly mistake mayonnaise for yogurt.

In the course of meeting Anna, he in turn introduces her to his small group, including a married couple, Max and Belle, the latter in a wheelchair, a stockbroker named Bernie, and William's wild-looking sister Honey, whose bulging eyes and feathery hair makes her nevertheless lovable in a different sort of way.

However, they live in two different worlds. As William puts it, "I live in Notting Hill, you live in Beverly Hills." Both have different schedules, lifestyles, and perspectives on things. Yet his inner smile lights up whenever she pops in and spends some time with him. And applying a metaphor used, Anna is a goddess. "You know what happens to mortals who get involved with the gods?" That's terrible for William, who confides in Spike that it's like "taking love heroin and I couldn't have it again. I've opened Pandora's Box and there's trouble inside."

Anna is a typical box-office draw who has to put up with the tail side of the fame coin. The many boyfriends, the laying out of her private life in the tabloids, but also how she's unable to live an ordinary life and how she has to put up with unkind words, as when she overhears a group of businessmen saying how actresses are equal to prostitutes and that she is the definitive actress. Ouch! But despite the fame, in the end, she's "just a girl asking a boy to love her."

The one pullback aerial shot that has the couple approaching the bench dedicated to a loved one, while Ronan Keating sings Keith Whitley's "When You Say Nothing At All" was a perfect combination of great camera work enhanced by a haunting love song.

Hugh Grant has another winning role and seems to have the knack of starring opposite great female leads and being compatible. Be it Andie McDowell (Four Weddings) or Emma Thompson (Sense And Sensibility), he does himself and Julia Roberts great credit. After seeing this at the theatre when it first came out, I sighed with relief that I finally found the most charming movie with Julia Roberts since Pretty Woman. All the actors portraying Williams' small circle also lend great support, but Rhys Ifan steals the show as the outlandish Spike. Those who liked Four Weddings will definitely go for Notting Hill, which has a tad more sweetness, like apricot and honey.

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I was hesitant to see this film at the theater.I enjoy Hugh Grant but never cared much for Julia Roberts.Well,being a DVD and home theater nut,I decided to check this out..PLEASENTLY SURPRISED! ..First Hugh Grant is just fantastic.In a way,his character can be discribed as the thinking mans Mathew Perry.Actually,their humor derives from similar delivery of lines..This is a delightful tale of the ever so polite,but aloof, British male,winning over the, seen to many shallow male actor movie star..Julia pretty much plays herself,with both touching honesty and charm..Tired of the world that incorporates her hollywood life,on a trip to England she finds herself drawn to Grants simple yet honest and gentle sincerity...Along the way,the typical trials and tribulations that would surely plague such a relationship appear..Yet,this movie demonstrates that regardless of our superficial world around us,something as age-old as love can lead to true inner happiness...A great British supporting cast make up this movie,and the scence stealing Spike is hilarious...Guys,this is not just a chick flick! Give it a shot with that special someone and you both will be the better off for it..!

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This is the best romanic comedy in 1999, in my opinion. It's a story about an actress (Anna Scott played by Julia Roberts) at the height of her career finding the ordinary man (William Thacker played by Hugh Grant) in Notting Hill (an actual place in the UK) and falling in love with him. The unlikely story of travel bookstore owner getting involved with a mega-star actress is a fantasy but then it's a movie... and their story is fun to watch. Their quirky romance struggles a bit while they try to find a common ground for the couple from opposite ends of the spectrumand the movie tries to convey that even famous actresses have normal needs, too. Like love and the need to belong in the world. The secondary characters like Spike, Will's flatmate, Will's friends and sister just about steal the scenes. This movie is sweet, fun, poignant and a great happy ending. In the press conference scene at the end, when William and Anna stare at each other across the room, you can feel the love and hapiness. And the bench scene in the park is just about the sweetest ending. I've seen this movie several times and will see it many times more. ( Hey, even my guy friends liked it. )

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This is truly a lovely movie, and it has been a long time since a romantic comedy has been this enjoyable. This movie may remind you of "When Harry Met Sally" or "Sleepless in Seattle", where the couples are clearly meant for each other, yet have obstacles they must overcome. The acting and dialogue are superb! Hugh Grant, a world-famous actor, is completely convincing as an average bloke, while Julia Roberts goes by Anna Scott and plays herself, a "heavenly" movie star.

One review of this movie called it "pure fairy tale." As long as you can believe that it is possible for an actress to truly be a "good person," that she may actually want to live a relatively "normal" life outside of her acting career and may want to start a family of her own, then this statement is false. One specific scene mentioned as difficult to believe was the initial kiss that takes place quite soon after they meet. However, there are two reasons why this scene is believable. First, it is quite obvious that she is impressed from the start with his wit, sensitivity, and honesty, especially compared to the other men who are falling over themselves when they meet her. Secondly, this kiss may be a sort of test. In a city filled with reporters trying to get a story and her pictures plastered everywhere, her life has to be secretive as much as possible. Perhaps she wanted to see if she would be reading about the incident in the next day's paper before she allowed herself to get too close. She gave him quite the opportunity to brag to his friends or family, but he does not.

This movie is quite entertaining to watch the first, second and even fifth time.

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Morning Glory (2013)

Morning GloryI never have time to go to the movies these days with my busy schedule. I usually enjoy the comfort of my home and refuse to pay the ridiculus prices at the theaters. I promised my wife I would take her to the movies when "Morning Glory" came out. My wife loves Rachel McAdams, ever since she made "The Notebook". I was expecting to be bored and asleep by the first half hour. I was surprised that I was really getting into this movie. I laughed at the poor anchorman who is put through hell to boost ratings. I also found myself enjoying Harrison Ford's character. Nobody plays a better grouch then Ford. I loved Rachel McAdam's characters spunk and refusal to give up. I'm surprised by many reviewers hating that about this character. I don't understand why everyone expects dedicated workers to be unpleasent people. I am always joking around and having a good time. I put in over 14 hours of work a day and seldom get enough sleep. I work 7 days a week sometimes. I can relate with this character. Just because you put in a ton of hours of work doesn't mean you have to be a social outcast. If you like Harrison Ford, Rachel McAdams, Diane Keaton, or any of the other actors in this film. You are going to love them in this film. It is a funny film with great actors. I would watch this movie again and knowing my wife she will probably buy the dvd when it comes out.

MORNING GLORY

STARRING: Rachel McAdams, Harrison Ford, Diane Keaton, Patrick Wilson, Jeff Goldblum, John Pankow and 50 Cent

WRITTEN BY: Aline Brosh McKenna

DIRECTED BY: Roger Michell

Rated: PG 13

Genre: Comedy

Release Date: 10 November 2010

Review Date: 28 October 2010

Becky Fuller is an absolute delight to be around. Not only is she irresistibly attractive and adorable, she's funny, smart, dedicated, and truly talented at her job, which not too many people on the planet could pull off. So why on Earth a television network would let her go is beyond her comprehension and ours. Nevertheless, she's fired from her job as executive producer, due to budget cuts. Rachel McAdams gives one of, if not thee best performance of her career as Becky, in Morning Glory.

Now that she's been let go she is desperately seeking employment elsewhere only to find dead end after dead end. Finally, she catches a break when she's hired on as executive producer for a morning show in the slumps.

She has her work cut out for her to say the least. The show is a disaster. The lead anchor is a chauvinistic creep, the network can offer only pathetic jokes for stories, and virtually no one really has a desire to be there, nor do they take their job seriously.

The person that displays this best is Colleen Peck, played by the lovely Diane Keaton. A veteran of the morning show, she wakes up every day no doubt asking herself why she is still there. Along with everyone else, Colleen cannot really see any potential in Becky, offhand.

It's evident the news cast needs immediate revamping to get their ratings up, if they are to stay on the air. Enter: Harrison Ford. Ford plays Mike Pomeroy, a television legend who has long since hung up his hat as a news reporter. His solid plans of lackadaisically waiting out the time left on his contract are interrupted when Becky is struck with the notion that Pomeroy could be precisely what the show needs.

Becky forces him out of his fantasy world and back into reality, where he must lower himself to the likes of a morning news caster. As he showed in his previous film Extraordinary Measures, when it comes to playing a bitter recluse, Ford has the act down. Together they will try to do all they can do to save this sinking show and that's where the laughs come in.

Morning Glory scored big laughs with the packed audience I shared the experience with; especially when Becky has to `up the ante' so to speak, by orchestrating some hilariously drastic interviews and broadcasts that include a feeble man screaming his brains out on a roller coaster, with a camera mounted two inches from his head. Cut to Harrison Ford's face as he watches open mouthed, out of sheer morbid curiosity and we are laughing our heads off.

Screenwriter Aline Brosh McKenna knows comedy and she knows romance and she knows how to balance the two perfectly in an artistic melody. She's shown this before in 27 Dresses, The Laws of Attraction and Three to Tango. Morning Glory isn't a rom-com by any means, but it has a little romance nestled in there for good measure. Patrick Wilson has a small part as the office hunk and he is charming and likeable without bogging the story or the comedy down with heavy romance.

Director Roger Michell who's brought us such gems as Changing Lanes and Notting Hill, has delivered another one. He lets great actors do great acting and he brings us to a world that I found fascinating and that I haven't seen too much of in movies, which is: what it takes to produce a live television broadcast. Not sure it's a venture I'd sprint to the head of the line to work in personally; but I certainly enjoyed watching humorous and believable movie-people at each other's throats in it for nearly two hours. You will too.

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Not many movies have been made focusing on network shows being made, even fewer still about network news. Perhaps the most well known was BROADCAST NEWS, a stand out movie that makes many best of list time and time again. While that movie focused on network news, I don't believe any film has chosen morning news programming until now. MORNING GLORY gives us a glimpse of that world in perhaps an off kilter way.

Becky Fuller (Rachel McAdams) is an up and coming morning show producer in New Jersey just waiting for her big break. The day she thinks she's getting a promotion her world turns upside down. Instead her position is being condensed into another and the budget doesn't allow for two people. She's lost her job.

With her mother recommending that she give up her dream, Becky sets out to prove her wrong. A number of ignored resumes later Becky gets a call from IBS and their morning show, Daybreak. The station is one of those small networks with no budgets and no hits. Daybreak falls behind every network competitor they have. Executive Jerry Barnes (Jeff Goldblum) gives Becky the chance to turn it all around and to make the show something different.

What Becky first discovers is that she's inherited a complete mess. One reporter who seems a bit dim, a weatherman who wants to do a story on wind vanes, an ex-Miss Arizona past her prime named Colleen Peck (Diane Keaton), an anchor with a foot fetish and a staff that tosses questions to her in rapid fire succession. Day one finds Becky taking the reins, answering all questions and firing the anchor. Now to get things rolling she simply has to find a new anchor. With no money and no budget. Better still would be using someone already under contract to IBS.

Becky finds her man in the form of famed news journalist Mike Pomeroy (Harrison Ford). Pomeroy is a prize winning reporter currently doing bits for a news program that doesn't appreciate his past. Idolized by Becky, she sees her chance when she examines his contract and discovers a loophole that will result in his joining her show. But he doesn't go willingly.

Instead Pomeroy does everything in his power to disrupt the morning news program he's been recruited for. Pomeroy is a bit pompous and feels the morning news show is below him. While Colleen is more than willing to do any story presented her, Pomeroy snubs any and all stories lobbed his way. Instead he simply reads the news in the most monotone voice possible and ignores the fluff pieces that Colleen does with relish.

When Becky gets the word from Jerry that she's taken the show to the lowest ratings it's ever had and the show will be canceled in 6 weeks, she tosses caution to the wind and presents a more forceful producer than she did in the past. Her first act is to take the weatherman who was simply reporting on a new roller coaster and strap him in with a camera sending out his reactions over the air. This results in one of the funniest items in the movie but also angers Pomeroy.

As Pomeroy and Becky go head to head, battling every step of the way, she gets coaching from her new boyfriend, one of the men behind the networks weekly news program. Adam Bennett (Patrick Wilson) has a past with Pomeroy and a nickname I can't repeat here. He informs her that Pomeroy is the third worst human being in the world. But through his remarks Becky just may find a way to get Pomeroy on board and save the show. She has just 6 weeks to take it from the bottom of the heap and increase the ratings by 1.5 %. Can she do it?

The movie moves along at a frantic pace and you may find yourself clutching the remote just to take it back a moment or two when you miss something. It does offer some hilarious moments along the way and you get the sense of family that develops among the staff of Daybreak. That's one of the things that brings a certain amount of charm to the whole film.

The one troubling piece revolves around Ford as Pomeroy. Played incredibly straight faced and with more than enough bitterness to go around, Ford's portrayal of the newsman reduced to the morning slot shows a reporter devoid of emotion, a man who's lost himself in his work and never returned. At times this seems like the perfect way to portray this character. But at other times he just seems mean and nasty, the chances of him truly changing unlikely. Either this one of Ford's best performances or one of his worst.

The movie doesn't offer any real depth to its characters or its story, but it is an enjoyable way to spend an evening. Its one of those guilty pleasures you watch only to know that it has little new to offer and can't be taken seriously. But its still fun. Its worth watching for the laughs and performances but won't leave you seeking a sequel.

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This is yet another variation on a basic Hollywood formula movie a few name actors, up and down struggles followed by happy resolution, the tension between career and personal life, friends supporting each other, heartless and selfish corporate bosses, older people who still "have it", a little casual sex, and no deep message or purpose. I have to like a movie, however, that made me laugh really hard, smile a lot, and like the characters. I also found the story a good parody on TV morning variety shows. Moring Glory makes a nice "date" movie, or fluffy escape after a hard work week.

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This is the kind of film that defies criticism. It's light entertainment that doesn't have a pretentious bone in its body. Consider it "Broadcast News" light. The film is balanced by Harrison Ford's curmudgeonly anchorman and Rachel McAdams buoyant executive producer complimented by Diane Keaton's chipper co-host. Ironically, Keaton could have played the McAdams part some thirty-five years ago. Ford effortlessly steals every scene he's in even if he is silently stewing over the fluffiness that surrounds him. Though not wholly original there is enough wit in the script to distinguish it from its ilk. Time will tell if this becomes a rom-com classic or a TBS staple. Regardless, it's a good way to spend a date night at home.

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Griff the Invisible (2010)

Griff the InvisibleBy day Griff has the usual office job where he is bullied by his workmates and is only ever visited by his brother who tries to make Griff conform to society. By night Griff takes on the alternate persona as the town's superhero protecting the city streets. Griff is invisible to the world until he meets his brother's new girlfriend, Melody who turns Griff's life upside down with her eccentricities that only match his own.

Griff the Invisible is a very touching story that blends the lines between reality and illusion that is definitely worth at least one watch and I would highly recommend it. The story isn't too similar but if you like Eternal Sunshine of the Spotless Mind this movie is definitely worth a chance.

Lov superhero movies, Netflix had this and stopped weirdly half way through and just needed to watch in its entirety. Good fun quirky film

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The Squid and the Whale & Running with Scissors - Blu-ray Double Feature (2013)

The Squid and the Whale & Running with Scissors - Blu-ray Double FeatureThese are two arthouse films on one blu-ray disc, courtesy of Mill Creek

Of the two films, I enjoyed The Squid and the Whale more than Running With Scissors.

Squid was filmed with 16MM film stock using a handheld camera, and had a modest 1.5 million dollar budget.

Running With Scissors had a much bigger budget, it just was'nt as good a film as Squid.

Both films have good casts.

The PQ and AQ are great for both releases.

People who like extras will be disappointed, as there are none on this release, but of course you can say getting two movies for the price of one is very nice "extra".

Recommended for those enjoy arthouse films.

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The Odd Couple (2013)

The Odd CoupleThe 1968 classic is revisited on DVD but this time for Paramount's special "CENTENNIAL COLLECTION" release. This definitive release features commentary by the songs of Matthau and Lemmon but also a good number of lengthy featurettes that shows tribute to the popular film and to Jack Lemmon and Walter Matthau. An awesome tribute to this comedy classic!

VIDEO & AUDIO:

For the Centennial Collection of "The Odd Couple", for a film created in 1968, the film looks very good on DVD. Video is presented in widescreen (enhanced for 16:9 TV's). It was great to see the video scenes of New York in the 60's.

As for audio, audio is presented in English 5.1 Surround and French and Spanish mono. With the film being a dialogue based film, everything is front channel and clear. And of course, the music, composer Neil Hefti's theme song for "The Odd Couple" will always be remembered.

SPECIAL FEATURES:

Unlike previous DVD releases of "The Odd Couple" which were sparse when it came to special features, the "CENTENNIAL COLLECTION" version features a good number of special features and quite lengthy as well.

* Commentary: Commentary by Charlie Matthau and Chris Lemmon. The guys have an interesting conversation during the film and talking about their parents. How they were odd couple as friends in real life and on the film but still very good friends. Chris Lemmon talks about how his father was like Felix and Charlie talks about how his father was like Felix as well in real life. As Matthau puts it, the first "bromance" on film.

* In the Beginning... A 17-minute featurette featuring interviews with Larry King (a good friend of Simon, Lemmon and Matthau), David Sheiner (who plays "Roy"), Carole Shelley (who plays "Gwendolyn Pigeon"), Gene Saks (the director of the film), Chris Lemmon (son of Jack Lemmon), Charlie Matthau (son of Walter Matthau), Brad Garrett (who played "Murray" and "Oscar" in the 2005 Broadway revival), Robert Evans (former studio head) and more. Each talking about their experiences of the watching "The Odd Couple" play, the film, their experiences with Neil Simon, Jack Lemmon and Walter Matthau and a good insight to personal experience on the film and the personal friendship between Lemmon and Matthau. A very good tribute to the film and the men. A wonderful and informative featurette.

* Inside The Odd Couple A 19-minute featurette about the casting of the film. Also, an insight on why Art Carney ("The Honeymooners", "Oscar") who was in the original Broadway production with Walter Matthau, turned down the part. Also, behind-the-scenes of the budget of the film and how they could cast two popular actors and possibly a director like Billy Wilder on a tight budget and then what took place afterwards and Gene Saks eventually becoming the director. Eventually, the only way to get the two men in the film was to not use Billy Wilder and go with Gene Saks. Interviews with a few of the talent on the film and discussing about how they were cast for their roles. Very informative!

* Memories from the Set A ten-minute featurette with interviews with director Gene Saks who would talk about the relationship on the film between Lemmon and Matthau. David Sheiner (who plays "Roy") talking about how the second act was shot first and the first act second because Matthau broke his arm in an accident. Interesting tid-bits behind the scenes of the film.

* Matthau & Lemmon A ten-minute featurette with both Chris Lemmon and Charlie Matthau and those involved with the film discussing the friendship of their father and how they were great friends for decades and how their friendship made their onscreen perfomance even much better. Both sons reflect on their father's friendship and growing up with their father and the type of relationship they had. A more personal featurette based on family and friendship.

* The Odd Couple: A Classic A three-minute featurettte featuring cast, those involved with the film, ChrisLemmon and Charlie Matthau discussing why they feel the movie had become a classic.

* Galleries Image galleries from production and from the movie.

* Trailers Theatrical Trailer (previously used on the 2000 DVD release)

And like previous Centennial Collections from Paramount, a booklet is included with information and tidbits about the film and its stars and also a cardboard slipcase that holds the DVD/case.

JUDGMENT CALL:

"The Odd Couple" will always be remembered as a comedy classic. In fact, it ranks #17 for the American Film Institute's "AFI Top 100 Years...100 Laughs" category. And that doesn't surprise me one bit, this film is just so enjoyable and entertaining.

The back and forth exchanges between Matthau and Lemmon will always be remembered, both men were just magnificent in this filme and after watching this "CENTENNIAL COLLECTION", you realize how these two men made it happen. Not just because they were talented actors but they had this tremendous friendship that transcended off-screen to on-screen and made their onscreen performance so believable and enjoyable and yet making you laugh. Even though this film is over 40-years-old, it still remains entertaining and quite hilarious now as it was then.

But what makes this "CENTENNIAL COLLECTION" so wonderful is the fact that you have special features bringing talent and crew involved with the film, family and friends of Neil Simon, Matthau and Lemmon, those who have worked with revival of the play and showcasing everything from the casting, the hiring of a director, behind-the-scenes of making the film, personal relationships between the children and their father and much more. For fans of the film, the special features included in the "CENTENNIAL COLLECTION" is absolutely golden. There is just so much to learn and watch and enjoy on this DVD that Paramount really did give royal treatment for this release.

All in all, this DVD is highly recommended!

I grew up with the Tony Randall/Jack Klugman sitcom version of "The Odd Couple." Everything about it is funny. Having seen for the first time the movie, I never before imagined how smart Neil Simon could be. The movie outshines the TV series, and is worth the space on any standard comedy DVD library shelf.

In the TV series, Klugman's Oscar is a bohemian bachelor living in slop, and apparently content. In the movie, Walter Matthau's Oscar is no neater, but five times as deep. Although he lives in a divorced man's squalor of old cigars and warm beer, he wants more. He's lonely for his wife and kids, and regrets not making his alimony payments. His life is so disorganized that he wastes money by squandering cash on dinners out and gambling.

When Felix Ungar, as played by Jack Lemmon, Oscar's poker buddy, comes to stay when his wife divorces him, lifestyles clash.

On the surface, the clash is about organization and housekeeping. More deeply, Felix and Oscar duel as Super Ego and ID. Consistently archetypal, they are, in a more modern sense, like Marge and Homer Simpson, each seeing life through their limited expressions. Felix is uptight, and forever second-guessing himself. Oscar is living life for the moment, and never stopping to consider his responsibilities.

Oscar cares about Felix more than their other poker buddies, and connects with him as alter self, regarding their friendship worth pursuing. Since Felix needs a place to stay, Oscar offers up his ample apartment. The conflicts arise soon after, but not without each appreciating what the other brings to the relationship. Ironies abound when Felix's hypersensitivities gain him the affection of two dimwitted but attractive sisters, and Oscar's unbridled hormones.

Oscar can't help but enjoy Felix's great cooking and cleaning habits. He eats better, saves money, and finds his home is a nice a place to be when cigarette butts don't litter the floor.

No remake could collect such a cast. Matthau and Lemmon are known here as a duo on par with any of the great matches, like Bogie and Bacall, Bing and Bob, or Abbott and Costello. John Fiedler as the soft spoken family man, Vinnie, and Herb Edelman as Murray the cop are casted primely. One reason "The Odd Couple II" misses is this class cast. Matthau and Lemmon bring a lot to the table, but with Murray and Vinnie (plus Monica Evans and Carole Shelley respectively as the giggly sisters, Cecily and Gwendolyn Pigeon), anything made 30+ years later won't do.

Superbly written, "The Odd Couple" is one of those comedies with intelligence. Never does Neil Simon try to pan off one-liners. Even as Oscar tosses out slicing one-phrased commentaries as swiftly as Grouch Marx, there is more than a quick chuckle behind it. It is the myriad of layers, subtle commentary and sly interjections that lift this script up an extra level, placing it as a classic.

Surprisingly entertaining is the theme. It is the same theme as in the TV series, but plays in varied orchestrations throughout the movie's context. It was one of the great TV themes, and to hear it extrapolated in several variations makes it so much more enjoyable.

I fully recommend "The Odd Couple."

Anthony Trendl

ChicagoSpeechwriter.com

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I saw this movie about two weeks ago on AMC. It was funny and made me really laugh. I'm a 16 year old who likes classic and ORIGINAL films, not today's CGI filled/no talent actors/rap star cameo-esque films. Anyway, I really liked Jack Lemmon and Walter Matthau after seeing this movie. Of course, I always liked Matthau, because I've seen him in a couple of movies with Gregory Peck (also on AMC). It was a great movie!

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This is a New York movie from the New York of the post-war years. A city in which a sports writer like Oscar Madison could afford to rent a seven room apartment on Central Park West. It is a film from an era where Felix could be heterosexual and a man could be rejected by his wife because he was too neat. The plot is full of ironies and scenes which demonstrate the bizaare predictiment of personality extremes Felix and Oscar and their relationship to each other. Last and most importantly, the movie is incredibly funny. None of the jokes are cliche or recycled and each reveals something about the extreme personalities of Felix the neurotic and Oscar the ultra-slob. The city is always the star, even as we are focused on the conflicts and complements of the Odd Couple's relationship. But it is always there, in a way which is familiar to someone who lives in Manhattan. Once of the last scenes of the film have Felix and Oscar arguing on the roof of their building, with the New York City Westside Skyline in the background. That is one of the best New York scenes in any movie. Jack Lemmon and Walter Matthaw are brilliant and the Odd Couple. I only wish that a movie of the genre could be made now, films about personalities and men and New York which are beyond today's narrow box of social types.

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I won't belabor the obvious greatness of this classic. That's legendary. What I'd like to point out is that the scene with Felix opening his eustachian tubes in the restaurant with the "phmeh" sound is possibly the funniest scene ever filmed. If you don't laugh out loud at that, you have no soul.

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