Showing posts with label best comedy hindi movies. Show all posts
Showing posts with label best comedy hindi movies. Show all posts

Sucker Punch (2012)

Sucker PunchThe extended cut of Sucker Punch adds approximately 17 minutes and 45 seconds of additional footage, and is R-rated. The extended cut is much darker than the theatrical cut; while not necessarily being more visually explicit, previously implied suggestions are now explicitly overt. The violence and action scenes have also been extended as well, with two re-inserted battle sequences, one with the orcs at the castle (arterial spurts of green orc blood), and the other with the German World War I zombies.

I don't think I quite understand Snyder's multi-layered metaphorical comparisons between the brothel, asylum, and Baby Doll's fantasy worlds, but I will say that the movie (especially the action sequences) are visually stunning, and the colors beautifully contrasted. Credit especially to the actresses for their proficient firearms handling (but where exactly did they store all those extra magazines I wonder?). However, it would be superficial to suggest that Sucker Punch is only about girls in anime costumes fighting monsters in fantasy worlds, though that is certainly an interpretation shared by many critics who panned the movie.

Here are the main differences between the Extended Cut and Theatrical Cut; NOTE, SPOILERS FOLLOW, so continue reading at your own risk.

(1) Baby Doll shoots at the stepfather a second time (as compared to a single time in the theatrical cut), resulting in some CG blood and an arm bullet wound, which the stepfather grabs at.

(2) When Sweet Pea first meets Baby Doll (with Blue and the priest), Sweet Pea says, "the priest brought you here from the orphanage to lose your virginity, right?". Then Blue says, "The High Roller is coming in 5 days to do a little flower picking.." There is no such comment about deflowering in the theatrical cut.

(3) Rocket takes Baby Doll on an extended tour of the nightclub, showing her a backstage area where clients are not allowed. She shows Baby Doll the cleaning closet where new girls are assigned cleaning duties. They pass by the kitchen where the chef makes a lewd face at the girls, who ignore him, and walk onwards.

(4) Full dance number of "Love is a Drug" as performed by Blue & Vera. It's quite extravagant.

(5) The cook attacks Rocket more violently and physically in the extended cut.

(6) The backstage scene where Baby Doll explains her plans is extended. Vera writes the order of the dancers, with Sweet Pea performing first. Rocket and Sweet Pea then sit down, and Sweet Pea tells Rocket that she won't help Baby Doll.

(7) In the World War I scene, the Wiseman briefs the girls for a little longer. The map they are to capture is a map of the trenches and troop locations, the map will be sent via courier by zeppelin. The Wiseman then asks Amber how she likes the mech, to which Amber replies in the affirmative. The Extended Cut includes a great shot of the girls slowly walking out of the fog into no man's land, and additional shots of zombie German troops rushing out of their respective trenches. Amber shoots down several attack German fighters before herself flying skyward, and Blondie grabs her Daewoo K3 and mows down a horde of attacking zombies, littering the battlefield with their corpses. There is additional hand-to-hand and (hatchet-to-bayonet vis a vis Blondie) combat in the trenches, and Baby Doll fights the Zombie commander initially in an extended sword fight. I'm glad they extended the WWI sequence, it looks fantastic.

(8) Vera tries to cheer up Baby Doll pre-performance with a quote by Mark Twain about illusions.

(9) The orc/castle/knight siege scene has been heavily extended, most prominently featuring a new scene of the girls jumping into the courtyard, and decimating the orcs using firearms and edged weapons, while performing various acrobatic maneuvers. Green orc blood spray across the screen. Additional shot of knights trying to break through the gate with a tree trunk. Extended combat scene of girls versus knights, and slow-motion scene of Blondie firing the side machine gun.

(10) Blue tells Baby Doll that he will "pop that smile right off of her face", whereas in the theatrical cut, he falters without completing the sentence.

(11) The sequence where Amber is killed shows Blue's gun being fired twice, rather than the slight vibration in the wine glass. Blue shoots Blondie when she's on the ground an additional time. Nothing graphic is shown.

(12) Blue attacks Baby Doll for a longer period of time (and more physically) in the extended cut, when backstage.

(13) After Baby Doll is knocked unconscious, Sweet Pea steals a white dress while on the lam.

(14) During the last, infamous scene between the High Roller and Baby Doll, white gloved hands undress Baby Doll down to her skivvies. High Roller and Baby Doll talk, and High Roller doesn't just want to deflower Baby Doll; rather, he wishes to grant her freedom from everything, in essence, granting her absolution. Baby Doll seems quite taken and the two begin to kiss passionately, but no nudity is shown. The Extended Cut directly links Baby Doll's deflowering in the brothel to her lobotomy in the real world; I can understand why this scene was cut to make the PG-13 rating, as it's rather sexually suggestive.

Note: I wrote an original review for the film only way back when I saw it, which was actually on opening day. Now that I have acquired the Blu-Ray version of Sucker Punch, I will write a review. My consensus though is to purchase the Blu-Ray package over the DVD, so if you just want to read my thoughts on the movie, skip this section. I will review the Blu-Ray. If you are wanting to know everything about the layout and the general features, Amazon is correct with both product descriptions, so you can trust them.

When I first saw Sucker Punch in theaters, the art direction, CGI, and the colors was absolutely jaw dropping; this was one of the movies that I could see blasting on my TV screen. Well, I am happy to report that Sucker Punch looks and sounds terrific on Blu-Ray. Given the sensory overload Sucker Punch provides, one can only imagine how the potential of the , and the transfer does its justice and brings Sucker Punch to complete life upon your HD TV. The picture is crystal clear and sharp, which gives way to an absolutely dazzling high definition picture on screen. Sucker Punch's intense colors, elaborate architecture, and stylized visuals all come to life onscreen, with a visual intensity on the same boat as any high production value video game would be able to achieve (Think Uncharted 2 or God of War 3. Sucker Punch can surely compete with both games in terms of visual splendor). All the little details of the visual intensity absolutely stand out and are crystal clear. You can see everything little snow-flake, bit of explosion, and piece of dust, yet the little details don't substantiate the stylized and beautiful landscape and architecture. I give the picture an easy 10. It looks absolutely amazing. So safe to say, it is ABSOLUTELY worth buying for television viewing.

The audio is not quite as impressive as the picture of the film (seems fitting, however, given the visual approach to the film), but the sound is no slouch either (I think this has to do with the fact that the Sound design by default is not as good as, say, Saving Private Ryan or Lord of the Rings). Sucker Punch will still work out your home theater system, so if you have a great sound system, it's time to watch Sucker Punch with it. The movie really takes advantage of the DTS Sound track, as you will be able to hear the explosions surround you, the bullets clanking, whizzing, and whining and all around you, and the adjacent sound effects to the visual keys that Zack Snyder is so fond of using is crystal clear and satisfying. Your theater will rumble, and you will be totally surrounded by the immersive sound to really match the whole movie. What else could you ask for? I give the sound a 10, although the sound design is a 9.

As most of you already know, the Blu-Ray version of Sucker Punch adds 18 minutes to the movie. This is a whole 18 minutes of new film footage. More dialogue is added to certain scenes, and while they really don't radically make the story better in a way, it does add some fluency and color to the movie. These add more color and life to the characters and situations. There is also more action to make those peaks and valleys of the action more effective, and there are a couple more graphic shots to the action scenes, as there is a bit more gore. There is also the cut scene that Snyder had to remove (which deals with a sexual encounter), The most prominent addition to the film is a eye catching and theatrical musical number, and it doesn't at all tone down the pure visual and aural onslaught the movie previously had. I'm not going to give out spoilers but the is worth seeing and makes the movie even more of a blast than it was in theaters. Really, what else can you ask for?

As far as the rest of the special features go, here they are.

Maximum Movie Moment with Zack Snyder: The informative and fun special feature from the Watchmen Blu-Ray returns for another round, with Zack Snyder stepping out of the director's chair to give us more insight as to how the film was made, all interactive and almost feels hands-on to an extent. In the Maximum Movie Moment, Zack Snyder discusses how certain interesting and intricate shots and portions of the film were made, which really satisfy the question of "How did they film that?". He is not on-screen the whole time, but there's more than enough useful information to make the feature very worthwhile and awesome. In addition, some sketches and storyboards are thrown into the mix. Zack Snyder really shows how, and with something as interesting and useful as what he does with MMM, who needs it?

*Sucker Punch: Behind the Soundtrack-A somewhat interesting mini-feature regarding the unique and stylistically interesting sound track. Unfortunately, it's wait too short. Giving the short running time (only 3 minutes), Zack Snyder and and company do not go into much detail when it comes to the soundtrack. They basically just give a loose overview of how they came up with the soundtrack. That's it. Sure, it's interesting, but honestly, however, it's not a must see special feature.

*Four motion comics: These four "comics" remind me of a moving graphic novel of sorts. I think they are not substantial, but they do give background and interesting that further flesh out parts of the film. On the downside, each of them are only 3-4 minutes, and there are only four of them. At least they cut to the chase, which, actually, may strengthen their impact.

In addition, the Blu-Ray Combo pack, as you can tell, also comes with a Digital copy and a DVD of the theatrical release (NOT a Blu-Ray version). Be quick though with the Digital copy; however, as all of the digital copies I have owned eventually expire.

Finally, should you get Blu-Ray or DVD? As mentioned before, I do not own the DVD, however, my best advice would be to spend the extra money on the Blu-Ray version of the movie. The Sucker Punch DVD is a bit too bare bones, as the two special feature that the DVD have the run time of less than 20 minutes. Another nail in the coffin when it comes to the two is that the price of the Blu-Ray is not much greater than the DVD. Personally, I would recommend springing for the Blu-Ray version, hands down. If you do not own a Blu-Ray player and have no intention of ever getting one, I can see why one could settle for the DVD. But if you in any way have a choice between the two, I would recommend spring for the Blu-Ray version for sure.

ORIGINAL REVIEW:

After being disappointed with Battle: LA in theaters a couple weeks ago, I crossed my fingers and hoped that Sucker Punch would be the good Spring movie that kicks a major amount of @$$, like Kick @$$ did last year. Well, I put my trust in Zack Synder, and he didn't disappoint. Sucker Punch has got some critical backlash, but what for? Who cares anyway? Sucker Punch, with thrilling action, a massive scope, the patented Zack Snyder style of film making, and absolutely GORGEOUS imagery sensory overload, make this film a must see. It also happens to have some actual decent acting (well, a little over the top, but for this movie it makes sense) and a plot that actually not half brain dead.

So what is this movie about anyway? Well Sucker Punch, while not totally original (the film conjures up many other works as influences, such as Alice in Wonderland, Philip K. Dick, and The Matrix), is a film that blends themes such as freedom, reality, identity, the power of imagination, and escapism, among other things. Sucker Punch is a film that deals with a young girl who is framed for murder, and is about to experience a lobotomy. Given five days of her sanity, she then makes a list of things she needs to escape the institution. Through dancing in order to distract certain members of the mental institution/brothel to get the things she needs to escape (yes, you read that right), she teams up with four other patients to escape the place they have been held in.

Character development, I'll admit, is pretty sparse here. You pretty much know the characters themselves very quickly, and there's nothing too revealing or deep about them. Thankfully though, the film manages to make the characters interesting and likable, thanks to the acting. Sure, you don't find any Oscar winning performances here, but I think it works by just letting the actresses and actors just act like, well human beings, and it's very much present here (that is, if people actually pay attention). I actually think this work better than trying to add a bunch of stupid back stories that we've all heard a million times before; a cheap way to try to humanize a character if you ask me. Snyder is also able to milk the likability of these young actresses to make, them, well, likable, so for all of it's positive aspects characters are not really a problem. As long as you are not expecting the character study that Snyder's Watchmen was a couple years ago, there won't be much problem here.

Sucker Punch, also, has a very emotional undercurrent to it's dilemmas, which was all the more powerful and effective. There's something about the motives of these people and what they are doing that really gives the film the various subtexts it needs, no small feet there. Sure, it's still an action film at heart, but Sucker Punch does leave quite a bit to talk about, and no harm can come from that. All well and good, but that's not even the best part of the movie.....

The best part though, is this film is a VISUAL medium no halls barred. I've seen three Snyder films, and Sucker Punch outclasses both 300 AND Watchmen. Snyder sure knows how to really use the visual film medium, and Sucker Punch holds nothing back. Iconic slow motion everywhere, massive sweeping cinematography, and a unique melding of aesthetic make Sucker Punch have more visual delights in one film that the most of the other bid budget films released every year do combined. Most importantly, Snyder has a sense of wonder and awe that so many countless big budget action films are sorely lacking, the imagery forces your to look on. I must have sat in the theater with my jaw dropped the whole two hours. From huge castles and dragons, dark and grimy asylum halls, Gothic WW1 wastelands with zombies, to a truly awesome futuristic land of trains, futuristic cities set in a galaxy next to a planet. In addition, music and sound also plays a integral role as well, with tons of great sound effects, and a soundtrack with songs from Jefferson Airplane, Pixies, and The Beatles filtered through a dark, almost cyberpunk type of aesthetic, as sweeping as the imagery on screen. Indeed, everything about the film making is first rate.

The elaborate worlds that Babydoll and company are thrust into are amazing to look at. Massive, eclectic, and designed with incredible detail, Snyder did not stop at all in making truly immersible and jaw dropping worlds. Add that with Snyder's great use of music, and you got one heck of a great movie experience. These worlds are as imaginative as you would expect from any Grade A video game, and Snyder doesn't hold anything back in his head. You won't get any lukewarm art design when these action scenes hit the screen (in case you haven't figured it out, all the action scenes are in their head). Speaking of the action, it's, for a lack of a better word, absolutely thrilling. It's just as good as you would expect from Snyder. Massive monster fights from cool looking Samurais to dragons, lot's of guns, huge explosions, heart stopping action that feels like it can pirouette on a dime, it's all here and more. It doesn't let up the intensity either, and each one is a roller coaster ride of sheer movie delight. It has all the giddy thrill you would get from watching movies such as Transformers, 300 (yes, same director I know), or Kill Bill (although obviously not R rated), so that's a big compliment on Snyder's part.

Alright, if my rambling hasn't convinced you already that this movie is worth seeing, then you might as well skip it. Ignore the critical backlash Sucker Punch has received. It's totally worth seeing. It's clear that Zack Snyder always takes pride in his films and loves making them to make them, and it shines through here. As long as you are not expecting Andrei Rublev or a Mike Leigh film, you should at least go into the movie knowing what you are going to get. Sucker Punch, thanks to the visionary and imaginative directing of Zack Snyder, is easily an action film that, well, beats out the competition. Recommended.

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This has future cult favorite written all over it. Complex, awesome special effects, and a fun cast to boot. If you didn't enjoy it the first time, I definitely recommend watching it again. Zack Snyder really shows off his skills with this film and I can officially call myself a big fan of his work now. So enjoy and make sure to go in with an open mind.

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I'm starting to wonder if we're seeing the same movies as the critics nowadays. Or at least, if we're getting different cuts of movies. Because I've often found myself walking out going "Did I see a different movie than the critics?"

Of course, Snyder is no stranger to critical disdain. He may be the most misunderstood director out there. True his films aren't for

everyone, but if you look close enough you may just find something there. And Sucker Punch is the biggest example of how big a visionary he isHere he manages to bring to the table a satisfying and exciting new vision.

I was in right from the opening scene. A cover of Sweet Dreams set to a fantastic and tone setting scene depicting her abuse from her wicked stepfather. WHAT an opening scene.

We are then transported to Mount Pleasant Insane Asylum, once a performing arts venue. Baby Doll is just a drop in the ocean of how

many beautiful girls who can dance. Baby Doll doesn't know this until she saves Rocket, another one of the girls. There she meets the rest of the gang, and the sexy Goski, a doctor who has a form of therapydance. When Baby Doll dances, she can slay dragons, fight robots, wield swords, etc. The girls love herbut as it stands, she's dancing... to escape from the asylum with the girls.

The concept may not sound dazzlingbut wait till you see it. Sucker Punch is what its title statesa conceptual sucker punch. Nothing can prepare you for what you will experience. You are in the world with Baby Dollyou feel as if you are experiencing Baby Doll's therapy with her. Snyder totally does a great job with this aspect, and as a theatre nerd and dance lover, arts as therapy really hit home because it's very true, and I've experienced that euphoria from being a performer.

The acting is fantastic, and Emily Browning is great as both an action chick and a confused, disturbed girl. Cugino is sexy and adds her usual charm to her role. Hamm as Blue is easily the best, as his villain is certainly convincing.

Add to that, one of the best soundtracks ever put to film. Working with Tyler Bates, Browning covers a few songs, and quite a few others contribute too. And Bjork's "Army of Me" has never sounded cooler.

I was skepticalSnyder has struck gold with 300, Watchmen and Guardians, but could he manage to make one of his original ideas spark?

As a result he canand he did. Do NOT be a puppet of the criticsexperience Sucker Punch with an open mind. Touche, Zack Snyder...

Touche.

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I don't get all the hate for this movie. It's visually amazing, the writing is good, and it's more impactful than I expected going into it. Just don't expect this to be the next Titanic or Good Will Hunting and you'll thoroughly enjoy it.

Plus the Blu-Ray has some awesome behind the scenes.

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The Back-Up Plan (2010)

The Back-Up PlanAs a fan of romantic comedies, Jennifer Lopez, and Alex O'Loughlin, I loved this movie. Yes, it followed the typical plot structure and conventions of romantic comedies, but, so what? (Why aren't action movies, and other movies aimed at men, criticized for being even more formulaic than rom-coms? Only so-called "chick-flicks" are judged this harshly for following the structure of their genre.) I wasn't expecting a masterpiece that would sweep the awards shows. I was looking for some fun, heartwarming entertainment, and this movie delivers. Jennifer Lopez is wonderful at physical comedy, and we saw another side of Alex O'Loughlin. Having only seen him in intense, brooding roles, I was surprised at how well he delivered in a comedy. As a bonus, we also got to enjoy Tom Bosley in his final role, a bittersweet moment for his fans.

Even though critics weren't kind in their reviews of this film, I loved it particularly the acting, which was authentic and superb. Alex O'Loughlin is a terrific leading man, and after seeing this film I was motivated to watch his "Moonlight" Series on DVD and start watching him on Hawaii 5-0. The only downside for me were the scenes in the support group, particularly the birthing scene. When I watch the film on DVD I skip through all scenes containing the support group. It's over-the-top stupid and offensive in my opinion and makes the difficulty of child birth seem like a joke. But the dog playing "Nuts" and the sweet romantic scenes make this film worth watching.

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Very good fun. While Jennifer Lopez is the "star" of the movie, don't sell Alex O'Loughlin short. He REALLY makes this movie great! His reactions to the situation(s) is what truly makes this a great comedy. Looking forward to seeing more of him in the future.

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I have very mixed reactions to writing a review for this movie. I did enjoy it despite its flaws. Would I have watched/bought it without Alex O'Loughlin in it? Definitely not. It had some funny moments and some really awful ones (that birthing scene could have been funny, but it was a bit much over-reacting or over-acting)?? Alex made a great, gorgeous leading man he does THE best love scenes with those bedroom eyes OMG. He also showed his flair for comedy and was a great foil for J-Lo's neurotic character oozing charm and patience. His scenes with the Dad of three kids playing in the park were really hilarious. J-Lo's leading men in these romantic comedies (like Ralph Fiennes in Maid in Manhattan) are always beautiful, charming and delightful actors all of whom make her look good. This is a wonderful, feel-good movie to watch repeatedly every now and then mostly to have the absolute indulgence of watching Alex on the big screen. I hope he gets more big-screen movie work in the very near future.

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Immediate chemistry between Jennifer Lopez and Alex O'Loughlin.

Zoe a single New Yorker decided that at her age with no husband in sight she would have a baby. What she didn't count on was meeting the handsome and sexy, Stan.....Mr. Right. On top of their whirl win romance they found out Zoe was expecting twins.

Like every romance ups and down and so many sweet moments.

In one scene, Zoe and Stan are at a friends home while she was giving birth in a pool and I almost split from laughing so hard.

Zoe coming to terms with the past and wanting Stan in her life was fun, yet emotional at times. A great cast of characters in this film and a dog with "no legs" on a cart, you'll fall in love with!

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Virgin Territory (2007)

Virgin TerritoryCustomer review from the Amazon Vine Program This is something like a Shakesperian comedy, only with humor that's a little more raunchy. It takes place in Italy around the 17th century (or so) and focuses in on a sort of Don Juan character who is always on the run (played by Hayden Christensen). He finds sanctuary from the hoodlums who are chasing him by scamming his way into being the gardner of a convent. One can already imagine the mischief a lady's man is bound to cause amongst a slew of virgin(?) nuns!

Of course, as you've already guessed by now, there is a certain woman (played by Mischa Barton) whom he desires above all else. Only problem is, she's betrothed to, not one, but two(!) other men. Oh, what's a playboy to do!?

As the title indicates, there is some gratuitous nudity in the film. However, I actually thought there would be much more than there was, especially as they were constantly discussing the topic of intercourse. Sadly, Mischa Barton does not remove her shirt, but she still manages to steal the show. I look forward to seeing more movies with this stunning beauty!

If you enjoy British comedy, this film will likely be right up your alley. If you want to take a chance on a charming Romantic comedy based in a long-ago era, this film might be just the thing.

Customer review from the Amazon Vine Program Truth be told, I certainly wasn't expecting great art in a movie entitled "Virgin Territory." But I had an open mind. I had hoped for something light and silly, and indeed this film is light and silly--it just isn't particularly fun. A misguided effort to tell a Casanova story, "Virgin" is a period piece that owes as much to "Porky's" as it does to any swashbuckling epic. Add some bizarre Monty Python-esque moments, copious nudity and implied sex, and a strange narration by a superfluous character--and this movie completely baffled me. Romantic comedy or teen sex romp--"Virgin" is both and neither.

The film stars Hayden Christensen playing a charming lothario who seems to be absolutely irresistible. When faced with a gaggle of beautiful young nuns, he doesn't even have to work at bedding the entire convent. Every woman throws herself at poor Christensen. Needless to say, those of a more devout nature might not appreciate this movie. Christensen doesn't really overcome the deficiencies of the script. Seeing him in this straight to DVD clunker, I had to ask--"What happened to the promising star of 'Life as a House' and `Shattered Glass'?" Even Tim Roth, who adds class to any endeavor, can't elevate this film.

It's easy to find fault with "Virgin Territory," but I think the film's biggest issue is that it fails to connect with a target audience. Too infantile for a serious audience, it also misses other key demographics. Young guys that might enjoy the nudity are likely to be put off by silly romantic subplots. And those more interested in the story are likely to wonder just what there is to really care about. Those interested in the comedy might chuckle once or twice, but it's hardly a gut-buster. Mostly, though, viewers are likely to be disinterested. I know I was. KGHarris, 09/08.

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Customer review from the Amazon Vine Program I was wondering what to expect when i started watching this movie BUT i can honestly say it was kinda ok.. It's like a sex movie for 19-24 year olds. It was cheesey yet you couldn't help but watch at times.. I would truly have given it 2.85 stars...

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Customer review from the Amazon Vine Program While the film could have been an interesting big screen adaptation of the Casanova tale, with lots of young and up and coming actors and actresses, it falls into the trap of looking like modern day actors forced into these medieval roles. They just don't pull off looking like they should be in that time frame. Many, many comedic attempts have tried to go the bawdy romp route and failed, and this one is no different.

For a much better movie, and similar theme, look no further than television and the British production (shown in the US on Masterpiece Theater) of Casanova (Masterpiece Theater). It's a tremendously better play on the same plot, and you can see the production quality and performances are all a notch or two above this sophmoric, direct to DVD flick.

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Customer review from the Amazon Vine Program I remember reading about this film almost 3 years ago. It was suppose to be Misha Burton's vehicle to show her acting after leaving "The O.C." after three season. But after about 10 minutes its easy to see why the film skipped theaters and went direct to DVD.

The plot involves a lady's man, who falls in love with the one girl that he cannot have and comedic (yet forced) hilarity insues. I'm not saying that its a bad movie, but the production value is on the low side and the plot is increidbly predictable.

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Nothing in Common (1986)

Nothing in CommonThis is one of my most treasured films of all time and I can't understand why it receives so little attention. This is the story of an immature but successful bachelor whose world is disrupted when he gets an unexpected call from his estranged father, telling him his mother left him. Tom Hanks gives one of his BEST performances (comedically AND dramatically) as the carefree fellow who is forced to get to know his parents all over again while supporting them emotionally.

While many label this a comedy--and it IS pretty funny-I find it one of the most heartfelt and touching films ever thanks to a brilliant director, soppy but appropriate music, and an extraordinary cast. There've been so many films made concerning father-son relationships but if you're looking for the most genuinely realistic one, this is it. The final line of dialogue spoken by father to son ("You're the last person on earth I would've ever expected to come through for me") never fails to choke me up.

This is one of Tom Hanks' (and director Garry Marshall's) best films, yet it has received little publicity.

Among Hanks' fans I know who have seen this film, all hold it in very high regard. It's classic Tom Hanks funny and serious at the same time. As it's promoters said, "It's a comedy and a drama, just like life." You will surely love it.

Jackie Gleason, Eva Marie Saint, Hector Elizondo, and the rest of the cast do wonderful jobs.

I only wish it was on DVD, but hopefully in time it will be.

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I've watched this movie dozens of times, and was overjoyed to find it on DVD at last. This was (I believe) The Great One Jackie Gleason's final screen performance, and it showed the way of the future for Tom Hanks. Sela Ward also appears as a love interest, along with Hector Elizondo as his boss, and Eva Marie Saint as Hanks' mom.

The only thing that gets on my nerves just a little is the soundtrack. I think it's Christopher Cross, surely one of the most annoying alleged musicians ever to hit the big time.

The transfer to disk is good. The cast is excellent. The plot makes sense, and the script is near perfect. The story is about the relationship between Tom Hanks' character, David Basner, and his father, Max Basner. Its a wonder that anyone comes out right as an adult, and Hanks had no idea how screwed up his childhood had been until the night his father told him his mother had split. And soon thereafter his secretary gave him a message that his mother had called, and added "I had no idea you had parents."

Wonderful. Buy it, enjoy it.

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This is the first movie where Tom Hanks really began to show his depth. It was a film that required him to open with the comedic chops he's honed so well but then, because of the deepening of the film's story from comedy to drama, requested so much more of him. He ultimately delivers in spades.

This is really a story about a son moving very fast in the fast lane of advertising. He's a pro and he loves what he does. He's also a personality that lives on charm and in the moment. But when his parents separate after years of marriage, his life changes rapidly from no personal responsibilities to a multitude of them. It's also begs a question that rarely gets told wellhow do sons and daughters deal with parents as life turns the tables and we suddenly start having to deal with listening to and taking care of them? The changing of roles and responsibilities. As the film unfolds, it presents those concerns with proper weight, depth, sadness, growth and understanding.

Gary Marshall directed the film prior to his mega hit with Pretty Woman but I really think this is the better film of the two. He draws the best from Jackie Gleason, Eva Marie Saint and Beth Armstrong and Hector Alonzoeach lending a real ensemble cast feeling to the piece and although Tom Hanks shinesso do they.

Jackie Gleason deserves special mention because he really plays a rather hard, sad man at the end of the road as a clothing salesman, and he digs deep, never lending anything false to how this man thinks, feels and operates. The exchanges between him and Hanks about how he was raised lend a real truth to the role.

If you're looking for a film that has some humor and some depth of feeling in the same breath, this is an interesting evening's viewing.

An underrated film that deserves a second look and a larger audience.

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I found Nothing in Common to have all the attributes of a wonderful film. From its soundtrack to its cast. The subject, a selfish advertising executive, thinks only of himself, but finally learns that family is important, and old friends are the best.

It is my most favourite Tom Hanks movie.

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American Pie 1, 2, 3 & Reunion (2012)

American Pie 1, 2, 3 & ReunionThese are not U.S. Versions of the movies. They should be listed as such. I am completely disappointed and have lost some trust in Amazon's product descriptions.

Although these disks play the movies as indicated, they are an Irish release and the disks are far different from the US release.

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Every single American Pie film never fails to make me laugh out loud every single time I watch them. Now that I own all of them on Blu-Ray it's even better. One thing I was disappointed in was that only American Reunion has a main menu. All of the special features and extras are held on that one disk. If your an American Pie fan then I would definitely get this box set and remember to Play On Playa!

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4 movies at one great price. I could watch these movies over and over again and never get tired of them. Super price, and super delivery.

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Great package!

The movies are in great shape and the cover works well with the movies.

The only thing I dislike is the inside of the case, the discs all sit back to back of each other and sometimes they

fall out and the plastic on the inside that the discs are laying on don't lay right when trying to shut the case entirely. Otherwise love the movies, and i don't think anyone would be disappointed :)

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Aisha (Hindi Film / Bollywood Movie / Indian Cinema )

AishaAisha, merrily tooling around in her cute yellow Beetle, maxing out her father's credit card, looking posh and chic. Aisha is beautiful and young and comes from a well-to-do family. She loves to draw, but her passion is matchmaking, a hobby she pursues to everyone's distraction. One of Aisha's childhood best friends, the level-headed Rajun, constantly scolds her for meddling in other people's affairs; Rajun's remarks always fall on deaf ears. Aisha loves playing Cupid. Her latest project is a mousy Punjabi girl, Shefali, and the film tracks Aisha's indefatigable attempts to find Shefali the right guy. When, really, the project Aisha needs to take on is herself. It's the matchmaker who needs to do some growing up. Her life falls apart.

It's clear that Jane Austen has a strong following in Indian cinema, and that her stuff translates pretty well. Regarding Indian cinema, the best adaptation of her works, by far, is KANDUKONDAIN KANDUKONDAIN ("I Have Found It") which reworks SENSE & SENSIBILITY. BRIDE & PREJUDICE is a colorful hybrid of Bollywood and Hollywood. (And both of those films star the glorious Aishwarya Rai.) AISHA is Bollywood's take on EMMA, and while AISHA isn't as clever and inspired as CLUELESS, its stunning and leggy star, Sonam Kapoor, provides looks and a measure of substance. Sometimes, a striking presence alone can carry a movie. Aisha, all up in everyone's business, is shallow and snobbish and judgmental. But Sonam Kapoor infuses her with a core of sweetness and vulnerability. She makes Aisha likable despite her excesses. I only wish Abhay Deol ("Arjun Burman") had gotten more face time. The film really comes alive when Abhay and Sonam are in the same scene, picking a quarrel with each other.

It's not a traditional Bollywood picture. Although prominent in the opening and closing sequences, saris are few and far between. The viewer can't help but take cues from the bright and breezy visuals. The sleek modern fashion dare I say, Westernized fashion? plays a strong supporting role, establishes that mood of glamour and entitlement. AISHA, in essence, is about India's young and privileged at play. We observe scenes in which the girls hang out in pricey boutiques and trendy nightclubs or holiday out in the wilds but sleep in luxurious tents. These folks think nothing of flying out to Mumbai or Delhi on a whim. This would all be very boring if only I could take my eyes away from Sonam Kapoor. Mostly, you have a sense of where the story is taking you. While Aisha's friends play romantic musical chairs, it's fairly obvious from start which guy was meant for Aisha, this guy who's been the one grounding element in all her life. It maybe shouldn't have taken as long as it did for the film to get them together. But what's a Bollywood film without its drawing out the love story as long as possible? In the end, Emma grows up. I mean, Aisha.

What I've got is the 2 DVD set. Disc 1 has the feature presentation which comes with English sub-titles. Disc 2 has the following bonus material (which are mostly in English): the "Making of the Movie" featurette (00:21:24 minutes long) and "Look & Styling," a segment focusing on the film's fashion sense and costumes and the costume designers' breaking down of each character's look (00:18:53).

Aisha is an, if I can call it, a fusion of the film `Clueless' and the book `Emma' and takes place in New Delhi, this is not the city that most people are familiar with. The proceedings take place in upper class locations and people are all well dressed, they hardly work, if they can escape art shows and sometimes enjoy a game of Polo. Sonam Kapoor is Aisha, an inhabitant of this upper crust who spends most of her time shopping, spending copious amounts of cash on clothes, generally doing nothing but has time to moonlight as an event planner. She is fun, slightly prudish and convinced that she has the match making skills to pair up people in matrimony or in relationships. The only one who thinks this is all a waste of time is her friend Arjun Burman (Abhay Deol), and has consistently warned her that this presumption about people's feelings about each other will only amount to a world of hurt for her and everyone else.

There are several interesting characters and they all have their charm but seem to be very one dimensional and superficial ( perhaps that was the idea) These bumbling characters who are desperately out of reality and living in their silk cocoon seem engaging at first sight but never interesting later. However they are all lively enough to make the proceedings brisk and fun.

Sonam Kapoor is engaging and tries the hardest and why not after all it is her home production but I thought Amrita Puri as Shefali Thakur stole the show with her act as a poor girl caught in the midst of these rich folks. She was pleasant and earthly enough although the director could have toned the sweetener and bimbo effect a wee bit. Abhay Deol is wasted and could have been better used. However Rajshi Ojha the director has done a swell job for her debut and everything manages to look pretty and neat. The songs are lively and hummable, and distributed evenly throughout the film. Three stars. 6/12/11

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Aisha, which just came out last summer, is Bollywood's version of a modern Emma. Set in the high society of Delhi, it follows Aisha in her misguided matchmaking attempts. Like Emma and Cher, Aisha is a spoiled rich girl who means well but is really clueless. This one follows the book a little more closely than Clueless did and includes more characters, like the John Knightleys and Jane Fairfax (Aarti). Here, the Miss Taylor character is Aisha's aunt. This version's Knightley (Arjun) is still her childhood friend and brother-in-law's brother, but younger this time. Emma dislikes Aarti, his colleague from America, but she doesn't realize it's because she's jealous. Dhruv (Frank Churchill) is her new uncle's son and they flirt for a little bit but she's just not that into him so he goes for Aarti instead. There is an Elton character, but he's not a pompous jerk at all, just a bit dorky.

I thought this version borrowed too many elements from Clueless rather than Emma. Maybe that's inevitable in a modern setting, but I'm not sure. Aisha has a best friend, Pinky, who's only equivalent is Dionne. She disapproves of Pinky's love interest (I won't give away who it is!), like Cher did to Dionne. Like Cher, Aisha loves to shop till she drops. The Harriet Smith character, Shefali, comes from out of town and Aisha gives her a makeover....sounds pretty familiar! Emma never gave Harriet any sort of makeover. She liked Harriet because she was very pretty and sweet already. I dunno, maybe I'm reading too much into it.

For anyone hesitant about seeing this film because they don't like Bollywood, I just want to saydon't let that stop you. This movie is very, very Westernized. At least half the dialogue is in English, possibly a bit more. There are some "musical" scenes but the music is Western-style, not the typical Bollywood singing. The characters don't break into song eitherrather the music highlights what's going on onscreen. These characters behave very much like rich Westerners would (I've read criticisms that it was trying too hard to be American, even) and there are even a couple kissing scenes.

I thought this was a good movie, but not great. The production values were obviously very higheverything looked great. Unfortunately, I think that was part of the problemthey focused too much on style over substance. The script needed a bit of work. The whole Jane/Frank story was handled very poorly in particular. Still, it was a fun movie, even though, like Clueless, it's not going to go down as one of my favorites.

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This is a wonderful adaptation of Emma..masterfuly done! The actors performed well! Love this movie!

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I really enjoyed this Indian version of Jane Austen's novel "Emma". I have also seen the Bollywood "Pride and Prejudice" and "Sense and Sensibility", so I am somewhat familiar with

the conventions of the cinema music and dance interwoven into the story line and no

kissing between men and women. I love the energy of the movie.This classic English novel transferred well, as did the other two. Part of the universality of Austen 's artistry

and the talent of Indian film makers.

Eternal Sunshine of the Spotless Mind (Blu-ray + DVD + Digital Copy) (2004)

Eternal Sunshine of the Spotless MindWhen you hear the basic storyline of "Eternal Sunshine of the Spotless Mind," it sounds like another one of those "wacky" romantic comedies that they love to put out every month. However, when you realize that this is written by Charlie Kaufman (who also wrote "Adaptation" and "Being John Malkovich"), then you know that this will be a very different movie. This is such an enjoyable, hilarious and a brutally honest film that has immediately become a favorite of mine.

Jim Carrey plays "Joel;" a quiet and shy person who keeps to himself most of the time. He's bummed out when he discovers that his girlfriend had a new procedure done in where she has erased him from her memory. Not knowing what else to do, Joel decides that he must get the same thing done to him and goes to the clinic to have her erased from his memory, hoping that the pain and sadness will go away. When he's undergoing the procedure, unconscious and reliving the memories as they are being erased, Joel begins to realize that there were some very happy moments he had with her and he doesn't want to lose them after all.

It's really hard to categorize a movie like this. While it is indeed a comedy on some levels, it has a lot of dramatic elements to it, as well. Because of this, people will either fall in love with it or despise every minute of it. What really struck home with me is how honest and creative it really is. You'll find a lot more honesty and truth in "Eternal Sunshine of the Spotless Mind" than in most of the "cute" comedies that are out there today. It is extremely easy to relate to the characters, and that is what makes it all the more realistic for us. Jim Carrey is absolutely fantastic in this, as he is very controlled and doesn't try to steal the show. This is when you really get to see his acting skills shine. Kate Winslet takes the challenge of playing opposite of Carrey head-on and succeeds every single time. We cannot forget about Elijah Wood, Mark Ruffalo, Kirsten Dunst and Tom Wilkinson, who also make the movie that much more entertaining.

What I really admire about the movie is the theme of it, and that is that just because a relationship doesn't work out in the end, it doesn't mean that it was time wasted. Sure, there are certain memories we wish would go away somehow, but how would that change us as a person if we could do such a thing? We learn from our experiences; from the good and the bad. That's how we mature as human-beings, and Kaufman's clever writing really establishes that perfectly. The DVD has some cool extras, such as behind-the-scenes documentaries, audio commentary from the writer and the director, deleted scenes and more.

"Eternal Sunshine of the Spotless Mind" remains the best film to come out of 2004 for me. It's strange, yet clever; funny yet sad, and imaginative, yet honest. If you're looking for a risk-taking film that is like a breath of fresh air, then I highly recommend this excellent picture. This can possibly be the best movie of Jim Carrey's career. Take a chance and find out why so many people are raving about it in the first place. -Michael Crane

ETERNAL SUNSHINE OF THE SPOTLESS MIND, which I saw tonight in an advance screening, is the most twisted, original romantic comedy I've seen in a long time. Coming from the mind of Charlie Kaufman, this film is luckily more in the vein of BEING JOHN MALKOVICH and ADAPTATION than HUMAN NATURE.

The film, which operates on the premise that people can delete bad relationships from their memories, travels essentially backward down its story's timeline. It examines several key themes regarding compatibility, fate and how our memories can make up who we are.

Jim Carrey, who plays his role of Joel straight rather than wacky, delivers his best and most human performance since THE TRUMAN SHOW. But the movie, thankfully, belongs to Kate Winslet. As Clementine, the girlfriend who Joel wants to either love or forget, Winslet is wacky, colorful and hilarious the sort of girl you want to either love or strangle.

While their central story plays out mostly within Joel's brain, several equally interesting subplots emerge involving the memory-erasing workers played by Kirsten Dunst, Mark Ruffalo, Elijah Wood and Tom Wilkinson.

The thing I like best about Charlie Kaufman scripts is that I don't always know where they're going but, in the end, they cover all their bases, address all the philosophical questions inherent in their twisted plots and always leave me entertained. ETERNAL SUNSHINE OF THE SPOTLESS MIND is a terrific movie.

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Charlie Kaufman is known for creating films that bend the mind -"Being John Malkovich," "Adaptation," "Human Nature." But he takes a slightly different turn in "Eternal Sunshine of the Spotless Mind," a sort of romantic dark comedy that raises questions about memory and identity. It may not be the best of Kaufman's work, but it's in some ways the most endearing.

Uptight Joel (Jim Carrey) is shocked to learn that his likably flaky ex-girlfriend Clementine (Kate Winslet) has taken unusual measures, post-breakup. She's having her memories of him erased from her brain at Lacuna Inc. When he learns WHY she broke up with him (she thought he was boring), he gets mad and decides to have the same thing done to himself.

So a group of offbeat techies and doctors (Mark Ruffalo, Elijah Wood and Kirsten Dunst) begin to erase the memories of Clementine from Joel's brain (Wood's character also tries to use Joel's memories to seduce Clementine). Problem is, his brain doesn't want to let them go. It pokes Clementine into parts of his memory where she doesn't belong, so he won't have to let go. And viewing the memories makes him fall in love all over again...

"Dark romantic comedy" is the closest thing that "Eternal Sunshine" has to a description. Like Kaufman's other films, it's funny in a subtle way, and more obviously sweet and romantic. Not to mention thought-provoking. If you could erase unpleasant memories, would you do it, if it changed the person you were? If we get rid of the pain, do we also get rid of the joy?

Michel Gondry is best known for his work on Bjork, Radiohead and White Stripes music videos -deliciously strange ones. Somehow, he fits perfectly into directing "Eternal Sunshine." A trip through a person's brain is a hard thing to manage, but he does it -surreal little images like a teeny tiny Winslet and Carrey bathing in a kitchen sink, or lying on the ice. It's weird, and it works. At the same time, he can capture more mundane moments well.

Jim Carrey gives what may be his best "serious" role ever, as the conflicted, lovelorn Joel. Kate Winslet's Clementine breaks the mold of "romantic comedy heroine" with her free-spirited wackiness. Together, they make a flawed couple that you really want to see together. And Elijah Wood takes what could have been an empty role and turns Patrick into a rather pitiful, lonely figure, rather than a 2-D creep.

"Eternal Sunshine of the Spotless Mind" is not the best from Charlie Kaufman's fertile brain, but this melancholy dark comedy is well worth checking out. A wonderful, prismatic film.

Read Best Reviews of Eternal Sunshine of the Spotless Mind (Blu-ray + DVD + Digital Copy) (2004) Here

I've never submitted a review before, cause I never had a reason to. I was lucky that I got a chance to see the sneak preview. I had no idea what it was about before seeing it. I think sometimes it's better that way. Nothing was given away before it was meant to, and you have no false expectations before seeing the movie.

It is, by far, one of the best movies I've seen in a long time. And there were some good ones in the past few years. It makes you really appreciate life, all the good and all the bad, and it will move you if you've ever been in a relationship. But in general anyone should and could appreciate this movie. It has some neat special effects that isn't over the top. Very appropriate and subtle that simply compliments the movie. It's a thinking movie, in that afterwards it gives you a different perspective on your current, past, and maybe future relationship (if you still remember by that time). And I think it's for the better.

I don't want to give anything away, and ruin your experience with the movie. Go with an open mind. You'll enjoy it, I promise.

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If you've seen the trailer, you know the plot: Jim Carrey's Lowell discovers that his ex-girlfriend (Kate Winslet's Clementine) has had all memories of him erased by a company called Lacuna, Inc. So Lowell decides to get all of his memories of her erased, too. Then, during the procedure, he changes his mind and tries to save her from within literally vanishing memories.

This is not the whole plot, but it is enough to get by on--and saying anymore would give away too much: the movie is kingly in its execution of plot twists.

Other characters worth noting are the doctor who erases Lowell's memories, and his girlfriend Mary; and Patrick (Elijah Wood), who helps the doctor and gets himself rather thickly embroiled in another part of the plot as well; and the head of Lacuna Inc, who is definitely not the guy he appears to be.

Obviously, this film has an unusual premise. In fact, the entire film is unusual--and deliciously wonderful. Most of it takes place within Lowell's head, within warped memories in which fences and people vanish and people who don't belong appear; and oftentimes the settings change as swiftly and with as little fuss as scenery often does in our dreams. Yet it never becomes confusing and certainly never ridiculous: the movie sucks you in and the unreality of much of it seems oddly realistic, probably because it is the sort of unreality that we find in our heads and that we endure nearly every night when we dream. You don't even notice that the movie is particularly surreal: it feels far more realistic than your average romantic comedy or action movie, certainly!

Much of this film is not surreal in any way. We get many glimpses of Lowell's memories--obviously--and they are amazingly engaging, running the gamut of emotional extremes and not-so-extremes in Lowell and Clementine's relationship.

All of them actors and actresses do a marvelous job. Jim Carrey is especially wonderful; Elijah Wood, though with a fairly minor part, has one of the best entrances I have ever seen in a film. Kate Winslet's Clementine catches you off-balance when you realize how much you believe in her, with all her strangeness.

This is one of the most creative movies I have seen in a while. I worry about using words like "creative" and "surreal" in this review: they are accurate, but they arouse the wrong connotations. One hardly has to be a fan of abstract art to enjoy this film! Indeed, it should appeal to a wide range of audience types--it could be anything from a romantic comedy to an "arty" film to whatever you call poignant, realistic movies. It lets you do detective work, handing you clues subtly and without giving the best trick away until the end--but if you don't enjoy putting two and two together at the cinema, you aren't required to either.

This film is practically impossible to describe. If you find the trailer (go to the Focus Features website), that will give you a fairly good taste of it. But really good films should not be overly described, and I would hate to give away any of Eternal Sunshine's tricks. So forget descriptions: just go see it. In a time when a lot of movies start to look the same, Eternal Sunshine is unique and uniquely wonderful.