Showing posts with label best adult comedy movies. Show all posts
Showing posts with label best adult comedy movies. Show all posts

Down To You (2000)

Down To You... and I ended up being pleasantly surprised.

Back when this film was first released, I was forced into seeing it with a female family member. I expected the worst. It had Freddie Prinze, Jr. in it. The commercials for it seemed to imply that it was geared towards the teen set. I really wasn't expecting to like this film. Boy, was I surprised!

This film ended up becoming one of my favorite romantic comedies. The story itself, about the evolving of Alfred and Imogen's relationship, was so well written and unpredictable. It wasn't one of those films where you could predict each plot twist twenty minutes before it happened.

The cast is above par for movies of this genre. Stiles and Prinze do a good job in their lead roles. Selma Blair and the actor who played Alfred's "artsy-fartsy" porn actor friend were also entertaining. Film and TV legend Henry Winkler added a lot of gusto to the film in the supporting role of Alfred's Emeril-esque dad as well.

Guys, if you want a good date movie to watch with your girlfriend that won't leave you squirming, this is the one to get. I highly recommend it!

Down to You didn't last long in the movie theaters, and I was surprised to see it on the shelves at the video stores. The main reason why I saw it was because of Julie Stiles, who I thought was good in 10 Things I Hate About You. I didn't want to see it at first, because I can't stand Freddie Prinze Jr! I thought I'd give it a shot because Julie was in it, and I enjoy watching high school type movies. This wasn't your typical high school movie though. It was more towards the late teens/early twenties crowd. Julie plays Imogen, a Freshman at the local college that's studying to be an Artist. Freddie plays Al, also a student at the college, that wants to be a world famous chef, like his father (played by Henry Winkler). Al's father has his own cooking show on TV (just think Emeril Lagasse). His father has plans for him and Al to have their own father-son show, but Al wants to work his way from the bottom up. The main focus of the movie was concentrated on Imogen and Al's relationship of course. The movie has some great characters in it, like Al's father, his best friend that's in the porn industry, and a wanna be Jim Morrison. I thought the story was good, and the directing as well. I liked how both Al and Imogen were both telling the story. The only part that I didn't like about the movie was when Imogen ruined their relationship by......well not to spoil it for you, but you should watch it. This is a good date movie, and should make your date cry!

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It was set out to be aimed at 13 year old girls but somehow it got a wider audience. Most teen movies take place when the stars are in high school but this taked place when they are in college. This movie shows that not all relationships are fairy tales. The theme is giving first love a second chance and while it does give audiences a dose of reality it does seem to give a little too much information sometimes. Julia Stiles is smart in her career choice because while she does movies aimed at teens her films are somehow more serious but at the same time fun. This film deals with heavy issues but it doesn't let you know that it's getting you to think about certain things like teen pregnancy, drug overdose....and so on and so forth. If you are a fan of Julia Stiles or Freddie Prinze, Jr. then I recommend this movie. It's not your typical run-of-the-mill teen flick. But beware guys, this is a chick flick!

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This is the perfect romance film to watch as a couple, to remember your first love and reminisce about the good and the bad times. It starts off with Freddie Prinz Jnr (Al) and Julia Stiles (Imogen) narrating between flashbacks.

Julia Stiles is one of the best young actresses of the moment, and her & Freddie Prinz Jnr make a great couple. Selma Blair, Shawn Hatosy and Zak Orth also star, along with a permanently stoned Ashton Kutcher, who apparently looks like Jim Morrison from The Doors.

The scene where Imogen sings/dances to Al is the best, and it shows what the whole film is about despite the fact that Al gets embarrassed as he's a sophomore dating a freshman.

Imogen & Al are very different people and show that opposites can attract. She likes painting and he likes to cook. Al's friends aren't happy that Al & Imogen are practically turning into an old married couple before their eyes, already having a pregnancy scare barely a year into their relationship. You know this relationship is doomed from the start of the film, due to them being different & pressure from their friends.

The narration between the flashback scenes does break the film up, and the first time I watched this film, it really annoyed me, but it also shows the film from Al & Imogen's point of view.

There's a classic line in this, which is Imogen's fear: "One day we'll pass each other on the street and have that artificial conversation".

The ending is great, and the Billie Myers song sums up the whole film.

This film is a must-see for Julia Stiles/Freddie Prinz Jnr fans, or to see as a couple, or to watch alone, simply to reminisce and not get embarrassed when you start crying.

Extras include the theatrical trailer; TV spots; cast & crew interviews; on the set; and Billie Myer's "It All Comes Down To You" music video.

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In my opinion, I have to say that this teen comedy was, well,DIFFERENT than the rest. But I mean that in a very very good way. Why? The story is not the type of teen movie that you can just predict every moment in the story. It was edgier and bubblier than any other High School-type teen comedy. The story takes place in college, which I find more entertaining than an average High School movie. The first half hour of the movie was kind of strange to me.I mean, a roommate that is a porno movie director and a dad who is a famous cook( played by Henry Winkler) is not your usual dialogue in this kind of movie. Which made me love this even more! I am crazy about romantic comedies and this is BY FAR(so far) the best one I have seen. After you get introduced to the Very Different characters, you find that this movie is incredibly well-written and really sweet and entertaining. i also happened to laugh a lot more than a typical teen comedy. Julia Stiles is my fave actress and Freddie is probably one of the most talented, HOTTEST men on this planet(this was the reason, in the first place, why i watched this movie).Even my boyfriend loved it(and believe me, thats pretty amazing). It has a great soundtrack, too. To summarize my opinion: A funny, sexy, romantic,and edgy must-see movie for almost anyone.(i cant stop watching it) If you like Freddie, I also recommend Boys and Girls.

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Dutch (1991)

DutchOhhhh, this is a good one. The magnificent dueling performances by Ethan Embry and Ed O'Neill keep you glued to the screen like you're watching some crackerjack tennis match as the two battle back and forth.

Ed O'Neill plays Dutch, a wealthy professional who feels more at ease wearing a softened pair of corduroy pants while drinking a beer and eating pretzels than he does seeing an opera or visiting the local country club. He falls for JoBeth Williams' character, Natalie, the divorcee to a rich, snobby businessman -the same man who has managed to turn their son Doyle against her. Knowing that he's going to "pop the question" soon, Dutch volunteers to go to Doyle's ritzy boarding school in Georgia to bring him home via car for the Thanksgiving holiday. By doing so, he's hoping that they will have a unique chance to bond and that the boy will be more loving to his mother.

Ohhhhh, Dutch....what were you thinking?? It's a nightmare!! From the moment they meet, the two are battling at every level. Ethan Embry is OUTSTANDING as Dobsy (errr, Dwayne...uhmm, no....Digby?). He plays the part of the spoiled rich brat to perfection. Their funny misadventures on the road home put them in all sorts of hilarious situations...from losing their car in a freak "accident" to hitchhiking a ride with some hookers to spending the night at a homeless shelter. It keeps getting funnier with every turn. Ed O'Neill takes Dutch to a whole new level with his calm, cool collectedness. He displays incredible control of his character and you'll just be cheering for the guy the whole time.

The touching moments are when we see Doyle by himself, contemplating his attitude about life and his family. When he thinks no one is watching, Doyle is surprisingly sensitive and not so much the young adult who probably has a stock ticker in his closet...he's just a lost, struggling teenager who's as vulnerable as the rest of us.

But the ultimate question is...will Dutch succeed in winning Doyle over? You'll just have to watch and see for yourself!

This 1991 John Hughes film was a gigantic dud at the box office and was critically panned by pretty much every critic. Well guess what?, I like it!. It's far from being great, but as far as guilty pleasures go, this one is a good one. Ed 'O' Neill plays Dutch Dooley, a normal, everyday schlub who is in a relationship with a well to do woman, played by Poltergeists' JoBeth Williams. Dutch volunteers to go get her son at a private school and bring him home for Thanksgiving. Easy as pie, right?. Well, no. The kid is an uptight, snobbish brat. The ride home is full of one disaster after another. Dutch and Doyle try desperatley to get home, while the two constantly bicker at each other. During this time, Doyle gets a good dose of reality thrown in his face. Many moments are actually quite serious. Your not expecting it. The funny momets are quite humorous. All the things Dutch does to Doyle is, I must say, pretty funny. Doyle is played by Ethan Randall, who went on to appear in "That Thing You Do", "Vegas Vacation", "Can't Hardly Wait", and the FOX series "Freakylinks", which he went under Ethan Embry. 'O' Neill displays his great comedic talent and sly witicisms that he perfected on "Married With Children". The ending, this being a John Hughes film, is warm, fuzzy, and happy. Would you expect anything less?. All in all, it's a decent and harmless little road movie. Not bad.

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Two things. First, I think this movie is somewhat of a sleeper that many people overlook, may have heard a little bit about, caught once on cable, or totally forgotten. That's tragic. It's an awesome movie, and, even if it does resemble John Hughes' close movie with Steve Martin and John Candy ("Planes, Trains and Automobiles") only to the extent that it involves trying to get home for the holidays and a road trip, from that point, it's a totally different movie and really stands on its own.

Second, this movie shows that Ed O'Neill should never simply be thought of as simply the dad from "Married with Children." He is an amazing actor, and I could envision NOONE else having filled this role. He was perfect for it, and I totally could relate to him at every turn. He was truly a fella after my own heart.

The bottom line is that this simply a great movie with a great message. Something you can watch with your old mom and pop, and your bratty neice and nephew and not worry about too much. Brief scene with a couple of hookers, but this is played down so much and is so tongue-in-cheek, that there are no worries there. Other than that, great movie, classic moments, outrageously funny situations and one-liners, with a good, solid message to send home.

I really can't recommend it enough and was very thankful to find it being released on dvd after all this time. Get it while you can.

Read Best Reviews of Dutch (1991) Here

This movie is an original masterpiece!!! I have not seen the DVD but I have watched this film over million times since I the first time I had set eyes on it back in 1993. Ed O'Neil plays the hardworking, white-collar boyfriend who tries to befriend his girlfriend's son through a series of comical events. The story takes an unexpected twist (I won't say where)and what was a mile-high ride settles back into reality. I really thought this movie was awesome and being a fan of "Married With Children" you get to actually see O'Neil do something a little different, on the lighter side. If you liked the original "Home Alone" genre you don't want to miss this one!!!!

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This is a wonderful movie & I'm glad to see it finally on DVD! I'll be picking this up immediately as I'm wearing out my cable-recorded copy. If you're a fan of Ed O'Neil, see this movie. He plays the classic "blue collar" guy (think a more well-off version of "Married... With Children's" Al Bundy) to Ethan Embry's snotty brat.

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Perfect Understanding (1933)

Perfect UnderstandingAs a classic film enthusiast, I was somewhat surprised that I'd never even heard of the 1933 Ealing Studio release "Perfect Understanding." Not only does it carry the Ealing brand, it boasts a screenplay by the great Michael Powell and lead performances from Laurence Olivier and Gloria Swanson. Heck, that's all I need to know! Sign me up. Billed as a romantic comedy, I'm not sure the movie entirely succeeds under this description. With aspects that veer from slapstick to complete melodrama, the tone of "Perfect Understanding" veers all over the place. An unconventional domestic drama centered around infidelity (both imagined and real), there are some aspects of the movie that play deadly serious. These moments are (for my taste) the strongest in the film. When it plays for a lighter appeal, the manic energy can feel somewhat overdone and chaotic. At times, it seems as if two different movies are competing against one another. But despite these reservations, it's still a easy recommendation for fans of Olivier and Swanson! They make the picture worth a look!

Swanson and Olivier play a young society couple who don't want to fall into the same trap as their other married friends. They want a marriage in which they can retain their independence without all the baggage of traditional domesticity. It's a fine arrangement (a perfect understanding, if you will) in theory, but somewhat harder in practice. After a blissful honeymoon, the couple separate at the end of their vacation. With Olivier enjoying the festivities of Cannes, his old circle of friends and a former flame end up sharing time with the new groom. Can he withstand the temptation of another woman? Coincidentally, Swanson also has another suitor on the home front. When the couple reunite, how much honesty can their relationship bear? Between real offenses and certain misconceptions, this marital experiment seems doomed to failure. Can love prevail? Should it?

I really liked Swanson and Olivier together. Swanson was trying to establish herself in the talkies after being a silent screen star and she even produced this movie (the only film she ever made in Britain). Olivier was a stage star (a trained Shakespearean actor) newly into a film career. They have an easy chemistry and charm to spare. If you know them primarily from their later works, this more lightweight piece is an interesting counterpoint. Olivier, in particular, is downright dashing! I don't think "Perfect Understanding" is an essential classic, by any means, but it is definitely worth a look. The early scenes are especially jumbled with dozens of characters and relationships thrown at you rather haphazardly. Things start to settle, however, once we leave this extended opening. Again, I probably wouldn't classify this as romantic comedy (although some might). To me, it's more of a relationship drama with some lighter moments. KGHarris, 5/13.

I love classic films. Especially old black `n whites. I couldn't say why exactly. I think it's that they're a bit more primal about how they had to approach the filmmaking process. They didn't have all of the tricks and twists of special effects and fancy-pants editing, so they were largely confined to using dialogue that great, great form of communication to convey so very much of the story. Without good, snappy dialogue, those movies of old were destined to one day end up on the trash heap. Consequently, I think they produced better screenwriters folks who had a learned ear for what sounded right, what conveyed the proper sentiment, what captured a precise emotion for their audiences. Still, it's a shame that more of these `classics' don't get the treatment PERFECT UNDERSTANDING has; it's an impressive discovery, and I can only hope there's more to come from the folks behind the Cohen Film Collection.

(NOTE: The following review will contain minor spoilers necessary solely for the discussion of plot and characters. If you're the kind of reader who prefers a review entirely spoiler-free, then I'd encourage you to skip down to the last two paragraphs for my final assessment. If, however, you're accepting of a few modest hints at `things to come,' then read on ...)

Judy Rogers (played by the forever lovely Gloria Swanson) and Nicholas Randall (a young and thin Laurence Olivier) are socialites in love. However, they see couples all around them mired in one unhappy marriage after another. Hoping to `buck the trend,' Judy and Nick decide the best they can do to preserve their own relationship magic is to draft a "marriage agreement," one which promises they will never argue, they will always treat one another as lovers, and they will always respect one another's private happiness. What appears to be a perfect understanding only leads to the discover of one imperfection after another as Nick succumbs to the charms of a former lover (Nora Swinburne) and Judy almost falls into the arms of another (John Halliday). Can they find happiness again or are they now destined for divorce?

Wow. Talk about a real eye-opener! PERFECT UNDERSTANDING was way ahead of its time. In fact, the agreement fashioned by the two lovebirds in the opening could almost be likened to an `open marriage' by contemporary standards. In fact, his own personal guilt forces Nick to confess, and Judy appears perfectly willing to forgive him; that is until she divulges her marital woes to her old friend, Ivan. To make matters worse, Judy realizes she's pregnant while it's clear to her that the child belongs to her one and only true love, Nick's suspicions only serve to push the two of them further and further apart. What's amazing is how open and nonchalant the script by Michael Powell treats all of this, almost as if this were the status quo in marital relationships of the time. I daresay it wasn't this was 1933, after all though Hollywood socialites and debutantes were always `ahead of the curve' when it comes to social mores. That much hasn't changed.

The film is smartly directed from staging to cinematography by Cyril Gardner. Gardner made impressive use of some vast interior sets, and he moved the plot along briskly by making extensive use of some rather elaborate video montages to establish the passage of time as well as the build-up of marital tension. Also, it's exciting to see Olivier so fresh and new in his career (promotional materials provided to me with the release point out he was only but a few years along in film); and, even at this ripe age, he was a master at the witty banter establishing the high points of his love with Judy (Swanson). The two of them handle both ends of the scale with great skill the first half is punctuated by their constant repartee while the latter half is richly nuanced with desperate, longing expressions of their mutual torture.

Billed largely as a "comedy of manners," UNDERSTANDING may not be PERFECT, but it's pretty darn close, and it's pretty darn impressive.

PERFECT UNDERSTANDING was produced by Gloria Swanson British Productions (the only film she made in Britain). DVD distribution is being handled through Cohen Media Group. As for the technical specifications, the film looks and sounds very solid be aware this is a (standard) two-track audio, and there's some marked gaps in quality in the first fifteen minutes or so, but it clears up as the film progresses. The Blu-ray release is blessed with two selected shorts from the era (two Mack Sennett shorts "Husband's Reunion" and "Dream Stuff").

HIGHLY RECOMMENDED. Given the era, it's certainly an exercise in some curious morality. PERFECT UNDERSTANDING is a wonderful find from Cohen this is its Blu-ray and DVD debut. It's been longingly restored for this release, and who wouldn't want to experience this Gloria Swanson/Laurence Olivier rom-com now that it's available? The script captures the marked trend of the time to propel the narrative through the use of clever dialogue and it's brilliantly delivered by two masters of the craft. I'll admit it dragged a bit for me in the last fifteen minutes that's when the marriage is coming apart but rest assured there will be a happy ending for those who work for it most ... just like in life!

In the interests of fairness, I'm pleased to disclose that the fine folks at Cohen Media Group provided me with an advance DVD copy of PERFECT UNDERSTANDING by request for the expressed purposes of completing this review.

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Laurence Olivier made his first movie in 1930 and paired with silent screen Queen Gloria Swanson in 1933, who traveled to England to make this melodrama. This is a beautiful print for an 80 year old movie. However, it really isn't very good. It looks like a Norma Desmond return to the silver screen. However, if you like or collect old movies, then this one is a find.

Read Best Reviews of Perfect Understanding (1933) Here

This is a great little travelogue of a film, with great shots of various European locations, back before both WW2 bombing and later, globalization, had tampered with the scenery.There couldn't have been much international tourism in 1933, so these characters are indeed priveleged. Olivier seems very good here, not insufferably intense and hard to believe as he became after he returned to England in the 40's (though this is apparently an English film, with Gloria Swanson as a producer and other American actors it doesn'seem so.)

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Battling Butler / Go West (Ultimate 2-Disc Edition) (1925)

Battling Butler / Go West**** = Go West video

*****= Go West story

****1/2= Battling Butler video

*** = Battling Butler story

To be fair, I compared the old "The Art of Buster Keaton" DVD 2005 release to this new blu-ray release using the same Sony Blu-ray player, up-converting the DVD to 1080i.

GO WEST (1925) 68 minutes

Video = While a credit is given to a Library of Congress/Packard Campus for audio visual conservation, there is little improvement here. Some scenes such as the one where Buster falls out of the train & goes down the hillside look way better here. In fact, almost all outdoor scenes are a little darker, bringing out more detail.

One scene originally timed wrong in the original release still looks wrong here. At the 23:22 mark during a night scene, Buster hears a Coyote and then we cut to a daytime scene of a coyote. Was this originally darkened for the theatrical release to look like nighttime, or am I missing the point and this is a joke targeted at "day-for-night" scenes?

Other scenes such as those outside the cabin, in the general store, and inside the freight car look almost the same, just sharper.

There are some new flaws in this transfer that were not in the old DVD which leads me to believe that either 1) an older sharper 35mm print was used for this transfer, or 2) the original 35mm print has suffered some new damage.

At 16:27 & 47:48 there is some Nitrate deterioration on the left side that was not there before.

At 23:59 there is a white emulsion scratch that appears and stays for a reel, this scratch is not in the old DVD transfer.

I find it hard to believe this is all a new 1080i transfer as there seems to be some up-conversion artifacting in several scenes. I had heard that some Buster Keaton films were transfered to lower resolution Hi-Defenition before 1080i became the standard. I don't know if this is true for GO WEST, but it appears that way.

Story = This is Buster in top form! Go West deserves better notoriety, it is almost up there with The General! Jobless Buster heads west and finds a job as a hapless cowboy on a cattle ranch. In general there is little plot, just Buster let loose on a cattle ranch to make his own misunderstood mayhem. But there is an underlying plot of a neighboring rancher trying to keep the cattle from this ranch from making their destination on a train. Now Buster gets to play on some real trains again! To go on about the non-stop visual gems of this feature would ruin it for anyone who hasn't seen it before. So stop reading & click the "Buy" button.

BATTLING BUTLER (1926) 85 minutes

Video = The first change is a new Library of Congress/Packard Campus for audio visual conservation notice followed by a title card informing viewers of the story's origin as a play, then we get the MGM roaring (mute) Leo logo, all of which were not on the original DVD. After that the title cards seem the same, including another credit for the story to the original play. It is puzzling as to why this duplicate credit is made, but both seem to be in the original negative and not re-created for this video.

The image is so much sharper on this new transfer for Blu-ray that the camping scenes seem to jump off of the screen! The details of the trees in the woods is amazing! This definitely looks like a 1080i transfer & well worth the upgrade.

The only complaint I have is that the film negative blemishes are not cleaned up. Spots & scratches appear through out, heavier around the 10 minute reel changes.

Story = Battling Butler makes little use of Buster's unique qualities. Only the camping scenes in the first 17 minutes or so show off Buster's brand of comedy. I especially enjoy the fishing scene, it is pure Buster at his best. The next hour of the film is standard screwball situation comedy, you could have substituted Buster with Harold Lloyd and gotten the same film. The boxing scenes are done mostly without laughs, I think boxing comedies were done better with Charlie Chaplin or The Three Stooges. I kept waiting for their antics to liven up the film. This is not say the film is a failure, it is a fun situation comedy that lacks Busters special brand of humor.

PC WARNING = some may be put off by seeing the other boxer's wife with a black eye, suggesting the beating she got from her husband. This was to emphasize the threat to Buster when he would encounter the boxer.

The music seems to be the same exact music as used in the old DVDs. I didn't watch the entire DVD to see if there were any changes.

Overall I think there is a reason Kino paired these together. GO WEST may not be enough of an upgrade to warrant a Blu-ray purchase, but BATTLING BUTLER is. So you end up buying this for the upgrade. BUTLER is not a strong enough film to sell on its own, so others may buy this to get WEST.

If you are still unsure about buying this, then consider the NEW BONUS MATERIAL:

1) A rare 60 minute audio recording of Buster Keaton reading a proposed script for the western TV show "Wagon Train".

2) GO WEST a 1923 Hal Roach DIPPY DO DADS short performed by a troupe of monkeys.

3) A Gallery of photographs from the ORIGINAL 1922 stage production of THE BATTLING BUTLER.

4) Galleries of production stills for both films revealing un-filmed scenes.

5) Screenplay excerpts from a proposed 1947 remake of BATTLING BUTLER.

Any chance to see a Dippy Do Dad short is worth the price. And seeing stills from GO WEST that illustrate some un-filmed scenes are a pleasure to see.

I don't have the new DVD version of this Blu-ray to compare to, so i don't know how much of an upgrade it would be.

****** Contrary to Amazon's listing, the Blu-ray version is just a single (1) disc release, both movies and all bonus material are on one Blu-ray Disc. It is the DVD that is on two (2) discs.******

GO WEST (everything by Buster Keaton, 1925, 69 minutes) & BATTLING BUTLER (everything by Keaton what else is new, 1926, 68 minutes) have to both go here because I am tired of offering confusing reviews on these double-bill DVDs.

GO WEST was BK's homage some say parody of Charlie Chaplin films. I disagree strongly. BK was fond of parody and occasionally parodied Chaplin, but not here. For some strange reason, Keaton said this was his "best film". Apparently not his favorite film, which is also considered his best: The General (Enhanced) 1927. Here BK is "Friendless", a drifter from Indiana who ends up going West to cattle ranch. This film is excellent in that it shows the cruelty of ranching.

Essentially this begins with Friendless falling in love with a very sweet cow named Brown Eyes and he ends up successfully herding 1,000 head of cattle to the stockyard in Pasadena. (Though this was filmed on location in L.A., people always erroneously say it takes place in L.A.) There is so much hilarious fun I won't spoil anything. How can I? This film features innovative work such as the cow-mounted camera work and BK's uncanny ability with cattle.

As in College (see my review), this film shows a terrible momentary camera flare due to the sun. I suspect BK shrugged it off, unable to do anything about it, but it would never again appear on his films. It also has a hair-raising train ride and a cute ending that will have you rolling on the floor. I do not know why critics dismiss this fine work.

BATTLING BUTLER (BK at the helm again, 1926, 68 minutes) is one of the darkest and most haunting of Buster Keaton's films. This movie inspired not only the comedy ARTHUR but was also studied by Scorsese for RAGING BULL. Here BK plays millionaire playboy Alfred Butler, who falls for a gal and also discovers a rising boxing star whose name is Alfred Butler, called "Battling" Butler.

To impress his gal and her family (because in those days money meant nothing I guess), Alfred tells them he is the boxer "Battling" Butler. In a complicated and gothic plotline, poor little Alfred is sucked into the world of prizefighting and training hard. Here, as with GO WEST, BK is determined to show cruelty: the cruelty of the boxing world. As he does his dance with the real boxer's identity, he inadvertently gives the wrong impression with the other Alfred's wife.

BK shows up ringside to watch some training and encounters the boxer's wife again he had met her when she injured a heel and he gave her a ride. He asks, "How's your heel?" She points to the ring and says, "He's alright." Does that ever look bad! Funny! Like the mean, snarling villain BK played in his 1922 short FROZEN NORTH, here he steps out of his usual zone to give a terrific performance. Like his formal wardrobe, he is noble, stiff and formal. No porkpie could possibly enter this yet his girl's brother wears one. That BK!! Never a dull moment.

He of course marries his sweetheart near the beginning of the film, so the rest is all the tension mounting. It is unbelievable and prescient of Hitchcock in its suspense. The dean from COLLEGE here plays BK's trusty and troublemaking butler Martin. Not only does BK do his crying/foot-stamping routine to great effect here for the first and only time since his silent shorts; he also shows some serious acting chops in the great finale fight between himself and boxing Alfred. He kicks butt and looks vicious there is no comedy at all in that harrowing scene.

Only a word of caution: this film is sometimes panned by certain critics and I see it is not as popular as it should be. This has the most complex, fascinating story/plot of any of BK's films. If it lacks comedy, it is because BK was pushing some new frontiers as always. Do not rebuke his memory or refuse this film just because it leaves the comfort zone. What do you think Buster Keaton's whole life was about anyway?!

The viewer can examine the whole list of Keaton's Golden Years of film, and watch them all. What pops out is this: BK's 'life-motif' in his movies is that the average Joe can achieve his American Dream no matter what that dream is. You learn from BK that you must find what's really important whether it is a girl, a cow or a job after that, anything's possible and you can do what you wish.

Buster Keaton always pays homage to every American, to the American spirit. He IS the original American spirit. He is THE American film master, the master of all time, and he IS comedy. You'll see that American spirit here and in films such as COLLEGE, Our Hospitality: ULTIMATE EDITION (which makes BK America's Jane Austen) and THE GENERAL (see my reviews of all his greats).

You cannot call yourself a film fan and miss either of these two classics. Or for that matter, miss any of Buster Keaton's golden classics. You miss out on BK, you might as well give up watching movies.

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This is for the new Blu Ray Buster Keaton "Go West" and "Battling Butler." First of all let me state that I love all Buster Keaton, these films rank among my top favorites for Keaton. He was an absolute genius when doing what he loved best. I'm not sure what I expected but I have many restored silent films and restored Blu Ray films of different eras and this is a disappointment. Many scenes are washed out and as stated in another review, there are many scratches and other blemishes that I find distracting. The pictures are indeed sharper but overall I would be just as happy to watch the earlier versions KINO produced. The extras do nothing for me, the short is not my cup of tea and the other extras are just okay. Both films and extras are on a single disc.

Suggestion: unless you are a die hard fan and do not already own the KINO versions then certainly buy this disc as the films are wonderful and deserve a place in your home, but if you do own the earlier discs keep watching them, they are not so bad one must upgrade. Blu Ray for me should be a vast improvement in picture and or sound, such as the recent Red Shoes release or grand sagas such as Lord of the Rings or Star Wars. Black and White Silent films need restoring and I am thrilled that such projects continue to be done but I am not wildly impressed with the results here. (The Blu Ray Buster Keaton Steamboat Bill, Jr. is recommended as it is a vast improvement over earlier versions and offers a second version of the film.)

Read Best Reviews of Battling Butler / Go West (Ultimate 2-Disc Edition) (1925) Here

Regardless of the negative reviews about the print imperfections. The two films have never looked better. Go West is not so grey-scale as the previous DVD release, much more clarity, clearer and shows much more detail, especially as this is as good a print that is available.

Battling Butler, displays a beautiful Tinted print, clear, sharp and not as dull as the DVD release from the Art of Buster Keaton set.

There are not very many extras offered, but as these two films are considered the "lesser" of Keatons films I do not mind.

All in all you get two feature films in HD in pretty great condition on one blu-ray disc. Beautiful packaging and the films most importantly are great. A must for any fan.

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Exciting, enjoyable and the magnificent physical comedy of one of the greatest stars of all time...Buster Keaton!

Have you been wanting more Buster Keaton on Blu-ray! Kino Lorber has a new Blu-ray release planned for Sept. 2011 with the release of "Go West" (1925) and "Battling Buttler" (1926).

"Go West" is a film written and directed by Buster Keaton and it was a film in which Keaton wanted to capture the realistic scenery by filming in the deserts of Arizona (something that his film crew did not want to do because of the extreme heat). In fact, during the filming of "Go West", the film had to be reshot a few times because the film stock melted and the crew realized, the only way this film was going to be made is by quick thing and that was to submerged their cameras in ice to keep cameras operable and film stock intact.

The film also became one of Keaton's most expensive films ever made as it required a stampede of cows, especially having the cows walk through the city.

In 1925, the film didn't exactly do great in the box office but many years later, many fans of Keaton's silent films do feel that it's one of his most entertaining silent comedies.

VIDEO & AUDIO:

"Go West" (1925) and "Battling Butler" (1926) receives its HD release and are presented in black and white while the latter does have color-tinting. Having previously owned "The Art of Buster Keaton" Kino DVD boxset, I can easily say that these two films do look great on Blu-ray. The contrast looks great, the films look sharp and these are the best version of both films via picture quality to date.

While "Go West" is the better of the two when it comes to picture quality, both still manage to look better than its DVD counterpart in the fact that the whites and grays show awesome contrast, much more detail and black levels are nice and deep. You do see lines and white specks from time-to-time on "Battling Butler" but by no means does it take away from the viewing of these two films.

The fact that both of these films show no major nitrate degradation and are complete films is a major plus and have no doubt that Keaton fans will agree that the picture quality for both films are very good!

As for the audio, for "Go West", the music is composed and performed by Eric Beheim and "Battling Butler" features music arranged and directed by Robert Israel. There are no alternate soundtracks but for those who enjoyed the music from the previous DVD release, will be happy that they are featured in the Blu-ray release.

The music for both films are well done and compliment the film just perfectly!

SPECIAL FEATURES

"Go West" comes with the following special features:

Go West A 12 minute comedy short produced by Hal Roach and features the trained monkeys (The Dippy Do Dads).

60-Minute Audio Recording An audio recording of Buster Keaton working on a script proposal for the Western TV series "Wagon Train" (courtesy of Bob Bergen).

Photo Gallery Production stills from "Go West".

"Battling Butler" comes with the following special features:

Screenplay Excerpt A screenplay excerpt featuring text on the unproduced remake of "Battling Butler" written by Keaton in 1947.

Gallery Gallery of photographs from the 1922 stage production of "Battling Butler".

Photo Gallery Production stills from "Battling Butler".

EXTRAS:

"Go West and Battling Buttler" comes with a slipcase cover.

JUDGMENT CALL:

Once again, Buster Keaton fans are treated with two more films from the filmmaker's oeuvre showcasing his physical comedy as an actor but also his directorial and screenplay writing efforts in "Go West" and directorial effort for the film adaptation of the stage play "Battling Butler".

Both films precede his "The General" (1927) and "Steamboat Bill, Jr." but there was no doubt that Buster Keaton, a perfectionist, would cause concern with Metro-Goldwyn-Mayer with "Go West" as it was an expensive film that required multiple do-overs because of filming in the desert of Arizona proved to be problematic for the cameras and the film stock.

While "Go West" would showcase Buster Keaton as a cowboy, it was a silent comedy western that was unlike any Western ever made and still is a unique film that holds up perfectly well in 2011. In 1925, Buster Keaton brought in a large numer of cows to walk the streets of Hollywood. Just watching the scene of, who knows how many cows were featured, walking through the city of Los Angeles in broad daylight was accomplished.

It's probably the only film in which a woman is not Buster Keaton's leading lady but a cow named Brown Eyes who is his true friend throughout the film and the female that he is trying to protect. It really is an absurd film but it is a hilarious film that showcases Keaton's comedy. From being a cowboy that doesn't know how to milk a cow, nor does he know how to ride a horse or to lasso a young cow, "Go West" is a film that provides a lot of laughs but a stampede sequence that is literally shocking when you watch it today.

As for "Battling Butler", this is a straight-up Buster Keaton film that takes misunderstandings and lies to make for one exciting sports film. In fact, I'm not really sure if "Battling Butler" is the first boxing film ever created but what we do know is that it is an adaptation of a popular Broadway play that ran from 1923-1924 and that the film was Keaton's most financially successful feature film in the box office.

Keaton has said that "Battling Butler" is one of his favorite films, despite it being forced on him by Joe Schenck but it's a wonderful farce as we see Keaton put into a boxing role and having to go one-on-one with experienced boxers.

But in this screenplay, it diverts from the original Broadway play in the fact that fans do get to see Keaton's character Alfred Butler actually getting into a fight to protect his wife's honor.

But it's a hilarious film that is classic Keaton. Farce combined with Keaton's physical comedy, "Battling Butler" is highly entertaining!

And of the two films, I admit that I am more fond of "Battling Butler" in terms of story but admire the direction of "Go West" because how Keaton directed a large herd of cows through Los Angeles is surprising but yet an amazing thing to watch onscreen. Many decades before CGI and yet, Keaton as always ahead of his time, was able to make it happen.

As for the Blu-ray release, once again...these are the best looking versions of the film to date. In fact, I don't know if I can even watch my older Kino DVD's ever again because these films look so fantastic on Blu-ray. Granted, these films were never 100% pristine but the fact that the contrast and overall look of both films are an improvement from the original DVD release is a major plus.

The special features for this latest Blu-ray release offers different special features compared to the previous release. As I would have loved to see the special features on the behind-the-scenes of the making of both films, at least we are given a rare 60-minute audio recording of Keaton working on "Wagon Train" plus an excerpt of the screenplay for the "Battling Butler" 1947-remake. Sure, I would have loved to have additional choices for audio score but the Eric Beheim for "Go West" and the score for "Battling Butler" from Robert Israel which were used on the original DVD release are already wonderful and compliment the films really well!

Overall, if you have been watching the previous Buster Keaton films on Blu-ray, more than likely you will purchase "Go West" and "Battling Butler". If you are new to Buster Keaton, both films are highly entertaining...are they better than "The General" or "Steamboat Bill Jr.", in my opinion, definitely not. But these two films are still very entertaining and do a great job of showcasing Keaton's physical comedy but also his efforts as a director.

Enjoyable, entertaining and fun...these two Keaton classics are definitely worth watching and this Blu-ray release is definitely recommended!

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Due Date

Due DateI'm so tired of reading reviews of people saying "it's not as good as The Hangover". It's not the Hangover!!! It's not the sequel to the Hangover, it's not the same storyline as the Hangover, in fact, it's got nothing to do with any kind of Hangover. Due Date may be directed by by Mr. Phillips of Hangover fame and star Galifinakis of the same, but this is a completely different movie with a different plot. If you want to watch another version of the Hangover the sequel comes out this summer, but if you want to enjoy an engrossing comedy starring two great entertainers, watch Due Date. When you watch this, please, I beg of you, don't measure it by The Hangover. Do you measure Field of Dreams by Dances With Wolves? Do you measure Mad Max by Braveheart? This is it's own movie separate from all others.

Robert Downey Jr and Zach have a good chemistry involved with this movie, its theme reminds me of planes, trains and automobiles with Steve Martin and the late John Candy. If you loved that movie you will definately love Due Date, poor Peter's goal is to get home to his pregnant wife and encounters Hollywood (Zach) in an airplane Peter gets shot by an air marshal they both get kicked off the plane put on a no fly list and Hollywood talks Peter into riding along with him and his dog sonny to L.A Peter can't rent a car because his wallet is still on the plane or so he thinks, the trip involves many hilarous moments from a freak car crash which Peter suffers a broken arm to being arrested at the boarder for drugs to getting accidently shot by Hollywood. This is true enjoyment I loved the dog he was great!Due Date

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This is a classic slapstick, tough luck comedy story involving a road trip from East to West coast.

In a nutshell: an expectant father is flying from ATL to LA when he crosses paths with a odd-ball guy who ends up getting them kicked off the airplane for suspicious behavior. In the process, he "loses" his wallet and, by a mixture of circumstances, has to travel across the county with the same nutcase who got him thrown off the plane. During the journey, they get into a mix of trouble.

What I liked: Zach Zach Galifianakis is really funny throughout -great scenes and acting. The obliviousness to societal "norms" is what makes it funny. As you see in the preview, Robert Downey Jr.'s character is telling a sad tale of his father leaving him as a child. After hearing it, Galifianakis starts cracking up laughing and says something about how his father would never do that because he loved him.

Disliked: Some of the craziness is overdone; needed more edgy scenes and clever ideas in some points of the film; the Mexico scene was a bit much.

Overall: VERY GOOD for a mindless comedy. If you liked Hangover, Wedding Crashers, Sex Drive, Road Trip, American Pie, etc., you'll probably enjoy it. Fortunately, it doesn't go as far as Borat or Jackass in terms of shocking and grotesque humor. But, if you are easily offended, dislike raunchy jokes, or just don't enjoy this type of comedy, it's probably not for you.

Read Best Reviews of Due Date Here

Architect Peter Highman (Robert Downey Jr.) is trying to get home to his pregnant wife who is expecting soon when he comes into contact with Ethan Tremblay (Zach Galifianakis) an aspiring actor. After a series of unfortunate event's Peter and Zach get kicked off of their plane and end up carpooling to get home. These two characters confront several obstacles on their way home that seem impossible to recover from.

"Due Date" is oddly low rated and I wonder if some critics saw the same movie I did. While I'm sure this movie isn't the next "The Hangover" it surely doesn't deserve such a low rating. The story isn't too great this is more of a new age of humor that was brought about due to movies like "The Hangover" and "Superbad" which sold like crazy to young audiences who find this more grotesque humor involving masturbation and bodily fluids wildly entertaining. Older audiences aren't going to enjoy it as much.

This is basically the same scenario as "Planes, Trains, and Automobiles" where you have two opposite characters who must work together to achieve the goal of getting home. This movie does not quite have the story and moments moments that really provoked strong emotion like in "Planes, Trains, and Automobiles" it does provide the laughter with some pretty bizarre scenarios. Robert Downey Jr. and Galifianakis is a weird combo but I believed that this movie really pulled it off.

While it isn't AMAZING it is still a decent movie to go see and provides some good laughs if you are in to that kind of humor.

I give this movie a 6 out of 10

This review and more at

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Todd Phillips needs to pay residuals to the late John Hughes for a complete theft of his plot for "Planes, Trains and Automobiles." But while that movie was light and funny, and quite often genuinely from the heart, this movie aims below the belt, and is often dark and cruel.

The cool little twist to this movie (at least to me) is that Robert Downey Jr.'s Peter is very much a sarcastic prick. Yeah, he earns it, since Galifianakis' character is so intolerable, but it's nice that Peter has an edge.

I think the problem is that even though the movie is occasionally funny, Galifianakis' behavior is beyond disgusting and repulsive, and yet the movie seemingly looks down at Peter for his reaction to it. Whenever Peter lets loose to tell Galifianakis' Ethan what a slob he is, he either pays for it by being physically hurt or is forced to apologize.

What saves this movie is Downey Jr. -because quite honestly, he's the one who has all the laughs. For all the crazy behavior by Galifianakis, it's actually Downey who gets you laughing. His wrinkle-faced expressions of disbelief are hilarious.

The movie goes into loony-tunes territory later on, when Peter and Ethan get into all sorts of illegal activity, and the movie conveniently fails to mention why they're not put in jail for the rest of their lives at the end of the film.

Michelle Monaghan (reuniting with "Kiss Kiss, Bang Bang" co-star Downey), Jamie Foxx (who almost doesn't seem to know why he's in the movie) and Juliette Lewis are completely forgettable and wasted.

What "Due Date" really is is just a cash-grab by Todd Phillips, who threw together the film with Galifianakis to capitalize on the success of "The Hangover." But the film suffers from a slapdash feel. You can sense them massaging out the script to make it to feature length.

It's not a bad film, and Downey did do a fabulous job, but I think it could have been better than the slightly amusing quickly-made post-"Hangover" paycheck movie it turns out to be.

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American Reunion (Blu-ray + DVD + Digital Copy + UltraViolet) (2012)

American ReunionWhen "American Pie" came out in 1999 it was a box office smash. It was a movie that cost $10 million and banked over $235 million. That was enough to spawn two legit sequels and two not-so-legit sequels. The two legit sequels, "American Pie 2" & "American Wedding", in my opinion, failed to capture the magic of the first movie. "American Pie" was about high school kids, teen angst and sexual exploration but the thing that put it over the top was the honesty and truthfulness behind it. They weren't afraid to tackle taboo subjects, but they did it with honesty. The sequels relied too heavily on the angst and gross out jokes.

Another thing "American Pie" did was make stars out of Jason Biggs, Chris Klein, Alyson Hannigan, Shannon Elizabeth, Tara Reid and Seann William Scott. All of them rose to quick fame and some of them, Hannigan (How I Met Your Mother), have managed to hang onto that fame or increase it. Some of them have fallen right off the map, so it was a perfect time for a sequel and a return of the old cast. They are all back and sure, they all needed career boosts, but they also came back for good reason. The script for "American Reunion" is better and the audience that came to the original movie grew to love the characters.

There are jokes that are rehashed from the original and the raunchy nature of the films is completely intact, but more importantly the writers remembered the truth and honesty that pushed "American Pie" over the hump. Of course the laughs were important as well.

The best part about "American Reunion" is that they gave veteran actor and SCTV alum, Eugene Levy (Splash, Waiting for Guffman, Best in Show), a big part in this one. Having been a widow for the past three years, he's content with his Sudoku and nights at home alone until his son returns for his 13-year class reunion. Once out of the house, he steals the show.

"American Reunion", much like the entire series, isn't for everyone. It is offensive and at times gross, but at the same time it manages to be poignant and truthful. It is an entertaining film with all the characters returning 13-years later in real life as well. We all need our friends and if you were invested in the characters 13-years ago, you won't want to miss this either.

Just got back from a sneak preview of this and I LOVED it.

If you liked American Pie and it's first sequels (and their raunch level), you will really enjoy this great return from the original cast.

The Class of 1999 gets together for their 13th year reunion (really? 13th? well, that's not going to spoil the rest of the movie) and we get to catch up with what life after high school is like for everyone. For the most part, everyone's personalities are the same, and the writers and actors did a great job of projecting those characters into adulthood. Although projecting an older Stifler still doesn't seem like "adulthood..."

I don't want to give away any of the jokes, but this was a really funny movie.... funnier than I expected, to be honest. And not only will the audience be consistently laughing out loud, but viewers will also feel an unexpected nostalgia in watching.

As I said, I did expect it to be funny, but this movie is MUCH better than I expected.

As with other crude comedies, this will probably play slightly better in the theaters, because of audience reactions, but this is a wonderful return from the cast, and is very well written and directed.

Go see this movie!

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I am going to repeat the title of this review. I don't care what anyone says, I love the American Pie movies. Not the crappy, straight to DVD portions of it, but 1, 2, American Wedding and this little gem. Despite the gross-out gags and gratuitous nudity, the American Pie franchise is actually quite sweet and a very conservative heart beats underneath. Good films versus great ones usually work out that way. You think its about one thing, and it surprises you with depth. When I first saw American Pie, I didn't want to go, thinking it would just be another vapid, teenage sex comedy. I was dragged kicking and screaming (I wanted to see The Haunting) and it turned out to be a gem. The other films have continued this funny but deep trend. If you can handle it, I would suggest this film.

Read Best Reviews of American Reunion (Blu-ray + DVD + Digital Copy + UltraViolet) (2012) Here

Well, I am 25 now, and for awhile I've been struggling with some feelings concerning the things I used to like not being relative or popular anymore, moving onto new hobbies and leaving other things I was constantly into behind, having a broader view on many different subjects, having different opinions on things that I used to feel a certain way about, etc. To put it mildly, I am growing up. I've realized it's important to hold onto things from your past, but you also have to be ready, both feet planted on the ground and facing forward, for the future and what it brings as life continuously changes. To live in the past is death, and I feel that this movie perfectly sums up my feelings and gives them a voice.

I was expecting way more off color jokes, but this movie was SURPRISINGLY deep to me. If you are a warm blooded male, you can remember a time when chasing women was a main reason for living at one point...which has pretty much been the backbone of the American Trilogy...Hey, Stiffler and Finch, were all about Cadence in "American Wedding" despite Jim and Michelle tying the note being the big deal in that film. But here the tone is DRASTICALLY changed. The boys are still themselves, but older. New challenges arise, as they do with any grown man who is heading into adulthood and away from the care-free days of being a teenager or young adult in their early 20's.

Also, Jim's mom being dead (I hope I didn't spoil this, but I assume we all saw the previews) and the challenges faced by Jim's father, Noah, in moving on also struck a cord with me ( I lost my mother this year) and gave this film a "REAL" feeling. So we not only saw, young thirty somethings dealing with the loss of youth and the expectations of adulthood, but we also witnessed an elderly man recovering from the heart break of losing the love of his life and the mother of his son. (SOMETHING ANY MARRIED PERSON WHO STICKS IT OUT UNTIL THE END WILL UNFORTUNATELY COME TO ONE DAY)

Most of all, I think the challenges faced by the boys (I mean, men) in their marriages and dealing with their relationships struck the deepest with me because they were authentic problems I think all adult males will run into some of them, at some point in their lives. How they were all handled though, came off as beautiful to me. Watch Vicki's and Kevin's scene at the actual reunion, towards the end of the film, and tell me you don't feel your heart get tugged at a smidge, if not a lot, at the dialogue and how it's finalized.

Keep an open mind and you will enjoy this. When I was young...The adults I saw in their 20's and 30's were "The Real Adults" to me. Anyone over that, was an "old person." Well, funny how things work out. I am sure kids now look up to me as "A real adult" and my father, uncles, and their friends are now "The Old people," when they used to be "The real adults"...funny how things change, but still stay the same overall...and that's the perfect way to describe this film. The tone is EXTREMELY different, but the characters are still the same, and still extremely enjoyable. As one character said in the film to another (I think it was Choir chick to Chris)..."You are so different, but you are still the same."

If you are going to see 1 movie in theaters for a long time, make it this one. Thanks for reading, and maybe bring some kleenex, if you are emotionally mature and inclined to being moved by well done movies.

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To me this movie was flat out hilarious. I laughed more in this movie than I have in a long time. Far exceeded my expectations.

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Jackie Chan: Battle Creek Brawl / City Hunter

Jackie Chan: Battle Creek Brawl / City HunterBattle Creek Brawl was one of my Kid Time Favorites growing up. One of the first time seeing Jackie Chan and like everyone else jumped started my Martial Arts Training.

Good story, Great Action for Old school style and Jackie is always funny.

City Hunter is fairly Kooky and story is just goofy. Some good martial arts action and some good stunts but overall I would say only rate about a 5 out of 10. Not one of Jackies better flicks.

The twin movies contained here 'Battle Creek Brawl' and 'City Hunter' are well matched, even if they are over a decade apart. Both are broad comedies, possibly the two broadest comedies in Jackie's career (which is saying something). Both were also made outside of Jackie's usual Hong Kong crew, and both display different aspects of his talents not shown in the movies he directed himself. But otherwise these are two very different pictures.

"Battle Creek Brawl' was Jackie's first attempt at an American crossover, hot on the heels of the cameos in the 'Cannonball Run' movies. The same producer and director who worked with Bruce Lee made this, and expectations were high. But the people behind the camera understood Jackie's talents and charm better than the general public of the time, it seems, and focused on comedy action instead of an intense martial arts. Think of "Every Which Way But Loose' style comedy, but with some Jackie Chan style mayhem sprinkled in. Personally, I love the movie, which is painted in very broad strokes. It is great to see Jackie challenged by gigantic men who look straight out of 1960's professional wrestling, complete with the tights and walrus mustaches. Not to mention the roller derby!

Broad stroked is also a way to describe 'City Hunter', a production where Jackie stepped in at the last minute as the lead. It is based on a Japanese manga, and the mood of the movie is one long cartoon. Every action is exaggerated, and in a way Jackie is perfect for the part, although I am personally glad he only went this far once in his career. Still, it is great to see him over-the-top in his reaction shots. And the fight at the end where fighters turn into video game characters is very very funny. The movie is juvenile, and has more sexual innuendo and gun play that the norm for a JC film. Still, with a couple of beers to help things flow along, the movie is pretty entertaining.

In summation, neither film are essential viewing because both represent very different sides of Jackie's talents. But both are funny, if very different, films, with tons of action. They also have pretty good production values and look great on Blu-ray. There are also a couple of neat extras, such as current interviews with the producer and co-star of 'Battle Creek Brawl', and some period interviews in Chinese for 'City Hunter'. I enjoyed the hell out of both these films, and in a way they are strangely but well matched.

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