Showing posts with label bengali comedy movies. Show all posts
Showing posts with label bengali comedy movies. Show all posts

He's Just Not That Into You

He's Just Not That Into YouHey, you...stop sitting by the phone waiting for him to call...get up and go watch this movie!

I have to admit, I'm not much of a rom-com watcher. Unlike others of its ilk, though, this flick wisely admits that relationships aren't all rainbows and butterflies, but that they are complicated, confusing, messes that aren't necessarily all sorted out by the time the credits roll.

The premise is simple enough the film claims:

"If a guy says he'll call and doesn't, he's not in the hospital with a broken number-dialing finger; he's just not that into you".

After a mediocre first date with pre-recession real estate agent Conor (Kevin Connolly), the film's main protagonist Gigi (Ginnifer Goodwin), over zealous for date success and naively optimistic as ever, is certain that she has found Mr. Right. But when he doesn't call, her friends (Jennifer Aniston as Beth and Jennifer Connelly as Janine) comfort her with assurances of his interest and case studies of how they knew someone who knew someone in the exact situation and it worked out for them, of course!

Not that Beth or Janine are living it up in the mansion of romantic bliss, mind you. Aniston's character has been living with Neil (Ben Affleck) for seven years, and for five of the seven, she's been dying to know why he won't pop the question. Wholly against the institution of marriage, though, Neil says that he's totally committed to her and he doesn't need a piece of paper to prove...yadda, yadda, yadda.

Connelly's character Janine on the other hand is married. Happily? Not so much. Ben's (Bradley Cooper) baby blues are soon tempted toward blonder waters when he meets Anna (Scarlet Johansson) at a convenience store one fine evening; how convenient. Too bad he's married, he reasons.

Drew Barrymore easily plays Mary, Anna's friend. Her role is pretty forgettable; but then she did spend most of her time producing the movie.

Justin Long plays Alex, the woman conquering bar owner who decides to school Gigi in the thinking of men, no feelings spared.

For the most part the story lines are tied together in believable ways and it's interesting to watch just how they're all connected kind of like 6 degrees of separation.

A tough pill to swallow:

Perhaps too realistic at times, "He's Just" exposes the well-intentioned way we women attempt to comfort our spurned friends not with assurances that despite her many attractive qualities, the guy just isn't interested for one reason or another. Instead, we assure our friends that there is no way he could be uninterested.

Really ladies, if you suspect that your friend is dating a guy who can't see her true worth, before you swell her head with an idealized, irresistible image of herself, please take her to see this movie, and let her do some soul searching. The film will do all the talking for you without patronization.

Be warned:

It's hardly a date movie (unless you want to end the date by breaking up when the scales have dropped from your eyes and you realize that you're more "into" the relationship than your significant other).

Best performances from: Jennifer Connelly as Janine who is more obsessed with the idea that her husband is smoking behind her back than that he is having an affair. Ginnifer Goodwin too has earned her keep. Her embarrassing attempts at securing "the one" are so realistic you will likely find yourself reddening at the all too familiar lengths to which she goes.

Best line from the movie: Listen out for the line the guy uses who ends up with Gigi (won't say who ;-)), it could be the "You complete me" of the 21st century!

Disclaimer:

This film may cause some discomfort. Side effects are generally mild and may include feelings of embarrassment over previous postdate obsession/stalking.

4.5 stars.

This has nothing to do with being a chick flick or not. It's a fantastic film filled with experiences that men and women go through in relationships. Great to watch if you're looking for an easy laugh. My wife and I saw it with some friends in the movies, and I must say that part of the fun was hearing the comments and laughs coming from the audience. So have your friends over, open a bottle of wine, and have an enjoyable light-hearted evening. It's worth it.

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Several reviewers have identified this film as being for the dating and coupling scene of youth. I disagree. We have many older folks out in the dating arena, these days, going through some of the same angst of the younger generations. Will they call? Do they care? Are they married and hiding it? And, for many older women who have become accomplished, they have to wonder; are they after me, or my hard-earned, success. So searching for Mr. Right, over the course of our lifespans, doesn't change that much; in fact, it can get more complicated. So, in essence, this movie can provide some thoughts to ponder across the age spectrum. A very good thing, since even seniors, can turn into gushy teens, again, when shot by Cupid's arrow.

(SPOILER) Some felt that the relationship between Ben Affleck and Jeniffer Aniston's characters was a tad unbelievable; that they would live together for 7 years without marriage and that ultimately Ben's character would cave. I disagree, again; their relationship rang the truest. They had a very loving, faithful relationship, that had endured time. When Aniston's character removed the obstacle of marriage, Ben's character no longer felt he was being forced into conformity. It was then HIS decision; one conceived in freedom-of-choice. This was textbook Psych 101, 'you can take the horse to water, but can't make him drink,' until he darn well pleases.

The idea of 'marriage' was the area I found unsettling, because how many of us ladies were the one to drop the, less than subliminal, idea of 'marriage' first? If so, it makes you wonder if your partner really wanted the same thing, or if they just 'settled.' This was very well, and sadly, depicted in the Connelly relationship. And, for many who did push the commitment proposal, first, I suspect it will have them staring into their partner's eyeballs with some jaded contempt, wondering why they didn't have the storybook proposal, while strongly empathizing with Connelly.

The cast was stellar, with a few reservations. Drew Barrymore's character was irresistibly charming, as always. Johannsen's husband-stealing seduction was very well played out, and, is guaranteed to make you bring out the cat-claws. You've seen the type too many times before, but then, she wasn't the problem, just a symptom of a much deeper one, which is generally the case. The character I found most annoying was J. Goodwin. Yeah, she was cute, but too ditsy and trying too darn hard to connect with Mr. Right. Her behaviors were the most immature of the bunch, but we've all known friends like her; ones that we are always telling 'you can't find anyone if you're trying too hard---it will happen when you least expect it.' This philosophy even rang true for her.

I thought this film could have been better developed, and the messages deepened. It had a 'flaky' factor I did not embrace. I'd rate it a B+ accomplishment. However, I will still recommend it to all my friends that remain on the prowl; even for those that believe they've found their soul-mate, because it reminds us that things aren't always as they appear; that denial can exist in what is believed to be the perfect union, leading to lost years and promises---and life is too darn short.

Have a girl's night, watch it, and cherry-pick the scenes of wisdom, and/or the behaviors that apply to you. I can almost guarantee that you'll find some.

Read Best Reviews of He's Just Not That Into You Here

First I heard that so many great actors and actresses in this movie, I felt like whaoow.. it must have been a great script that all of them join the team to make this movie. But sometimes they're kinda tricky, many great actor and a good director but suddenly it's way overrated (which I don't understand how come they waste all that talents) but not in this one. People kinda harsh to this movie, I guess that they expect a simple feel good chick flick, or romantic comedy, as usual. This one is more of a serious romantic drama with a little bit humor like in real life, so I found it amazing. Real life opinion (not the ones they put on purpose between each written explanation, ex : "if he never calls you" then some guy or girl talks.. no .. not that one), the story itself is telling us about relationship, how to find and maintain one, in a great storytelling style, it's kinda slow at the beginning but it's all worthied to be watched and learned from. Some little real life comedy here and there, but overall it's a great drama about realtionships. All the actors, actresses and the director are doing a great job.

If you are trying to find or in a relationship, this movie is totally worthwatching. Trust me. If you are a chick flick regular, probably you won;t find this one as fun as other chick flick or romantic comedy (because this is more of a drama). I like it a lot. Thanks

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Obviously this movie has hit a nerve with a large volume people, and whether you hate or love it the Blu managed to make for a nice product.

The 129 minutes does seem long, but the variety of color tests and hidef clarity showcasing this awesome cast makes for a watchable Blu. The colors, depth and scenery variety make for an adequate representation, including the sailing, the dark indoors, room decors, and Scarlett. The sound is uneventful but you do have the choice between TrueHD or normal 5.1. And if even just to hear Kristofferson's voice say anything in TrueHD, albeit only two scenes.

The special features are definitely...unique. If you liked the premise of that invisible wall being removed during the film the "interviews" of the random people on the street then you you will dig the main feature here.

* A "newspaper" format of the six couples/storylines that when selected, allows you to delve deeper into the characters' lives. Actually, brief excerpts can be seen during the credit sequence. Each one totals three minutes and admittedly, it peaked every single customer's interest when they saw it, because it seems real. Several people thought they were watching Hollywood couples being interviewed about their relationships. Bradley Cooper's "interview" gathered the biggest crowd, but irritated most of the guys watching.

* If one ever has interest into how much a phone conversation scene in a movie can be micromanaged, look no further. This four minute feature has the director dissect in detail how they made one of the phone call scenes have relevance that even the trained eye might miss. If anything, several people now wanted to watch the film again to see what the heck he was talking about.

* The inspiration and history of the film are covered in an eleven minute documentary, catered to the die hard fans.

* The deleted scenes total 13:45 and would have been much better left in especially since we had already endured two+ hours of this. The commentary gives no credibility as to why Scarlet's actual singing was removed from the film. Coupled with Teresa Russel's entire role being cut, it just showcased the weakness in the writing people complain about in this film.

Big fans of the film will want this as a purchase, but since 90% of my Blu customers are guys, I foresee this as mostly a rental.

Next Friday (2013)

Next FridayI thought Next Friday was way better than the original....... The first movie was really slow in the beginning.......so slow that I fell asleep. As soon as you pop this movie in, you'll be laughing from beginning to end........ Mike Epps is hilarious as Day-Day, Craigs cousin, and Craigs father has some pretty funny lines in this one........ Rent it, you won't be sorry.......

...but a decent sequel. (But hey? It's not often that the sequel is better than the prequel.) I was mad because alot of questions were not answered and the plot was not all that good. I wanted Craig (Ice Cube) to hook up with that girl next door. All she does is have a short convo with her and at the end she blows a kiss and thats the end. I believe thats pointless for Craig's Pops (Jon Witherspoon)drops him off in Rancho Cucamonga (I don't think I spelled it right) then turns around and picks him up. Its a funny movie, but not as good as the first though.

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The events of this movie take place after Craig�s fight with Debo. Ice Cube explains what most of the characters from the last movie are doing now (like Smokey being in rehab). The premise for this story is that Debo has escaped from jail and now wants revenge. To protect his son, Craig�s father takes him to the suburbs to live with his oversexed brother and his son until things calm down.

There is plenty of drug use and another theft in this one. This doesn�t make it a bad movie, but following the formula of the last movie does not work for this one. Too many of the same gags are recycled for this movie, which means you already have an idea of what is going to happen throughout the movie. Craig�s dad is funny, but there is only so much fart humor you can take.

I would recommend giving this movie a skip and watching Friday over and over again.

Read Best Reviews of Next Friday (2013) Here

Super fast shipping and the price was reasonable! Love this movie! Never laughed so much in my life! Get all the Friday movies!

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I enjoyed each of the Friday series. I reviewed the original way back, and now after re-watching Next Friday, I thought I'd finally get around to reviewing this.

I still think I enjoyed Friday the best, but this is a good follow up. Ice Cube returns as Craig Jones who has a knack for getting into trouble. He goes to stay with family out in Rancho Cucamonga. They've just won the lottery and have this whole new place. While Chris Tucker isn't in here this time, we still get the hilarious John Witherspoon. He's fantastic. I only give this four stars because it goes a little flat during the second half, but it's still good overall. The cousin Day-Day is probably the funniest, but if you are a fan of the original, then you have got to see this. I loved it.

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Father of the Bride (20th Anniversary Edition) / Father of the Bride: Part II (1991)

Father of the Bride / Father of the Bride: Part IIIn 1950, the American comedy "Father of the Bride" directed by Vicente Minnelli and starring Spencer Tracy, Joan Bennett, Elizabeth Taylor was a big success in the box office and nominated for several Academy Awards. The film would inspire a sequel titled "Father's Little Dividend" in 1951.

Fast forward over 40-years later and a remake of the film co-written and directed by Charles Shyer ("Alfie", "The Parent Trap", "The Odd Couple") and starring Steve Martin, Diane Keaton, Kimberly Williams-Paisley and Martin Short was released in 1991 and earned over $89 million in the box office. And like the original film, would also inspire a remake of the sequel titled "Father of the Bride Part II" featuring the original cast and would go on to earn over $76 million in the box office.

And now both films will be release together on Blu-ray courtesy of Touchstone Home Entertainment.

VIDEO:

"Father of the Bride" and "Father of the Bride: Part II" were released back in the 1990's. The video quality is much better than the previous DVD. While there is a good amount of grain and even some noise considering the age of this film, including some scenes that look soft, there were also scenes that featured a lot of detail. From the skin pores that can be seen on Steve Martin's face to the vibrant colors that can be seen throughout the film, there is definitely an upgrade in quality video-wise.

AUDIO & SUBTITLES:

As for audio, "Father of the Bride" and "Father of the Bride: Part II" is presented in English 5.1 DTS HD-MA and French 5.1 Dolby Digital and Spanish 2.0 Dolby Digital. While the lossless audio features clear dialogue and the music sounds fantastic in lossless, it's not exactly a film that utilizes the surround channels all that much, especially during crowd scenes. But nevertheless, the soundtrack does sound very good, especially over its DVD counterpart for both films.

Subtitles are provided in English SDH and Spanish.

SPECIAL FEATURES

"Father of the Bride: 20th Anniversary Edition/Father of the Bride Part II 3-Disc Combo Pack" comes with the following special features:

Father of the Bride

An Invitation to Father of the Bride (13:36) Interview with director Charles Shyer and the cast of "Father of the Bride".

Martin & Short Interview Each Other (5:13) A humorous interview between Steve Martin and Martin Short.

Audio Commentary Featuring audio commentary with co-writer and director Charles Shyer.

Father of the Bride: Part II

Theatrical Trailer (2:28) The theatrical trailer for "Father of the Bride: Part II"

Production Story (4:21) Featuring behind the scenes of "Father of the Bride: Part II" and about how a few of the talents knew each other well.

Just Between Friends (3:53) Martin Short interviews Steve Martin for "Father of the Bride: Part II".

EXTRAS:

"Father of the Bride: 20th Anniversary Edition/Father of the Bride Part II" Blu-ray comes with a separate DVD for each film.

JUDGMENT CALL:

As a fan of Steve Martin comedies, I was pleased that both "Father and the Bride" films were released on Blu-ray.

First, let's talk about the first film "Father of the Bride". What I enjoyed about the first film is how it is a film that many parents can relate to. Seeing your children grow and then eventually getting married. As a father, I sympathize with the character of George Banks and I often myself looking at photos that seem like they were taken yesterday of my child. And realizing how quickly they grow up.

And for many fathers who have daughters, you worry that make good decisions when it comes to their lives, their careers and also the person that they marry. The film focuses primarily on the father's perspective and being a concerned father but also a fiscally conservative person, I can also sympathize with George Banks characters when the price of the wedding skyrockets.

But what this film had was a lot of charm. Aside from the crazy antics of George Banks snooping around the MacKenzie home, nearly everything else with the film, many people can relate to. From a parents noticing their child and their significant other being affectionate to that first meeting between a significant other and the parent. These emotions that George is feeling, many fathers can relate to. Although, the blow up in the supermarket as George feels he is being gouged in the wallet and then losing his temper when it comes to the number of hot dog buns in a package as a sign of release, was a bit over-the-top.

But what Steve Martin film isn't? You expect a lot of hijinks from his character and for the most part, Steve Martin delivers. Also, I felt that Diane Keaton was played the wife/mother remarkably well. It's one of those films to catch actress in a different role far from the roles we have seen of her back in "The Godfather" or Woody Allens films. She played the role wonderfully and both Martin and Keaton had wonderful chemistry.

And that leads us to new actress at the time, Kimberly Williams (before she married country singer Brad Paisley and would star in the ABC sitcom "The World According to Jim"). Kimberly brought innocence to her character and for her major film debut, it was important for her to portray a variety of emotions and for the most part, she succeed.

And then you have your supporting characters, Martin Short and Steve Martin always work great together, a young Kieran Culkin brought a bit of humor to his character as well.

So, the first film I enjoyed a lot because it's a storyline that was fun, enjoyable but also a story that parents can relate to.

As for the second film, "Father of the Bride Part II", while I enjoyed the storyline of the aspect of being a new grandfather, once again, something that parents who have children that are married, viewers can sympathize.

But by having two people pregnant, it took a bit away from the primary focus from Annie and her husband and while we know that George Banks can get out of hand whenever he is stressed out, while the first film was more believable, this one was getting a bit over-the-top. Perhaps people wanted to see more of Diane Keaton and Martin Short or the usual crazy Steve Martin character portrayal but I was hoping to see more of Annie and Bryan, but instead it became more about George and Nina.

The sequel was still entertaining but not as enjoyable as the first film. The whole "Selling the house, staying at the MacKenzie residence, getting the house back" scenes felt absolutely unnecessary and took away my enjoyment from the second film. I know the reason was to show this phase that George was going through and the irrational decisions that he tends to make while stressed out but it was a bit too-over-the-top for my taste.

As for the Blu-ray release, the video and audio quality is a step ahead of its DVD counterpart. Primarily visually, the film looks good, although it does show its age at times. But the film is well-detailed and vibrant, lossless audio was good but not as immersive as I was hoping during the crowd sequences. And both films have audio commentary and a few special features. Although, there is nothing new added to this Blu-ray release.

Overall, "Father of the Bride: 20th Anniversary Edition/Father of the Bride Part II 3-Disc Combo Pack" is a good double-film set that is lighthearted, fun and enjoyable. You're literally getting one film for the price of one on Blu-ray and if you are big fans of the films and own the previous DVD versions, the upgrade to Blu-ray is well worth it.

These are the modern remakes of 2 classics, yet I actually like these more. I don't seem to ever tire of seeing them. Both are heartfelt and very funny, well made entertainment. Steve Martin does his best work here. Martin Short is hilarious. The Banks' are the kind of family every girl (or boy) wishes they had. Even the inlaws are fun. For a good time, I recommend them. Enjoy! :-D

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This movie is the BEST movie ever ( besides of course Father of the Bride 2) ! A must have for any family!! Steve Martin is at his best, as well as Diane Keaton and Martin Short...destin to be a CLASSIC!!

Read Best Reviews of Father of the Bride (20th Anniversary Edition) / Father of the Bride: Part II (1991) Here

My whole family loves this movies. It's nice to have a movie the whole family can watch. Steve Martin is a great actor. We got both one and two.

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This is a movie that holds true to the American values of family. My wife loves these movies and I never watch " chick flicks" but these are great.

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The Family Tree (2010)

The Family TreeI went into "The Family Tree" with relatively low expectations as the mainstream press gave the film a generally chilly reception. And yet, for me, the movie had an undeniably appealing cast that made it worth a look. This quirky little suburban satire is, quite literally, all over the place. Is it a black and disturbing comedy? Perhaps a tale of warmth and redemption? With tons of characters, dozens of sub-plots, and a tone that veers wildly from one extreme to another--the film has a messiness and chaos that threatens to derail it or sink it permanently. Strangely, though, I quite enjoyed "The Family Tree" in spite of its schizophrenic presentation (or maybe because of it). In earlier scenes, you can't really gauge where the film is going and that certainly kept my interest. Add indie darlings Hope Davis and Dermot Mulroney as the leads with an appealing roster of younger stars (notably Max Thieriot, Britt Robertson, and John Patrick Amedori), and the film starts to take on an unlikely charm.

The film sets its satiric sights on a pretty familiar target: Family dysfunction in a contemporary American brood. Dad is distant, Mom is unfaithful, the daughter is promiscuous, and the son is a religious zealot. The stereotypes are drawn in very broad strokes as the movie begins. From the get-go, the film wants to paint an extremely dark portrait of Americana from a delightful theme song to a surprisingly bleak opening scene. But when a freak accident occurs, it unsettles the disconnected complacency of the clan and may just put them on the road to salvation. When the screenplay stays focused on the family, you can really see the strength in the work. But there is also workplace intrigue at Mulroney's job, a clandestine affair featuring Selma Blair as a loopy teacher, a pot smoking preacher (Keith Carradine), love struck neighbors, and aspiring criminals. It's a lot to take in for a ninety minute film and many of the plot threads are left dangling or are only moderately explored. But it's all just wacky enough to be engaging. The film does go a little soft after its wicked opening, and as things resolve themselves rather tidily--I missed some of the mean-spirited glee of earlier sequences.

Hope Davis remains one of our most underappreciated actors, here she scores in what amounts to two distinct performances. Mulroney hasn't been this loose and appealing in years. And this may be Thieriot's best role to date. I thought his friendship with Amedori (as a rebel interested in his sister) was perhaps the plot's strongest and most interesting relationship. I genuinely liked the entire cast, and that was more than enough to compensate for some of the film's shortcomings. "The Family Tree," with more focus, might have been turned into something quite special. It still worked for me as a sort of slapstick cousin to "American Beauty." While I may not have laughed out loud as often as I wished, I was never less than amused and entertained. Sometimes that's enough! If you're a fan of offbeat and quirky fare, give this one a look. KGHarris, 11/11.

I saw a movie similar to this 10 years ago. This is a lame version of that one. Very boring and not worth watching.

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Black comedy time! This one, presented at the 2010 Seattle International Film Festival and first reviewed by Yours Truly in June of that year, features a classically dysfunctional family: the father, a mildly frustrated mid-level manager, living in a house he can't afford; the mother, a bored do-gooder using her mother's wealth to provide her with a home and charitable projects; the daughter, a Goth teenager who talks a good game but may not be quite as tough as she sounds; the son, a gun enthusiast entertaining thoughts of suicide. This family has actually been fired by a family counselor.

Here's a roster of the actors:

* Dermot Mulroney ("Flash of Genius") is Dad, disheartened by his wife, confused by his daughter, and alarmed by his son's propensity for guns.

* Hope Davis ("Charlie Bartlett") is Mom, nursing an active hatred for her OWN mother, and having a wild fling with a neighbor.

* Brittany Robertson ("Cherry") is the daughter; does that classmate's Mohawk have to be quite so purple and quite so tall?

* Max Thieriot ("Chloe") is the son, trying to be a tough guy for the Lord.

* Keith Carradine ("Nashville") is their minister, who sees their son's marksmanship as a God-given talent.

* Chi McBride ("Pushing Daisies") is the randy neighbor whose enthusiastic lovemaking causes a life-changing accident.

* Jane Seymour ("Wedding Crashers") the world's worst mother/mother-in-law/grandmother.

Mom suffers a brain injury during a zesty tryst with a neighbor. When she awakens from her coma, she can only remember her husband and their early happy courtship and marriage. As family members try to adjust, they slowly come to realize that there just might be a second chance here.

This R-rated romp has fun situations, dark, dark humor, and people to care about. I really enjoyed it! I got my copy from Amazon.com.

Read Best Reviews of The Family Tree (2010) Here

I have been a fan of Dermot Mulroney since I was first introduced to him in "A Longtime Companion". Since then he has several different types of role showing himself to be a very versatile actor, seemingly moving with ease from drama to comedy. Here in this dark comedy, he reveals yet another facet of his talents.

But my real reason for being drawn to this movie is because of Evan Ross. Like Dermot, Evan is a young actor with an astoundingly collection of works after having over 20 different roles in various stages of production. Most of his roles have been intense dramas reflecting a masterful understanding of the classic teen to adult transformation. Of all his roles, "Life is Hot in Cracktown" is possibly his most riveting. He won lots of praise for his role as a confused Muslim teen around the tragedy of 9/11 in "Mooz-lum".

"The Family Tree" adds another deminsion to his impressive resume. It is his first dark comedic role. It is nice to see him step away from some of the other roles he has portrayed. Though he has been successful in the indie world, I firmly believe he is one role away from that mainstream role that will expand his audience further. It comes at a risk though. As good as "Life is Hot in Cracktown" is, it probably wouldn't work with a less demanding audience. His movies have dealt with intense subject matter. And I would hate to see him pass on these types of roles because that is where he excels. Some of Pacino and DeNiro's best work like "Panic in Needle Park" and "Taxi Driver" were not made for the faint at heart.

So while there are many good reasons to see "The Family Tree" with solid performances from Dermot Mulroney and Hope Davis, also see it to discover the works of budding young protege, Evan Ross.

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"I bet we're the first family ever to be fired by their therapist" After the mother (Davis) of a severely dysfunctional family has an accident and hits her head she wakes up with memory loss. She learns what she was like and what her family life was like and the entire family gets a chance to change. This is very very funny dark comedy. By very dark I mean it opens with someone accidentally hanging himself spying on the mother in bed. From there it gets darker and more and more strange. For those that like edgy humor seen in "Death To Smoochy" or newer movies like "Peep World" and "Super" then this one is for you. If you are easily offended I would stay away from this one. I however thought it was very funny. The only problem was that it got a little repetitive toward the end. Overall, a very funny movie that is not for everyone. I give it a B.

*Also try Peep World

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King of California (2007)

King of CaliforniaKING OF CALIFORNIA may not break any records for innovation of thought or script but it is a tightly made little film that allows veteran actor Michael Douglas a lollipop of a wacky role to remind us that he does have comedic talent! It also gives 20-year old Evan Rachel Wood the opportunity to compete with a Pro and come out an equal quite a feat for such a young actress. Written and directed by Mike Cahill the story does have appeal, especially since it is set in Santa Clarita, California, a rapidly developing 'hinterland' that is suffering from the effects of too rapid industrialization, changing from a picturesque remnant of California raw beauty into yet another perky little town.

Charlie (Michael Douglas) has been in and out of mental institutions for his wacky behavior. His life as a jazz bassist and entrepreneur has always veered off the map, leaving him alone with his only daughter Miranda who has survived her father's irresponsible life by keeping the old family home (in the midst of a huge housing development) with the money she makes double shifting at the local MacDonalds. When Charlie is released his focus is on discovering the gold left behind by Catholic priests in the mid 1600s, a fact he has researched while hospitalized, on the Internet, and from the journal of one of the priests. Miranda slowly buys into Charlie's madcap scheme and adventure as a gold hunter and the caper results in a bonding between father and daughter that has been teetering on the brink of disaster for years. The manner in which Charlie, Miranda, and an old ex-con friend Pepper (Willis Burks II) go after the treasure provides most of the energy of the film.

Yes, there are bits and pieces of this project that have been done many times before (and often better), but the pleasure of KING OF CALIFORNIA lies in the bravura and touching performances by Douglas and Wood. This is a pleasant excursion of a movie, worth an evening's gander. Grady Harp, February 08

You can read the synapses above and I can't do any better so I'll just give my opinion.

I enjoyed this movie a lot. The wacky-father straight-laced daughter interactions are what make it so fun. I also loved Michael Douglas' character in this film. His character reminds me a lot of a castaway (both in appearance and in his quirky mannerisms). There are tinges of other movie genres in this as well but the director puts the whole project together in a good way that gives is a fresh twist and feeling.

This is a great movie for a Saturday night with a bowl of popcorn and you'll probably tell your friends about it too (I did).

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These days, the lines between an independent film and a hollywood film are becoming more and more blurred. Films like Little Miss Sunshine and Eternal Sunshine of the Spotless Mind boast that indy feel, the themes and look and ideals that come with those trappings, yet they pack some real star power both on and off screen.

Kind of California is another one of those films, but after watching this great little gem of a film, I realized it really doesn't matter if this film is more of an indy flick or a Hollywood flick... in the end, when the movie is this good, who cares?

We could use more films like King of California, no matter who makes them. Michael Douglas and Evan Rachel Wood are fantastic here, at times quirky and manic, other times truly sad and tragic characters. I find it hard to believe anyone could not fall in love with these characters, and in turn not completely enjoy this film.

A must-see, and a must-buy, one of the better surprises of the year, hands down.

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Hoping to replicate the overwhelming positive critical response he received for his performance in Wonder Boys, Michael Douglas plays another quirky outsider in King of California. Despite being produced by Alexander Payne (Sideways (Widescreen Edition)), the film enjoyed a brief theatrical run and finally makes its debut on DVD.

Michael Douglas is excellent as the wildly eccentric Charlie. There is a mischievous glint in his eyes when he feels like he is getting closer to the treasure. The older Douglas gets and the more films he does, the more comfortable an actor he becomes. He delivers a nuanced performance that never veers off into showy scenery-chewing territory. With his mountain man beard, Douglas certainly looks the part of an ex-mental patient and, at times, seems to be channeling Jeff Bridges in The Big Lebowski (Widescreen Collector's Edition).

Evan Rachel Wood plays Charlie's extremely patient daughter and narrator of this unusual tale and so, naturally, our sympathies lie with her because she's, y'know, the sane voice of reason. Miranda is the responsible one to Charlie's childish antics. Wood is the ideal foil to Douglas, the straight man to his kooky eccentric.

King of California belongs to Douglas and the film sinks of swims based on how well he sells his character's mad quest kind of like Robin Williams' traumatized bum in The Fisher King. And while Mike Cahill is no Terry Gilliam, Douglas is more than up for taking on this wild ride with the charisma to draw us in, much like Charlie convinces Miranda to follow him.

There is an audio commentary by writer/director Mike Cahill, cinematographer Jim Whitaker, production designer Dan Bishop and first assistant director Richard L. Fox. Cahill talks about how a lack of money forced him to rewrite the opening scene and improve on it. Everyone takes turns pointing out the various locations used in the film which is as boring as it sounds. They also point out dry technical details like the wonders of colour timing. It's amazing that this commentary can be so dull with all of these skilled artists at hand but unfortunately this is the case.

"The Making of The King of California" your standard electronic press kit with soundbites from the cast and crew mixed with clips from the film. Douglas claims that this was one of the best scripts he has ever read and compares his character to Don Quixote. Cast and crew talk about the film's two main characters and gush about the film in general.

"Outtakes" is a fairly amusing collection of blown lines, miscues and goofs.

Finally, there is a theatrical trailer.

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....and find an old dream underneath waiting to resurface.

This bittersweet film about a madman and his long-suffering daughter takes place against the backdrop of the ongoing "development" (ecological destruction) of Southern California, forcing the viewer to wonder: Who are the truly insane in this film?

A lot of humor goes with this grim implication (the scene with the cop on the golf course is hilarious, if short; the filmmakers also shot a funny golf course scene for SIDEWAYS). I also liked the McDonald's shift manager looking over Miranda's shoulder to make sure she assembled a quarter cheese correctly--this actually happened to me when I was sixteen, working in a Southern California franchise. Some things never change. Miranda and her father stand in for everyone who tries but fails to live in peace with the standardization and industrialization going on all around them.

They also have whatever it takes to "follow your bliss" and try to find some sense of meaning in an increasingly orderly and planned and therefore quite insane urbanized landscape literally covering over the once-verdant earth walked by the so-called savages who appreciated and tended it.

Incidentally, although shot as a romp about a parentified daughter trying to give her bipolar father a sense of purpose, the film bears out what I've written about in Deep California: Images and Ironies of Cross and Sword on El Camino Real and in Terrapsychology: Reengaging The Soul Of Place: what happens to traumatize a colonized and paved-over place never goes away until we find some way to heal the recurring themes by understanding them and reshaping them from within them. Costco and McDonald's are but commercialized and updated missions to convert the locals to a globalized existence that eats their souls and landscapes. The counter-mission resides in the loving heart pursuing its dreams or helping others to, as well-named Miranda does in this Californian tempest.

p.s. For those of you with some knowledge of California history: yes, you're right: no Spanish expeditions during the 1620s. After Cabrillo had been by, landing his ships but making no tours through California, Vizcaino did another sail-by in 1602. After that, no known Spanish incursions came through the state until 1769, when Junipero Serra and his merry band came colonizing. "Santa Clarita" got its name from the river they named "Santa Clara" as they marched through. Incidentally, Miranda's mission history lesson was correct, and not only for the Chumash of the Central Coast: most of the Indians who entered the missions never came out again.

p.p.s. The part about how California got its name is true. The bestseller Miranda refers to was called THE EXPLOITS OF ESPLANDIAN. The author's name was Montalvo. He died just before it got into print.

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There's Something About Mary (1998)

There's Something About MaryI really can't understand how this one didn't get five stars from everyone here. I mean I know that tastes differ, but I think people may have been expected something this one couldn't possibly deliver. As a comedy, it is absolutely phenomenal. I really have to say that it's the only movie of the nineties that can match up with Stripes or Animal House. It's utterly amazing.

There's Something about Mary is a mélange of every kind of comedy. There's slapstick, physical situation, and intellectual social satire. This movie made Ben Stiller and rightly so. I recall seeing it in the theatre and not being able to breathe at times due to the convulsions erupting from my abdomen. No time was this more true than when Stiller walks into the gay rest stop and gets busted, but there are a million scenarios that could be cited. All the actors were sensational. Matt Dillon's character is exquisite in his cheesiness and he really excels in his role especially when he's playing football with the "retards" and showing off his sensitive side by pummeling them on the gridiron. Chris Elliot is exceptional in his role and any film that features Jonathan Richman that much is special and rare. I could not recommend this one any more.

You will laugh from begining to end with this movie. The humor is very crude at times, but not raunchy. I found myself saying,"oh my" and at the same time laughing out loud.

The storyline is unpredictable and extremely enjoyable.

It is a comedy and love story all in one, intertwined superbly.

I wouldn't recommend watching this with your mom and dad. I am 37 and would have crawled under the carpet if my mom and dad were in the room watching this movie during the scenes "before the big date."

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I hate it when they don't create a Blu Ray with a proper master copy! Why the hell would they bother using a lower quality copy to create this??!?! It's just plain lazy. Don't bother buying, as it is obviously about the same picture quality as the DVD you already own!

WAKE UP MOVIE STUDIOS!! IT'S SUPPOSED TO BE HIGH DEF, FROM THE ORIGINAL MASTER, WHY WOULD WE BOTHER BUYING IT IF THE PICTURE IS THE SAME AS DVD!!!

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The Farrelly brothers, who gave us Dumb And Dumber, Kingpin, and Me Myself And Irene, direct There's Something About Mary, a movie that stars Ben Stiller (Meet The Parents), Cameron Diaz (The Mask, Gangs Of New York), Matt Dillon (The Outsiders, Crash), Chris Elliot (Groundhog Day, Scary Movie 2), and many others.

Mary is a story about a Rhode Island loser named Ted, played by Stiller, who can't keep his high school dreamgirl Mary, played by the charming Diaz, out of his mind 13 years after their prom date went terribly wrong way before it happened. He hires an obnoxious guy named Patrick, played by Dillon, to spy on her and tell him what she's been up to. Well, Patrick falls for Mary, and decides to move out to Florida where she resides to get to know her, and he does. Ted discovers that Patrick isn't giving him the truth about Mary and goes out to find her himself. It turns out that Mary has many admirers who try to win her heart (or shoes!) besides the lonely Ted. So the movie becomes a race on who can get her first and forever.

It's a silly tale but under the Farrellys direction, it's a surefire laugh-fest all the way through. Expect to see lots of sick humor like a guy giving a dog CPR, or bodily fluids used as toiletries. Also, the characters in Mary are funny by nature. The funniest character of them all is Warren, Mary's handicapped and heavy set brother, who punches people who touch his ears and loves to give piggy back rides.

Recommended

B-

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This was an interesting movie. It kept me laughing so hard that the next morning my stomach muscles felt as if I had done about a 1000 crunches. You will truly enjoy this one, but if you are soft of heart, weak of stomach or easily offended this may not be the movie for you.

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So Undercover (2012)

So UndercoverI originally watched the movie to see my university a we had been cleared out over Winter break so they could film. I was surprisingly pleased at the result. I'm not a big fan of Miley Cyrus but she did a great job...I really enjoyed it and had to laugh at the sorority antics.

Very enjoyable movie. Typical Miley Cyrus and typical comedy material. My husband watched it twice in the first few weeks.

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Pretty funny, I would have never guessed what happened and who turned on who. I'm glad that I bought it. If you want a movie that has action and romance and a bit of humor then check this one out!

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I will say right off the bat, not a big Miley Cyrus fan, having said that, she was terrific in this movie, I was so entertained and found myself smiling through the whole movie. The cast surrounding her was terrific. Smiling and laughing is a good thing.

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I thought it was gonna be bad, but to my surprise it was pretty good!! I thought Miley Cyrus was a great actor on it!! And I would definitely watch it again!! :)

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Bachelorette (2012)

BacheloretteOn the surface the movie is about three girls who are bridesmaids for one of their friends. The night before the wedding the bridesmaids mess up the bride's dress and have only hours to get it fixed before the wedding. While the movie is a comedy and has some really funny parts, it mostly has very serious undertones. One bridesmaid is a former bulimic and control freak and upset that her life is not on track, another bridesmaid struggles with drug addiction (coke) and her complicated relationship with an ex, and the last bridesmaid, who also abuses drugs and alcohol, is promiscuous to feel better about herself.

This movie is nothing like Bridesmaids which has a lighter tone and typical SNL humor. Bachelorette's humor is dark, raw and often sexually profane (may be offensive to some). The movie should have been given a different title so it would not be compared to Bridesmaids. They are nothing alike. It seems that the writer's were going more toward an American Pie/Get Him to the Greek type of humor.

On a positive note, the acting is good and all of the lead actresses give it their best with what they had to work with. I enjoyed it enough to be glad that I watched it. It is the type of movie that left me thinking, "wow, that could have been a really good movie with some changes in the writing and screenplay." The characters could have been developed better to make the audience care more about them and their plights. The real gem of this movie is that the characters are "real" girls with "real" problems that many audience members can relate to. The writers could have toned down the coke emphasis which seemed awkward and out of place in this movie...at least for all three main characters. Overall it was still entertaining and the cast made it worth watching.

I don't know why I'm the only one who likes this move. Dark, brilliant zingers whiz by the audience's heads like darts in Raiders of the Lost Ark, and three flawed to the point of cruel main characters repeatedly get their asses handed to them until they consent to grow up. Who needs traditionally likable, anyway?

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the movie was outstanding. i laughed so hard i almost peed myself. if you don't watch this, you are seriously missing out.

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Better than Bridesmaids. Outrageous but relatable characters. I've watched it 20 times drunk and sober and catch new quotes every time!

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This was the first time I've ever purchased a pre-theatrical release on Amazon and I was hesitant about shelling out $10 bucks, but it was well worth it. I really disliked Bridesmaids and thought that the humor was uncouth, the characters weren't likeable or believable. Bachelorette is the opposite of that. I know 20somethings like these girls; girls who are struggling with the past & that affects their current lives, girls who are control freaks because they are unhappy. I could relate to this movie and I thought their hijinks were hilarious. Even their foul humor made sense in the context and wasn't being done just to gross you out. Basically, I'd recommend this movie to someone and I'm glad I purchased this pre-release.

Flirt (1995)

FlirtHal Hartley appears to be an acquired taste... I have only seen 3 of his films so far (this, the flat-out brilliant Trust, and the okay Henry Fool) but he's clearly one of the most underappreciated American directors working today. I think the delivery of his dialogue is what kills it for most people. It's very deliberate and generally not filled with an overkill of emotion. I find this approach allows me to listen to what the characters are actually saying (as opposed to just how they're saying it). That Hartley's one of the few screenwriters with something to actually say really seals the deal.

I don't want to suggest Flirt lacks emotion though. It manages to pack in more complex emotions that most more histrionic films. In one scene, a man threatens another with a gun, reconciles with him, embraces him, has a change of heart, and shoots him. A woman who witnesses this, hearing some music that begins to play, begins to dance, caught in the moment, slips to the ground, and gets up regaining her sense of reality. This sounds absurdist, and it plays that way in the film. Still, it manages to convey a great deal of human emotions in about a minute without a false note. Hartley is a master at achieving a desired effect.

Flirt is somewhat experimental in that it replays the same narrative with nearly the same dialogue in three different countries with three different casts. This never felt boring to me, as the intention of some of the lines and the overall outcome of the situation changes each time. What's interesting is that the plot of the episodes is that the character has 90 minutes to make up their mind about whether their relationship has a future. Not coincidentally, the film is 90 minutes long. Clearly Hartley is commenting on the use of art (screenwriting, film direction) to solve personal demons. One feels he is using this film to explore a personal dilemma for himself, a point that is driven home when Hartley himself shows up in the third episode as the possibly spurned lover.

It's interesting that such an apparent act of directorial vanity never feels like hubris. Hartley manages to make an extremely personal film that actually has something universal to say. He manages to be stylistically bold without being gaudy or excessive. He manages to make the same plot interesting three times. He manages to create a masterpiece in "Flirt".

FLIRT is not your typical romantic movie of the 90's (when it was filmed). But that's what makes it so great. If you are tired of the "boy meets girl, boy falls for girl, boy loses girl, boy gets girl back" scenario, then you'll like FLIRT. If not, go rent SHE'S ALL THAT with pretty boy Freddie Prinze, Jr. And spare me the details, please.

I would also suggest that when viewing this film, you not concentrate on the fact that many of the lines are repeated from one setting to the next (and there are a startling number of lines repeated). But rather look for the more subtle differences and similarities.

If you are a person who views things with greater depth than "black and white", I think you will enjoy this movie.

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Hal Hartley is way ahead of his time. This is not his best film, but it's definitely worth watching. I first saw an excerpt in a sociology/religion class which hooked me: advice on love and commitment in a bathroom. This film takes chances, and some of them aren't that entertaining, but overall it's not as bad as elsewhere reviewed on this site.

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Repeative. Heard mixed reviews and decided to give it a chance. Liked the different variations on the theme in difference cultures. Felt likie a Woody Allen work but not sure if it was worth the time spent in the end. Worth a viewing to form your own opinion.

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I find it amusing that people have been lured to watch this film by indy queen Parker Posey. As all Hal Hartley films tend to be, dialogue and narrative is negated and transformed by repetition and by intentional "non-acting". I mean, do people really think all the actors are acting this poorly? By having the actors not act, the ideas cannot be discolored by subjective interpretation. The film strips away traditional storytelling by repeating it in three forms. The narrative disappears in repeating it. In the three vignettes, nuances in each and differences between them are what is of primary interest. The actors are tools for Hartley's obsession with love, desire, and identity. This film is a poem. It is difficult to evaluate Hartley's films without considering the entire body of work. It may not be Hartley's most successful effort, but it is an interesting experiment nonetheless.

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