Showing posts with label a list of comedy movies. Show all posts
Showing posts with label a list of comedy movies. Show all posts

Notting Hill

Notting HillLet me just say that I'm not particularly a Julia Roberts fan. So when my wife asked to go see Notting Hill in the theater, I politely declined... but I figured that I'd give her a suprise and buy the DVD for her. Well, I sat and watched it with her, and was pleasantly suprised, myself!

Set in the real-life Notting Hill section of London, this VERY fairy-tale story is filled with moments of true belly-aching laughter, painful heartbreak, and one delightful "car chase."

Julia Roberts portrays Anna Scott, a fifteen-million-dollar per picture movie actress who gets tangled in the trappings of love with William Thacker, a bumbling, but likeable book-shop owner convincingly played by Hugh Grant. Notting Hill wastes no time in setting up this premise and rockets off from there. The film moves along at a good pace and only has one noticible slow spot. The music chosen to accompany the film is beyond perfect. Watch the screen closely when you hear "Ain't No Sunshine" by Bill Withers.

I would be remiss if I did not mention "Spike". Rhys Ifans plays Spike, William's very odd, very Welsh flat mate. You can't help but laugh every time he's on the screen. Luckily, the director and editor didn't over-do Spike's antics, so we can truly enjoy the moments when he's on.

The Collector's Edition goodies make the DVD a true gem and a great bargain. The musical highlights let you quickly jump into the middle of the movie to enjoy a song while watching the movie roll. (After you've watched the movie, go find "Ain't No Sunshine"!) The deleted scenes give a glimpse of what could have happened in the film. After watching, I'd say that I agree with the director's choice of endings.

This movie proves that romantic comedies can still be done well... and you don't have to have Tom Hanks and Meg Ryan to do it.

Hugh Grant's role as Travel Book Shop employee William Thacker reprises the same shy, humble, lovable, but lonely character with a small group of friends that made him a star in Four Weddings And A Funeral. That may be because Notting Hill, like FW&AF, was written by Richard Curtis. "And so it was another hopeless Wednesday when I walked a thousand yards to work, not suspecting that this was going to be the day my life would be changed forever." In two words, that catalyst is Anna Scott, currently one of Hollywood's biggest stars, who is promoting her latest film Helix, a sci-fi film whose costume design and one interior setting owes a nod to Kubrick's 2001. She happens in his bookshop, but that first meeting sets off a series of meetings where they spend time with each other.

Eccentric barely describes Spike, his Welsh roommate with a shock of wild blond hair. Never have I seen a more comical opposites since Felix and Oscar of the Odd Couple. Spike is clearly the Oscar of the pair, but then again, I doubt if Oscar would have worn a T-shirt saying, "Get It Here", with an arrow pointing downwards, or unwittingly mistake mayonnaise for yogurt.

In the course of meeting Anna, he in turn introduces her to his small group, including a married couple, Max and Belle, the latter in a wheelchair, a stockbroker named Bernie, and William's wild-looking sister Honey, whose bulging eyes and feathery hair makes her nevertheless lovable in a different sort of way.

However, they live in two different worlds. As William puts it, "I live in Notting Hill, you live in Beverly Hills." Both have different schedules, lifestyles, and perspectives on things. Yet his inner smile lights up whenever she pops in and spends some time with him. And applying a metaphor used, Anna is a goddess. "You know what happens to mortals who get involved with the gods?" That's terrible for William, who confides in Spike that it's like "taking love heroin and I couldn't have it again. I've opened Pandora's Box and there's trouble inside."

Anna is a typical box-office draw who has to put up with the tail side of the fame coin. The many boyfriends, the laying out of her private life in the tabloids, but also how she's unable to live an ordinary life and how she has to put up with unkind words, as when she overhears a group of businessmen saying how actresses are equal to prostitutes and that she is the definitive actress. Ouch! But despite the fame, in the end, she's "just a girl asking a boy to love her."

The one pullback aerial shot that has the couple approaching the bench dedicated to a loved one, while Ronan Keating sings Keith Whitley's "When You Say Nothing At All" was a perfect combination of great camera work enhanced by a haunting love song.

Hugh Grant has another winning role and seems to have the knack of starring opposite great female leads and being compatible. Be it Andie McDowell (Four Weddings) or Emma Thompson (Sense And Sensibility), he does himself and Julia Roberts great credit. After seeing this at the theatre when it first came out, I sighed with relief that I finally found the most charming movie with Julia Roberts since Pretty Woman. All the actors portraying Williams' small circle also lend great support, but Rhys Ifan steals the show as the outlandish Spike. Those who liked Four Weddings will definitely go for Notting Hill, which has a tad more sweetness, like apricot and honey.

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I was hesitant to see this film at the theater.I enjoy Hugh Grant but never cared much for Julia Roberts.Well,being a DVD and home theater nut,I decided to check this out..PLEASENTLY SURPRISED! ..First Hugh Grant is just fantastic.In a way,his character can be discribed as the thinking mans Mathew Perry.Actually,their humor derives from similar delivery of lines..This is a delightful tale of the ever so polite,but aloof, British male,winning over the, seen to many shallow male actor movie star..Julia pretty much plays herself,with both touching honesty and charm..Tired of the world that incorporates her hollywood life,on a trip to England she finds herself drawn to Grants simple yet honest and gentle sincerity...Along the way,the typical trials and tribulations that would surely plague such a relationship appear..Yet,this movie demonstrates that regardless of our superficial world around us,something as age-old as love can lead to true inner happiness...A great British supporting cast make up this movie,and the scence stealing Spike is hilarious...Guys,this is not just a chick flick! Give it a shot with that special someone and you both will be the better off for it..!

Read Best Reviews of Notting Hill Here

This is the best romanic comedy in 1999, in my opinion. It's a story about an actress (Anna Scott played by Julia Roberts) at the height of her career finding the ordinary man (William Thacker played by Hugh Grant) in Notting Hill (an actual place in the UK) and falling in love with him. The unlikely story of travel bookstore owner getting involved with a mega-star actress is a fantasy but then it's a movie... and their story is fun to watch. Their quirky romance struggles a bit while they try to find a common ground for the couple from opposite ends of the spectrumand the movie tries to convey that even famous actresses have normal needs, too. Like love and the need to belong in the world. The secondary characters like Spike, Will's flatmate, Will's friends and sister just about steal the scenes. This movie is sweet, fun, poignant and a great happy ending. In the press conference scene at the end, when William and Anna stare at each other across the room, you can feel the love and hapiness. And the bench scene in the park is just about the sweetest ending. I've seen this movie several times and will see it many times more. ( Hey, even my guy friends liked it. )

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This is truly a lovely movie, and it has been a long time since a romantic comedy has been this enjoyable. This movie may remind you of "When Harry Met Sally" or "Sleepless in Seattle", where the couples are clearly meant for each other, yet have obstacles they must overcome. The acting and dialogue are superb! Hugh Grant, a world-famous actor, is completely convincing as an average bloke, while Julia Roberts goes by Anna Scott and plays herself, a "heavenly" movie star.

One review of this movie called it "pure fairy tale." As long as you can believe that it is possible for an actress to truly be a "good person," that she may actually want to live a relatively "normal" life outside of her acting career and may want to start a family of her own, then this statement is false. One specific scene mentioned as difficult to believe was the initial kiss that takes place quite soon after they meet. However, there are two reasons why this scene is believable. First, it is quite obvious that she is impressed from the start with his wit, sensitivity, and honesty, especially compared to the other men who are falling over themselves when they meet her. Secondly, this kiss may be a sort of test. In a city filled with reporters trying to get a story and her pictures plastered everywhere, her life has to be secretive as much as possible. Perhaps she wanted to see if she would be reading about the incident in the next day's paper before she allowed herself to get too close. She gave him quite the opportunity to brag to his friends or family, but he does not.

This movie is quite entertaining to watch the first, second and even fifth time.

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When Harry Met Sally... (1989)

When Harry Met Sally...Something has always bothered me about romantic comedies, i.e. you rarely actually get to see the couple fall in love, you know, actually witness the growth of the bond between them. They just fall in love, but you don't really get to be there. Except when you're watching 'When Harry Met Sally'. Rob Riener made a better film from a Nora Ephron script than she ever could. No offence to her, she's just a better writer than she is director. And Meg Ryan is so much better with Billy Crystal than Tom Hanks, although I have nothing but respect for Mr.Hanks. The thing is that its not just a genuinely and consistently funny movie, it's also terribly romantic. It spans about twleve years in the lives of both Harry and Sally, from their first meeting at college. They grow and change, they like and dislike each other, they become romantically involved and then they don't. The whole thing is very engrossing and witty but never seems far fetched or fantastical. I rate this movie as a contender for cinema's best romantic comedy. Enjoy the dialogue, the charm, the music, the drama and melodrama and give praise to Rob Riener and his magnificant team who made a wonderful film. The stars have not reunited since and it is possibly for the best as it would be an extremely difficult task to repeat this kind of quality. Chemistry and genuine emtion are hard to come by in this genre, enjoy it while you can. Its available on video and DVD and is rarely edited for T.V.

This review refers to the Special Edition DVD(MGM).......

A great romantic comedy that can be enjoyed by both men and women is a rare treat. This film is one of those rareties. Director Rob Reiner has us laughing at each other as well as ourselves in this story that lovingly highlights the inner workings of both sexes.

Harry and Sally(Billy Crystal/Meg Ryan) meet for the first time right after college graduation as they spend their first 18 hours together car pooling from Chicago to New York.They instantly fall for each other, BUT... neither one realizes that. Right away we see the difference of how men and women think, and how funny those differences can be. Upon reaching New York they part ways because theoretically "Men and women can't be just friends".

Over the years, they run into each other several times(destiny?),still not understanding the other's ways, but eventually become best friends, even trying to fix each other up, as they see each other through various relationships that didn't work out.Eventually they do begin to understand the other and feel themselves falling, but why ruin a good friendship with love and sex... right? How long will it take for these two to realize..."It Had To Be You"?

Billy Crystal and Meg Ryan have a magnificent on screen chemistry, and they'll have you laughing and rooting for them.

Bruno Kirby and Carrie Fisher are expert at playing the well meaning friends. There are some wonderful scenes of older couples being interviewed that will have you rolling. Rob Reiner does a brillant job of bringing us this everyday world of the gender gap.

You'll also love the soundtrack for this film. Lots of old standards, performed by Frank Sinatra, Duke Ellington and some really marvelous stuff by a very young Harry Connick Jr. Nora Ephron wrote the screenplay and was nominated for an Oscar for her outstanding work.

The DVD is great. It is in widescreen, Dolby stereo surround(2.0),the picture is beautiful with all the wonderful scenes of the changing seasons in New York, and the sound, including the music and the dialouge are pleasing. Some really nice Features are included, I very much enjoyed the "Making OF" Documentary with lots of commentary. You'll also find lots of deleted scenes that are fun to watch, you can have Reiner's commentary during the film, and There's a terrific Harry Connick Jr video. There are trailers, and French and Spanish subtitles.

"Viva La Differance!"......Laurie

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As a rule I generally do not review films...if only because after attempting this before I find I'm totally inadequate! I know nothing of camera angles, dialogue or for that matter what to even look for in any given movie! I suspect I would have flunked out of Film 101! Obviously music reviews are my "forte" but since this film ranks as one of my absolute favorites than it's worthy of another attempt. Wish me luck!

Rob Reiner's "When Harry Met Sally" is for me,after Woody Allen's "Hanna and Her Sisters" and Bogart's "Casablanca" one of the films that I simply need to watch over and over.These three films have, for me,such an absolute "presence" about them that is difficult to explain. As for this film it is simply is the "standard" for which other romantic comedies should be judged! Meg Ryan and Billy Crystal have such real, honest chemistry between them (which is obviously imperative in a film such as this) that when on screen together they literally jump out at you. Plus, the supporting characters, especially Carrie Fisher, playing Sally's best friend,is a joy to watch...but than again, they all are! Including Bruno Kirby,as Harry's best friend. In fact the dialogue between Billy Crystal and Bruno Kirby at the Giant's football game ranks as one of the strongest scene's in the film....if not one of the most honest!

Also, kudo's should go to the cinematography which, showing New York, in all four seasons,especially fall, is visually stunning. An absolutely beautiful film to watch! The dialogue is extremely funny, not too clever(thank-you), and above all,at times, insightful in what it has to say about relationships and how we go about this sometimes horrible ritual called dating.I know of no other movie that can make me laugh so hard at one moment and shake my head with wonder as one of the characters state something so honest,real and emotionally true that I almost cry. I may be overstating my case here but if so, than oh so slightly!

In the end, a film that I care for deeply because I care so much for the characters and one that I never tire of watching. Adding to the mix a wonderful soundtrack by Harry Connick and you have the perfect valentine.One of those few films where everything simply feels right.Ummm....now if only my dates would go so well!

Read Best Reviews of When Harry Met Sally... (1989) Here

This is one of the few movies I can watch over and over and never tire of seeing it. It is so true to life about relaionships betwen men and women. Billy Crystal and Meg Ryan are the perfect actors to play Harry Burns and Sally Albright, the completely opposite and mismatched couple who are actually the perfect match for each other. Billy Crystal's unique humor shines through, and Meg Ryan is the only actress who could play Sally. Bruno Kirby and Carrie Fisher are great as Harry and Sally's best friends. The dialauge between Harry and Sally is wonderfull throughout the fillm. And the diner scene is one of the funniest I've ever seen in a movie. It all but steals the entire picture. This is ,hands-down, a modern romantic comedy classic that everyone should see.

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This is nothing more than the original release of the DVD of the classic film repackaged to include a compilation of music from the decade in which it was released. The worst thing is that none of the music on the CD has anything to do with the movie itself. I'm not even sure that any of the songs were released around the time that the movie was in theaters. Had it been the actual soundtrack of the film included we might've had something to get mildly excited over. There's also a 'time capsule' booklet with events that happened during the 80's. There are much better ways of learning 80's history than with a 16 page leaflet.

Skip this product entirely, and instead try the 'Collector's Edition.' It is far superior with remastered 5.1 audio sound, exceptional audio commentary and a number of featurettes on the making of the film. The only thing better would be to see a remastered version on Blu-Ray (hint, hint Sony!).

Dazed and Confused (1993)

Dazed and ConfusedI love this movie. It's one of my favorite teen comedies. It helped jump start the careers of the film's soon-to-be stars, such as: Ben Affleck, Parker Posey, Matthew McConaughey, Rory Cochrane, Jason London, and Milla Jovovich, to name a few. By the end of my first viewing, I was hooked. I became obsessed with the movie, and have seen it so many times that I've lost count, and it's still fresh and hilarious with every viewing (which is rare for a film)! It has become one of my favorite movies of all time, as well.

It doesn't necessarily have a plot, it's basically about the last day of school at a high school in a small town in Texas in 1976. The soon-to-be seniors are initiating the soon-to-be freshmen, A few friends are trying to get Aerosmith tickets, and everyone is trying to party or get stoned, drunk, or laid. Oh yeah. Dazed and Confused is definitely a cult classic, and a movie I could watch easily over a million times. Even though it's about the END of the school year, it's still fun to watch whenever. Oh, and Slater is my favorite character by far. The soundtrack is AWESOME as well, featuring songs by: Aerosmith, Foghat, Black Sabbath, Deep Purple, Alice Cooper, Ted Nugent, War, ZZ Top, Peter Frampton, KISS, Steve Miller Band and Lynyrd Skynyrd.

This is, hands down, one of the greatest teen movies ever made. People who grew up in the 70's claim this movie captures the time perfectly (just read some of the reviews here!), and this movie is definitely a must see. It'll make every young viewer wish they were there partying and having a good time, and every adult remember the good times they had during their teenage years. So, if you're looking for an entertaining flick to watch or want a flick that you AND your buddies will enjoy, check out "Dazed and Confused".

And for those who are angry that another DVD release of this film is out, you should just give your old D&C DVDs away and grab this one. In fact, Universal are the ones who SCREWED us, the fans, with their lackluster efforts for BOTH of the DVDs they've released (the barebones edition and the Flashback edition). Sure they REMASTERED the film for the Flashback edition, but there could've been so much more on THAT edition. Linklater was supposively going to record a commentary for the Flashback edition, but he didn't meet Universal's deadline, so they decided to release the DVD without the Making Dazed 10th anniversary documentary AND Linklater's commentary, hence, he was disappointed with the Flashback edition DVD, and Criterion gave Linklater enough freedom to put all of the bonus features he wanted on a "Dazed" DVD. They even allowed him and cinematographer Lee Daniel to supervise the high definition transfer of the film that will be used on the Criterion DVD. However, the HD transfer will be down converted to DVD resolution for the DVD release. It's impossible for the standard DVD format to reach the resolution of High Definition, although DVDs (especially now) can look very good.

Special features include the following:

* All new high-definition digital transfer, supervised by Richard Linklater and cinematographer Lee Daniel

* Audio commentary by Linklater

* "Making Dazed," a 50-minute documentary by filmmaker Kahane Corn

* Booklet featuring new essays by film critic Kent Jones, music critic Jim DeRogatis, and author Chuck Klosterman, plus character profiles, and memories of the film from cast and crew

* More than two hours of rare on-set interviews and behind-the-scenes footage featuring cast and crew

* Footage from the 10-year anniversary celebration

* Audition footage

* Deleted Scenes

* Original trailer

* Collectible film poster

Fans of this movie have had to suffer two bare bones editions before finally being richly rewarded with this new special edition from the fine folks at the Criterion Collection.

The first disc features an audio commentary by writer/director Richard Linklater who is clearly still bitter about how the studio screwed him over and mentions it frequently. He talks at length about which parts of the film are autobiographical in his usual, easygoing, genial way, delivering yet another top notch track filled with great anecdotes, smart observations and cautionary tales about the dangers of working with a Hollywood studio.

Also included are 17 deleted scenes, including footage of Pink and his friends stealing the statues that we see later on in the film painted as the band members from Kiss.

There is also a theatrical trailer.

The second disc kicks off with an impressive, 50 minute retrospective documentary entitled "Making Dazed" that combines behind-the-scenes footage from 1992 with the ten-year cast and crew reunion with more recent interviews as well. This is a fascinating look at the challenges that Linklater faced on his first studio movie.

"Auditions" features footage of 12 cast members reading for the film. It is pretty easy to see why they were cast as they slip into character quite naturally especially someone like Rory Cochrane who eerily becomes Slater or Nicky Katt who effortlessly embodies his redneck bully.

"Beer Bust at the Moon Tower" features cast members being interviewed in character during the first week of rehearsal in an effort to get them familiar with their roles. Also included are cast interviews that look like they were done early on in production or during filming. Highlights include an amusing and candid clip of Wiggins and Christine Harnos before their kissing scene in the movie. There is also quite a bit of behind-the-scenes footage that was seen only briefly in "Making Dazed."

Finally, there is an impressive 72-page booklet with essays and interviews. And to top it all off a fold out movie poster is included as well.

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"Dazed and Confused" represents one of the better entries in the film genre fans affectionately refer to as the stoner picture. After viewing this movie, I started thinking about this much maligned cinematic rubric. How many films, I wondered, fall within this category? Well, there are the Cheech and Chong movies that emerged in the 1970s, a series of films that really deserve their own special niche. What else? "The Stoned Age" came out one year after "Dazed and Confused" arrived on the scene. There are probably many more that I could not recall, but the mother of all stoner films has to be the amazing "Over the Edge," a movie notable for showcasing Matt Dillon in his first film roll, but also because of its gritty '70s feel and its wonderful fusion of youthful alienation with suburban sprawl. "Over the Edge," sadly unavailable on DVD as of this date, should serve as the standard by which viewers should measure all other stoner films. In that respect, "Dazed and Confused," while suffering a few problems, does a nice job of keeping the tradition alive.

Set in a small Texas town in the 1970s, "Dazed and Confused" follows the various misadventures of a group of high school students on the last day of school, covering a period of mere hours from the end of the school day to the obligatory beer bash held that evening. The cast of characters here is huge, ranging from a small band of junior high students about to become freshman to high school juniors about to become seniors. There's Randall "Pink" Floyd (Jason London), the high school football star who is having some doubts about signing a team pledge to refrain from drugs and alcohol during his senior year. Several of his buddies, including Fred O'Bannion (Ben Affleck) and the team coach, give him grief about his hesitancy to give in to this blatant attempt at control. In the meantime, the gang of jocks and their female counterparts take great joy in engaging in the time-honored ritual of hazing the incoming freshman class. This activity involves chasing the hapless kiddies around town in automobiles in order to administer a rather vicious beating with a stout wooden paddle. One of these new freshmen, Mitch Kramer (Wiley Wiggins) attempts to avoid the inevitable until some seniors catch him after one of his baseball games. Floating on the periphery of these scenes is a trio of eggheads (played by Adam Goldberg, Anthony Rapp, and Marissa Ribisi) and an aging stoner, David Wooderson (Matthew McConaughey), who cannot let go of his high school years.

The scenes in "Dazed and Confused" unfold in a chaotic manner, perhaps in an effort to mirror the randomness of American youth during the 1970s. A planned party at the house of a kid whose parents are going on vacation comes to naught when a delivery truck attempts to deliver a keg as the shocked adults look on. With this party effectively put on ice, the search is on for a new place to toss back a few cold ones. Most of the kids spend a lot of time driving around town, always on the lookout for some action. After receiving his beating, Mitch Kramer discovers a newfound friendship with Randall Floyd, who invites the diminutive frosh to accompany him on an excursion to the local hangout. Meanwhile, the three brainiacs cruise around town throwing out the most hilarious observations about their future and the state of the country (my favorite line equates Gerald Ford's football injuries with the state of the economy). The kegger contains the things those who went to these atrocities in high school would expect: someone gets in a fight, new relationships form and dissolve, and the stoner archetype goes off on a rant about drugs. The movie ends with no concrete answers about where these kids will go or what the future holds for them.

The movie is notable not for its party hard theme, although that certainly plays a big role here, but for its introspective mood. Director Richard Linklater punches up the film with plenty of humor, such as Affleck's over the top role as the school jerk, but he also shows many of these characters worrying and wondering about the future and what it holds for them. Some of these scenes will break your heart. For example, David Wooderson tells his high school buddies about how the real world is a drag because of its rules and how he just does what he wants no matter what the cost. Everyone knew this guy, and also saw him fail in life. Randall Floyd muses about his high school career, stating that "if these are the best years of my life, remind me to kill myself." The last scene of the film, with that open road stretching into the distance--and into the uncertain future, for that matter--really sums up the what this movie is about.

I think the viewer who will understand this movie the best will be the person who went to high school and has been out of that place for a period of years. That way you can appreciate the humorousness of the various characters while understanding the implications of their actions. The people who were not caught up in high school because they understood that four years is only a small part of the grand sweep of life were the ones who generally succeeded after leaving the hallowed halls. "Dazed and Confused" makes you realize this fact. Although the film is a little too fractured, resulting in several undeveloped characters, it really is an honest look at a painful time in our lives. I highly recommend it, but prepare yourself for nostalgia pangs and a heavy dose of even more painful '70's atmosphere along the way.

Read Best Reviews of Dazed and Confused (1993) Here

The 4 stars are for the movie. While this DVD is terrible in terms of extras I must confess I did buy it because it was cheap, has a great glittery cover, is anamorphic (the last one wasn't) and has a Dolby/DTS 5.1 soundtrack instead of the cruddy 2.0 sound on the last one.

The movie is great but the DVD ain't up to scratch. Linklater has said he is working on HIS OWN special edition with Criterion, which will include loads of cool stuff (much like Criterion have recently done with Linklater's Slacker). Universal denied Linklater this right with their 'Flashback' release so sit tight and wait for the definitive version.

If available cheap I am allowing you to buy to tide you over. Any REAL fan of the film wouldn't buy this version for an everlasting keep.

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Criterion

Audio commentary by director Richard Linklater

Making Dazed: Fifty-minute documentary by Kahane Corn

Rare on-set interviews and behind-the-scenes footage

Footage from the ten-year anniversary celebration

Audition footage and deleted Scenes

Original theatrical trailer

Booklet featuring essays by Kent Jones, Jim DeRogatis, and Chuck Klosterman; memories of the film from the cast and crew; character profiles; and the original film poster by Frank Kozik

VS

Universal

Deleted Scenes (SD; 14:27) offers a few bridging scenes, including some dealing with the infamous "pledge" the Coach wants everyone to sign. The video quality of these scenes is pretty spotty at times.

The Blunt Truth (SD; 4:21) is a parody of the old Educational Films documentaries many of us were forced to watch growing up in school, this one of course about the horrors of marijuana use.

Retro Public Service Announcements (SD; 2:03) are two PSA's which play like parodies but are actual vintage pieces, one about venereal disease (replete with bouncy theme song, and no I'm not kidding) and the other the famous littering ad featuring the crying Native American.

U Control has only one fairly lame toggle switch giving information on the tunes that fill the soundtrack.

I am getting the Criterion due to better extra features than the Universal extra features, I hope it will help deciding on your purchase!

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Hair (1979)

HairIf "Hair" were only a period piece, it would still be wonderful entertainment but it's so much more. Previous reviewers have already spoken for me in praising this film's astonishing energy, its fine acting (not stereotypes, but iconic characters), and its forever-fresh-as-a-summer-flower soundtrack. I can only agree with them completely, and add my positive vote to theirs. This is a highly (no pun intended) recommended film!

But I'd like to emphasize something else now. Those reviewers who complain about the film being dated are missing an important point. Love, friendship, joy, exuberance these things are never out of date. And it raises an interesting question: why are some people so embarrassed and downright afraid of the so-called "hippie-dippy" aspect of this movie, and the years it captures so well? Possibly because it goes against the current wisdom, which claims that the uglier and nastier and more downbeat something is, the truer it is.

Well, no one is claiming that this is a perfect world far from it! but there is still plenty of joy and beauty and magic to be found in it! Yes, in too many ways it's a more cynical world now ... which is all the more reason to celebrate and uphold those naïve, utterly necessary values. Don't be afraid of looking foolish, don't worry about having to be cool and detached all the time, don't be afraid to embrace the Universe and exult in it let the sunshine in!

I saw "Hair" three times in two days when it first came out in the theaters, and I have watched it every chance I've had since then. I was 12 when the Vietnam War ended, but the anti-war passion of this film hits me anyway. Beyond that, there are great performances by Treat Williams, Beverly D'Angelo (who, as one other reviewer pointed out, is one of the great underrated actresses working today) and John Savage. And beyond THAT there is the astonishing music -"Aquarius" (sing along, now), "Hair", "I Got Life" and "Let the Sun Shine", which makes tears run down my face every time I see it, even if I see it for the 100th time. This is a magnificent piece of filmmaking, and I don't care if the Broadway show was better or different or more soulful or whatever -each product stands or falls on its own. "Hair" stands proud 20 years after it was made, and I think it's going to stand proud for a long time to come. To the reader in Israel -I hope you get to go to Woodstock!

Buy Hair (1979) Now

Yes, 5 STARS! That said, I find my rave of this film odd...I can say that "Hair" is the worst film I've ever loved. And I don't mean "worst film" in that "B-Movie, Camp Classic, so bad it's good..." What I mean to say is that there are major weaknesses in this production, but the strengths outweigh the minuses to the point that I still say 5 STARS and MUST SEE! Let me pick on the movie's sorry points first: I was one of those Hair fanatics in my teens (late 70s, there were lots of us "Boy weren't the 60s cool?" types back then), and I loved the storyline of teen hippie Claude Bukowski's fantasies about becoming a Brit instead of a Flushing, NY middle class adolescent, being a blossoming film producer, debating whether to answer Uncle Sam's draft notices... the film transforms Claude into an Oklahoma boy who befriends hippies in NYC, and he breaks out singing "Manchester, England" (in the play, Claude's theme song where he proclaims himself a Brit and film mogul) out of nowhere, with no explanation as to why he's singing these lyrics(other than another character saying "he just got off the boat," when in fact, he arrived to New York by bus). Mix a few other songs that have nothing to do with the story with some embarrassing dialogue, and you will cringe, looking for the exit sign.....BUT WAIT! There's more, and it's damn good! Whether the songs fit the plot or not, whether lame lines lead into the musical numbers, the dance choreography and singers keep this film in the "worth your $$$$$ and time" range. Dance legend Twyla Tharp choreographed this potential mess into a beautiful display of dance. She put such a unique spin into the dance numbers that even a "layman of dance" like myself could appreciate. I am still floored every time I see numbers like "Aquarius," "Ain't Got No," and "Hare Krishna." I have become a fanboy of Ms. Tharp; you see this creativity in her dance numbers just shy of coming off as esoteric to a layman like myself, but instead of talking down to me, it wins me over. It's artsy, yet salacious enough to seduce my senses! Add actors with a sweet presence like Treat Williams, Dorsey Wright, Beverly D'Angelo and John Savage to the mix, and the bad dialogue doesn't hurt as much as it should! Melba's Moore's rendition of "Aquarius" is fantastic; this might sound like sacrilege to "Hair" fanatics, but this version of "Aquarius" matches up with Ronnie Dyson's in the Original Broadway Cast. This DVD is great viewing, even if you've never experienced "Hair" before!

Read Best Reviews of Hair (1979) Here

Hair is a movie near to my heart; I saw it when it was released (I was ten) and loved it, enchanted by the music. As an adult I find it still works.

What's remarkable is that Forman created film that has endured out of a stage play that hasn't. Ever wonder why the show hasn't been revived on Broadway? Well, that would be because it's a horrifically grating, plotless mess...

Which is why it's wonderful to hear the really great music, minus the awful book. The movie imposes a simple plot, nothing terribly interesting but totally serviceable. Performances are mostly dead-on, with a fantastic cameo by a young Nell Carter (another by Betty Buckley). Twyla Tharp's sharply lyrical choreography manages to feel completely impromptu and totally intentional. Impressive cinematography makes it a great film to look at, too, especially the devastating shot of soldiers boarding a transport plane at dawn.

Of course, the messy play much better reflects the 60s than this well-ordered film. But which would you rather watch?

Want Hair (1979) Discount?

I grew up with Reagan and recession and Republicans I couldn't get away from. From the time I was about 10, I can remember turning on the TV (before cable was common) and seeing snippets of some weird, hippie musical. I was probably 18 before I actually saw the movie start to finish and it changed my outlook on life. It was okay to be myself, express myself despite everything I had been taught. Are you curious about what happens outside your everyday experience? Watch this movie. You may not be a hippie, but its speaks to the freedom upon which this country is based-be yourself!

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Night of the Creeps (Director's Cut) (1986)

Night of the Creeps1986 was a pretty good year for horror films. There were stellar, undeniable classic releases like ALIENS and The Fly. Gore soaked goodies such as From Beyond and Demons. And then there was a severely underrated gem called Night of the Creeps.

A skin crawling tale about parasitic alien slugs accidentally unleashed from a cryogenic state of suspended animation, wrecking havoc on a college campus by way of invading the student bodies bodies through the mouth, effectively turning them into kill-happy zombies. The infesting parasites incubate in the brain long enough to spawn another generation. When the alien slugs are born, the host's top pops!

This is a endearing homage to everything from 50's B-movies, George Andrew Romero's zombies, silly teen/early twentysomething movies, slasher flicks and much more, wonderfully directed by Fred Dekker.

If you enjoy watching college frat boy wannabes screaming like banshees, a cool, catch phrase spewing detective settle old vendettas with an ax wielding reanimated corpse, gratuitous scenes of slugs violently and graphically erupting from peoples heads, and a little T&A to arouse your eyes...well this movie's for you. I know it's certainly for me. I've seen it so many times(lost the exact count)and it never losses it's appeal. The biggest draw in this movie is unquestionably venerable character actor Tom Atkins performance of a lifetime as Detective Cameron. Trust me you will hang on every word Atkins utters.

If you have not yet viewed this cult fave stop for a moment and give this one the chance to creep up on 'ya!

"In the words of Detective Cameron..."Thrill Me!" And for 23-years, this film has continued to thrill fans and has literally become a film that has achieved cult status. Director Frank Dekker gets his wish for a release of a Director's Cut with his original intended ending and fans of the film are treated to a reunion by the original cast 23-years later and also a tribute to the career of Tom Atkins. Definitely an enjoyable DVD release and a great tribute to one of the more hilarious comedy horror films ever created. Highly recommended!"

In 1986, a horror/zombie film called "Night of the Creeps" became a cult hit among fans due to the film's comedic nature but also how it pays homage to the horror genre.

The film is written and directed by Fred Dekker ("The Monster Squad", "RoboCop 3', "Enterprise"), produced by Charles Gordon ("Field of Dreams", "Die Hard", "Hitman"), music by Barry De Vorzon ("The Twilight Zone", "Tatoo", "Private Benjamin) and cinematography by Robert C. New ("So Weird", "Blade: The Series").

Although never considered a scary, horror film, "Night of the Creeps" was a film that caught attention for its screenplay, its special effects and its campiness but it was one of those 80's films that continues to be a fan favorite and for many years, many fans have waited for the film to be released on DVD. On Oct. 27th, the film via a director's cut receives a DVD and also a Blu-ray HD treatment and comes with the ending that Fred Dekker originally wanted and also a reunion of the cast 23 years later.

The film kicks off in a space ship where two aliens hunt down one of their own who has stolen an experiment. The alien in pursuit manages to rid of the canister and launches it out into space.

The film then transitions to 1959 where a sorority girl goes out on a date with a guy and the two go out to a make out point. The two are warned by a police officer, a young Ray Cameron (who dated the sorority girl) that a man has escaped from a mental ward and has hacked a few people with an ax. The two ignore the officer but then see a falling star which crashes near them. The guy and the girl drive to the area of where the meteorite may have crashed and the guy leaves the girl in the car. The guy discovers a canister and a slug from the canister jumps into his mouth. Meanwhile, the girl left alone in the car hears reports that the killer is headed towards their direction. While screaming for the guy to get back into the car, she is unaware that the killer is about to slaughter her.

We are then taken to 1986 where two nerdy college students: Chris (played by Jason Lively, "Mancuso, FBI", "Maximum Force", "Monday Morning) and J.C. (played by Steve Marshall, "Night Heat", "Sleeping in a Dream") are walking around the fraternity and sorority section and see a girl across the street that captures his attention. Chris is the silent type while his best friend and roommate J.C. (who has a disability and walks with crutches) is a lively jokester and tries to get the girl's attention for his buddy.

Because Chris is so shy, J.C. manages to introduce the girl named Cynthia (played by Jill Whitlow, "Mask", "Thunder Run", "Twice Dead") to his friend. But she happens to be dating a frat guy and thus, Chris's hopes are dash. Chris comes up with an idea that they should join a frat and when they try, in order to join, they are told to take a body from the science lab and drop it in the front porch of another frat.

When Chris and J.C. go to the lab to retrieve the body and releases it from its incubator, the body (which happens to be the guy who discovered the cannister back in 1959) has awaken. Startled by the body moving, Chris and J.C. run away in fear.

Meanwhile the scientist in charge of maintaining the body is killed by the zombie man and immediately, the zombie walks to the sorority where he went to visit the girl he was dating back in 1959 (the room of the girl is where Cynthia is now staying in). Immediately, the man's head blows up and slugs are released into the public. The slugs tend to possess a person's body, kills them from the inside and takes over their brain where they can breed and make more of their kind and continue the process of finding a body to breed in.

With murders happening on campus, detective Ray Cameron (played by Tom Atkins, "Halloween 3', "The Fog", "Bruiser") remembers back in 1959 of how his girlfriend was hacked into pieces by the axe murderer who was never caught and worries that these killings may be the work of the killer. He has suffered nightmares in which he sees a skeleton or zombie murdering his ex-girlfriend and with news from Chris and J.C. that the body inside the incubator moved, he worries about what is going on.

With zombie infestations now happening, the friendship of Chris and J.C. is tested, and Chris and Cynthia are brought closer together. But will they be able to survive the onslaught of the zombies during the night of the big dance?

It's important to note that "Night of the Creeps" is a Director's Cut version and that it features the original ending that Director Fred Dekker wanted (the reason why it wasn't used was because Dekker who was a new director at the time, showed an incomplete test screening to an audience and execs without the special effects and the audience and execs wanted a new ending). The original theatrical ending is included on the DVD.

VIDEO & AUDIO:

"Night of the Creeps" is featured in 1L85:1 Anamorphic Widescreen. For a 1986 film, I have to say that the picture quality is pretty good and I didn't see any major compressions or massive warping. I can only comment on the DVD version but it doesn't look like Sony Pictures Home Entertainment used any major Digital Noise Reduction in the release, so I wonder how nice the Blu-ray transfer may have been. But for the DVD itself, fans should be happy to know that this 23-year-old film looks good.

As for the audio, the audio is presented in English 5.1 Dolby Digital. I was noticing mainly front and center channel dialogue and the music but nothing that caught my attention via the surrounds. So, I ended up switching the audio to "Stereo on All Channels" on my receiver for a more immersive sound. But for the most part, dialogue was clear and understandable and that 80's new wave electronic music is clear as well.

Subtitles are presented only in English.

SPECIAL FEATURES:

Fans of "Night of the Creeps: Director's Cut" will definitely enjoy the special features included on the DVD. Included are the following:

* Commentary with Writer/Director Fred Dekker An audio commentary with Michael, the DVD producer and Writer/Director Fred Dekker. Dekker gives a more technical insight about the film and how certain cuts were made. Especially certain scenes that Dekker enjoyed.

* Cast commentary (Jasone Lively, Steve Marshall, Jill Whitlow and Tom Atkins) A lively, hilarious and insightful commentary by the four talent of the film. What's even more interesting is to hear the cast see the original Fred Dekker ending for the first time.

* Original Theatrical Ending (:30) The original theatrical ending. Which one do you think is better? It's important to note that the Director's Cut ending was shown on television while those who saw the original theatrical cut, own the VHS and LD saw this ending.

* Deleted Scenes (7:45) Seven deleted scenes: The Girls Meet Johnny, J.C.'s Positive Thinking, Cameron vs. Raimi, Making cookies, Raimi Follows Protocol, Cameron Spies Spanky, Chris Stays Behind

* Birth of the Creeps (10:43) Director Frank Dekker, the Cast and crew talk about Frank Dekker and how the film became a reality.

* Cast of the Creeps (15:56) Featuring a reunion of the cast (Jason Lively, Steve Marshall, Jill Whitlow and Tom Atkins) who talk about their involvement in the film and working with each other.

* Creating the Creeps (10:31) How the special make-up FX was created and interviews with David B. Miller (Special Make-Up FX Supervisor), Howard Berger and Robert Kurtzman (Special Make-Up FX Creator) talk about their involvement of the film, the challenges due to the short pre-production schedule and more.

* Escape of the Creeps (11:35) Charles Gordon (Producer), Michael Knue (Editor) and Director Frank Dekker talk about how the film became a hit with fans. But also why the ending was changed and how they didn't like the ending the execs wanted.

* Legend of the Creeps (10:59) How over 23-years later, the film has a cult following and Director Frank Dekker and the cast talk about why they think the film has done so well with the fans. Fans talk about why they love the film. And how this film is so different from today's horror films.

* Tom Atkins: Man of Action (19:53) A celebration of Tom Atkins career and talking about his film career and tidbits of the talent he worked with in various films. And how fans love to ask him questions about "Night of the Creeps".

* Trivia Track Fans can watch the film via trivia utilizing subtitles.

* Original Theatrical Trailer (1:32) The original theatrical trailer

JUDGMENT CALL:

"Night of the Creeps: Director's Cut" is a film that has become a cult phenomenon. Over 23-years later and fans continue to enjoy this classic zombie/horror film and it hearkens back to the days when horror films were allowed to have its share of humor and not always were created to frighten the viewer. One of the things that I enjoyed about the film is for the fact that it's hilarious, campy but I feel that in this day and age, horror films have become more or less studio cash cows and writers wanting to create the the most horrific and dark film.

Although, I'm not a horror fan by any means, I can easily remember films such as "Poltergeist", "The Monster Squad" or "The Lost Boys" and although not necessarily horror films in today's standards, back in the 80's, they were very entertaining to watch and the films had its share of scary moments. You were allowed to laugh and be entertained but the clever writing knew when to scare the hell out of you. These were films that families brought their kids out to see and a whole family can be frightened together. "Night of the Creeps" was one of those films that can easily be enjoyed by families and a lot of those kids who watched it back then, are now enjoying it today as adults.

"Night of the Creeps" is a film that pays homage to classic horror films and is a part of Frank Dekker's passion for sci-fi and horror films in the past. The film also has that 80's campiness that some have found enjoyable and some may find it not their cup of tea. But it all comes down to the viewer and if one is wanting a comedy horror film, "Night of the Creeps" is definitely one of the best out there.

As for the DVD release of "Night of the Creeps: Director's Cut", I'm sure people will have their say on what their favorite ending will be but for Frank Dekker, he never was a fan of shock endings and although losing the battle to have his original ending featured in the final theatrical cut, Sony Pictures Home Entertainment has given him the thumbs up for a DVD release featuring his original intended ending for the film. Also, I found the reunion by the cast and crew to be wonderful and also fun and enjoyable to not just listen to the commentary but also to see them goof around during the interview portion of the special features. Also, Tom Atkins fans will definitely enjoy a tribute to his career and an interview where Atkins discusses his films and the talents that he has worked with. So, I have no doubt in my mind that fans will find this DVD release to be entertaining and fun to watch. It's a solid DVD release!

Overall, if you are a big fan of this film, I highly recommend "Night of the Creeps: Director's Cut" on DVD or Blu-ray. And yes, you will definitely be "thrilled".

Buy Night of the Creeps (Director's Cut) (1986) Now

An under-appreciated gem of campy sci-fi-tinged horror, this directional debut from director Fred Dekker has everything from a busload of frat-guy zombies to an undead killer puppy to an amusing death by lawnmower rampage that foreshadows Peter Jackson's over-the-top finale to Dead Alive. Virtually unnoticed during its brief theatrical run, this wildly entertaining horror-comedy achieved a cult status following its home-video release. This low-budget effort throws alien monsters, axe-wielding killers, flesh-eating zombies, nudity, and drunken fraternity pranks into a blender, spiced with witty one-liners and references to dozens of horror classics.

The result is a satisfying treat that will tickle the tastebuds of horror fans. The film's nominal protagonists are a pair of randy fraternity pledges who open a can of worms when they steal a corpse from the campus medical facility and release a horde of space-leeches, which proceed to infest the bodies of everyone in sight. The host bodies subsequently become homicidal zombies with a penchant for popping in on unsuspecting sorority girls. The town's only hope seems to be a hard-boiled ex-cop who has uncovered the secret link between the zombie invasion and a 30-year-old axe-murder case... and who's also several sandwiches shy of a picnic. Dekker keeps things moving at a brisk pace thanks to some outrageous set-pieces ,some of which happen so quickly they'll have viewers reaching for the pause button, and clever dialogue, particularly for Atkins ("Girls, the good news is your dates are here; the bad news is, they're dead"), who dives into his crusty character with relish

Not only does director/screenwriter Dekker keep things moving along nicely by offering some exciting and bloody thrills, but he also makes some interesting choices with the portrayal of his main characters as well. In addition to offering a social misfit protagonist who remains uninterested in the usual college party scene, the inclusion of a handicapped sidekick who isn't defined by his disability shows a director unafraid to offer real, identifiably human characters; a refreshing change of pace compared to the all-too-perfect teens that populated horror films throughout the following decade. Along with character names that offer sly nods to numerous famous horror directors, Dekker also includes a beyond hard-boiled police detective hilariously cocksure swagger provides much of the film's effective gallows humor. Sure Dekker includes such college horror film mainstays as the obligatory love interest and the spoiled jock who gets his rocks off humiliating the nerds, but once he turns up the heat during the final act, cinematic clichés take a backseat to fast-paced zombie head-bursting fun.

Now that i've widely spoke my mind, i must turn the table in a violent fashion and speak this out loud, to the top of my lungs: 11 years for the DVD release of one of the funniest, most entertaining campy B-flicks of the 80`s? An extended director's cut in Blu-ray only covers 50% of the misery we've suffered over the years, trying to get a decent version of this deliriously entertaining classic.

BLU-RAY edition of "night of the creepsDirector's cut".

Intro: The sound/video quality is very decent with bright colors and compressing, and good depth for the only audio channel. Below blu-ray standards because there is not much to enhance after all, this is a great work considering the fact that this movie never had an official dvd release untill October 2009 and was available only on VHS since 1987. The movie is restored at the best possible from the original tapes. Grainy on big tv sets, must look great on 21 to 26" tv sets.

The director's cut feature is the adding of the original ending Fred Dekkar planned for this movie, instead of what he calls a popular "cheap scare" for the current horror B-movies back in the middle 80's.

Features:

1-Commentary with writer / director Fred Dekkar:

2-Cast commentary.

3-Original theatrical ending: Less effective and corny in my opinion, glad he put the original ending the company didn't wanted for reasons you will know.

4-Deleted scenes: Little gems that should have been included, specially the phone conversations alerting dead bodies.

5-Five Featurettes: Birth / Cast / Creating / Escape / Legend of the Creeps: These featurettes are very recent interviews with the director, cast and crew and the promotion of the 2009 director's cut. Because of the very little amount of behind-the-scenes footage (only a few pictures), these featurettes are almost entirely based on conversations.

6-Tom Atkins, man of action: An interview with actor Tom Atkins.

7-Trivia Track.

8-Original theatrical trailer.

9-Previews: Blu-ray and 4 special editions of other releases.

10-English language and subtitles.

11-BD live

The Blu-ray Menu features are very simple and not exactly according to the movie's gory humor: Just a bar with a blood stain as an indicator and the sound of what could be a blade. Never the less, this is a very satisfactory edition for fans who waited 20 years for this classic. The 80's feel of the movie is priceless.

Read Best Reviews of Night of the Creeps (Director's Cut) (1986) Here

While Sony Pictures has given "Night of the Creeps" fans a lot to cheer about, they still managed to skimp on the DVD disc packaging, disc & cover artwork and disc features. The DVD case is flimsy and cheap looking and it's missing portions of the plastic on each side. In my opinion the final artwork cover chosen isn't as nice as the Blu-ray edition and this cover artwork doesn't do the film justice. Sony Pictures should have just used the original VHS cover artwork instead. As for disc artwork, well they're just isn't any. The disc is as plain as can be with just the title printed on it and personally I expected a much better effort from Sony Pictures. As for disc features, where are the chapter stops?

Well enough of the bad, now for the good. The widescreen picture is absolutely fantastic and Sony did a great job with the transfer. The 5.1 Dolby Digital sound is really good, but I preferred the stereo mix much better. The bonus features more than make up for the cheap disc packaging and lack of disc artwork from Sony Pictures and fans will enjoy what they see and hear from Dekker and the gang.

The year is 1959 and a young man spots a mysterious canister after it has crashed nearby, he leaves his date alone in the car while he sets out to investigate the crash site. After opening the canister the young man is infected with a mutant slug creature which transforms him into a zombie; now the real nightmare begins!

The mutant slug creatures contained in the canister were never meant to be released but one of the aliens during a battle on the spacecraft ejected the canister and it fell to earth. Luckily for the rest of the town the infected young man turned zombie has been captured and he has been cryogenically frozen in the basement of Corman University where he is being studied and monitored by a scientist played by veteran character actor David Paymer.

Everything has been quiet in the basement of Corman University for years until two students J.C. (Steve Marshall) and Chris Romero (Jason Lively) accidentally stumble across the frozen body in 1986 while trying to pull off a school prank and they unknowingly unleash the slugs on the University campus. Now that the terror has started up again it's up to J.C. , Chris , Cindy and everyone's favorite cop of course Detective Ray Cameron to save the day. Thrill Me!

Bonus Features plus 60 Minutes of Behind-the-Scenes material Include:

"Birth of Creeps" featuring Dekker talking about the origins of the project

"Cast of the Creeps" featuring Jason Lively, Tom Atkins, Steve Marshall and Jill Whitlow

"Creating The Creeps" featuring interviews with SFX creators David B. Miller and Robert Kurtzman

A special Tom Atkins centric piece called "Tom Atkins: Man of Action"

"Escape of the Creeps" a detailed look at the post-production.

Deleted scenes

Fred Dekker solo commentary

Cast commentary featuring Atkins, Whitlow, Marshall and Lively

The original theatrical ending

Trivia Track

Want Night of the Creeps (Director's Cut) (1986) Discount?

It all starts out with a beautiful black & white prologue at Corman (nudge nudge) University in 1959. Some "creeps" (disgusting little things) come to Earth and attack a young man (they get in through your mouth, turn you into a zombie and plant other "creepers" that shot out of the mouth to infect people). He is caught and frozen solid and (for some reason) kept at the university. Then, in 1986, two friends Chris Romero (nudge, nudge)(Jason Lively) and J.C. (Steve Marshall) unwittingly revive him. He wakes up and attacks the university. Soon, it's overrun by the things--it's up Chris, J.C., Cynthia Cronenberg (nudge nudge) and Detective Cameron (nudge nudge) to battle them.

As you can see this movie doesn't take itself seriously for one moment. Heck, there's even a cameo from Dick Miller! And it IS very funny (especially some of J.C.'s lines). But it doesn't shy away from blood and gore--there's PLENTY of that. And it is creepy (sorry) more than once. They even break one of the rules of horror films--POSSIBLE SPOILER AHEAD--a sympathetic character (I won't say who) dies and it's actually one of the film's more unpleasant moments (you don't see it but you HEAR it). As 83 minutes it doesn't overstay it's welcome and ends with an all out massacre (I'm REALLY surprised--and pleased--that this got an R rating). There are some gaps in the plot (things happen way too quickly and characters just automatically correctly guess what's going on) but this is a small quibble.

I saw this back on video in 1986 after Fangoria magazine raved about it. I loved it--then it disappeared. I never even saw it again until today! Here's another great movie awaiting rediscovery. From what I heard Sony owns the rights--hopefully we'll see the DVD someday.

A fun, scary, gory movie. A 10 all the way! "The good news is that your dates are here. The bad news is they're dead!"

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Get Smart (2008)

Get SmartBefore I watched this film, I read the reviews of the press and most of them weren't great. I am unfortunately one of those guys who will put himself off watching it because of those bad reviews. I'm gutted I did as this film was simply the personification of brilliance from start to finish. It's slick, stylish and downright comic excellence. Even for a film like this, the special effect and general action would put even James Bond to shame. It's exciting, quite emotional at times, cool at others and just downright silly at the times that are left.

Steve Carell plays Maxwell Smart, a secret agent who desperately wants to get on the field. The government agency he works for known only as CONTROL are infiltrated by an evil agency known as KAOS which compromises the identities of all the current field agents. So in order to battle this force and still stay a secret, the chief of CONTROL puts smart on the field and assigns him the title of agent 86 partnering him with the much more experienced Agent 99 (Anne Hathaway). Max looks up to his close friend and one of the best agents on the field, Agent 23 (Dwayne Johnson). He is the James Bond of CONTROL and it's no surprise that Max wants to be so much like him.

This is just a really light hearted and fast paced film. I guess it could just be labelled a comedy, but that would just ignore the other great aspects of the film. The action is done really well and isn't the tacky type comedy we have come to associate comedy movies when they feature action. Some of the sequences are genuinely unique and truly edge of your seat. The chemistry between Hathaway and Carell is great and one scene in particular expresses the comedic chemistry between the two. The laser room scene which is somewhat of a cliché for spy movies is superb in this.

Carell is the usual silly guy we have come to know and love, his ridiculous expressions and perfected comic timing are all present. It's also very pleasant to see the wonderful Anne Hathaway in a leading role where she isn't the damzel in distress, or the naive teenager. The Bill Murray cameo is also something quite special as agent 13, he's only there for a moment and has about three lines but it's always great to see Bill Murray on our screens. It also seems quite a wrestler fest as well, obviously with the inclusion of Dwayne Johnson as agent 23 but also WWEs The Great Khali as the cliché middle eastern, giant bad guy. Johnson doesn't take his character too seriously, which is something he always manages to shine in playing but manages to pull out the acting stops when he has to enter into the action man role.

An awesome movie all round and is definitely worth it just for the sky diving scene and the laser room.

This film is the first I'd seen in YEARS where I actually laughed often during the entire film! Steve Carell is a fitting Maxwell Smart, bringing the personality and humor the character requires. (I'd been a fan of the old tv series, watching re-runs on Nick at Nite.) He's really the only man for the job that I could even picture in the role. And Anne Hathaway steals the show as the beautiful Agent 99. Anne and Steve compliment each other in every scene with hilarious, witty dialogue and facial expressions that only they can do. The Rock was also awesome as Agent 23. And Alan Arkin is surprisingly side-splitting as the Chief! I laughed at everything he did/said! SEE THIS FILM.

Buy Get Smart (2008) Now

I don't go to very many movies at the theater, usually wait for the DVDs to come out. Get Smart, however, is one movie that I saw twice at the theaters. Laughed my head off both times. Steve Carell plays an excellent Maxwell Smart and Anne Hathaway is great as his beautiful and sexy sidekick. If you remember the TV show you'll love this movie. The nuances connecting the movie to the show will make you smile.

Read Best Reviews of Get Smart (2008) Here

Hi Folks,

Being a huge fan of the original I missed this in theaters due to negative reviews..it isn't as bad as they made out...and is better than much I've wasted my money on...all that said...the SINGLE DISC version is a much better deal in my opinion..

the 5 bonus features on the second disc of this set..all add up to about 20 minutes!! There isn't a really solid "making of" to be found in this deluxe 2 disc edition. There was no need for a second disc for this skimpy bunch of nothing. The Digital copy is truly the ONLY reason for anyone to buy this version and that is what my review is about. There are plenty of reviews of the movie..but if you don't need the digital copy ..stick with the single disc edition..this bunch of truly nothing isn't worth your money..

OH..I almost forgot the annoying 1st disc special feature with the bonus 62% more "laughs" ...well the reason its annoying is that you can't simply choose this version..(which wouldn't make sense anyway as many of the additional laughs were versions of scenes cut or deleted for ones in the movie so we are seeing alternative versions of funny scenes) but have to have your remote in hand and instead of an icon which shows up on screen the whole picture freezes up and shows you an image of a remote and you then hit enter and see the additional laughs (or additional attempts at laughs)..as if you can even remember where you were in the story after all that ...over and over and over...really not a viewing option for anyone who isn't overly curious to see all the less than stellar bi-product of the production to understand why those "laughs" never made the movie in the first place.

I wish I'd have saved the money and purchased the single disc version.

you have been warned!

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This movie was this summer's TV rerun turned big screen flick. I laughed. I cringed. I held my breath. And, ultimately, I wished I'd listened to my two roommates who saw it opening night and hated it. I thought it was okay, but there were other things I could have done with my time and money.

While most people think the Communist organization KAOS died at the end of the cold war, it really went under ground. So, too, did the US organization devoted to stopping it, CONTROL. Maxwell Smart (Steve Carell) is their top analyst, but he secretly desires to be an agent because they get all the glory. His idol is Agent 23 (Dwayne Johnson), not only the best, but a popular nice guy. But The Chief (Alan Arkin) won't promote Max because his extremely detailed reports are critical to the success of the agency.

All that changes when KAOS manages to attack CONTROL's main office. With all their agents' identities exposed, Max has to team up with Agent 99 (Anne Hathaway) to discover KAOS' plan. But Agent 99 is less than thrilled to be working with an obvious rookie who is a bit of a spaz. Can the two stay alive long enough for CONTOL to gain ... well, control?

Fans of the original show will see glimpses of what they loved here, including some of the outdated gadgets that were cutting edge for the 60's. Steve Carell and Anne Hathaway do a good job of making the characters their own while also recalling the originals. And the rest of the cast is entertaining in their parts.

But while the original was a sitcom, this is an action comedy. The plot was fairly predictable, but I certainly got caught up in it and was holding my breath for the climax.

There was still humor here. Some of Max's antics were funny, but I found too much of it stemmed from bathroom humor and sexual situations for my tastes. These were what earned the movie its well deserved PG-13. The funniest bits went to the two gadget geeks, Lloyd and Bruce, and the agents who were reduced to being analysts. If the movie had had more of them, I would have enjoyed it more.

Then there's the message the film is trying to send out. I think it might have been trying to skewer both sides of the political spectrum. But if that's the case, it didn't work. Instead, I was left confused about what it was trying to say. I've got to say, however, that one line the villain has related to all this got the loudest laugh from me.

I wish I enjoyed all of this movie because I enjoyed most of the film. But for me, the sex jokes and bathroom humor made me wish I hadn't seen it.

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The Big Year (2011)

The Big YearI love birds, and thanks to my mom, my family has no less than a half dozen pairs of binoculars and bird books; we subscribe to Birds &Blooms, Wild Bird, etc. I saw a grand total of two previews for this movie, and got the book from the library after the first. It was a great book. The movie was better: a few details changed for a perfect ending, almost as many shots of the birds as the cast, who were wonderful in this film. My children enjoyed it, and I can hardly wait for my husband to see it. Had it stayed in theaters long enough, I would have gone to see it on a weekly basis. It is sad that there was so little buzz about this movie, because it was absolutely perfect in every way! The whole family can watch together, unlike so many movies released these days, and it is the perfect encouragement for backyard birders.

First of all, I enjoyed the other two reviews, they've got it right on. My wife and I saw this on the big screen and loved it. The matinee we attended only had about 2 other couples in it, which was terribly disappointing. We enjoyed this film and the DVD is already purchased, awaiting arrival on release.

It is refreshing to go to a movie and not have your ears assaulted by too loud music or special effects. This film doesn't need either, it's a good story on it's own. I think anyone that gives it a viewing will say it was worth it.

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LOVED IT! LAUGHED! Admittedly I feed backyard birds year-round. That does not deter the facts that this is a beautifully documented birding film with enough outdoor vistas to fill anyone's nest. Great music too, even from a couple of those old Beetles guys. The story ("true story, only the facts were changed") is birds, and how many can one count in a year, i.e. A Big Year. It turns into an avid confrontational race between Brad (Jack Black) a nuclear power plant techie, Kenny (Owen Wilson) reining champ, & Stu (Steve Martin) corporate head who's trying to retire from success. Brad needs financial help from parents (Dianne Wiest & Brian Dennehy) since this quest is ultra expensive. Brad also, along the trail, gets the hots for peacock gorgeous Ellie (Rashida Jones). So did I.

Other family matters become sub-plots and drama in this comic race for the feather count. Kenny's wife Jessica (Rosamund Pike) makes any guy look the fool with her beautiful display as the beautiful birdhouse mate. Kenny dumbly leaves her home alone. Kenny tells her he's the "Mozart" of birders. Stu gets a bit more moral support from wife Edith (Jo Beth Williams) and he does have a consciousness about business and family and occasionally falls from the hunt. There are some slapstick adventures in the rugged areas of North America due to the gung-ho style of the trio on their "Big Year" quests. Also enjoy the in-your-face bird tour boat captain, Annie Auklet (Angelica Huston) in a rare performance of a different specie. Plenty of other stars too. Not to mention hundreds of beautiful birds.

This is a FOWL film, but not fouled with lots of bad language, nudity, or other lower intellect modes often used to get comedy to work. Expect humor in wholesomeness, and the great outdoors. John Audubon would have loved to serve as an extra in this film. It is society endorsed. Makes one want to eat sunflower seeds with a grin.

There is some ending philosophy to the story. What is a win? Win at what cost? Even though 2 men lost, they seem to feel they were the ultimate winners. Biggest winner of The Big Year is birding fans. Raise those binoculars high, like a trophy.

At first I considered 4 ½ stars, because the last 2 films I theater viewed was "The Help" and "Courageous", both being 5 ½. The Big Year is not as deep in theme as those two, but just as entertaining, thus my 5 stars. Enjoy with a ticket or DVD. My plan is to do both.

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A friend of mine rented this movie, and, as soon as the credits were done rolling, I purchased my own copy. It is simply a delight! One of the best movies I've seen this year. If you enjoy movies about personal growth and/or that have any of the following: birding, nature, traveling, laughter, competitions, or if you just want to be entertained then give this a chance. I won't go more into detail here about it as plenty of other reviewers have done that already, just watch it!

I do want to highly recommend the bluray 2-disc set as it includes the extended version narrated slightly differently by John Cleese (on the bluray disc in the extras section), which is as enjoyable if not moreso than the theatrical version narrated by Jack Black. The extended version also has a gag reel and some other fun behind-the-scenes extras about the locations to which the production crew and cast traveled, and there is one more very small character's story woven in to the extended version of the movie...that of a ruby-throated hummingbird. The ruby's story is laced throughout the movie, and I think it adds a little extra bit of birding fun and fullness to the overall feel of the film. It's just really sweet.

Overall, see this movie, theatrical or extended version both are great!

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Three great actors, fresh subject matter (what other movie plot features a birding competition?), and touching sub-plots make this movie a winner. I even managed to learn a bit about birds! Great wholesome movie.

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