Showing posts with label 2010 romantic comedy movies. Show all posts
Showing posts with label 2010 romantic comedy movies. Show all posts

Kagemusha: The (The Criterion Collection) (1980)

Kagemusha: TheWow, what a movie experience! "Kagemusha (The Shadow Warrior)" is my favorite film from direct Akira Kurosawa, which is saying one heck of a lot when one considers "Rashomon", "Seven Samurai", and "Ran". I sat riveted to the television screen during the entire presentation. It is a story of a petty thief who, because he looks very much like the great Warlord Shingen, is given the chance to redeem himself and play the great Warlord's double. The heart of the film is the inner change and new found strength that progresses through the thief as he learns to become the Warlord. Awesome in its imagery, "Kagemusha" will mesmerize you and move you. Between 1 and 10, this powerful Kurosawa classic gets a 10. With his passing, along with Stanley Kubrick, the world has lost two great treasures.

KAGEMUSHA is the great 1980 drama involving a clan of 16th-Century Japanese warlords who want to deceive their enemies by having a common thief impersonate their murdered leader. This is a thought-provoking film about reality and illusion, as well as a visually inviting work filled with many striking scenes and compositions that Kurosawa films are known for. A memorable 6-minute opening shot of three identical-looking men, an elaborate dream sequence, and a harrowing montage of the aftermath of the final battle are among some of Kurosawa's finest moments in his long film career. Lead actor Tatsuya Nakadai was only in his 40s when he made KAGEMUSHA, playing a much older man and effectively conveying the guile and conflicted feelings of the imposter. Nakadai would also play the lead role in Kurosawa's next film, RAN, 5 years later, again unrecognizably playing a much older man.

Criterion has released the definitive video edition for KAGEMUSHA: a Region-1, 2-disc DVD of the uncut, 180-minute version of film. The anamorphic widescreen video quality is generally very good, except for some occasional graininess. The original Japanese audio is in Dolby Digital 4.0 surround (3 front, and 1 mono rear channels), although surround effects are infrequently used.

The best supplement on the disc is Stephen Prince's full-length audio commentary, which, due to the film's length, is able to elaborate on many topics in great details. Much of Prince's narration (I would say half of it) is more on the historical background of the film's period than the filmmaking and art of the film. He compares certain plot details against historical facts to show how Kurosawa uses his artistic license to convey his own ideas. Regarding the film itself, he emphasizes that this is an atypical Kurosawa film in that its hero tries to conform to the prevailing social order, unlike the nonconformist rebels and outcasts in past films such as SEVEN SAMURAI or YOJIMBO. On the film's artistry, he observantly points out that in a film about illusions, many of the key events in the plot are aptly NOT shown on screen. He also provides a great analysis on Kurosawa's most elaborate dream sequence.

Prince also does a good job of pointing out the differences between the shortened, 162-min international version and this 180-min uncut version. The longer version does not have "20 minutes of footage involving Kenshin Uesugi", as misreported at IMDB. The added scenes are, in fact, merely short, trimmed scenes and shots that are sprinkled all over the film. They add to the overall continuity, without altering anything in the main plot line. A majority of the added scenes are just too trivial to mention or to even notice. The few noteworthy ones include a much longer montage of the aftermath of the final battle, and a wholly added scene where the fake Shingen is being examined by the Jesuit priest physician -this scene also has the great Takashi Shimura's only appearance in the film, seen for the first time on this DVD by viewers outside of Japan.

For Kurosawa fans, the second best feature on the disc is perhaps the collection of impressionistic paintings by Kurosawa that were later used by him as storyboards for the film. In a 41-minute segment called "Image: Kurosawa's Continuity", hundreds of such paintings are shown, accompanied by sound clips from the films. In a still gallery section called "A Vision Realized", there are about 20 of the paintings placed side by side with still photos from the film. Many of these same paintings are also reprinted on the 45-page booklet that comes with this DVD.

The booklet also include 3 wonderful essays. As is usually the case, Criterion took the effort of including different writings that don't duplicate one another. One essay deals with the film itself, its art and its history. Another one is a Sight-and-Sound interview with Kurosawa. The third one covers Kurosawa himself biographically.

The disc also comes with a well-made 41-minute making-of documentary that is comprised of mostly interviews, stills, and clips from KAGEMUSHA. It's part of a 2003 series called "Akira Kurosawa: It is Wonderful to Create" (other episodes of this series are available on Criterion DVDs of IKIRU, THE LOWER DEPTHS, and STRAY DOG). In Japanese with optional English subtitles, it has interview segments of the cast and crew, including Kurosawa, Nakadai, Kota Yui (the child actor, who is now grown up), and others. They recount the challenges they faced, the artistic and technical choices they made, and a few amusing anecdotes.

Also included are trailers, a few whiskey commercials Kurosawa made on the set of KAGEMUSHA (other than the monetary reasons for which they were made, there is nothing special about these commercials), and a 20-minute interview segment with George Lucas and Francis Coppola, who praise Kurosawa's genius and lament that the film business often doesn't accommodate non-commercial films, even those by great directors.

Buy Kagemusha: The (The Criterion Collection) (1980) Now

William Goldman, and American screenwriter, admonished aspiring screenwriters to begin scenes as close to end as possible. This is the sort of pacing that audiences--American audiences, at least--are accustomed to. Akira Kurosawa's "Kagemusha" is quite a different sort of movie than would ever be produced by the American or even the European mainstream movie industry.. Its scenes are long and talky, with periods of silence, and still cameras. The scenery, make-up, and mannerisms of the actors are exaggerated and often melodramatic, like you would find in formal Japanese cinema. Anyone seeing this movie expecting a medieval action flick along the lines of, say, "Exalibur," is very likely to be disappointed.

Which would be a shame. This is a magnificent movie. The photography and set design alone are breathtaking. This is more a historical piece than a character study--the characters remain, for the most part, two-dimensional. The focus remains tightly on the strategies and deceptions involved in keeping together the Shingen Takeda clan when their leader has died.

Scenes are often long and patiently filmed. In one quietly dramatic scene, we see two lines of cavalry come galloping over an incline from a great distance. The thunder of the racing horses builds, and the lines converge before us. In this single shot, not much else happens, but the composition and sound create a powerful effect. This movie is filled with subtle, magnificent moments like this.

The battle scenes--well, no one can beat Kurosawa here. The final scene depicts devestation and defeat with surprisingly little gore, yet is no less powerful (and, arguably, more) than, say, the graphically violent scenes in "Saving Private Ryan."

This is a must-see for any movie buff.

Read Best Reviews of Kagemusha: The (The Criterion Collection) (1980) Here

It is about time to get this film's definitive version.

I am Amazon user in Japan and already own the original LD release and huge, expensive DVD boxes(cost me about $1,0000.....), and I can assure you that this Criterion version will be "THE BEST" one.

While Japanese version was created from same new Hi-Definition transfer, all features, three-hour movie and 45minits documentary, are bundled in dual-layered disc, which is too much to take in one, and the sound bit rate is 338kbps instead of 448kbps.

I expect, likewise "Red Beard","Hidden fortress" and "Ikiru", one disc will be devoted to the feature presentation and the extra to the other disc on Criterion version so that the quality can be maximized, and can be better than original Japanese release.

Still, among the Japanese original box set, I can say that the quality of "Sansiro Sugata" and two-disc set of "Seven Samurai" are great. I can't wait to see what the folks at Criterion will do to the rest of Kurosawa film releases.

P.S

For the first time, in documantary, Mr.Nakadai talks about taking over the title role from great Shintaro Katsu(Zatoich)who was originaly cast for Shingen and Kagemusha. Simply amazing.

Want Kagemusha: The (The Criterion Collection) (1980) Discount?

Now this is CINEMA!

The Criterion Collection DVD is filled with extras, from original Japanese documentaries and interviews of the departed Kurosawa (with English subtitles, if needed) and a booklet containing scene sketches

by the Master himself, which help you to understand why his movies are so poetic and his photography so masterful.

The movie is presented uncut and in its full splendor. The sound is just a conventional Stereo, which is probably the original soundtrack.

Pity, because if there had been a Surround division of the channels, some very spectacular battle scenes would have been more involving.

But perhaps, Akira Kurosawa wanted precisely that, to avoid the viewer to be distracted by the fluff, and rather concentrate on the story he is trying to tell.

Also known in the Western hemisphere as "The Shadow Warrior", this is truly an Epic picture with a very beautiful and touching storyline.

This picture is the true and natural tie to other Kurosawa movies like "Seven Samurai", "Yojimbo", "Sanjuro" and "The Hidden Fortress".

Unlike "Throne of Blood" (adaptation of Shakespeare's Macbeth) and "Ran" (adaptation of King Lear), both also masterpieces, "Kagemusha" is an original Japanese story and gives a thorough insight of Japan in the 17th Century.

I always tought that Criterion was just out to steal our hard-earned money just for its name, but after having now bought Akira Kurosawa's "Ran", the present "Kagemusha", as well as Luchino Visconti's "The Leopard", I will stick to Criterion like CA Glue.

Although pricey, it is through and through, money totally well-spent, for the quality in DVD rendition (very clean and sharp transfers), very acceptable sound, although some more work on this would be nicer, especially with more recent movies.

Criterion has really proven that quality has its own price and believe me, I have never seen "Kagemusha" and "Ran" the way I have watched them on my flatscreen LCD HD TV.

Going to the movies nowadays, with a technology like High Definition TVs, has totally become obsolete.

DVDs, when properly treated and produced can knock out any movie theater in the world.

Thank you Criterion for the work of love you put in remastering and transferring such classics on DVD, not to mention the tons of extras you include with them.

Highly recommended and well worth its price.

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Pierrot le fou (The Criterion Collection) (1965)

Pierrot le fouAt my local UC PIERROT is shown in the survey of film history class they offer. I was invited to sit in once. Normally the professor shows the film, then lectures. He screened PIERROT. When it was over, there was total silence. He started to lecture, but almost the entire lecture hall of students walked out. A good friend told me later that she had been profoundly moved, and she simply didn't want to understand why. She didn't feel it was respectful to what she had just seen. PIERROT is on of the few examples of true mystical cinema that we have. Yes, there are the references to Rimbaud, Hollywood musicals, gangster films.... The visual puns, the references to Godard and Karina's life at the time, the improvisations, the barbs about American commercialism, the Gish-rebeling-against-Grifith quality of Karina's amazing performance... But what do they matter?

Sunlight/love/color/the face/poetry/emotion/loss of love/slapstick/image/life: PIERROT LE FOU

My exposure to Godard films were through VHS tapes. I was too young to watch his 60's films in their original formats. The transfer is not too great but good enough. The colors are right, it is thankfully letterboxed, etc. even if there are a few image distortions, artifacts and the sharpness and overall quality leaves a lot of room for improvement. There is something very wrong, however, with the sound especially towards the fifth chapter (that's the 5th access in the chapter search of which there are only 6 thanks to Fox/Lorber!) Thankfully, this is a subtitled film (can't be switched off/on, they're pasted on the screen) otherwise, even the French won't understand the French dialogue. The noise distortion is terrible, but could it be Godard's deliberate way to convey sound since it is the part in which the CB radios or walkie-talkies were being used in the scene? My impression is that the technician in charge was probably asleep or didn't care when this noise distortion was taking place and the DVD didn't go through quality control which could have fixed it. I haven't seen the original so I don't know but since this is a Godard film, anything goes. But then the distortion continued even after that scene so any reasoning to defend Fox's negligience on this matter proved futile. I found it terribly distracting and I thought it pulled down the quality all the more of this already mediocre DVD transfer. Is this the best version yet? How does the VHS version rate? Fox/Lorber is hit and miss with DVDs. They did good with Seven Beauties, Last Year at Marienbad, and the already LD Criterion-restored Umbrellas of Cherbourg and 400 Blows but did very poorly with A Woman is a Woman, several Truffaut films and even the relatively recent Padre Padrone. What a shame that a company like Fox/Lorber gets the rights to release these great Foreign films but doesn't have the interest to come up with quality transfers. I think this is a waste of our hard-earned money to buy the DVDs that they produce. Next time you buy from Fox/Lorber, read the reviews... otherwise just rent or wait for a better re-release in the future.

Buy Pierrot le fou (The Criterion Collection) (1965) Now

In 1964, Jean-Luc Godard went to work on his tenth film, a color film titled "Pierrot Le Fou" which would feature his ex-wife Anna Karina and Jean-Paul Belmondo (who worked on Godard's "A bout de Souffle" (Breathless) and "Une femme est une femme" (A Woman is a Woman).

The film is his most ambitious film yet, not only reuniting with two stars that he has worked with before but the fact that elements of his previous nine films shows up on "Pierrot Le Fou".

The film was released by Fox Lorber in the US back in 1998 and received The Criterion Collection treatment in February 2008. Over a year later, the film became the first Jean-Luc Godard film released by the Criterion Collection on Blu-ray.

VIDEO & AUDIO:

"Pierrot Le Fou" is presented in 1080p High Definition (2:35:1 Aspect Ratio). The film is probably the most gorgeous film I have seen by Jean-Luc Godard to date. The film is full of colors, absolutely vibrant, reds and blues just pop. For fans of Godard's '60s work, "Pierrot Le Fou" is his most colorful film. It's important to note that the restored high-definition digital transfer was approved by cinematographer Raoul Coutard.

Accord to Criterion, the HD digital transfer was created on Spirit Datacine from the 35mm negative and color corrected on a Specter Virtual Datacine. Thousands of dirt, debris, scratches, splices, warps, jitter and flicker were manually removed using MTI's DRS system and Pixl Farm's PFClean system, while Digital Vision's DVNR system was used for small dirt, grain and noise reduction.

"Pierrot Le fou" is featured in its original French language and features a monaural soundtrack remastered at 24-bit from a 35 mm optical track print. Dialogue is clean and understandable and Anna Karina's singing voice is crystal clear in this film. Clicks, thumps, hiss and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube's integrated audio workstation.

Subtitles are provided in English.

SPECIAL FEATURES:

"Pierrot Le Fou" comes with the following special features:

* Anna Karina (14:55) A 2007 interview with Anna Karina at the Brasserie Lipp in Paris. Anna talks about working with her former husband and her role in "Pierrot Le Fou" as Marianne Renoir.

* A Pierrot Primer (35:58) Commentary by filmmaker and educator Jean-Piere Gorin (Tout va bien, Letter to Jane, My Crasy Life) presents an introduction to "Pierrot Le Fou".

* "Belmondo in the Wind" (9:21) Jean-Paul Belmondo, Jean-Luc Godard and Anna Karina talk about Belmondo's role in "Pierrot Le Fou". Recorded by journalist Mario Beunat for the television series Panorama and aired back in June 18, 1965.

* Venice Film Festival, 1965 (3:57) Jean-Luc Godard and Anna Karina were interviewed by Maurice Seveno and Christian Durieux for a French TV new segment on the Venice Film Festival back in Sept. 2, 1965.

* Godard, L'Amour, La Poesie (52:59) A 2007 documentary by French filmmaker Luc Lagier tracing Jean-Luc Godard and Anna Karina's marriage and films from "Le Petit Soldat" through "Pierrot Le Fou". Featuring interviews with Karina and Godard collaborators Charles Bitsch, Raoul Coutard, Jean Douchet and Jean-Paul Savignac.

* Trailer (2:06) The theatrical trailer for "Pierrot Le Fou".

* 46-Page Booklet The following booklet contains the essays "Self-Portrait In Shattered Lens" by Richard Brody, "Sarris on Pierrot Le Fou" and "Let's Talk About Pierrot: An Interview with Jean-Luc Godard".

JUDGMENT CALL:

Perhaps one of Godard's most accessible films, "Pierrot Le Fou" is a film that is best enjoyed after watching a good number of his films that preceded this film. With the film now released on Blu-ray for the first time through the Criterion Collection, many people will will be introduced to Jean-Luc Godard but in my opinion, this film is not a starting point for the beginner. It's more of a film that can be appreciated even more after watching his previous films and seeing how things have culminated in his work before he started to focus more on his political films.

"Pierrot Le Fou" is often seen as an early paradigmatic example of postmodernism in film. In the film, Godard shows his feeling towards American pop culture but Godard also becomes gets political as he uses the film for his characters to discuss the Vietnam and Algerian war. For many viewers familiar with Godard and his work, many believe this is Godard's way of using characters to flesh out his true feelings about society. While many feel the film is a paying homage to his nine previous films leading to "Pierrot Le Fou".

Personally, what I enjoy about this film is the adventure that Godard takes you. We wonder how these two people who are in love with each other, are yet so different. Ferdinand is reserved, quiet and just wants to enjoy the simple and peaceful life he has at the moment. Marianne just is tired of settling down and not doing anything. The fact is that she's a bad girl. She's involved with some shady characters dealing with illegal activity but in some way, that is her form of fun and she wants to expose Ferdinand to that life.

The way that Godard has shot the film is quite intriguing. We see things in the film but rarely are they explained. Why does Marianne enjoy killing and hurting others and why is it that both see or do things but not much is mentioned about it. It's like it's something natural for them.

Nevertheless, its the adventure of these two unlikely individuals that I find so interesting. Personally, I found it great to see Jean-Paul Belmondo and Anna Karina together as the primary leads for the film. The two have really good chemistry onscreen and the fact that we are enjoying this adventure of two people involved in criminal activity is quite interesting.

Godard has done a great job and utilizing many scenes with the two together to show their story of life together, when things start to become problematic leading up to a pivotal scene that comes out of left field (granted, this is common theme with Godard's '60s films, always expect the unexpected).

Overall, "Pierrot Le Fou" is an enjoyable stylish, arthouse film. It's also one of those films that I feel is appreciated the more times you watch it. Again, this film is not where you should start out if you are wanting to get into Godard films, otherwise you will find yourself a bit puzzled by how the film is paced, how the scenes were cut and how Godard's endings tend to be.

"Pierrot Le Fou" is a Godard masterpiece, but I highly recommend watching a few of his films such as "Breatheless", "A Woman is a Woman", "A Band of Outsiders", "Contempt", "Alphaville" and "Masculin Feminin" before tackling on this film. Once you start appreciating Godard's filmmaking, then you'll definitely appreciate this film even more.

Definitely recommended!

Read Best Reviews of Pierrot le fou (The Criterion Collection) (1965) Here

Godard's first ten films are characterized as his most "new wave" of films (why Maculin/Feminin and Weekend aren't "new wave" is beyond me. Perhaps it has to do with Anna Karina and Godard's separation, though they had divorced before filming Alphaville). Anyway, if this indeed is his last new wave film, it serves as a sort of masters thesis of everything that he made before.

Ferdinand/Pierrot (Jean-Paul Belmondo, wonderful) lives an unsatisfying life of domesticity with his rich, vapid Italian wife. Marianne (the beautiful, amazing Anna Karina), a since forgotten fling of Ferdinand's appears in his life once again, and the two undertake a spree of murder, poverty, cunning, theft and isolation. One of the bonus features on the second disc describes Pierrot as the reverse Breathless (Godard's first full length), and it makes sense. Here, Godard is self-referential, making sly gestures and nods at his previous work. Some of my favorite lines of any Godard film are here: Pierrot glad he hates spinach and his old man's monologue on writing and Joyce. Raoul Coutard's filmography is, once again, stunning. The film is awash in blues, in comic book two-tones, which Karina's red dress stands out as an ode to non-conformity.

Of course this is a long film, and though its structure is completely linear, the odd sense of time in it may detract viewers (I for one love it). Different elements and characters seem to be thrown in at odd times, but eschewing the normalcy and heightening the artificiality of cinema was Godard's intentions. Some might see this as arty pretension, well it is. But as a film lover I'm rather tired of movies I watch once and everything is handed to me neatly. Anything demanding close repeated watching is the only thing worth watching, personally. But really, this movie isn't so over everyone's heads as to be unenjoyable to those unfamiliar with Godard's work. It's funny, sad, exciting, and most of all enigmatic.

Now, if you've seen Godard's previous nine films you'll want to see this, unless you didn't enjoy them, which begs the question Why did you watch them? Belmondo and Karina are at once very archetypal characters in the Godardian universe, but they're also very much distinct from the other characters they had played. For instance, they seem to be the complete opposites of their A Woman is a Woman roles. Karina here plays the feisty, un-containable murderess always on the move, whereas the earlier film all she wants is a kid. Belmondo here is a sensitive, artistic brooder, with a playful side to be sure, but in Woman he is a horny, egocentric, calloused hanger-on.

Also, the end of Pierrot is one of the most abrupt, unexpected, wonderfully humorous and disconcerting of any I have ever seen!

So, while I whole-heartedly recommend this to anyone interested, perhaps it'd be best to acquaint yourself with his earlier films to get a gist of Godard's intentions as a filmmaker. If you're new to his work, I suggest this order: Breathless, Band of Outsiders, A Woman is a Woman, Contempt, Alphaville, My Life to Live, Pierrot le Fou. And if you like those then watch Masculin/Feminin and Weekend. All the films mentioned above are outstanding, amazing, brilliant films worth a million Jurassic Parks, Mama Mias, Titanics and ET's.

Want Pierrot le fou (The Criterion Collection) (1965) Discount?

If you have only seen PIERROT on VHS/Pan & Scan, the letterboxed version here is automatically welcome. In terms of picture quality, it just may be possible that this is how the film was meant to look: a little rough in spots and with a few idiosyncrasies in the sound. Godard's film is deliberately self-aware as a 'put-together' work and is probably not meant to be conventionally beautiful. Nonetheless, several sequences are striking and aethetically pleasing.

Since the packaging currently available is different from a previous DVD incarnation, could it be possible that the disc represents a newer, improved mastering? This is suggested only because to this viewer, the film looks mostly terrific. The sound is another story: mastered at a low-level, it does not come across as well as might be expected. As for the walkie-talkie scenes, they are surely meant to sound the way they do.

4 stars as a rating, because there are no trailers or extras worth mentioning.

An acceptable, if not ideal, DVD of a one-of-a-kind film experience

Die Hard (Blu-ray / DVD Combo) (2013)

Die HardAt the end of the Eighties the action movie genre, which had flourished throughout the decade, began to stagnate. Cinema goers had seen enough explosions and gunfights cloned from the same formula made popular by Arnie and Sly. Both of these men were moving in the direction of comedy and action movies needed something new.. something fresh. In stepped John McTiernan and Bruce Willis with DIE HARD. Willis, most famous at the time for the comic T.V. Series 'Moonlighting', made a perfect ordinary-man-in-an-extraordinary-situation action hero. He was believeable as John McClane and not immune to being hurt. He blead and felt pain, a first for the genre. And yet his cool confident delivery of a great wisecracking, intelligent script made him all the cooler. But most credit should go to Director John McTiernan, king of the sophisticated action flick. He made action movies slick, smart and full of pace and wit while never letting up on the bullets, cars and bombs front. Special praise must go out to Alan Rickman too whose performance as chief baddie Hans is to this day one of cinemas finest, moving convincingly from cool, calm and collected to desperate and nervous, never once seeming anything less than utterly ruthless and calculating. Die Hard is a great movie for a number of reasons but adding three dimensions to the action genre is this films finest achievement and anyone who has not sampled its delights before now would be wise to get a copy as soon as possible. But don't see it on T.V. oh no, because it is never without significant and completely unnecessary extra editing for violence and language. Enjoy it on video or DVD if you can, see it in all its original splendor, it is arguably the greatest action film ever made. And then go see the sequels.. they rock too!

Because of the fact that the new Die Hard movie is coming out, 20th Century Fox has discontinued the GREAT Special Edition DVD's of the first three Die Hard DVD'S, and are replacing them with newly-packaged one-disc versions with only half of those original DVD's features. This DVD, the Special Edition Steelbook, is the only DVD that Fox has just released worth buying, because it is a repackaged edition of the original Two-Disc Special Edition of Die Hard. Hopefully Fox will do the same thing with the other Die Hard movies.

Bottom Line: Forget the new Die Hard boxset, get this instead and wait for the other ones.

Buy Die Hard (Blu-ray / DVD Combo) (2013) Now

When I bought the "Die Hard Ultimate Collection" set, I really didn't think they would be able to do much with the very first Die Hard. It's a pretty old movie. I really didn't know if they could do much to improve the picture and sound quality of the movie. Well, I thought wrong, for when I watched this movie, I was completely shocked and stunned. I said to myself, "I can't believe they made this movie better."

This has to be one of the best transfers I have ever seen. The picture is ten times more crisper and sharper than the older DVD version. When the terrorists shoot out the glass windows to trap Willis, you can literally see every single piece of glass landing on the floor. Also, the sound is explosive and very impressive, especially if you can watch it in DTS. When I watched this new version of "Die Hard", it was like seeing it for the very first time.

If you are not familiar with "Die Hard", here's the story: Bruce Willis is John McClane, a very short tempered New York cop. He goes to California, hoping to patch things up with his wife, who works at the Nakatomi Plaza. All of that changes when a group of terrorists, armed to the teeth with guns and explosives, decide to take over the building. Now, the only one who can stop them is McClane, and believe, he's not too thrilled with the idea, but he knows he's the only one who stands a chance against them. McClane goes on a one-man war, running around the plaza, taking out the bad guys, and trying his best to stay alive. As soon as he hears the first gun shot, McClane knows he's about to have a very bad day.

This is a must have for anyone who loves "Die Hard". I know some might be hesitant since they already have the first box set, but believe me, it is worth it. Filled with non-stop action and thrills, "Die Hard" is a classic, and should be seen by all who loves action films. Again, I must say this is one of the best transfers I have ever seen. An easy five out of five, without question.

Read Best Reviews of Die Hard (Blu-ray / DVD Combo) (2013) Here

Die Hard Blu-ray far exceeds the Five-Star Collection version I own on DVD > I directly compared the two and the upgrades are incredible. The Blu-ray video is exceptional in almost every way. In my opinion the Blu-ray viewing exceeds the theatrical experience. The surround sound mix is sick > making great use of sub and back speakers. If you are a fan of the original Die Hard you will not be disappointed in the least with this release. Everybody knows Die Hard is one of the best action movies ever > highly entertaining and just as cool as it was 20 years ago. A classic flick given a great Blu-ray release > this is a no-brainer purchase. I highly recommend buying this Blu-ray.

Want Die Hard (Blu-ray / DVD Combo) (2013) Discount?

Off-duty cop (Bruce Willis) saves hostages and dispatches the sadistic bad guys against overwhelming odds; a simple plot, done many times since this 1988 thriller, but never done as effectively. The difference: This movie is well-written, well-acted, and well-directed. The script balances heart-pounding action with funny one-liners that always make me laugh out loud. Bruce Willis is wonderful as the Rambo-esque superguy who outwits, outplays, and outlasts the heavily-armed killers, and reveals just enough of his tender side to endear his character to the audience.

Willis is backed up by outstanding supporting players who add depth and surprises: Reginald Veljohnson is the sympathetic cop Willis talks to via radio during his ordeal. Alan Rickman plays the cruel, urbane gang leader with devilish flair. He is assisted by the talented Alexander Godunov as a ruthless killer.

The production values are top quality, the action never stops, and each stunt is unique and utterly stupendous. I heartily recommend Die Hard to those who love action films and those who just love excellence in film.

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Extract (2009)

ExtractOK, EXTRACT does not have a slap stick type of humor. I get that. Also, EXTRACT is not as memorable as OFFICE SPACE. Understood. But one thing is sure, EXTRACT is still one of the best all-around movies I've seen this year. JASON BATEMAN is one of the funniest actors around these days. His subtle nuances are what makes him so funny. From TEEN WOLF TOO & HOGAN FAMILY to ARRESTED DEVELOPMENT & JUNO, he is a brilliant actor that gets laughs without ever changing his restrained sense of humor.

The movie itself is about a young, moderately successful factory owner. The factory produces, of course,food extract. The story unfolds and plans backfire, thanks mostly impart to his best friend played by BEN AFFLECK. The role for AFFLECK is a nice return for him back to his roots of doing less than award-winning blockbuster films. With KRISTEN WIIG in a somewhat toned down role and MILA KUNIS as a bit of a vixen, the supporting cast is really well-rounded.

EXTRACT is an intelligent, funny movie that must be seen. Unlike OFFICE SPACE which was from the employees point of view on how management can be annoying jerks, this movie is from the managements point of view on how employees can be annoying jerks. HIGHLY RECOMMENDED!! 4+ STARS!

"Extract, directed by Mike Judge (King of the Hill), is about Joel (Jason Bateman) who runs an extract factory. He has his regular ups and downs just like anyone, but when one of his workers loses his testicle in a freak accident things start to go from bad to worse. (Spoiler alert for those who have yet to see the film) The next thing that happens to him is a con-woman named Cindy (Mila Kunis) begins work for him. Cindy convinces the testicleless employee to file a lawsuit against the company. Also, his wife hasn't wanted to have sex with him for months, and he takes some bad advice from his friend, Dean (Ben Affleck), and hires a pool guy to seduce his wife so that he can guiltlessly have an affair with Cindy, and before he knows it the pool guy is coming over everyday and has fallen in love with his wife. Then the employees decide that they should get a piece of the pie of his company, since he is thinking of selling it to a prospective buyer, and decide to go on strike.

"Extract" is like one of those bad months where one thing after another keeps happening to Joel. Joel is a nice guy, who has always tried to be good to people and do the right thing. He knows all of his employees names. He can't even bring himself to yell at the pool guy for continuing to visit his wife at his house. "Extract" is a pleasant little film that just keeps moving along with one amusing ill event after another. We wonder where this is all leading, because it looks like fate is against Joel. He is about to lose everything, his wife, his business, et cetera. But then there's a turning point where he realizes that Cindy is probably not as innocent as she seems. And as gently as misfortune had swelled over him, it then begins to subside, and all begins to fall back into place as before. This film washes gently over one as mildly and pleasantly as does Joel's kindly demeanor.

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I've been waiting or this movie. Loved Office Space, even really enjoyed Idiocracy. I heard some mixed reviews which tempered my expectations, but even so, this was a disappointing and very uneven movie.

Jason Bateman plays his straight-laced, deadpan comedy to the hilt, much as he did in Arrested Development. He is Joel, the owner of a factory employing a real assortment of underachieving, funny characters. With an offer from General Mills to buy the plant and make him rich, Joel looks forward to early retirement. On the home front, he is a sexually frustrated husband with an unreceptive wife and an unrelentingly dull neighbor.

With moments of genius, the movie was also dragged down by some poor realization of comedic potential. Kristin Wiig, a funny and versatile comedienne, is wasted as the housewife, and although she certainly has enough scenes, the writing doesn't allow her to perform.

The various subplots didn't mesh as well as I expected. Instead of a complete tale, this felt like a few sitcom episodes woven together.

That said, there are some great scenes. You will never think about call-waiting again. The personal injury lawyer is fantastic. Ben Affleck does a fine job as the slacker friend.

In retrospect, this is a rental. I wouldn't choose to pay theater prices for this film.

Read Best Reviews of Extract (2009) Here

THE PLOT: Joel (Jason Bateman) is the owner of an extract production plant that he built himself from the ground up. In spite of his success, he struggles with a frigid and distant wife (Kristin Wiig) and more than a few completely incompetent employees (TJ Miller and Beth Grant foremost among them). The latter end up causing a horrific on-site accident that could bankrupt the company. Making matters worse, the under-sexed Joel is distracted by the appearance of a sexy new employee, Cindy (Mila Kunis). Joel must try to keep his company from going under while dealing with his unsatisfying marriage and his nosy neighbor (David Koechner).

THE GOOD: There are a few funny moments in the movie, most of them at the hands of Koechner and some of Joel's workers. Ben Affleck, if you can believe it, steals more than a few scenes as Joel's drug-obsessed slacker friend (why straight-laced Joel would ever have such a friend is one of those mysteries that movies like these ask you to avoid thinking about). Bateman does his usual shtick; although I think his wide-eyed eager act is starting to get a little annoying (how many times is he going to keep reverting to his standard Michael Bluth persona?), it's at least consistent.

THE BAD: Most of the people here are phoning it in. Kristin Wiig is completely under-utilized in her thankless role as the jilted/jilting wife, and Mila Kunis doesn't appear to be trying to act at all. This is probably due to the sloppy script. Mila's Cindy appears to have no real motivation or personality at all; her name could just as easily be "Plot Contrivance #3." Joel's attempts to fix his work and life problems are all half-hearted, ridiculous, and just as contrived. His workers cause a vicious accident, setting Joel up for a massive lawsuit, but no one is fired. It is hard to sympathize with a man who willfully employs complete idiots. Bothered by his wife's lack of interest in the bedroom, Joel creates an elaborate plan to give him license to cheat, and when this plan falters, he behaves like a clueless child rather than a man who started and runs his own business.

There are some elements here that could work, had they been tied more neatly together. If Judge had tried to pin a message, moral, underlying theme, or even a single joke to the entire spine of the story, it might have given it at least some cohesion. Instead, the movie appears to be a slap-dash conglomeration of scenes that have very little to do with each other, and which aren't acted, written, or directed in any kind of new or interesting way. The movie ends almost as if it had never started, and the various conflicts/stories just kind of fade away rather than conclude meaningfully. Some funny moments, but altogether a disappointing effort from a normally enjoyable filmmaker.

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From the creators of Office Space Office Space Special Edition with Flair (Widescreen Edition) now comes Extract. A movie whose trailer left me wanting more. However when the movie arrived it turned out pretty much all the really funny scenes were in the trailer and the movie didn't add much more.

Yes, Jason Bateman is a funny guy. I mean, the guy played in Arrested Development Arrested Development The Complete Series (Seasons 1, 2, 3) and thus we will always respect him. Yes, Mila Kunis is a very beautiful girl, and even Ben Affleck does a good job here. But the film never managed to hold my attention and charm me the way Office Space did. Office Space which just has a better atmosphere, more and better supporting characters and a better feeling inserted.

Extract has some funny moments, some very funny even, but as a whole it disappoints. The extras found on the Blu-Ray don't add much either.

Paul

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Celeste and Jesse Forever (2012)

Celeste and Jesse Forever"Celeste and Jesse Forever" (2012 release; 92 min.) brings the story of Celeste (played by Rashida Jones, who also co-wrote the script) and Jesse (played by Andy Semberg), who have been "best friends forever" since their youth, got married 6 years ago, and now are separating but still remain friends. One day Jesse runs into Veronica, a Belgian girl (played by Rebecca Dayan), and starts dating her, even though he remains tormented by the loss of Celeste. In the rest of the movie we watch and wonder whether Celeste and Jesse ultimately will reconcile.

First off, you need to take a leap of faith that, despite still being BFFs, Celeste and Jesse are in the process of divorcing. It's never explained why that is happening, other than a general "taking each other for granted" type explanation (which does not square with the two spending all their time together). But once you can get over that, the movie works like a charm. Jones just oozes charisma, and with her recent roles in The Social Network, The Muppets, and Our Idiot Brother (not to mention her TV work on Parks and Recreation), she is cearly an up-and-coming talent. Can't wait to see what she will do next. There are several other smaller but still choice roles in here, notably Elijah Wood as Celeste's boss, Emma Roberts (niece of Julia Roberts by the way) as the Ke$ha-like pop singer, and the already mentioned Rebecca Dayan as the Belgian girl.

Bottom line, I really enjoyed this more than what I expected going in, and in that sense "Celeste and Jesse Forever" is another winning indie rom-com, not unlike, say, Ruby Sparks, Friends With Kids or even Your Sister's Sister. "Celeste and Jesse Forever" is HIGHLY RECOMMENDED!

This is a comedy and drama, very much like 1989's 'When Harry Met Sally.' Most important, it portrays the ups-and-downs of relationships in today's world, on TV shows and in the Real World. The question millions of people have asked themselves after a loving relationship ends, can we still be friends? Celeste and Jesse met in high school, married young, and after reaching age thirty, began to grow apart. Celeste became successful in her career and Jesse is content at being unemployed. They clash in opinions and arguments until Celeste asks for a divorce. Jesse accepts the transition, still in love with Celeste. As they are apart, Celeste had second thoughts, and they both realized that in order to truly love someone, you may have to let them go. There are mixed-emotions, humor, and heartfelt moments. Acting Performance Very Good. Enjoyable and Highly Recommended!

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I did not expect this movie to be as good as it was when I decided to purchase it. This is one of those movies that, when you reflect back on the situations the main characters find themselves in, you really appreciate the movie and may end up watching it a second or third time through. The acting was solid, especially when it needed to be (like when she finds out the big news), and most of the time when I asked myself: "How would I react to that?", their reactions were largely similar to what mine would have been.

My favorite part is the "climax" when the two main characters finally confront their emotions outside of the bar and they do it angrily and storm off. You can really feel Rashida Jones' heart breaking in that sequence of scenes as she is at her wit's end and has nothing left to lose so she goes for broke and comes up short.

This ending was the type of ending I LOVE because you will like it, or dislike it, based on who you are as a person. No doubt they are perfect for each other and had great chemistry (both in the movie and as actor/actress) and this really made the point stick that sometimes life just doesn't happen the way we want it to and no matter how much we kick and scream, it carries on with or without us.

I actually loved the language in this movie. I feel like it was placed well. I will never understand how people consider vulgar language to be indicative of anything other than a different way to express yourself. Her use of the f-bomb when she finds out the big news framed this movie's dialogue and was awesome.

Read Best Reviews of Celeste and Jesse Forever (2012) Here

While much of this romcom may seem familiar, it is not your traditional glossy Hollywood affair. Written by Rashida Jones (TV's "Parks and Recreation") it is based on a real life relationship she had with co-star Will McCormack who plays Skillz, a close friend.

In a breakout performance Jones carries the movie as a just turned 30 year old whose marriage to Jesse (Andy Samberg) she summarily decides to end. He doesn't resist but they vow to remain best friends. Their relationship goes back to their school days and while they seem perfectly happy, Celeste can't see children with him or a traditional future. Jesse is an artist who has no motivation to be successful. He's satisfied watching reruns of the Beijing Olympics.

Celeste is a borderline successful marketing executive who has just signed one of the young vapid pop stars of the day (Emma Roberts). A series of blunders puts the two at odds but ultimately close. The real story here is the emotional roller coaster Celeste and Jesse go through once Jesse finds another beautiful woman who becomes pregnant. Celeste plays the dating game for a while but is uncomfortable with the whole idea. It is then they both realize they didn't understand each other as much as they thought.

Backed by an excellent supporting cast, especially Elijah Wood and Celeste's gay business partner and Ari Graynor as her best friend, Jones is a wonder in this slightly off-kilter film. She shows remarkable range as she goes from hysterically funny to drunk and disorderly to being drained emotionally. It all felt very real.

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Celeste and Jesse Forever is an enjoyable movie with a real plot, fully developed characters, and a strong message. We meet career woman/trend watcher Celeste and her dreamer, artist husband just after their separation but before their divorce. They both ignore obvious signals that they are still deeply in love and meant for one another until, inevitably, an old acquaintance of Jesse's shows up. Jesse takes up the new relationship with hesitancy but he wants to move on with his life and heal. The new woman is offering him everything that Celeste was afraid to give, acceptance, love, and a family. Celeste learns the very hard way what a gift it was to have been truly loved. I won't spoil the ending as this movie is well worth watching. Enjoy!

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Heathers (1989)

HeathersReleased in 1989, HEATHERS received sharply mixed reviews. The film was popular in a few major metro markets, but it proved a box office disappointment overall. Although many regarded it as a failed take-off on such "high school angst" films as THE BREAKFAST CLUB, more than a few critics saw it as a film too much ahead of its time and predicted that it would have more of an impact down the road. They were right. When the film began to reach the home market it exploded in popularity, and given such later high school horrors as Columbine today the film seems less take-off than downright prophetic.

It is also one of the most wickedly funny movies to hit the screen since Stanley Kubrik's DR. STRANGELOVE. The story starts off normally enough: extremely bright, extremely attractive Veronica (Winona Ryder) is a high school junior who has fallen in with the high school clique to end all high school cliques, three young women each named Heather (Kim Walker, Lisanne Falk, and Shannen Doherty.) The Heathers are pretty, smart, rich... and intent on shoring up their own social positions by crushing every one around them with a degree of vindictiveness that only the teenagers can successfully carry.

When Veronica meets new student J.D. Dean (Christian Slater) her interest in the Heathers begins to wane and they turn on her. J.D. has his own plan to help Veronica get even. It involves a cup of Liquid Drano--and before Veronica can think she finds herself making a murder look like suicide. The result is, as Veronica puts it, teen-age angst with a body count, and quite suddenly suicide seems the "in thing" at Westerberg High.

If you recall high school fondly, you were probably one of the popular kids. For the rest of us, HEATHERS is so accurate that it will make you wince in its portrait of unthinking cruelty: the meanness of the up-scale cliques and brainless jocks, the ridiculed good kids, the savage assaults on the unpopular ones. it is bitter, bitter stuff.

It is also extremely funny. Much of this is due to a truly brilliant script by Daniel Waters, who recognizes that teens rarely speak to adults in the same way that they speak to each other--and he not only brings forth the casually used profanity, he essentially creates a truly believable and hilariously funny mode of slang that characterizes the "in crowd." And Waters' plot is even more disconcerting and outrageously funny as it runs, with unexpected logic, to a truly deadly conclusion.

The performances are knockouts. Ryder has given quite a few memorable performances, but she has never been more remarkable than she is here as Veronica, the good girl turned unintentional killer; Christian Slater has never topped the performance he gives here as J.D. The "Heathers" are perfectly, flawless cast, as is every one from the weary principal to Veronica's vacuous parents. As for direction, Michael Lehmann moves the film at a rapid clip, hitting more high points than you can imagine. Indeed, everything about the film is first-rate.

The DVD package is very nice, including an interesting audio commentary, an interesting documentary featuring interviews with director, writer, and major cast members (Kim Walker, who died in 2001, sadly excepted), and a script of the ending as originally planned by writer Waters. I recommend the film as a "must have"--but a word of warning. If you were one of the very popular during your high school years, you won't find it in the least enjoyable. Yes: that's really how the rest of us saw you.

GFT, Amazon Reviewer

For a lot of teenagers, popularity takes precedence over high SAT scores or early admission into an Ivy. It's literally viewed as a matter of life or death, and no film brings that truth to life as vividly as "Heathers." Winona Ryder is Veronica, who (along with Heather Duke, Heather McNamara, and Heather Chandler) belongs to Westerburg High School's most elite and coveted clique. These four young women supposedly epitomize the essence of cool, and earning their stamp of approval is as prestigious as getting knighted by Her Majesty. But things get nasty when Veronica violently clashes with one of the Heathers, and shortly thereafter the clique slowly collapses under its own weight. Of course, there's much more to the film's plot, which is a brilliant satire on high school, the firece competition to be popular and well-liked, and the faculty's inability to connect with their students. Pregnant with one-liners and armed with a Ginsu-sharp script, "Heathers" is a pitch-perfect comedy that's wickedly funny. The best performances definitely belong to Ryder and then-unknown Shannen Doherty. Those who rolled their eyes at the "happily-ever-after" sentiment of "Sixteen Candles" have bonded with this film over the years, turing it into a small scale classic. "Heathers" didn't exactly set the box office on fire upon release in 1989, but it's definitely grown in popularity since then. Give it a look, and you'll see why.

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This dark comedy is laced with satire, humor, and wit, much like many of my favorite novels. Winona Ryder and Christian Slater make the ideal duo until she realizes she needs "cool guys like him out of her life."

Winona, here as Veronica Sawyer, was formerly the best gal pal of dorky yet insanely innocent and kind Betty Finn (both character names are derived from the Archie comic strip). Now, she's taken it up with three girls by the name of Heather. Duke and Chandler may or may not be genuinely evil, while McNamara is just plain pathetically insecure. The thing is, Veronica hates her new so-called friends. It's just their "job to be popular and s***," that's all.

Christian Slater, to my utter dismay, seems to have disappeared off the face of the earth since this booming debut. Here, his performance mimicks that of witty and humorous Jack Nicolson.

"Greetings and salutations." :)

J.D. and Veronica make the ideal couple. Both are witty, bright, and loathe the existence of the high school world. Only J.D. is insanely violent as well, and his actions are bringing about vast repercussions for not only himself, but for Veronica as well. And Veronica is beginning to wise up and realize that J.D., despite his charms and wit, isn't worth all his trouble(s) and excess baggage. Besides, he's got an unhealthy fascination with guns.

After the demise of the leading Heather their doing through liquid bleach a second Heather takes her place as leader, even more aggressive and bratty than her predecessor.

Veronica ponders what to do over old and new friendships and accidental deaths in her diary. She and hunky J.D. manage to kill a Heather and two dim-witted jocks but escape suspicion for murder because they leave behind suicide notes. Veronica can perfectly imitate handwriting styles, as we find out during the first 5 minutes of the film when the three Heathers coerce her into writing a love note to high school outcast Martha "Dumptruck" Dunstock and signing a popular jock's signature to it. She approaches him at his lunch table and uproarious laughter ensues.

Teenage suicide seems to be all the rage in the world of Westerburg High, despite the popularity of fictional band Big Fun's hit single, "Teenage Suicide (Don't Do It)." Even though Veronica has left J.D. behind, he still has conjured up his own evil plans concerning the future of Westerburg. And the Heather in control is abusing her privileges Veronica knows she wants out.

HEATHERS is so much more than a screwball comedy. Since its release, no other film has managed to live up to the same wit and dark humor and charm found throughout, making this film a genuine benchmark in the history of movies and the 80s, for that matter. HEATHERS takes one glimpse at the work of ultra-cool 80s director/writer John Hughes and laughs in his face, making his Molly Ringwald flicks look like garbage in comparison.

Could this be why Winona is still alive in Hollywood and Molly is not?

Perhaps.

Read Best Reviews of Heathers (1989) Here

Likely you've already seen this excellent film starring Christian Slater and Winona Ryder. It's a contemporary cult classic and for good reason.

Therefore, I'll give you some info on this limited edition release :

This limited edition comes from Anchor Bay Entertainment and is packaged as a blue metal locker. Inside the locker is a bunch of very cool stuff. First, a cool t-shirt. There are three possible shirts which you might get, but you only get one. Secondly, there are a set of magnets which can be used to decorate the locker. Not outstanding, but kind of neat, none the less. You also get a year-book, featuring info and photos from the film.

What is not made clear though is that you get your standard wide screen DVD version, you also get a BLU-RAY version of the movie. Look closely at the picture of the back of the packaging. See that there are three discs displayed? One is a Blu-Ray. Yipee!

Oh, and each locker is a numbered limited edition.

Exact Description of Contents : The Limited Edition Locker Set contains: a numbered locker, a 20-page hardcover Heathers yearbook, an 'awesome' T-shirt, 14 locker/fridge magnets, a collectable Westerburg algebra book, the BluRay Disc and two DVDs. Those DVDs will present the film in an anamorphic 1.85:1 transfer with Dolby Digital 5.1 sound and contain the features highlighted above in addition to an original ending screenplay excerpt accessible from DVD-ROM.

This is a great collectible, well worth the price.

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This is not a review of the movie, but strictly of the blu ray transfer. Being this a movie of the 80's, many of you may be wondering. I compared side by side w/ 2 BD players: the upscaled (HDMI) dvd vs. the BD of Heathers. The BD is absolutely stunning improvement and rivals any recent BD movie releases in clarity and detail, definitely high def. Though there are occasional artifacts, and jittering, but it's miniscule in comparison to the picture improvement. Definitely worth the upgrade! As far as the pop up facts new to BD, it's not that big of a feature and shouldn't be a deciding factor. Any minute facts you need are on the internet. The amazing BD transfer should work you into this upgrade immediately. Let's say I was very impressed! I'm surprised the package insert didn't say remastered.

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Rush Hour 2

Rush Hour 2Summed up, I'd say Rush Hour 2 is just as good, if not better, than the original Rush Hour. The movie, like most Jackie Chan flicks, contains the same GREAT ACTION, GREAT STUNTS and GREAT LAUGHS that you've come to expect from Jackie flicks. This one does not disappoint.

Much like the original Rush Hour, Chris Tucker and Jackie Chan continue that awesome chemistry they have that made the original such a HUGE hit. This time though the tables are slightly reversed as the flick picks up in Hong Kong (right where the original ended when they took their vacation) with Tucker being the fish out of water doing cultural and language faux paux in Hong Kong. The movie actually continues some of the storyline threads of the original referring back to Jackie's (Inspector Lee's) deceased father. The basic premise of the storyline has Jackie and Tucker (along with the U.S. Secret Service) tracking down a counterfeit dollar bill ring throughout Hong Kong and the U.S. all the way to Vegas (where else). Tons of laughs and loads of action are left in the wake of their trail.

Highlights: Loads of laughs as Chris Tucker tries to speak Chinese and sing karaoke. Tons of AWESOME fight scenes (in particular the massage parlor scene). Tons of HILARIOUS (albeit perhaps politically incorrect) repartee with Chris Tucker. Our heroes streaking through the streets of Hong Kong. Tons of beautiful women.

Things to Beware of: Chris Tucker's mouth. While his tirades are often hilarious, some (like Roger Ebert) may find some the movies dialogue inappropriate (racist).

The End of Movie Bloopers: Of course being a Jackie Chan film, one of the distinct highlights of his movies are the end of movie bloopers. There are several goods ones in here, particularly a cell phone call and the big hint at the next Rush Hour flick (as was set-up in the closing scene of the movie).

Overall, it you are into Jackie Chan or Chris Tucker or Action Comedies or the first Rush Hour, you KNOW you'll be seeing this one. You won't be disappointed.

Highly Recommended.

Rush Hour II DVD

Rush Hour II starring Chris Tucker and Jackie Chan is sort of a mixed bag. Partially a martial arts movie, but also, a comedy. This time they are in Hong Kong mixing it up with a Bad Guy. I know it sounds weird ,but it works. A laugh a minute, as they say. Packed with action.

Recommended for fans of Chris Tucker and Jackie Chan.

Gunner December 2007

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I saw "Rush Hour 2" two times at the theaters, and the film kept getting better and better! "Rush Hour 2" has more action, more comedy than the first film! And both Chris Tucker and Jackie Chan just couldn't be better...or funnier! It doesn't mean that the first "Rush Hour" was a bad movie, because I loved the first one as well. Remember in the first film when Jackie Chan was the fish out of water in Chris Tucker's world of L.A? Well, now, it's Chris Tucker's turn to be the fish out of water in Jackie Chan's world of Hong Kong. "Rush Hour 2" chronicles L.A.'s Detective James Carter (Tucker) and Hong Kong's Detective Lee (Chan) investigating a counterfeiting scheme that involves a dangerous Chinese triad leader (John Lone). As far as the acting sequences go, Jackie Chan did an outstanding job as always. And hey, even Chris Tucker decided to get in on the action as well, and that was amazing! Zhang Ziyi ("Crouching Tiger, Hidden Dragon") did a superb job as well in her villainous role as the triad leader's henchwoman. In conclusion, if you want to see a typical buddy-buddy cop movie, then I suggest that you see "Rush Hour 2" as soon as possible! A great DVD addition to add on to the first one.

Read Best Reviews of Rush Hour 2 Here

I don't know what it is about "Rush Hour 2" that gives me this great feeling whenever I see it. It just makes me smile for an hour and a half, and I mean that.

Jackie Chan and Chris Tucker are back to fight some very bad guys in "Rush Hour 2". Basically, it's about a year or so later, and Carter (Tucker) and Lee (Chan) are now in China, cruising the streets. But, one thing leads to another, and they're after bad guys again, this time trying to stop a counterfit scheme that leads them from China to L.A., and then to Las Vegas.

But, when you go to see "Rush Hour 2", you aren't going for the story, you're going to see Chris Tucker crack some jokes and Jackie Chan crack some necks. Anytime Chris Tucker is on screen, you are guarenteed to laugh. I personally never stopped laughing. Plus, for anyone who is into martial arts, watching Jackie Chan is just amazing. He is a great stuntsman and action star. Together Chan and Tucker are the perfect action-comedy duo since Mel Gibson and Danny Glover.

I liked "Rush Hour 2" so much, I went back and sw it for a second time and I still laughed. I actually took someone who is french and barely spoke english and they loved it as well. And the best part is that it's a movie for everyone. So make a date, and take the family to go see "Rush Hour 2". I guarentee you'll like it!

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Forget about what the critics said, with all the negative reviews out there I thought Rush Hour 2 was just more of the same thing, instead, this was the most fun I've had watching a movie this year. Director Brett Ratner did a great job with this sequel, more laughs with non-stop action, this is one film you should not miss in a summer filled with disappointments.

On vacation in Hong Kong, Inspector Lee and Detective Carter finds themselves in the midst of another case, this time they are after a triad boss dealing in smuggling and money laundering. Although we've learned not to expect too much in the plot of an action movie, Rush Hour 2 actually offered a decent story, with a few twists thrown in. The strength of this film rests on the chemistry between Jackie Chan and Chris Tucker, and since the characters already have a relationship with each other, it's great to see those two being so comfortable in the roles and having so much fun with it. At 47 Chan is still agile and it's still a delight to watch him in action; Tucker on the other hand was able to be funny without being overbearing. Even though Zhang Ziyi had almost no dialogue, she held her own portraying the bad girl on a mean streak, beautiful yet deadly, a powerful combination.

Rush Hour 2 is definitely a crowd pleaser, don't go in with a high expectation, and you'll find it surprisingly enjoyable, there was never a dull moment. Be sure to stay for the blooper reel at the end, and you know what, Rush Hour 3 doesn't seem like such a bad idea now, I actually find myself looking forward to it.

Did You Hear About the Morgans? (2009)

Did You Hear About the Morgans?Watch purely for entertainment--it's well worth a rental,& perhaps purchase. For Sara Jessica Parker & Hugh Grant fans, it's right up your alley. It's funny, even though the situation they find themselves in is a bit off-the-wall. The Wyoming setting is great and used well in applying situations for the couple to re-find themselves. Yes, it's a romance/comedy with a very nice romance HALF that those types of movie lovers will find worthy of 5-stars. The comedy is great also, including even some of the outtakes, and special features, including a bear episode with Hugh Grant getting as close as it takes. By the way, SUBTITLES ARE AVAILABLE.

It's not going to become a "classic" or talked about in years to come, or produce a great number of movie spin-offs. However, after you see the outcome, such a delightful finish, you will perhaps wish for a sequel of say, 15 years later, and see how the relationships are going, and a reunion back with Sheriff Clay Wheeler (Sam Elliott)of Ray, Wyoming, and his packin' wife, Emma (Mary Steenburgen). I really loved that pair and their part in the witness-protection-home-away-from-home. Even some western horsin' around for the horse loving viewers.

It's rated PG--meaning Pretty Good entertainment for the family. Not much violence, no blood, no heavy sex, although the stars are considered sexy, and all the other things that most movie makers seem to think necessary to make a film entertaining. This is one to just give you a fun evening in front of the telly with a home-spun bowl of popcorn and perhaps with luck, beside a significant other. Bottom line-----buy it, rent it, borrow it, whatever works, just don't overlook it. IT IS GOOD ENOUGH FOR AN EVENING OF ENTERTAINMENT.

Sarah Parker's acting efforts always leave me underwhelmed. So I can't say she disappointed me in this film. I thought she was so-so which is what I always think about her acting. Hugh Grant, however, is a horse of a different color. He is a tremendous comic actor with exquisite timing. When he's got a good script and a good leading lady, he is unbeatable. His ABOUT A BOY is just one example of his performing at the top of his game. Nick Hornby was the writer on ABOUT A BOY though and he is first rate. The screenwriter of this film is no Nick Hornby. The premise is about a Manhatttan couple forced to hide out in the remote West in the witness protection program. They are married but separated yet it is quite obvious they will be getting back together. That's the whole movie. I can't say don't watch it because Grant is funny. He does the most with what he's got. The rest of the movie though is (thankfully) completely forgettable.

Buy Did You Hear About the Morgans? (2009) Now

The cover says "the perfect date movie!" How is this the perfect date movie? Its about a married couple having issues, because the man (Hugh Grant) cheated on the woman (Sarah Jessica Parker). They're seperated, getting a divorce, then when he appears to talk with her, they end up witnessing the murder of SJP's client.

Then they get stuck in witness protection together. Which is what Hugh wants, and of course SJP wants to get as far away from him as possible. He does what he can to get her back, and I'm sure you can guess how it comes out.

In witness protection, the movie becomes a fish out of water movie, as an Englishman and an upscale New Yorker are stuck in the country town of Ray, Wyoming with a sheriff and his wife the deputy. SJP as a New Yorker out of her element, was very unfunny and it should be so easy for her.

Another big problem with the movie is after seeing movie trailers for it, I felt like I had seen it before. My friends said the same thing. The movie is also REALLY slow. Every good laugh was shown on the commercials, and its a long way between laughs.

Avoid this movie and see Music & Lyrics with Hugh and Drew Barrymore. Actually Drew Barrymore would have made a much funnier New Yorker in the country. Bad acting on SJP's part.

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Surprised at the so-so ratings on this movie. My husband and I loved it. It is a more 'mature' romantic comedy dealing with heavier issues than normal but written with tremendous depth (Honesty, forgiveness, having the courage to move on, start again, and leave the baggage behind being human and making mistakes desperately wanting to be a parent and the stress it causes in a relationship when it doesn't happen and a love that has the ability to transcend it all if we can move beyond the pain).

We found it to be very funny not slap-stick funny, but rather a dry wit which is rather refreshing. There are no car chases or predictable steamy love scenes, this movie is for someone who wants something more with their popcorn something deeper more real.

Personally, I don't like SJP, but thought she nailed the part of the character no question. The wedding vows in the movie are simply wonderful.... I searched for hours to try and find them and did and have printed them out.

If you exist on Harlequin romances this movie is not for you....

If your intellect stretches beyond that, give this movie a whirl we're sure you will enjoy it!!

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I honestly don't understand all the negative reviews. I thought this movie was incredibly hilarious and had a great plot. Grant and Parker star as a couple named Paul and Meryl Morgan who are on the verge of divorce. After having dinner, they witness a murder and become new targets for the killer. They are forced to relocate to Ray, Wyoming where nothing too much happens. They take refuge in the home of the Wheelers. The Wheelers show Paul and Meryl how to shoot a gun. While hiding out from the killer, who is hot on their trail, the Morgans begin to rekindle their love. I highly recommend DID YOU HEAR ABOUT THE MORGANS?!!!

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K-On! Vol.2

K-On! Vol.2K-ON! vol 2 continues the first season of the series. Though more of a sitcom style series (there is no real overlying plot, aside from the general background oh high school life) with each episode bringing up new adventures and possibilities. But K-ON! is better known for the adorable characters (Mio Akayama has an insanely large otaku following), the fun music, and, most important, the mood that the series cultivates. This series has such a feel-good take on friendship that it makes for a really fun slice of life style anime.

I love the K-ON! series (including the K-ON!! follow up), though i understand the criticism that there isn't much plot development and the characters don't arc much. However, if you are looking for a series wherein you can enjoy a fun cast of characters and join them for their afternoon tea, then this will prove to be a rewarding series. You will like this if you enjoyed Azumanga Daioh. it has a similar feel.

a note on the product: 100 minutes seems not much (half of a short season). but if you already got volume 1, this will make for a necessary follow up.

While volume 1 set up the characters, volume 2 sets the story in motion. Containing episodes 5-8 we get to see the girls have there first concert, throw a Christmas party and try and recruit new members. Overall volume 2 really picks up the pace and for me things flow nicely. One of the things I love about K-On as a whole is that it's not a series you have to focus the whole time, you can just check your brain at the door sit back and enjoy a good light hearted comedy. The real star of the series is ,as corny as this sounds, the music itself.

Now getting to the basics of this volume, The voice acting from the English dub team at Bang-Zoom continues to improve and the actresses are getting better and more suited in there roles. However the Japanese version is still my preferred track. A lot of people have complained about the 2.0 stereo track, while yes I would love to have the dub in TrueHD 5.1 Lossless audio, It doesn't bother me that much and both tracks come though clear and with good quality. The bonus features are well done with a interview with Cristina Vee (English voice for Mio) as well as an English version of the one of the songs "Fuwa Fuwa Time" witch sounds really good in my opinion.

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K-On is an excellent Series, Combining Musical Features with Reality, Making it feel like you are apart of a band! (I have Previous Band Experience.) Going through the motivation, and fun events and learning about each-other more and more.

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I think that this anime is one of the best, in my opinion. It's smart, funny, and original. If you want to see the lives of some not-so-ordinary teenage girls who build their own rock club, I suggest you watch this. The main character is a girl named Yui Hirasawa who joins the dying club, and discovers just how much she loves music and being with the friends who help her along the way. And in this volume, the high school adventures continue. Great for everyone of all ages!

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It was a great DVD no scratches top quality product, shipped fast and in one piece. I loved it 5 stars