Showing posts with label movies 2011. Show all posts
Showing posts with label movies 2011. Show all posts

Operation: Endgame (2010)

Operation: EndgameThe movie was pretty good. It was a movie made to just have people kill each other and crack jokes. It had good fights and killing scenes and it was pretty funny. The story line isn't explained great in the beginning and is put together worse at the end. If you are looking for a movie with a good played story this isn't it. But, if you are just looking for a reason to laugh and see some rated material then I Recommend this movie because it's fun.

OK, first it's not 'terms of endearment'. Next off, it's an ation movie, with some black comedic elements. It's a wise ass, kill everyone, pseudo-psycholigcal actionfest.

There aren't a lot of surprises once the action starts, and it is definitely violent, and bloody, but in a 'im gonna kill you creatively, and make cracks and wise-ass comments while I do it' kind of way.

If you are looking for friend green tomatoes, look elsewhere. If you have a dark sense of humor, then you should enjoy every last minute of it.

Enjoy Rob Corddry in his best role since H&K Guantanmo.

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I found it funny in a somewhat dark sense of humor. Assassins locked up and hating each other in an underground bunker? Why not. It's not like an AMAZING movie ever made but it made me laugh. Rent if first, watch it, and if your like me (I buy movies IIIII like) then purchase it. :)

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Seventy-nine minutes of mindless froth that, on second viewing, was slightly more entertaining than the first. I believe this is director Fouad Mikati's first film (and hopefully last?) and he goes at it with gusto as do the cast who seem to be enjoying themselves doing nothing in particular and they get paid for it, too.

Rob Corddry hams it up best of all and Ellen Barkin, Odette Annable plus Emilie de Ravin provide the eye candy. Zach Galifianakis seemed rather out of place as if he strolled onto the set from some other production nearby. Ving Rhames and Jeffrey Tambor have so little time on screen that their talents are wasted.

The two teams of assassins slug it out in an underground bunker and that really is all there is to it except that the death of each seems to provide vicarious thrills to each killer. The storyline is so paper-thin that I can't see how the production could be anything other than fun froth.

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Operation Endgame is a fun, funny and violent action/mystery movie that suffers from the inclusion of a horribly tacked on character played by someone who was obviously looking to collect a pay check. Zach Galifianakis is a complete waste of space in this movie. In fact, his role in this movie could be completely eliminated without changing the story one bit. It's as if some movie executive was given the script for this film and said, "Let's hire that fat, bearded guy from The Hangover and put him in this movie. What, there is no role for him to play? Well let's just add one." Thank god Mr. Galifianakis is only in the movie for 5 minutes. But it's 5 minutes of horrible acting that doesn't add anything to the movie. Seriously, my grandmother could put on a better performance in this role and she's been dead for 2 years.

As for the rest of the movie, it's mostly great. Mostly. Chock full of black humor and over the top violence, it had me chuckling until the last 15 minutes. That's where things start to fall apart. The last 15 minutes feel very rushed, slapping the audience in the face with story elements that are meant to tie up the plot. Part of this is of course the writer trying desperately to explain why Zach Galifianakis' character, the Hermit, was even there to begin with, as "the movie studio made me do it" wouldn't have been an acceptable reason. (Even though it would have been the most valid reason.) What it ultimately boils down to is one man with great power suddenly developing a conscience and deciding to put an end to the manipulation of the world. But the manner in which the movie brings us to this end is a bit convoluted. No more insane and illogical than your average anime movie, mind you. But definitely not a simple, spoon-fed answer that we're used to getting in American cinema.

This is a funny movie IF you like black humor. It's dark, gritty, cynical, and obscene. If you're watching this because Zach Galifianakis is in it and you're expecting The Hangover 2, you're going to be very disappointed. But get beyond him and you've got an entertaining, if violent, hour and a half ahead of you.

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The Nutty Professor (Blu-ray + DVD + Digital Copy) (1996)

The Nutty ProfessorTotally awesome movie with jokes and sight gags galore. Eddie Murphy is one talented man playing all those roles of the Cletus family plus Buddy Love. A little crude yet but alot of laughing......gas!

Definitely pick this one up and pass on the sequel as that one overdoses on the fart jokes. This one uses a multi-joke formula all the way to success.

I haven't seen an Eddie Murphy movie yet that wasn't hilarious and The Nutty Professor is one of the best he's ever made. He plays the role of an overweight and intelligent professor that likes a gorgeous new teacher, but he doesn't have the courage to ask her out because of his size. He develops a formula that turns him into a skinnier, arrogant man that seems to have a better chance with the teacher that Mr. Klump (the overweight professor)likes. She turns out to like the skinnier, more arrogant version of Eddie Murphy but thinks he's too out of control. Later on, Eddie Murphy gets stuck in the new body and wants to go back to being Mr. Klump, but the new arrogant version tried to keep him from becoming Mr. Klump again.

The professor creates a formula that can drastically make anyone lose weight within seconds and can't wait to prove it to everyone. However, even this is a challenge when the new, skinnier Eddie Murphy tries to take over and do away with Mr. Klump.

The Nutty Professor is one of the funniest movies ever made in my opinion. Some of the sequences might not be as good as the others, but I don't know anybody in my family or any of my friends that didn't like the movie. It's one of Eddie Murphy's best and if you feel like laughing, you need to get this movie.

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Eddie Murphy did a great job in The Nutty Professor with his role as Professor Sherman Klump/Buddy Love and also playing the entire Klump family. While watching scenes from the family dinners it is obvious what a great job Murphy did in this film. Each of the family members has their own personality and quarks that make the otherwise pointless dinners very enjoyable and fun to watch. The special effects and make-up used in this film are also amazing and they portrayed very real looking qualities.

Sherman Klump, a very bright professor who is also dealing with an obesity issue, finds himself falling for a colleague, Miss Carla Perdy. Klump is convinced that he doesn't have a chance with Carla because of his appearance. He believes that he needs to change himself in order to get Carla to appreciate him so he decides to try a formula, which he has been testing on hamsters, on himself. The formula is a DNA restructuring chemical and when it is ingested by Klump he drops 300 pounds immediately. This skinny, obnoxious and loud version of Professor Klump comes to be known as Buddy Love. Buddy is very critical of people, especially obese people, and he is determined to take over Klump's body and his life.

This movies main objective is to show that you should be happy with yourself. The jokes in this film were also carefully thought through so they wouldn't offend most viewers, especially overweight viewers. I found this movie to be more enjoyable than the original, starring Jerry Lewis, which has very few similarities with this version. I highly recommend this movie to anyone who enjoys a little comic relief.

Read Best Reviews of The Nutty Professor (Blu-ray + DVD + Digital Copy) (1996) Here

THE NUTTY PROFESSOR STARRING LEGENDARY STAND-UP COMEDIAN/ACTOR EDDIE MURPHY. HE SHOCKED YOU IN HIS 1982 STAND-UP LIVE CONCERT DELERIOUS. HE SURPRISED YOU IN HIS 1982 MOVIE 48 HOURS WITH NICK NOLTE. THEN HE TOOK IT TO THE SPEED LIMIT WITH EVERYBODIES FAVORTIE COMEDY COP AXL FOLEY BEVERLY HILLS COP. AND FINALY, HE BLEW UP TO 400 BOUND OF LOVE PLAYS SHERMAN KLUMP BUDDY LOVE AND HIS FAMILY IN... THE NUTTY PROFESSOR. A GREAT COMEDY GEM THIS ONE. GO BUY THIS DVD. THERE IS NOTHING LIKE FAMILY GETTIN TOGETHER HAVING A GOOD MEAL.

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I love this movie, it's absolutely funny and has a good morale to the story, on why people should accept people the way they are especially in an age where everybody is crazy about thin models.

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My Best Friend's Girl (2008)

My Best Friend's GirlUnfortunately, the sweet little plot of this movie was lost in the constant explicit language and some of the "over the top" displays by Cane's character to prove he was bad boyfriend material. I am not easily offended by language but I do think the overuse of particular words and gestures will limit the appeal to certain audiences. There is; however, a sweet little love story in there but likely only those who can get past the language will be able to find it. Scan and preview before you invite someone over to watch it with you ...

Well, now I haven't seen a film that shocked me as much as this film in a long time. Dane Cook is at his best when he is going completely over the top in this extremely raunchy romantic comedy. In fact Hudson, Biggs and Baldwin also seem to be having a ball in this sweet film full of crude humor, nudity and inspiring romance.....ohhhhh ain't that sweet?! I really liked this one and I think I will like it even more after repeat viewings. The unrated edition has an excellent transfer and some hilarious extra stuff!

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You're going to either love this movie or hate it. I find Dane Cook's humor smart and creative, therefore I appreciate this movie. The premise is very funny and the dialogue is also fun and well thought out. Two thumbs up from me.

Read Best Reviews of My Best Friend's Girl (2008) Here

The best parts of this movie consist of very vulgar and crude conversations. Do not watch this for the love story because it is generic and boring. If you want to laugh at an over the top, well written, down right vulgar script, then watch this. It is worth it. But definitely do not get this if you are looking for a light romantic comedy. There is nothing wrong with a romantic comedy, you will just be disappointed in this movie.

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If you don't know who Dane Cook is or like cocky comedy, then why would you watch this?? It is rated "R" and there is no pretense that anything delicate or sensitive is in the offing. That said, this is an exellent comedy for those who love bold, brassy love stories. Re-watch "Gone With the Wind"... see any green flags around Rhett or Scarletts relationship styles? I hope not-the dishonesty in alot of classic romances is a turnoff to anyone actually dating... the genuine male-female dynamic is one of tension and testing. George Cloonys' characters often exel at this type of banter. If you liked "Wedding Crashers" you might like MBFG... if you loved "Old School" then put this on your queue now. --Warning-spoilers aheadThe movie "Someone Like You" is actually a girly version of the same premise, that a strong, funny woman looks for a bad boy for thrills and a nice guy for stability... but doubts that she will ever find the whole packageso our hero is really a sex buddyand then realizes that he's a player getting played...(I guess "Boomerang" and "Whipped" were like this, too.) The fact is, all the girls I know love to be teased...hard. The main caveats are: 1-tease as a sign of abundance, not anger. 2-tease her in proportion to her confidence. No withering zingers on shy people. Vince Vaughn and Dane Cook do it right!

Fine supporting work by Alec Baldwin, Lizzy Caplan, and Riki Lindhome.

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Second Chorus Blu-Ray + DVD Combo Pack (1940)

Second Chorus Blu-Ray + DVD Combo PackThis is not one of Fred Astaire's most known films, but its not a bad one either, plus you have solid support from Paulette Goddard, Artie Shaw and Burgess Meredeth.

Film Chest did a stellar job with this restoration of this classic film.

This combo pack contains both a blu-ray and a DVD.

Special features include an audio commentary, trailer and restoration demo.

Recommended!

Actors: Fred Astaire, Paulette Goddard, Burgess Meredith, Charles Butterworth and Artie Shaw

Director: H. C. Potter

Format: Black & White

Region: Region A/1

Aspect Ratio: 1.33:1

Number of discs: 2

Run Time: 84 min

Studio: Film Chest

Andrew's Review A notably lackluster vehicle for Fred Astaire, Paulette Goddard, and band leader Artie Shaw, Second Chorus (1941) was a Paramount release that's since fallen into public domain and released in this case by Hal Roach Studios. Fred and pal / rival Burgess Meredith are unusually grating and there's a surprising dearth of singing and especially dancing. Making matters worse is the transfer, allegedly "mastered from [the] original 35mm nitrate camera negative" but so soft with such weak blacks as to suggest a 25-year-old transfer dating back to the early days of VHS.

Fred Astaire and Burgess Meredith are overage college students and swing trumpeters Danny O'Neill and Hank Taylor, respectively, and that's the joke: they keep avoiding graduation so as to continue to rake in dough booking on-campus gigs. Still, it's a little hard to accept Fred was old enough in 1941 to be two college students. When Danny sees an old pal [Frank Melton] turn up with pretty Ellen Miller [Paulette Goddard] under his arm, she instantly falls for Danny, or so it seems. In one of the picture's few clever ideas, she passes under the table what he thinks is her phone number. Actually it's a summons to appear in court; she's a secretary for a collection agency.

Part of the problem is that Danny and Hank want a shot at joining Shaw's band, but they're even more fiercely competitive over their careers than they are with Ellen and only end up pissing off the bandleader. Ellen eventually convinces rich and eccentric bottle cap magnate J. Lester Chisholm [Charles Butterworth] to finance a special concert headlined by Shaw, but Danny and Hank nearly wreck that, too.

In many of Astaire's musicals [and for that matter, Gene Kelly's], he tries to win the girl by essentially pestering her to death, wearing her down to the point of stalking her until she finally gives in and sees what a swell guy he is. This is taken to the next level in Second Chrous. (In truth, Second Chorus was indeed Shaw's last Hollywood film, partly because of his frustrations with director H.C. Potter. Potter kept arguing that Shaw was playing his character all wrong until Shaw, in utter frustration, reportedly stormed off the set yelling, "You idiot I'm playing myself!") Shaw's okay in what amounts to the fourth lead; he's certainly a better actor than any of the other bandleaders of the time, including Glenn Miller who concurrently starred in several Fox pictures. [One should try to catch The Fabulous Dorseys if only for the hysterically awful acting of Tommy and Jimmy]. Butterworth gives the film it's only real charm.

Video & Audio Second Chorus was allegedly mastered off the original 35mm camera negative in 1984. Either this is a really old master, or it was mastered off anachronistic equipment and somebody simply did an awful job. In any case, the image is soft with details lost in a murky blur and grey throughout. The first reel is jittery and there's other damage here and there, but mostly it's the transfer rather than the condition of the film elements. Nighttime scenes come off especially bad; it's hard to make out what's going on in a couple of shots. The DVD is not subtitled, the sound is on the hissy side and there are no visual Extra Features.

Parting Thoughts Astaire regarded Second Chrous as the worst film of his career, and he may just be right. It's not awful, but terribly misguided. Fred Astaire and Burgess Meredith play irritating musicians that don't engender much sympathy, and Fred hardly gets to dance at all.

Finally, despite the slightly negative aspect of this Blu-ray, I still enjoyed it and glad I have it in my Blu-ray Collection, because to have Fred Astaire and Paulette Goddard together was a real treat. As to Burgess Meredith, he seemed totally out of his depth and should not of been in the film. The only eccentric part of this film, is having Charles Butterworth, who only just about makes it throughout the film. As to the Before & After Restoration Demo, this really is the only extra visual you get, which is okay, but I feel that should of done a much better job and not released the Blu-ray until it was 100% perfect, as the first 20 minutes you get a horrible scrapping sound in the background, like the film was not going throughout the gate properly and is very annoying.

Mr. Andrew C. Miller [Your Ultimate No.1 Film Fan]

Le Cinema Paradiso

WARE, United Kingdom

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The Sun Shines Bright (1953)

The Sun Shines BrightA great quality picture and sound adds an even larger satisfaction to me.

This is for me personally the best film John Ford ever made. I love the portrayal of Judge Priest by Charles Winninger. All the other character actors in this film were perfectly cast. The storyline is very human and very emotional as well on the humourous side as on the sadder side. I've seen the film about ten times and each time it is as refreshing as it was the first time.

Famed director John Ford once said that "The Sun Shines Bright" was his favorite film, and it is not hard to see why. Basically, this is a remake of his much earlier, "Judge Priest," from 1934 (starring Will Rogers). Ford critics tend to favor that earlier film version of Irvin Cobb's delightful short stories of old Kentucky, but I have always believed that this version is superior, not the least because Charles Winninger's acting is actually sharper and the dialogue crisper. Certainly, Rogers was a superb actor, but too many times his dialogue seems to trail on and on, becoming nearly unintelligible. Then, again, filmmaking in 1934 was not the same as in 1953.

Winninger was an accomplished Hollywood role player; but in "The Sun Shines Bright" he demonstrates that he was no simple comprimario or "co-star." He alternately illustrates humor, wisdom, sadness, and wistfulness. It's a superb performance. Despite the inevitable criticism that may come regarding this film not being "politically correct" (it isn't!), Ford probes human emotions and character, irrespective of race or social status. And the old Judge Priest---"trumpeter little Billy Priest"---understands fully the reality of justice, which he metes out to all, white and black, decent people and prostitutes. Certainly he does so in a social context that some present-day viewers may find foreign to "modern" sensibilities; but, getting beyond that stifling veneer of PC thought, and enjoying "The Sun Shines Bright" on its own terms can be an immensely rewarding experience.

Ford was indeed correct; it may well be one of his best films. Co-stars include John Russell, Slim Pickens, Russell Simpson, Arleen Whelan, Milburn Stone (of later "Gunsmoke" fame), Jane Darwell, and Steppin' Fetchit.

I have the Blu-ray version, which is superb. My thanks to Olive Films. Recommended.

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Ford brilliantly captures the slow, leisurely pace of a small river town in early 20th century America. A wonderful character study!

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It was good to find this film finally made the move from VHS to DVD. It has an excellent and sharp image. It is a sentimental feature, and not always politically correct but its a good movie although it is embarrassing at times, a film made in a different era of a different era. If you can forgive its blemishes, you can enjoy the pure Ford.

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Ford's remake of his earlier Southern comedy "Judge Priest." It's funny but Stepin Fetchit might make some people uncomfortable today.

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All About Steve (2009)

All About StevePeople Magazine gave this a 1/2 star out of 5. It truly wasn't that bad.

Here are my thoughts.

Sandra Bullock's character is awkward and that is an understatement. This still-at-home-with-mom-and-dad crossword-puzzle-creator is an unique blend of Cliff Clavin (Cheers) Napoleon Dynamite and Pippi Longstocking. I struggled with whether to like Mary and cheer her on or to just be annoyed and laugh at her when she fell into the big hole. I ended up doing both.

Basic plot: Mary, due to outside pressures, thinks she needs to take her one last shot of normalcy by embracing (understatement) a blind date. When he comes to pick her up and turns out to be "hot" she does this creepy silent stare thing and runs back upstairs to put some sexy on. A truly awkward scene follows when she jumps Steve (Bradley Cooper), not after an okay date but before they even pull away from her folks' house. At first Steve is dazzled by the skin and enthusiasm but then he begins to think she might be crazy so he invents an excuse...a phone call sending him away. While he's attempting to get her out of the van before she truly goes crazy he mentions wishing she could go with him. More circumstances make that a possibility. Some may call it stalking, Mary calls it many, many other things in long paragraphs and polysyllabic words.

Mary is not just a person who talks all the time -she's a walking encyclopedia of random facts -and she ends up alienating loads of people on her quest to find Steve. Then she becomes a hero, accidentally, of course. Thomas Haden Church plays the annoying, selfish anchorman wanna-be and he eggs Mary on. Though I wasn't sure what his motivation was exactly his encouragement got Mary to relentlessly pursue Steve. Most of the characters are oddly eccentric, almost cartoonish, from Mary's parents to Haden Church's nemesis. It was almost as if the movie was an attempt to tell a quirky feel good story blended with a parody. It's one of the stranger films I've seen.

Content warnings. The groping scene in the beginning 20 minutes of so of the movie goes on too long and it should be screened before child/young teen viewing. That probably won't be an issue though since most children will likely get bored. Several sexual references are scattered throughout the film. One news story that Steve chases down involves a fight over amputating a baby girl's third leg and there are a few obvious body part innuendo/references. Some language. Some skin, mostly cleavage.

There are several amusing one-liners and descriptives and a pretty sweet tornado besides some great physical comedy and pratfalls. A few scenes are laugh-out-loud funny. Many, many more are shake-the-head shrug inspiring. I'll give it a 3 and I'll probably watch it again when it hits DVD, if for no other reason, to see if I understand it a little better. Maybe it will have that Napoleon Dynamite magic. I didn't like it the first time I watched it either.

I laughed out loud several times. Some of the things Bradley Cooper did wasn't funny, but Sandra Bullock was so cute in it, and funny. A good light hearted movie.

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I didn't see this movie in the theaters, and was reluctant to watch it on DVD because of the bad reviews it got when it was released. I shouldn't have given the critics so much credence. This movie was funny! There were plenty of belly laughs, and none of them depended on grossing-out the viewer. This is a grown-up movie, and relies on your understanding of personality, human foibles, and the silliness of the media to generate humor. My recommendation is that you DO NOT read any synopsis of the plot...go into it cold. This will ensure that the insane turns this movie takes have their full kick!

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I thought this movie was GREAT! I watch all of Sandra Bullock's movies and I think she played this character GREAT! Even down to the eye makeup! So what if you think the story line is weak and unbelievable! Most movies are! When I go to a movie I don't go to see REAL LIFE. If I wanted that I would stay at home and watch CNN or FOX news. Movies for me are Romance movies and they are for Dreaming and Comedy movies for a GOOD laugh! If you are looking for a GOOD healthy laugh then go watch this movie. I laughed and cried at this movie because I know there ARE people out there like this that society makes fun of! I'm going to buy this movie when it comes out on DVD thats how much I enjoyed it! This is just my opinion.

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I only now getting around to viewing this film that "won" Sandra Bullock her Razzie. And I believe that the Razzie voters were mistaken. I feel that Bullock did a nice job of playing a quirky, annoying person. Surely there were plenty of performances far more deserving of this award.

Although the character could be annoying, she still seemed like someone that would also be good to have as a friend, particularly as she evolved by the end of the movie. I think that it would not be a stretch to compare Mary to PeeWee Herman in "PeeWee's Big Adventure."

I felt that all of the actors really did fine work in this fun little comedy and I look forward to viewing it again.

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Fighter, The (2013)

Fighter, The"The Fighter" is easily director David O. Russell's most conventional film to date. Russell has been out of the film world for a few years after the mixed reception he received with the release of 2004's "I Heart Huckabees," an underrated film that may have tried a bit too hard. But when Russell burst onto the scene with the subversive "Spanking the Monkey," the exquisitely madcap "Flirting with Disaster," and the audacious "Three Kings"--I knew that I would follow this guy wherever he led! Well, he's back. "The Fighter" comes straight from the underdog sports genre of filmmaking, and in its plotting stays true to the course you would expect. But thankfully, there's a bit more to this appealing tale that's as much about brotherhood as it is about prizefighting. Sold by an A-list cast (the acting awards and nominations have already started rolling in), "The Fighter" manages, for the most part, to transcend the usual cliches with its focus on family.

Telling the true life tale of Micky Ward's unorthodox, and extremely bumpy, road to capturing the world light welterweight title--"The Fighter" appeals to the same everyman underdog sensibilities that countless films have already tapped. Mark Wahlberg, in a refreshingly understated way, lends a calmness to the center of the picture. The rest of the cast, for good and bad, go for broke in large showy performances. Christian Bale, gaunt and tweaking, plays Ward's brother. A former boxer and Micky's trainer, Bale is hapless and helpless as a habitual crack addict and a lowlife criminal. The drama between Bale and Wahlberg is easily the strongest element in "The Fighter" with Bale being both invaluable AND utterly destructive to Wahlberg's career prospects. Wahlberg is continually overshadowed within the family by his needier brother who tasted greatness before completely falling apart.

Make no mistake, in my opinion, "The Fighter" belongs to Christian Bale in perhaps the finest performance of his career and of the year. Stripped to skeletal proportions, Bale inhabits every moment with a desperate intensity. But despite everything, you understand why Wahlberg can't turn his back on his brother. Amy Adams displays a pleasing toughness in a change of pace role as Wahlberg's girlfriend. And Melissa Leo has been garnering a lot of attention as the brothers' mother. Unfortunately, the film is not without its shortcomings. For my taste, Leo is a bit over-the-top as is much of the other family dynamic. There are many sisters on hand, none of whom are developed, and so when the whole clan gets together--those scenes tend to veer over the line of believability.

I can easily overlook these false (and noisy) moments, however, to admire the interplay between the brothers. Every quiet moment is worth it. It's easy to lose Walhberg in all the larger than life shenanigans, but were it not for his simplicity--""The Fighter" might have pushed into overwrought melodrama. As is, he perfectly balances with Bale's manic energy. And I have to say it again--Bale is stunning! For this alone, "The Fighter" stands apart from every other film selling a similar story. Bale, Bale, Bale!!!!! KGHarris, 12/10.

The Fighter has been a must-see film of mine ever since at least the end of October. Not only did the cast look to function as one strong, cohesive unit, Christian Bale looked to transform himself yet again and had gotten completely absorbed in his role as Dicky Eklund. From just viewing the trailer, Bale seemed to give a performance that reminded his fans just how talented he can actually be. The Fighter also seemed to have a lot of emotion and heart; two key ingredients that go on to making movies like this legendary. The real test would be if The Fighter could hold up to other great boxing films like Rocky or Raging Bull and in this critic's humble opinion, it does just that.

Mickey Ward (Wahlberg) is following in his brother Dicky's (Bale) footsteps and is trying to make a name for himself as a boxer. Dicky has been giving Mickey advice and helping Mickey train for as long as they can both remember while their mother Alice (Leo) has been acting as his manager the entire time. Mickey knows it's time for a change if he expects to make a serious impact in the boxing world, but a crack addicted brother and a mom who thinks she's helping his career when she's really hurting it have both been holding him back for far too long. So when Charlene (Adams) and Mickey become an item and Dicky winds up in prison, Mickey makes the hardest decision of his life and keeps fighting with new management in tow and seemingly pushes his family out. As Mickey's mother tries to wrap her head around her son replacing her as manager, all hell breaks loose once Dicky gets out of prison. As the date for the most important fight in Mickey's career fast approaches, will he have the support of his family or has everything already fallen apart past the point of being repaired?

The cast is the driving force behind this film. The relationships and arguments that take place between Mickey, Dicky, their mother, her seven daughters, George Ward (Jack McGee), Charlene, and Mickey O'Keefe (as himself) are really the heart behind all the boxing that takes place. Melissa Leo turns in an emotionally powerful performance as you can tell she only wants the best for her family, does everything within her power to do just that, and still seems to wind up hurting them in the long run. Amy Adams character, Charlene, seems to want nothing more than to be with Mickey but is also relying on his success to be the ticket to her bettering her life. Then there's Mark Wahlberg who always seems to play the same role with the same thick Boston accent. The thing about Mickey though is that Wahlberg fits the part very well. The extensive training Wahlberg went through and his experience made him a shoe-in for this role. The real gem of the film is Christian Bale though. Bale has been rather disappointing performance-wise since The Dark Knight and it's nice to see him back in top form here. He surely looks the part as his awkward body language, sick, clammy skin tone, and the way he seems to be chewing on something when he's not eating anything really makes him come off as a genuine crack addict. I was beginning to think that success had gotten to his head, but even if it has it's great to know that he can still turn in engaging performances like this when he feels like it.

What's interesting is the song, "How You Like Me Now?" by The Heavy that was also used in the trailers for Faster is used several times in The Fighter. It seems to be utilized more efficiently in The Fighter though. It felt like the song was used in Faster just because it sounded cool, but the song seems to have a stronger impact in a film about a boxer trying to turn his life around better than a film about a guy trying to gain revenge for his brother's death. It was a very welcome addition to the soundtrack and makes the opening segment to The Fighter even more memorable than it already was.

The film also wastes little time taking full control of your attention. You don't lose interest until that screen turns black. With the little bits of humor thrown in for good measure amongst all of the family brawling and knockout punches being thrown around, it was just really easy to get lost in the film. It was almost as if you were part of the documentary crew filming Dicky watching this all take place in person. The one complaint I have is that it all seems to end rather prematurely. While everything does come together nicely, the ending just doesn't feel fully gratifying. It felt like the film ended right in the middle of the climax, but consider it a nitpick. It's still an excellent film.

The Fighter is an engrossing and emotionally powerful drama that features an incredibly strong cast and the best performance from Christian Bale in a long, long time. I honestly haven't liked a boxing film this much since Raging Bull. With all of the end of the year awards talk and so many movies being released recently and in the coming weeks that'll be potential award winners, it is well worth every effort to see The Fighter in theaters. It has one of the most well-rounded and well put-together casts of any film to be released in theaters this year and deserves to be seen on the big screen.

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The Fighter tells the real-life story of junior welterweight boxer Micky Ward, of Lowell, Massachusetts. In 1995 HBO produced a documentary, High on Crack Street: Lost Lives in Lowell, that chronicled the plights of three crack addicts. One of its subjects was Micky's older half-brother, Dicky Eklund (played by Christian Bale, who won an Oscar for this performance). Dicky was also a boxer. He had "gone the distance" with Sugar Ray Leonard in 1978 but has turned into a self-destructing wreck. The wonder of the film is Micky's relationship with his family: his brother, who is his trainer; his dominating mother (Melissa Leo won an Academy Award for this role), who is his manager; her second husband; and Micky's six sisters (who still live at home and behave like a Greek chorus backing up whatever Mom says). Then there is Charlene, his new love, who is as tough as his mother and trying to get Micky away from this crazy bunch. This film deserved its acclaim.

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I loved this movie it offered both a compelling story and great sports scenes. I also thought the acting was wonderful melissa leo, amy adams, christian bale, and mark wahlberg were ALL excellent. You are drawn in my each and everyone of these characters.

I love how there were multiple interesting and engaging stories the fighter, the brother, the family, the girlfriend...

This movie is definitely more than a typical "sports" movie there is a lot of depth here, made all the more powerful since this is based on true events.

I love sports dramas and this was one of my favorites.

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"The Fighter" is very much in the mode of American sports movies, where the hero must overcome a tragic character flaw in order to achieve fame, glory, and victory. In this case, the tragic character flaw is also the best part of the movie: Christian Bale delivers an Oscar-winning performance as a crack cocaine addict who is pulling down his younger brother from boxing glory.

Christian Bale is one of the best actors, if not the best actor of his generation. He was mesmerizing in "American Psycho," and in "The Machinist" he demonstrates his devotion to his craft by losing enough weight to become skeletal. But "The Fighter" is definitely Bale's best performance to date, and it's his performance which sustains and ultimately propels the movie.

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Tokyo! (2008)

Tokyo!A couple months ago I saw TOKYO! at a film festival in San Francisco. One of the reasons I went to the screening was because of Michel Gondry, who directed Eternal Sunshine of the Spotless Mind and Be Kind Rewind. His piece was actually one of three short films that are in Tokyo! Each story takes place in the great city, but offers something different. The first, by Gondry, is about a young couple who are going in different directions. The second, by Carax, is about a sewer dweller who terrorizes the streets of Tokyo. And the thrid, by Joon-Ho, is about a OCD man who leaves his house for the first time in 10 years after falling for the pizza delivery girl.

I'm excited Tokyo! is coming to Blu ray because it now has a chance to reach a wider audience. I think this particular film will benefit from a High Defintion transfer because of the different locations and colors used throughout the film. My personal favorite story of the three was Gondry's, but one of the great things about this film is that everyone has an opinion as to which one was the better story. Tokyo! is a visually appealing film that is worth checking out.

Tokyo! is an omnibus feature that brings together three of today's most vibrant directors for three enthralling stories that encompass one city. Each non-Japanese director brings his own style to the screen to present a foreigner's view of the largest city on earth, and in doing so provide us with a cinematic treat.

INTERIOR DESIGN Michel Gondry's (Eternal Sunshine of the Spotless Mind) piece follows a young couple as they try to set themselves up in Tokyo. The young man's ambition is clear become a film director. His girlfriend however is far more indecisive and cannot escape the feeling that she's losing control of her life. Directionless, both are beginning to go under in this vast city, until the young woman becomes the object of a bizarre transformation.

MERDE Leos Carax (Lovers on the Bridge) spins the tale of a mysterious creature that spreads panic in the streets of Tokyo. Through this monster's provocative and destructive behavior, he arouses both passion and repulsion...until the moment he is captured.

SHAKING TOKYO Bong Joon Ho (The Host) gives us the story of a hikikomori, an agoraphobic man that has been shut up in his apartment for 10 years. When a pizza delivery girl faints in his home during an earthquake, the unthinkable happens he falls in love. Shortly after, he learns the girl has also become a hikikomori and now to find her he must dare to cross the threshold between his apartment and the rest of the world.

This visually stunning film addresses the timeless question of whether we shape cities, or if cities shape us.

I saw it at the Miami Film Festival and absolutely loved it, I can't wait till it comes out on DVD.

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I sat down to "Tokyo!" with uncertain expectations. I suppose, in many ways, I had anticipated these vignettes by three different international directors would be an homage or love letter to the city in the vein of "Paris, Je T'aime." Well, I've been wrong before and I'll certainly be wrong again! This trio of short films by the esteemed talents of Michel Gondry, Leos Carax, and Joon-ho Bong re-imagine the city as a dark subterranean fantasy world. Strange, to say the least, I think it's fair to proclaim that "Tokyo!" stands as a unique expression of cinematic imagination. Whether, in the long run, you'll love or hate these films is probably the big question as they are certainly designed to inspire strong feelings. But, one thing is clear, you've never seen anything quite like this collection of oddities.

Gondry, whose eccentricities worked best in "Eternal Sunshine of the Spotless Mind," starts things off with "Interior Design." "Design" follows a young couple who move to Tokyo to seek their fortune. As the guy starts to succeed and adapt, his girlfriend assumes a more peripheral role. Her feelings of inadequacies and uselessness ultimately manifest with a physical transformation that is brilliantly devised and slyly hysterical. It, as a whole, is my favorite segment! But Carax's "Merde" easily contains some of the trio's most inspired moments. A creature from the sewers emerges daily to terrorize the citizens on the streets. Looking more like a deranged leprechaun than an actual monster, his strange--but largely benign--attacks escalate to bloody brutality when he happens upon a cache of weapons. I absolutely loved these early scenes. When captured, his subsequent legal battle captivates a national audience. I'm not entirely sure if I understood the point of Carax's contribution, however, but it is an intriguing entertainment. And last "The Host" creator, Joon-ho Bong, developed "Shaking Tokyo." This cerebral piece concerns a recluse who finally gathers the courage to venture into the world after being entranced by a strange pizza delivery girl. A commentary on isolation, this was perhaps the least satisfying vignette for me.

"Tokyo!" is a must-see film for anyone who loves adventurous cinema. From a purely conceptual standpoint, I adored the ideas in these mini-films. I don't know, particularly, if the three combine to form any universal themes--but they are outrageously different. Perplexing and odd, I will remember "Tokyo!" and am sure to recommend it to select friends. But it's definitely not for everyone! So beware. Loopy, insane, baffling, but fun--I'd rate this as 3 1/2 stars generally with an upward round for the bizarre factor. KGHarris, 1/11.

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Full-length feature films that are really just compilations of shorter movies usually revolving around a single topic or theme tend not to work out all that well in the long one. Either the limited running time afforded to each individual story results in characters and plotlines that are too sketchy and underdeveloped to fully capture our interest, or the quality of each individual part varies so wildly that the movie as a whole fails to satisfy.

After "Paris je t'amie" a few years back and "Tokyo!" now, it would appear that, at some point, every "exotic" city will have a multi-part cinematic valentine to call its own. And whereas "Paris, je t'aime," not surprisingly, applied a romantic patina to its setting, "Tokyo!," also not surprisingly, has opted for a more sci-fi and metaphysical-oriented approach in exploring its locale.

In the first tale, "Interior Design," directed by Michel Gondy, Akira and Hiroki are a young couple who have come to the city to look for work and a place to live. He's an avant garde filmmaker, she his part time assistant and fulltime girlfriend. The movie deals with the tension that develops between not only Akira and Hiroki over finances and their future together but between the couple and the female friend whose cramped apartment they`re all staying in at the moment. Then, just at the point where all is beginning to seem hopeless, Hiroki involuntarily turns into a chair. You were expecting something different, perhaps?

"Interior Design," is of interest primarily in the way that it goes from the prosaic to the surreal without the slightest transition or warning. It's amusing to watch as the characters' lives suddenly come to parallel the movies he makes and the imaginative scenarios they are constantly playing out in their relationship. That one of those scenarios suddenly turns out to be real or is it? is all just a part of the game.

The second episode, "Merde," directed by Leos Carax, is even more over-the-edge in its content than "Interior Design." Denis Lavant plays a grizzled sort of man/creature in a green suit who emerges periodically from his home in the sewers to terrorize the understandably distraught citizens who inhabit the world above. Unsure of how to cope with such a menace, the Japanese government calls in a French lawyer with a goatee that perfectly matches the creature's to help with the crisis. Unfortunately, this highly stylized segment becomes a grueling, heavy-handed polemic against racism, xenophobia and capital punishment, devoid of charm, grace or even a modicum of entertainment value.

Luckily, in terms of quality, things pick up considerably with "Shaking Tokyo," easily the best of the bunch in both consistency and style. Imaginatively directed by Bong Joon-ho, "Shaking Tokyo" is a lyrical and poetic tale of a "hikikomori" a person with a pathological phobia of leaving the house who has to figure out what to do when he falls in love with a woman who, after meeting him once, turns into a hikikomori herself.

Thus, as with many of these omnibus movie packages, "Tokyo!" becomes, ultimately, a thing of bits and pieces, of two episodes that work and one that doesn't (not a bad ratio as these things go, actually). My advice, therefore, would be to watch parts one and three and skip part two altogether.

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I rented this years ago and OMG it's great!!

So I bought it here, great service and product!!

A must see!! There is subtitles though, also it

starts off slow but trust me it's a great movie.

3 short stories and 3 directors. The stories are

very creative and unlike any I've seen recently.

Here is a little about it I read on wikipedia:

a 2008 anthology film containing three segments written by three non-Japanese directors, all of which were filmed in Tokyo, Japan. Michel Gondry directed "Interior Design", Leos Carax directed "Merde", and Bong Joon-ho directed "Shaking Tokyo".

The three story titles are:

"Interior Design"

"Merde"

"Shaking Tokyo"

I couldn't pick a favorite, I love all three stories and they are very different from one another.

Sideways (2004)

SidewaysIt's always dangerous when you are late in coming to a small movie that has unexpectedly hit the big time -your viewing enjoyment may be hampered by the crushing weight of expectations. It's wonderful when you can be among the first to see small-budget classics like Stanely Tucci's "Big Night," but I didn't get to see "Sideways" until after the Oscar nominations, the critics' Top 10 lists, and so on. How could "Sideways" possibly live up to these awesome credentials?

Well, "Sideways" does live up to its billing, and it does so through one simple virtue -truth. "Sideways" is an extremely funny and insightful examination of two men struggling with their mediocrity -one who is all too aware of his shortcomings, and another who uses a pathetic Peter Pan syndrome to keep at bay the harsh glare of reality.

The self-aware guy is Miles (the lovable schlub Paul Giamatti), a recently divorced middle school English teacher who's having a difficult time getting his novel published . . . or even explained. Miles is awash in bitterness, but he knows deep down that he's a sweet guy once you get past the sour layers (of which there are many). The ignorant guy is Jack (Thomas Hayden Church), Miles' freshman roommate from San Diego State and a mildly successful actor. Jack is one of those guys who should be thankful for the successes he has, but is incapable of doing so because by accepting a given success, he is placing a ceiling on his dreams.

The "plot" of "Sideways" revolves around Jack's impending marriage. Engaged to a rich beauty and walking down the aisle on Saturday, Jack gets escorted by Miles for a week of freedom in the California central coast wine country. While wine, for Jack, is a means for getting drunk, it is a religion for Miles. Of course, it's obvious to anyone who spends five minutes with Miles that he uses his mastery of wine as a defense mechanism ("I appreciate great wine, so I must be worth something") thanks to the witty script, "there's just like the faintest soupçon of like, uh, asparagus," has entered our lexicon of pretentious criticism. Miles can use his focus on wine to avoid meeting people who could possibly reject him.

That's difficult on this trip, because Miles has met his soulmate, Maya (Virginia Madsen), who is a waitress at a wine country restaurant. Miles and Maya share a devotion to wine, and Miles is continuously surprised at the depth and character of this woman. The question of whether Miles can break out of his various layers of emotional armor to forge a connection with this delightful woman dominates the movie.

Unfortunately for Miles, Jack is as shallow as Miles is deep. In a classic self-destructive move, Jack gets involved with Stepanie (Sandra Oh), a vibrant single mother and good friend of Maya's. A pell-mell romance ensues, with the ever-so-slight complication that Jack hasn't told Stephanie about his impending marriage. Watching Jack skirt emotional ruin while selfishly justifying his caddish behavior is a gruesome delight.

Through it all, the script for "Sideways" puts believable, memorable lines into the mouths of these talented actors. Long narratives about wine reveal surprising details of the speakers, and each character receives a separate, distinct voice (this isn't a Quentin Tarantino movie where all the actors sound like Saint Quentin, or a George Lucas movie where all the actors sound like idiots). A "talky" movie, "Sideways" never runs out of steam.

There is plenty of humor in "Sideways," but most of it is reserved you will chuckle more often than laugh outright but there are a few gut-busting moments, as well.

"Sideways" is an attractive movie, but it is shot with a realistic eye -the California wine country looks great, but this is not an "eye candy" movie like "Under the Tuscan Sun," which looked sumptuous but had little else to offer. "Sideways" gets the balance of visuals and substance just right one can easily imagine Miles liking his own movie, and that is high praise.

I really enjoyed this movie. It's funny, awkward, and touching. It's got a *great* ending. But certainly it's not for everyone--this is a character-driven film--that is, the plot is about changes taking place within the characters' emotions, relationships, and understandings of themselves. If you're looking for high drama, big action, stunning cinematography--look elsewhere. But if you're interested in a small-ish film about real-ish people, real-ish situations--and genuine humor, give sideways a try.

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I realize this movie has come and gone but over the last year I've really grown to love it and after reading some of the reviews that this movie was so poor I felt compelled to give my opinion.

First, what's with the "boring" film thing, if you want exciting I don't know, rent something that's supposed to be exciting with explosions and Bruce Willis. Or if you find it morally ambiguous, consider what movies the director traditionally makes, Election, About Schmidt, these are somewhat dark, slow, depressing movies, rent something with Larry The Cable Guy if that's your thing; point is a little research prevents bad movie choices.

At 28 what I like about this movie is that it recognizes that life is messy and complicated. Considering my limited life experience I recognize that getting older doesn't automatically make someone perfect, responsible, and ethical. Cheating on spouses is not for me, but I've known couples (one of which many would describe as a good couple) who've cheated on each other. I'm not saying this is right but the point is I think people should be able to see some aspects of this story that are similar to their lives. Have you ever had a hard time getting over someone, or has one of your friends??? Ever know anyone who's unable to admit about a problem or won't admit they are in a rut?? I think lots of people feel like this, including myself; the point is there are those moments that give you hope. I'm speaking specifically about Miles in this movie, at one point in time he was much better, (though weak, he did cheat on his wife) Jack describes an entirely cheerier person. Miles reluctantly goes on this trip and is almost literally forced to recognize Mia as prospective relationship; this is ultimately positive, a reminder that opportunities for happiness are all around us if we choose to acknowledge that we are unhappy, in ruts, and are brave enough to follow them out. I know Miles does some despicable things, but somewhere he knows there is a person he wishes he could be, someone who does not just settle down, have a family, and eventually be married 50 years to their fat friend who they argue with constantly and live in there own worlds of denial. I feel I have hope for people in general; I look at the characters in the movie and think they want to be happy and hopefully they deal with the problems in their life.

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The Film

What a great film. Sideways is one of the few movies based on a book that improves a good deal over its source material. And it is absolutely hilarious. The reason I like Sideways, for better or for worse, is I know both Jack and Miles too well. At one time or another, I've walked in both of their shoes. Alexander Payne reaches a zenith of sorts with his quiet eccentric style. The film blends friendship, the road trip and a party flick. The wine provides an interesting tenor to boot. Paul Giamatti and Thomas Haden Church are completely irreplaceable in their respective roles. They're sort of cosmopolitan R2D2 and C3P0 roadies.

The Blu-Ray

There's been a lot of complaints over perceived Blu-Ray quality over the standard DVD. I can tell you, the Blu-Ray is better. On a large 1080p screen, there is a noticeable difference. Cinematographer Phedon Papamichael created a unique look for the visuals to give the film a signature feel. All those smudgy light plumes, and glowing highlights come from diffusion and slight overexposure folks, maybe even a shot of digital grading to punch the highlights. None of those things lend themselves to the sharpest end products the end product is a vintage style soft image. The Blu-Ray IS indeed better. There is no way i would choose the DVD over this. If you don't have a big enough 1080p screen for it to matter, however, the DVD will probably suffice. But come on, at $10 for the BD, why choose the DVD?

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The medium of the cinema can be entertaining as well as educational, and when it's done well, a film can be both. Such is the case with "Sideways," directed by Alexander Payne, who also wrote the screenplay, which he adapted from the novel by Rex Pickett.

Jack (Thomas Haden Church), an actor whose "star" peaked some eleven years earlier and who now ekes out a living primarily doing commercials, is about to be married. With one week to go before the big day, his best man/friend/former college roommate, Miles (Paul Giamatti), has cooked up a trip to California's wine country, where he proposes a week of friendship, good wine, good food and golf as a send-off for Jack into that most blessed state of matrimony.

As is often the case with the hand that Life deals us, however, the week does not quite go as planned, for a couple of reasons: First, though Miles proclaims this week to be about Jack, Miles is battling his own demons of depression, which have plagued him for going on two years now, ever since his divorce from his beloved Victoria (Jessica Hecht). In addition to which, although he makes his living as an Eighth-Grade English Teacher, Miles is also an aspiring novelist, who happens to be waiting for a call from his agent, who has a publisher interested in the novel Miles has been working on for more than three years. So there is an ulterior motive for Miles at work here; a wine connoisseur, he's taking Jack into country that is not only familiar to him, but is without question a "comfort zone" for Miles, who desperately needs a temporary respite from his own cares right now.

The other problem is that Jack has an inflated ego and an overactive libido, a potent combination that quickly dictates an alternate plan of action for the week. Jack, it seems, is bent on sowing every last wild oat that remains, active or dormant, within him, before his impending nuptials scheduled for the following Saturday. Soon he is involved with Stephanie (Sandra Oh), who works pouring samples of wine for visitors at one of the first vineyards to which Miles takes Jack on their tour.

Jack then successfully devises a plan that gets Miles involved with Maya (Virginia Madsen), a waitress at one of the restaurants Miles frequents on his visits to this part of the world. Maya also happens to be a recent divorcee who is working on her Master's in Horticulture at one of the local colleges, as well as being a wine connoisseur in her own right and a friend of Stephanie's to boot. All of which sounds like the makings of a good time for all, with one exception: Jack conveniently fails to tell Stephanie that he is about to be married.

Bad move, Jack...

In "Sideways," Payne has created a highly entertaining and emotionally involving film with characters and situations to which a broad cross-section of viewers will readily be able to relate and identify. Payne has an eye for nuance and subtlety, which makes his filmessentially a character studya succinct examination of the human condition.

Subtlety and nuance is exactly what Paul Giamatti brings to the role of Miles, as well. It's a performance that is so real it's almost excruciatingly so at times, but it makes Miles someone you can empathize with. Giamatti creates a sympathetic character you can't help but root for on this vast wilderness of a stage we call life; it's a performance that should easily have earned him an Oscar for Best Actor.

Haden Church does an exemplary job, too, as Jack. He imbues his character with such believable self-centered shallowness that you want to laugh at him and hit him at the same time. The rub is, Jack knows what he's doing, but simply can't help himself; so in the end you may find yourself sympathizing with him anyway, because Haden Church presents Jack as someone who just does not possess the intellectual capacity to do otherwise, which somehow makes you want to let him off the hook. You realize that this is just Jack honestly being who he is. And it takes a good performance to get you as a viewer to that place.

The striking Virginia Madsen does a good job, as well, as Maya, creating a character that is a perfect counterpart to the Miles created by Giamatti. And Sandra Oh, currently riding a surging wave of popularity due to her role on televisions "Grey's Anatomy," brings some definite pizzazz to her role of Stephanie, successfully displaying her character's spirit, while at the same time exposing a decidedly vulnerable side of her.

The supporting cast includes Missy Doty (Cammi), M.C. Gainey (Cammi's husband), Patrick Gallagher (Gary the bartender), Marylouise Burke (Mile's mother), Alysia Reiner (Christine) and Stephanie Faracy (Stephanie's mother).

A film that lends itself to repeated viewings, "Sideways" is one of those gems that makes you appreciate not only the artists involved, as well as the art of filmmaking, but the medium itself. I like this movie more every time I see it.

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Something Borrowed (Movie-Only Edition) (2011)

Something BorrowedI rarely write movie reviews, so the fact that I am for this film already tells you something. I know the ratings for this have been all over the place, so I wanted to put in my two cents, which are that given what it was, I loved it!

Now none of you know me, so you dont realize how momentous that statement is, coming from me of all people. While yes, I am female, I hate *utterly loathe* American romantic comedies. I absolutely cannot stand them and the only 100% exceptions are Bringing Up Baby from 1938 and When Harry Met Sally ... from 1989. So yes, it's been awhile since I found one that broke the rule.

I wanted to see this movie, both because of the actors (love Goodwin and Krasinski) and because it's a story (we hope) where the shy, quiet girl gets the guy. However, I went prepared to dislike it for two reasons. First, I was *very* apprehensive about the premise involving possible cheating, since I have trouble even reading about it in books or watching films like Closer. Second, it's a romantic comedy! How could I possibly end up liking it?!

Turns out, I was dead wrong. SOMETHING BORROWED was hysterical the writing was great and the delivery wonderful. The cast was also superb: John Krasinski, whom I adore in The Office, was hands-down unbelievably fantastic in his role; Ginnifer Goodwin, a lovely and talented actress, plays her part to perfection; and Colin Egglesfield, a quiet and subtle actor, makes for a great Dex. Darcy (Kate Hudson's character) is ridiculously over the top, but whatever I was able to overlook it in the face of all that was right with this movie.

Also, this movie was able to do what those in this genre usually cannot do: it was able to be somewhat realistic, while still giving us a wonderful happy ending no sappiness or corniness involved (two of my main objections to romance movies). The main characters trip up repeatedly and sometimes you want to slap some of them upside the head (... was that just me?), but it feels very authentic! And re: the love triangle, I think one of the things that made it feel all the more authentic was the very real dilemma that Rachel, Dex, and Darcy are faced with.

I loved this film, because for *once* a romantic comedy did for me what it always seems to do for others: it made me laugh out loud and it made me cheer for the two main characters and hope that they would end up together. I definitely, definitely recommend it.

I loved the movie and saw it twice in the first weekend. Ginnfer and Colin did a great job. Colin reminds me of a young Tom Cruise but better. He seems soulful, manages to play the character with integrity and gives great glances! A must see.

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This was one of the worst rom coms I've ever seen. Kate Hudson's character was so one dimensional it made you wonder why they were best friends to be begin with. The whole concept of being in love with your best friend's fiancé and then having an affair with him doesn't seems at all romantic to me. The lead male's character was so weak. He really liked the female lead, but then dated the best friend for six years (or whatever the time frame was) huh? Who would want to be with someone like that? I wish she would have ended up with John K. from The Office. At least he had a personality. It was utterly ridiculous and totally not relatable to me, but from the other reviews several seemed to love it.

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This movie had potential to make a cute love story. However, instead of doing so, it took a very different approach. The worthwhile match was left to the wayside to make room for a relationship that has no conceivable way of surviving, since it is based on lies, adultery and disloyalty. The two main characters are selfish adultresses, yet the movie seems to find one more innocent than the other. It seems that the attempt is to cause the viewer to approve of the one because she is normally a "good person," but the outcome leaves the viewer in complete disgust of her selfishness and disloyalty to her childhood friend. In the end she is proud of her adultery and destruction of a life-long relationship, because she was able to get what she had wanted for so long. How can one's morals and sense of decency be so degraded that one can appreciate this character and her accomplishment?

There was one character in the movie who was incredibly likable, kind and a perfect match for the lead character. However, the development of his character is a complete waste, since he just gets his heart broken and is left by the wayside, so that the lead character may reek havoc on the other relationships in her life.

I watch pretty much every chick flick that comes out, and I have seen a number of cheesy and poorly developed ones, but this one simply disgusted me.

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At first, I didn't want to see this movie, the trailer was uninteresting and not very funny. Then finally I decided to go see it and not judge it, John Krasinski from the Office is in it. So, I got myself a cheap ticket and watched it in the theater. I actually laughed and thought it was pretty good, not the greatest movie ever but it's worth watching a few times. I think this is a good rental, it has a few good laughs.

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