It's always dangerous when you are late in coming to a small movie that has unexpectedly hit the big time -your viewing enjoyment may be hampered by the crushing weight of expectations. It's wonderful when you can be among the first to see small-budget classics like Stanely Tucci's "Big Night," but I didn't get to see "Sideways" until after the Oscar nominations, the critics' Top 10 lists, and so on. How could "Sideways" possibly live up to these awesome credentials?Well, "Sideways" does live up to its billing, and it does so through one simple virtue -truth. "Sideways" is an extremely funny and insightful examination of two men struggling with their mediocrity -one who is all too aware of his shortcomings, and another who uses a pathetic Peter Pan syndrome to keep at bay the harsh glare of reality.
The self-aware guy is Miles (the lovable schlub Paul Giamatti), a recently divorced middle school English teacher who's having a difficult time getting his novel published . . . or even explained. Miles is awash in bitterness, but he knows deep down that he's a sweet guy once you get past the sour layers (of which there are many). The ignorant guy is Jack (Thomas Hayden Church), Miles' freshman roommate from San Diego State and a mildly successful actor. Jack is one of those guys who should be thankful for the successes he has, but is incapable of doing so because by accepting a given success, he is placing a ceiling on his dreams.
The "plot" of "Sideways" revolves around Jack's impending marriage. Engaged to a rich beauty and walking down the aisle on Saturday, Jack gets escorted by Miles for a week of freedom in the California central coast wine country. While wine, for Jack, is a means for getting drunk, it is a religion for Miles. Of course, it's obvious to anyone who spends five minutes with Miles that he uses his mastery of wine as a defense mechanism ("I appreciate great wine, so I must be worth something") thanks to the witty script, "there's just like the faintest soupçon of like, uh, asparagus," has entered our lexicon of pretentious criticism. Miles can use his focus on wine to avoid meeting people who could possibly reject him.
That's difficult on this trip, because Miles has met his soulmate, Maya (Virginia Madsen), who is a waitress at a wine country restaurant. Miles and Maya share a devotion to wine, and Miles is continuously surprised at the depth and character of this woman. The question of whether Miles can break out of his various layers of emotional armor to forge a connection with this delightful woman dominates the movie.
Unfortunately for Miles, Jack is as shallow as Miles is deep. In a classic self-destructive move, Jack gets involved with Stepanie (Sandra Oh), a vibrant single mother and good friend of Maya's. A pell-mell romance ensues, with the ever-so-slight complication that Jack hasn't told Stephanie about his impending marriage. Watching Jack skirt emotional ruin while selfishly justifying his caddish behavior is a gruesome delight.
Through it all, the script for "Sideways" puts believable, memorable lines into the mouths of these talented actors. Long narratives about wine reveal surprising details of the speakers, and each character receives a separate, distinct voice (this isn't a Quentin Tarantino movie where all the actors sound like Saint Quentin, or a George Lucas movie where all the actors sound like idiots). A "talky" movie, "Sideways" never runs out of steam.
There is plenty of humor in "Sideways," but most of it is reserved you will chuckle more often than laugh outright but there are a few gut-busting moments, as well.
"Sideways" is an attractive movie, but it is shot with a realistic eye -the California wine country looks great, but this is not an "eye candy" movie like "Under the Tuscan Sun," which looked sumptuous but had little else to offer. "Sideways" gets the balance of visuals and substance just right one can easily imagine Miles liking his own movie, and that is high praise.
First, what's with the "boring" film thing, if you want exciting I don't know, rent something that's supposed to be exciting with explosions and Bruce Willis. Or if you find it morally ambiguous, consider what movies the director traditionally makes, Election, About Schmidt, these are somewhat dark, slow, depressing movies, rent something with Larry The Cable Guy if that's your thing; point is a little research prevents bad movie choices.
At 28 what I like about this movie is that it recognizes that life is messy and complicated. Considering my limited life experience I recognize that getting older doesn't automatically make someone perfect, responsible, and ethical. Cheating on spouses is not for me, but I've known couples (one of which many would describe as a good couple) who've cheated on each other. I'm not saying this is right but the point is I think people should be able to see some aspects of this story that are similar to their lives. Have you ever had a hard time getting over someone, or has one of your friends??? Ever know anyone who's unable to admit about a problem or won't admit they are in a rut?? I think lots of people feel like this, including myself; the point is there are those moments that give you hope. I'm speaking specifically about Miles in this movie, at one point in time he was much better, (though weak, he did cheat on his wife) Jack describes an entirely cheerier person. Miles reluctantly goes on this trip and is almost literally forced to recognize Mia as prospective relationship; this is ultimately positive, a reminder that opportunities for happiness are all around us if we choose to acknowledge that we are unhappy, in ruts, and are brave enough to follow them out. I know Miles does some despicable things, but somewhere he knows there is a person he wishes he could be, someone who does not just settle down, have a family, and eventually be married 50 years to their fat friend who they argue with constantly and live in there own worlds of denial. I feel I have hope for people in general; I look at the characters in the movie and think they want to be happy and hopefully they deal with the problems in their life.
Read Best Reviews of Sideways (2004) Here
The FilmWhat a great film. Sideways is one of the few movies based on a book that improves a good deal over its source material. And it is absolutely hilarious. The reason I like Sideways, for better or for worse, is I know both Jack and Miles too well. At one time or another, I've walked in both of their shoes. Alexander Payne reaches a zenith of sorts with his quiet eccentric style. The film blends friendship, the road trip and a party flick. The wine provides an interesting tenor to boot. Paul Giamatti and Thomas Haden Church are completely irreplaceable in their respective roles. They're sort of cosmopolitan R2D2 and C3P0 roadies.
The Blu-Ray
There's been a lot of complaints over perceived Blu-Ray quality over the standard DVD. I can tell you, the Blu-Ray is better. On a large 1080p screen, there is a noticeable difference. Cinematographer Phedon Papamichael created a unique look for the visuals to give the film a signature feel. All those smudgy light plumes, and glowing highlights come from diffusion and slight overexposure folks, maybe even a shot of digital grading to punch the highlights. None of those things lend themselves to the sharpest end products the end product is a vintage style soft image. The Blu-Ray IS indeed better. There is no way i would choose the DVD over this. If you don't have a big enough 1080p screen for it to matter, however, the DVD will probably suffice. But come on, at $10 for the BD, why choose the DVD?
Want Sideways (2004) Discount?
The medium of the cinema can be entertaining as well as educational, and when it's done well, a film can be both. Such is the case with "Sideways," directed by Alexander Payne, who also wrote the screenplay, which he adapted from the novel by Rex Pickett.Jack (Thomas Haden Church), an actor whose "star" peaked some eleven years earlier and who now ekes out a living primarily doing commercials, is about to be married. With one week to go before the big day, his best man/friend/former college roommate, Miles (Paul Giamatti), has cooked up a trip to California's wine country, where he proposes a week of friendship, good wine, good food and golf as a send-off for Jack into that most blessed state of matrimony.
As is often the case with the hand that Life deals us, however, the week does not quite go as planned, for a couple of reasons: First, though Miles proclaims this week to be about Jack, Miles is battling his own demons of depression, which have plagued him for going on two years now, ever since his divorce from his beloved Victoria (Jessica Hecht). In addition to which, although he makes his living as an Eighth-Grade English Teacher, Miles is also an aspiring novelist, who happens to be waiting for a call from his agent, who has a publisher interested in the novel Miles has been working on for more than three years. So there is an ulterior motive for Miles at work here; a wine connoisseur, he's taking Jack into country that is not only familiar to him, but is without question a "comfort zone" for Miles, who desperately needs a temporary respite from his own cares right now.
The other problem is that Jack has an inflated ego and an overactive libido, a potent combination that quickly dictates an alternate plan of action for the week. Jack, it seems, is bent on sowing every last wild oat that remains, active or dormant, within him, before his impending nuptials scheduled for the following Saturday. Soon he is involved with Stephanie (Sandra Oh), who works pouring samples of wine for visitors at one of the first vineyards to which Miles takes Jack on their tour.
Jack then successfully devises a plan that gets Miles involved with Maya (Virginia Madsen), a waitress at one of the restaurants Miles frequents on his visits to this part of the world. Maya also happens to be a recent divorcee who is working on her Master's in Horticulture at one of the local colleges, as well as being a wine connoisseur in her own right and a friend of Stephanie's to boot. All of which sounds like the makings of a good time for all, with one exception: Jack conveniently fails to tell Stephanie that he is about to be married.
Bad move, Jack...
In "Sideways," Payne has created a highly entertaining and emotionally involving film with characters and situations to which a broad cross-section of viewers will readily be able to relate and identify. Payne has an eye for nuance and subtlety, which makes his filmessentially a character studya succinct examination of the human condition.
Subtlety and nuance is exactly what Paul Giamatti brings to the role of Miles, as well. It's a performance that is so real it's almost excruciatingly so at times, but it makes Miles someone you can empathize with. Giamatti creates a sympathetic character you can't help but root for on this vast wilderness of a stage we call life; it's a performance that should easily have earned him an Oscar for Best Actor.
Haden Church does an exemplary job, too, as Jack. He imbues his character with such believable self-centered shallowness that you want to laugh at him and hit him at the same time. The rub is, Jack knows what he's doing, but simply can't help himself; so in the end you may find yourself sympathizing with him anyway, because Haden Church presents Jack as someone who just does not possess the intellectual capacity to do otherwise, which somehow makes you want to let him off the hook. You realize that this is just Jack honestly being who he is. And it takes a good performance to get you as a viewer to that place.
The striking Virginia Madsen does a good job, as well, as Maya, creating a character that is a perfect counterpart to the Miles created by Giamatti. And Sandra Oh, currently riding a surging wave of popularity due to her role on televisions "Grey's Anatomy," brings some definite pizzazz to her role of Stephanie, successfully displaying her character's spirit, while at the same time exposing a decidedly vulnerable side of her.
The supporting cast includes Missy Doty (Cammi), M.C. Gainey (Cammi's husband), Patrick Gallagher (Gary the bartender), Marylouise Burke (Mile's mother), Alysia Reiner (Christine) and Stephanie Faracy (Stephanie's mother).
A film that lends itself to repeated viewings, "Sideways" is one of those gems that makes you appreciate not only the artists involved, as well as the art of filmmaking, but the medium itself. I like this movie more every time I see it.
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