Showing posts with label comedy movie 2011. Show all posts
Showing posts with label comedy movie 2011. Show all posts

Priceless (2008)

Priceless"Priceless" (Hors de prix) is a romantic comedy of a sort only the French would make. Jean Simon (Gad Elmaleh) is a bartender at a posh hotel on the French Riviera so conditioned to fulfill the guests' every wish that he can't say "no". Irene Mercier (Audrey Tautou) is an attractive young woman kept by a wealthy older man whom she hopes to marry to secure a life of luxury. When Irene's companion Jacques (Vernon Dobtcheff) falls asleep and spoils her plans for the evening, Irene dejectedly saunters to the hotel bar, where she mistakes Jean for a rich guest. Jean sheepishly accommodates her mistake, and they have a drunken fling. When she returns to the hotel a year later, engaged to Jacques, their mutual attraction threatens her marriage plans, Jean's job, and everyone's equilibrium.

This is a genuinely charming and funny film, but I had to laugh at its effrontery as well as it script. "Priceless" adopts a jaunty, optimistic tone at the point when Jean and Irene begin prostituting themselves to rich patrons. This film would not be made in the Untied States. It accepts the casual exchange of sex for money as an amusing and self-evident aspect of life, and sexual jealousy simply does not exist. Irene couldn't be more charming than when she attempts to educate a smitten Jean on the arts of gold-digging and seduction. Irene and Jean's meal tickets, the wealthy bon vivants that keep them in designer fashions, are interesting and smart people themselves, which helps elevate the film.

And there is always something interesting going on the background. I enjoyed director Pierre Salvadori's peeks behind the scenes at how luxury hotels function. I was impressed by his respect for the support staffs that keep the hotels running, and it enhanced the feeling of grandeur that Irene single-mindedly seeks. "Priceless" was obviously inspired by "Breakfast at Tiffany's", a film that I don't care for. It is not as coy about the lady's profession, however. And Jean and Irene are much more appealing and good-humored leads. "Priceless" is a very good-looking film, a scandalous tale that wisely gives no hint of scandal, with a smart, funny script. There are no bonus features on the First Look 2008 DVD. Subtitles are available in English SDH and Spanish.

I'm going out on a limb and giving this film 5 stars. No it's not epic long lasting cinema, but it's a perfectly enjoyable, wonderfully well made, bit of entertainment. It's in the same vein as Cousin Cousine Cousin, Cousine, or when you read the synopsis, not a movie you would want to watch. However, the French have this ability to make films that take what, to American sensibility, would be an offensive film, and make it charming.

This film is a little charming film. From the start you are drawn in, beautiful scenery, an intriguing bell man (Jean) working hard to make money. Working so hard, Jean actually falls asleep standing up while working. And the counterpart is a young woman (Irene) with an older man. He passes out drunk on her birthday and she ends up with the Jean. You can think long and hard about what Irene does or is, but why? By this time you are hooked on the charm of this film. Just go along, enjoy the ride.

The scenery in and around Nice is wonderful. The people are beautiful. The language gorgeous. The sun, the sea, just enjoy.

We watched this movie on a cold December snowy evening, and enjoyed the full two hours non-stop.

The subtitles / translation is done rather well. The only nit to pick, the name of the film. Hors de Prix is more like outrageously priced, or extremely expensive. It's not necessarily pricelss. With the matercard ads we lean more to priceless meaning, can't be bought for any money. Like Jean, hors de prix, humans can buy these things, they might just have to take out loans to buy them. Priceless things can't be bought.

As was said in another review, the sex bits are very subtle. It's definately a romantic film. This is really a PG-13 film if you used language (the f word is never said or subtitled), nudity (there is none), and violence (somebody gets slapped with no blood) as your gauge (as the MPAA does on American films). However, the topic, well it's probably not going to be interesting to anyone under 15 or 16 anyway.

Very enjoyable film. Charming. A real pleasure to watch. A great cold night watch.

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This gem sparkles like diamonds on display in Tiffany's. Audrey Tautou shows her physical beauty and amazing acting range, pulling off a seemingly impossible character arc from selling her self to the highest bidder to finding true love. Twists along the way let us see the world from all points of view, a rare thing in storytelling. Having it all feel seamless and natural is an amazing tour de force by actors, writers, film crew and the director. "Priceless" is one of the very few romantic comedies that can be watched again without losing an ounce of its punch. And whoever did the costumes for Ms. Tautou deserves an Academy Award.

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Like Nicholas Stoller's "Forgetting Sarah Marshall," Pierre Salvadori's "Priceless" could be considered distinctly unsavory if the story weren't so funny and the actors so charming. Both films share a basic theme--sexual hanky-panky in luxurious resort hotels--but whereas "Forgetting Sarah Marshall" concentrates on the sex itself, making it thoroughly American, "Priceless" is very French in concentrating on the dollars-and-cents (or euros-and-cents) calculations of love for a price. "Priceless" redeems itself by having true love triumph over money in the end (and you knew it would going into this movie; this is "Priceless," not "Darling.") Audrey Tautou is alluringly hard-edged as a shameless golddigger who, through a series of mixups, ends up sleeping with a shy barman (Gad Elmaleh) she mistakes for a tycoon. The mixup costs Tautou her current sugar daddy, with nothing and no one to fall back on. When Elmaleh presses his suit, Tautou exacts an expensive revenge which leads to all sorts of repercussions and complications, all set against the opulent backdrops of Biarritz and Monte Carlo captured glowingly by cinematographer Gilles Henry. Tautou is funny and touching as a mercenary woman who gradually melts under the spell of true love, and Elmaleh is a perfect example of the lovable deadpan comedians France excels at producing. The various rich folk whom Tautou and Elmaleh, ahem, bump up against--played to perfection by Marie-Christine Adam, Vernon Dobtcheff, and Jacques Spiesser--become more loathsome with each second of screen time, making the ultimate triumph of love over money all the sweeter. "Priceless" is a prime, and unexpectedly pointed, example of French bedroom farce.

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Hors de Prix (Priceless) stars audrey tatou ("amelie," l'auberge espagnole," "dirty pretty things")as a woman who exists and subsists on the kindness of rich old men but only for a short time: before she gets bored, before he dies, before she realizes that there is another bigger score afoot. tatou plays irene (she is painfully thin in a play i think to replicate the mesmerizing, luminous audrey hepburn of "breakfast at tiffany's") and to add some friction to the mix, director pierre salvadori manipulates a meeting between irene and jean ( gad elmaleh) a poor guy who irene mistakes for her next victim but who meets a rich woman who absurdly wants jean to be her paid escort. Irene takes on the job of transforming jean into a proper french gigolo.

what is refreshing about this film is that director salvadori and his writer are not conflcted in the least about irene and what she does: there is no judgement about these kinds of things in french films. irene's actions are deliberate and goal oriented. irene is a prostitue (a high class one, yes but a prostitute nonetheless), a gold digger, a woman who lives off the kindness of old men who crave her company and her affection.

gold digging as an elevated, something to be strived for activity/way of life: the interplay between jean and irene is witty, fun and thoughtful as irene teaches jean the ropes.

"Priceless" is a frothy bit of film making, made even lighter by Audray Tatou's ethereal Irene and gad elmalah's sad sack Jean.the idea that we americans are going to re-make this film sends shudders up my spine. quelle dommage!

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Santa Claus Conquers the Martians: Remastered Edition (1964)

Santa Claus Conquers the Martians: Remastered EditionIt's the kookiest Christmas ever when Santa Claus is kidnapped by Martians in this "you have to see it to believe it" Christmas "classic." Maybe you've seen this movie hilariously skewered on Mystery Science Theater 3000, but you have to watch it on its own to truly appreciate it. Santa Claus Conquers the Martians is just so bad that I can't help but love it, and that explains why I am giving this deservedly one-star movie four stars. The Martian get-ups are more ridiculous than Marvin the Martian's normal attire, the sets redefine the very definition of cheap, the acting is over-the-top and generally horrible, and Santa is well, he's just a little bit weird, if you ask me. Every time the guy starts in with his distinctive laughing (usually for no apparent reason), I am reminded of the fact that Satan is spelled with the same letters as Santa.

Things aren't going so well on Mars. It's bad enough that the Martians are all colored a ridiculous shade of green, dress like rejected superheroes, and wear ridiculous antenna-spouting helmets on their heads at all times, but now the children of Mars are all acting depressed and withdrawn; all they want to do is sit and watch Earth TV. Kimar (Leonard Hicks), the leader of Mars, seeks the advice of the planet's 800-year old wise man and is told that he must bring Santa Claus to Mars so that the children can actually have fun and be children for a little while. Voldar (Vincent Beck) opposes the plan every step of the way, arguing that Kimar's plan will soon result in a whole planet full of lily-livered, mush-brained nincompoops. Kimar wins out and sets off for Earth in the most pathetic spaceship of all time to catch Santa and bring him back to Mars along with two Earthling children. Well, Santa starts up a new workshop on Mars, hoping he'll be allowed to return home in time for Christmas, but Voldar is as tenacious as he is ridiculous-looking and is determined to kill Santa and stomp out all signs of Christmas spirit on the red planet.

Santa Claus Conquers the Martians features a young Pia Zadora as a little Martian girl, but perhaps the movie's most unforgettable feature is the swinging theme song, Hooray for Santa Claus. If you watch the movie, you'll have this silly song in your head for days. Dropo (Bill McCutcheon) gives a memorable performance as Mars' resident screw-up with a heart of gold, but my thoughts always remain with John Call and his disturbingly weird portrayal of Santa Claus. I can pretty much guarantee that this movie will make you laugh with its unashamed ineptness, and bad movie lovers are ineligible for their very first merit badge until they have watched Santa Claus Conquers the Martians and lived to tell about it.

This DVD from Intermedia (Woodhaven), is the best version on DVD. The print quality used is much better that that used on other DVD's.

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Yeah, "It's a Wonderful Life" is a pretty good movie. However, the movie I joyfully watch every Christmas is about martians who, lacking a Santa Claus to bring joy to martian kids, kidnap Santa from Earth, along with two children. "Santa Claus Conquers the Martians" is almost sublime in its badness, and with painted-green martials in skintight suits, a Santa with a lewd chuckle instead of a "Ho Ho Ho," incredible wooden acting by the cast (one of whom is Pia Zadora), unspeakable special effects, and a horrible theme song, it is a masterpiece of the so-bad-it's-good school of film. Just TRY getting the theme song out of your head.

The DVD from Laserlight looks exactly as one would expect it awful. The supersaturated colour scheme has not aged well, and looks very grainy. There are many scratches, but that only adds to the film's strange charm. Unfortunately, the first fifteen seconds or so of the film's opening credits are not on this DVD, depriving loyal fans of seeing EVERY BIT of "Santa Claus Conquers the Martians." Unsurprisingly, there are no extras, although the menus are pretty good.

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You've got to be in a silly or giddy mood to truly appreciate this '60's classic. From suspense formulation to character development, SCCM tosses convention aside and disobeys all film making rules. In fact, it is so poorly done, it is downright enjoyable! Enjoy it with your friends for a good laugh. Be enchanted with lovely Pia Zadora's film debut (I think) as the cute little Martian girl. Be inspired as Carl Don's character, the 800+ year old Martian wiseman, proclaims, "We Need A Santa Claus on Mars!" Get downright geocentric as the Earth's Christmas Holiday spirit prevails over the Red Planet's system of overbearing logic and Grinch-esque gloom.

Most importantly, jam to the film's wonderful jingle, "Hooray For Santa Claus", which I truly think is the best thing to come out of this movie. I believe this theme song is the most underrated Christmas carol of all time.

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You can get it for a dollar at Target. And, for only a dollar, it is the best value-to-price ratio ever. You and your friends will spend hours laughing at the silly quirks this movie is made up of. Voldar, Droppo, the whole gang are going to entertain your socks off.

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Daniel Tosh: Completely Serious (2007)

Daniel Tosh: Completely Serious4.8 stars

By far the best stand-up performance I've seen since Chris Rock's perfect Bigger And Blacker, this is one hour of extremely edgy yet somehow good-natured comedy. Tosh spares nothing and no one, least of all America in general. And he does it all so slyly, with that engaging grin and flashing eyes that say, yeah, you know I'm right, admit it.

The material here is twenty minutes longer than what the Comedy Chunnel shows from this dvd. They cut a lot of the best, most over the top bits, so it's a treat to see them here. What really distinguishes Tosh is the intelligence and subtlety of some of his lines. He's skewering all of us, and our selfish society, and does it with so much verve and bonhomie that you hardly notice how deep the cuts go.

I enjoy a comedian who can get straight to the heart of things, and Tosh is a master at that already on his first dvd. He's one of the few stand-ups I've seen in years who clearly has the goods in spades, and seems more interested in commenting on his version of the truth than getting easy laughs. He says things that seem so wrong at first, but one quickly realizes what's really wrong is how right he is about our complacency and prejudices.

His new show on CC, Tosh.0, is decent, but goes for easy laughs and is nowhere near as funny as this dvd and his earlier cd. Let's hope the tv stardom doesn't derail his excellent stand-up, and that he doesn't go the Rock route and release only one performance every five years. Truth is at a premium these days, and this guy is poised to be a prime conduit.

Absolutely recommended to any fan of Carlin, Pryor, Hicks, or Rock.

Just watched this free on Prime Instant Video and it was GREAT!!!! I have seen his Tosh.O show a couple times, but never thought that much of Tosh as a comedian. After this I am a HUGE fan. Everything he said was true, but offensive, which is ok. I think most people are too PC these days. It reminds me of "It's Always Sunny In Philadelphia", in that they say the things we are thinking, but are "ashamed" to say. I liked how he wasn't afraid to make fun of his crowd, and thought the jokes about the Midwest were hilarious (I live in Missouri). If you like shows like "Louie" or "It's Always Sunny", then you will LOVE this standup special. Give it a try.

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This is so amazing, I did like it better than happy thoughts. Just because you don't find him funny, doesn't mean he isn't, someone you know will find this funny. Would recommend for anyone, unless you can't sit back and just laugh away.

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As random and sarcastic as he is, this uncensored DVD captures Daniel Tosh at the very top of his game! Filmed two years before the bombastic rise of his hit Comedy Central series, "Tosh.0", he is given a mic, an hour of CC air time, and the green light to speak his thought-out, insane mind. Definitely a must-buy for any fan of comedy, :)

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First off, I would have to say that this type of humor isn't for all people. Daniel Tosh can be very crude. But if you like that type of humor, this special will not disappoint. For years, Eddie Murphy's RAW and Eddie Izzard's Dress To Kill were my two very favorite stand up specials. Now I would say Daniel Tosh's Completely Serious takes it's place at number 1. I've watched this special at least 10 times and I always laugh uncontrollably. It just never gets old!

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Management (2008)

ManagementThis film was absolutely beautiful. It has that shy pre-emptiveness we expect from films which deal with tender topics such as love and approaching a girl. We all know that the chances of watching a Jennifer Aniston film and being completely bowled over are slim but this film does do that. I thought she was very good in the film and man, did the film have it's funny moments. Before watching this film, I saw Sunshine Cleaning and I quite liked the film. The one thing that is common between this film and Sunshine is Steve Zahn. Management, however, is the film that I liked more and I thought it had it's heart in the right place. At just 1 hour 20 minutes, this film never promises to conquer the world but it makes you go into guffaws.

This film has no flaws and unlike films like "You, Me and Dupree" this film never tries too hard to be cute. It's amazing how such films can be churned out even in 2009. I wish I had waited and seen this at the movies but that was not meant to be. I sneaked an advanced screening copy from some place and I'm sorry for that. There is wonderful chemistry between Zahn and Aniston. Girls, you will love this. Guys, you will not hate your girls for this. Genuine, free spirited and unabashed.

This movie really brought tears to my eyes. I thought it was going to be a comedy. Instead, it was a romance with very honest characters and an unusually realistic feel to it. I think this is the best role I've ever seen Jennifer Aniston play. Steve Zahn is someone I've liked but never saw him as a leading man.

The words 'leading man' hardly describe him in this movie. He is one of the two main characters (Aniston is the other) and he draws the viewer into his world. At first, you wonder if you really want to be in that world. Then, by the end of the movie, you feel like he could be your best friend.

I can't help but think of another movie, 'Being John Malkovich', that tries to bring the viewer into a world. Sure, that world is topsy-turvy but the point is: that movie doesn't succeed in doing that half as much as this movie does. And that movie was critically acclaimed. This movie has not gathered much notice but I predict it will gain a reputation and stay around for a long time. I've already thrown out my copy of 'Being John Malkovich'.

It takes 20 or 30 minutes to establish some things and it does this at a very slow pace. Stay with the movie it picks up quickly and you love the characters, you just can't help it.

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This is one of Jennifer annistons lesser known roles. She and Steve Zahn are a most unlikely romantic couple. This movie is a little gem in the morass of overhyped stuff that hits the markets these days. It's gentle, humorous and has unexpected moments.I guess it would be a chick flick since there are no car chases, but my husband has watched it three times.

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Is this a romantic comedy? If so, they forgot the romance and the comedy. Aniston is dried up here, but I guess that was her character. Steve Zhan is the most likeable character, but that's not saying much. Woody Harrelson si simply a cartoon as a retired punk musician turned yogurt mogul. Someone must have thought this vehicle would fly, but it doesn't. It takes a weird turn halfway in, when Zhan starts jumping out of airplanes and turning into a Bhuddist monk. Check this one off on your list of Jennifer Aniston date movie flops.

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I can understand why some people didn't like this: it is unusual, not your standard Rom Com. But here is what I loved about it:

extremely well acted: the main characters have a sweetness and muddledness that evolves during the course of the movie, and does so in a way that is both moving and convincing. And, while at the beginning it was hard to believe that the two characters could grow close, by the end (or really the middle), it was very believable. I loved both Zahn and Aniston. and the supporting actors were funny (woody herrelson) and good (everyone).

the story is romantic but not in a usual way. it's paced more slowly, which I liked a lot once I got used to it.

it has a sweetness that derives from the Steve character (played by steve zahn), and actually from the other characters too.

if you like independent movies, with their unusual pacing, then definitely try this one.

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Bhool Bhulaiyaa

Bhool BhulaiyaaAkshay Kumar was a very mediocre actor during his early movies and has slowly blossomed into a great actor. He's very good to watch whether it be in a comedy role or a more serious role. This brings out the best of both these roles from Akshay.

The story is rather silly (psychologists will be wincing) but it's a lot of fun. The songs are enjoyable and the dancing is amazing!

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Purchased blu-ray version and after inserting the disk in the player, a standard blu-ray info type screen came up but it wouldn't proceed to the next chapter/movie root menu. Even skipping chapters or forwarding did not help. Tried on a couple of players (PS3 40GB and BDP-S360) with same results.

update: Jun 14 2010. I purchased this movie in blu-ray one more time and to my dismay, the same thing happened again... the movie would not play nor will it come to the main/root menu. After some researching I found that apparently there is a compatibility problem this disk has with at least the 2 Sony players mentioned above. The workaround is to click on the Options button (the triangle shaped icon on the remote), select 'Go To' and then go and change the Chapter from 1 to 5 and click on the OK button. It will work! The picture quality isn't the sharpest but its still better than DVD quality.

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Stand Off BD/Combo (2011)

Stand Off BD/ComboThis movie was alot of fun to watch, and very enjoyable. It starts off a bit slow as you are introduced to the various characters, However, after that it really takes off, and the longer you watch, the better it gets. The actors were all very very good and the plot was great. The interaction between the actors makes for rich humor with out being stupid, and you never know what will happen next. So, you have humor, action, budding romance, hitmen, mob bosses, crime, upset mothers, and all kinds of wonderfull characters to enjoy. Filmed in Northern Irland, so sometimes the accents are a bit hard to understand, but not often. This movie can be viewed by the whole family. No F-bombs, no nudity, no sexual situations, and what violence there is was done with taste and consideration. If you decide to see this movie, I'll bet you will not be dissatisfied. Enjoy.

"We were robbed, he got the brown bag. Yes, that brown bag." Jimbo is a young father who has a gambling problem. When he gets in deep to a local mob boss he has one choice. Pay him back or give him his son. With his back against the wall he decides to rob a fish market, but for a non-criminal things don't always go right. This first and foremost is a really funny comedy. Just seeing the events unfold on its own is really funny and entertaining to watch but when mixed with the dialog it makes it that much more fun to watch. This movie combines the best of British crime movies with American comedy. While this movie won't win any awards it is one of the most entertaining movies that I have seen in a while and I recommend this. The type of movie you can just put in and not really have to think about, just watch and enjoy. I liked it. Overall, very entertaining and very much worth seeing. I give it a B+.

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Very funny movie. It is set in Belfast Ireland and the cast is mostly Irish and British, other than Brendan and YaYa. Fast paced with lots of action and humor. I am a fan of Brendan Fraser from the Mummy movies. Colm Meaney provides a strong perfomance as well. The film is directed by academy award winning director Terry George.

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I really liked the film. I am a big fan of Director Terry George, and he really delivers. I am a big fan of YaYa and Colm Meaney. It was good to see Brendan Fraser again. I loved him in the Mummy movies!

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In Ireland a local gambler owes a hood $. The hood decides instead of the $ he will take the local's son as the hood has been unable to have a child.

The local, encouraged by his friend, decideds to rob the fish market as it is said that there is $ there. When he arrives to do the deed there is little $ there because people use debit cards. He takes off and ends up in Brendan Fraser's antique shop. Reminded me of Albino Alligator and Dog Day Afternoon as they are stuck there.

Some occasional funny parts, some swearing, thick accents. Brandan appears on the front but he is not the main chracter, likeable none-the-less. Also, an odd character twist that not even Brandon is sure about.

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Old School (Unrated and Out of Control!) (2003)

Old SchoolI just saw this movie about three hours ago, and I have to say it is the best movie I've seen in the theater in a long, long time. The starring cast is unbelievable, as Luke Wilson (from 'The Royal Tenenbaums' and 'Legally Blonde'), Will Ferrell (SNL funnyman/'A Night At The Roxbury' star), and Vince Vaughn (from both 'Made' and 'Swingers') star as three married buddies who begin a fraternity; or something like it. And along with the three stars, there's a great list of supporting roles and cameos. Including Sean William Scott (Stifler of 'American Pie'), Andy Dick, CBS Late Late Show's Craig Kilborn, and Jeremy Piven. And once you get past the long cast list, you have a very funny movie. As the movie starts, you get a glimpse of each of the three stars and their lives; as far as their marriages go. Then as it turns out, none of them are really happy.

And as Mitch (Luke Wilson) gets divorced and moves into a frathouse near a college, they decide to start a fraternity. But it's not like any old club on campus--for this one you don't even have to go to the college. Anyway, as the film roles on, you can imagine what (and if you saw the previews, you get the gist of it) they do. They drink, party, and slowly drift away from the lives they have with their wives. And I have to say, out of the three star performances, Vince Vaughn's was the best. Will Ferrell's certainly is the funniest, but Vince was great. He sort of carries in the same swagger-style he had in the riotous movie 'Made'; something that works very well for him. I don't want to give too much away, but I will say that the previews don't even begin to prepare you. It's definitely not one of those movies that is only funny in the previews. The laughs portrayed there are multiplied by 100, at least.

For those of you who saw 'Road Trip' you'll not be let down with 'Old School'. And being that it's from the same director (Todd Phillips), that makes sense. But this one is better. Much better. This time around the director takes it to a whole new level. And the characters are more well-rounded here than they were in 'Road Trip'. The slogan of the movie says it all: "All the fun of college. None of the education." I think that speaks for itself.

So I could leave you here saying that if you liked 'Road Trip' you will like 'Old School'; and that's it. But that's not true. This is not just a "teen cult" movie--or whatever they're calling it these days--it's much much more than that. It's a hilarious movie with an astonishing/almost too hilarious cast that will keep you laughing even through the closing credits (courtesy of Ferrell and Vince). And it's not every day I put an exclamation point on my review titles, much less two. I gave the movie 5 stars because that's what it deserves. It's a 5 star movie, there's not getting around it. And again, if you saw the previews and you laughed (or even thought about laughing) then you need to see this movie. There's so many great lines and so many awesome scenes that I couldn't even begin to list them; I wouldn't know where to start. Go see this movie.

This movie is hilarious, and I would give the movie itself 4 our of 5 stars. But there is hardly any difference between the unrated cut and the R rated cut of the movie. When you have topless women on the menu and on the back of the cover, one might be mislead to think there was tons more nudity, when in reality there are 2 brief scenes with any type of nudity (besides will ferrel's butt scene). This movie could have easily passed the R rating cut, as the unrated thing is nothign but a marketing ploy. I bought the movie for laughs and definately not for sex, but for someone who does, the "UNRATED AND OUT OF CONTROL" part is quite misleading.

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"Old School" brings back the fun and irreverence of the days of "Animal House" that so few movies seem willing to revisit. Comedy these days seems built around 'paint-by-numbers' formulas or 'let's see how much we can gross people out' shock characteristics. Current releases like "Boat Trip" and "Bringing Down the House" fall in the former category while any movie involving Tom Green or the Farrelly Brothers falls into the latter category. In "Old School", it's refreshing to see a movie that takes a 'devil may care' attitude with its plot and characters while also have the common sense to push the envelope where appropriate without ever crossing the line (following "Animal House's" lead).

In "Old School", Mitch (played by Luke Wilson) is depressed after a breakup with his longtime girlfriend. He moves into a new house near the local college campus and his two best friends, Beanie (Vince Vaughn) and Frank 'the Tank' (Will Ferrell) decide to cheer him up by using his new house to throw a wild 'freedom' party. In a party complete with nubile co-eds, binge drinking, and a performance by Snoop Dogg, the party becomes legendary and draws the ire of the college dean, who just happens to be some nerd that Mitch, Beanie, and Frank tormented in high school. He attempts to take the house from Mitch by claiming it can only be used for campus-related events. This sparks Beanie's imagination to create the most unorthodox fraternity in existence to circumvent the dean's ruling. From there, "Old School" engages in the type of 'us against the administration' hi-jinx that made "Animal House" such a riot.

Will Ferrell gives a performance worthy of John Belushi with his Bluto-esque take as Frank the Tank, whose relapse back into his college days fractures his brand new marriage. Yet, it doesn't seem to affect Frank too too much. Ferrell, as witnessed by his years on Saturday Night Live, is one of the more gifted physical comedians performing today. He has the lunacy of a Jim Carrey without any of the pretentiousness or self-importance that seems to plague Carrey. Vince Vaughn gives another winning performance as a typical, sleazy salesman type who remains just enough on the side of respectability that you still like the guy. It's classic Vaughn. Luke Wilson's performance isn't quite as memorable, but his lovable-loser demeanor fits the role of Mitch perfectly. There are a number of other supporting characters that, while barely more than one-dimensional, make this film a winner (Blue, the 80-year fraternity pledge is a personal favorite).

With world events becoming more somber and depressing and with movies becoming increasingly disappointing, it's quite a relief a no-frills good time can be had at a theater. "Old School" lets the audience feel that kind of relief.

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I was expecting a good movie when I went to see "Old School," but I wasn't expecting something THIS good. This movie is, simply put, absolutely hilarious, and it's got lots of brains and heart to go with the goofball humor. I'm not really into lowbrow comedies, but "Old School" is a very intelligent take on the typical fratboy fare. The humor is goofy, but witty at the same time, and there are even some real emotions on display. The plot revolves around three thirtyish friends who start up a fraternity with some local college students, and it gets a nonstop stream of laughs out of the idea of guys trying to reclaim some of their lost youth. Will Ferrell is especially great as the loopy Frank, whether he's shooting himself with a tranquilizer dart at his friend's son's birthday party, setting himself on fire trying to jump through a hoop, or belting out an unforgettable rendition of Kansas's "Dust in the Wind" at the funeral of an elderly pledge. The underrated Luke Wilson makes a perfect straight man as Mitch, and Vince Vaughn is the picture of intensity as Beanie. It's really too bad this movie doesn't seem to be getting much attention. I don't go to the movies much anymore, but this one was more than worth the trip.

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I know, I know, the plot for this film has been rehashed from "Animal House" and countless other college debauchery flicks, but so what? OLD SCHOOL is a hilarious romp of scintillating and titillating proportions, a 90-minute mad dash of sight gags, crude one-liners, and tongue-in-cheek zaniness. If college fraternities were really like this I never would have left academia (well, I did have my own "eight-year-plan," but that's another story).

Three thirtysomething buddies (Luke Wilson, Vince Vaughn, Will Ferrell) decide to revitalize their lives by cranking up a college fraternity whose members are not required to be students at the local university. Of course, such a blasphemous act draws the ire of the college's administrators (insert "Animal House" plot here), and accordingly, the fledgling frat must do battle with the corrupt, unscrupulous establishment. Sure, this ground's been covered before in countless other movies, but OLD SCHOOL adds its own loony spin of mayhem--from concrete blocks tied to fragile appendages, to eye-opening mud wrestling.

While OLD SCHOOL's cast, from top to bottom, is excellent, Will Ferrell dominates this film (much like Dangerfield in "Caddyshack," or Belushi in "Animal House"). As Frank "the Tank" Ricard, a newlywed with a party animal mentality, Ferrell's over-the-top antics are bust-a-gut, roll-on-the-floor funny. Ferrell, whether he's streaking or performing a gymnastics floor exercise, carries this film like a fullback with a football.

If in fact we equate entertainment with escapism (which I do), OLD SCHOOL delightfully fits the bill. You'll forget the problems of the day with this puppy, and you'll have fun in the process.

--D. Mikels

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Bad Santa (Unrated Version + Director's Cut) (2003)

Bad SantaIf you are a fan of Bad Santa, DO NOT BUY THIS DVD. I bought it expecting extended and restored scenes, instead I got a totally different ending and hilarious scenes cut out.

This version ends with the little boy outside trying to clean up the blood on his front steps rather than giving the bully a swift kick in the nards.

One of the scenes cut out is the scene in the gym where Willie and Marcus are trying to teach the little boy how to defend himself. That was one of the funniest scenes in the movie.

The packaging is deceptive. If they had said, "new ending" on the notes, I would have left it alone. It didn't and I wasted my money. I thought I would come on here and post a warning.

For those of us who can't quite get into the Christmas spirit, "Bad Santa" is a massive preemptive strike against all of the insufferable sentimentality we're going to be subjected to a few months from now. This movie is every bit as entertaining and funny as "School Of Rock," but where "School Of Rock" succeeded through the overwhelming weight of its good intentions, "Bad Santa" (its moderately heartwarming ending notwithstanding) is all about bad intentions. This movie, especially in its powerhouse first half, displays such a commitment to mean-spiritedness that you can't help but love it.

Billy Bob Thornton's safe-cracking department-store Santa Willie is the epitome of ugliness, all the more so because he commits much of his mayhem in his work outfit. Early on we see him getting drunk and throwing up in an alley, and from there he remains in the gutter for much of the movie. He chain smokes, he wets himself in his chair, he fornicates in a dressing room, and above all, he swears. I don't find profanity inherently funny, but Thornton's acid tongue manages to turn four-letter words into weapons of unimaginable destructive power. More than anything I've seen since the "South Park" movie, "Bad Santa" manages to elevate nasty language into an art form.

Even in its moments of humanity, the movie doesn't aim too high. Willie does have a love interest, but not quite in the conventional sense: intead, it's a young bar waitress with a Santa fetish who demands that Willie wear his stocking cap during coupling. Willie also finds some meaning in his life by striking up an offbeat friendship with a fat, bullied kid named Thurman, a bond that manifests itself in one unforgettable scene when Willie beats the living hell out of the teen skateboarder who gave Thurman a black eye.

Even though it's Thornton's show, "Bad Santa" also benefits from a top-notch supporting cast. In his last film role, the late John Ritter is the picture of ineffectualism as the mall manager; Bernie Mac is admirably slimy as the self-interested security chief; and the three-foot-tall Tony Cox belies his small size with a scene-stealing performance as Willie's "elf" and partner in crime.

"Bad Santa" doesn't have an enormous level of plot development, but then it doesn't really need much. What's really important is the way the movie's cynicism slices and dices the sugary "cheer" (which is often cynical itself) that typically accompanies the holiday season. Christmas isn't all about irritating songs and people rioting in department stores over cheap presents, and we all owe a debt to "Bad Santa" for dumping a little snow on the parade.

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Not only is this Santa bad, he is vulgar, crass, dirty, foulmouthed, loose-moraled come to think of it, I can't imagine a worse Santa. In spite of this, Bad Santa is a brilliant dark comedy, full of huge laughs from beginning to end, as long as you can put up with all of the bad language, which has got to be close to setting a record.

Billy Bob Thornton plays Willie, an ex-con drunkard who gets a job every year at a different department store playing Santa, along with his own elf, Marcus (Tony Cox). The catch is that every Christmas Eve, Willie and Marcus rob the department store blind. Willie wants to get out of this game, but he's so irresponsible and undisciplined that every year he's in dire need of cash again and needs to pull another job. As Santa, he swears at kids, urinates on himself, and is generally the exact opposite of what you want your Santa to be.

This particular year, a young kid (Brett Kelly) who is oblivious to the fact that Willie is not, in fact, the real Santa, attaches himself to Santa. Lo and behold, the kid lives alone in a posh suburban house with only his catatonic granny, so Willie takes up residence with the kid. As Christmas Eve approaches, Marcus becomes increasingly concerned with Willie's condition, the kid becomes increasingly annoying, and Willie stays exactly the same drunk, angry, and generally foul.

Bad Santa is exactly my kind of movie unrelenting, unapologetic, inappropriate, completely distasteful, and utterly hilarious. It's essentially the anti-Christmas film. Billy Bob Thornton has an unbelievable knack for acting, and an almost poetic way of unleashing cuss after cuss. This movie gets a big thumbs up, but definitely is not suitable for kids or the easily offended.

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If you are a bah-humbug individual, a Billy Bob Thornton fan, and/or have an appreciation for dark comedy....THIS is the Christmas film for you! Oh, yes, it requires an open mind and the ability to appreciate the unique, but finally here is a holiday film for those who like their seasonal entertainment with a little less 'sugar and spice'.

First, do not take your 11 year old to see this film, as did the gentleman sitting behind me in the theater. He elected to remain even though I advised him this was an adult film (seems the R-Rating didn't seem to do the trick). I stressed that was probably not suitable for his son even if my answer to his inquiry: "Well, it's about Santa Claus isn't it?" was "YES". Because the entire answer was: "YES, but a very, very baaad Santa".

After the movie, the viewer told me that I was correct, that he should have left, and that he had in fact started to leave several times during the film, but didn't. He added that he himself did not like the film. This made be all the more curious as to exactly why he elected to watch until the credits were rolling.

All the other movie patrons must have checked the ratings (as they were all adults), read the reviews, watched the promos, and perhaps caught Billy Bob on every talk show on TV the previous week (where he spent an inordinate amount of time telling the public 'This is NOT a family film'). They also must have enjoyed the film, because they all laughed, actually, they all laughed a lot.

Being an avid, devoted fan of Thornton, I understand and would be first to admit that I am more than a little biased when it comes to Billy Bob. I think he is incapable of making a film that is not entertaining. That being said, I would have enjoyed 'Bad Santa' if Santa had been portrayed by some other actor (except perhaps Jim Carey, but I digress). However, I don't know any other actor who bring the pathos, the heart, the lewdness, the earthiness, the seediness, and the overall great performance to this film that Billy Bob did.

Billy Bob Thornton continues to explore the depths of his talent and take fans along for the ride by always finding new and unique characters to portray. Generally he does this via the 'independent' film method, because indie films provide the greater opportunities for his enormous creativity.

This time his choice was not a 'new' character, rather actually a very, very recognizable character recognizable at least by name Santa, and this time in a film by commercial film makers. That is where our acquaintance with the character of Santa ends. Willie Stokes' Santa may resemble a lot of characters that we know really exist, as opposed to old Kris Kringle. We know this because many of us have met just such confused people in our real lives, though usually not wearing red velvet suits. The individuals we knew were known to us in the guise of losers, con men, hard-drinkers, and otherwise less-than-perfect people who are just a little bit mixed up about who they are, where they are going, and exactly how to get there.

The only disagreement I would have with many of the reviewing film critics about this film is their insistence that "Bad Santa' does not have a 'good hearted' ending. I would beg to differ. While I won't give it away, I would tell you it has what might be considered an ending that is totally 'appropriate' for a holiday film such as 'Bad Santa'. It isn't an 'It's A Wonderful Life' ending, but then again the film isn't 'Miracle on 34th Street'. But we already know that because the title reveals it from the git-go. I may be a bit of a softie when it comes to kids, but I must tell you some of the tears in my eyes at various moments in 'Bad Santa' were not tears of laughter.

Speaking of kids, Brett Kelly, the young actor who plays 'the kid' in "Bad Santa" is priceless in this film and perfectly cast. Brett is the Coronji Calhoun (Tyrell Musgrove Monsters Ball) of this film. Thornton is excellent in acting in films with children, this film being no exception.

John Ritter, like Billy Bob, has played a variety of characters in a myriad of films during his career and is always 'absolutely on the mark' for the personality of each character. Rather than being 'sorry' for Ritter that his last film was 'Bad Santa'; I believe that making this film with his old friend (from 'Hearts Afire', the 80's TV series) Billy Bob Thornton, in their first film together since 'Sling Blade', was probably a tremendous source of fun and pleasure for Ritter. I am personally very glad that he and Billy Bob had the opportunity to co-star one last time before John's untimely death. While his on-screen time seemed short on this film, John Ritter, as usual, did an excellent job and was very funny, as was always his way.

Open your mind, prepare for laughter, and give yourself the gift of a different kind of holiday cheer this year go see 'Bad Santa'. If what you want for Christmas is a little break from the often false cheerfulness of the traditional and instead a swig of dark humor for the delight of your soul, 'Bad Santa' can definitely make all your wishes come true whether you have been bad or good.

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Bad Santa, the new anti-holiday comedy from director Terry Zwigoff is one funny movie. It is just what you'd call hilarious and Billy Bob Thorton does make one very bad santa.

Thorton plays a lascivious, acoholic who works with an elf, (hilarious Tony Cox). They're both bad allright! They're business specializes in stealing, by working at different malls around the area and waiting for the right moments to take what they want. Soon a bartender (Lauren Graham) falls for Thorton. The story works out well, it's not amazing (obviously) but it does this movie just fine. As for humor, this movie receives a high rating on my scale. Note: If you find Christmas too sacrosant to joke about or if you don't like scenes using abusive language towards children, then you should skip this. Also Brett Kelly plays a kid, who think Thorton is a real Santa and won't leave him alone.

This is a dark comedy, no doubt. If you have a dark sense of humor, you should definetly look into it. Though the film is vulgar and some of the humor might be viewed as vile, it is entertaining all the way. Bad Santa is rated R for Pervasive Language, Strong Sexual Content and Some Violence. The language is consistent and seems to never end, the sexuality is fairly explicit, you mainly hear sounds, but some is shown. There are only about 3 sex scenes but none include nudity. The violence is reasonably mild, a shootout near the end, which surprisingly isn't bloody and some fistfights. Billy Bob Thorton has also received a Golden Globe nomination for Best Actor for his performance, he does make a great, bad santa, but I'm not sure if he deserves it. Other contenders include, Bill Murray for "Lost in Translation," and yet another nomination this year for Jack Nicholson for "Something's Gotta Give. All in all, a fine comedy, the one thing I might've changed was the constant profanity but I guess it helps make the movie even more funny. Worth seeing in theatres and not a bad pick for owning on Video or DVD.

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The Family Man (2000)

The Family ManIn the tradition of the best films that Hollywood ever had to offer comes this refreshingly honest movie that isn't afraid to say that you don't have to be rich, hip and cynical to be successful and happy with your life. "The Family Man," directed by Brett Ratner, stars Nicolas Cage as Jack Campbell, a man who took the "road less traveled," and turned his back on love for a career on Wall Street, and thirteen years later still doesn't realize how empty and shallow his life has become. Then something happens; on Christmas Eve, Jack does a good turn to the right person at the right time. His name is Cash (Don Cheadle), and he just happens to be a guy with, well, connections. And the next thing Jack knows, he's getting a "glimpse" of what his life would have been had he made a different choice all those many years ago. When he wakes up on Christmas morning, he's not in his bed in his penthouse apartment, but in a house in the suburbs, sleeping next to Kate Reynolds (Tea Leoni), the woman he once loved, but abandoned. Wall Street is history; he's now a crackerjack tire salesman at "Big Ed's," and he and Kate have two kids, Annie (Makenzie Vega) and Josh (Jake and Ryan Milkovich).

Needless to say, Jack is confused; and the enigmatic Cash isn't about to let him in on what's going on-that's for Jack to figure out on his own. So Jack has no choice but to go on living his life-even if it's not really "his" life. And it becomes a journey of discovery; not only for Jack, but for the audience, as well. And what follows may be fantasy, but it's fantasy with a message, from some filmmakers who aren't afraid to tell it like it is, and they do it well.

What director Roth presents you with is an examination of what life is really all about, and what-in the final analysis-is really important. And make no mistake, this isn't a film that aims for the head, it aims for the heart, scores a bullseye and doesn't apologize for it. Is it pure, true, realistic, riveting drama? Of course not, and it never pretends to be. What it is, is a film that stays true to what it's all about and says some things that need to be said in this fast-food, cybersaturated world of the here and now. It's a poignant, well made and well acted film that appeals to the universal sensibilities that in one way or another reside within even the most jaded, modernized and "New Aged" individuals. Because it's an entreaty to the most basic of human needs and concerns.

Cage was the perfect choice to play Jack; he's got a natural, sympathetic look that makes him easy to like, and combined with the emotional aspect he brings to the character it makes Jack someone to whom it is so easy to relate. it's a performance that allows you to feel something; and that's really what this movie is all about, capturing that sense of humanity that is so often lacking in people's lives today. Cage makes it work, and he makes it work beautifully, because he lets you share Jack's frustration, his loss, his fears and, most importantly, the hope and the love he ultimately realizes has been missing in his life. It's a challenging role that Cage not only met, but surpassed with just the kind of exacting performance that was needed to put this story across.

Tea Leoni gives an excellent performance, as well, as Kate. It's a sensitive, sympathetic portrayal that serves the character and the story with great effectiveness. Leoni makes something special out of a character that could've been just the "female lead," with the purpose of being nothing more than the means of moving the story of Jack's self-discovery along. Instead, she makes it her story as much as his by making Kate an endearing, truly integral part of the film, and she fairly sparkles on the screen.

The supporting cast includes Jeremy Piven (Arnie), Saul Rubinek (Alan), Josef Sommer (Peter), Lisa Thornhill (Evelyn), Harve Presnell (Big Ed), Mary Beth Hurt (Adelle) and Francine York (Lorraine). There's no doubt that personal experience and frame of reference is going to play a big part in the way "The Family Man" is received by the audience. But Ratner, Cage, Leoni and everyone else connected with this project are to be commended for making an honest, heart-felt film with an important message about life in today's world. It's a film that says success isn't just being the guy at the top of the heap, that it's okay to just "be" whomever or whatever you are, as long as it's what makes you happy and content. It's a bold statement for a filmmaker to make today, and we can only hope that more artists will have the guts to make more movies like this in the future.

If, like me, you find most Hollywood "love" stories about as warm and romantic as a cold sleepless night in Seattle, then you're in for a surprise. Not since Casablanca have I enjoyed a love story as much, and though they both end at the airport, the similarity ends there. This one is about marriage, family, and the connections and sacrifices that make marriage, parenthood and yes, love, worthwhile.

Nicolas Cage plays a harried but driven Wall Street executive playboy who wakes one day to find himself trapped in a life he never wanted, married to the woman he abandoned years ago. It's a living nightmare at first, but the harder he tries to escape it, the more he begins to see that there are values and rewards that he somehow missed in his previous executive penthouse lifestyle. By the end of the movie, he's learned a lesson he will never forget.

An unexplainable fantasy in the tradition of "Groundhog Day", you soon find yourself accepting the unexplainable, even as the protagonist himself realizes there is no easy escape from his new reality, and learns to work within it's framework. After all, life throws all of us some unexpected "curves", and like the protagonist in this modern day Connecticut Yankee in King Arthur's Suburban Bowling League, we can become better people by accepting and embracing the crazy things life puts us through in the name of love. Chalk one up for old-fashioned family values in a feel-good movie with a message, served up without the sappy cliches.

Put the kids to bed early (The Family Man deals with some adult issues, and much as I enjoyed it, it would need a little editing before I would consider it a family film!), and just the two of you watch this one together with a bowl of popcorn and a glass of wine you'll be glad you did!

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I saw this movie in the theatre just after Christmas and I have to say it is one of the best romantic drama/fantasy movies I've ever seen. Nicolas Cage proves once again that his acting skills are second to none, and I don't think I've seen Tea Leoni in a better role.

Cage's character, a rich, hard-working businessman with no time for a real relationship comes across his ex-finacee's phone number after he chose to leave her in order to accept a job offer years before.

A 'guardian angel' of sorts gives him the chance to take a glimpse of how his life would be if he didn't get on that plane. And the result is phenomenal. This is a movie for anyone who has ever wondered, "What if I made different choices in life."

Why this movie wasn't nominated for an Oscar is beyond me, but it is indeed a great film which the whole family will surely enjoy.

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This movie borrows from It's a Wonderful Life and the book Replay, where a man can go back and see how his life would be if he made a different choice.

In this movie, Nicholas Cage says goodbye to his girlfriend (Kate) at the airport. He is going to London for a job. We next see him years later as a successful head of a large corporation, unmarried and basically involved in one-night stands. We are later to find out that when Cage went to London, he forgot about Kate and she went her own way, never to be heard from again.

Cage is on the way home from the office during a snow-storm and thwarts a robbery. The audience expects the robber to shoot cage but instead Cage seems to convince the robber that he would be a better man if he didn't shoot Cage. It turns out that the robber is not really a robber but a type of Angel (similar to Clarence in It's a Wonderful Life) who will give Cage a glimpse of what life would be like if he hadn't stayed in London but instead came back and married Kate.

Cage goes to sleep in his luxury apartment and wakes up the next morning in a bed with an older Kate. Cage slowly learns that he is really a married man with a family and instead of a big time corporate president, he is a tire salesman in his father-in-law's store.

There are several hilarious scenes and some very touching ones. His "new" life looks like a nightmare at first turns out to be the life he will eventually prefer (Some of this is reminiscent of Goldie Hawn in Overboard). Only until he realizes this, he will not be returned to his prior life by the Angel.

The director does a great job in giving us an ending that is different than what you seem to expect. I won't say what but I think it was well done.

One thing that is not explored is that when Cage's glimpsed life finishes, he will lose his two children from that glimpsed life. The director never touches on Cage's feelings about that, unlike the novel Replay where the main character is torn apart because a child he had in an alternate life no longer exists when he is in a different reality.

The movie is well cast and Don Cheadle is excellent as the "angel."

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Nicholas Cage is a wall street tycoon that has everything but a real life. As Christmas approaches Cage is busy landing a mega merger deal when an "angel of fate" transports him into what his life could have been like if he would have stayed with his former fiance (Tea Leoni). He finds himself with a wife of thirteen years and two very cute kids. The problem is that he has all the memories of his wall stree existence and no idea how he got where he is. The result is a feel good comedy that makes you wonder "what if".

The plot line is not all that original. It is basically the same film as "Mr. Destiny" except with the reverse circumstances. Also, unlike Jim Belushi, Nicholas Cage CAN act. Cage pulls off this comedy better than most of his previous performances. Tea Leoni is charming and funny in her own right. They mix well on screen and the child actors add that OH SO CUTE factor that seems to be a must have in movies lately.

Overall the movie flows good and holds interest throughout. It plays on human emotion to the point that the viewer really seems to care about the development of the characters and wants to know what happens. The ending is hopeful without being the typical over the top sap. I really enjoyed this movie and recommend it.

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