Showing posts with label watch hindi comedy movies. Show all posts
Showing posts with label watch hindi comedy movies. Show all posts

Wild Wild West (2011)

Wild Wild WestIn the mid-60s there was a show called "Wild Wild West" that starred Robert Conrad as James "Jim" West, a western version of James Bond, and Ross Martin as his brainy sidekick Artemus Gordon. This show was creative and intelligent and yet full of action. The movie "Wild Wild West" starring Will Smith and Kevin Kline has nothing to do with that television show, unfortunately.

Will Smith is another Jim West and Kevin Kline is another Artemus Gordon in an alternate universe that never existed. In this universe the Wright brothers apparently were asleep as Artemus and Jim were tooling around a giant steam-powered iron spider that is unlikely to exist in any imaginable reality. Indeed, the only point of any vague historical accuracy is that there was a President Grant and there was a meeting of the railroads. After that, this movie is "The Twilight Zone" in the west.

In this fantasy movie Kenneth Branagh plays Dr. Loveless. Once again, forget the wonderful Michael Dunn as the original Dr. Loveless. Branagh has none of the charm and wit of the original. Dr. Loveless has decided to create his own empire based on the ability of his giant spider to trounce anyone who gets in his way. However, he seemed to have neglected to consider that an open cockpit is a sure way to eventually be shot. Along the way we see a number of other equally improbable devices that make for interesting special effects but continual disappointment with the movie.

I have yet to mention that not only is this west some bizarre fantasy version of the original west, but this version of Jim West has a continual string of one-liners that would have allowed him to do stand-up, but not in the alternate reality of this movie where no one seemed to understand his jokes, often including the audience. Kevin Kline also had a number of humorous lines, though his were more ironic and involved, and typically based on technology that exists only in the alternate reality of this world.

This movie does have its moments. If you like comedy and know little about the original "Wild Wild West," you may find the comedy overwhelms the total destruction of history and scientific feasibility; or perhaps you like stories of alternate realities. The special effects are wonderful. I admit that when I could overcome my disappointment that there was no attempt to remain within the vision of the original show I was fascinated by the gadgets. However, gadgetry alone does not overcome the unbelievable story.

Oh, and as if all the other flaws in the movie were not enough to disappoint a viewer, the DVD includes Will Smith doing a hip-hop song. Hip-hop in the west? Perhaps I watched this movie from the wrong perspective. Maybe if I had taken it for a farce, like "Monty Python and the Holy Grail," I would have liked the movie better. Then again, probably not.

Wild, Wild, West is undoubtedly one of the year's worst films. One of the factors that makes the movie so frustrating to watch is the fact that it is based on one of the most inventive and original shows I have had the pleasure of seeing. Inventiveness and originality are lacking in this mess of a movie where the script is horrible, the one-liners stale and the performances wooden(except Kenneth Branagh, whom you feel sorry for trying so hard to be evil).

Will Smith is stripped of the charisma that is his best selling point. Kevin Kline, a talented actor is reduced to playing second banana to an uninteresting hero and I have a hard time remembering Salma Hayek is in the movie.

I didn't really expect it to be "good", but I at least expected it to entertain me, instead of providing rest I didn't need. What a waste!

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first they cast a black man as an undercover agent in the wild west where he would never be able to help as they would never let him in most places. remember this was before political correctiness or civil rights. then they turn one of the best villins on t.v. into a racist man missing most of his body. then they add state of the art f/x and think they have a great movie. it's pure trash and gets one star because you can't give no stars. a waste and you should see the t.v. show if you want to see this concept really work well. just not good at all, a mess.

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When you go to see a Will Smith movie, you expect it to be entertaining and fast-paced. A movie with Kevin Kline might have your expectations leaning more in the direction of cerebral, tight-knit & solid entertainment. If Salma Hayek is in it, well ....at least you expect a flick with visual appeal ...1, 2, 3 STRIKES...Wild Wild West STRIKES OUT! TALK ABOUT DROPPING THE BALL ! Will Smith, whose laid-back, street-wise-cracking veneer,usually hides a well-focused on screen in tensity that is both impossible to miss ordislike ...seemed to be sauntering through the film, feeling embarrassedly like a walking anachronism, considering the "Old West" backdrop! Kevin Kline, on the other hand, who usually brings a certain air of bravura to his oft-times eccentric characterizations, seemed to display a marked inability to take himself seriously when in drag, (Which, unfortunately, is during a good chunk of the film)lapsing into a pathetic sort self-parody, which, considering the script, may have been the only way he could stomach the role ! Salma Hayek, for whom no one is exactly holding their breath for her to win an Oscar as Best Actress, seemed OBSESSED with getting her lines out with as little accent as possible...Despite the fact that she was clearly cast as Mexican in this film...(As opposed to her bit part in The FACULTY!) You could almost imagine "La Mejicanita" standing there, during shooting, with her Accent/ Dialogue Coach, just out of camera range! Salma... concentrate MORE on your ACTING, next time, O.K.?

As far as Barry Sonnenfled's Directing is concerned...well, here we could imagine him running around frantically, till the last minute, editing & re-editing, trying to decide exactly what it is he was trying to do with "WILD"....and of course, not even coming CLOSE to getting it right!

The ONLY reason I rated the movie 2 Stars (as opposed to 0 Stars!) is because of the scope & the

novelty of the Special Effects. The idea of seeing all those well orquestrated, and at times visually stunning effects against an Old West backdrop was the only refreshing & original element in the film ...If you are not a diehard Special Effects buff, I can think of absolutely no reason on earth why you would find anything at all worth seeing in this pathetic excuse for a Blockbuster film !

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WHAT A PIECE OF JUNK. they have taken a great tv show, which many of us fondly and raped it. this is so wrong headed i don't know where to start,but here goes.

1. why would they make a black man an agent in the 1800's when he couldn't go in many places and would stick out like a sore thumb. because of the race change for jim west this becomes series of crass racial jokes and has no place in a light hearted adventure series. in fact the tv show never stuped to that level,infact it showed that west's greatest villin was the small in size only dr.loveless played by the great michael dunn!he and west were always evenly matched and had great respect for each other,even when loveless was tring to kill him.

2.the changeing of loveless's person to a legless southern general,and once again the race card is used to makeloveless less likeable when on the show you really liked him even if he was a mad ,evil man.

well you get the idea this is the reason you should leave some things left unmade or in this case unremade. just the pits ,DON'T WASTE YOUR MONEY ON THIS, instead by the complete first season of "THE WILD,WILD,WEST in june of 06 and see what the movie should have been.

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House Broken (2009)

House BrokenWhile I had never heard of "House Broken," I was hoping this little known picture might be an undiscovered gem. I love Danny DeVito, probably more than it's healthy to admit, and matching him with Katey Sagal seemed like a dream pairing. I had a fair sense of what to expect. Taking its cue from any number of rude and raucous teen comedies, I was expecting a bit of silly fun with the king of bad taste (DeVito) at the helm. But while this film toils in overdrive and throws in every sight gag imaginable, the material falls so flat--it was truthfully a bit painful to watch. Listen, I wasn't anticipating Academy Award material, but this frantic film is so leaden and unfunny--and it commits the greatest sin of all, it sidelines DeVito as the most realistic and tasteful character amidst a sea of hamming buffoons.

Written and directed by Sam Harper (the credits listed above on 11/13/10 are incorrect), "House Broken" tells the story of two brothers who won't grow up. DeVito plays their father, a recently retired fireman, who starts to fear the boys are incapable of living in the real world as they have zero common sense and even fewer life skills. It doesn't help that their mother (Sagal) enables their infantile behavior. DeVito kidnaps his wife and leaves the boys to fend for themselves with no food, income, or worldly knowledge. Mayhem ensues with the boys and their pack of ridiculous (but surprisingly underdeveloped) friends. DeVito's harsh life lesson results in the house being all but destroyed, but it's worth it--you know it always is!--as the boys take very small steps toward maturity. The jokes are obvious and repetitive--I watched this with 2 other friends who LOVE dumb humor and I could count the laughs between the 3 of us on one hand. There are tons of good dumb films on the market--there's a reason you've never heard of this one!

DeVito, as I said, was underutilized. I hope Sagal got a big payday because this talented actress was so stranded that I felt sorry for her. The boys were game, physical, and over-the-top--with better material, either or both would have come out unscathed. I actually like Ryan Hansen ("Veronica Mars" and "Party Down"), he's a good physical comedian but silly pratfalls can't save "House Broken." Again, I like juvenile comedy as much as anyone. I especially love humor that straddles the line of bad taste. This picture just had lots and lots of jokes and tons of sight gags--but, sadly, produced excruciatingly few laughs. KGHarris, 11/10.

I'd never seen this movie and started watching it just because I like Danny Devito in most movies I've seen. Well, you'll see very little of Devito in this. He leaves the house with his wife near the movie's beginning to get away from their two raunchy worthless sons, and except for a brief scene here and there you'll not see him again. Instead, the bulk of the movie focuses on the two "young adult" sons. There is absolutley nothing redeeming in this movie if you have half a brain, and what little humor there is falls into the category of crude, raunchy, unintelligent, 10 levels below the Three Stooges. It's an absolute waste of time. Skip it. I'd give it 0 stars if there were such a thing.

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LUCKILY WE BORROWED THE (MOVIE?) FROM A LIBRARY. MY WIFE AND I TRIED TO WATCH IT WHILE WE KEPT CHANGING THE VOLUME IN ORDER TO NOT HURT OUT EARS. WE KEPT BEING INSULTED BY OBSCENITY AND WHEN THAT LET UP IT WAS ALTERNATED WITH ABSURDITY. WE DO LIKE DANNY BUT IT LOOKS LIKE HE JUST SOLD HIS NAME FOR A QUICK BUCK. WE TURNED IT OFF AFTER 15 MINUTES. DANNY IF YOU READ THIS, GO TO A MEETING!

KENNYD

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Loved this movie, I love the blond guy in it! If you like him too, hes also in the show "party down" on HBO!

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Ok This movie is sooo funny. I would buy it for gifts for friends. I really enjoyed all the acting was good & did I say it is a funny movie. The movie was in great condition I highly recommend this movie & seller..

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Ghostbusters / Ghostbusters II (2-pack)

Ghostbusters / Ghostbusters III bought this for my son to get him into all the things me and my brother were into. He absolutely loves it. Any 2-pack of sequeled movies are the best. I definitely recommend.

JUNE 16!!! To mark the Silver Anniversary (has it been that long???) of the now-classic first film:

Sony Pictures Sony Pictures Home Entertainment has announced that they will bring 'Ghostbusters' to Blu-ray for the 25th Anniversary of the film on June 16th. The film, which has recently received new transfers for both video and audio, will be presented in 2.20:1 1080p AVC accompanied by a 5.1 Dolby TrueHD soundtrack.

Extra for this release include:

* Digitally Mastered Audio and Video (BD Exclusive)

* Slimer Mode: Picture-in-Picture Graphical Viewing Experience with an examination of the spook-hunters' firehouse headquarters, an in-depth exploration of the creatures in the Ghostbusters mythology, behind-the-scenes discussions of making the movie, new cast, crew and special effects artists interviews and much more! (BD Exclusive)

* Featurette: Ecto-1: Resurrecting the Classic Car (BD Exclusive)

* Ghostbusters Garage: Ecto-1 Gallery (BD Exclusive)

* Filmmakers' Commentary with Ivan Reitman, Harold Ramis and Joe Medjuck

* Featurette: 1984 The Making of Ghostbusters Interviews with the cast and crew

* Featurette: Interviews with Cast and Crew

* Featurette: SFX Team Includes Before and After Multi-Angle Explorations

* Scene Cemetery 10 Deleted Scenes

* Storyboard Comparisons

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Crank 2: High Voltage (2009)

Crank 2: High VoltageI enjoyed how unique the first Crank film was and this sequel is even more wild, but I liked it a lot less. Crank: High Voltage is a roller coaster ride that last 85 minutes and features some really gross scenes. For example, a guy getting a shotgun rammed up his rear end isn't even in the top three weird moments in this flick. There was one scene where a guy had to punish himself for letting his boss down, which I had to turn my head and look away (I can't remember the last time I did that). There is almost zero realism here, much like the original, only multiplied by a hundred. Jason Statham is the main action star in the business right now and he is pretty good at what he does. He went all out here and I'm sure he has nothing but bruises and a nice paycheck to show for it. The large supporting cast was better than average and Amy Smart was especially yummy. If you liked Crank (2006) you will probably enjoy this one well enough, but I think they should put this series to rest. Judging by the ending during the credits, I'm sure we can expect Crank 3-D: Zombie Chev in the near future.

This movie made me feel like I was high and drunk while watching an action film, I don't really know how to explain that, but it was an awesome feeling. I also thought it was extremely hilarious and it was a really good sequel. After three months, Chev Chelios is back in action, and tries to find his heart before he dies. Doc Miles tells him that the Chinese gave him an AbioCor Artificial heart, and he must keep it charged, or he will die. He has jumper cables helping him, rubbing up against an old woman, makin' sweet love to his girlfriend, Eve on a horse race track, and grabbing electric wires. I highly recommend CRANK 2: HIGH VOLTAGE!!!

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How much abuse can one body take? When we last left Chev Chelios (Jason Statham), he had fallen from a helicopter, bounced off a car, and landed on a street in the middle of Los Angeles. And this was after being injected with a toxin that stopped the production of adrenaline. Now he finds himself in the middle of an operating room, his still-beating heart removed from his chest and replaced with an artificial version that's hooked up to a battery. When the battery gets destroyed, he's left with only an implanted backup generator, and in order for that to keep working, he must keep himself electrically charged. Sometimes, that involves sticking his finger into a car socket. At other times, that involves clamping jumper cables to his nipple and tongue, at which point the person behind the wheel hits the accelerator.

The original "Crank" was shameless, high octane fun, and so is "Crank: High Voltage," a film that doesn't know the meaning of the word "excessive." There's not a trace of humility to be found in any one of its ninety-six minutes. It's an unabashedly crude crime caper that uses four-letter dialogue as if being paid by the letter. It's an in-your-face assault on the senses, a hyperactive video game that never makes use of the pause button. Normally, these would be the hallmarks of a God-awful film, but in this case, they're the hallmarks of a stylish thrill ride that's just as funny as it is shocking. It's a movie so audacious in its insanity that I pretty much have to recommend it; it may not be the most edifying thing you'll ever see, but it certainly will be the most unforgettable hour-and-a-half you've had all spring.

The story: An Asian gangster named Johnny Vang (Art Hsu) is somewhere in Los Angeles with Chelios' heart, which is said to be indestructible and therefore perfect for harvesting. Chelios, with only a weakly powered artificial heart to work with, goes on a frantic search, stopping every so often to recharge. Along the way, he meets a number of ... interesting people. There's his old flame, Eve (Amy Smart), who now works as a stripper. There's a Chinese prostitute named Ria (Ling Bai), who clings to Chelios like a dog in heat and uses language that would make a sailor blush. There's Venus (Efren Ramirez), who's on a mission to avenge the death of his twin brother, Kaylo. Chelios has an occasional phone conversation with Doc Miles (Dwight Yoakam), who was once a heart surgeon before losing his license.

The movie is filled with unbelievable moments, but there are three in particular so priceless that I have to describe them. The first takes place at Hollywood Park, where a horse race is being held. Miles tells Chelios that, in a pinch, skin to skin friction will generate enough static electricity to keep his battery going. When Eve learns of this, she and Chelios begin creating their own "friction"--in the middle of the racing track to a cheering crowd of thousands. The second takes place in a power grid. Chelios and Vang start fighting, at which point the scene turns into a cheesy Asian monster movie, complete with unconvincing miniatures and makeup effects. The third is a strange flashback sequence revealing Chelios as a child (Billy Unger). He and his mother are on a talk show discussing why he became such a juvenile delinquent.

None of this has any real bearing on the story; they're nothing more than excuses for the movie to be ill-mannered and/or goofy. There are, of course, many other instances of these extremes, but they're all so over the top that I probably wouldn't be able to describe them anyway.

I leave it to you to see what happens at the end. Let it suffice to say that the shot before the end credits perfectly sums up everything the filmmakers set out to do. It would not be enough to say that this movie is bizarre; it's so outlandish that it pretty much defies the conventions of genre. Comparisons can be made to "Shoot `Em Up," Michael Davis' no-holds-barred, brilliantly original action film from 2007 that made use of stylized violence and a delightfully sick sense of humor. Both films also feature a British leading man. This leads me to why "Shoot `Em Up" is the more successful film: Clive Owen gave us a performance we hadn't seen him give before. Jason Statham, on the other hand, has starred almost exclusively in extreme action films, so there's very little he can do to surprise us.

Nevertheless, I'd be lying if I said that I didn't enjoy this movie, and it has everything to do with how far it goes. There's a difference between a movie that goes too far and a movie like "Crank: High Voltage"--the latter goes so far, it actually surpasses offensiveness and becomes entertaining. This is cinematic decadence at its most potent, an unbridled foray into the mind-numbing depths of action, comedy, and yes, even sex. One of the earliest cues is given by John de Lancie, who plays a TV anchorman; he describes the events of the first film as implausible. No, he doesn't just say the word. He pauses momentarily before accenting the word, as if to let the audience know that they're in store for yet another round of sheer lunacy. The writing/directing team of Mark Neveldine and Brian Taylor could have made a tamer film, I suppose, but like Chev Chelios, they're hearts just weren't in it.

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High Voltage is essential for those that like their junk movies tasteless and baseless. I for one is pretty versatile when it comes to films and for those who know me can vouch for it. After I'd seen Crank 1 I couldn't wait to see Crank 2. It moves at such a frantic pace that you will probably miss a few things during the first viewing so I had to see it twice.

For those of you who don't know story wise, don't sweat it. It's just as bad as the previous installment. Voltage beings where the original ended with the Stath falling a mile from a helicopter and bouncing off a parked car dead presumably, but no because the Chinese warlord responsible for his original poisoned predicament has Staham's Chev Chelios scraped off the roadside and deposited in a makeshift surgical theatre where his heart, strong enough to survive the original film and so a desirable commodity for his wizened nemesis, is extracted and replaced with a battery powered stopgap designed to keep him alive and his organs fresh for transplantation. You'd be forgiven for losing the thread at this point but the movie is only 5 minutes old when Chelios thankfully regains consciousness and on Doctor's orders, begins a hunt for his real heart while subjecting himself to electric shocks to keep the temporary one functioning.

That, if you can believe it, is the setup, and you won't be shocked to learn that it's a fairly sober foundation for what follows. Shot on prosumer camcorders, Crank 2 is saturated in the promise of bargain basement vulgarity and doesn't disappoint. Edited with an eye for the absurd, it feverishly presses on across ninety monged out minutes in which guns are inserted into rectums, nipples sliced from torsos, fights segue into Godzilla style monsters battling against miniatures (with actors in caricatured masks of Statham and his enemy battling it out) and in the funniest sequence, Geri Halliwell appears in flashback as Mother Chelios, taking the young Chev to task on a talk show in which a few British cars and a reject from a mad max movie dressed as a British punk are dropped onto a Californian back lot for the least convincing but most enjoyable English flashback you've ever seen. Chelios may be a hard-line misogynist and causal racist, but there's something about the former Sydenham market trader that would make him likable. Jason Statham preforms brilliantly once again as Chev Chilos. But if you look closer to the film you will see cameo performance of Cory Haims(The Lost Boys) and David Carradine(Kill Bill).

Like I said if you can handle violence, blood, shootings, gratuitous nudity, foul and offensive language involving hilarious one liners from Jason Statham then give it a shot. It's a pure, mindless action taken beyond the extreme and I loved every minute of it.

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For those who have experienced problems playing Crank 2 on blu ray follow the instructions below.

Let's summarize what is required to get this title to play on profile 2.0 players with NO internal memory for BD Live.

1) You MUST install an SD card or USB stick. Which ever is required for your specific player

2) Internet connection is NOT required. Actually, it's preferred you disconnect the Ethernet cable from the player so there are no attempts to "call home"

3) When prompted to Updated, click NO. This allows you to bypass the EULA and quicker boot up since the player/title won't be searching an update.

As many of you I had troubles to play the movie on my Blu ray player but I did a search on the Internet to get a solution to my problem and I found the instructions from a guy on the Internet (Betamax75) the information is courtesy of Bluray.com

You don't need to upgrade your firmware just follow the instructions and the movie will play. In mi case I have a Sony BDP-S350. I installed the USB stick, put the disc on the player a let the disc to load and then the movie start working without a problem. I hope this can help you.

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National Lampoon's Vacation: 30th Anniversary (2013)

National Lampoon's Vacation: 30th AnniversaryI'm a big fan of this film NATIONAL LAMPOONS VACATION

i already own the 20th anniversary edition dvd that was released in 2003

which had a very small featurette about the making of the film and a commentary track

which i didn't think much of

and then Warner bros released the film on blu-ray about 2 years ago i think

absolute waste of time the blu-ray release is, cause it's exactly the same as the 20th anniversary dvd

the picture quality is pretty good better than the DVD but the extras/special features are the same

as the 20th anniversary dvd

so there's nothing new

so i definitely wasn't going to buy this blu-ray release and in the mean time

hopeing that Warner bros would give this film the special treatment it deserves

and Warner bros have finally did it this year 2013

i bought the 30th anniversary edition blu-ray this week

and it's the best version you'll ever get of NATIONAL LAMPOONS VACATION

the picture quality is pretty good for a blu-ray in Widescreen of course

but the Highlight on this 30th anniversary blu-ray release is

the Brand new 90min Documentary of the making of the film

excellent making of Doco, for a fan i was happy as can be

interviews with all the actors/actress's from the film, well most of the actors anyway

Chevy chase, Beverly D' Angelo, Anthony michael Hall, Dana barron,

Christie brinkley and Harold ramis, Matty simmons, Eugene Levy,

and the list goes on

the only person not interviewed for some reason is Randy quaid

theres rare behind the scenes footage, outtakes, Deleted scenes etc

it's an incredible Documentary, any fan of this film will not be dissapointed

there is still an audio commentary by Harold ramis & Chevy chase from the 20th anniversary edition dvd

and there is still the 3mins introduction by Chevy chase, Matty simmons and randy quaid

but the family truckster featurette is not on this blu-ray, which i think is good

the family truckster featurette was the worst featurette made for a comedy classic like this

this Documentary is only available on this 30th anniversary edition blu-ray actually

it's a blu-ray exclusive, it wasn't released on the DVD releases

so if your a big fan of the film you have to get this 30th anniversary blu-ray to watch the Documentary

i've given this blu-ray release 5 stars mainly cause of the new Documentary released on this blu-ray.

so scrap the first 20th anniversary edition dvd and the 2011 release blu-ray

and definitely get this 30th anniversary edition for sure, you won't be disapointed.

I love this movie,its a comedy classic,every scene is just hilarious, i love the ending, i'm glad they changed it because originally they weren't suppose to go into Wally World, Clark goes to Roy Wallys house and holds him hostage for closing the park and has him dance, John Candy was so perfect as the security guard, i love the part where hes talking real fast to Roy Wally and blabbering to him and he says QUIET!!! lmao, my issue isn't with this movie in no way at all, i love it, its with the blu ray picture, i have the 20th anniversary dvd from 2003 and to be honest the picture is way better on it than this, i can't believe i'm saying this but i've compared both pictures and the 20th anniversary has better color and sharper images, just my opinion, i know some people will disagree with me, but if you have the 20th anniversary dvd, hold on to it, this one is not worth getting, the only great thing about it is the 85 minute making of documentary with all the actors,other than that everything else is the same as on the other dvd, except the family truckster featurette, overall great classic comedy movie, average blu ray dvd.

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This is a must have 4 your collection along with xmas vacation bi far the best too national lampoon's vacation movies.

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always loved this film and it's a treasure to own it on Blu-ray. Loved the documentary. love it so much

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One of my favorite movies of all time, Vacation is funny, because we've all been there. I can't tell how many times I seen the movie, first in the theater, then a Betamax tapes, then a VHS tape, then a DVD, now a Blu-ray. I have them all, and each new medium seems to improve both the video and audio. However, the ultimate addition is the "Inside Story: The Making of Vacation" special from the Biography Channel. There are several of these specials (Animal House & The Silence of the Lambs are two). I find them to be exceedingly well done as very entertaining documentaries of the movie making process. I bought this edition of Vacation solely because it contains the "Inside Story." It's great!

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This Must Be the Place (2011)

This Must Be the PlaceIf you're impatient or impervious to the charms of Sean Penn, most likey you'll be unamused. On the other hand, a film whose resume also boasts Frances McDormand, Harry Dean Stanton, Judd Hirsch and a trifecta of performances (live music, a soundtrack and acting) from David Byrne deserves at least an interview.

Even so, it comes very close to blowing the interview, taking an age to answer straightforward questions, seeming distracted, needlessly self-involved and with little interest, at first, in impressing the beholder.

But it does warm up a bit.

To give some sense of both the film's glacial slowness and its self-indulgence, at its mid-point it halts for a five minute intermezzo in which David Byrne and his group perform the title song, in its entirety, live in concert. Apropos nothing, slap-bang in the middle of the film. Now it's a good song, well performed and imaginatively staged (extraordinarily staged, really), but still it is out of all context and has the effect of staunching what gentle narrative current had begun to flow.

Cheyenne (Penn) is an elderly piece of gothic jetsam, washed up from the new-wave scene of the early Eighties. He hasn't played since, yet still mopes around his Dublin castle bedecked in black and with all the boyish accoutrements a wiser man might have put away years before: Black fright wig, white face paint, red lipstick and knee high platform boots.

In other words, he resembles Robert Smith, only older. The cruel would see a flash of Bono in there too. When Cheyenne puts on his half-moon reading spectacles and distractedly blows at a Gothic lock, he even looks like Shirley Williams might, were she the lead singer of the Damned.

Cheyenne rattles around his castle with his firefighter wife Jane (McDormand) and a dog with a funnel on its head. They have an open house, in and out of which flow irregulars: a T'ai-Chi expert, a young singer toting a demo CD he wants Cheyenne to produce and Mary, an under-explained goth teenager who operates like the daughter Cheyenne and Jane never had. Mary isn't half as under-explained as her mother, though, who sits smoking in her room in a bedsit in the shadow of Aviva Stadium (which waggish locals, I gather, call the "Palindrome"!) and staring wordlessly down the street every day. She seems to have some relation to Cheyenne, but despite having read the production notes I couldn't tell you what it is, and I defy anyone watching without them not to be totally flummoxed.

All of this passes Cheyenne by in a hazy, laconic stupor. He slurps juice through a straw and doesn't smoke, so you suppose the drugs have long since done their work. He glumly wheels his trolley to the mall, passively copping mockery and abuse as if he were carrying a cross. Which, of course, he is.

Just as we're settling into this rather surreal Irish kitchen-sink drama, we find out more about that cross. It's a cross of iron. Cheyenne's estranged father, back home in New York, is dying. He embarks, slowly (by ocean liner, of course), to see him. He arrives too late. It turns out Cheyenne is the black sheep of an observant Jewish family. His dad was an Auschwitz survivor.

At this news, you may be thinking: "oh-oh". I certainly was. In any case, this unexpected new plot beat graunches the gears, but is neatly lubricated by David Byrne's bravura performance.

So begins Act II: in his father's death, Cheyenne finds the purpose that has been eluding him over half his life: to cast off his cross. He decides to track down the Auschwitz guard who tormented his father.

As a plot development, given all we know about Cheyenne, this isn't just improbable: it's preposterous. But the outcome isn't half as bad (cinematically) as it could be. Cheyenne borrows a pickup and sets off into America's great interior. He has traded his shopping trolley for a wheelie suitcase but kept the gothic garb, so be under no illusions: Cheyenne still has Baggage.

The undercurrent of Lynchian weirdness in the first half of the film thereby becomes explicit Cheyenne's meandering progress and the oddballs he meets would not be out of place in The Straight Story (in which Alvin Straight journeys across the Midwest on a lawnmower). While this film isn't half as accomplished, there are some beautiful touches and a couple of moments of excellent slapstick (one involving a speed rollerblader in Central Park is worth the price of admission alone). The photography capturing the wide-open beauty of Utah, often through a super-wide angle lens at ankle level, is often arresting.

The Nazi theme is never over-egged: it is a Macguffin of sorts, not a driving theme of the film. The final confrontation with the ancient (and, as they go, relatively innocuous) camp guard is deftly handled. There is a startling denouement which has as much to say about the instinct for revenge as it does about the Nazi atrocities.

Penn is very good throughout as Cheyenne: a tough character to play without comic exaggeration, and it must have been challenging to Penn to hold such loosely-knit film together with such an unenergetic role. He succeeds surprisingly well.

This Must Be The Place won't blow the box office, and it is hard to see it finding unqualified critical support, but it has many bright moments and some surprisingly tender ones.

Olly Buxton

Flickfeast

Never heard of this movie and stumbled across it. If you like unusual movies this is one for you! It is a story about a rock star who never grew up. Or anyone who never grew up!! Really great story! Sean Penn was great! Not a mainstream movie! Which is why we LOVED it!! Must watch!

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This is a really, really good film. Sean Penn carries it all the way, but the supporting actors are perfect too. If I had had to say what the movie is about (without giving away the plot), it's about kindness. What makes it work so well is the authenticity and innocence of Penn's character. "Do you like tattoos?" asks a tattooed man drinking next to him in a bar. "I'm not sure" replies 'Penn', "I was just asking myself the same question a moment ago when I was looking at you." And so it goes. It's a great and happy film. See it!

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Sean Penn embodies a retired rock star who is human in every way. The expressions, voice and mannerisms that Penn employ are are spot-on for this flawed, imperfect character and unlike any I've seen him use in previous films. This is a great film about love and relationships an soul searching.

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Sean Penn turns in an amazing performance as an aging, damaged 80s glam rock star who is stuck in that persona. But the scary persona belies the soft-spoken, warm-hearted creature he has become. The death of his father leads him on a quest of discovery. Like an onion, the layers of this film are pealed back to reveal what is below. This is a film I will watch multiple times.

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The Three Musketeers (Blu-Ray/Blu-ray 3D Combo) (2012)

The Three MusketeersWhen I first went to see this movie I wasn't sure if I'd like it or not. I had expectations yes, but they weren't the highest. Boy was I wrong. This movie was great fun to watch.

I did not go see it in 3d because personally 3d doesn't do much for me but the 2d experience was great. What I really enjoyed about this movie was that it had a little bit of everything, funny characters, semi-engaging storyline, romance, action, and good looking men ;)

To me the storyline was just right for the film, there was a lot going on with the characters interactions with each other and they did a good job of playing back to things that happen early in the film and adding twists, confusion, and even a few surprises. The characters all have their quirks from D'Artagnan's cocky statements to King Louis' insecurity's and childlike attitude. The film has an overall funny feel to it with a good deal of jokes and silly encounters which I really enjoyed. There's nothing like going to an action movie and getting some laughs out of it as well.

The romance aspect was small but effective as it helped move the storyline along in different ways. Different characters had to deal with different aspects of romance and each issue helped push the plot and characters in ways that were both expected and unexpected. As for the action all I can say is wow. I love watching a good sword fight happen and this movie was full of excellent swordplay. Along with swords, bombs, explosives, and guns were all used adding to the action.

This movie is not a tradition rendering of the Three Musketeers and has a steam punk feel to it making it a Three Musketeers for the modern age. Overall it was fun to watch and enjoy. I enjoyed it enough that I went to see it twice in theaters and already have plans to purchase the DVD release. Overall I give it a five star review because I loved it that much. :)

If you're looking for your next movie to showcase for great 3D, The Three Musketeers delivers the same great 3D you've seen in Resident Evil Afterlife 3D, as Paul W.S. Anderson returns as director and has not lost his 3D touch (currently filming Resident Evil: Retribution 3D, which looks equally great from the 3D trailer as of Jan 2012). How good is the 3D here? Anderson learned his 3D from the Fusion 3D used on Avatar. Any more questions? Exceptional 3D in depth and the occasional pop outs.

Moving on to the movie itself, I went in with the expectations that the film would deliver interesting, like-able characters, a decent storyline and plenty of great action. They sort of got the last part right, but the rest is debatable IMO.

Characters: The lead hero is portrayed as an arrogant jerk, and the Three Musketeers are directionless, without a goal when the film gets underway. So who do I root for? Milla Jovovich of course. Too bad she didn't have a bigger role. Orlando Bloom appears, but does little more than talk for the few moments he appears.

Storyline: The story needs a strong goal right from the start. Without it, the film feels directionless and pointless. Just some clueless characters wandering about waiting for something to do, is how I perceived it. And I wanted to enjoy the film, but by the end, I didn't care how great the 3D was, I couldn't wait to leave the theater. But that's just one opinion. Another viewing might change the bad taste.

Action: Good action when it appears. The sword fights are good, but fencing is limited in the amount of jabs and strikes you can do. More creativity is welcome here. The other action scenes, ranging from Milla squeezing through some obstacle courses, to an in air battle of floating ships, are pretty well done and woke me up in the theater, but if you don't care about the characters, it's still hollow action.

Visuals: Great scenery and elaborate costumes if you like the style, top notch lighting and cinematography. Solid special effects.

If you like Pirate movies, then you may very well enjoy this. The setting is France, with all of the etiquette, pomp and circumstance, frilly wardrobes and prissy attitudes to go with it, notably displayed by the intentionally annoying King.

Decent at best.

Film: 5/10

Story: 4/10

Characters: 6/10

Action: 8/10

Visuals: 8/10

3D: 9/10 EXCELLENT.

Overall: 6/10 (not an average, saved by the 3D and action). If you need another 3D action movie for your 3DTV, the 3D will not disappoint. The movie on the other hand...

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Six feet under and rotted in the soil, Alexandre Dumas is rolling over furiously. Heck, even the makers of the much reviled THE MUSKETEER are turning over in their graves (never mind that they're probably not even dead yet). THE MUSKETEER was deplored for its shabby updating and lame use of anachronisms and its swapping of classic swordplay for a more Eastern fighting approach. This latest incarnation of Dumas' classic literature comes along and lifts that same ill-advised blueprint but adds a more pronounced Michael Bey sensibility. 2011's THE THREE MUSKETEERS is louder and bigger-budgeted and peppered with even more anachronistic touches, such as that scene in which Aramis meets D'Artagnan for the first time and he issues him a traffic citation. It's a jarring departure, if you're a stickler for faithful adaptations. Me, it depends. I enjoyed Johnny Weismuller's Tarzan films even though his interpretation of Tarzan was a far cry from E.R. Burroughs' vision. But I can't make up my mind whether to rate THE THREE MUSKETEERS 2.5 out of 5 stars, or 3.5. I had fun watching this, but there were things that seriously bugged me.

The world ushers in the dawn of the 17th Century, a tumultuous time. After the assassination of his father, young King Louis XIII ascends the throne. But his inexperience and feckless nature allow his chief advisor, the manipulative Cardinal Richelieu (Christoph Waltz), to expand his power base on the sly.

You may spot traces of Dumas' original narrative, but it's been garishly gussied up and liberties have been taken. Young and brash D'Artagnan (Logan Lerman) of Gascony rides to Paris to make his fortune, harboring dreams of becoming a Musketeer. But no sooner does he set foot in Paris than he offends in quick succession three disapproving citizens and makes an appointment with each to settle accounts by way of duel. These three, of course, are Athos, Porthos, and Aramis, the three most notorious in the ranks of the Musketeers. When the sneery Cardinal's guards interfere, D'Artagnan and the three Musketeers quickly join forces and by so doing spark lifelong friendships.

But D'Artagnan is still far from realizing his goal. The Musketeers, under Richelieu's calculated ministrations, have fallen on hard times, are rendered obsolete, are reduced to swilling cheap wine and quarreling with the Cardinal's guards. Seeking a righteous cause around which to rally, D'Artagnan and his new friends unearth a dangerous conspiracy spearheaded by Richelieu and the treacherous Milady de Winter (Milla Jovovich). This bit of plot territory is familiar enough: the Musketeers must retrieve compromising jewelry and so defend the Queen's honor and prevent a war. Only, in the book, I don't remember a storming of the Tower of London or huge, battling airships or flamethrowers. Or Milady de Winter taking such a physically active role and indulging in bullet time sequences. In that sense, the role perfectly suits Milla Jovovich.

So, listen, if you can find it in you to put aside director Paul W.S. Anderson's bastardization of the source material... and I know that's a hard if... then you just may have fun with this latest iteration. We get a hint that this would be a departure when the film opens up with the Three Musketeers conducting a black ops in Venice. Anderson (elsewhere known as Mr. Jovovich) has a knack for staging stunning visual panoramas, even if sometimes plot and narrative are suspect. I like this version of THE THREE MUSKETEERS on several fronts. Most notably and as mentioned, the astonishing visual aesthetics. The film does justice to costumes and sets and location. It captures the grace and opulence of French architecture, never mind that the film was shot in Bavaria. Other than the distracting spoken anachronisms, it's a fun and irreverent take. The film executes a series of dynamic action sequences, with Aramis being played up as the man of the cloth who fights with ninja-like precision. Thankfully, there actually are nice bits of swordplay and enough rousing swashbuckling to recollect THE PIRATES OF THE CARIBBEAN. The tone of the characters mimics the original, only extremely exaggerated. As ever, the burnt-out Athos (an excellent Matthew Macfadyen) proves to be the most complex and interesting Musketeer. Unlike other adaptations, this film does focus more on Athos and Milady de Winter's history. Milady de Winter belongs in the Femme Fatale Hall of Fame, and, as Athos learns, you roll the dice when you have truck with a temptress whose attributes include a "gift for corruption and a penchant for betrayal." There are slow bits to this movie, and eye-rolling bits. And, more often than not, the stabs at humor miss the mark. The anachronistic elements could've been downplayed or just done away with. And I wasn't entirely sold on Jovovich as Milady or Orlando Bloom as the Duke of Buckingham. But it's worth a watch for the visual spectacle and the slick action. But you may wince when you hear a demoted-to-street patrol Aramis handing D'Artagnan a citation and accusing him: "Your horse took a dump on the street." You can apply that as a metaphor, if you like.

The DVD's bonus stuff:

Audio Commentary with director/producer Paul W.S. Anderson and producers Jeremy Bolt and Robert Kulzer

Cast & Crew a series of interviews and profiles on nine of the characters in the film (totaling 00:21:01 minutes)

Costumes (00:05:16)

Production Design (00:03:04)

A New Dimension of Musketeers" about the 3D rendering (00:05:18)

"Uncovering France in Germany" on shooting in Bavaria (00:02:17)

"Fencing 101" fencing boot camp (00:04:01)

"17th Century Air Travel" focus on the airship sets (00:02:23)

"Cooper's Yard Showdown" behind-the-scenes look at the skirmish between the Musketeers and the Cardinal's guards (00:02:08)

"Milady: More Than A Lady" Milla's big action sequence on the roof (00:01:19)

"On Top of Notre Dame" D'Artagnan and Rochefort's duel (00:02:15)

12 Deleted & Extended Scenes (totaling 00:14:13 minutes)

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While I realize this version of The Three Musketeers is far from the author's original intent, it was fun to watch with my older kids. They liked the action and exaggerated storyline; I liked how it kept their interest without excessive bad words or sexual content. It's also a visually interesting movie, which I also liked.

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I don't know what is wrong with so many people, I guess giving negative reviews is now a hobby. I was not sure what to expect but I truly enjoyed this, it was a great fun movie that you can watch with the family too which is hard to come by a lot of the time. The clarity is amazing, one of the best blu-rays visually that I have seen and a pretty good price for 3D. I don't write many reviews but couldn't believe so many people were giving it such bad ones. I enjoyed it from start to finish. Try this if you like action movies and especially if you like action without lots of blood and gore or are looking for a family friendly action movie for movie night :)

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