Showing posts with label top ten comedy movies. Show all posts
Showing posts with label top ten comedy movies. Show all posts

Yesterday, Today and Tomorrow (Sophia Loren Award Collection) (1964)

Yesterday, Today and TomorrowMost of the Amazon reviews linked to this new Region 1 DVD from NoShame films refer to the awful bootleg versions that have been previously available. Ignore them!

This DVD is gorgeous with a beautiful 16x9 Widescreen (2.35:1) high definition transfer. There is an Italian track with optional English subtitles. There is also the option to choose the English dubbed track if you want to.

NoShame is also releasing a pristine version of the Fellini/Visconti/DeSica multi-part comedy Boccaccio '70 completely uncut for the first time ever in the U.S. The long missing Mario Monicelli segment has finally been restored as well!

I bought this because it looked like a good deal but I had no way of knowing that it was dubbed. I had originally seen both films in Italian with subtitles...and both truly are wonderful films (Sophia won Best Actress for Two Women). If they only included the information (dubbed or subtitled) I would have been able to make an informed decision instead of taking a shot in the dark. Obviously, I'm not happy with the dubbed version. Oh, and also, the quality of the video is less than great.

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Ignore the reviews of the bootleg DVD; this new digital transfer from the internegative is lush and clean. There is both a subtitled Italian audio track and a English dubbed version. No comment is needed about the film; time has proved its value.

Please view this extraordinary picture and compare it to modern sex comedies; you might conclude that we haven't advanced the art of film over this wonderful production. Buy, enjoy and spread the word.

Read Best Reviews of Yesterday, Today and Tomorrow (Sophia Loren Award Collection) (1964) Here

I believe the Amazon.com Editorial Review is self explanatory. This film is a masterpiece, an important component of Sofia Loren's filmography and one of her most admired performances.

Now let's address this DVD release! It was apparently transfered from deteriorated film elements, horrendous (jolts) pan and scan with an annoying monophonic dubbed soundtrack. This DVD release does not do justice to this Italian cinematographic jewel. It should not be in the market. Perhaps it is best to visit Italy, buy its PAL version and play it back in one of today's fine multi region DVD players. Don't spend a penny on this monstruosity.

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Not paying attention to the reviews, I purchased the Entertainment Programs International release of Yesterday today and tomorrow. This is a classic of Italian cinema. Well worth owning for any fans of european cinema. I am however not impressed with this transfer and urge buyers to look to the widescreen, No Shame release. I own boccaccio '70 (another Italian classic) from No Shame And it has excellent audio and video quality.

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Gentlemen Broncos (2009)

Gentlemen BroncosI had seen reviews for this movie on Rotten Tomatoes and rated on IMDB and can't understand why it got such horrible reviews. I just watched this movie tonight and found it absolutely hilarious from start to finish. Clement and Rockwell are great, and Mike White makes me bust out laughing in every scene he is in. This is an exceedingly original film, I can't think of anything to compare it to off the top of my head, and the fact that Cher and the Scorpions are both in the soundtrack makes all the more loopy. PLEASE GIVE THIS MOVIE A CHANCE!

As soon as I heard about Jared Hess' latest project, I was excited to see it even before the Dr. Chevalier viral videos were released.

So I was a tad let down to hear the negative buzz surrounding the film, and to discover it wouldn't be playing in any nearby theaters.

Even still, I decided to take a chance and purchase it on BluRay instead of renting. I'm one of the minority who really liked not only Napoleon Dynamite, but ALSO enjoyed Nacho Libre (typical response to Nacho Libre was poor). So I figured Gentlemen Broncos was a safe bet. ...and it turns out that it was!

Admittedly, there are a couple of "what the heck" scenes (particularly those involving Halley Feiffer) which I think some will find a bit off-putting if not totally repulsive, but overall the film is chock full of hilarious gems. (The PG-13 rating was due primarily to crude humor. There was one instance where "ape sh**" was used, but no swearing beyond that.)

I thought all of the characters were very well-played by their respective actors. Jemaine Clement's Ronald Chevalier is often cited as the show-stealer, and for good reason, but I found myself wanting to see more of Sam Rockwell's Bronco character. His near-hillbilly (fantastic southern accent) action hero portrayal was delightful to watch. I laughed hysterically at his "What the crap?!" reaction upon waking up in Daysius' lab.

It did seem like there could've been more extra features, but maybe that was because I'd seen many of them (the "Webspots") online prior to the release. The behind-the-scenes was a treat, which I would also liked to have seen more of, but the outtakes made up for it.

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I went into this movie knowing NOTHING about it. And I LOVED it. For me personally this is Hess' best film. It's incredibly quirky, there are so many great moments. Sam Rockwell is comic gold. I would definitely recommend this to anyone who liked his other films at all.

I would also like to say that I think the price of the DVD is pretty ridiculous and will inevitably spurn piracy. I am torn about buying it. I want a copy pretty badly but I don't know if I should wait the price out or not.

Read Best Reviews of Gentlemen Broncos (2009) Here

I just finished watching this movie. It was hilarious. Every single character in the movie has something about them that makes me laugh out loud. Sam Rockwell was great switching from the macho Bronco to the effeminate Brutus. I loved the use of low quality special effects, and I loved the location of the movie. Everything about it reeked of late 70s and early 80s.

I loved how cluelessly sleazy the characters are (Especially the guardian angel!)

I saw that this film got negative reviews, which is why I gave it a chance. The majority of people do not seem to embrace the kind of humor that I adore. I love humor that is dry, and weird, and uncomfortable. This movie does not disappoint in that department.

If you like awkward, dorky movies that are off the beaten path, then this is the movie for you.

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I'm one of the rare viewers who thinks the Hess' movies are getting better with each one. Anyone who was into sci-fi/fantasy books as a kid should get a good laugh at the lampooning of sci-fi kitch. Clement is perfectly cast as Chevalier and Rockwell is hilariously dry in his roles as Bronco/Brutus. I can't believe the studio bailed on this film without giving it a chance for the public -especially college-aged kids -to check it out. But it will eventually become a cult classic on DVD.

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Rock 'N' Roll High School

Rock 'N' Roll High SchoolHey Ho! Let's Go! Listen up, kids. Rock 'n' Roll High School may have been released way back in 1979 but it still kicks the ass of any of those square MTV movies. Forget about Britney Spears and Mandy Moore's brand of bubblegum pop music and their equally bland movies they don't hold a candle to the unbridled power of those punk rockers from New York City, the Ramones!

From B-movie veterans like Paul (Eating Raoul) Bartel and Mary (Death Race 2000) Woronov to newcomers (at the time), P.J. (Halloween) Soles and Dey (Strange Invaders) Young, the entire cast has a lot of fun spouting the film's wonderfully inspired cornball dialogue ("If you don't like it, you can put it where the monkey puts the nuts."). The Ramones are good sports and mumble their way through the film and truly coming alive during the music sequences. The movie rightfully cements their reputation as legends.

Rock 'n' Roll High School embodies the essence of the punk rock music that made the Ramones famous. The film is bursting with youthful energy, a dose of good ol' fashion anarchy and is loads of fun to watch. These are also the ingredients that made Rock 'n' Roll High School a cult film. It was a commercial and critical failure upon its initial release but repeated midnight screenings, coupled with steady appearances on TV, have helped the film endure over the years.

New to this edition is a "Back to School: A Retrospective" that takes a look back at this cult film with new interviews with producer Roger Corman, Alan Arkush and cast members Clint Howard, Dey Young, Mary Woronov and Loren Lester and the surviving Ramone from that time, Marky. This is an affectionate, fun look at this movie with everyone reminiscing fondly about their experiences.

Producer Michael Finnell, screenwriter Richard Whitley and director Alan Arkush deliver an engaging and rather chatty audio commentary. The three men laugh and joke about working on Rock 'n' Roll High School. They clearly have fond memories of their experiences on the movie.

Another new addition is an audio commentary by Corman and Young. She admits that in reality she was more like Riff Randell than her character. There are several lulls but it is nice to hear these two reminisce about their experiences on the movie.

Also included is a dynamic theatrical trailer that gives away the ending! Definitely watch this last if you haven't seen the movie.

Gone is the Leonard Maltin interview with Roger Corman.

A real treat for fans of the Ramones are several audio outtakes during the filming of the concert sequence. These are the original audio tracks of the band in action.

While Rock 'n' Roll High School will appeal predominantly to fans of the Ramones (duh!), it is also one of those fun, goofy movies to invite friends over and watch with copious amounts of junk food on hand. Despite a lackluster transfer, the audio commentary and audio outtakes are worth the price of purchase for this fantastic cinematic oddity.

Being a Ramones fan, this movie has a special place in my heart. The commentary by the director , screenwriter, and producer is a real treat to liten to; you can feel their passion for film making and rock and roll. Most humorous is how they convinced Roger Corman to change the film from DISCO HIGH to ROCK AND ROLL HIGH SCHOOL. Just a fun, fun movie. The DVD presentation is wonderful, though there are a few scratches from the transfer (What do you expect? It's Roger Corman!). And the audio outtakes are a must for Ramones fans. And with Clint Howard, Paul Bartel, and Dick Miller in the same movie, how can you go wrong?

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Rock, Rock, Rock, Rock, Rock and Roll High School.

That's how the song begins for one of the best Ramones songs and surely the most unique event in their history, a starring role in a feature film! I love movies with rock bands. A Hard Days Night, Head, and this film are probably my all time favorite "Band" films. When I was in high school and college, we had a ritual of going to see the midnight movies on most weekends. Usually they featured such "gems" as H.O.T.S. and Flesh Gordan, but occasionally you would come across a real sleeper. In 1979 I walked into Eastland mall to see a film I had never heard of and walked out a Ramones fan forever. It was still early in this films release, but it had already skipped most of the big theatres and gone straight to midnight showings. I guess a movie about a punk band (actually a straight up rock band) and a bunch 0f kids who blow up their school was never going to cross the 100 million mark. Made with virtually no budget and featuring PJ Soles, Clint Howard and Vincent Van Patten, along with the Ramones this movie is funny, has great tunes (Rundgren, McCartney, Alice Cooper etc), cute girls, and features a great scene where they blow the school up while the Ramones play the theme.

This movie came out right after PJ Soles had made her screen debut in Halloween and just before she played Bill Murrays girlfriend in Stripes. She was perfect for the role of the Ramones fanatic and she can sing too. She does a great version of Rock and Roll High School, upstaging the preppy cheerleaders in the gym. Clint Howard (Rons brother) actually has something to do in this film. He plays the school "dealer". Not in drugs mind you, he is the guys that sells you hall passes and gets you the makeout van for your hot dates. A very different role from all his walkon roles in Ron Howard films. The rest of the cast is well chosen and we even have a great villain in the evil principal Miss Togar. Someone you love to hate. Don't worry, she gets hers. This is just a great cult movie.

It was followed with a sequel, minus the Ramones and starring Corey Feldman. I don't think anyone ever saw that one. What was the point?

Highly recommended if you love rock band films. Get it while you can, it was out of print and was brought back after Joey died. It most likely will go out of print again.

Read Best Reviews of Rock 'N' Roll High School Here

Fantastic late '70s B-movie, a true cult classic. The music is top-notch -both the live Ramones material and the soundtrack artists. If the visual gags and silly jokes don't get you laughing, P.J. Soles' outfits will. You gotta admire P.J. for her acting skills. She actually makes us believe that her character has a crush on Joey Ramone, who definitely does *not* fit the stereotype of a good-looking teen idol.

This DVD edition is a bit disappointing. First, the audio mastering isn't up to snuff. There are several spots when the sound is clipped or distorted, usually when there is a loud and sudden noise. Those problems weren't in the VHS version that I saw. Second, you can sometimes see scratches on the image, which is really lame for a DVD. Third, for some strange reason, this version cuts the final line of Tom's early scene in the school corridor, where he says, "I need to get laid".

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Rock `n' Roll high school is what a musical should be. The Ramones are one of the greatest bands of all time. No wonder this film is a classic, how can it not be a classic. It's got everything a classic needs. Dancing, great music, great story, and of course the Ramones. Riff Randle (P.J. Stoles) loves Rock `n' Roll and the Ramones. But as the schools new principle Ms. Togar tries to destroy Rock `n' Roll and make more strict rules, Riff has to save Rock `n' Roll and the school. The kids decide they have had enough. So they go to a Ramones concert and try to get them to make a song for the school called "Rock `n' Roll high school". Now in a all new remastered DVD with special features Rock `n' Roll High School is the ultimate musical to get. The commentary in this DVD was surprisingly not boring. Allan Arkush, Richard Whitley, and Michael Finnell discuss stories of the Ramones and the hard process of making this film. Lenard Maltin interviews Roger Corman (there's only 2 minutes of this) Roger discusses that if they didn't do Rock `n' Roll High School they would have done "Disco High". What I really loved was the outtake concert of the Ramones for the concert scene. They play two extra songs "I wanna be sedated" and Sheena is a Punk Rocker". If you love the Ramones, you got to see this film and you'll love them even more. In addition to this film you should also get Ramones Raw DVD.

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Volver (2006)

VolverA truly beautiful film! I was mesmerized throughout by the great writing, directing, cinematography, and above all the outstanding performances of all the wonderful actresses. One of the legendary grand dames of Spanish cinema Carmen Maura (the Judy Dench of Spain) gives a brilliant performance in a supporting role as Irene, the tortured matriarch trying to reconcile with her long, lost daughters. Penelope Cruz gives a performance that in almost any other year would have reaped her not only the Academy Award for Best Actress, but every other award known to man-kind as well (however, having seen the movie "The Queen" it was no doubt Helen Mirren's year). I have never seen Ms. Cruz even come close to being as great as she is in this fine film. She is not only breathtakingly beautiful as our main heroine Raimunda (ala Sophia Loren and Anna Magnani) but she seems to glide across the screen with such balletic grace and effortlessness that you can't take your eyes off of her for a second. The scenes between her and Maura in particular are simply sublime beyond words. The other three main actresses also give outstanding performances in supporting roles Yohana Cobo (Paula, Raimunda's teenage daughter), Blanca Portillo (Agustina), and in particular Lola Duenas (Sole, Raimunda's loyal and lonely younger sister).

This is not a 'chick flick'. This is not one of those boring, esoteric, foreign films that you need to be of European descent to truly understand and appreciate. Pedro Almodar truly weaves together an absolutely wonderful story with a great message as well. These women exude such strength and inner beauty that it is almost impossible to not empathize with each one of them. I was pleasantly suprised when I walked out of the movie theatre and I am planning on purchasing this DVD soon. Also, anyone who has been to Spain and fell in love with the people and culture (as I did) will truly love this film! It is such an enchanting, charming land full of benevolent and passionate souls.

It is definitely a five star movie in my opinion and one of the finest films of it's kind that I have seen in years.

There is a great scene in Pedro Almodovar's latest, "Volver" that encapsulates all that this wonderful, resonant movie is about: Raimunda (a sexy, earthy Penelope Cruz who has never been better on screen) sings a gypsy/flamenco style song, having not sang in public for many years but in possession of a gorgeous singing voice, while her mother Irene (the legendary Carmen Maura), thought to be dead , discretely listens from afar. Almodovar's camera cuts between mother and daughter, both totally committed emotionally to the scene, both recalling their former lives together, estranged for years but still possessing that particular brand of love that exists only between a Mother and her daughter, both longing for lives without trials and tribulations and fear, lives without problems, without cares. "Volver" (which means to return, to come back) is nothing if not about returning to the innocence of youth: to a time when Love abounded and came without a price and without consequences. But "Volver" is also about second chances, re-tooling you life albeit, Almodovar-style which always involves some manner of the strange, the violent sometimes and the weird. This line towards re-tooling/re-imagining your life is not a straight one by any means but a zigzagged one going from "a" to "g" more often than from "a" to "b."

In "Volver" we have the extraordinary character of Raimunda played to the hilt by Penelope Cruz who has always been better in her native Spanish than she's ever been in her English films. Raimunda is strong, decisive, hard-working, married to a lout, a devoted mother and sister of Soledad (Lola Duenas) with whom she shares a strong bond now that their parents are dead.

"Volver" is a film almost totally without men except Paco, Raimunda's husband and Paula's (Raimunda's daughter)father who leaves the film early on and as such it reminds me of the Neo-Realist film classics of the WW2 era, "Open City" and the Sophia Loren starring "Two Women." But in this world without men that is "Volver" nothing seems amiss because the world that Almodovar has created is rich with well defined woman's roles: compassionately written and more importantly profoundly and deeply executed by the ensemble of actors that Almodovar has assembled: Cruz, Maura, Duenas and Blanca Portillo as Angelina.

Once again with "Volver," Almodovar has returned to the world of women alone and it is a film primarily about but definitely not only for women: their power over us, their weaknesses, their hopes, their desires. But "Volver" also shows us that mysterious inner core that all women possess which gives them an edge, a wisdom that men don't have. Call it maturity, call it a security, call it a special strength. You can even call it "feminine intuition." But, call it what you like, it's there, only women have it and lucky man, Pedro Almodovar is on a first name basis with it.

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I've never been a big fan of Penlope Cruz but this film, I think, has changed that! I have been, however, a fan of Pedro Almodovar for 20 years and he gives us another strong tale centered around a group of women that involves murder, incest, ghosts and much more!

Thankfully, we see the wonderful Carmen Maura reunited with her director of "Women on the Verge of a Nervous Breakdown". She really shows her talent as an actress as the mother of Raimunda (Cruz) and Sole (Lola Duenas).

The story is set around to Raimunda and Sole, two sisters who lost their parents in a fire about four years earlier. Raimunda is married to a crude drunk and Sole is a lonely young woman separated from her husband. After a tragic event occurs for Raimunda and her daughter, Paula (Yohana Cobo), Raimunda is forced to keep a secret to protect her daughter and herself. The one thing that bonds all the women is the secrets they keep. Irene (Maura), their mother, has a secret that could give the terminally ill Agustina (Blanca Portillo), who is a childhood friend of the sisters, an answer to the whereabouts of her absent mother.

The actresses in this film do AMAZING work. The story centers around Penelope Cruz who deserves the Oscar nomination she received. Carmen Maura, as usual, does a great job and another stand out is Blanca Portillo as the long suffering and loyal friend to the sisters.

If I have one criticism about the film, it just seem to end so abruptly. Other than that, Almodovar gives us another film about women that is well worth the price of your ticket as well as an addition to your dvd library. Highly recommended.

Read Best Reviews of Volver (2006) Here

Penelope Cruz gives a standout performance as Raimunda in this strange tale of a village where most of the men are lovingly tended to in cemetery plots. The story takes many twists and turns, but principally this is a tale about Raimunda's indefatigable spirit and protection of her daughter. Almodovar captures the rhythm and feeling of small town life in Spain as Raimunda enlists the services of her neighbors to revive a restaurant, which becomes the hub of activities while the owner is away. In so doing, Raimunda hopes to disguise the sinister events that have taken place. Raimunda's sister, Sole, harbors a blithe spirit of sorts, whose return provides the premise for the movie and eventually answers many questions that are put forward. Augustina completes this provincial triptych as a hippie of sorts, who is forced to come to terms with her life when she finds out she has cancer. The characters feed off each other in typical Almodovarian fashion, but it is a conventional movie by his quixotic standards, and one of his most satisfying efforts, as it is sure to appeal across a broad spectrum of viewers, especially given Penelope Cruz' excellent performance.

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Pedro Almodóvar, the king of Spanish cinema is back with Volver, a film with a lot of humor, but also the finest drama.

The story, written by Almodóvar himself, is original and has great twists and surprises for you to enjoy.

The story in short without any spoilers:

Raimunda (Penélope Cruz) is a young mother and together with her sister Sole (played by Lola Dueñas) who has an illegal barbershop, they always clean their mother and father's grave, who have passed away long ago. They both have their own problems, and Raimunda experienceses a big one together with her daughter Paula (played by Yohana Cobo),which I'm not gonna tell, you'll see.

But then, suddenly, the mother (played by Carmen Maura) returns from her grave as a spirit, because she has some unfinished business to complete before she can rest in peace. So with their mother walking around, some big problems here, and some little problems there, Volver is a delighted comedy and drama at the same time that will entertain you endlessly!

Penélope Cruz is absolutely fantastic in this film. The problem with her acting in Hollywood is that she can never really show that she can really act because of the language that doesn't come out as fluently as Spanish (Not that she is terrible when she acts in English, she is a wonderfull actress, but still, you don't feel like it is her 100% because of the language barriar). Now, in her own language, Penélope shows she can really act and steals the show. She really gave me goosbumps in some of her scenes because she can act emotionally very realisticly which absolutely grabbed me. Expect acting from the highest level!

The rest of the cast is also fantastic and they all act great. It is an absolute star cast where nobody is out of place or not good: maqnificent job!

Even though the film is completely spoken in Spanish, you'll have no problem getting into this film. When the first scene appeared on the screen, I was so into it, that I was not even noticing that I was still reading the subtitles. And thats the power of the Spanish cinema. Volver shows how great Spanish movies can be. It is a fantastic film that will make you laugh, cry and entertain you till the very end.

I don't know how it will go with you, but after seeying this film in the cinema, I can offically say that I am sold to the Spanish cinema: Mucho Gracias!

So I will probally Volver (return) to the cinema for more Spanish delight in the future!

Enjoy and Let yourself be grabbed by the story, the emotion, the comedy and the acting: entertainment from the highest sort. So go and see this, cause it will be in your mind for some time!

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Full Frontal (2000)

Full FrontalThe Blu-Ray, which is already available at Best Buy, includes a 111 min cut of the film that's a bit different from the 101 min theatrical cut.

I think it's just a mistake, as it feels like an unfinished version. The difference in running time is more down to additional shots and portions of scenes than whole new scenes. (I ran the DVD and Blu-Ray at the same time to compare).

As this is a bargain Blu-Ray coming out with no fuss, I don't think it's an officially recut version by Soderbergh.

Because the film has a different running time and different content, the audio commentary from the DVD has been dropped, as nothing would match up in the new cut.

People with the DVD considering this Blu-Ray should know about these differences and know they should hang onto their DVD, even if they buy the Blu-Ray.

I am not one to criticize a movie because it doesn't fit the mold, in fact I find the quieter, more character driven movies more interesting than others (see Lost in Translation). However, as an experimental piece and ensemble movie, I just never got into it. I didn't care about any of the characters and while I applaud Soderbergh for trying something new and different, it didn't translate very well even if the cast was probably have a good time going outside their zone of comfort.

The Blu-ray at least has a fair amount of features including the original cut (the main one is an extended version for some reason) with the Soderbergh/Hough commentary (the only way to view the movie is with the commentary, however) along with cast interviews (the actors in character), 17-minutes worth of deleted footage and a standard interview with Soderbergh.

*/***** for the movie

**/**** for the Blu-ray as a whole

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The Kings of Summer (2013)

The Kings of Summer"The Kings of Summer" (2013 release; 93 min.) brings the story of two best friends, Joe and Patrick, both 15 and just having finished their HS freshman year. Joe's dad is heavy-heanded ("my house, my rules!") and Patrick's parents are outright bizzare. Joe hatches a plan to build a cottage out in the woods over the summer. They are joined a strange kid, Biaggio, who works himself up to be a great (and funny) sidekick. As the boys are working on building the shack, they are equally enjoying being out in the woods or daydraming when they feel like it. Once the cottage has been built, they invite some achool friends over, including beautiful Kelly (played by up-and-coming Erin Moriarty). Joe is smitten by her, but she seems to be attracted more to Patrick. At this point we are about half-way into the movie and to tell you more of the plot would ruin your viewing experience, you'll just have to see for yourself how it all plays out.

Several comments: a few months ago we had a fantastic coming-of-age movie called "Mud", and now this movie. It is hard to truly compare the two, as "The Kings of Summer" is a very different kind of "coming of age" movie, with the boys being 4-5 years older than in "Mud". Here, the themes are more directed towards the tensions with the parents on the one hand, and surrounding the girl on the other hand. Stylistically, the movie is a curious mix of a number of genres, some scenes being almost sitcom-like, others reminding of magic-realism (lots of late afternoon orange sunlight) and of nature-adventure (lots of shots of animals in the woods), yet other scenes building suspense on the outcome of it all. Somehow it works. The fact that this is a fairly short movie works to its advantage as this zips by in no time. Kudos also to Ryan Miller for scoring that nice soundtrack. I would be remiss not to mention that this movie was filmed entirely in Ohio (where I am). Director Jordan Vogt-Roberts makes it look beautiful!

This movie was well received at the 2013 Sundance film festival (where it was shown as "Toy's House"). The movie opened today here at my local art-house theatre in Cincinnati, but regretfully the screening I attended was not well attended. I hope that is not a sign of things to come. Regardless, "The Kings of Summer" is a different kind of coming-of-age movie that is worth checking out, be it in the theatre or on DVD.

"Kings of Summer" does something that few movies are able to do. It captures a moment perfectly. For anyone who has been a middle class fifteen year boy this is a movie that captures that perfectly and then tells a great nontraditional coming of age teenage rebellion story. For everyone who has never been a fifteen year old boy it tells an excellent with amazing characters. Every actor in this movie is fantastic. This movie should not be missed.

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One of the best movies of 2013 so far has been the coming-of-age drama MUD. And now, during a summer blockbuster season, another coming-of-age drama/comedy has arrived. THE KINGS OF SUMMER had a very enticing trailer, making it look like a good-natured story of three boys who run away from home to live in the nearby forest in a house of their own construction. It features funny actors such as Nick Offerman and Megan Mullaly. (Yes, I know they are husband and wife in real life.)

The movie ended up being more (and less) than what I expected. It is a far darker, more serious exploration of the family lives of these boys, particularly Joe (Nick Robinson) who lives with his recently widowed father (Offerman) a bitter, sarcastic man who is gruff almost to the point of abuse on his teen son. The two are "dealing" with their loss by lashing out at each other, and Joe finally has enough and decides to move out. He encourages his friend Patrick (Gabriel Basso) to join him. Patrick has very overbearing parents who are experts at embarrassing him. These two old friends are joined by the VERY odd Biaggio (Moises Arias), a bit of an outcast who simply clings to these two and becomes part of their lives.

The movie constantly struggles with tone. It clearly wants to be full of lighthearted moments...gentle humor and ironic observations about how kids and parents often don't see eye-to-eye. Yet the relationship between Joe and his dad is so caustic that we are much more likely to cringe than chuckle or smile. The actors play everything straight, which is what they SHOULD do, but the script makes it tough to balance the comedy and drama. The two want to exist at the same time, but the drama smothers that comedy. There certainly are laughs in the film, particularly around the odd (and highly unbelievable) Biaggio.

In fact, much of the film just felt false. Biaggio is a quirky kid, no doubt with some deep mental challenges. But his strange utterances are mostly funny...but in a way that makes you realize this character could not exist in the real world. He is a comic construction. That's fine...except the film clearly intends to be "realistic." Also, Joe's dad is, I'm sure, meant to be a character for whom we feel some sympathy. A nice, gruff dad who is rattled to the core by his wife's death. But he is SO mean to everyone around him that it's hard not to hate him. He just doesn't feel well thought out. It's possible a guy like this exists...but he just feels wrong.

I liked individual scenes in the film, and I enjoyed many of the performances. It has plenty to recommend it. But the screenplay (and by extension the direction) clearly aspires to more meaning than is actually contained therein. Coming-of-age films have hard-won lessons, tears, laughter and a sense of relief and of character maturing. This film checks all those boxes, but clumsily. And of course these kinds of films need to have some sort of romance as well. Yet the female character in this film is made to behave in ways towards the 2nd half that betray her behavior in the first half. Instead of a sweetness, an innocence, KINGS OF SUMMER is more bitter and angry.

Don't get me wrong...I don't need my movies to be sweet and gentle and happy. But when the film is harsh and bitter even though you can tell it WANTS to be sweet and gentle...that's a problem. So while I marginally recommend KINGS OF SUMMER, I can't also help feeling very let down by it.

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This may not attract audiences immediately, due to the lack of over-the-top CGI and big name celebs... however it is easily in the top five movies of the past decade. With a very well wrote script, incredibly talented cast, and a story that will have you laughing and on the edge of your seat; this movie is not to be missed. Kings of Summer is a film that teens and adults can relate to, and has you wishing you could join the cast in their summer adventure.

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A couple of high school boys frustrated with their home lives set off with another kid to run away and build a makeshift house. The local community is searching for them while they learn to live off the land. The appearance of a girl that the leader of the boys likes creates a rift within them. This unlikely scenario is fun to watch, with its likeable characters, and familiar teenage angst. Problems with girls and parents are typical of teen boys, but the building of a home and being able to not be found are quite unusual. This one is pretty good, though flawed, so The Kings of Summer is a likeable film.

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Hoax (2006)

HoaxA struggling writer discovers that Hughes cannot appear in court to dispute a hoax because the reclusive billionaire is in a nasty dispute with TWA shareholders. So the hoax is born. Soon though, events turn raucous when the billionaire fails to appear to allegedly vouch for the autobiography, and then another hoaxed autobiography appears in print ahead of Irving's release. The mystery of who is hoaxing who surfaces when a box of scandalous files anonymously appears at the writer's home. The frenzied sensation draws the attention of darker forces in America. Apparently, someone has to know what would be included about Hughes and Nixon's brother, Donald, who had received unrepaid loans from Hughes in the 1960 campaign, and may have received more loans in 1972. Then suddenly the hoax unravels. Within within months, Nixon is re-elected, the Hughes-TWA dispute resolves, and Americans begin to learn of a third-rate burglarly called Watergate. The Hoax is an interesting chapter in American history.

Clifford Irving (Fake, Trial, Final Argument, The Spring) became a sort of national hero when he contrived to publish 'The Autobiography of Howard Hughes', a 400 page phony but well researched book that, while it was never published, did cause enough of a stir among the New York publishing cognoscenti and those surrounding the then President Richard Nixon that it now is recognized as a HOAX of writing that triggered the final discovery of the Watergate Scandal and the subsequent dethroning of Nixon. Those facts alone make this sometimes rather tepid film interesting enough to sit through. Screenwriter William Wheeler has adapted Irving's book into a study of the 1970s and Lasse Hallström gives it just the right balance between soft crime and strange comedy to keep it afloat.

Clifford Irving (Richard Gere) is down on his literary luck, searching for the right kind of story that will set is publisher Andrea Tate (Hope Davis) on fire. Irving wife Edith (Marcia Gay Harden) is an active painter and doesn't give Irving the support he gets from his pal Dick Suskind (Alfred Molina), but on the messy floor of Edith's studio is a rag magazine with a cover picture of the mysterious Howard Hughes and bingo! up comes the idea for an 'autobiography' of the wizard as confided to Irving and researched by Suskind. That is really the plot then, how these two men squirm around lies and good luck to forge papers and gain the favor of the publishers. Of course it all caves in, but in the publicity about the book Nixon's secrets are revealed and the rest is history.

Gere, Molina, Harden, Davis, Stanley Tucci, Julie Delphy and Eli Wallach add immeasurably to the success of the film. No, it is not a heavy story, but the scandalous years of the 1970s are treated realistically and provide a lot of memories, both good and bad, about how we all changed in that post Vietnam time. Worth watching for that! Grady Harp, October 07

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Since anyone of A Certain Age remembers how this story turns out, I was expecting more of a documentary than a thriller. But the film does a great job of pacing, and literally races towards the unraveling of Clifford Irving's web of deception.

Richard Gere is excellent, with a smarmy self-confidence that almost explains how so many supposedly intelligent people could have fallen for what would seem to be a patently obvious hoax.

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A character in the film "The Princess Bride" utters one of my favorite quotes: "Life is pain, highness. Anyone who says differently is selling something." Alas-if we would only remember that sage advice before writing our phone number on a napkin, signing on a dotted line, dropping coins into a collection plate or punching out a voting chad.

Hollywood loves con artists, probably because movie audiences never appear to tire of watching yet one more poor sucker being bamboozled and swindled. It makes us feel superior-"I'd never fall for THAT!" (Er-right.)

Director Lasse Hallstrom has delivered a smashing entry in the genre with his new movie, "The Hoax". The film is based on the story of Clifford Irving, a struggling writer who toiled in relative obscurity until he stumbled onto an idea for "the most important book of the 20th century"-the "Autobiography of Howard Hughes". The book was the most hyped literary event of 1972, and would assure Irving the notoriety he craved. Heck, he even made the cover of Time. Unfortunately, his Time portrait was slugged with "Con Man of the Year", because as it turned out, the "autobiography" was a bit of a surprise to Mr. Hughes, because, you see, Mr. Irving made the whole thing up (oops). The books were unceremoniously yanked from the shelves soon after their debut.

Richard Gere tears through the lead role with an intensity we haven't

seen from him in quite a while. His Clifford Irving is a charlatan and a compulsive liar, to be sure, but Gere makes him sympathetic in a carefully measured portrayal and never stoops to audience pandering. Even as he digs himself into an ever deepening hole, and you cover your eyes because you know the other shoe is going to drop at any time, you've just gotta love this guy's pure chutzpah. In retrospect, when compared to some other mass public deceptions that were brewing at the time (the Irving scandal was soon to be eclipsed in the headlines by Watergate), Irving's fraud trial almost seems like malicious prosecution.

Hallstrom does an excellent job at capturing the 70's milieu; especially the insidious paranoia of the Nixon era.

The cast includes Alfred Molina (in a great turn as Irving's researcher), Marcia Gay Harden (sporting a Streep-worthy accent as Irving's Eurotrash wife), and true chameleon Hope Davis (looking very Mary Richards as Irving's agent). Also with Stanley Tucci, Julie Delpy and a memorable cameo from Eli Wallach.

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Director Lasse Hallstrom's dedicated re-enactment of Clifford Irving's memoirs of his fraudulent autobiography of mysterious, antisocial millionaire Howard Hughes, "The Hoax", is his most impressive work since the 2000 film "Chocolat". Using film footage of the Hughes and also President Nixon and the tumultuous times of the 70's, he creates a sometimes comedic look back at this memorable scandal.

Richard Gere does well in his portrayal of struggling author Irving, a man obviously devoid of a conscience, who conjures up the idea of faking a Hughes autobiography. He figures that the reclusive Hughes would never surface to dispute the veracity of Irving's well researched but fictitious novel. Alfred Molina playing Gere's neurotic sidekick and co-conspirator Dick Susskind is magnificent in his role, giving the movie a comic flair. Marcia Gay Harden with dyed blonde tresses and a disturbing foreign accent was annoying as Irving's wife Edith.

Hallstrom did well in demostrating the extent of Irving's delusions, actually believing himself to be in contact with Hughes and his minions. 91 year old Eli Wallach, always a treat to see on the screen, was delightful playing old codger Noah Dietrich, once a right hand man of Hughes. The movie was insightful in tying in the effect of Irving's hoax, the machinations of Hughes himself who actually communicated disavowing Irving's chicanery and important current events and the day.

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