Showing posts with label telugu movies online. Show all posts
Showing posts with label telugu movies online. Show all posts

Disaster Movie (2008)

Disaster MovieThis movie makes "Plan Nine From Outer Space" look like "Citizen Kane" It's unrelentingly tedious and unfunny; the only redeeming thing is that Kim Kardashian's godawful performance is mercifully cut off early in the movie by an asteroid. I'd rather watch milk spoil than sit through this turkey again.

Got this for my son. Worked great. My son loved this movie. I have yet to see it. Thanks so much.

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this movie is uber lame and uber boring this movie is not funny at all this movie is one big epic fail i strongly dislike this movie and i strongly hate it!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

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If you like way out crazy movie parodies you'll like this movie. It's completely crazy and funny. If you like movies like Airplane you'll like this.

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The title of this film, "Disaster Movie," is truly a self-description. The makers did spend a lot of money on this flick, which means there is a tiny fraction of quality to the production, but they forgot the rule that "crude and raunchy" does not equal "comedy." There were no memorable lines or jokes, like the one from "Airplane".

"I am serious...and stop calling me Shirley/surely."

If you are a low-brow Neanderthal, young American male, you make like this movie. Everyone else...don't throw away your money on this flop.

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Men in Black (1997)

Men in BlackWow! This limited edition isn't limited in features. Disc one has the wide and full screen versions, visual commentry with Barry Sonnenfeld and Tommy Lee Jones and a technical audio commentry with Sonnenfeld, Rick Baker & the ILM team; this feature is exclusive to the limited edition version. Throw in the standards like the sound setups: English 5.1, english 2-channel (Dolby Surround) and french (Dolby Surround) and subtitles that include english, french, spanish, cantonese and mandarin, and that wraps up disc one! Disc Two is loaded! I can't list them all or I will use up all my space, so I will list the major ones. There is a 3 scene editing workshop which allows you to become the filmmaker, so to speak. You get to edit 3 chosen scenes that were filmed in a lot of different angles and then watch the final cut. Sonnenfeld will also descibe his own editing process. Next, there is a Edgar bug fight scene deconstruction using different angles. Then you have "concept to creation" creatures feature and art and production photo gallery. There are extended & deleted scenes, storyboard comparisons, a documentary, a music video, DVD & web links, trailers, talent files and more! Whew! I said there was a lot, and as you can see, I wasn't exaggerating. Throw in a booklet and letter from Sonnenfeld and small poster which may be signed by the artists and you have a DVD with enough features to keep you entertained and busy. Quickly, the transfer was beautiful and, of course, the movie is great. This movie was one of my favorite Will Smith roles. Aside from the comedy woven into the script, the special effects were great! This is a must have for any fan of the movie or comic book! Enjoy!

Men in Black was one of my favourite Hollywood blockbusters of the '90s. One of only a handful successful comic-book translations in history, the film retained the irreverence and zany creativity of the best comics while adding the visual grandeur, attention to detail, and narrative focus of the best features.

Rewatching this movie now, it's lost none of its charm. The meticulous Bo Welch production design is superb, director Barry Sonnenfeld's sense of pacing and comic timing impeccable, the Danny Elfman score absolutely perfect for its subject, and the cast is uniformly excellent. Nobody else could have played the role of Agent Jay with such pizazz as Will Smith; Tommy Lee Jones delivers hands-down his best comic performance ever, Linda Fiorentino is delightfully weird as coroner Dr. Laurel Weaver, Rip Torn nearly steals the show as perennially grumpy, inscrutable agency head Zed, and Vincent D'Onofrio is fun to watch as Farmer Edgar/Edgar Bug.

The bonus materials are also great. The "editing workshop", which allows you to play with alternate footage and put together a new version of one of two scenes, is my personal favourite (although I actually agree with Sonnenfeld's poker-faced quip that, "[The audience] will find out that everything I did was perfect). "The evolution of MiB" gives a hint of the major changes that happen on (to) a big movie as it's being made, and the MIIB (Men in Black 2) teasers definitely suggest that MIIB is a must-see for summer 2002.

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Based on the comic book of the same name, these guys keep the aliens living among us under wraps. A lot of tongue-in-cheek humor and a new way of looking at a multitude of aliens , good and evil, small and large.

Will Smith makes the movie entertaining and the special effects quality and originality will keep you from blinking. Fun gadgets will also intrigue the sci-fi afficianado. This full-featured DVD is well-worth the money, especially with the multi-angle shots. I've already seen this on tape a number of times and I'm anxious to get this limited edtion DVD edtion.

There is some language, but not much beyond what you'd see on prime-time TV nowadays. Very enjoyable and entertaining.

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It's a fun movie, even if it isn't a cinematic masterpiece. Just a joy to watch, it's well paced, funny and slick. It has undercover agencies, aliens, and Will Smith and Tommy Lee Jones,a nd lots (I mean lots) of jokes and a touch of action and mayhem. Gotta love this classic summer fun flick!

The Blu Ray edition is stunning; while some of the special effects didn't age as well as I'd have liked, picture quality and sound quality were both phenomenal, noticeably better than DVD. Colors were crisp, there was minimal grain and noise. Watching this on my 50" plasma was a total blast. This was hi def done right and a great showcase for the capability of blu ray. I haven't really explored the extras much, but they seem pretty normal--commentaries and the like. Fox should take lessons from this and fix some of their abysmal transfers (Predator, I'm looking at you!).

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This is a excellent DVD loaded with extras including the music video by Will Smith, storyboards, extra footage, and a sneek peek at Men in Black II! Grat movie, Great DVD.

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Jim Gaffigan: Beyond the Pale (2006)

Jim Gaffigan: Beyond the PaleI caught this twice on TV and both times was laughing so hard it hurt. I just had to buy it so I could show it to more people. We must watch it at home at least a couple times a month now, and show it to everyone we can. Gaffigan is a genius in this: he is so funny, discusses so many common themes for his jokes (laziness, eating) with only a couple insinuating jokes that might be innappropriate, otherwise very clean-cut and not filled with bad language like so many other comedians. I am so glad I bought this, it has been so worth it and gotten so much time from my DVD player. We are always quoting from this, just so much of it is so true! You will love it and not be sad you spent the small price to buy it. There are some cute special features too, but the routine is the best part.

Jim Gaffigan is one of the best comedians I've seen in a long time. His jokes are great and fun for the whole family.

Jim Gaffigan manages to entertain and produce good quality comedy without resorting to sex jokes and dirty language. That's not to say crude humor can't tickle my funny bone just as well, but it's refreshing to listen to Jim Gaffigan's routine and not worry about offending the folks. =)

The bonus features on this DVD are sub-par, but the actual stand-up is great and well-worth the money. I highly reccomend this to all comedy fans, young and old.

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I didn't see this dvd, but did catch the special on Comedy Central last night. At first I was gonna change the channel, and was so glad I didn't. I loved his stuff about Hot Pockets, funny funny funny!! I absolutely LOVED his Inside Voice... "Hey, I like the IHOP!" "He's a crackhead!" "His pants look dirty." "Baloney hater!" "He better not!" One thing I really appreciated about his act was that it's clean, not vulgar or profane. It's something you can enjoy with your kids or elderly family members and not get embarrassed watching it. Humor in Hot Pockets, who knew?!

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This guy is the best comedian I've ever seen and I've seen 'em all. I drove out to Pittsburgh and listened to his CD for 10 straight hours, then bought the DVD the day I got back and watched it 3 times that week. I just can't get enough. My friends and I are still quoting him non-stop, 2 months later. His 'inner voice' is priceless! I would highly recommend this to anyone who likes to laugh, I've been recommending it to all of my friends as well.

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We caught this special on Comedy Central last night we NEVER watch this channel because most of the time comedians can't do an act without interjecting some sort of profanity. But, we were so glad we stopped to hear this truly original and so very funny man! From his bit about the different holidays to the hot pocket joke we laughed so hard we were hurting! Our favorite thing he does is to say out loud what some in the audience might be thinking...he surprises you with it, but always does it in the same voice so you catch on to what he's doing. We thoroughly enjoyed this program...so much I'm here reviewing what others read because I'm planning to purchase it as a gift for my husband!

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Red (Movie-Only Edition) (2010)

RedRED is the action-comedy about a small group of retired CIA field operatives (Retired, Extremely Dangerous...R.E.D.) who are targeted for elimination by nefarious government groups and must team up to fight off the threat and reveal the culprit.

RED is a silly but very fun movie. It is the sort of movie that would not work, however, if we didn't already have pretty strong impressions and feelings about its stars. If we didn't already think of Helen Mirren as the classy actress who won an Oscar for THE QUEEN...we wouldn't laugh simply at the sight of her wielding a machine gun. If we didn't mostly think of Morgan Freeman for playing God or the President or the silky-toned narrator of MARCH OF THE PENGUINS...we wouldn't chuckle at his antics. Quite frankly, if you enjoyed the trailers for RED, you'll enjoy the movie. They give you an almost complete sense of the tone of this film. If you thought the trailers looked merely silly and made you roll your eyes...then the movie will simply multiply that feeling.

Personally, I thought it was a lot of fun. The actors are clearly having a ball, and Bruce Willis (who doesn't really come across as old enough to be retired...especially when he can still win fistfights left and right) makes a good host. He's coasting here, but as movie-goers, we're so comfortable with Willis and his shaved head that it feels a little like we're just visiting an old friend. Mary Louise Parker (WEEDS) is his sort-of love interest, a call center worker he's been flirting with long distance but who now joins in on the escapades. She does a nice job evolving from meek to really enjoying the dangerous antics. Mirren and Freeman are fun. Brian Cox shows up as a retired Soviet agent, and he sparkles in his over-the-top accent. Richard Dreyfuss appears in a couple of scenes and chews scenery. You have to almost feel sorry for Karl Urban as the assassin on Willis' trail...he doesn't get to have much fun...but he acquits himself well. I can almost envision him doing well as the star of a straight-laced action series on CBS.

Best of all is the hilarious John Malkovich. He steals every scene he's in with amazing ease. As the craziest of the REDs, he gets to let his tendencies to overact mightily just run wild...and it all works. His facial expressions alone had the audience in stitches.

RED is not a classic film by any means. But I must say, the 110 minutes I spent with these guys was a complete, guilty-pleasure blast. Maybe I'm just the right age (46) to enjoy this particular cast goofing around...but I sure noticed a lot of happy looking teens and 20-somethings all around me. I think this film is set up to be a nice little hit (with room for sequels).

I mean, anything that features Dame Mirren, an elegant evening gown, and a .50 cal machine gun can't be all bad. Once you stop taking it seriously (something sure to happen early on), it's a riot.

The basic message is a boomer ego-stroke: "Don't mess with the old guys." Unfortunately, that's what happens. Retired CIA agents start dying at an alarming rate. It turns out that the decedents all worked on the one particular mission one that Our Heroes worked on as well. So, when the hit men come after the hit men, the chase is on. And, as it progresses it reaches higher and higher into the halls of government. You know, the usual.

In this movie, the fun is all in getting there. Bruce Willis's wise-cracking plays well against John Malkovich's slightly deranged character, Morgan Freeman's easy-going character balances them both, and Helen Mirren adds a touch of class. Then there's Mary-Louise Parker's character, Sarah, in a role like Diaz's in Knight and Day only not as ridiculous. Keep your ears open for the one-liners. There were enough times I was the only one in the theater laughing that I might have been the only one listening, too.

OK, maybe this isn't one for the ages. It's a heck of a way to spend a Saturday night, though.

-wiredweird

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This movie has it all. It's got:

Lots of action. Even though Bruce Willis is playing an older, retired guy, he's still got the goods. He's completely convincing. The rest of the cast delivers as well.

Funny moments While it's not a continual thing, there are plenty of funny and light moments, with a few of laugh out louds. Willis is the master of action flick funny, and John Malkovich was surprisingly hilarious. The rest of the cast contributed well as straight guys.

Romance Bruce Willis and Mary-Louise Parker really work. I don't want to ruin any surprises, but lets say it starts out and ends in a surprising way, and they had good chemistry.

Character development Surprisingly well done for an action flick. Each character was really defined, and you get to care about them.

Suspense It was really a good story, and well written. It was full of twists and surprises, with plenty of "edge of your seat" moments.

Outstanding cast The star power in this movie was blinding. These people really shined. They're not stars for nothing. Each person was fantastic in their role.

The beginning of the movie dragged just a bit, but once it took off, it really flew.

It was a really enjoyable movie. We recommend this movie highly, however please don't bring your young kids as one family in the theater did. There's too much violence for children.

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October 2010. If movies about social networking sites and mishmashes are what passes for "A truly cinematic experience" nowadays, I guess you could count me out. That is, until I noticed that a movie I never saw any trailers for, and full of stars, called RED was out. Easily taken in before I read anything about its plot, I went and saw it. That blind watch I'm definitely proud of!

RED is cliched in terms of storya retired agent has his house destroyed by a secret agency and makes for the next state, picking up some friends along the way in an all-out, over-the-top action adventure. But as cliche as it is, RED is also just fun. We have Morgan Freeman, Bruce Willis (in the tough guy role as usual), the chick from Weeds, Helen Mirrenall are fantastic. There's plenty of over-the-top action that's fun, it's hilarious, and overall it's a fun movie if all you ask for is just some pure escapist fun.

In the end, RED is definitely not art or Oscar material, but it is one of the most fun movies of 2010, and recommended for some pure entertainment!

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"Red" (Retired Extremely Dangerous) is an action/adventure/comedy about four former CIA operatives who have never quite lost their addiction to adrenaline. During the opening credits, we observe a bored-looking Bruce Willis, who plays tough-as-nails Frank Moses, eating breakfast, working out, checking his mail, and chatting with a woman over the phone named Sarah Ross (Mary-Louise Parker) whom he would like to get to know better. It is Christmas season and every house is festively decorated. Suddenly, all heck breaks loose as a team of assassins closes in on Moses's house with enough firepower to destroy a city block. Who is targeting Frank and why?

Eventually, Moses teams up with his old buddies, Joe (Morgan Freeman), Marvin (John Malkovich), and the still sexy Victoria (Helen Mirren), all of whom are highly-trained former operatives with an encyclopedic knowledge of firearms and explosives. Since Frank has shown an interest in Sarah, she is dragged into the mess. They criss-cross the country trying to elude their pursuers and find out who is behind all of the mayhem.

This kind of satirical movie is extremely difficult to pull off. Director Robert Schwentke tries not to wink at the audience too much, and the old pros play their parts amusingly, only occasionally going too far over the top. The script by Jon and Erich Hoeber, based on a graphic novel, is insubstantial, and there are quite a few scenes of cartoonish violence. Since the screenplay is not exactly Shakespearean in scope, you will need to put your brain on hold. So, why should you see this film? If you have a free afternoon or evening and do not mind a bit of escapism, "Red" is an enjoyable diversion. Willis and his colleagues seem to be having a great time playing off one another and poking fun at the kind of character whom Bruce Willis portrayed so well during his salad days.

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Stand Off BD/Combo (2011)

Stand Off BD/ComboThis movie was alot of fun to watch, and very enjoyable. It starts off a bit slow as you are introduced to the various characters, However, after that it really takes off, and the longer you watch, the better it gets. The actors were all very very good and the plot was great. The interaction between the actors makes for rich humor with out being stupid, and you never know what will happen next. So, you have humor, action, budding romance, hitmen, mob bosses, crime, upset mothers, and all kinds of wonderfull characters to enjoy. Filmed in Northern Irland, so sometimes the accents are a bit hard to understand, but not often. This movie can be viewed by the whole family. No F-bombs, no nudity, no sexual situations, and what violence there is was done with taste and consideration. If you decide to see this movie, I'll bet you will not be dissatisfied. Enjoy.

"We were robbed, he got the brown bag. Yes, that brown bag." Jimbo is a young father who has a gambling problem. When he gets in deep to a local mob boss he has one choice. Pay him back or give him his son. With his back against the wall he decides to rob a fish market, but for a non-criminal things don't always go right. This first and foremost is a really funny comedy. Just seeing the events unfold on its own is really funny and entertaining to watch but when mixed with the dialog it makes it that much more fun to watch. This movie combines the best of British crime movies with American comedy. While this movie won't win any awards it is one of the most entertaining movies that I have seen in a while and I recommend this. The type of movie you can just put in and not really have to think about, just watch and enjoy. I liked it. Overall, very entertaining and very much worth seeing. I give it a B+.

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Very funny movie. It is set in Belfast Ireland and the cast is mostly Irish and British, other than Brendan and YaYa. Fast paced with lots of action and humor. I am a fan of Brendan Fraser from the Mummy movies. Colm Meaney provides a strong perfomance as well. The film is directed by academy award winning director Terry George.

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I really liked the film. I am a big fan of Director Terry George, and he really delivers. I am a big fan of YaYa and Colm Meaney. It was good to see Brendan Fraser again. I loved him in the Mummy movies!

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In Ireland a local gambler owes a hood $. The hood decides instead of the $ he will take the local's son as the hood has been unable to have a child.

The local, encouraged by his friend, decideds to rob the fish market as it is said that there is $ there. When he arrives to do the deed there is little $ there because people use debit cards. He takes off and ends up in Brendan Fraser's antique shop. Reminded me of Albino Alligator and Dog Day Afternoon as they are stuck there.

Some occasional funny parts, some swearing, thick accents. Brandan appears on the front but he is not the main chracter, likeable none-the-less. Also, an odd character twist that not even Brandon is sure about.

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Full Monty (1997)

Full MontyPlease note that this is for the two-disc "Fully Exposed" edition:

If you're reading this you're probably already a fan or at least have read other reviews telling you how great the movie is, so I won't clutter the place with more of the same.

But it has to be said that after ten years of being stuck with a DVD that counts "Interactive Menus" as a special feature, I'm beside myself that there's finally some REAL special features to be had.

We get to see some of the history regarding the brass band featured throughout the film, development of the script and production, not to mention two different commentary tracks.

But the real gem, as far as I'm concerned, is the featurette "Translating English to English". It really exposes this bizarre paranoia that the American side of the production had.

Rewinding a bit, I started my Monty obsession with a VHS copy of the movie and always wondered why some of the words didn't match the facial movements of the actors. When the tape wore out I replaced it with the first DVD version, which had an "Original UK audio track" option. Playing that, I realised that they had dubbed some of the words for the US version and that's why it always looked so goofy.

Even funnier, it wasn't the weirder UK expressions like "Chuffing Nora" or "Don't get a benny on". No, they dubbed words like "DIY" into "how-to" and "tw-t" into "git". Tw-t into git?? How is "git" any easier for the supposedly confused American audience to understand?

So the featurette on the subject was just about as funny as the film itself and, for me, that alone was worth buying this version.

Definitely a must-have for any Full Monty fan.

Just about the time you think no one is capable of making a fresh and original comedy anymore, along comes something like The Full Monty, to surprise and delight you with wit and subtlety and insight.

The story of unemployed steel workers in Sheffield, England who decide to put on a male striptease show for one night to make some money is a simple premise that is beautifully realized because of the time the film takes to build our understanding of these men and their different plights and motivations. We come to know and care for them as they come to care for each other. The comedy grows from the characters and their personalities and their different reactions and situations. There is sympathy and sensitivity to their desperation: Gaz (Robert Carlyle), the ex-con hustler, desperate to keep a connection with his son; Gerald (Tom Wilkinson), the manager, desperate to hold onto his middle-class lifestyle; Dave (Mark Addy), chubby and insecure, desperate to hold onto his wife; and so on. Expertly played by these actors, new to American audiences in 1997, but now familiar, the laughter evoked is wry and humane and, in the end, joyful.

The film carefully builds the story with expert comedic setups (the auditions and rehearsals, etc.) of everyday men trying to do something they are seemingly unequipped and ill-prepared to accomplish, with touches of pathos as we see the troubles and strains in their personal lives. All this leads to the Big Night and a grand finale that is funny, heart-warming and beautifully filmed. A terrific little film with a lot on its mind, beneath the humor. Something to do with the dignity of work, of self-respect, and of the touching care one can find amidst people undergoing hard times. A gem.

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I brought "The Full Monty" home one evening when my boyfriend was not feeling well because I thought that a good laugh would cheer him up. His reaction to seeing the video box? "I'm already not feeling well. I don't want to watch a movie about a bunch of male strippers prancing around." And then we put in the movie and couldn't stop laughing.

"The Full Monty" is about so much more than male strippers. The film centers around out-of-work steelworkers trying to cope with life now that their mill is shut down. The movie realistically explores male friendship, men's feelings about failing their wives' expectations, devotion to family, coping with loss,... but in ways that do not become depressing.

The stripper plan comes about because Gaz (Robert Carlyle) needs to come up with money to bring his child support current so that he can continue seeing his son. The father-son relationship is one of the most touching aspects of the movie. Gaz's son, Nate, tags along with Gaz as he tries to put together a Chippendale-style show to catch up on his child support. [As an aside, "The Full Monty" and "A Thousand Clowns" with Jason Robards would be an interesting pair of movies to see together as a starting point for examining what makes a good father.]

The relationships between the dancers that Mark Addy and Carlyle assemble is fun to watch. Tom Wilkison (also seen in "The Patriot", "In the Bedroom", and "Moulin Rouge") is excellent as their former supervisor who turns to dancing to cover his wife's extravagant spending. Addy is equally good as Gaz's chubby friend who is struggling with his marriage: His wife wants him to take a job in a local variety store. He thinks she's having an affair because he's too fat.

To top it off, the soundtrack is awesome!

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This classic (albeit very modern) 1997 British film, which I have seen a few times now, is one of my favourites. The storyline is highly original, very funny, and hugely entertaining overall, but it's also heartwarming. The setting is Sheffield, England, world famous for its steel. Sadly Sheffield, like most of the North of England, has had to deal with massive unemployment; in Sheffield's case, it's a result of the collapse of the steel industry. Briefly, the story revolves around six unemployed men, victims of the times, who aspire to "putting on" a one-night-only "full monty" (British slang for "taking it ALL off") strip show to raise some much-needed cash.

The idea is actually the brain-child of one of the men, Gaz (played by Robert Carlyle (The World is Not Enough)), who is in arrears in his maintenance payments for his son (who lives with Gaz's ex-wife and her new boyfriend). Gaz is at risk of losing joint custody and fears he may lose his son altogether. His motivation (and indeed his desperation) in coming up with such an outrageous scheme is, therefore, both plausible and understandable, for the men stand to pocket a nice little sum of money if they can, quite literally, pull it off. The film, which is 95 minutes, also features Tom Wilkinson (Essex Boys), who plays the lads' former boss from the steel factory, and Paul Barber (Denzil from Only Fools and Horses).

In conclusion, I highly recommend this film to fans of British comedy in general, but I think its appeal is broad enough to be enjoyed by anyone looking for a thoroughly enjoyable comedy with a really good storyline. Just one thing: Viewers ought to be prepared for fairly thick Yorkshire accents. This may be a bit of a shock at first for the unfamiliar, but close attention helps and it is well worth the effort. It's a cute story that is superbly acted and very well presented. What's more, it's a film that can be enjoyed time and again.

Very highly recommended!

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In the spirit of full disclosure, most of the films and literature on my "all-time favorite" lists are British, so there is definitely something about our cousins across The Pond that appeal to my sensibilities, although I am not of British descent, but "Monty" is special. Being from the Missouri Ozarks, the Yorkshire accents in the movie couldn't be further from what my ears are accustomed to hearing, but in no way did that interfere with my thorough enjoyment of this film. It is warm, sweet, a bit melancholy, and touching while managing to avoid being sappy...and absolutely hilarious.

The key is the situations in which the characters find themselves that are funny and not so much the characters themselves. The result is believability and dignity of each character, even while they find themselves in very undignified circumstances.

As a side note, The "translator" section in the Special Features is puzzling to me because they translate slang terms with which most Americans are already familiar, i.e., "DIY," "tw-t," etc., but leave out British oddities that are unknown in the USA, such as "chuffing Nora" "kit," and "taking the piss" and some terms that, after repeated viewings, still sound like gobbledygook to the average American. No matter. Everyone I know who has seen the film understood what was going on.

This film is not raunchy, tacky, or vulgar, so do not let the premise put you off. It is a lovely story about human beings discovering their dignity in the midst of very undignified circumstances. Highly, highly recommended.

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100 Bloody Acres (2012)

100 Bloody AcresSophie (Anna McGahan) along with her BF (Oliver Ackland) and Wesley (Jamie Kristian) a male rival are headed via the back roads to a music festival when their automobile breaks down. They get a ride from Reg Morgan (Damon Herriman) who is driving the company truck of Morgan Brother's "Blood and Bone" organic fertilizer. Not too hard to figure the rest out.

The film has some blood splatter scenes, but lacks the gore. This slasher film is in part dark comedy as Reg, is the younger partner brother who is insecure in what he does as well as being sexually repressed. While facing death, Sophie's boyfriend is more concerned about her infidelity, wanting to know the details of what she did, rather than being worried about the situation at hand.

The film is a good concept, but comes off as going through the motions. Okay as a rental.

Parental Guide: F-bomb, no sex or nudity. One scene of apparent self gratification.

Worth watching. Very gory, but fairly funny in parts. I wouldn't pay for it in a theater, but it is a decent rental.

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Then She Found Me (2008)

Then She Found Me(2008 HOLIDAY TEAM)Released earlier this year, Baby Mama covers the same emotional territory but in much broader slapstick terms, while this 2008 serio-comedy is driven far more by character than situation. In this case, the protagonist is 39-year-old April Epner, a New York kindergarten teacher who was raised in a close-knit Jewish family and desperately wants the biological connection of a birth child before her alarm clock goes off. She marries fellow teacher Ben, an inarticulate schlub with a terminal case of the Peter Pan Syndrome. After a brief time, he wants out of the marriage, and at almost the same time, April's adoptive mother Trudy dies. Not even a month goes by before April's biological mother suddenly shows up in the form of the brazenly overbearing but genuinely likeable Bernice Graves, a cable talk-show hostess who is something of a local media celebrity. If life was not complicated enough, April also finds herself drawn to Frank, the single father of one of her pupils. Unlike Ben, he feels the same about April but is fighting his own bitterness about his own recent divorce.

Not only does Helen Hunt star as April, but she also co-wrote the screenplay with Alice Arlen and Victor Levin and makes her big-screen directorial debut. Granted she's more impressive as an actress than a filmmaker, but as a director and writer, she makes the most of a storyline that stacks the deck a bit like a Lifetime TV-movie. There are enough realistic surprises that take the plot off the rails in a good way. Looking gaunt and avoiding much make-up, Hunt is really playing a variation of the beaten-down waitress she played in As Good As It Gets, as she carries that same constantly pained expression of disappointment and looks about to explode during moments of emotional duress. However, a decade later, Hunt inhabits the character more naturalistically this time and with a deeper sense of vulnerability and haggard exhaustion. Perhaps to minimize any unnecessary dramatic risk, Hunt cast the other principal roles with actors playing familiar parts. Matthew Broderick effectively portrays Ben as the perpetually dazed man-child he is, while perennial love interest Colin Firth gives texture to the seemingly ideal suitor Frank, especially as he edges toward the breaking point in tolerating the sum of April's foibles.

In one of her increasingly rare screen appearances, Bette Midler gives a scene-stealing performance as Bernice. She lights up the movie with the character's unfettered sense of abandonment while gradually exposing the secrets that threaten to undermine her newly found relationship with her daughter. Other parts are played with minimum fuss Ben Shenkman as April's physician brother Freddy feeling put-upon for having a biological tie to their mother, and Salman Rushdie (yes, the controversial author of The Satanic Verses which brought him a death sentence from the Ayatollah Khomeini in 1989) as April's doctor. Hunt provides the principal actors, especially herself, plenty of good, meaty scenes with opportunities for bravura moments, and they do deliver. It just doesn't quite come together as a whole by the end, and that may be that Hunt is so used to the sitcom format of the long-running series, Mad About You. The incomplete result is that some laughs feel a bit contrived, some scene transitions seem jarring, and some expected character revelations are given short shrift. Nonetheless, the dramatic developments toward the end carry the emotional impact necessary to make the movie truly affecting, and Hunt should be given full credit for a most auspicious debut as a filmmaker.

In a featurette on the DVD release version of THEN SHE FOUND ME writer (with Alice Arlen and Victor Levin) /producer/director Helen Hunt shares a ten year journey to have a film made of a novel by Elinor Lipman. Her cast shares in the very sentimental story of Hunt's devotion and seemingly endless charisma and abilities. The explanation for making this budget film are in many ways more successful than the film, a work the cast seems determined to classify as a comedy but a work that is far more a human drama.

April Epner (Helen Hunt) is married to fellow schoolteacher Ben Green (Matthew Broderick) and longs to have a baby before her advancing age prevents her dream. April was adopted as an infant by a Jewish couple who subsequently gave birth to April's brother Freddy (Ben Shenkman): April has always longed to have been Freddy's biological equal, wondering what it would feel like NOT to be adopted. April's busy life implodes: Ben has decided he doesn't like his life and leaves April, April's mother dies, April meets Frank (Colin Firth) a recently divorced writer and father of two children, and April is contacted by a man who can put April in touch with her birth mother popular TV talk show hostess Bernice Graves (Bette Midler). And if these turns of events weren't traumatic enough, April discovers that she has become pregnant by Ben and Ben is unsure whether he can handle the restructuring of his life to accommodate April. Cautiously April and Frank begin a rather tenuous courtship which is almost immediately threatened by April's discovery of her pregnant state. April and Bernice meet, exchange backgrounds, and make pacts to test their biologic relationship. How each of these characters makes promises that eventually damage each other and then resolve in unexpected ways becomes a study of the meaning of love and compassion among fragile human beings.

While not a satisfying story on every level and a film too cluttered with inconvenient editing choices, the cast is strong and obviously committed, and the story (neither a comedy or a drama but a mixture of the two) tests credibility. But there are some fine moments and the lessons in human behavior are worth examining. Not a great movie but a strong little small budget film. Grady Harp, September 08

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Ok, I tried. I really, really tried not to compare the movie with the book. I loved the book, a tender, poignant journey of love in which April, albeit unwillingly, learns to accept the difficult person who gave birth to her and slowly learns the devastating truth of her past. But Elinor Lipman says she does not mind the fact that Helen Hunt basically took her book and scissored away everything but a few names and the center plot of the book, and came up with this idiotic film about ticking biological clocks instead.

But I have to wonder, how can she not mind? This hash of a movie bears little resemblance to what it was based on, so why did Helen Hunt not just find someone to write a new screenplay about a woman who wanted to have a baby? Why did she take a brilliant story, with fabulous characters, and turn it into this really rather dumb movie?

In the book, Bernice is difficult but ultimately complex and suprisingly sympathetic by the end, but Bette Midler's Bernice is just a cardboard cutout of the same person. And it's a shame, because Midler would have played the "real" Bernice beautifully if she had had a decent script to work with. And in the book, April is a bit uptight, but not the brittle, haggard neurotic that is portrayed here. And while Colin Firth is, as usual, great to look at, his character is poorly written as well. The male "hero" of the book, Dwight, and his relationship with April, are so appealing, that I cannot believe these two annoying men and their shallow interactions with the main character are supposed to replace that.

I did give this movie two stars because I liked Salman Rushdie playing the part of the doctor and I liked the sweet little twist at the end. But the whole time I watched it, I couldn't help thinking of the wonderful book at home on my shelf and asking, "Why, oh why, did someone have to screw it up so very badly?"

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I didn't like this movie at all. It had a cast of actors that I normally enjoy but the way they were cast and the dialogue they were given made me dislike their on-screen characters. Hunt herself looks practically elderly and she is supposed to be an attractive 39 year old. Broderick is as whiny and creepy as everything I've seen him in lately. Colin Firth was erratic and outright ugly most of the time as if they told him to just act as angry and frazzled as possible. The actors only flesh out their roles briefly here and there and are cardboard cutouts most of the time especially Helen in the lead role. Only Bett Midler's character had any actual life and energy in her. She brought some fresh air, even some heart, to her scenes but it wasn't enough to cast off the gray that hung over this film. If you want to see what it looks like to have life dump on shallow people then watch this film. If you want to see a strong character push through the challenges of life and rise above their circumstances you may be, like me, disappointed. I do think this is one of those love it or hate it films and for me it was the latter.

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From the beginning of the movie, to about three-quarters of the way through, when I ejected it--I kept telling myself "it's got to get better"--it never did. There wasn't a single character that "grabbed me"--and at least two that finally caused me to push the eject button.

Does Helen Hunt ever play a role where the audience isn't glaringly aware that it's Helen Hunt on the screen? She whines and chews her way through every line of dialogue until the hair on my arms stands on end. She never deviates: A Good Woman and Then She Found Me--these are very different movies--you'd think she'd do something different with the characters (to fit the time and the place in which the story takes place). I've made a pact with myself--no more movies with Ms. Hunt. This one was the last.

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