Showing posts with label romance comedy movie. Show all posts
Showing posts with label romance comedy movie. Show all posts

This Is The End (Two Disc Combo: Blu-ray / DVD + UltraViolet Digital Copy) (2013)

This Is The Endf you thought that the Red Wedding on that one episode of Game Of Thrones was bad, just wait until you see This Is The End, the new film from writer/directors Seth Rogan and Evan Goldberg. Spoiler Alert: Virtually any popular comedian or pop-culture icon you can think of dies on screen in the first fifteen minutes. You're left gasping for air as the likes of Michael Cera, Aziz Ansari, and Paul Rudd all suffer hellish fates. Not just because it's insane that Seth & Evan cinematically kill all of their friends, but because it's so goddamn funny as it happens. Such is only the start of the pure chaos that resides within This Is The End.

This is one of those movies that makes you sound like a lunatic while you try to describe the plot to your friends afterwards. Jay Baruchel arrives in LA to hang out with Seth Rogan (the actors all play themselves) and ends up getting talked into going to a huge party at James Franco's new extremely expensive house. This party, which is filled with the entire Apatow crew and countless other Hollywood celebrities, serves as many things. It serves as a mini reunion between 3/4s of the principle cast from Freaks And Geeks, a Superbad reunion, and while I won't spoil the fun, it's also a chance to never be able to look at Michael Cera the same ever again. During the party, the Apocalypse erupts around LA in which the only survivors are Jay, Seth, James Franco, Jonah Hill, Craig Robinson, and Danny McBride. The group takes shelter inside of Franco's ridiculous house, and thus from their on out the film becomes a love letter to Seth Rogan and Evan Goldberg's favorite films and pop culture references.

After nearly a decade of films from the Apatow crew, such as Knocked Up, Superbad, and Pineapple Express, This Is The End feels like the best, if not at least the best since Superbad. It's a solid two hours of non-stop fun. Not only was it fun seeing all the actors share the screen together once again, but it was a blast seeing them all play exaggerated versions of themselves. Jonah is the typical so far up his own ass Hollywood celeb after his Moneyball Oscar nom; Jay hates everything and everyone because he's a Hipster; Franco is secretly obsessed with/in love with Seth, who is, well, I guess the same Seth he's always been; Danny McBride plays practically an amalgam of every character he's ever played; and Craig Robinson has a hugely popular catchphrase, "Take Yo Panties Off" and spends 98% of the film with a towel emblazoned with his name resting on his shoulder. Since they're all playing themselves, they're able to take the fun to extra heights by constantly mocking their previous movies and while exploring James Franco's basement, in which he stores all of his props from past movies, you're treated to such gems as a gun from Flyboys, his severed arm and camcorder (which they all use to film The Real World style confessionals) from 127 Hours, and more importantly, his costume from Pineapple Express. Any fans of that flick will be overjoyed at how that costume plays into This Is The End.

One of the things that made Superbad such a great film was how aside from the fantastic comedy elements, the film also had a heart. It dealt with the awkwardness of growing up in high school and co-dependant friends learning to adjust to social life in separate directions. Seth Rogan and Evan Goldberg have again put a heart underneath all of the craziness found in This Is The End, essentially touching on the same subject but just at a much older age. Covering once again the co-dependance of friends, and the unwillingness to accept your friend's other friends, but taking it one step further by showing the importance of treating each other well and always being there for each other. It's not as deeply seeded as it was in Superbad, but it's there and it gives the film more than just a "crazy action comedy" vibe. You can actually emotionally connect with it.

The one thing that everyone will be talking about this most after seeing This Is The End will be the film's third act. To some, they might not like or appreciate how truly off the rails it becomes, but for a film as ridiculous as it already is, it actually works to the film's advantage. Using plenty of references to Rosemary's Baby and The Exorcist, and countless other horror films (I swear the scene in Franco's neighbor's house is an homage to Ghostbusters), Seth and Evan just start throwing you curveball after curveball until it ends in one huge heavenly reunion that rivals the Britney Spears scene from Spring Breakers as best Pop Culture Joke of 2013.

This Is The End is not only the best comedy of 2013 so far, but it's one of the absolute best outings from the Apatow crew yet (only marginally behind Superbad). If for no better reason than to see a brief Freaks and Geeks reunion and Jason Segal talking s*** on How I Met Your Mother. Oh, and that Michael Cera thing I mentioned earlier. Definitely for the Michael Cera thing.

One of the great things about THIS IS THE END is the concept. It's a bit obnoxious...but it's also really darn clever. An "end of the world" movie starring actors like Seth Rogan, Jay Baruchel, Jonah Hill, James Franco & Craig Robinson PLAYING THEMSELVES! These actors and a number of their Hollywood friends (Danny McBride, Michael Cera, Paul Rudd, Aziz Ansari and most randomly Rihanna and Emma Watson) all assemble at a party at James Franco's house just when all hell literally breaks loose. True, it sounds a bit self-important and self-indulgent...but who cares when the results are as obscene and hilarious at it all turns out.

This end of the world scenario involves the biblical apocalypse, and it all starts with the rapture, as people all around are suddenly drawn up to the skies by heavenly tractor beams. This is witnessed by Jay Baruchel and Seth Rogan...and they run back to the raucous house party only to discover that NO ONE has been raptured from amongst these Hollywood partiers. That alone is pretty hilarious.

As the scenario plays out, horrible things happen to many of the stars until only a few are left to ride out the end, trapped in Franco's house with a woefully under-stocked pantry. The "plot" of the film isn't terribly important, to be honest...the fun is in watching these guys play versions of themselves that are HIGHLY unflattering, and yet not necessarily so far off the mark to be totally unbelievable (although I sure hope Michael Cera is NOTHING like his character in the film...absolutely disturbing and hilarious). Seth Rogan has some fun riffing on the idea that he plays the same character in all his films. Baruchel HATES all these guys. Jonah Hill comes off as effete and creepy. (And Emma Watson gets to drop some f-bombs and endure some funny Hermione jokes.) And James Franco is looser than he's been in awhile...reminding us of why he became such a big start in recent years.

It's a sloppy film that feels like it was LOADS of fun to make. The laughs are frequent (and frequently around some pretty R-rated material...this film is not for delicate constitutions). The budget is high enough to allow for some pretty amusing sight gags. The jokes and insults fly fast...this is certainly a movie that will reward a repeat viewing, as there is no way to catch everything the first time. And yet, as is often the case with Seth Rogan related comedies, the film has a heart as well. I'm not going to say it's "moving"...but it has moments of redemption which is important, because I think the film might come off as too mean-spirited without them. We need the "soft" moments to take off the edge. This tendency is what has made movies like KNOCKED UP or SUPERBAD into classics...the fact that underneath the edgy, foul-mouthed, "screw it all" attitude is some old-fashioned feeling.

THIS IS THE END doesn't always work. The jokes and bits come so frequently that some of them must misfire. Danny McBride and James Franco have a lengthy scene together in which they discuss...well, let's just say it involves McBride's self-abuse proclivities...and it goes on for too long. It's funny at first, but then just crosses the line. This is a film that really tries hard to come up to the line over and over...sometimes it crosses over with crassness and sometimes just by letting the jokes go on a few beats too long. But it HITS far more than it misses.

THIS IS THE END is VERY funny and very offensive (in the best possible way). It is deeply politically incorrect (yea!). It is certainly not for everyone. If you like the group of actors mentioned and the films referenced, it should please you immensely. But if you've seen 40 YEAR OLD VIRGIN and hated it and wondered what the fuss was about...it's unlikely you'd want to spend your time with this film. I really enjoyed it myself, and certainly would highly recommend it to the RIGHT group of friends.

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With the amount of talent this has lined up, it would be strange if it was not a good time at the movies. Based on a short film called Jay & Seth vs. the Apocalypse, this movie ups the ante in every sense of the word. The comedy you have come to expect from Seth Rogen, Jay Baruchel, Craig Robinson, James Franco, Jonah Hill, and Danny McBride is top notch. The rest of the cast, all playing themselves, is also played perfectly. Injected with horror in fact, some right out of famous horror films like Rosemary's Baby and The Exorcist, this movie also brings the scares and gore, although it never loses sight that it is a comedy, first and foremost.

When Jay comes to LA to party with Seth, they end up hitting a party at James Franco's new, druglord-type mansion. All the celebrities are there: the main cast of 6 mentioned above, Michael Cera, Rihanna, and others that I won't spoil the cameos for. Then, it comes to a crashing halt when the party is stopped by the oncoming End of Days. Death and destruction leave the 6 leads trapped in James' house, with very little but themselves to entertain each other and survive. Comedy ensues in every form, from spoofing themselves in nearly every movie they've been in, to the explicit vulgarity we have come to love in their films like Superbad, Pineapple Express, Knocked Up, and so on, but kicked up a few notches. Everyone gets a chance to shine too, which is great, because they all give 110%, and the movie is all the better for it. The horror is in top form too. It is surprising how easy it just comes to the screen in such a raunchy comedy with these recognizable faces, but that is part of what makes the movie so enjoyable.

You will laugh at nearly everything that this film throws at you, even if you feel you shouldn't be laughing at, such as exorcism and drinking urine. I expected this movie to be funny, but not near as funny as it turned out to be. Not only did Evan Goldberg and Seth Rogen write this, they also directed it. Keep them in mind, because they will be getting much more to do when this movies hits hard. I expect this to be one that we talk about for years to come, and has set the bar high in the world of comedy.

Read Best Reviews of This Is The End (Two Disc Combo: Blu-ray / DVD + UltraViolet Digital Copy) (2013) Here

I don't get brought to tears much in comedy, but these guys nailed it, for me anyway. I recommend this if you like any of these actors, or the overall concept of "making fun of one self".

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Theater Review *spoilers ahead*

Okay, I saw this in the theater a few days ago and here is my view on things...

I haven't seen many films but it seems like the script was thrown together over a drunk weekend. But, from what I've been told, these actors seem to make movies together and that is how they "roll"

The script isn't a new one but they seem to pull it off and makes the audience wonder what exactly is going on. I personally thought it was aliens what were abducting people but when he started talking about the bible, I put it all together. He doesn't seem to get much right but I guess that was the intended purpose. We go through a lot of dialogue with a bunch of it way "over the top" (too vulgar to say on here but anyone that's seen the movie would get it) One scene that was funny was when the girl with the Axe was going to get some sleep and the guys were joking around about which one of them (the guys) they will rape first...she overhears and gets out of the house.

Okay, from start to finish......The party and the scenes were very funny. the "obnoxious" guy with the two girls was....not. Taking a look at the scenes with the fires all over and the pit that swallows up most of the party goers (who none of them get "raptured" isn't really surprising...lol) was funny to watch, yet, sad to see.

When their other friend shows up and eats their food (you know, the ignorant one), I could see the situation for these guys to be going downhill fast. They fight, fight, fight until he leaves, only to reappear as the demonic carnivore. The premise of how the guys get "raptured" for doing "good" deeds is very cheesy and over the top. They witness demonic flying creatures, chimera (I think) and one demon who sneaks into one of their room with a 5 foot long...well.....umm.....never mind. (another example of over the top humor)

Well (without giving the movie away) some of them get raptured (one gets raptured but was arrogant..thus wasn't....and gets eaten) some just die from various things. But, overall, at the end when you see 1,000 foot tall Satan and his "package" (something I did not want to see) and they get away, I knew that the movie was most likely over.

Overall, this movie will most likely turn away anyone remotely "religious" and send them out of the house screaming "Blasphemer" and running to get holy water to get out the demon that is in pocession of the person's body (oh, the homage to the horror classic was well done)

A little too vulgar for me to give it 5 stars. Enough of a plot and twists and turns to get three.....

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Footnote (2012)

Footnote"Footnote" (107 min.) is a 2011 movie out of Israel. It brings the rather complicated but intruiging story of a father and son who both are scholars and researchers at the Talmud Department of the Hebrew University in Jerusalem. As it happens, the son is actually more successful and the movie starts out with the son's acceptance speech upon getting elected into the Israeli Academy of Science and Humanities. Remarkably, we don't actually see the son but instead the camera focuses the entire sequence (probably 3-4 min.) only on the father, who seemingly is shell-shocked and/or confused and/or resentful at the ever-growing successes of his son. Then, about 30 min. into the movie, the father gets the call from the Israeli Department of Education that he'd been waiting to get for 20 years: he's been chosen to receive the prestigious Israeli Prize. Happiness turns to potential disaster when the son gets called by the Israeli Prize Committee the very next day with the bombshell that due to a clerical error, it was he who had been chosen for the Israeli Prize, not his dad!

I don't want to spoil more from the plot, and the movie then really takes off and you'll just have to see for yourself how it all plays out. The movie offers an excellent character sturdy of both father and son, looking at it from both a generational perspective as well as a scholary difference in how each is doing research.

This movie was one of the 5 nominees for this year's Oscar for Best Foreign Movie (Iran's "A Separation" won the Oscar), and rightfully so. This is the complete antitode to Hollywood's mainstream fare such as "John Carter" or "Wrath of the Titans" in that it is an intellectually challenging movie. The lead performances of Shlomo Bar Aba as the father and Lior Ashkenazi as the son are nothing short of outstanding. I was pleasantly surprised to see how many people were in the theatre when I saw the movie this weekend here in Cincinnati, giving me hope thia may reach a wider audience. Meanwhile, "Footnote" is HIGHLY RECOMMENDED!

FOOTNOTE is an appropriately titled sparklingly intelligent and entertaining film written and directed by Joseph Cedar. With a small cast and a focused story this little film form Israel is not only a pleasure to watch as a story performed as shared by brilliant actors, but it is also one of the most visually artistic and creative venture of cinematography to be on the small screen in a long time: the genius cinematographer is Yaron Scharf. Add to this a musical score that enhances every moment of the story courtesy of composer Amit Poznansky and the film simply succeeds on every level.

In a most ingenious way we are introduced to the two main characters father and son, both professors in the Talmud department of the Hebrew University in Jerusalem. The film opens on the confused and somewhat unattached facial expression of the seated father Eliezer Shkolnik (Shlomo Bar Aba) as he listens to his ebullient son Uriel Shkolnik (Lior Ashkenazi) being inducted into the prestigious Israeli academic union. Uriel's acceptance speech reflects his childhood when his father informed him upon questioning that he was a `teacher' an occupation the young Uriel found embarrassing at the time, but now honors his father for this guidance. After the ceremony we slowly discover that there is a long-standing rivalry between father and son. Uriel has an addictive dependency on the embrace and accolades that the establishment provides, while Eliezer is a stubborn purist with a fear and profound revulsion for what the establishment stands for, yet beneath his contempt lies a desperate thirst for some kind of recognition: his only clam to fame after long years of intensive research is that the man who published his findings mentions Eliezer in a footnote. When it comes times for the Israel Prize, Israel's most prestigious national award, to be awarded, a clerical error results in a telephone call informing Eliezer that he has won, while in reality the award was meant for his son Uriel. How this error is resolved open all manner of windows for examining family relationships, fame, pure academia, and forgiveness.

The film is an unqualified success. Lior Ashkenazi (so well remembered from `Walk on Water' and `Late Marriage' among others) gives a bravura performance and that of Shlomo Ben Aba balances it in quality. The supporting cast is strong. Joseph Cedar has produced a fine film very much enhanced by the brilliance of the cinematography that tells the story as much as the dialogue. Grady Harp, August 12

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This bittersweet comedy from Israeli is set in the rarefied world of academia and is a fine, interesting movie about the bitter relationship between a father and a son who both happen to be Talmudic scholars working at the Hebrew University of Jerusalem and how their rivalry finally overcomes their filial obligations.

Eliezer Shkolnik (a terrific performance by Shlomo Bar Aba) is the father, and he seems a personification of male old age grumpiness. He looks at the at the rest of his colleagues with an insufferable air of intellectual superiority, and believes he hasn't been recognized to the extent that he deserves, yet the movie hints he is a bit of a fraud himself, his main claim to academic fame is having been thanked in a footnote in a book by a famous Talmudic authority. The more successful Uriel (Lior Ashkenazi, who usually plays young macho men, but here plays a middle aged academic against type), is the son. The film lampoons him for being a lightweight scholar and for being too attracted to the media spotlight, yet he seems to be the more psychologically rounded of the two. The tense relationship between father and son finally comes to a bitter confrontation when the elder Shkolnik is mistakenly awarded an important academic prize that was meant for the son (I'm not going to reveal anything else about the plot).

I'm also obviously not going to reveal the ending but it seems underwhelming and unrealized, as if the director Joseph Cedar didn't knew how to end the movie. Thus, what was a fine film until then ends in a curiously unsatisfying way. Nevertheless, this is a fine movie with many great scenes. I especially liked two scenes: one is set in a small but packed conference room and ends when one academic shoves another to the wall. In the second scene, a very pretty female journalist goes to the home of the elder Shkolnik to interview him and manages to get him to say very nasty things about his son.

Read Best Reviews of Footnote (2012) Here

Footnote is an excellent film that portrays a bitter rivalry between a father and son in the world of competitive, backstabbing academia, a world in which winning prizes for research and being recognized and accepted by the academic community is everything. Some people have commented that the first twenty or so minutes of the minute move too slowly; but this is necessary for character development. The rest of the plot moves along at a very good pace; it's anything but boring. The casting was thoughtfully done and the acting is very convincing. The choreography and cinematography lack nothing; and the musical score enhances the film as well.

When the film starts, we are slowly but surely introduced to an Israeli father and son who are both passionate about Talmud research. Eliezer Shkolnik (Shlomo Bar-Aba) is a bitter, autistic older man who has been nominated for the prestigious Israel prize sixteen years in a row but has never received it; by contrast his son Uriel (Lior Ashkenazi) knows how to work the circuit, keep his subordinates in line with him or else and enjoys the attention that comes with giving six much admired speeches all over Jerusalem in just one night! While Eliezer shows disdain for the community that he thinks recognizes people who are not so "scientific" in their research, deep inside him Eliezer cannot help but feel the human need to be appreciated, accepted and receive awards like his son receives. Eliezer's only real source of pride (and he is a remarkably proud man) is a footnote dedicated to him by his mentor in an opus on Talmudic Literature.

Eliezer has another reason to be sour, jealous and depressed. After nearly thirty years of daily research at The National Library, Eliezer was just about to publish a bold, groundbreaking thesis proving there was a different, European version of the Talmud in the Middle Ages--but just as he's about to publish his findings, the culmination of his life's work and the source of what would have been great pride, another researcher (Grossman, played by Micah Lewensohn) by pure chance just happens to stumble over the actual old European Talmud in Italy! Grossman, knowing he would steal Eliezer's thunder and crush him emotionally, publishes his own findings anyway and Eliezer is badly scarred.

Things only go from bad to worse when Eliezer gets a phone call that he has won The Israel Prize he wanted all his life. When Uriel is secretly told that the prize was actually meant for him and not his father, Uriel is stunned. Uriel fights with the prize committee, including Grossman who chairs the committee, so that his father can have the prize; but Grossman's hatred of Uriel's father surfaces and the solution to the problem will not be easy or immediately obvious. There are plot twists after that but you will be able to follow along.

Look also for excellent supporting performances by Alma Zack as Dikla Shkolnik; Daniel Markovich as Josh and Yuval Scharf as Noa, a journalist.

Footnote is a first-rate film that will appeal to anyone interested in family dynamics; the competitive and backstabbing world of academia; dramas with a slight touch of comedy and fans of the actors in the film.

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FOOTNOTE (HEHARAT SHULAIM in Hebrew) is an appropriately titled sparklingly intelligent and entertaining film written and directed by Joseph Cedar. With a small cast and a focused story this little film form Israel is not only a pleasure to watch as a story performed as shared by brilliant actors, but it is also one of the most visually artistic and creative venture of cinematography to be on the small screen in a long time: the genius cinematographer is Yaron Scharf. Add to this a musical score that enhances every moment of the story courtesy of composer Amit Poznansky and the film simply succeeds on every level.

In a most ingenious way we are introduced to the two main characters father and son, both professors in the Talmud department of the Hebrew University in Jerusalem. The film opens on the confused and somewhat unattached facial expression of the seated father Eliezer Shkolnik (Shlomo Bar Aba) as he listens to his ebullient son Uriel Shkolnik (Lior Ashkenazi) being inducted into the prestigious Israeli academic union. Uriel's acceptance speech reflects his childhood when his father informed him upon questioning that he was a `teacher' an occupation the young Uriel found embarrassing at the time, but now honors his father for this guidance. After the ceremony we slowly discover that there is a long-standing rivalry between father and son. Uriel has an addictive dependency on the embrace and accolades that the establishment provides, while Eliezer is a stubborn purist with a fear and profound revulsion for what the establishment stands for, yet beneath his contempt lies a desperate thirst for some kind of recognition: his only clam to fame after long years of intensive research is that the man who published his findings mentions Eliezer in a footnote. When it comes times for the Israel Prize, Israel's most prestigious national award, to be awarded, a clerical error results in a telephone call informing Eliezer that he has won, while in reality the award was meant for his son Uriel. How this error is resolved open all manner of windows for examining family relationships, fame, pure academia, and forgiveness.

The film is an unqualified success. Lior Ashkenazi (so well remembered from `Walk on Water' and `Late Marriage' among others) gives a bravura performance and that of Shlomo Ben Aba balances it in quality. The supporting cast is strong. Joseph Cedar has produced a fine film very much enhanced by the brilliance of the cinematography that tells the story as much as the dialogue. In Hebrew with English subtitles. Grady Harp, August 12

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Hobo with a Shotgun (Collector's Edition + Digital Copy) (2011)

Hobo with a ShotgunReally liked this movie. Yes it's violent and over the top, but hey, this is grindhouse. The characters are wonderful and almost every one is iconic in their own right. The movie makers created a gritty world with strange and twisted people mostly committing vile acts. Kind of like if Troma had made Robocop. This was less of an homage to grindhouse movies of the 70's and 80's and more like an actual grindhouse movie. The film had bright bleeding colors and harsh contrast that helped to give this film a very uniquely gritty look. There were lots of scenes of murder, mutilation and torture, but there were also scenes in this movie that elevate it to something more than a "B" horror movie. The hobos talk to the newborns, a certain death scene, the Plague, and even the wickedness of the main bad guy. This was definitely a grindhouse flick and more. Looking forward to seeing more from this director and crew.

Hobo with a Shotgun has kind of achieved an almost mythical status. Originally a fake trailer created when Robert Rodriguez and Quentin Tarantino were bringing their Grindhouse film to the masses, here we are with a feature-length treatment for Hobo with a Shotgun, starring genre great Rutger Hauer in the title role. When our Hobo hero arrives in a crime-ridden city, he quickly runs afoul of local crime boss Drake (Brian Downey from Lexx) and his two degenerate sons (Gregory Smith and Nick Bateman). It isn't long before the sight of so much crime and pain and torment drives our Hobo over the edge and he gets his hands on the shotgun sitting in a pawn shop, and proceeds to wreck ultra-bloody havoc in the process. Gleefully over the top and definitely not for the faint of heart, Hobo with a Shotgun represents just about the best aspects of what made the grindhouse and exploitation films of yesteryear so badly enjoyable to watch. At the same time however, Hobo with a Shotgun also displays some of the worst aspects of the genre. More often than not, it feels as if the film is trying way too hard to reach that level, and there are plenty of times where it's just too much. Not to mention the fact that the acting is, well, let's just say it's kind of lacking in certain aspects. I'm not looking for Shakespeare here, but other than Rutger Hauer, a majority of the cast is way too over the top for their own good. Still, Hobo with a Shotgun is bloody, ultraviolent fun that never relents, and is the kind of ballsy genre filmmaking that has become all the more scarce as time has gone by. It definitely isn't for everyone, but for those who love and respect what the grindhouse/exploitation genre can do, Hobo with a Shotgun is a must have.

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This is a not a good film in any sense. But it is a good film within its genre. Its pure violent pulp exploitation with no pretensions and in many respects its the purity of the concept which elevates it to something more than it would otherwise be. Its kind of like the old Sergio Leone westerns or something like the original Beastmaster or Road House or the first Boondock Saints.

The film had its start as a phony trailer in an earlier bigger film. The trailer was a funny two-minute joke. But they managed to make it work for real as a film.

A nameless hobo gets off a train in a new town with dreams of buying a lawnmower to start a business. But the streets are out of control and the hobo is forced to clean up the town on his own. The town is run by a violent goof named "Drake" and his two sons...one of whom looks like he stepped out of old Tom Cruise film like Risky Business. The villians are really easy to hate. The hobo is a no-nonsense hero.

The film is slightly different than the old "Death Wish" formula because there is a clear wealth and class subtext to it. Most vigilante films feature middle class or rich victims taking revenge on psychotic criminals. But "Hobo" is about a man at the very bottom taking revenge on a corrupt system run by the wealthy and powerful who exist beyond the reach of any law. Going after the "bumfights" guy, going after the rich goof (Drake) and going after the idiot sons of the rich goof are all powerful concepts.

And like all exploitation films, we get things that just don't make a bit of sense. Two Junior Iron men eventually show up with no particular explaination. But its so goofy, it works.

The only thing that I have against it is that its too violent. Its in the nature of explotation, but I think the material was good enough that they could have done without it. An edited version would probably run on cable forever.

The acting is 10x better than it has any right to be. Rutger Hauer was perfect for the role and delivers (as usual) a really solid performance in a third-rate role. This is not award winning acting, but its a role that some people would sleepwalk through (but he did not).

Most homaige films are derivative and so tied to the source material that they can't ever even be as good as what they are swiping. But this film was better than the original films.

Again, this isn't a work of art. But its honest to what it is and it was well done within the parameters of what it is.

Read Best Reviews of Hobo with a Shotgun (Collector's Edition + Digital Copy) (2011) Here

I've been wanting to see this movie for a long time, and I finally watched it with some friends, and all I have to say is...wow! This movie was so incredibly and insanely violent. People lose their heads, get ripped open with a baseball bat covered in razor blades, and get shot to death by an ass-kicking hobo. This movie based on the trailer from Grindhouse has more action than Machete. If you are easily offended by children being burned alive or being watched by a pedophile Santa Claus, you should stay away. This was a fun movie to watch, and all the gore scenes are hilarious and epic.

Rutger Hauer stars as a Hobo who comes to a new town, overrun with corruption. He befriends a hooker named Abby. While a Pawn shop is getting robbed, the Hobo can't take it anymore and decides to shoot the robbers down with a shotgun. He becomes a vigilante and goes around shooting anybody involved with crime. Never ever cross a HOBO WITH A SHOTGUN!!!

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Spider-Man ran out of silk and fell to his death mid air. Superman's steel is rusty. Batman has retired. James Bond's license to kill has been revoked. Kick-Ass got his ass kicked. The streets are ablaze with crime and corruption, and a new breed of superhero is in town... a nameless vigilante cashing in his quarters for a new way of life. A Hobo... With a Shotgun.

I recall seeing Grindhouse on its opening day, and when Hobo With a Shotgun showed, I laughed myself silly!!! It was probably the funniest of the fake trailers, and most agreed. Cut to 3 years later, and Hobo With a Shotgun has been made as a movie!! As you can imagine I anticipated its release and saw it Monday, and loved it!!!

A nameless Hobo gets off a train in a town called Hope Town, hoping to start a new life. He tries to save whatever money he can get for a lawnmower so he can start a business to mow people's lawns. However, the streets are full of corruption and violence, ruled by a ruthless psycho named Drake and his two sons.

However, one day, a new life automatically starts for the hobo when having struggled enough to get the money, he goes to buy the lawnmower and a robbery occurs. He notices the shotgun on the wall, uses it to shoot the robbers, and leaves one alive to tell the tale. With the help of a tired hooker named Abbey, this angry hobo will not stop until Drake and his empire are dead!

Hobo with a Shotgun is fun from the first frame. It is short and sweet, it is sickeningly violent and hilarious!!! There's buckets of blood and gore spilled, there's lots of dark humour, there's great acting and it is VERY Canadian. This film is evidence that Canadian cinema is some of the best around.

I was also surprised at the amount of heart it had too. Beneath the gore and insanity was a heartfelt message about how Homeless people are no different from the rest of us. There's a powerful scene near the end whee Abbey makes a speech to an angry mob, where she tells them that "Those people have a bigger home than us, and we are standing in it". It is very true, and it does give a whole new level of heart.

So in short, go see Hobo With a Shotgun. For what it's worth, GO SEE IT. It may be the most fun you'll have at the movies. Oh and Canadians who grew up watching The Raccoonsyou're in for a treat come the end credits!!!

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Life Happens (2012)

Life HappensWe are making our way through the gauntlet. We have gone from funny pregnant teenager to funny new born mom. Kim (Krysten Ritter) and Deena (Kate Bosworth) are liberated college women. The next thing we know Kim has a son Max. The pair share a house with Laura (Rachel Bilson) who is proud of her virginity, but accepts jobs that pay well which make you question it. She was a great character for what little time she was on the screen.

Marc (Rhys Coiro) the father of the child is also a surfer which allows him to leave the picture. The film works on the theme that having a baby is a "buzz kill." It is worse than the plague. In an early scene they drove the point home so much, it managed to bring the film down to where I didn't think it could recover to be a comedy again. Kristen Johnston plays Kim's flaky boss who is far from understanding.

When Kim meets Nicholas (Geoff Stults) they have an attraction for each other. Kim lies to Nicholas about the baby, claiming it is Deena's, which later resulted in a funny barbed filled double date, the comedy highlight of the film. The plot is predictable and I don't think it would have worked any other way.

Krysten Ritter looked exceedingly pale in this film, as a new born mom, i.e. a mom that just dropped the kid an hour ago. She kept that look for much of the film, perhaps to drive home the point. Justin Kirk plays an educated perv friend of Nicholas. He had a funny character that should have been used more. The film has some laughs and is a worth while date night rental.

Parental Guide: F-bomb, sex? no nudity.

"Nobody tells you it's gonna be so hard...Yes they do Kim, that's pretty much all people say." Kim (Ritter) and Deena (Bosworth) are best friends. They do everything together. One night when both bring home a guy they discover a problem. One year later they are still best friends but now Kim has a baby. Trying to balance work, friends and her love life all around being a single mother turns out to be harder then she expects. This is a very funny movie that is almost done like an Apatow movie. The dialog is very witty and hilarious and keeps you laughing throughout. The beginning of the movie made me feel (as a parent) a little annoyed at Kim. It felt like she considered the baby a burden and that she didn't really want him. Her feelings did change but that part did bug me a little. Other then that and the movie being a little predictable this was very very funny and I recommend this. You will not be disappointed. I do have to say that this is more on the "chick-flick" side of comedies this will appeal to both men and women. I laughed all the way through. Overall, if you like the Apatow movies you will like this one too. I give it a B+.

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Ok this move was a great movie, I am so glad I have it in my Collection! As I could not imagine it without it!

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This was a delight to watch! I enjoyed this with several of my friends! We laughed and cried and it got us to talk about our early days of mother hood! Chick flick for sure!

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This film is definitely one to see with your girlfriends. Be warned, language and sexual references are made throughout the whole movie. NOT A FAMILY FILM!

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National Lampoon's Christmas Vacation (Ultimate Collector's Edition) (2009)

National Lampoon's Christmas VacationWith apologies to Jimmy Stewart and Ralphie Parker, this is my favorite Christmas movie of all time. If you are reading this because you have never seen "Christmas Vacation", stop right now and go to the video store and rent it. Then come back here and order your own copy because you'll want to watch it over and over again each holiday season.

The undisputed gem of the National Lampoon 'Vacation' series, the plot can be summed up very simply: idealistic family man Clark Griswold wants to host the perfect old-fashioned fun family Christmas. As all of us idealistic family men have discovered, there is no such thing as a perfect holiday, and that just about sums it up. The appeal of this film is that we can all relate to the disasters that holidays can become, regardless of how well-meaning we are and how hard we work to achieve them.

The cast is terrific. Chevy Chase and Beverly D'Angelo (Ellen) are back as the Griswolds, with Juliette Lewis and Johnny Galecki assuming the roles of Audrey and Rusty. John Randolph and Diane Ladd are Clark's parents, while E.G. Marshall and the ultimate mother-in-law, Doris Roberts are Ellen's parents. Nicholas Guest and Julia Louis-Dreyfuss are Todd and Margo, the yuppie neighbors. William Hickey and Mae Questel (the voice of Betty Boop and Olive Oyl) nearly steal the show as Uncle Lewis and senile Aunt Bethany. Randy Quaid does steal the show his "cousin-in-law" Eddie is one of the all-time great characters in recent comedy history.

The self-inflicted situations that befall Clark in his holiday quest are peppered with memorable dialogue and slapstick, yet believable enough to bring flickers of recognition to most viewers. Witness his mishaps on the roof putting up the lights; getting trapped in the attic; spending his Christmas bonus before he gets it; dealing with his snooty neighbors; and getting hilariously tongue-tied at the lingerie counter and being remarkably eloquent when he gets his "bonus". Admit it. We've all been there.

A holiday movie should be one that holds up to repeated viewings, and this one does. Besides the excellent cast and the familiar situations, there is a great score by Angelo Badalamenti (Twin Peaks), the animated opening credits sequence, and some fine tunes such as "Hey Santa Claus" by the Moonglows! There are numerous little touches that you might not catch the first several times check out the shape of the packages in Mr. Shirley's office when Clark gives him his gift, and see what happens to the light bulbs Clark puts in the cart at the Wal-Mart.

I suspect, like in our home, "Christmas Vacation" has become a sort of institution in many homes each holiday season. We like to get together with friends to watch it, with everyone dressing as a character from the movie. We eat green jello with "cat food" in it, stand and join in the Pledge of Allegiance and the Star Spangled Banner, recite the lines along with the characters, and give thanks that our holidays are at least a little better than the Griswolds'.

Finally, after all this time, Warner Brothers have come to their senses. On October 7th, we will be treated to a heftly helping of one of the greatest Christmas films to ever grace the silver screen............in WIDESCREEN.

I was extremely disappointed with the previous DVD release of this film which contained a pan & scan presentation and nothing more than a theatrical trailer in the extras department.

What we have here is a special edition of this great movie, which will contain audio commentary from both Beverly D'Angelo and Chevy Chase, a "making of" featurette, as well as other stocking stuffers which have yet to be disclosed at this present time.

Being a huge fan of this movie, I honestly can't wait for this release. "National Lampoon's Christmas Vacation" has become a holiday tradition in my home, and to be able to see it the way it was intended to be seen is truly a treat for me.

Aside from the features of the disk, the film itself is the true gift. One of the funniest movies today which still withstands the test of time even 15 years later. The premise is simple. Clark W. Griswold (Chevy Chase) is hell bent on having an old-fashioned family Christmas in his home, relatives and all. Of course, the hilarity kicks in when things start to go awry. There are so many hilarious scenes in this movie, it would be difficult to list them all. You have everything from an electrocuted cat, to a house with the brightest Christmas light display known to man. Let's not forget the dried up turkey, the saucer sled and the dog/squirrel chase! There's so much more I could say to praise this movie, but if you haven't already seen it, [I won't say more]

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You really take your life in your hands every time you sit down with a Chevy Chase film. Let's face reality here: Chevy Chase is responsible for several of the worst movies ever made. Does it take more than a few minutes of viewing to see the mind numbing folly of "Nothing But Trouble," "The Three Amigos," and "Spies Like Us"? Chase has sure had his truly embarrassing moments on the big screen. What redeems the guy, at least in my eyes, are several films that play up to the comedian's smart alecky, deadpan delivery. "Fletch," of course, is the gold standard of Chevy Chase films, but other movies showcase his talents just as well. I always thought "Deal of the Century" a classic Chase film, as well as "Foul Play" (although the latter was more of an ensemble picture). But we need look no further than the four National Lampoon Vacation films to truly judge the merits of this comedian turned actor. Actually, I should say three Vacation films since the second installment, where the Griswold family went on a tour of Europe, ranks as one of the most dreadful stories ever put on film. Of the three successful entries, "Christmas Vacation" is the best, perhaps even eclipsing the first movie that started it all.

You won't hear the familiar strains of Lindsey Buckingham's "Holiday Road" in "Christmas Vacation," and there are no corpses strapped to the top of a station wagon either. Instead, the film invites us into the Griswold home for an old fashioned Christmas celebration the likes of which soon reach catastrophic levels. Clark (Chevy Chase) and Ellen (Beverly D'Angelo) Griswold, along with their disinterested kids Audrey (Juliette Lewis) and Russ (Johnny Galecki), invite the whole family over for a season filled with happiness. Clark's parents Clark Sr. (John Randolph) and Nora (Diane Ladd) show up, as does Ellen's folks Art (E.G. Marshall) and Frances (Doris Roberts). And yes, even Cousin Eddie (Randy Quaid) makes an appearance to save the day. Of course, along with the family comes the inevitable frustrations and stresses everyone who has ever dealt with a reunion dreads. Clark Griswold refuses, at least initially, to fall into a morass of cynicism and despair amidst the bickering and insults. His invention of a new milk preservative has our hero hoping his Christmas bonus will be extra big this year, big enough so he can install an in ground swimming pool in the backyard. Unfortunately, his boss Frank Shirley (Brian Doyle-Murray) is a scrooge with plans to make the company more fiscally conservative.

While he waits for the check to arrive at the house, Clark embarks on several hilarious projects that haul in the belly laughs. His attempts to cover every square inch of his house with Christmas lights is a chore requiring several falls off a ladder, pointed verbal repartees with his snotty neighbors Margo and Todd Chester (Julia-Louis Dreyfus and Nicholas Guest), and repeated failures to get the strands to light up. The acquisition and installment of the Griswold family Christmas tree is another chore handled in Clark's inimitable style. Imagine the pine they string up in Rockefeller Square every year, subtract roughly five feet from its height, and you have the tree Clark insists on setting up in the house. This thing is so huge that the branches knock out the windows when Griswold cuts the rope holding the branches together. No Yuletide season, however, would be complete without a trip to the slopes for a sledding excursion, an event filled with disastrous implications when Griswold comes up with the bright idea to cover the bottom of his sled with a Teflon based substance. My favorite scenario involves Clark trapped in his attic for a few hours. He spends his time dressed up in women's clothing (to stay warm) watching old home movies of his childhood. His abrupt fall through the trap door had me laughing for hours afterwards.

The cast of "Christmas Vacation" gels fantastically, far better than any cast in the other three films. Kudos as always go to Randy Quaid as the squirrelly moocher Eddie; a film in this series just wouldn't be the same without this character driving Clark to fits of distraction. Beverly D'Angelo is one of those actresses who get hotter and hotter with age. The linchpin of the film is, as always, Chevy Chase as the disaster prone Clark Griswold. This is a role tailor made for his brand of clumsy, caustic humor. I don't know about you, but Chase's depiction reminds me in many ways of my own father--he won't listen to the advice of anyone else, his ideas are the best ideas, he tosses safety to the wind when working on dangerous projects, etc. But like my Dad--and probably countless other fathers--Clark is sincere and wants his loved ones to have wonderful family memories. The film works so well, I suspect, because most of us instantly recognize his character traits in our own beloved family patriarchs. Especially when Clark can't stand the pressure anymore and launches into one of his over the top tirades, again a trademark of our own fed up fathers.

Although the DVD carries the "Special Edition" tag, the extras are surprisingly sparse. A trailer and a commentary constitute the sum total of goodies available on the disc. Moreover, the commentary doesn't include Chevy Chase. At least you hear Randy Quaid, Beverly D'Angelo, Johnny Galecki, Miriam Flynn (Eddie's wife Catherine), director Jeremiah Chechik, and producer Marty Simmons, but why no Clark W. Griswold? Perhaps he wanted too much money. His absence is unfortunate and mars what is otherwise a great commentary track. I don't even wait until Christmas to watch this movie; it's fun works year round. If you haven't seen it yet, you ought to immediately. You'll love it.

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National Lampoon's Christmas Vacation has become a holiday tradition in my home. As many times as I've seen this movie I still laugh. There's good old cousin Eddie and his clan, the in-laws, the house covered with lights, (that don't light), an exploding turkey, and of course the squirrel. Chevy Chase and Randy Quaid play off each other perfectly. Then there's the long-suffering ever-faithful Beverly D'Angelo, who relates as Chevy's wife identically as Marge Simpson relates to Homer. The only advantage to owning this movie on DVD is the durability factor. As other reviewer's have mentioned, the DVD picture quality is poor. Besides a grainy picture, the DVD contains no extras, unless you consider a movie trailer to be a special feature. I certainly do not consider a movie trailer a big deal. There will most likely be a "Collector's Edition" released some day that will boast a better picture and added features; seems to be a trend with some of these DVD's. Patience is truly a virtue. Happy Holidays!

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Every Christmas Eve I put the presents under the tree, straighten the stockings, and never forget to watch National Lampoon's Christmas Vacation. Chevy Chase returns as Clark Griswald and gives his funniest performance yet. Beverly D'Angelo is also back as Ellen, and not to mention Randy Quaid has also returned to play good old Uncle Eddy. This movie will have you laughing the whole time. The DVD could have a better selection of extra's but trust me, the movie is satisfying enough.

What makes this movie different from the rest of the Vacation movies is the fact that the Griswalds don't actually take a vacation. Instead they stay home and invite the in-laws to join them for the holidays. One of the greatest moments in the movie would have to be when Eddy kidnaps Clark's boss to fufill Clark's Christmas wish.

Forget "The Santa Clause", "A Christmas Story", and "A Miracle on 34th Street". Christmas Vacation is the new Christmas DVD classic!

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Written ByAFTER A YOUNG GIRL, HER BROTHER AND HER MOTHER ALL GRIEVE FOR THE LOSS OF THEIR FATHER[HUSBAND] WHO WAS KILLED IN A CAR ACCIDENT THEY WERE ALL INVOLVED IN, THE GIRL DECIDES TO WRITE A NOVEL 10 YRS. LATER AND AS A WAY OF EASING THEIR PAIN AND REUNITING WITH HER FATHER SHE REVERSES THE OUTCOME OF THE NOVEL SO ONLY THE FATHER SURVIVES . IN HER NOVEL HE THEN WRITES A NOVEL REUNITING THEM ONCE AGAIN. IT REALLY ISN'T CONFUSING, IT'S A HEARTWARMING STORY OF LOVE + FAMILY

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Galaxy Quest (1999)

Galaxy QuestThose are the best two words to describe Galaxy Quest. Another good phrase would be "one of the best movies Dreamworks has produced so far".

It's been a long time since I've seen a parody film hit its intended targets with such accuracy and finesse. The movie deals with the crew of the Protector, a spaceship that exists only in reruns of the strangely familiar early 80's ensemble SF TV show Galaxy Quest. Exiled to mall shows and science-fiction fan conventions, they live out their days signing autographs for fanatical, show-quoting groupies until they're propositioned by some rather distinctive "fans" for a very special mission...

What ensues is an incredibly fun skewering of the whole Star Trek experience, effortlessly bouncing from knowing parody to rollicking action to heartfelt emotion. And it's all headed by a top-flight cast led by Tim Allen as Jason Nesmith/Commander Peter Quincy Taggart. Aiding and abeting him is his flouncy blonde side-kick, played by...Sigourney Weaver! This brilliant casting coup alone should tip you off to the film-makers' attitude towards the subject matter. Also present is Alan Rickman in an incredible turn as the token alien cast member who longs to return to Shakespeare, Tony Shalhoub as the boggled engineer, and Daryl Mitchell as the cute kid who is now all grown up. But as good as the human cast is, they fade into the background whenever they interact with the true aliens of the picture, the Thermanians. Masking their true squidlike form in a human disquise, they lurch across the screen speaking in stretched and strangled accents with ever-present goofy grins on their faces.

It matters not if you're a bred-in-the-bone Trekkie or wouldn't know a Mark I phaser if it jumped up and stunned you...there is just so much to enjoy here. It probably does help if you're at least familiar with the source of the various in-jokes contained within, but Galaxy Quest is careful to surround its Trekian pokes with a surprisingly touching story of personal redemption.

Sure there are plot holes the size of black holes, and the motivations for the aliens' actions are as vaporous as a plasma cloud. But this is one of those movies that revels in its own wonderous creations so much that you really just don't give a damn about blasted logic. Hurry to the video store today, a video gem like this comes around about as often as Halley's Comet.

In December of 1999, director Dean Parisot unleashed what is arguably the funniest sci-fi/comedy film of all time, "Galaxy Quest", which focuses upon the dissatisfied lives of five actors who had starred in a long-cancelled sci-fi television series of the same name. Jason Nesmith (Tim Allen) played ship's captain Commander Peter Quincey Taggart. Gwen DeMarco (Sigourney Weaver, who is no stranger to sci-fi with her roles in the "Alien" films) played Lt. Madison. Alexander Dane (Alan Rickman, also known for his roles as Hans Gruber in the 1988 film "Die Hard" and Professor Snape in the two "Harry Potter" films) played Dr. Lazarus. Fred Kwan (Tony Shalhoub) played ship's engineer Tech Sgt. Chen and Tommy Webber (Daryl Mitchell) played ship's pilot Laredo. Following the cancellation of the TV series, none of the actors had found descent acting jobs. Instead, they were relegated to appearing occasionally as their former "Galaxy Quest" characters at fan conventions and infrequent commercials. Especially frustrated is Alexander Dane, a trained Shakespearean actor who cannot escape the stigma of having said those immortal words, "By Grabthar's hammer, by the suns of Warvan, you shall be avenged!"

The film begins at a "Galaxy Quest" convention where the quintet is preparing to appear. Unbeknownst to them, not all of the conventioneers dressed as aliens are pretending. A group of uniformed "aliens" approach Jason (dressed as Commander Taggart) saying that they are in dire need of his assistance. Jason quickly agrees and assumes that the group is planning to pay him to appear as Commander Taggart at a fan-function. Following a night of drinking at his home, the "aliens" arrive in a limousine (per Jason's request) to escort him to their function. The "aliens", calling themselves Thermians, are Mathesar (Enrico Colantoni), Teb (Jed Rees) and Laliari (Missi Pyle). While en route to their function, Teb recites the lengthy history of Thermia to Jason, but Jason (who has a hangover) falls asleep. (Jason doesn't take the Thermians seriously; instead believing that they are simply "Galaxy Quest" fans.) Jason awakens to what he believes is a very elaborate set mimicking the NSEA Protector from the "Galaxy Quest" show. Mathesar (who always refers to Jason as Commander Taggart) tells him that the Thermians want him to negotiate a peace treaty with General Sarris (Robin Sachs). Instead, "Commander Taggart" orders the Thermians to fire upon Sarris' ship. Assuming that he has completed his performance, Jason tells Mathesar that he is ready to return home. Mathesar escorts him to an empty room and leaves. Jason, not understanding what is happening, is suddenly enveloped within a strange substance and raised to the ship's exterior where he sees millions of stars in deep space. He is suddenly shot from the ship, then finds himself standing next to his swimming pool at home. Jason finally realizes that the Thermians are real extraterrestrials, and that they mistakenly regard the "Galaxy Quest" show (which they received in deep space) as being historical fact.

The other four "Galaxy Quest" actors are busy filming a commercial for the opening of an electronics store and are disgusted because Jason isn't there. Jason arrives late and tells them about his experience with the Thermians, but they think he has lost his mind. Jason tells them that the Thermians want him to return and that he wants them to come also. They initially reject it, but change their minds when they mistakenly believe that it's a paying job. Gwen, Alexander, Fred and Tommy are whisked away to the Thermian's NSEA Protector, along with another actor named Guy Fleegman (Sam Rockwell), who had played a bit part on the original "Galaxy Quest" show. With that, the most important role for each of the washed up "Galaxy Quest" actors begins!

Dean Parisot, along with writers David Howard and Robert Gordon, created a brilliant and engaging spoof of the show "Star Trek", its conventions and trekkies with "Galaxy Quest". Tim Allen equated with William Shatner (Kirk), Alan Rickman with Leonard Nimoy (Spock), Sigourney Weaver with Nichelle Nichols (Uhura), Tony Shalhoub with James Doohan (Scotty) and Daryl Mitchell with George Takei (Sulu). Other sci-fi comedy spoof that predate "Galaxy Quest" (such as "Ice Pirates", "Pluto Nash" and "Spaceballs") are no where near as good, engaging or funny.

All of the actors in "Galaxy Quest" performed their roles exceptionally well. Two actor who played significant minor roles were Patrick Breen, who played the Thermian named Quelleck, and Jeremy Howard, who played the young and very helpful "Galaxy Quest" fan named Kyle.

I highly recommend purchasing "Galaxy Quest" on DVD, which has superior picture and sound quality, and includes several deleted scenes, trailers, biographies, the feature "On Location in Space" and production notes. "Galaxy Quest" is a film that can be watched many times while never becoming tiresome. Sit back and remember those immortal words, "Never give up! Never surrender!" as you are whisked away into the fantastic world of "Galaxy Quest"!

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I have been a Star Trek fan for the longest time & for that simple reason, my girl friend never bothered watching the series with me. But then again, unknowingly, Star Trek's culture has imbedded into our day to day living. If you say phrases like "Beam Me Up, Scottie"; "Live Long & Prosper" whilst displaying the V sign, your friends just understand immediately what you're implying. Anyway, my girl friend came with me to the cinema reluctantly & she couldn't help shaking her head noticing that the cinema was filled with males especially the geeky type, something like me! Anyway, when the movie started, she couldn't help laughing her heads off with the goofy storyline. On top of the mockery of the Star Trek series, what I'm finding this movie endearing is seeing all those familiar actors from TV series such as Elliott in Just Shoot Me, Mitchell from Veronica's Closet, Tim Allen in Home Improvement, the taxi guy from Wings strutting their stuff. What's even amusing is seeing Sigourney Weaver playing a busty bimbo (a far cry from her Ripley role in Alien & sequels), & Alan Rickman virtually playing himself as an actor with English theatre background forcing himself re-enacting the role of this Spock character again & again & still, the spotlight is always taken by Tim Allen who's potraying the role of William Shatner. What's even more delightful about the movie is that in the end, good prevails over evil. The underlying themes of the movies would be the significance of teamwork, & self belief. A wonderful film to be shared with family members & friends. What's even more unbelievable is that my girl friend can't wait for the sequel, if there's any! On the sideline, Stan Winston, the special effect guy who had brought us the Alien creature is in his usual best. By the way, the space ship is as corny as ever.

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In 1999, "Galaxy Quest" was a film that surprised many sci fi fans when it was released to theaters. At first, many people were not sure if it would be a parody to "STAR TREK" but in the end, the film was actually paying homage to the popular television series.

The film is directed by television director David Parisot (who directed shows such as "Curb Your Enthusiasm", "Monk", "ER" and many other series) and is based on a story by David Howard and a screenplay co-written with Ric McElvin ("Men in Black II" , "Lemony Snicket's A Series of Unfortunate Events" and "Addicted to Love", etc.).

The film has received praise from Star Trek alumni such as George Takei, Jonathan Frakes, Patrick Stewart and Will Wheaton and has received nearly all positive reviews from film critics upon its release in theaters back in 1999.

VIDEO & AUDIO:

"Galaxy Quest Deluxe Edition" has been digitally remastered for this DELUXE EDITION/10th Year release. I haven't done any comparisons to my original 2000 DVD version of the film but I could tell by watching it, scenes like the mission obtain Beryllium, this would shine on Blu-ray. But for now, on DVD the colors look vibrant with the Earth tone colors and blue skies make things absolutely beautiful. Video is presented in widescreen. So, overall, for a DVD release, the picture quality and the new remastering looked great.

As for the audio, audio is presented ala English 5.1 Surround (as well as Spanish 5.1 Surround) and comes with a Thermian 2.0 Surround track. I will say that watching this film again, I heard a good number special effects from the various channels. Audio sounds very good, I was noticing small details such as the damaged spaceship, the Protector trying to use its remaining engines to move the ship and hearing it trying to move in space on your front channel and rear channels speakers. I don't recall hearing those small details back in 2000. I felt the audio seemed cleaner and clearer in this deluxe edition.

With a new digital remaster for the DVD coinciding with the 10th Anniversary of the film's release, I can only hope that we get a 1080p High Definition transfer with lossless audio. Knock on wood, I hope there will be a Blu-ray release coming soon!

But for now, compared to the original DVD release, this is the better DVD version to own for now in terms of picture and audio quality.

SPECIAL FEATURES:

"Galaxy Quest Deluxe Edition" comes with newer special features to celebrate the film's 10th Anniversary. The original DVD released in 2000 had special DVD Easter Eggs (related to the Omega 13) and a "On Location in Space" featurette that are not included on this deluxe edition, so you may not want to throw out your original 2000 DVD. But this Deluxe Edition comes with newer features recently created in 2009 and are very enjoyable.

* Historical Documents: The Story of Galaxy Quest (18:14) A new featurette with recent interviews with Dean Parisot (Director), Bob Gordon (Screenwriter) and David Howard (screenwriter). Also, new interviews with the cast of "Galaxy Quest". A fun and informative featurette of how the film came about, how the talent felt about being at a science fiction convention and being a bit weirded out by the experience and also certain segments that play homage to "Star Trek".

* Never Give Up. Never Surrender: The Intrepid Crew of the NSEA Protector (23:25) This featurette goes into the casting of "Galaxy Quest". The cast is interviewed and give their thoughts of their character and what they remember during the filming. Interesting tidbits of Sigourney Weaver being in character once she had the blonde wig and attracting a lot of eyes. How Alan Rickman was very cool and calm. Tim Allen and Daryl Mitchell always having fun on the set and really interesting situations that happened during the filming of "Galaxy Quest".

* By Grabthar's Hammer, What Amazing Effects (7:03) How popular Stan Winston worked on special effects for the alien monsters and Industrial Light and Magic working on the CG effects. How the camera work for "Galaxy Quest" was trying to recapture that Star Trek original series cinematography feel and much more!

* Alien School Creating the Thermian Race (5:23) How Enrico Colantoni (Mathesar) came up with the Thermian speech from vocal training they did at Yale. How during "alien school", they would have to learn how to walk and move.

* Actors in Space (6:11) In this segment, we learn how being in a popular series, an actor can get pigeonholed. Tim Allen talks about people even today thinking he's Tim Taylor of "Home Improvement", Justin Long talking about despite his film work, he's still looked as "The Mac Guy", Daryl Mitchell known for his work on "House Party" and more.

* Sigourney Weaver Raps (1:59) Sigourney Weaver's agent's birthday was coming up, so Sigourney asked Daryl Mitchell to help her create a rap for Sam Cohn and together with Sam Rockwell, Missi Pyle, Jed Rees, the five created a music video as a birthday present.

* Additional Scenes: Deleted Scenes (Used on 2000 release) A total of eight deleted scenes. Some of these features include commentary by the talent or Director Dean Parisot and David Howard.

* Thermian Audio Track An audio track featured completely in Thermian. Personally, even when this was on the original 2000 DVD, has anyone ever watched the film completely in Thermian?

* Theatrical Trailer (Used on 2000 release) (1:54) Original theatrical trailer.

The slip cover has a front cover that features Alan Rickman, Sigourney Weaver and Tim Allen in character, standing cool and collected (the image shown above on this review) and when you shift the front of the cover slightly, it shows the three firing their weapons.

JUDGMENT CALL:

"Galaxy Quest Deluxe Edition" is definitely a wonderful 10th Anniversary release.

I have never grown tired of this film and for any Star Trek fan or science fiction fan, you can't help but enjoy and laugh and be thoroughly entertained by the various talent and the overall wackiness of the storyline.

The new special features is what makes this film worth buying again on DVD. To have everyone return for an interview and talk about their love for the film and how well it was received and how it has become a sci-fi classic was just fun to watch. And the behind-the-scenes tidbits you learn about the shenanigans that went behind-the-scenes to the actual creation of the film, was also informative and entertaining.

If there is one thing that I can hope for, that would be a high definition Blu-ray release of this film. With its 10th Anniversary, I was a bit surprised that only a new DVD was announced at this time. But with the film now receiving a new digital remastering, I can only hope for a HD 1080p transfer and lossless audio, to me, that would be the icing on the cake.

But overall, this new deluxe edition was just fantastic and if you are a big fan of "Galaxy Quest", on DVD, this is the definitive version to own. Highly recommended!

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When the entertainment industry pokes fun at itself sincerely, the results can be hilarious. Such is the case with the cornball science fantasy movie "Galaxy Quest."

"Galaxy Quest" was a science fiction television show with more than a passing similarity to "Star Trek." As with the latter show, "Galaxy Quest" was cancelled. Now the dispirited actors seem doomed to an endless cycle of overzealous fans at "Galaxy Quest" conventions. Adding to the actor's torment is the attitude of Jason Nesmith (Tim Allen), who played Commander Peter Quincy Taggart in the show. Nesmith's cheery attitude and self-importance have worn thin on his fellow cast mates, Gwen Demarco as sexy Lt. Tawny Madison (Sigourney Weaver), Alexander Dane as brainy Dr. Lazarus (Alan Rickman), and Fred Kwan as Tech Sgt. Chen (Tony Shalhoub).

Interrupting their doldrums is a group of individuals who would appear weird to anyone outside a science fiction convention. As members of the convention they appear to be about as strange, or normal, depending on your point of view, as anyone else. However, Jason Nesmith soon learns that this strange foursome is more than they seem as they spirit him off to their genuine spaceship, NSEA Protector.

At first Jason is somewhat excited at the opportunity to be on a genuine spaceship, and eventually brings the rest of the crew, including bit part player Guy Fleegman (Sam Rockwell), back to the ship with him. However, the aliens crewing the ship, the Thermians, have a very real, very ruthless nemesis to contend with, and the former crew of "Galaxy Quest" discover they are out of their depth.

The Thermians brought the crew of "Galaxy Quest" on board because they discovered certain "historical documents" that were transmitted into space many years earlier. The somewhat innocent, though highly intelligent and creative, Thermians were unable to recognize the television show "Galaxy Quest" as being make-believe.

The movie moves forward with a number of creative and often humorous moments, alternating between hilarity and seriousness, with even a few moments of compassion. Every cliché and stereotype from the original "Star Trek" is exploited for a laugh. In the climax the actors rely on hardcore fans for their in-depth knowledge of the show to save them. It is difficult to avoid enjoying the ending, even if you are not a fan of science fiction.

"Galaxy Quest" is an excellent companion movie to the original "Star Trek" television series. Even non-Trek fans will pick up on most of the gags. There is a lot of action and you can expect the usual implausibilities that tend to accompany television science fiction. However, the results are humorous and enjoyable. You will find this movie worth more than one watch.

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Trailer Park Boys: Say Goodnight to the Bad Guys

Trailer Park Boys: Say Goodnight to the Bad GuysWhile not the best storyline, I still loved this special. If you have never seen TPB before I would not recomend this as the first one to see, start with season one. If you are a TPB fan and love some drunk Lahey then you'll love this special.

I'm a huge fan of the TPB's and I purchased this video to complete my collection which would be my suggestion to anyone considering purchasing it. It's 47 minutes that feel twice as long and really drawn out. It just seems like the story never comes together on this video and everything is overshadowed by 45 minutes of drunk, loud and incomprehensible Jim Lahey. It's not a horrible video, just not one of their best.

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Very funny show. Ending was not what I thought it would be, but still enjoyed it. Bring back the Trailer Park Boys!! We need more comedy shows like them !!!

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I'm hearing a bit of negetivity here about Say Goodnight to the Bad Guys. I found it to simply be a continuation of a great series of TV shows and movies. It WAS just "more of the same".....but I think that's exactlly what TPB fans want. That's what I want. I'll keep watching whatever they come out with as long as they stick to the proven formula. Yeah, it would have been nice if it were twice as long. But I'll take anything I can get from Treblay and Wells. Leheay's last few lines in this movie definitly indicate that there will be more to come in the future.....damn, I hope so. And for *&%$ sake.....find a way to get Corey and Trevor back into the mix. Losing them was the ONLY mistake they made in this series.

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The first 5, maybe 6 seasons of TPB are hilarious. The movies are also really good. Season 6 and 7 started to go down a little I thought. This show takes place after season 7 and is even a little less funny than season 7 was. It's still pretty good, but just not as real-feeling as the first few seasons were. If you're a hardcore TPB fan like me, though, you will still need to get it.

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Spaceballs (1987)

SpaceballsI love the film so it was a no-brainer to get it for the store, and my slight disappointment is offset with showing what a high storage capacity can do for this product.

The package comes with both the BD and the standard def discs and included are all of the special features we know from the 2005 release. So what's changed? Nothing except for the languages: Dubbed in DTS for six languages (including Castilian, German, Italian and French) and Mono or Dolby for three others, and subtitled in nine languages (incl. Danish, Swedish and Norwegian). None of the supplements have been upgraded but that DTS always sounds awesome during the main feature. The picture has not been cleaned up from the transfer so there is plenty of artifact, hair and random film discolorations. I enjoyed watching some of the same special features again, including the John Candy memorial and the Mel Brooks conversation. The ludiricous speed is just as lame as before.

The menu is a killer if your player is not tuned up (or older). It becomes painful when trying to watch those flubs sequences as there is no play all option. It is Spaceballs, it is Mel Brooks so it makes it a worthwhile purchase if you did not already upgrade a few years ago to that special edition DVD (especially with both included here). I would normally rate this lower but there is so much here I had to go up one.

Spaceballs is perhaps the best Sci-fi spoof of all time. It has already been mentioned that it spoofs Star Wars, Star Trek, Planet of the Apes, but it really spoofs nearly every big Sci-fi movie ever. Star Wars, Star Trek, Planet of the Apes, Alien, 2001: A Space Odyssey ("...they've gone to plaid!") and many more. Some of the best sequences are the "ludicruous speed" scene, the "instant video" scene, and the whole Yogurt part. Mel Brooks plays the spoof of Star Wars' Yoda who is the guardian of the Schwartz and is also heavily into Spaceballs Merchandising, including the Spaceballs flamethrower. ("The kids love this one.") Rick Moranis, of course, is the Darth Vader spoof, and I have to congradulate the casting department, because Rick Moranis and Darth Vader have to be as close to being polar opposites as you can come. Although I have heard it called unfunny and lame by others, I think it is a very funny movie and deserves to be watched not only by Sci-fi fans, but by anybody looking for a good laugh.

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Spaceballs is one of my all time favorite films and I eagerly awaited it's bluray release and even put in my preorder months in advance. Now that the bluray is here it is still one of my all time favorite films but i must admit the transfer is not demo material.

The transfer itself is solid and without any unnecessary tampering (digital noise reduction, edge enhancement, etc) and it is the best this film will probably ever look on home video however the film itself will never wow anyone with detail.

On the audio side we get a 5.1ch track that does it's job as well as the source material allows... just like the video it's not demo material but it's still a solid track. Also included is the original dolby stereo track along with a rather large collection of languages (and subtitles as well)

The bonus features are the same as the previous DVD edition, I haven't really dug into all of them but in Fox bluray tradition features that need a play all option (in this case the film flubs) don't get that much needed option.

The included DVD is the older flipper disc with the 4:3 pan&scan on one side and the non-anamorphic 1.85:1 version on the other.

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The movie itself is pure Mel Brooks. I really enjoy how Mel brings hilarious havoc to the sci-fi genre, spoofing movies from Flash Gordon and Buck Rogers to Star Trek and Star Wars. I am surprised that MPAA had originally given this movie a PG rating instead of a PG-13 rating since the movie is heavy on adult humor, language, and sexual innuendos not exactly what I would call a flick for the whole family. Enough about the movie; this review is about the newly released Collector's Edition (CE), especially the bonus material.

The Dolby 5.1 sound quality has been enhanced compared to the original 2000 DVD release, but I will need to confirm this. I'm glad MGM offers a DTS track on disc 1. I have not yet compared Mel's commentary on the CE to the original release. I did make some limited comparisons of the picture quality: The colors are more vibrant (perhaps too much on the red?) and the picture is clearer to my eyes; the skin tones look correct to me. Since the video presentation is not THX quality, you will see some specks and film blemishes. The aspect ratio on the CE (1.85:1 for 16x9) is the same as the original 2000 release, but on my Sony monitor (4:3) the CE widescreen version is "slightly" zoomed in more than the 2000 widescreen released version.

I am disappointed in the Special Features. Why? For one reason, it does not include Rick Moranis. He is mentioned but is not interviewed at all how can Mel not include Dark Helmet! In addition, you will not find any behind-the-scenes coverage (other than still photos) such as those found on the 2000 DVD release. Mel did not include any deleted scenes or bloopers (no, the film flubs don't count). However, there is a well-produced 29 minute documentary that includes the other main actors and crew members. You will learn that the actors and crew members had more laughs making this movie than the audience had watching it. If this is true, Mel should have included some of those comical moments in the Special Features. Also missing on this CE is a featurette about special-effects. The conversation between Mel and co-writer Thomas Meehan is rather boring, but the tribute to comical genius John Candy is commendable, touching, and about time.

The CE is a 2-disc DVD set. It is a shame that MGM and Mel could not/would not include more about this classic comedy. Overall I give the CE version a 3/5. The movie gets 4/5!

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Following the multi-million-dollar success that George Lucas enjoyed with his original "Star Wars" trilogy of films released in 1977, 1980 and 1983, comedic actor/writer/director Mel Brooks was inspired to create one of his most outlandish films in 1987 entitled "Spaceballs". The film begins on the dark planet of Spaceball, which no longer has a breathable atmosphere. There, President Skroob (Mel Brooks) wants to steal another planet's atmosphere and transport it back to planet Spaceball, so he orders Colonel Sandurz (George Wyner) and Dark Helmet (Rick Moranis spoofing "Darth Vader") to take a giant military spaceship (much much larger than any of Lucas' spaceships, except for the Deathstar) to planet Druidia to kidnap Princess Vespa (Daphne Zuniga spoofing "Princess Leia") and hold her for ransom. On planet Druidia, Princess Vespa is scheduled to marry the very boring Prince Valium (JM J. Bullock) as arranged by her father, King Roland (Dick Van Patten). However, when Princes Vespa has cold feet, she runs from the Druidic church with her android, Dot Matrix (voice of Joan Rivers spoofing "C3PO"), and takes off from planet Druidia in what was to be her honeymoon spaceship. In space, she is encountered by the giant Spaceball ship, but is rescued by the trader/smuggler Lone Starr (Bill Pullman spoofing "Han Solo") and his sidekick Barfolemew 'Barf' (John Candy, 1950-1994, spoofing "Chewbacca") in a space-worthy Winnebago RV. As with the constant love-hate relationship that Princess Leia and Han Solo had in Lucas' "Star Wars" trilogy, so too do Princess Vespa and Lone Starr have a similar relationship. Along the way though, Lone Starr finds out from a mysterious Yoda-like character named Yogurt (Mel Brooks again) that he's really a prince and sets out to rescue Princess Vespa who had eventually been captured by Dark Helmet. It is from Yogurt that we hear those immortal words, "May the schwartz be with you," spoofing Lucas' creation of the Force in "Star Wars".

With hilarious one-liners, a classic Mel Brooks storyline, good actors and reasonable special effects, "Spaceballs" is a truly funny comedic sci-fi spoof. Rick Moranis' portrayal of Dark Helmet is one of the funniest roles, especially since he can't always keep his visor open. Also funny are George Wyner and Joan Rivers. Overall, I rate "Spaceballs" with 4 out of 5 stars and highly recommend it to anyone that enjoys a great spoof by Mel Brooks, sci-fi and a good laugh. Even product merchandising isn't free of being spoofed by Mel Brooks in this hilarious film.

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Get Smart (2008)

Get SmartBefore I watched this film, I read the reviews of the press and most of them weren't great. I am unfortunately one of those guys who will put himself off watching it because of those bad reviews. I'm gutted I did as this film was simply the personification of brilliance from start to finish. It's slick, stylish and downright comic excellence. Even for a film like this, the special effect and general action would put even James Bond to shame. It's exciting, quite emotional at times, cool at others and just downright silly at the times that are left.

Steve Carell plays Maxwell Smart, a secret agent who desperately wants to get on the field. The government agency he works for known only as CONTROL are infiltrated by an evil agency known as KAOS which compromises the identities of all the current field agents. So in order to battle this force and still stay a secret, the chief of CONTROL puts smart on the field and assigns him the title of agent 86 partnering him with the much more experienced Agent 99 (Anne Hathaway). Max looks up to his close friend and one of the best agents on the field, Agent 23 (Dwayne Johnson). He is the James Bond of CONTROL and it's no surprise that Max wants to be so much like him.

This is just a really light hearted and fast paced film. I guess it could just be labelled a comedy, but that would just ignore the other great aspects of the film. The action is done really well and isn't the tacky type comedy we have come to associate comedy movies when they feature action. Some of the sequences are genuinely unique and truly edge of your seat. The chemistry between Hathaway and Carell is great and one scene in particular expresses the comedic chemistry between the two. The laser room scene which is somewhat of a cliché for spy movies is superb in this.

Carell is the usual silly guy we have come to know and love, his ridiculous expressions and perfected comic timing are all present. It's also very pleasant to see the wonderful Anne Hathaway in a leading role where she isn't the damzel in distress, or the naive teenager. The Bill Murray cameo is also something quite special as agent 13, he's only there for a moment and has about three lines but it's always great to see Bill Murray on our screens. It also seems quite a wrestler fest as well, obviously with the inclusion of Dwayne Johnson as agent 23 but also WWEs The Great Khali as the cliché middle eastern, giant bad guy. Johnson doesn't take his character too seriously, which is something he always manages to shine in playing but manages to pull out the acting stops when he has to enter into the action man role.

An awesome movie all round and is definitely worth it just for the sky diving scene and the laser room.

This film is the first I'd seen in YEARS where I actually laughed often during the entire film! Steve Carell is a fitting Maxwell Smart, bringing the personality and humor the character requires. (I'd been a fan of the old tv series, watching re-runs on Nick at Nite.) He's really the only man for the job that I could even picture in the role. And Anne Hathaway steals the show as the beautiful Agent 99. Anne and Steve compliment each other in every scene with hilarious, witty dialogue and facial expressions that only they can do. The Rock was also awesome as Agent 23. And Alan Arkin is surprisingly side-splitting as the Chief! I laughed at everything he did/said! SEE THIS FILM.

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I don't go to very many movies at the theater, usually wait for the DVDs to come out. Get Smart, however, is one movie that I saw twice at the theaters. Laughed my head off both times. Steve Carell plays an excellent Maxwell Smart and Anne Hathaway is great as his beautiful and sexy sidekick. If you remember the TV show you'll love this movie. The nuances connecting the movie to the show will make you smile.

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Hi Folks,

Being a huge fan of the original I missed this in theaters due to negative reviews..it isn't as bad as they made out...and is better than much I've wasted my money on...all that said...the SINGLE DISC version is a much better deal in my opinion..

the 5 bonus features on the second disc of this set..all add up to about 20 minutes!! There isn't a really solid "making of" to be found in this deluxe 2 disc edition. There was no need for a second disc for this skimpy bunch of nothing. The Digital copy is truly the ONLY reason for anyone to buy this version and that is what my review is about. There are plenty of reviews of the movie..but if you don't need the digital copy ..stick with the single disc edition..this bunch of truly nothing isn't worth your money..

OH..I almost forgot the annoying 1st disc special feature with the bonus 62% more "laughs" ...well the reason its annoying is that you can't simply choose this version..(which wouldn't make sense anyway as many of the additional laughs were versions of scenes cut or deleted for ones in the movie so we are seeing alternative versions of funny scenes) but have to have your remote in hand and instead of an icon which shows up on screen the whole picture freezes up and shows you an image of a remote and you then hit enter and see the additional laughs (or additional attempts at laughs)..as if you can even remember where you were in the story after all that ...over and over and over...really not a viewing option for anyone who isn't overly curious to see all the less than stellar bi-product of the production to understand why those "laughs" never made the movie in the first place.

I wish I'd have saved the money and purchased the single disc version.

you have been warned!

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This movie was this summer's TV rerun turned big screen flick. I laughed. I cringed. I held my breath. And, ultimately, I wished I'd listened to my two roommates who saw it opening night and hated it. I thought it was okay, but there were other things I could have done with my time and money.

While most people think the Communist organization KAOS died at the end of the cold war, it really went under ground. So, too, did the US organization devoted to stopping it, CONTROL. Maxwell Smart (Steve Carell) is their top analyst, but he secretly desires to be an agent because they get all the glory. His idol is Agent 23 (Dwayne Johnson), not only the best, but a popular nice guy. But The Chief (Alan Arkin) won't promote Max because his extremely detailed reports are critical to the success of the agency.

All that changes when KAOS manages to attack CONTROL's main office. With all their agents' identities exposed, Max has to team up with Agent 99 (Anne Hathaway) to discover KAOS' plan. But Agent 99 is less than thrilled to be working with an obvious rookie who is a bit of a spaz. Can the two stay alive long enough for CONTOL to gain ... well, control?

Fans of the original show will see glimpses of what they loved here, including some of the outdated gadgets that were cutting edge for the 60's. Steve Carell and Anne Hathaway do a good job of making the characters their own while also recalling the originals. And the rest of the cast is entertaining in their parts.

But while the original was a sitcom, this is an action comedy. The plot was fairly predictable, but I certainly got caught up in it and was holding my breath for the climax.

There was still humor here. Some of Max's antics were funny, but I found too much of it stemmed from bathroom humor and sexual situations for my tastes. These were what earned the movie its well deserved PG-13. The funniest bits went to the two gadget geeks, Lloyd and Bruce, and the agents who were reduced to being analysts. If the movie had had more of them, I would have enjoyed it more.

Then there's the message the film is trying to send out. I think it might have been trying to skewer both sides of the political spectrum. But if that's the case, it didn't work. Instead, I was left confused about what it was trying to say. I've got to say, however, that one line the villain has related to all this got the loudest laugh from me.

I wish I enjoyed all of this movie because I enjoyed most of the film. But for me, the sex jokes and bathroom humor made me wish I hadn't seen it.

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