Showing posts with label new comedy movies 2011. Show all posts
Showing posts with label new comedy movies 2011. Show all posts

Someone's Knocking at the Door (2010)

Someone's Knocking at the DoorThis just isn't fair. There are certain parameters, guidelines, preconceived notions, or understood rules that any sensible polite filmmaker should adhere to. Psycho stud director Chad Ferrin (Easter Bunny Kill! Kill!) goes on a bareback'n mental rampage by violating both eye sockets and pummeling your ear canal with this disgustingly bizarre nightmare of a film, Someone's Knocking at the Door. For all you cute kids that enjoyed Zombieland or Shaun of the Dead, I'd think twice before you come walking in this neighborhood. For all you so-called seasoned gorehounds, go ahead and answer the door but be prepared to mentally grab your ankles.

Follow, if you dare, the drug-induced delirium of a group of med students that cross the line of reality and have their equilibrium shattered into tiny little worthless pieces. They all become targets for a couple of deranged serial rapists/murderers that somehow have returned from the 70's. Time to party, and it's BYOB (Bring Your Own Blood).

WARNING--Being horrificly raped to death is no way to go.

Someone's Knocking at the Door is a grindhouse throwback, a surreal headtrip that sets new standards for cinematic psychosis. It's one brutal, dirty, mind-infesting pathogen transferring sick elements of dark comedy, sex, flesh, blood, gore, super schlong nightmarish profanity insanity deep inside your vulnerable little wacked-out brains. Be careful.

It's funny cause it's true.

When I bought this film there was only two existing reviews, and both of those reviewers had rated it 5 stars and where raving about it. I thought that maybe this might be a modern exploitation gem. A day or so after I had already purchased the feature online I noticed that the 5 star rating that it once had, had suddenly and dramatically dropped sharply. Now there was four reviews about this film, only now these next two reviewers where rating it 1 star and warning people to stay away from it, while calling it a peice of dreck. If only I had waited an extra day or two, then I might of done the smart thing and researched this film a bit further before I committed to buying it. Still, it is pretty funny when you make a mistake of this kind in which there is a lesson to be learned about being too impulsive. Now I found myself stuck waiting for this product to arrive on my doorstep just to see which set of reviewers where going to be right. I guess at the very least, there was still some hope remaining at this point.

Well, I'm very sad to report to you, that all that remaining hope had melted away like a glob of icecream in a hot gutter, once the DVD did arrive, and I put it in the tray and pushed play.

What I will never understand about modern low budget exploitation movie makers is their complete utter lack of common sense. It just seems so obvious to me that if you want to make an exploitation film that actually works, and you don't have much of a budget or a professional production team backing you up, then you need to keep the story as concise and simple as possible. Some zany screw ball idea about some duel sexed wacky door to door demon with a huge wee wee that rapes MEN in the rear end over a pop song sound track, is only good for pointing your finger at and teasing. Worse still, is the waiting in between these corny assaults. It is then that you are stuck listening to the banter of a pack of unlikable next victim idiots who can't act, and are reading the dialogue of a person who can't write. This film doesn't fallow a blue print for success, it only fallows a blue print to expose every single weakness of its amateur production team.

Shades of Evil Dead and The Shining. No shades of glory.

Basically you have these young med students who horse play with a bad drug and this evil arcane taped hypnosis session that one of them had found in some corner of the med school warehouse. This taped session is like the translation tapes in Evil Dead that invoke demons when you play it. In this case, a mad doctor seemed to have accidentally conjured up Satan and got two of his patients, ( a man and a women ) possessed in the process. At least I think they where patients of his, they sure looked crazy, but it's hard to tell. My mind body and soul where already checked out of this stink bomb by this point. So now, after this arcane taped session gets played, this door to door silly Satan shows up as a naked chick and starts to make out with one of the unlikable male next victim idiots who can't act, and then like the pretty naked woman in room 239 of The Shining who before your eyes, turns into an old fossil covered in pizza cheese, our silly Satan turns into the male mental patient from the said arcane evil tape session, only now he is sporting a giant rubber willy. So, as the silly Satan attacks and chases people down freshly mopped hallways, the director plays one of his personal favorite pop songs as the back ground soundtrack rather then something that would of been actually menacing to back up the action. That's it in a nut shell, that's the high jinks you will be getting if you buy this DVD. A man raping another man like it is some prison shower scene. It's like falling asleep and waking up a moment later only to find yourself in the pokey.

The question is, now that I own this DVD, what do I use if for. I sure as heck won't be watching it again. I suppose if I find a short leg on a piece of furnature in my house, I can use this DVD to prop it up and even it out. Then again, this DVD is so absolutely wretched that maybe I should just break out the saw and get it over with by shorting a leg on something myself. I can always do what I did with the Sick Girl DVD that I wanted to get rid of last year, and stuff it into one of my coworkers stockings at Christmas time. The problem with that idea is, is that I don't know anyone who's been naughty enough all year round to deserve having to sit through this monstrosity. Maybe I will take the title of this DVD to heart, and turn it into a ninja star just in case someone creepy ends up knocking on my door. All I can tell you is that if you want to see a low budget oddity that is actually a good watch, then get a copy of Evil Aliens. And if you want to get a modern grizzly low budget exploitation shocker that doesn't mess around and delivers the goods, then find yourself the South American gem I'll Never Die Alone. If you do anything else in life, stay clear of this loser, it's not worth the price of the disc that it's printed on.

This has been a Krakatoa 1883 public service announcement.

Buy Someone's Knocking at the Door (2010) Now

I gave this one 2/5 because it does have some original ideas, otherwise I would have given it lower. The movie has a great idea going...it's just not implemented well...or should I say, in a horror fashion. I know a lot of people in reviews like to say "the ideas weren't implemented well" but that's really the only thing I could think. Bulbous, protruding phallus members belonging to homicidal maniacs? Bring it on, I said. Unfortunately, this one has the vulgarity and nudity typical to most of my favorite horror movies, but not enough gore and too many alterations to make the reader try to feel the effects of whatever drugs these kids were on. So, while the film didn't "bring it on," per se, it'll definitely be one I'll be thinking about in the near future...so I'll know what to avoid.

Read Best Reviews of Someone's Knocking at the Door (2010) Here

Its funny just beacuase a director puts out a film that everyone in the genre loves (Easter bunny kill kill) then they think all of a sudden the guys a genius and everything he does is gold, I thought easter bunny was ok but it wasnt great, and it sickens me that directors like this get so much praise, i mean this movies about a mutated penis creature that haunts dreams it has no class, you may like this movie if you like penis..? but as a horror fan raised on Vincent price ect id appreciate that if someone is to be praised i dont have to see monster peninses in their films..This is John waters class.

Want Someone's Knocking at the Door (2010) Discount?

This falls into the "rubber reality" category which I tend to like. "The Machinist", "The Jacket" and "Stay" are amongst my favorite movies, but this outing is terrible. It is one of the ugliest, most stupid, most mean spirited movies I've ever seen. Had it clocked in at one second more than its 78 minute running time I might have ended up sticking knitting needles through my eyes.

The story revolves around a close knit group of college students. All but one takes a particular drug used in some infamous psychology experiment that went south. Weird things happen and people start dieing.

This is gruesome and depraved. These are some of the most unlikeable people I've ever seen in film. Why would anyone want to watch a movie where only one character is even mildly likable. They are almost all terrible actors as well. The one actor playing Sebastian is the best of the bunch but he's such a disgusting individual I didn't care. And then there's Vernon Wells. He was one of the chief bad guys in "Road Warrior". Now, when he's your "draw" name in a movie, and you can only afford him for two scenes, you know you're in deep kimchi.

Unless you're an extreme masochist I wouldn't bother with this one.

Save 45% Off

Le Havre (The Criterion Collection) (2011)

Le HavreIn 1992 Finnish director Aki Kaurismäki made his first French movie, "La Vie de Bohème", and now almost 20 years later he returns with a second French-language movie.

"Le Havre" (93 min.) centers around the ordinary lives of people like Marcel Marx (which character incidentally also appears in La Vie de Boheme and where he also was played by André Wilms). Marx tries to get by as a shoe-shiner, but life is hard. The house he and his wife Arletty have is modest at best. Then one day a group of illegal immigrants from Gabon are found in a container waiting to be shipped to London. A teenage boy manages to escape the police and eventually the boy and Marcel Marx link up. I don't want to spoil the plot any further than this, you'll just have to see how it all plays out for yourself.

This is not an "action" movie. Instead, it observes the ordinary lives of ordinary people, and in addition it is a love note of sorts to the city of Le Havre, which, like the characters in this movie, has seen better days but remains resilient. This movie was very well received at the 2011 Cannes Film Festival, and it is easy to see why. The acting is superb throughout, none better than by lead actor André Wilms. I enjoyed this movie from start to finish, but obviously this is not for anyone in a hurry or looking for the next Harry Potter franchise. Highly recommended!

Director Kaurismäki has created a story that is appealing as you watch it, but whose images and motifs will linger with you for days after you see it. His use of colour and lighting makes this visually alluring and his choices in casting have given him a pallet of wonderful faces to explore in his artistic manner. I had the impression at times of seeing a series of paintings of the Old Masters in an Art Gallery.In addition, there is a gentleness and a timelessness about this film which lifts it beyond the confines of its plot and setting. As other reviewers have stated this is not an action film as its plot is neither frenetic, nor full of the normal thrills many movie goers seek in such films.Another strength of this film is the strong acting from all members of the cast. There is a wonderful French feel about this film and many of the shots of the port city are quite lovely. I highly recommend it to those who are seeking more than simple entertainment and who would like to have a beautiful artistic experience.

Buy Le Havre (The Criterion Collection) (2011) Now

Criterion has done another great job rescuing a little seen gem from Finnish director Aki Kaurismaki. Set on the French coastal port of Le Havre, an aging Marcel (Andre Wilms) ekes out a living on the street as a shoe shiner. He lives in a small apartment in a poor neighborhood with several small markets nearby.

A cargo ship unloads a container ultimately headed for London. Authorities discover it contains 20 or so people from North Africa. One teen age boy (Blondin Miguel) manages to get away and finds his way to Marcel while he is having his lunch. Marcel shelters and feeds the boy even though he worries about the authorities ultimately catching him and deporting him back to Africa. He also has to contend with his wife (Kati Outinen) who is in the hospital for what appears to be stomach cancer. Her prognosis is grim but she hides the probable outcome from Marcel.

Using his sympathetic neighbors and an unlikely police detective (Jean-Pierre Darroussin) for support, Marcel finds out that young Idrissa was enroute to London to reunite with his mother. He manages to get a neighbor and former headliner rock musician Little Bob to hold a fund raiser in order to pay to have the boy smuggled into England. Kaurismaki, who also wrote the script, never plays this too serious. But it's not a comedy either. You really have to think of it more as a fantasy. And a good one it is. The film ends with an unexpected surprise. Check it out.

Read Best Reviews of Le Havre (The Criterion Collection) (2011) Here

This film shows the best of the 'heart' of the French people under the onslaught of African immigration. It is both beautiful in its atmospheric cinematography and classically well-acted as well. A humble man with a very sick wife has the chance to rescue a wonderful young boy. Well...the wife is too sick to know anything about what happens... but in this script her husband is superb in his humanity. This is so different than the 'hip' and 'cynical' French films we are used to admiring! I can't believe how often I plan to use 'superb' in this review. The cinematographyand the sets are as evocative as any Francophile could wish. The characters are 'true to life', not the least because this is a French film for a French audience. The ensemble is beautiful, marvelous and genuinely heart-warming. I have rarely seen a film as worthy of viewing as is this one.

Want Le Havre (The Criterion Collection) (2011) Discount?

The story of Finnish director Aki Kaurismäki's latest work takes place in Le Havre, a port city in north-western France. A former Bohemian artist Marcel Marx (Andre Wilms) makes a living as a shoeshine with his Vietnamese assistance Chang (Quoc Dung Nguyen). He may not be rich, but with his loving wife Arletty (Kati Outinen) his life is not bad.

One day Marcel meets Idrissa (Blondin Miguel), a young refugee boy from Gabon running away from the police. While Marcel decides to raise money so that the boy can meet his mother in London, Arletty, ill and now in the hospital, conceals a fact that she knows would shock her husband.

The theme of "Le Havre" overlaps that of a 2009 French film "Welcome," but Kaurismäki's approach is less political, focusing the everyday life of ordinary people, described with Kaurismäki's deadpan humor/sentimentality. Kaurismäki's longtime photographer Timo Salminen's careful use of muted colors is another plus, adding a realistic touch to the modern-day fable.

André Wilms (who 20 years ago played "Marcel," a down-and-out artist in Paris in Kaurismäki's "La Vie de Bohème") turns in quiet and understated performance as the aged shoe shiner determined to do something for the boy. Kati Outinen, the director's muse since the 1980s, is also outstanding as the protagonist's ailing wife, and so is Jean-Pierre Darroussin as Monet, softer version of Inspector Javert trying to catch the boy.

I like the film for its positive, life-affirming message, though I for one prefer such films as "The Man without a Past" and "Ariel," in which darker events happen and characters have to struggle more. Perhaps with an exception of cameo Jean-Pierre Léaud, there is no "villain" in "Le Havre," which marks a new phase in the respected director's long career.

Save 37% Off

Harold & Kumar Go to White Castle (Extreme Unrated) (2008)

Harold & Kumar Go to White CastleI just got through watching this movie and I have to say that "Harold and Kumar Go to White Castle" is one of the greatest films ever made. You read that right. There have been other reviews on this site comparing "Harold and Kumar" to Cheech and Chong films, "American Pie", etc. All those people miss the point. Yes, this movie is about young people and, yes, this movie is about stoners, but, strictly speaking, those things are incidental. "Harold and Kumar Go to White Castle" is a classic and this movie is a classic because this movie "gets it"; it "gets it" like no other movie in the history of filmdom has ever gotten it. From the moment these two brilliant potheads see an advertisment on TV for White Castle they are on a quest, a quest for burgers. They go through a series of escapades involving racist cops, stolen marijuana, jailbreaks, junkyard freaks, Doogie Howser stealing Harold's car and so on and so on, each episode more insane than the last and everything screamingly funny. And through it all they persevere because they're on a quest. You see, "Harold and Kumar" is unique in the history of film because it understands that the point of cruising ... is cruising itself!!!! In what other country in the world can you hop onto an Interstate and then, 45 minutes later, you can buy these cheap little burgers with the little onions on them, 6 for $2.99 plus fries and a soda? Only in America!!! That's what the American Dream is all about: White Castle Burgers!!!! The point of the journey ... is the journey itself. There is so much sage wisdom in this movie: that "the universe has a tendency to balance itself out" (not unlike the Hindu principle of Karmic realignment?), that what a man wants is that feeling of satisfaction when he gets what he most desires (said by Harold while observing their two Jewish friends fulfilling their own quest at Hot Dog Heaven) or Kumar's observation that their parents came to this country because they were poor and oppressed ... and hungry. I'm not Asian, and I couldn't care less if Harold is Korean and Kumar is Indian; personally, I found Harold and Kumar to be two of the most quintessentially American characters I've ever encountered in a movie. And that's the genius of this film: this movie realizes that being an American isn't about race or ethnicity: being an American is a state of mind. I truly believe "Harold an Kumar Go to White Castle" will go down as one of the classics of cinema. And, no, I was not stoned when I wrote this.

Although I liked the movie (enough to buy the DVD), I was not expecting the hilarity of the menu screens. In case it hasn't been mentioned much already, there was actually new content filmed for the DVD menus, specifically the Main menu and the Special Features menu. The Main DVD menu, has Harold and Kumar sitting in the car, driving. The sequence appears to repeat every minute or so, but in fact, the first 10 or so sequences are not repeats! They even end up arguing over why the DVD watcher hasn't picked any menu choices yet, and that it's not that hard to do. Very funny stuff, and an excellent addition to the movie.

The second menu, the Special Features menu, has Harold and Kumar in the car after going over the embankment. The car won't start, and Kumar keeps trying it, and trying it, for probably up to 10 minutes or so. All throughout it, he's talking and trying to get Harold to respond. They eventually try to get some sleep, in the car.

All in all, very funny stuff... Enjoy the movie, but don't forget to sit through those two menus! They are one of the most interesting and innovative ideas I've seen on a DVD in some time.

Buy Harold & Kumar Go to White Castle (Extreme Unrated) (2008) Now

Every once in awhile, a person becomes witness to a movie with no real point, but rather is driven by its dialogue and the characters within the film. A vast number of these movies fall into the comedy genre, because if a movie is funny, it doesn't require a powerful plot, but it anchors on the humor it expresses. Harold and Kumar Go to White Castle is one of these movies. And, I believe it to be a success at what it attempts. Like Fast Times at Ridgemont High, Dazed and Confused, and Fear and Loathing in Las Vegas, this movie will become a modern stoner classic, but I feel it can be enjoyed by a vast number of viewers; this movie was downright funny.

Harold and Kumar Go to White Castle is the hilarious tale about the two title characters Harold (John Cho) and Kumar (Kal Penn). In fact, the entire movie's plot is in the title. These two stoners get the munchies one night, and while debating what to eat, see a television commercial for the one place that seems to hit the spot and satisfy all of their cravings and desires: White Castle. After this, the film is nothing but our hilarious heroes coming across a wild amount of mishaps and numerous funny situations. The film even has a hilarious cameo by Neil Patrick Harris, whom many of us know as Doogie Houser M.D., playing himself all messed up on ecstasy. This movie is a d**n good time.

At first, I was very skeptical about this movie. I mean, it looked funny, but I still wasn't sure. I kind of got the same vibe for this as I did for Dude, Where's My Car?, and that turned out awful. It is strange too, because this movie happened to be directed by the same guy as Dude, Where's My Car?: Danny Leiner. However, this time, Leiner hit the genre on the head, creating a comical success. Maybe it was the R rating. I recall thinking back to Dude, Where's My Car?, knowing how bad it sucked. Could some of that badness have been erased, had an R rating opened up more possibilities for crude humor? I think the answer to that question is yes, and it is evident in Harold and Kumar Go to White Castle.

John Cho and Kal Penn carry this movie very well. I had seen John Cho in the American Pie movies before, but I never got around to seeing Van Wilder with Kal Penn. Either way, this is the first starring role movie for both of these guys or I think they did wonders with it. They have great onscreen chemistry and provide some really great dialogue exchanges. The rest of the acting was good too. Neil Patrick Harris was hilarious as himself and there were numerous other good performances, including Anthony Anderson, playing a Burger Shack Employee who delivers a monologue about why Harold and Kumar should go to White Castle.

The soundtrack is also worth noting. A lot of the songs fit well, and I especially enjoyed a sequence where Harold and Kumar just let loose and start singing this soft song from 1991. It really is funny.

Overall, I was very pleased with my experience seeing this picture. Of course, I was with three friends, which always helps the comedic experience. Call me crazy, but if at some parts where you aren't laughing and your friend does, you might catch the humor and join in. So it's a good buddy flick to see. Of course, the plot is thin (if any plot at all), but who needs plot? This is just a movie about two stoners and their misadventures along the way of finding a White Castle. Harold and Kumar Go to White Castle is very simple and very fun. Recommended.

we take review movies seriously and with an attitude, but not a serious attitude.

Read Best Reviews of Harold & Kumar Go to White Castle (Extreme Unrated) (2008) Here

It seems like a lot of people are saying this is a comedy about nothing, or that it's just a road movie. It's more than that: It's a really good road movie, it's very funny, and it adds to a tradition that includes both Huckleberry Finn and The Heart of Darkness. It's stinging social commentary.

Harold and Kumar are both upwardly mobile second-generation Americans of immigrant parents. They're fighting against type in a world of stereotypes--Harold struggles not to be the number-loving, quiet asian and Kumar avoids the med-school path of his father and older brother. And yet, that's where they find they have placed themselves. Harold is an investment banker and Kumar is a skilled doctor despite his reluctance to go to medical school. They spend their free time getting high and laughing at antidrug commercials. On weekends they allow themselves to rebel comfortably, but it's clear they are dependent upon the rewards of following society's script--they share a nice apartment, they have other good friends (stereotypes, all), a love interest of color, and they travel in a new car toward their ultimate goal of eating several tiny hamburgers.

But when they leave the safety of their multicultural civic center and venture into the hinterlands of the American countryside, they fully begin their odyssey through the strata of the American class pyramid. Above them are the wealthy gatekeepers, like Harold's bullying preppy co-workers and Kumar's med school admissions dean. Below them are the embittered whites who feel like they are losing opportunities one after another, and further below are the imigrants and blacks who must suffer daily at the hands of this anger.

The comedy comes from the clashing of stereotypes, in how they are all simultaneously true and false. The "extreme" mountain dew guys who are sold as he-men with surplus bravado are outed here as being also nihilistic zombie bullies. NPH turns out to be a self-absorbed, self-destructive star on his way to supernova. The horribly disfigured rural white "Freakshow" turns out not to be a psychotic sex killer but rather just a garden-variety pervert (and their modern take on the old traveling salesman joke pushes against the heartland's rep as the home of family values). The one-note cops, however, only get to sell the white anger.

What's most interesting about the movie is how H&K react to the plight of blacks and immigrants. They recognize their lower-class dopplegangers walking together down a dark sidewalk and watch passively as those stand-ins get jumped and beaten to a pulp. The scene is played for a laugh (and laughing is appropriate in a comedy), but it's also the first defining moment in their journey. Do they call the police? An ambulance? Stop the car and help the poor guys? No. They drive on.

There are plenty of run-ins. They're witness to the extreme dudes ruining the immigrant's store, and they're powerless to stop it. They're not from here, you see, they're just stopping for gas, they can't get involved, they can't help. Sorry. They can't upset the order that rewards them so well. Likewise, the extreme dudes let them pass because hurting them would in and of itself upset that same order and rouse Johnny Law. The immigrant owner pleads to Harold and Kumar with his eyes, but it's as if the extreme leader tells them straight on: Look, you're powerless to stop this and so am I. Basically, "Forget it Jake, it's Chinatown" or if you'd rather, it's the Matrix.

When Harold gets to jail, we meet a black buddah who has come to enlightenment as much through book-learning as from night-stick blows. Incredibly, he tells them they can't change the world and that they should essentially turn the other cheek. And when the prisoner is again abused in their presence, they gladly accept the advice of another black prisoner. "If I were you," he tells them, "I would get the hell out of here." He might as well have said, "If I were of your class, I would get the hell out of here."

And they do. They realize, and become grateful for, their status in society, they 'live and let live', and they trust that their universe--the deus ex machina of this story--will resolve things comically before the credits. By supporting the system, they are amply rewarded.

Near the climax, Kumar delivers a patriotic speech that salutes America not as the land of opportunity, but of consumer choice--the last tangible measure of our collective freedom (much as a 'social safety net' and 'access to health care' used to be). The boys make it to White Castle, and there they gorge themselves in a commercial ritual of assimilation. In an absurd gesture of quantity over quality, manufacturing over cooking, flavor over nutrition, and form over function, they each eat dozens of tiny hamburger "sliders" as they slide further into the melting pot.

It's hard to divine a moral to this story beyond, "Nothing is as it should be, but everything is as it is." I can believe that Hollywood would create and disseminate that message, but this movie was conspicuously too smart and too countercultural to deliver that GOP payload. I've been thinking about it for days and I just can't figure it out.

Want Harold & Kumar Go to White Castle (Extreme Unrated) (2008) Discount?

We have all known that feeling: wanting a particular meal, unwilling to rest until we get it. Those of us who attended college will attest to the fact that after you smoke, a certain urge will soon overtake you. An urge to gorge yourself on some random food that may otherwise disgust you. Harold and Kumar are overtaken by this feeling and they are willing to do whatever it takes to get that food (in this case, White Castle) into their stomachs.

During their quest, they encounter a host of hilarious characters. Their neighborsGoldstein & Rosenberg, the Xtreme crew, Brad the business-suave hippie, the taco-sh** girls, Freakshow, the racist cop, Tarik the cellmate, Doogie Howser! Neil Patrick Harris makes one of the funniest cameo appearances I've ever seen. It will completely ruin any innocent memories you may have had about Doogie, the boy doctor.

I thought this movie was hilarious... The story is almost arbitrary, as the characters are so funny, it wouldn't really matter what the point of the movie was. It's also cool that it all takes place along the New Jersey Turnpike, because I actually went to school along the same stretch of road. New Jersey residents will have an added appreciation for the adventure for that reason. But, whatever state you live in, you should be able to relate to aspects of both characters' personalities. Harold is responsible and "grown-up", while Kumar is a free spirit who doesn't seem to give a damn about anything. They make for a very funny pairing, even though we've all seen it before.

There is a ton of great bonus material on this DVD edition. The extended/deleted scenes are awesome and the featurettes and interviews are also entertaining. It's worth checking it all out, most definitely.

Highly recommended for those who enjoy ridiculous and filthy humor.

Save 37% Off

Sixteen Candles (Universal 100th Anniversary Blu-ray/DVD Combo + Digital Copy) (1984)

Sixteen CandlesSoundtrack Issues

In the first DVD release of Sixteen Candles, several of the songs from the original soundtrack were missing due to licensing rights. For anyone looking for a version of the movie with the original soundtrack, get the "High School Reunion Collection" (released in 2003). This is the version I own and it has all of the original songs in it. I believe the "Flashback Edition" (released in 2008) also has the original songs, but I cannot verify that. The original release (released in 1998) has no special heading/title and is the version with several missing songs.

MPAA Rating Controversy

As far as the "PG" rating, do not buy this movie thinking you are going to enjoy introducing your young kids to a great 80's throwback. Prior to buying this movie, I had only seen it on TV. I assumed that the edited TV version was similar to the unedited movie because of the "PG" rating. As it turns out, Sixteen Candles came out in May, 1984, 2 months before the "PG-13" rating was implemented. So at the time, movies were either rated "G", "PG", or "R". Sixteen Candles was originally going to be rated "R", but prior to release, just enough F-bombs were edited out to make the "PG" cut and reach the targeted teenage audience. This is NOT equivelant to a modern day "PG" film. There are still at least 2 F-bombs in the movie as well as several more S-words, A-words, slanders to sexual orientation, and other explicit language. There are also underage drinking, sexual innuendo, and a shower scene with blatant up close nudity.

Summary

In short, this is a great classic 80s movie worth owning with the understanding that it should be considered a "PG-13" movie that just missed being a rated "R" movie, as would have been the case if it were released just a few months later than it was. For purists, get the "High School Reunion Collection" to experience the movie with the original soundtrack as it was intended.

This is one of my all time favorite movies, and I bought this video because my old copy had worn out. After watching 10 minutes of the new copy, I felt physically ill. The entire soundtrack's been changed! No "Love of the Common People", no "Happy Birthday". I couldn't watch any further. Some moron has butchered this film, and I'd return this copy if I could. If you've never seen the original version of this film then go ahead and buy it because the actual film is great and you won't notice the difference in the music. But to anyone who has seen it before, find an original copy. Watching this version will make you sick.

Buy Sixteen Candles (Universal 100th Anniversary Blu-ray/DVD Combo + Digital Copy) (1984) Now

Sixteen Candles takes place basically over the course of one day when a family forgets the sweet sixteenth birthday of a girl amid the preparations for the oldest daughter's wedding. The sixteen year old is played by the 80's teen queen Molly Ringwald. It was the movie that helped her gain that title and is the best of her career. She plays the role of Samantha Baker with ease and charm. We feel all her range of emotions from the hurt of being forgotten to the longing she feels for a boy, Jake Ryan, who she has a major crush on but doesn't think he knows that she's alive. Little does Samantha know that Jake wants to meet her and the movie goes through a series of near misses between the two. Anthony Michael Hall plays "The Geek" who is constantly hitting on Samantha. He acts like he is a man of the world, but really is full of hot air. Mr. Hall is extremely funny and the scene where he gives Jake advice on women and eventually drives the prom queen home in Jake's father's Roll Royce are priceless. Both sets of Samantha's grandparents are funny, one set are the worriers and the other the carefree sort. Gedde Wannabe is funny as an exchange student who comes with one of the grandparents. He does take the Asian stereotypes to the max but he comes across with a nice degree of charm. John and Joan Cusack show up in bit parts and the movie has a great soundtrack. The Thompson Twins' "Wish You Were Here" perfectly frames the ending scene where Jake and Samantha finally hook up. Sixteen Candles was the directorial debut of John Hughes and set the stage for the Brat Pack movies that would be the dominant teen movies of the 80's. Unlike his other movies like The Breakfast Club, Pretty In Pink or Some Kind Of Wonderful, Sixteen Candles isn't full of teen angst, self-examination and skepticism that the others are. It is a charming look at the life of a teenager that seems to be the most real.

Read Best Reviews of Sixteen Candles (Universal 100th Anniversary Blu-ray/DVD Combo + Digital Copy) (1984) Here

Sixteen Candles takes place basically over the course of one day when a family forgets the sweet sixteenth birthday of one daughter amid the preparations for the oldest daughter's wedding. The sixteen year old is played by the 80's teen queen Molly Ringwald. It was the movie that helped her gain that title and is the best of her career. She plays the role of Samantha Baker with ease and charm. We feel all her range of emotions from the hurt of being forgotten to the longing she feels for a boy, Jake Ryan, who she has a major crush on but doesn't think he knows that she's alive. Little does Samantha know that Jake wants to meet her and the movie goes through a series of near misses between the two. Anthony Michael Hall plays "The Geek" who is constantly hitting on Samantha. He acts like he is a man of the world, but really is full of hot air. Mr. Hall is extremely funny and the scenes where he gives Jake advice on women and eventually drives the prom queen home in Jake's father's Roll Royce are priceless. Both sets of Samantha's grandparents are funny, one set are the worriers and the other the carefree sort. Gedde Wannabe is funny as an exchange student who comes with one of the grandparents. He does take the Asian stereotypes to the max but he comes across with a nice degree of charm. John and Joan Cusack show up in bit parts and the movie has a great soundtrack. The Thompson Twins' "Wish You Were Here" perfectly frames the ending scene where Jake and Samantha finally hook up. Sixteen Candles was the directorial debut of John Hughes and set the stage for the Brat Pack movies that would be the dominant teen movies of the 80's. Unlike his other movies like The Breakfast Club, Pretty In Pink or Some Kind Of Wonderful, Sixteen Candles isn't full of teen angst, self-examination and skepticism that the others are. It is a charming look at the life of a teenager that seems to actually be real. The new version restores the original soundtrack and improves the sound somewhat, but compared with most digitally remastered dvd's, this one isn't quite up to par. It is definately an improvement over the original dvd version and since the first one has long been out of print, it is worthwhile just to have it back in circulation.

Want Sixteen Candles (Universal 100th Anniversary Blu-ray/DVD Combo + Digital Copy) (1984) Discount?

During the 80s, many of us had seen this movie about a hundred times. Either on cable or renting it. So we KNOW the music, we know which songs come when.

Unfortunately this DVD does not have the same music..some of it has even been removed entirely (like the scene where everyone is getting into their cars to get to the wedding).

Until a special edition comes out with all the original music, I'd definitely skip this one!

Scary Movie 1-3 (2011)

Scary Movie 1-3I watched these movies when I was a teenager and I liked them. I thought they were funny movies. Anyway, going to the product itself:

This is a decent purchase for anyone who wants to have three movies for the value of one. You get 3 Blu rays inside one blu ray case. The video transfer of the first movie is horrendous. The other two movies are acceptable.

If you want to demo the power of blu ray to your friends, these movies are not the way to go to impress them. However, if you want to get high and laugh with your friends out of sheer stupidity, this is a highly recommended set.

i love this line of movies,to many parts to say which one is my fav.gotta have em all since this is a good start to that!

Buy Scary Movie 1-3 (2011) Now

We all know this are kind of dumb movies. But, that does not take the fact that they just make us laugh and that is their whole point: TO MAKE US LAUGH. maybe a little maybe a lot. Parodies like these are just to crack up laughing (in my opinion at least) and they serve its purpose greatly by combining 3 movies in high-definition in a single great-price combo for our satisfaction

Read Best Reviews of Scary Movie 1-3 (2011) Here

My daughter, son & I love these movies, they are so hilarious! Plz watch them and then buy them! Love those Wayans

Want Scary Movie 1-3 (2011) Discount?

Haven't watched yet but the fourth would have been a solid addition still number one in spoofs yeah h shorty

Save 18% Off

Easy A (2010)

Easy AIt's easy to like a character, but it isn't often you come across one that you would want to actually be friends with, or maybe even wish you could be like. For me, such a character is Olive Penderghast (Emma Stone), a high-school student from Ojai, California. True, she may only be a fictional character, but she's also the embodiment of personality smart, witty, and affable, yet not so perfect or above it all that she fails to be human. Despite these magnetic qualities, she isn't noticed much by her peers, and she's all but upstaged by her best friend (Aly Michalka), who makes it a point to believe only what she wants to believe instead of actually listening to the truth. Things drastically change for Olive when she gains an infamous reputation as the school floozy, something she didn't start but certainly chose to perpetuate.

Her story is told in "Easy A," which is not only one of the funniest teen comedies of recent memory, but is also one of the most intelligent. Rather than go for obvious lowbrow sex and booze toilet humor, director Will Gluck and writer Bert V. Royal show the temerity to engage the audience with clever dialogue, strong characters, and a plot we can actually care about. It doesn't play down to the audience. If we laugh, it's not because of a vulgar throwaway gag but because of genuinely funny scenarios, many of which are relatable to varying degrees. Perhaps the film is founded on an extraordinary premise, but in my mind, it's a perfectly plausible premise, and the fact that the filmmakers could keep the story grounded while making it entertaining is quite an amazing achievement.

Olive's infamy begins when she lies about having lost her virginity over the weekend to a college student she made up. The lie is overheard by Marianne (Amanda Bynes), a judgmental and pious Little Miss Christian, who proceeds to tell everyone she knows about Olive's indiscretion. Rumors quickly spread. Other students begin to take notice of her, and although she never asked for her newfound reputation, she finds she's appreciating the attention. She's then approached by her gay friend, Brandon (Dan Byrd), who's so tired of being harassed by homophobic bullies that he begs her to pretend to have sex with him. Knowing that no one would believe her if she simply told people about it, Olive drags Brandon to a classmate's party, where they lock themselves in a bedroom and make all the necessary noises. Everyone is fooled.

This includes Marianne and her circle of Christian friends, one of whom boldly suggests that Olive follow the lead of Hester Prynne in "The Scarlett Letter" and mark herself. Not content with doing things half-heartedly, Olive arrives at school the next day wearing a bustier with a red A affixed to the right breast. In due time, she's approached by other boys who want Olive to do for them what she did for Brandon; she agrees to help them all, although she's well aware that the situation is getting out of hand. It's bad enough that they're using her to inflate their egos. Why must they also compensate her with gift certificates and coupons to affordable stores like The Home Depot and Bed Bath and Beyond?

The ads have prepared us to view Olive as a cliché a wisecracking teen who never shows her emotions and flaunts her superior intellect in the form of biting sarcasm and dry wit. But we end up seeing nothing of the sort. Olive is a young woman of considerable depth, jokey on the outside but within harboring needs, hopes, and deep insecurities. They emerge during scenes with the school mascot, Woodchuck Todd (Penn Badgley), the one guy who has known Olive most of her life and sees the person behind the reputation. Through him, she comes to believe that regaining her self-respect depends on tracking down each of the boys she helped and coercing them into telling the truth. This proves far more difficult than she expected. It's just as well; the root of "self-respect" is "self," which is to say no one other than her can turn the situation around.

Other characters, such as Olive's loveably liberal parents (Patricia Clarkson and Stanley Tucci) and her perpetually flustered school principal (Malcolm McDowell), add color to the story, even if they are a bit less three-dimensional and serve mostly as comedy relief. The English teacher, Mr. Griffith (Thomas Hayden Church), is not only as witty and charming as Olive but is also remarkably perceptive; the same cannot be said about Mr. Griffith's estranged wife (Lisa Kudrow), which is ironic since she's the school's guidance counselor. I don't want to reveal too much about this couple. Let it suffice to say that Olive's actions have consequences that extend beyond the limits of the student body.

The film is told as a retrospective, Olive opening the film with a webcam confessional that continuously weaves in and out of the story proper. This is far from an original narrative technique, but Stone's performance and Royal's dialogue elevates it to new heights. Right at the start, we're drawn to this character, and we want to stay near her even after the story has come to an end. Not too many roles have this kind of power. Not too many teen comedies are this well written. "Easy A" is a sweet, sassy, ingenious little movie, one that I hope will not be forgotten ten years from now.

Easy A is the story of Olive, a nobody in high school whose life suddenly goes from silent to scandalous thanks to a cycle of rumours. As her reputation goes from non-existent to total trollop, Olive begins to dress the part, wearing sexy outfits with a crimson "A" embroidered on them (yes, this is Scarlet Letter-status, only without Demi Moore's fake British accent). As she lies to help boost other people's confidence, she starts to learn that just because you're well-known, doesn't mean people like you.

Overall, the story is light and quirky, with enough John Hughes references to satisfy even the biggest Brat Pack lovers. The jokes are fresh, and the cast is excellent, keeping this fairly well-paced film entertaining from start to finish. The cast has excellent chemistry, and the characters all seem to be believable. This is even a film you can watch more than once, and it still hold the same charm and humour.

If you're looking for a fun comedy full of great performances and an ever-so-slightly nostalgic feel, Easy A belongs on your DVD shelf.

Buy Easy A (2010) Now

Easy A (Will Gluck, 2010)

I usually see movies alone, but every once in a while we do the family-movie thing, which generally limits my choices. It usually takes forever to decide on something when we do this, but sometimes it all ends up working out well. This was one of those times. I had some ideas about Easy A going into it that were as wrong as could be; I saw the name (I'd never seen trailers for it) and assumed it was one of those "your classmate dies and everyone gets a good grade" kinds of things. No, and thank heaven for that. It is something much different, and a good deal better than any of those (with the arguable exception of The Curve).

Olive Penderghast (Zombieland's Emma Stone) is your typical invisible high schooler, noticed only by her best friend Rhiannon (Phil of the Future's Alyson Michalka). Things change when Olive, spinning a very tall tale for Rhiannon in the bathroom as an excuse to get out of a camping trip, is overheard by Marianne (Hairspray's Amanda Bynes), the head of the ultra-Christian contingent of the student body, who starts the rumor mill flying. Olive decides to adopt the "if you can't beat 'em" attitude and dressing the part (without ever actually doing anything actually, you know, salacious). All is well and good until she confesses the lie to Brandon (Cougar Town's Dan Byrd), the school's only gay teen, who hatches a plan; since Olive is not only straight, but now seen as a tramp, telling people he's been with her could give his image a makeover, too. She agrees to help, but the consequences are much father-reaching than she could ever have anticipated.

The synopsis doesn't get you anywhere close to the great cast this movie supports. Stanley Tucci and Patricia Clarkson play Olive's parents (Dill and Rosemary, no less), and are the best part about the movie every time they're on the screen. Thomas Haden Church and Lisa Kudrow play a husband-and-wife English teacher and guidance counselor at Olive's high school. Cam Gigandet takes a break from doing below-average horror flicks to take a turn as Marianne's boyfriend, a 22-year-old who's repeating senior year for the fourth time. This is good stuff indeed from a casting perspective, but how's the script? It's hard to believe this is Bert Royal's first feature; this is as sharp and as witty as the John Hughes movies Olive idolizes. (The Quizno's guy, and nice product placement there by the by, is as funny as the ball-waxer in Gutterballs, and that's saying something for a guy who has two lines; for the record it's Rawson Thurber, director of The Mysteries of Pittsburgh.)

Sure, the movie has its problems. It's a teen comedy John Hughes-style, of course it has its problems. There are a number of times when the script could have gone in very interesting directions and instead chose to go the conventional route (especially where Marianne is concerned; she could have been an interesting character, but instead remains a one-dimensional object of audience ridicule), for example. And when did the clause in Patricia Clarkson's contract that required a nude scene in every movie run out? Someone's got to get that renewed. But for all that, it's smart, it's funny, and you should give it a look. *** ½

Read Best Reviews of Easy A (2010) Here

Emma Stone rocks! There are not very many young actresses out there that have such a great style in comedy. Anybody who says that the acting is bad is stuck in the past. There are great teen movies from the 90's but come on its a new era people! Take a look around at the high schools around you! Yes those kids are the future!

Want Easy A (2010) Discount?

I could not have liked this movie more. Great writing, acting, directing, casting. Funny script, well told story. Jeez, I could go on and on. Just buy this movie, you will be very happy you did :)

Save 60% Off

Dave (2012)

DaveThis movie is one of those gems that quietly grows on you -each viewing creating anticipation and appreciation for its wit and style. The casting is superb. Kevin Kline doesn't know how to give a bad performance. Frank Langella's brilliant characterization of the ambitious, power-hungry 'man behind the throne' is perfect, and a wonderful contrast to his long-ago role as the cad/seducer in Diary of a Mad Housewife.

This is definitely a movie to buy because it needs to be seen many times. The innumerable funny pearls in this movie alone are worth the price of the DVD. For Minnesotans, one of the slyest gags was Dave's gig early in the moview, imitating the President at the grand opening of Durenberger Motors in his home town. The movie was released around the time that David Durenberger (Minnesota's senior senator) was embroiled in an ethics scandal. A personal favorite moment was the scene where Dave (with the help of his accountant buddy played by Charles Grodin) pares the federal budget to save a homeless shelter for children -the cabinet members bemusedly participating just like a family sitting around the kitchen table wrestling with its own budget. Priceless.

How do you solve a potentially explosive scandal, solve all the world's problems, and get rid of the greed and corruption in the White House? Well, you make an affable liberal actor take the President's place of course!

Kevin Kline plays Dave, an affable temp agency owner who on his off-time likes to do small event impersonations of the President. As for his luck, he strikes an uncanny resemblance, a la the Prince and the Pauper, and is found by the Secret Service to be an ideal candidate for a decoy body while the President is off doing... confidential things.

However, when the real President has a stroke, his advisors don't want to set off a national emergency... especially with a liberal vice-president around to think about. Thus they move Dave in a la The Hudsucker Proxy as the new President... but of course, Dave has a warm heart and an inspiration to try his hardest at everything he does, so... he goes at his job with the energy, charisma, and skill that everyone wants from the most powerful man in the world, even warming the angry scowl off of Susan Sarandon's face!

Of course like most cathartic entertainment like this, it's not so much about the actual presenting of ideas on how to solve all the problems (some hints on where to start are made), but more a vehicle for opening up the minds of the audience to the possibility of TRYING to make the world a better place. You can't get answers from it, but dreams, so dream hard. Don't worry, Ving Rhames will grow to like you.

The true entertainment from this comes from Kline. His acting is wonderfully physical and involved, and bleeds a sincerity to the common man, the salt of the Earth, that keeps the audience cheering for him the entire way.

--PolarisDiB

Buy Dave (2012) Now

Though this film was directed by Ivan Reitman, it's the screenwriter's picture all the way. Gary Ross has made his reputation spinning stories of innocents caught up in the world of the not-so-innocent--or vice versa. With Big, starring Tom Hanks, it was a 12-year old magically transformed into a 30 year old man, contending with the world of grownups. In his latest film, Pleasantville, it's two hip, decidedly uninnocent teenagers zoomed into the innocent world of a typical 50s TV show.

In this, his middle film, it's the owner of a copy shop, Dave, called on to impersonate the president--a high strung cad who's just suffered a heart attack. Dave is a heck of a lot more innocent than most guys his age. Divorced, he busies himself with his work and sports, always hoping to meet the right woman.

What's groovy about this film is that it's a hip, comic American remake of the great Akira Kurosawa's Kagemusha. In that film--a powerful drama with no comedy at all--a grievously ill warlord tells his vassals to find a man who resembles him as closely as possible so the warlord can instruct the other man in the ways of ruling a region; if his subjects see him alive and healthy, they'll be reassured and spies from enemy regions will know he's still a force to be reckoned with.

The vassals find a commoner whose resemblance to the warlord is so striking, there's no one else who could do the job. He's told exactly what to do, how to stand, sit, and do all the other stuff a warlord should. The same happens in Dave--he learns what to do from the evil Frank Langella, the White House press secretary. As Dave, Kevin Kline strikes the perfect balance of innocence and determination to right the wrongs so clearly in evidence. And Sigourney Weaver does a more than credible job as the first lady who's charmed by this knowledgeable innocent.

Also here are Ben Kingsley as the just as innocent Vice President (contrast this with his absolutely astounding performance in the recent Sexy Beast as a nasty rotten gangster!) and Ving Rhames, always reliable, as the secret service man who's on Dave's side all the way.

Ross is one smart cookie. Taking Kagemusha and updating it to 90s America, mixing it with big dollops of comedy and a poignant love story, was a great idea. This film really works. Take a look at Ross' other films; they're just as great.

Read Best Reviews of Dave (2012) Here

"Dave" was a pleasant enough movie the first time I saw it, in 1993, with the good guys winning, and with superb acting performances by Kevin Kline, Sigourney Weaver, Frank Langella, Ben Kingsley, and particularly Ving Rhames and Kevin Dunn in supporting roles. In a very small role, Charles Grodin does his best work that I've seen him do, and has one of the outstanding lines: "Who DOES these books?" Langella is quite believable as the astute, scheming politico who has never been bested; Dunn develops his character's moral conscience as we watch him on screen; and Rhames balances perfectly his character's initial distrust of the faux-president with his growing admiration of--and loyalty to--the kind of integrity so many of us wish we could find in "the leader of the free world."

When I decided to see it a second time, I viewed it as a movie or literary critic would, and found that it held together structurally, it developed organically, and it balanced some pretty heavy duty themes with good humor and almost-perfect timing. We have nearly worn out the original VHS tape that we bought, watching it whenever we want a "feel-good" movie, especially after seeing or reading about too much national and international news. Each time I watch it, I see more complexity to the character development and to the plot intricacies (which at first seem to be pretty straight-forward but, upon reflection, are not quite so simple).

"Dave" grows on its audience, appealing initially because it does represent what so many Americans would really like our government to be like; but it invites repeated viewing because of its texture, its acting, and so many of its memorable lines. How often, for example, can you imagine laughing at, "I once caught a fish THIIIIIISSSS big!" In the context of this movie, however, it is funny repeatedly while contributing seriously to character development. And how touching is the simple statement near the end of the movie, "I woulda taken a bullet for you," spoken quietly though in turbulent surroundings.

Even the ending, sappy though it may seem to be, holds open a subtle promise for the future when it is viewed in the light of the early political career of the movie's Vice President. "Dave" has risen steadily to become one of my five or six favorite movies, with "8 1/2," "Inherit the Wind," "Rear Window," "Tootsie," and "Blazing Saddles." I heartily recommend it: for a good time, call "Dave." Really.

Want Dave (2012) Discount?

Hollywood has long bashed politicians in its films. Usually, these greasy-palmed lechs are seen as no more than variations of Willy Stark from ALL THE KING'S MEN. But there have been a few notable exceptions: MR. DEEDS GOES TO TOWN, MR. SMITH GOES TO WASHINGTON, THE AMERICAN PRESIDENT, and now director Ivan Reitman presents Kevin Kline as the sainted president-imposter of DAVE. The plot is nonsense, of course. Kline is a businessman who bears a stunning resemblance to the real president who unexpectedly suffers a stroke. Frank Langella, who also bears an equally stunning resemblance in both looks and attitude to former Nixon henchman Bob Haldeman, recruits Kline to stand in for the president. Kline's imposture is so convincing that everyone, including the president's wife (Sigourney Weaver), is fooled. Langella sees Kline only as a buffoon, easily manipulated until he is ready to annoint himself as the new president.

The joy of DAVE is watching an updated version of the fish out of water routine. Kline is genuinely funny as he struggles to master the protocol needed to run the free world. What gives DAVE a touching resonance is the subtle transformation of Kline as the admitted fish out of water to a good-hearted human being who slowly realizes that the power of the presidency can do far more for America than merely enrich the one who sits in the Oval Office. Even the burgeoning romance between Kline as the fake president and Weaver who thinks him the real thing is touching. Director Reitman diluted the focus of interest with a deluge of cameos of famous politicians and Hollywood stars, all of whom do little more than add one moment of cheap laughs in a movie that tries hard for serious laughs about serious issues that range from who we are to who we might be. It is the totality of questions about the need to establish our moral center in our rightful identity that makes DAVE such a refreshing breath of air after the thundering blasphemies of that self-appointed crude politico Willy Stark.

Save 30% Off

Poultrygeist: Night of the Chicken Dead (2006)

Poultrygeist: Night of the Chicken DeadFor those of you not familiar with Troma,

don't be fooled by my 5 star rating.

This movie is horrible.

Horrible in the sleaziest, bloodiest, cheesiest way!

My wife left after 10 minutes (Wahoo!;)

Classic Kaufman.

Here's the plot if you need one--

A fast food chicken joint is constructed on an Native American burial ground. I guess, although I'm not really positive, that these native's spirits possessed the dead chickens and arose from the grave, seeking double revenge. Chicken zombies from hell!!! Bwaaaaahahahaa.....

Poultrygeist has the basic Troma stuff:

-more gratuitous nudity than a porno (almost)

-revolting projectile vomiting

-extremely disgusting turd spraying

-absurdily bloody decapitations

-outrageous satirical episodes slamming pop culture

-macaroni and cheesy acting

-excessive damage to the crotchal region

-ignoramus heroes that you gotta love

-tactless social commentary

-insane gore stuffed down your throat

Recommended to rednecks, retards, idiots, and people from Boise, Idaho.

Poultrygeist: Night of the Chicken Dead (Lloyd Kaufman, 2006)

I'm not a big Troma fan. In fact, the last Troma film I remember actually liking was the original The Toxic Avenger. It's gotten to the point where even the Troma name on a movie will cause me to avoid it (even if they're just distributing--I've seen my share of Troma-distributed flicks, and to a one, they're hideous). But the concept behind Poultrygeist was just too plain old stupid for me to pass up, and I have to say, now that I've watched it, I can't remember the last time I was this surprised by a movie. I can't honestly say that I enjoyed it, but it's certainly the funniest movie I've seen this week.

We open with Arbie and Wendy (are you getting the joke yet?), a typical high school couple, making out in the local Indian burial ground, and Wendy promising that going off to college won't change her feelings for Arbie. Yeah, right. Fast-forward a semester, and Arbie has gone back to relive some memories, only to find that the burial ground has been bulldozed to make way for an American Chicken Bunker, a mega-fast-food-mart. It's on the verge of opening, but is under protest by a number of fringe groups, one of which happens to contain Wendy--who, much to Arbie's musical dismay, has become a lesbian and a vegan. To spite her, he decides to get a job at ACB, where he joins co-workers Denny, Paco Bell, Carl Jr. (okay, are you getting the joke now?), and Hummus. Problem is, interpersonal drama is not the only thing going on here, for those Indian spirits aren't too happy about being bulldozed, and have every intention of getting their revenge by possessing everything in sight. From there, the movie becomes a massive gorefest, but in such an over-the-top way that it seems even less like a gore film than, say, Dead Alive does. It's all just stupid fun. (And has a Ron Jeremy cameo!)

The pop culture references come thick and fast in this one, and there's very little that doesn't get skewered here. As well, if you have any aspirations to political correctness at all, you'll probably want to avoid this flick, which takes potshots at every race, creed, color, sexual preference, body type, etc. No matter who you are, there's something in this movie that's liable to offend you. If you like this sort of thing, however, it's great. I've seen more than one review that calls it Troma's best film ever; I'm inclined to agree. ***

Buy Poultrygeist: Night of the Chicken Dead (2006) Now

The title alone should have given me some idea what to expect, but nothing could prepare me for what I witnessed when I watched 'Poultrygeist'! Loving or hating this film is really a matter of taste, it's absurd and genius and the same time. Horrible over the top acting and gore make this film a must see for fans of such shocking yet hilarious satire.

The only problem with this film is it's length and the musical numbers are way too long! If this film had been edited better, it would be a masterpiece!

Warning this film is DISGUSTING!....so if you're squeamish don't even think about it! There is also lots of nudity, so if that bothers you......!? Well I don't think that will bother anyone interested in this film!

The two disc "EGG-DITION" has tons of extras to keep any fan busy, but the price is a bit much....although it's not much more than the single disc version.

Read Best Reviews of Poultrygeist: Night of the Chicken Dead (2006) Here

POULTRYGEIST is one of Troma's best films to date!! I love the gore and the pure un-PC-ness of everything! This fits nicely next to The Toxic Avenger, Citizen Toxie, Class OF Nuke'EM High and Mother's Day, these are all CLASSICKS in my opinion and POULTRYGEIST fits right in. The songs are AMAZING!! I highly recommend the soundtrack too, which I picked up right away as well!! Lloyd Kaufman really outdid himself on this masterPIECE!!

PICK THIS SUCKA UP!!!

Want Poultrygeist: Night of the Chicken Dead (2006) Discount?

This is by far the best Troma film to date. Say what you will in argument, but only a select few can truly compare to this finger-licking masterpiece (of chicken). Not only is it a slapstick gore/comedy, but it also makes a tongue-in-cheek-yet-honest poke at the fast food industry. Vegans and PETA fans rejoice! Or at least appreciate. However, this is NOT for those who are easily offended (and really, why are you watching a Troma film if you are?!). A-pluses all around, and a big pat on the back to all of those who slept on basement floors, church floors, and ate cheese sandwiches.

Save 25% Off