Showing posts with label list of comedy movies. Show all posts
Showing posts with label list of comedy movies. Show all posts

Operation: Endgame (2010)

Operation: EndgameThe movie was pretty good. It was a movie made to just have people kill each other and crack jokes. It had good fights and killing scenes and it was pretty funny. The story line isn't explained great in the beginning and is put together worse at the end. If you are looking for a movie with a good played story this isn't it. But, if you are just looking for a reason to laugh and see some rated material then I Recommend this movie because it's fun.

OK, first it's not 'terms of endearment'. Next off, it's an ation movie, with some black comedic elements. It's a wise ass, kill everyone, pseudo-psycholigcal actionfest.

There aren't a lot of surprises once the action starts, and it is definitely violent, and bloody, but in a 'im gonna kill you creatively, and make cracks and wise-ass comments while I do it' kind of way.

If you are looking for friend green tomatoes, look elsewhere. If you have a dark sense of humor, then you should enjoy every last minute of it.

Enjoy Rob Corddry in his best role since H&K Guantanmo.

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I found it funny in a somewhat dark sense of humor. Assassins locked up and hating each other in an underground bunker? Why not. It's not like an AMAZING movie ever made but it made me laugh. Rent if first, watch it, and if your like me (I buy movies IIIII like) then purchase it. :)

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Seventy-nine minutes of mindless froth that, on second viewing, was slightly more entertaining than the first. I believe this is director Fouad Mikati's first film (and hopefully last?) and he goes at it with gusto as do the cast who seem to be enjoying themselves doing nothing in particular and they get paid for it, too.

Rob Corddry hams it up best of all and Ellen Barkin, Odette Annable plus Emilie de Ravin provide the eye candy. Zach Galifianakis seemed rather out of place as if he strolled onto the set from some other production nearby. Ving Rhames and Jeffrey Tambor have so little time on screen that their talents are wasted.

The two teams of assassins slug it out in an underground bunker and that really is all there is to it except that the death of each seems to provide vicarious thrills to each killer. The storyline is so paper-thin that I can't see how the production could be anything other than fun froth.

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Operation Endgame is a fun, funny and violent action/mystery movie that suffers from the inclusion of a horribly tacked on character played by someone who was obviously looking to collect a pay check. Zach Galifianakis is a complete waste of space in this movie. In fact, his role in this movie could be completely eliminated without changing the story one bit. It's as if some movie executive was given the script for this film and said, "Let's hire that fat, bearded guy from The Hangover and put him in this movie. What, there is no role for him to play? Well let's just add one." Thank god Mr. Galifianakis is only in the movie for 5 minutes. But it's 5 minutes of horrible acting that doesn't add anything to the movie. Seriously, my grandmother could put on a better performance in this role and she's been dead for 2 years.

As for the rest of the movie, it's mostly great. Mostly. Chock full of black humor and over the top violence, it had me chuckling until the last 15 minutes. That's where things start to fall apart. The last 15 minutes feel very rushed, slapping the audience in the face with story elements that are meant to tie up the plot. Part of this is of course the writer trying desperately to explain why Zach Galifianakis' character, the Hermit, was even there to begin with, as "the movie studio made me do it" wouldn't have been an acceptable reason. (Even though it would have been the most valid reason.) What it ultimately boils down to is one man with great power suddenly developing a conscience and deciding to put an end to the manipulation of the world. But the manner in which the movie brings us to this end is a bit convoluted. No more insane and illogical than your average anime movie, mind you. But definitely not a simple, spoon-fed answer that we're used to getting in American cinema.

This is a funny movie IF you like black humor. It's dark, gritty, cynical, and obscene. If you're watching this because Zach Galifianakis is in it and you're expecting The Hangover 2, you're going to be very disappointed. But get beyond him and you've got an entertaining, if violent, hour and a half ahead of you.

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Butter (Blu-ray + DVD) (2011)

ButterDespite an impressive comic cast, I hadn't heard very many positives about "Butter" before I sat down to watch it. Maybe my expectations were set too low, because I actually thought this biting Midwestern satire worked just fine. It is never afraid to push the envelope of good taste, but it is also grounded by a certain gentleness and sweetness that is as unexpected as it is winning. Many contemporary satires are content to be as abrasive and confrontational as possible, so I thought the levels of shading in "Butter" really distinguished it from the pack. That's not to say that the movie has gone soft or lacks edge, it doesn't. It just works a fine balancing act between outrageous political incorrectness AND characters that you might actually care about. So, for me, "Butter" was a genuinely pleasant surprise.

Of course, the premise of the film is absolutely irresistible. Set in the competitive and cut-throat world of butter carving, the screenplay attacks both obvious and less expected targets. Ty Burrell (invaluable on Modern Family) and Jennifer Garner play the first couple of the annual State Fair. Burrell has been the butter carving champion for fifteen consecutive years, and Garner has basked in the associated glory while rising to a level of community power. When Burrell is asked to sit out of this year's competition, this opens the door to new talent. Among them, Garner steps up as a amoral and manipulative contender. Also in the ring is an orphan girl (an effective Yara Shahidi) that seems like a butter carving prodigy. The two ladies stage an epic battle of skill and cunning, but the ruthless Garner doesn't intend to play fair. Who will emerge victorious? And will anyone remain unscathed from this battle of good versus evil?

Garner is wildly over-the-top in the piece's biggest performance. It's a committed choice that is countered expertly by the more deadpan Shahidi. In many ways, the little girl is the heart and soul of the movie but she's never portrayed as a sap or an innocent. She's got her head firmly in the game. Burrell tones things down and is undeniably likable, even in a side plot about a rampaging stripper/mistress. Rod Corddry (creator of my favorite Childrens Hospital) and Alicia Silverstone, as Shahidi's foster parents, are also down-to-earth and supportive. As I said, the tone of the movie can be brutal--but there is a real heart in the center of the story. Some nice comic bits round out the principle players. Hugh Jackman has an unlikely supporting role as a cohort and coconspirator of Garners. And great character actresses Kristen Schaal (always brilliant) and Phyllis Smith (The Office) have scene stealing moments. All in all, I had quite a bit of fun with "Butter." KGHarris, 12/12.

Bob (Ty Burrell) has been the Iowa state butter sculptor champion for 15 years straight, making fine sculptures such as "The Last Supper" and "Newt on a Horse." The state fair has politely asked him to step aside and let someone else win. His overly straight, June Clever clone, wife Laura (Jennifer Garner) with a foul mouth objects and decides to carry on the family tradition and enter the contest herself. Her step daughter is excellently played by Ashley Greene. Bob seeks comfort in a stripper/prostitute (Olivia Wilde) who gets involved with the contest and also has some great swagger music.

Meanwhile a young 10 year old African-American girl, Destiny (Yara Shahidi), is bounced around foster homes. She is overly mature and has taken a shine to butter sculpturing, which her foster parents (Alicia Silverstone and Rob Corddry) encourage, but think is a bit odd. I think you can guess the where this competition is going.

The film is exceedingly funny as it satirizes American life, yet at the same time has heart without being too drippy or a chick flick. The script had great characters, even minor characters such as Carol Ann played by the always comical Kristen Schaal. A great film for the adults, and might make a good date night flick. The end has a blooper reel. The outtakes and extended scenes are worth a peek, but not as good as the main feature.

Parental Guide: F-bombs, sex, girl/girl action. No nudity.

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Must see comedy!

I recommend this to anyone who enjoys a laugh!! It isnt a well known movie but it alsolutely hilarious, educational, and has a good story, all in one.

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Easy movie....fun....liked it...Didn't know what to expected but was just a fune movie....another plane ride movie....worked great! Would recommend it..

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This movie is really funny, just know it really deserves its rating. If nothing else, I would watch it again to see Jennifer Gardner swear!

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Women in Trouble (2009)

Women in Trouble***1/2

An odd but strangely compelling indie comedy, "Women in Trouble" does just what the title suggests; it puts an assortment of lovely ladies into humorously dire predicaments. Two women, Connie Britton ("Friday Night Lights") and the newly pregnant porn star Elektra (Carla Gogina), are stuck together in a stalled elevator; Adrianne Palicki (also of "Friday Night Lights") and Emmanuelle Chrichi are sex workers who witness a crime and have to run to safety; Sarah Clarke ("24") is a therapist whose husband ("The Mentalist"'s Simon Baker) is having an affair with one of her patients; and Marley Shelton is an engaged stewardess who's unfortunate enough to have the rock star (Josh Brolin) who's performing sex on her in the airplane bathroom die when the plane hits turbulence. The storylines, which seem disparate at first glance, do manage to dovetail into one another by movie's end.

As written and directed by Sebastian Gutierrez, the situations are played for both humor and sentiment, as we get to see just some of the absurd things women are forced to go through on a daily basis. And in each case, it seems, the women who are "in trouble" are aided by other women who are in trouble, essentially leading to a special bond of womanhood that helps get them through tough times. The dialogue is generally sharp and witty without ever becoming denigrating or smart-alecky, and the situations the women find themselves in are just absurd enough to keep them from becoming soap-operatic but realistic enough to make us care.

As with most movies that engage in multiple plotlines, some of the stories and some of the scenes are better than others, and, honestly, the film might have benefited from a little less cleverness and a little more focus overall. Still, it has its moments.

True to its title, 2009's "Women In Trouble" is about a bunch of women with an assortment of trouble. The film begins with two women inside a Mexican jail, which turns out to be a film-with-a-film parody sequence of an exploitation movie. You eventually realize that the whole 90 minute feature is self-reflexive parody; although much more subtle than the opening.

Think the Coen Brothers with group of characters speaking out-of-place dialogue in a lot of unusual situations. Think Seinfeld with a lot of disparate pieces in some way related to each other, with the connections eventually coming into focus. Think "The Hours" (2002) with a group of vaguely uneasy women exploring the mysteries of female discontent and finding some solace from shared confidences.

Not a lot of physical humor, nor good acting, nor impressive production design. The writing is the strength of the production and it is excellent. If you don't get subtle parody you would be wise to stay away because there isn't much here for you. You are not the target audience. The only exception would be Marley Shelton fans. She has a very entertaining and clever 10-minute sequence, and looks incredibly hot in a tight flight attendant uniform. For her fans this is a must see even if most of the other material should not happen to be quite their cup of tea.

Those knocking the film simply failed to make the necessary connection with the material, so I wouldn't put much stock in the negative comments and reviews unless they are from someone who tends to mirror your own preferences.

Special features on the DVD includes deleted scenes, a satirical interview that runs after the credits, and Spanish subtitles; given the audio quality and the essential importance of the dialogue the money would have been much better spent on English subtitles.

Then again, what do I know? I'm only a child.

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What a pleasant surprise this movie was! Many efforts have been made in crafting films with several parallel stories taking place at the same time, with each one connected at the end. In most cases, the results have been either disastrous or unsatisfactory. This is definitely not the case with "Women in Trouble," a funny and delicious movie that you will truly savor from beginning to end.

Exquisitely directed by Sebastian Gutierrez, in this film you'll find a story about a top porn actress that gets pregnant, a rock star trying to have sex with an attractive flight attendant, two women trapped in an elevator, another porn star that witness a crime, a man that is cheating on his wife, and much more. Believe it or not, all these stories and their characters are connected and make sense in the end. I haven't seen such ability in making sense of so many issues at one time in a movie, in such a wise way, since Pedro Almodovar's "Women on the Verge of a Nervous Breakdown." I guarantee that you will love this movie.

"Women in Trouble" is loaded with award-winning performances, which include Carla Gigino, Connie Britton, Adrianne Palicki, Emmanuelle Chriqui, Isabella Gutierrez, Josh Brolin, Simon Baker, Elizabeth Berkley, and more. The Blue-ray edition of this film includes deleted scenes, teaser trailers, and more. (USA, 2009, color, 90 min plus additional materials)

Reviewed by Eric Gonzalez for on February 15, 2010.

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I loved this movie.

There was a gaping, psychological plot hole concerning a 13 year old girl's revelations to her therapist that spawn real danger. The girl had no guilt for precipitating near-catastrophes, and no one was angry at her for outing the truth. Other than that, the movie is a flawless, gorgeous romp, a film that had I seen as a youth might have changed me a lot. Imagine! A movie in which women are real, sexual people who are kind to each other, and in which men are really vapid there was no such representation in culture in 1963. It was a "Mad Men" world.

On the other hand, I notice than a man wrote the movie, and that no women have reviewed the film yet. Does this movie merely subtly pander to how a man wants women to be (the movie sure makes me happy), or might women enjoy and identify with the film? I hope to read thoughtful comments from members of the other gender.

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Going into this film, I wasn't sure if this was something I could get into.

I honestly watched it only because I've become a big fan of Joseph Gordon Levitt's work and it was available to instantly stream on netflix.(Which by-the-way, if that's also your motive you might just want to fast-forward to the end of the credits and save yourself some time) So another night alone at home was nigh and it just seemed that 'Women in Trouble' and I were meant to be.

A good twenty minutes into the film and I was thinking "oh well" it doesn't seem like I'm going to be able to endure this. However don't be quick to judge, there is something about this low-budget, slightly socially un-acceptable film that ends-up being really kind of enjoyable.

Part coming-of-age tale, part romantic comedy/chick flick and a good dash of something raw that feels straight out of Sundance.

The intertwined stories of Elektra Luxx(Gugino) a pornstar's impending pregnancy and Maxine McPherson(Sarah Clarke)'s discovery of her cheating husband Travis(Simon Baker) have the most hear in the film, really making you feel for them in a time of need.(Something I personally find hard to come by with most films nowadays)

Starring the beautiful Carla Gugino and Emmanuelle Chriqui (among many others) this movie is a twist of both harsh, dingy reality and the ideas of modern society & love.

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Killer Klowns From Outer Space (1988)

Killer Klowns From Outer SpaceAnybody who says all the best B-movies came from the fifties obviously hasn't seen this little gem. It really is an admirable piece of film making which is actually very clever and inventive. It is reminiscent in someways of The Blob (50s version)in that a teenage couple witness a "comet" fall from the sky and then spend the movie running around trying to get people to believe them. However, this is far more "tongue in cheek" than most movies in its genre and could almost be passed as a black comedy rather than a horror.

The movie isn't particularly scary, although I do remeber finding it very freaky when I was younger. People who have a phobia of clowns should probably stay away from this movie though, because as the title suggests thay are the stars of the show. It is worth watching for the inventive and amusing ways in which the "Klowns" Kill and cocoon their victims alone. But as it happens the film also has a lot more to offer as well. Try as hard as you can to get hold of this movie because it really is a classic. It took me a couple of years of searching but now i've got it and it was definately worth the effort.

Released at the tale end of the 80s slasher movie smothered era, the direct to video monster movie Killer Klowns from Outer Space was a breath of fresh air for the stagnating horror genre. Alternating between unashamed goofiness and actual creepiness, this seemingly unworkable concept of having a race of silly yet very dangerous alien 'clowns' who drop out of the sky one night to scoop up a small town's populace for a quick snack. As one of the Chiodo brothers says, "It's The Blob, but with clowns."

And that it is. Killer Klowns from Outer Space plays the classic 50s monster movie scenario with a sure hand. The Killer Klowns seem overly goofy when first introduced in their Circus Tent Spaceship they use a balloon animal bloodhound to track the escaping teens, shoot popcorn guns instead of ray guns, throw pies, and cocoon their victims in Cotton Candy pods or storage balloons for later cooking. But once they get to work the laughter gets a bit nervous, for these Klowns love to play with their food.

MGM/UA has done a wonderful job on the disc, jamming it with tons of behind the scenes footage, interviews, bloopers, and commentary. We even get to see the Chiodo Brothers first attempt at home movies, which is a treat. The only oversight is the music video of the theme song, performed by The Dickies so don't throw out those old videos or laserdiscs just yet. Still, this release is a must have for any monster movie enthusiast. I give it my highest recommendation.

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In the endless effort to expand my vast array of cult/trash-cinema "classics", I decided to give the Killer Klowns™ a whirl. What I saw was one of the most bizarre and absurd flicks I've ever laid eyes on! Needless to say, this one's definitely a "keeper" for my DVD shelf, filed right next to Flash Gordon™ and The Thing With Two Heads™! The whole flick is so unbelievably ridiculous, you just can't help but be entertained by it!

Indeed, it has it all: A preposterous premise that somehow got approved by the studio suits. Less-than-stellar acting by a few of the principals, and the "hero" playing his part a little too straight-laced. The perversion of various implements of klownery into weapons of annihilation. Silly klown antics gone horribly wrong. It's ludicrously fun to watch on those days when some pretentious bit of "serious" avant-garde celluloid simply ain't gonna cut it.

The special features included with the movie are of the standard type you'd expect to see on a Collector's Edition DVD. There's behind-the-scenes featurettes, a theatrical trailer, deleted scenes, and a commentary track by the movie's creators. In the secondary track, the Chiodo brothers go over the usual stuff you'd expect to hear in a commentary track, including their childhood dreams of becoming to be movie-makers, discussions about how many of the characters were based on childhood friends, memories of the actors that played the various roles, and certain scenes that were particularly difficult to film. Throw in a few quasi-tangential anecdotes, and (voila) you have the Killer Klowns™ Kommentary Trakk in a nutshell.

Then there's the "Easter Egg" materials, which pop up when you let the main menu display run for a couple of minutes. Sadly, these "extra" extras aren't all that impressive. The only items here is a re-dub of a line from the movie, and a few video snippets of people auditioning for the roles of the Klowns in full costume. No offense to all you Klown-o-philes out there, but I think I'd get more excited watchin' paint dry than look at these not-so-special "treats"...

`Late

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Being afraid of clowns is a very common occurrence. This movie gives new reasons to be afraid. The entire idea of clowns is explored and twisted into a wonderful story of alien clowns invading a small town.

Balloons, popcorn, cotton candy, shadow puppets, pies in the face, and even the big top are all twisted into sinister ideals. One character makes a statement wondering if the Ancient Astronaut idea could be applied and these aliens are the basis for our whole idea of clowns.

In a typical B-movie move, a pair of teens at a make-out location are the first to encounter the aliens. They are not believed by the local police (one older officer who hates college kids and the other who dated one of the first witnesses). But the truth soon comes out as the aliens step up their invasion.

The DVD has a clear picture and a couple of interesting deleted scenes (just leave the main menu on your screen for a few minutes and the Easter Egg menu will pop up), making of features, other short animated films and other stuff. The one this I was disappointed about was it did not include the music video for the title song (available on one of the VHS editions). The video has some further scenes of "Big Top Burgers" and the clown with the big hammer (and we get to see just what it does).

A wonderful film that is pretty seamless and follows its internal logic well. Funny and creepy. A real must-see.

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The blu-ray of "Killer Klowns from Outer Space" represents a highly noticeable visual improvement over the 2001 special edition DVD. Some people are grumbling that the blu-ray looks like an upconverted DVD and that is absolutely not the case. Either these people expect all blu-rays to look like "Inception" or they don't have the DVD on hand for a direct comparison as I do.

Detail takes a dramatic leap over the DVD and this is most apparent during the numerous closeups of the various clowns. Black levels are vastly improved and the colors really pop in comparison to the DVD. There is a very nice level of film grain throughout and it doesn't appear that any DNR (digital noise reduction) was used at all. The film will always have a bit of a soft look to it at times but that's due to way it was shot and the type of film stock being used during the late 80's. As a huge fan of this film, I was very pleased with the blu-ray visually. The film has never looked better!

The audio is presented in 2 channel DTS-HD master audio that packs a lot more punch than the DVD did. While some might not like that MGM didn't do a 5.1 mix for the blu-ray, I don't think that it needed it.

All of the extras from the 2001 special edition DVD were ported over and there are unfortunately no new goodies for the blu-ray. Since the DVD was loaded though, at least nothing was left out. I would have liked to have seen the music video for The Dickies be finally added for the blu-ray but that didn't occur. The commentary track is one of the best ever featuring the Chiodo brothers and the featurettes are highly informative too.

As for the film itself, I still love this film as much as I did when I first saw it in 1988. They don't make them like this anymore and it's a great blend of laughs, scares and lots of cotton candy.

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Bruce Almighty (All Region)

Bruce AlmightyThis is one of the funniest movies I've seen in some time. Bruce Almighty starts Jim Carrey, Jennifer Aniston, and Morgan Freeman. The basic premise is this is a comedy about one man who is given the powers (and responsibilities) of God and we get to see what he does with this power. Knowing that the movie stars Jim Carrey we expect quite a bit of over the top humor. While we do have a fair amount of the typical Carrey humor, Bruce Almighty is a lot more than that.

Bruce Nolan (Jim Carrey) is a reporter for a local television station. He gets the assignments that show off his warm and humorous side. But Bruce wants the anchor position that will be opening up when the current male anchor retires. Bruce does not feel that he is getting the respect or the opportunities necessary for him to be able to get the job he has always wanted.

Bruce is living with his girlfriend Grace Connelly (Jennifer Aniston), an elementary school teacher. When Bruce loses his job (have a nice Jim Carrey fit) he blames everyone and everything including God for his mediocre life. Grace sees that Bruce is also calling their relationship mediocre and is now upset with Bruce. Bruce blames God some more, asks for a sign (he gets several, which he promptly ignores) until finally he realizes that there is something going on and actually meets God (Morgan Freeman). God is tired of listening to Bruce whine so much so he tells Bruce that if he thinks he can do a better job at running the world, then perhaps Bruce should try. God endows Bruce with the divine power and lets Bruce have a go at it.

Bruce does what most of us would do with the power of God. He plays around with it for his own convenience, messes with the people who he doesn't like and uses it to help out his sex life with his girlfriend. His use of power is very funny, but it appears that he is not happy with life. Finally, Grace leaves him because even though Bruce is improving his life he has not changed who he is or how he acts to other people.

The movie changes gears and turns into a film about Bruce's redemption with God and with Grace. The film presents a positive message about God and faith that does not feel heavy handed at all (the director happens to be Christian). I thought this was a fairly well thought out and incredibly funny movie. It is the funniest movie thus far this year and I would definitely recommend it.

"Bruce Almighty" is another fine effort by Jim Carrey. Anyone who enjoys his work will enjoy this movie. Unfortunately, the DVD edition starts with four minutes of movie trailers. Unlike other DVD's, this one locks out the controls on your player so that you HAVE to watch the trailers before accessing anything else on the disc. You cannot even stop the disc from playing once the trailers start, except by ejecting it. AND, this happens every time you load the disc.

This is unacceptable, especially in a medium that normally allows the viewer such varied control over how a movie is presented on their screen. Because of this bone-headed decision by the DVD makers, I cannot recommend you purchase this disk. Indeed, I would encourage anyone else who has purchased this DVD to protest to Universal about this forced advertising. Anyone who pays full price for a new DVD should not have to sit through unwanted advertising to view their purchase.

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Bruce Nolan (Jim Carrey) is a local TV news reporter in Brooklyn, NY who is constantly sent out on the least desirable assignments and made into the "funny" guy instead of the serious person he wants to be perceived as.

His goal is finally sit in the anchor's chair and be taken seriously as a news personality. He is so goal oriented, it causes strife with his girlfriend Grace (played wonderfully by Jennifer Aniston). Nothing seems to go right for him. His dog eliminates in the house, his car gets demolished, he gets embarrased on TV and continues to butt his head against the wall.

Grace is a school teacher that has a special bond with her students. She is spiritual and loving, and cares deeply for Bruce, warts and all. Bruce only sees his goal and as the world crashes around him, he blames God for his troubles.

In a scene reminiscent of "Oh, God!" (starring George Burns and John Denver), Bruce goes to an unusal, nondescript building to talk about a job offer. Little does he know that it's God (Morgan Freeman) who has contacted him and who offers Bruce the opportunity to have God's power so he can try to prove he can do a better job than God.

Needless to say, giving Jim Carrey omnipotent powers is a recipe for non-stop laughter. A number of the funny scenes have already been shown in the trailers, but there are many more. Beyond the humor, however, there is a much more powerful story going on in Bruce's heart.

While he has the power of God, he doesn't have the knowledge or wisdom of the Almighty. He finds himself deluged with prayers still overwhelmed with pressures of the world. He uses his new powers for selfish things, and when he finally is moved to do something for others, he does a half-hearted job at it.

Despite his powers, he still finds himself going nowhere nothing works out the way it should. He can manipulate people and things, but he does not have the power to interfere with a person's free will. Free will is the only thing we have when we're born and the only thing we take with us when we leave but despite being told not to interfere in free will, Bruce tries at it anyway.

After nearly 2 weeks with omnipotent powers, God confronts Bruce asking what good things he has done for other people, or what things has he done at all that were good. As his life continues to unravel, Bruce realizes what God was trying to tell him subtly all along.

This is not just a film about the funny situations one can get into with almighty powers the story is more about the individual relationship each person chooses to have with God... and how to look at yourself before pointing out the problems in others.

There is some foul language in the film, but it is minimal and not anything beyond what is seen on prime-time TV these days. The film is very entertaining, but also very deep. It's hard to watch this film and not have at least a moment of looking at yourself in a different way and more importantly, looking at the people around you and trying to see them as God sees them instead of in the selfish way we usually look at others.

In many ways, this is a timeless movie almost an instant classic... and one of the few blockbusters in recent years that it's safe to take your family to watch.

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Bruce Nolan is a flunky reporter who is always sent on remote locations to cover ridiculous assignments for a local television station in Buffalo. His life goal is to be head news anchor, but his career is cut short when he swears on the air. After his neglected girlfriend dumps him and everything in his life goes awry, Bruce asks God for Help. God answers him, but Bruce cops an attitude and tells God how unfair He is and what a terrible job He is doing in the world. God listens patiently and tells Bruce that he can play God for a while, which is similar to giving explosives to a child.

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What happens when God gives a whining, complaining ordinary Joe his powers? "Bruce Almighty" attempts to answer that question, with Jim Carrey playing Bruce Nolan, the whining, complaining ordinary Joe. And Carrey has a field day with the character, delivering some of his funniest stuff yet, which include a tyrade on a newscast from Niagra Falls and making his rival newsman speak in gibberish. Jennifer Aniston does well in her first mainstream role as Nolan's girlfriend Grace, and Morgan Freeman never takes his God role too seriously, which adds an extra layer of humor to a movie already chock full of Carrey's physical gags.

Nolan (Carrey) is a reporter at a Bufallo news station, buts what he really wants to be is an anchorman. But when his rival takes the job instead, and he loses his job because of his tyrade at Niagra Falls, he gets fired and starts to get on God's (Freeman) nerves because of his complaining. All the while, he is starting to neglect his girlfriend Grace (Anniston). But God hears Bruce's complaints and bestows his powers on him. Carrey thinks all his problems are now solved as he now becomes known as Mr. Exclusive because he makes it so he covers amazing, freak stories, like a metorite hitting Earth. Although, Bruce soon finds out that his new found fame is taking him away from what he really enjoys, i.e. grace, and he is going to lose all that if he does not change himself and how he acts.

And that is the film's moral: instead of asking for everything, you have to get off your butt and do it yourself, and think about people other than yourself. Despite the occasional corny moment, director Tom Shadyac (Who collaborated with Carrey on "Liar, Liar") still manages to lend enough gravity and emotion to the message, and makes a wholly satisfying conclusion to a movie that will make your sides split, as well as make you rethink the way you go about life.

Knocked Up (Blu-ray + Digital Copy + UltraViolet) (2007)

Knocked UpLoved the movie. That said, I was confused on what the differences were on the 3 DVD versions, but found some details that I've posted below. As for me, I'm going with this two-disc unrated version.

Basic extras -available on all (both R-rated and Unrated Editions):

Deleted and Extended Scenes

Gag Reel

-"Directing the Director" (Capote director Bennett Miller stops by to help Apatow get the job done)

Line-O-Rama (Tons of alternate takes)

Audio commentary with Judd Apatow, Seth Rogen and Bill Hader

Roller Coaster Featurette

Goodies available only on the Unrated releases:

MORE Deleted and Extended Scenes (some pretty raunchy ones, reportedly)

Topless Scene: "Web Design"

And finally, extras available only on this 2-disc Unrated version:

Judd Apatow's Video Diaries

Finding Ben Stone (A mock casting session)

Stripper Confidential (Rogen and Paul Rudd wade through some Sin City salaciousness)

Even MORE Deleted and Extended Scenes / Gag Reel Footage!

Another topless Scene: "Restaurant"

Katherine Heigl's Audition Tape

.. "and more" (I'm really hoping for another "You know how I know you're gay?" extended scene like in 40-year-old Virgin)

The movie is great. If you haven't seen it, I'd highly recommend it. This one is directed by Apatow himself; so, you you know it's one of the better ones that carries his "brand"...unlike some of those cheeseball movies with Will Ferrel. More to the point, you get the sense that he made this movie for himself or his family. For example, his wife in real life is Leslie Mann, and his daughters play his and Leslie's daughters in the movie. But enough about a review of the content...I assume that if you're considering the Blu-Ray release of Knocked Up, you've seen the movie before.

I don't know about you, but when I am considering purchasing a Blu-Ray, what I want to know is (in order of importance) 1) How good does it look? 2) How good does it sound? 3) What special features distinguish it from the DVD version that I might possibly own already. The picture quality is good but not amazing. I have yet to find a BD that has worse picture quality than its DVD counterpart, but we're not expecting minor improvements from the BD. Considering a dual layer BD can hold 50 GB compared to a DVD-9 that can hold 8.5 GB, we expect A LOT more from Blu-Ray...and rightfully so! The audio is fine, but my expectations for a comedy are much lower as I tend to be more interested in content than technical achievements and fidelity; whereas, action movies force me to be a more discerning critic. That said, I don't find anything particularly impressive or irritating about the audio on this disc.

Lastly, the special features are good but nothing, IMO, that warrants buying this disc if you already own the DVD. Again, if you're like me, you're only going to watch the special features so many times. The audio and video quality of the main title are what I am most interested in, and I am unwilling to pay $20 for the BD version at this time. If Amazon takes it down to $15, I'll take the plunge but not before.

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Writer/director Judd Apetow is building his own franchise and making a real name for himself with his high quality comedies with his unique special brand of humor and great casting. SUPERBAD does seem to be the most popular thus far but KNOCKED UP is in the same league for me.

Story line is pretty basic. We have an average stoner guy and a beautiful professional woman who meet at a bar, get drunk, have sex and she gets pregnant. In real life such different types of people may not try to make a relationship work but here it is very believable and the development of each character about life, love and acceptance is very realistic as the pregnancy develops. Katherine Heigl and Seth Rogen are in top form as their lives are forever altered. Dialogue is funny, circumstances are realistic and having the marriage of Heigl's sister to compare with works great. Paul Rudd shines here and steals all the scenes he is in.

This is a bawdy comedy but manages to put across positive messages about safe sex, responsibility and the fact that relationships can be difficult. It is not a message film by any means but it manages to spread a good positive vein about life and its complications.

Blu ray usually is put to its best use with action films or films with great cinematography which show how the 1080p can be brilliant and how audio can transcend. Comedies can sometimes appear bland on blu ray but this film is crisp, colors are vibrant and video and audio are both at levels above that of the regular dvd. There is much talk of this movie being too long. For me it was not. You will either love it or you won't. For me it had a purpose in the length and the character development also warranted it.

I highly recommend the blu ray version of this film as well as the film itself.

Read Best Reviews of Knocked Up (Blu-ray + Digital Copy + UltraViolet) (2007) Here

"Knocked Up" revolves around the importance of using birth control, especially when you're sleeping with a less-than-desirable partner. Alison (Katherine Heigl) and Ben (Seth Rogen) meet at a club and hook up for a drunken one-night-stand that results in an unplanned pregnancy. This mismatched couple tries to make things work for the sake of their unborn baby, but it isn't easy. Alison and Ben are as different as two people can be. She's gorgeous, classy, and has a successful career. He's chubby and stoned most of the time, and his only professional ambition is to launch a successful Web site that revolves around female nudity in films. Despite their differences, Alison and Ben manage to support each other until Alison finally begins to question whether Ben is capable of being a responsible father figure.

I enjoyed this movie. There are a lot of funny moments in the film, but there are also quite a bit of not-so-funny scenes. Heigl and Rogen both deliver solid performances, but there is absolutely no chemistry between their characters as a couple, and I couldn't understand why Alison was so desperate to make her relationship with Ben work out, even though she had a baby on the way. Also, beware the crowning scene near the end of the movie (I did NOT need to see that!). Fortunately, "Knocked Up" boasts a wonderful supporting cast. Alison's sister and brother-in-law are absolutely hilarious, and I though Leslie Mann and Paul Rudd were the best parts of the movie.

Overall, this film is good for a few laughs, but with so much hype surrounding it, I just expected more.

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Knocked Up. A 23 year old unemployed slightly overweight guy goes to a club with his crazy 20 something group of friends. He helps this lady buy a Corona and they exchange small talk and end up spending the night together. She is a TV anchor for a famous channel. Circumstances continue, she wakes up in the morning and regrets her pick but doesn't seem overtly rude about it. The central character doesn't seem like the kind of guy you would ever get angry at. Few weeks down the line, the same girl realizes she's pregnant. Now what? Now Knocked Up.

The humor in the film is the reason it is one of the best films I've seen this year. Some dialogues tickle your bone in a very unconvential smart way. There is no toilet humor and it doesn't hurt your intelligence. The acting is very good and it is easy to relate to all characters without them seeming corny or ridiculously exuberant for any reason.

Loved it.

Why not 5 stars? I don't know, there's nothing wrong with it but it just isn't a classic, really. Watch it for the humor, watch it for Seth Rogen. Excellent acting, production and sense of emotion but comedy made this film,really.

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Father's Day (Blu-ray DVD Combo) (2011)

Father's DayAhhh, Father's Day...where to begin? The violence. The butt rape. Revenge. Demons. Strippers with chainsaws. Maple syrup. Tasty berries. A sexy priest. A gay prostitute. Did I mention the stripper with the chainsaw?

Father's Day is a wild, violent, sometimes trippy, sometimes old-school, always fun little flick best viewed at night (the film even opens with a commercial telling you you're watching it late at night, a midnight movie so to speak) and with a group of friends who are ready to laugh.

Boy watches father raped and killed, gets eye cut out, grows up, wants revenge, kills wrong person, goes to prison, 10 years later is let out, seeks peace in the woods. That's only the first 5 minutes! What happens next will please fans of other Troma releases, as well as fans of "Hobo With A Shotgun" and "Planet Terror", two other films that are a little more well-known but equally as good.

The film gets even crazier when our group of heroes go to hell, literally.

Good for a few laughs and some over-the-top gore/nudity. Movie: 4/5 stars.

The blu-ray has good video quality, considering the source material was made to look like an old movie much like "Hobo With A Shotgun" and "Planet Terror". Some scenes have a lot of detail to them, while others don't. Video: 4/5 stars.

Audio is okay at best. I wasn't particularly blown away, but it serves the "feel" of the movie well. Audio: 3/5 stars.

There aren't any extras on this one-disk blu-ray edition, though I've heard other editions of the movie come with more disks and some extra content. I own this version, the single disk blu-ray, with only a theatrical trailer. Extras of single-disk blu-ray: 0/5 stars.

Overall: 4/5 stars. I don't find this film as memorable as some of the other crazy films I've mentioned, especially "Planet Terror", but its still good and provides some fun entertainment for fans of this genre. Video is good, Audio is okay. Rent it if you're not sure. Buy it if you enjoy other films in this genre.

Rating: Not Rated, likely NC-17. Language is comical, Nudity is raw and Sexual content tends to be very mature. The violence is over-the-top and extreme, but some of it can be shocking (genital mutilation, for example) and some of the violence mixes in with sexual content, making it possibly uncomfortable for some viewers. Ages 18 and up.

One would be wrong to assume this is some sort of sequel to Troma's Mother's Day, even more wrong to assume that it's as heinously terrible as some of the no-budget clunkers this company has recently been known to put out. That being said, this movie was actually written and directed by Canadian film troupe Astron-6, and not Lloyd Kaufman, so the first things you might notice are the above-average production quality and slightly better acting.

The overall grindhouse style isn't too far off from Hobo With A Shotgun, or the early Troma Classics, like Toxic Avenger and Class of Nuke 'Em High. An ex-priest goes on a vengeance-fueled journey to track down the infamous Father's Day Killer. Excessive violence, gross-out humor, and an over-the-top plot make this essential viewing for anyone who likes gritty and absurdly offensive low budget entertainment.

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This film is definitely not for everyone it's insane from start to finish. At times it seems like a horror flick before it becomes a Grindhouse styled action flick before it becomes a wild trip to hell. Full of violence and depravity, it's cult classic material.

The movie, in my opinion, was great, but this set is even better. It's presented beautifully, has four discs, includes the music from the movie, the Blu-ray, the DVD, and special features. If you're a fan of this film, this is definitively the version you want to own.

Read Best Reviews of Father's Day (Blu-ray DVD Combo) (2011) Here

This is Troma's crowning achievement in my opinion. A movie so foul, disgusting and funny that you just cant seem to take your eyes off of it. If your a fan of bad movies, sexual depravity and gratuitous blood & guts then step right up, pop some popcorn, sit back and prepare to have your mind blown.

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This new slice of Troma sleaze is an absolutely out of hand gore fest. Excellent 70's/Grindhouse feel with all the guts you could ever want. I highly recommend this film for anyone who can appreciate the out-of-control low budget sleaze that Astron-6/Troma wear like a badge of honor!

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Potiche

PotichePotiche pretends to be silly and lighthearted while being rife with undercurrents that threaten to provide deeper meaning to the story. This is colorful and goofy with acting that approaches broad, then withdraws at the verge as if to regard whether the audience is paying attention. At the lead is Catherine Deneuve (Suzanne), who skillfully plays a smart character that has become accustomed to playing dumb all her life. `Potiche' refers to the trophy wife that she has become, married to a ignorant and arrogant man (Robert) who rules an umbrella factory as his own private fiefdom. The factory was built and run for years by Suzanne's father, but he seems to think it was his creation all along. The workers at the umbrella factory strike, Robert storms the protest to give them a good verbal lashing and is taken hostage. Suzanne is left to negotiate as the head of the factory in his absence with the help of Maurice (Gerard Depardieu), the socialist mayor. While styled as a quick-witted farce, Potiche is filled with conflicting passions. The socialists and capitalists are at each others' throats, men and women battle for financial supremacy (always thinly veiled sexual warfare), and numerous themes regarding globalization, sexual liberation, and gender roles play a supporting part. First and foremost, it is a comedy, and it is a sharp one at that.

Suzanne is the very picture of still waters, though she is none too deep throughout Potiche. She writes simple and silly poems, jogs, and ignores her husband's clumsy infidelities. She is not stupid, however, just bored. Her husband does not have her fooled, for example, since she just prefers to let other women service the idiot with whom she shares the house. This is where Deneuve shows why she is one of the greatest of actresses her arc is a practical one, and when given power she runs with it, and it never feels like a false one imbued with informed attributes. Her children do not seem to recognize her abilities, openly mocking her with their assumptions of her simplicity. He daughter Joelle remarks "I do not want to end up like you", with no malice intended. Well, Suzanne just has nothing better to do at the moment. When the strike occurs, she eventually becomes an effective negotiator after considerable trial and error. Maurice is on hand to lend his support, though mostly out of affection for Suzanne, as they shared love once. Robert is thick from start to finish, never accepting the notion that his wife could actually run the factory effectively, though he is correct that she would be incapable of his ruthlessness.

While this sounds like a 9 to 5 remake (sans the awesome douchebaggery of Dabney Coleman), Francois Ozon is careful to maintain a tone of breezy silliness. Make no mistake, there is an iron grip on the production, and the tale is meticulously crafted while appearing to take nothing about itself seriously. Potiche is deeply derisive about traditional gender roles, mocks capitalism as only a Frenchman can, and is free to drop acidic dialogue whenever possible. Suzanne is a demure housewife, but this mold is hilariously broken as we get to know her more closely. As the flashbacks begin to pile up with her copulations, and she starts to forget just who she was servicing at any one time, it becomes a joke in itself. The most traditional woman is her daughter Joelle, who is herself a parody of virulently conservative radical women who feel women belong in the home and men belong in the office, holding a bullwhip to use on cheeky employees as often as possible. Robert is a traditional man, and inherits the factory but acts as though he built it. This is a sly play on free market conservatives who are confused by the notion that there is more to success than work. He has his fun with the secretary (who hates him anyway), but Suzanne could not give a toss, her own infidelities committed out of joie de vivre rather than something as insipid as revenge.

The film is set in the 1970s amidst a time of economic turmoil, though the subject of globalization (Joelle proposes moving the factory to North Africa) renders the period moot. The issues involved in Potiche are timeless, and perhaps one of the points to be made would be that one must always be adaptable, if not always capable. Suzanne is as egalitarian in her political and fiscal leanings as her sexual conquests, while Maurice appears to be running out of steam. He changes little throughout the film, and it is suggested that perhaps one's political bent should be either flexible or it had better be disposable.

This is a busy film, and one gets the impression that Francois Ozon is constantly messing with you. I appreciate that sentiment, as his best films (Swimming Pool, 5×2) struggle mightily to move the goalposts and deny the audience a comfortable seat. In this, I likely missed some important themes and clever jokes that slid by me, as I was captivated by the enormous sense of humor at the core of Potiche. That, and the flawless and immensely relaxed performances by Deneuve and Depardieu, who inhabit their characters and make acting look easy.

I am already a fan of Francois Ozon, so I expected I would like this film, and indeed I did. Ozon has a very light touch, and although he also makes serious films, I see him as a master of comedy. Throughout his works I can see the influence, visually and in terms of humour, of Pedro Almodovar and the later-phase John Waters. Like Almodovar, Ozon's sets are always impeccably and artistically done, with a fantastic sense of color and good taste. The actors are well-cast and well-utilized in their roles; I especially enjoyed Deneuve, whose portrayal makes use of that light touch that she and Ozon seem to have in common. The look of the "Potiche" is often similar to that of Ozon's comedy "8 Women" that also features fabulously extravagant interiors.

Besides Deneuve--Gerard Depardieu, Fabrice Luchini, Karen Viard, Judith Godreche, and Jeremie Renier are standouts as well. The excellent score is done in a style reminiscent of 1970's sitcoms, although not specifically in the American sense. As Madame Pujol's son Laurent, Jeremie Renier is a strangely effeminate supposedly straight guy; it's as if Ozon had him portray the role in this way to play up yet another campy aspect of the film. I found end of the picture to be quite moving, as Madame Pujol finally achieves her ultimate liberation and expresses her love and support for the community she has always been a part of. The final scene features Madame Pujol singing, 'C'est Beau La Vie"; at this point, she seems to be Catherine Deneuve as much as she is her character; but it doesn't matter, and the entire effect brought tears to my eyes. Ozon has a way of making comedies that initially seems superficial and silly, but by the end of the film one becomes aware of a sub-textual rigour as well.

The DVD also includes the 1 hour and 11 minute "Making of Potiche" that provides insight into Ozon's working methods, who appears to be even-tempered and generally smiling. The actors also seem to be enjoying themselves on the set. This documentary also gives one hints of the various actors' off-screen personalities; Depardieu is constantly "on" and making jokes, almost to the point of being obnoxious; Karen Viard complains the glasses that "uglify" her in her role as Nadege, the sexy secretary; Jeremy Renier often looks uncomfortable, although trying to hide this with good humour; the rest of the cast remains relatively low-key.

Stephen C. Bird, Author of "Hideous Exuberance"

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A very enjoyable story in the retrostyle, very well acted by an outstanding cast. It even manages to keep you guessing as to the outcome.

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Denueve as an umbrella factory heiress leads to some charming echoes of one of her earliest (and one of my favorite) films, The Umbrellas of Cherbourg, but that charm is wasted on a film that feels more like a sketch or outline than a fully developed story. The characters are flat and the movie just sort of rolls along through the plot points without ever giving the audience a reason to care.

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This has been compared to `Made in Dagenham', but I think this is actually much better and whilst they both deal with female empowerment, this one just oozes style. It stars Catherine Deneuve as Suzanne Pujol, who is the trophy wife of Robert. He married her and got her fathers umbrella factory as a dowry, employing three hundred workers. He then became a misogynistic stereo type of the bullying kind that epitomised the early seventies.

His negative attitude spills over to industrial relations and sets him on a collision course with the unions at his factory. They do a wild cat strike, he intervenes and after much wrangling he is released. This is done with the aid of the Communist Mayor, one Maurice Babin (Gerard Depardieu). All of the attention, and it must be said womanising finally catches up with Robert and he has a collapse. In the power vacuum that ensues, Suzanne steps in and takes over.

Set in 1977, there are some great period details, despite IMDB claiming a couple of gaffs like using a song from Bacarra that was not out until 1978, not really a deal breaker. It is beautifully filmed and directed by François Ozon (`Swimming Pool' and `8 women'). We soon discover that Suzanne is a `woman with a past' which makes up for her dumb blond performance at the beginning. This `past' includes the Mayor Maurice. I must say that there is genuine on screen chemistry between Deneuve and Depardieu, but he always seems to be able to pull it off (no pun intended).

There are also sub plots involving the children, a sideways dive into politics and some good comic asides. This though is not a full on comedy, it is a warm gentle film, with a feel good factor that sweeps you along. All of the performances are top notch especially from Fabrice Luchini who plays Robert. He is sexist, manipulating, a bully and yet I could not help but find him absolutely genuine and quite funny.

It has the perfect run time of an hour and a half, and some great musical asides too, but to say anymore may be a plot spoiler. I saw the trailer for this and decided I would not rush to see it, but this is one of those rare exceptions where the film is miles better than the trailer even hinted at, very nearly five stars, highly recommended, cest une triomphe!

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Beaches (1988)

BeachesThis may very well be the saddest movie I have ever seen in my life, but it is also one of the best. If you have not seen it yet, I highly recommend that you do. It tells the story of two young women who meet when they are 11 years old. At a glance, they seem like two completely different people, but in the end, it's their strong devotion to their friendship that make them so close. Bette Midler does an excellent job in her portrayal as CC Bloom, a feisty redhead who is determined to succeed in music and will do almost anything to do so. Hilary Whitney, played by the talented Barbara Hershey, is a quiet, reserved woman who often finds herself jealous of CC's rising success. CC and Hilary may be very different, but they grow even closer when Hilary gives birth to a child--a beautiful little girl named Victoria. When Hilary becomes diagnosed with a fatal disease, she is forced to search her soul and strengthen her relationships with CC and Victoria. Throughout the movie, CC and Hilary go through many difficult times, but in the end, their friendship prevails. I definitely recommend this movie to everyone, but don't expect to have dry eyes at the end! It will make you laugh, it will make you cry, and it will touch every piece of your heart. It really does show that even though two friends may be very different from one another, and even though they may go through a lot of rough times, it is the strength of their friendship that will be the decisive element. Go see this movie--you won't be sorry!

BEACHES, based on the novel by Iris Rainer Dart, is a fantastic and emotion-driven drama/comedy. Bette Midler and Barbara Hershey turn in fabulous fully-realised performances as two best friends who share an amazing relationship.

On the beach in Atlantic City, 11-year-olds CC Bloom and Hillary Whitney strike up a friendship that will endure beyond all obstacles. Through letters spanning the years, the two women vent their frustrations, hopes and dreams.

Bette Midler is mesmerising as the brash CC Bloom (the 'Otto Titsling' number is alone worth the price of admission). Barbara Hershey wisely downplays the role of Hillary though she never is upstaged by Midler.

Supporting roles from John Heard, Spalding Gray and Lainie Kazan (as CC's mother Leona) are right on target. Mayim Bialik (TV's "Blossom") plays the younger CC.

This film could have easily fallen into soapy melodrama thanks to it's plot, but the direction of Garry Marshall saves it from becoming too maudlin.

Still one fantastic movie!

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Bette Midler is wonderful in this movie. Barbara Hershey gives an outstanding performance. I love their friendship and how it goes through the different phases, and yet at the end they are there for one another, to support one another. This movie is definitely a tear-jerker, yet a classic.

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I loved Beaches so much! I watched the movie on the WE network, but it was still good enough for me to pick up the DVD. The movie remind me so much of friendship with my best friend, that I love so dearly. I don't know how I would go on if I lost my friend to a terminal illness, cause we're so much like sisters. The movie just so heartfelt and tender hopefully every friend of a friend will get this movie.

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I would actually give this film 3 1/2 stars. Bette Middler is just incredible. Bette's timing is perfect. Watch Bette as someone is talking to her in a scene, her facial reactions alone are just hilarious. She is a comedic genius. There are few movies that actually make me LOL, Bette's performance makes me laugh everytime in this film. The child who played Bette was also wonderful...

Barbra Hershey pulls off the other half of the film OK, but it is Bette that makes this movie. Great soundtrack too! I always get teary eyed when Bette is singing "The Glory of Love" at the end of the movie, and waves up in the air to heaven at Hillary.

But why is this a barebones DVD release? This was a huge movie. there are no extras? WHY? Not even a trailer? The DVD gets only 1 star. The movie gets ***1/2. Boo to Touchstone for putting this classic film on such a cheap DVD.

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Safety Last! (Criterion Collection) (1923)

Safety Last!Although he is generally considered the equal of Charlie Chaplin and Buster Keaton, Harold Lloyd's films are much less widely available--with the exception of SAFETY LAST, which turns up with great regularity at film festivals and on cable television. Like most of his films, SAFETY LAST finds Lloyd struggling to make good in order to win the girl of his dreams (in this case his actual wife, actress Mildred Davis)--and when the big boss offers a thousand dollars for a promotional idea that will draw hundreds to the store, Lloyd suggests a human fly act... but at the last minute circumstances go awry, leaving Lloyd to make the climb himself.

While the first half of the film abounds in brilliant, hilarious sight gags, it is Lloyd's climb up the skyscraper that is best remembered: attacked by pigeons, entangled in a net, running afoul of a mouse, and ultimately hanging from the hands of a clock face hundreds of feet above a cheering crowd. Filmed without stunt-doubles or such devices as rear-screen projection, the squirm effect of the sequence is still tremendous--and the film is all the funnier for it. Always wearing his signature straw hat and round-frame glasses, Lloyd's eager optimism personified the go-getter mentality of the 1920s, when the sky seemed the limit and progress hadn't yet gone on too long. If you are a fan of silent film but have not yet encountered Harold Lloyd, SAFETY LAST is the perfect introduction--and an essential for your collection.

Harold Lloyd is without question the funniest and most daring filmmaker of his day, if not the entire 20th century. SAFETY LAST is a classic example of Lloyd's films: an average, All-American boy, full of optimism and hope, finds himself in a simple mixup that quickly multiplies with hilarious complexity. When SAFETY LAST first debuted in theaters in 1923, audiences literally fainted while watching the stunts Harold performed, and they are no less powerful today, for they were all filmed without the aid of special effects. He made more films than Charlie Chaplin and Buster Keaton combined, but has been all but forgotten by late 20th century film lovers. SAFETY LAST is only one of the multitudes of fantastic movies this genius made, and if you're not impressed when you see it, remember this: due to a stunt accident early in his career, Harold Lloyd lost his thumb and index finger on his right hand. All the stunts you see in SAFETY LAST including the infamous skyscraper climb were done with the use of only ONE complete hand! If you like SAFETY LAST (and I'm sure you will), I also highly recommend GIRL SHY, SPEEDY and HOT WATER, just to name a few.

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Okay, when we think of Harold Lloyd we think of the famous image of him hanging onto the hands of a clock outside a building, right? Well, this is where the shot was taken from. "Safety Last" was one of the few Lloyd comedies I actually saw when I was younger. I mostly saw his short 2 and 3 reelers growing up. But, I happened to see "Safety Last" on tv yesterday. It's been about 15 years since I last saw, and I was still amazed.

"Safety Last" tells the story of a couple in love (Lloyd and Mildred Davis). Lloyd is going to become a big businessman so he can marry the girl of his dreams. As soon as he gets enough money he will send out for her to come. At best Lloyd gets a job as a salesman making $15 a week. In 1923 I'm guessing that was pretty good, but, even by those standards not enough to get married on. So, naturally like any man would do, he lies to his girlfriend pretending that he's doing much better than he actually is. He goes without eating so he can buy her a chain. He writes to her everyday of the week dreaming of the day they can be together.

Feeling she has waited long enough for Lloyd, Davis decides it's time for her to go to him. Thus making things worst for him due to the fact she visits him at work! But, as fate would have it the department store where he is working is looking for a scheme to draw costumers. And Lloyd gets a great idea that will earn him $1,000!

Okay, I feel I have to commet on the building climbing piece. It is one of the most daring scenes I have scene in comedy history. Now, I know that no harm came to Lloyd making shooting that scene. I know he survived the making of that scene and went on to make other movies, but, I became so caught in the moment that my heart was in my throat. I was sitting on the edge of my seat. Everytime it seemed as if Lloyd would fall off the buliding I jumped lol. I kept thinking to myself, "Why did he do this?!" "How did he do this?!" "How did they shoot this scene?!!" You forget that it's only a movie. because most of us know that Lloyd did his own stunts. It really is something everyone has to see.

Would I say this is his "best" movie? No, to be honest I don't think so. Do I think it's one of his funniest? Sure. It's right up there. I also think it's one of the best comedies not only made in it's day, but of all-time. So go out and buy it.

Bottom-line: Probably Lloyd's most famous movie due to the "thrill" scene at the end. One of the best comedies of all time.

Read Best Reviews of Safety Last! (Criterion Collection) (1923) Here

Many silent comedy fans consider Harold Lloyd as one of the three silent film comedy kings of the silent era alongside notable names such as Charlie Chaplin and Buster Keaton. Lloyd's comedies were enjoyable and similar to Keaton, Lloyd had the flair of doing his own stuntwork and when one is to watch his films today, there were a few that literally makes people gasp.

But the difference between these three men is that Harold Lloyd is not as well-known because unlike the other two, he wanted complete ownership of his films and if they were to be re-released or shown on television, he set the price high because he did not want TV commercials interrupting his film. While, some appreciate Lloyd's business-sense at the time to have complete ownership but also to be one of the first who looked into preserving his films, the unfortunate aspect is that unlike Chaplin or Keaton, his name would not be as well-known to the general public.

Of course, times have changed as more and more people are becoming fans of silent cinema, especially comedies, because they quickly learn that there are three men who earned a lot of money through the box office and were successful. And for Harold Lloyd, one can only be thrilled that this wonderful filmmaker has been acknowledged by the Criterion Collection and his most popular film, "Safety Last!", would be released by the Criterion Collection, in HD on Blu-ray!

One such film was "Safety Last!", a silent film from 1923 and one of the many films included in the Harold Lloyd Comedy Collection box set. An impressive box set featuring over 25 classic comedies including well-known Lloyd films such as "Safety Last!", "The Freshman", "Speedy!" and many more.

If one was to see the film today, one would be impressed and stunned as their was no CGI, there was no green/blue screen. This was Harold Lloyd showing us the most extreme when it comes to filmmaking by climbing a skyscraper to the onlookers below Los Angeles. Needless to say, audiences were shocked about how far Lloyd had went with this film and although there were mini-stages built, this was one risky film that was adored back then and now being discovered by many today.

"Safety Last!" is about The Boy (played by Harold Lloyd) who moves to the big city in 1922 in order to make more income. He leaves his beloved girlfriend (played by Mildred Davis) back at home and promises that he will marry her once he does well in the city.

Since moving to the city, he has sent his girlfriend letters everyday but the boy makes his life seem like life is going extremely well and that he is a manager at a major department store.

This is far from the truth as he lives with his pal (played by Bill Strother) who are late on their rent and have to hide from the landlord. The boy barely makes any money as he works at the De Vore department store in the fabric department and is an employee who often gets into trouble.

One day after finishing his shift, he runs into a police officer who happens to be an old friend of Harold. The two joke around and when the boy meets up with his roommate, he jokes that he has influence with the police and persuades his friend to knock the policeman over.

What the boy doesn't know is that when they are talking, his friend the police officer has left and another police officer has come in his place. Needless to say, the boy's friend pushes the cop and the boy learns that the police officer is not his friend.

The police officer then chases his friend around but the friend manages to escape by climbing a building.

Meanwhile, the boy decides what he should do with his pay. He can get something to eat or buy his girlfriend a broach without a chain. He forgoes the food and buys the broach but hopes to buy the chain when he makes more money. He sends the gift to his girlfriend.

Upon receiving it, his girlfriend is so happy about the gift and the boy's mother convinces his girlfriend to go to the city and see how he is doing.

So, one day during a wild day at work, the boy's girlfriend appears and immediately, the boy must pretend that he is the manager of the department store.

Through a good stretch of gags and hijinks featuring the boy trying to fake his girlfriend, he overhears his boss talking about how they can bring people to the store and whoever can come up with an idea will get $1,000. The boy thinks about his friend climbing the building and suggests the idea and his boss decides to give the boy's idea a chance.

During the big day at De Vore Department store which has been promoted on the front page of a major local newspaper, many have come to see a man climb the building.

The boy's friend is ready to scale the building but things don't go as planned since the policeman who was chasing the boy's friend is now trying to pursue him again. With everyone all around the department store building expecting a man to climb, with his friend trying to avoid the police, the boy has no choice but to scale the building on his own.

VIDEO:

"Safety Last is presented in 1080p High Definition (1:36:1 aspect ratio) and because Harold Lloyd believed in protecting his films, he was among the first to have his films preserved. Not only were these films under lock and key in safes, he did whatever he can to make sure they were protected from fires or any damage. It's important to note that nitrate film does catch fire and he did experience a fire despite trying to protect his films, but fortunately because of that, it led Harold Lloyd to preserve his films.

And so, a lot of his films look fantastic compared to other silent films of that year or era. At 90-years-old, picture quality for "Safety Last!", looks incredible on Blu-ray. White and grays are well-contrast, to see this film in HD versus the original 2005 DVD release, you notice how clear the film looks. There are no signs of major damage, dark flickering or white specks. Because the film is in HD, closeups and background look so much clearer and well-detailed. I was impressed!

According to the Criterion Collection, "The film is presented at a variable frame rate of approximately 22 frames per second to conform to film historian and restorer Kevin Brownlow's presentation and the Carl Davis score that accompanies it. The new digital transfer was created in 2K resolution on a DTF Scanity film scanner from a 35 mm nitrate print from Harold Lloyd's personal collection, made from the original negative. Thousands of instances of dirt, debris, scratches, splices, and warps were manually removed using MTI's DTRS and Pixel Farm's PFClean., while Image Systems' Phoenix was used for small dirt, jitter, flicker, and grain movement.

AUDIO/INTERTITLES:

"Safety Last!" comes with two musical soundtracks. The Musical score by composer Carl Davis from 1989, synchronized and restored under his supervision and presented in uncompressed stereo (LPCM 2.0). While also included is an alternate score by organist Gaylord Carter from the late 1960s, presented in uncompressed monaural (LPCM 1.0).

There are no subtitles because it is a silent film, but there are intertitles.

SPECIAL FEATURES:

"Safety Last! The Criterion Collection #662" comes with the following special features:

Audio commentary Featuring the original 2005 audio commentary which features film critic Leonard Maltin and director and Harold Lloyd archivist Richard Correll.

Introduction by Suzanne Lloyd (17:21) Featuring an introduction by Harold Lloyd's granddaughter and president of Harold Lloyd Entertainment

Harold Lloyd: The Third Genius (1:48:00) A classic 104-minute documentary from 1989 written by David Gill and Kevin Brownlow.

Three newly restored Lloyd shorts: Take a Chance (1918), Young Mr. Jazz (1919), and His Royal Slyness (1920), with commentary by Richard Correll and writer John Bengtson

Locations and Effects (20:37) A new documentary featuring John Bengtson and special effects expert Craig Barron about the location of where "Safety Last!" was shot.

Carl Davis: Scoring for Harold (24:08) A 2013 interview with Carl Davis who discusses working with Harold Lloyd.

EXTRAS:

"Safety Last! The Criterion Collection #662″ comes with a 24-page booklet featuring the essays "High-Flying Harold" by Ed Park.

JUDGMENT CALL:

Harold Lloyd is such a wonderful performer. "Safety Last!" is a film that anyone can watch and just be surprised about his risky performance and just seeing a man dangling from a clock tower or a piece of wood with the city of Los Angeles right behind him.

Granted, Lloyd and crew prepared the actor with a small stage built to give the illusion that the building was being climbed, but still...he was climbing many feet up and also climbing with a missing thumb and forefinger (a few years earlier, Lloyd lost his thumb and forefinger during a photoshoot when he had to hold a bomb which was suppose to be a prop ended up being a live bomb and putting the actor in the hospital).

"Safety Last!" is everything you come to expect from a comedy! A great story, great acting and a plenty of gags to keep the viewer entertained from beginning to end. This is a true classic in every way and I can only hope that many people would give this wonderful film a chance and watch it with a smile and also with awe with what Harold Lloyd has accomplished.

I know many people today may ask, who is Harold Lloyd? We heard of Charlie Chaplin and Buster Keaton but who is Harry Lloyd? Part of the reason why people have not heard much of Lloyd is because he had major control over his films. Where as Charlie Chaplin and Buster Keaton had an awesome career during the silent era, for those who study about the careers of the two men will learn that Hollywood was not to kind to them after the silent film era. Also, Harold Lloyd's asking price for a film for licensing was more than most companies wanted to pay for at the time.

So, there are over 300 films of Harold Lloyd that many of us have not seen and not sure if we will ever have the chance.

While Warner Bros. did release the "Harold Lloyd Comedy Collection" on DVD back in 2005, by the time a second set was rumored to be released, Warner Bros. began focusing on their direct-to-DVD library for their classics. While those of us who were aware of the picture quality of Lloyd's films would someday be picked up by another company like the Criterion Collection, but at the time, those were just dreams.

But the fact that the Criterion Collection has released "Safety Last!" on Blu-ray, as a fan of Harold Lloyd's work, I am absolutely thrilled that the Criterion Collection has decided to release the film on Blu-ray. Not only is the picture quality magnificent, you get two scores and many more special features that were not included on the original Warner Bros. DVD.

As Criterion has done for their Chaplin releases, they have done a spectacular job with "Safety Last!". The new "Introduction with Suzanne Lloyd" was wonderful to watch, as with the "Location and Effects" featuring Bengston and special effects expert Craig Barron was a wonderful addition but how awesome to have Carl Davis discussing his working relationship with Lloyd in 2013.

But the most notable special features that made me excited was to see "Harold Lloyd: The Third Genius", the American Masterworks documentary by David Gill and Kevin Brownlow. With Chaplin's "Unknown Chaplin" and Keaton's "Buster Keaton: A Hard Act to Follow" available to the masses, "Harold Lloyd: The Third Genius" has not been released since 1991. It's only available on VHS and as a Harold Lloyd fan and collector of Lloyd memorabilia and videos, I have not been able to get my hands on a copy of this documentary and here it is, included with the Criterion Collection's "Safety Last!" release.

And while Chaplin and Keaton's shorts have been made available on DVD for quite some time, Harold Lloyd's shorts have not. And with the "Safety Last!" release, you get three newly restored Lloyd shorts with "Take a Chance", "Young Mr. Jazz" and "His Royal Shyness", plus each of these shorts has optional commentary by Rich Correll and writer John Bengston.

One can only hope that more titles will be released by the Criterion Collection as Lloyd has created a number of wonderful films in his oeuvre, but the fact that Criterion Collection really goes out and gives you so much more. As a Harold Lloyd fan, I'm really impressed by this release and very grateful for the Criterion Collection for making this release perfect!

Overall, "Safety Last!" is a magnificent film and is a Harold Lloyd masterpiece that will continue to entertain silent comedy fans for many generations to come. Not only are you getting one classic film but also three newly restored Harold Lloyd shorts plus the long, sought after Harold Lloyd documentary "Harold Lloyd: The Third Genius".

This release is deserving of five stars! Highly recommended!

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The LA Conservancy has a great pdf document on how SAFETY LAST was filmed. It was very clever how perspective tricks were used to make it look like Lloyd was actually dangling over a downtown LA street (you knew he wasn't really...). Google "laconservancy.org/tours/HaroldLloyd" and you'll be rewarded with photos of the locations as they look today, plus fascinating information on the filming of this comedy classic. Pages 7 and 8 show specifically how the clock scene was shot. Makes a terrific addition to this film.

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The Extra Man (2010)

The Extra ManWriter Jonathan Ames seems to be a media darling these days. Creator of the successful HBO television series Bored to Death, he's now making the leap to the big screen with this adaptation of his 1998 novel, The Extra Man. Two adjectives that immediately spring to mind, whether speaking of Ames's fiction, non-fiction, or his life, are quirky and comic. And those are definitely the two adjectives that describe this film, co-written and directed by husband and wife team Robert Pulcini and Shari Springer Berman.

It's the search-for-identity story of Louis Ives (Paul Dano), a young English teacher we see fired in the film's opening scene. Louis uses the setback to follow his heart to Manhattan, where he hopes to pursue a career as a writer. His first priority is to find a home, which leads him to answer the apartment-sharing ad of the endlessly eccentric Henry Harrison (Kevin Kline). Soon, the introverted Louis gets sucked into Henry's wacky world, peopled with the likes of elderly billionairess Vivian Cudlip (Marian Seldes) and Klingon-like neighbor Gershon (John C. Reilly).

This is an odd story filled with quirky and sometimes off-putting characters. There's something anachronistic about Dano's Louis, exhibited outwardly in old-fashioned manners and vintagey three-piece suits and inwardly in his Gatsby-esque fantasy life. Classic fiction isn't the only thing Louis fantasizes about, though. In fact, he's tentatively exploring his sexuality and trying to come to terms with transvestite urges, all while pining for a pretty co-worker (Katie Holmes).

Henry, on the other hand, is larger than life, and Kevin Kline throws himself fully into the role--literally, as it happens, when the character dances. Henry isn't particularly nice. He doesn't much like women, and is adamantly against sex. He describes himself as, "somewhere right of the Pope." His apartment is cluttered and filthy. He's ethically-challenged and teaches Louis how to scam tickets to the opera and urinate in public. He is not the best role model. And, yet, that is exactly what he becomes, introducing Louis to the concept of "the extra man."

Henry's lifestyle is sustained by squiring wealthy elderly woman to their dinners and art openings and vacation homes. And it is Kline's innate charm, despite the character's flaws, that makes him believable in the role. It is also Kline's over-the-top performance that drives the film's humor. His line readings are priceless, and you simply can't help but laugh at his antics. In fact, a day after seeing the film, I dissolved into tears trying to describe him attempting to wipe his fleas onto a Yorkshire terrier. Who does that?

This isn't a mainstream film, and it won't appeal to every viewer. The humor is smart, edgy, strange, sophisticated, physical, and just weird. But I laughed long and loud. The performances (many by New York stage actors) were excellent, and Kevin Kline's alone is worth the price of admission. Not every joke lands, and parts of the film are uneven, but I never knew what would happen next. I think The Extra Man will find its audience among fans of Wes Anderson's quirky, charismatic films. It deserves to find an audience. Take a break from formulaic summer fare and give it a chance.

"The Extra Man" is a great comic experience, a joyful movie providing a lot of laughs with the sheer enjoyment of life bubbling in it.

The movie is about two fruitcakes, two off-the-wall flakes who get together and blend their nuttiness into a friendship. Louis (Paul Danol) is kind of unworldly, a dreamer, a teacher in an exclusive prep school in Princeton, New Jersey. Louis has an urge to be a cross dresser, and is turned on by women's undergarments. One day while holding up a bra to his chest in the faculty room, he's caught by a matronly staff member, is canned, and decides to go to New York to become a writer. He has always admired Gatsby.

In New York he answers an ad for apartment sharing and is interviewed by Henry Harrison, an older "gentleman" (brilliantly played by Kevin Kline), the apartment's resident tenant, who has weird, iconoclastic and screwy ideas about everything. Henry is broke but he's a walker, an extra man who accompanies women to dinners and events. He's not a gigolo, but he does like the good life with his wealthy older women friends of the Palm Beach circuit. Henry is his own worst enemy, is finicky, touchy, hypercritical and turns people off.

A neighbor in the apartment building is Gershon (John C. Reilly) another kook who is very funny because of his high-pitched voice (adopted for this movie). I think this is the kind of movie Charles Dickens would have loved, because the characters are done in broad strokes of caricature. Anyone who has lived in Manhattan will know that these oddballs would fit right in. In the movie nothing seems totally realistic, but that's the essence of comedy: the odd, the eccentric, off-the-wall fun.

One of the really exhilarating moments in the film is when Kline is teaching Louis how to waltz on the beach in the Hamptons with Reilly singing into a "microphone", a hood ornament that Henry has broken off a car inadvertently. It is a feel-great moment in the movie.

Kline is funny when he's teaching Louis how to relieve himself surreptitiously in the street, or when he's trying to transfer his fleas to a wealthy woman's lap dog.

It's great acting. You feel like you are really in New York, but it is hard to tell which era you're in because the director wants you to feel as if you've slipped back a generation or two in time. Both Henry and Louis live in the past and would be happier living in a previous era.

The movie`s wacky characters reminded me of a "Seinfeld" kind of humor. I haven't seen a movie in a long time that kept me laughing the way this one did.

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Not the perfect movie, but the perfect role. Kline's inept charisma is quite charming as the odd little man trying to be dashingly bold in spite of his crumbling existence. Romantic and whimsical as the seemingly unessential man defines his essential existence. We are all free to dream and create our dream reality. Thumbs up.

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I just watched this last night, and to be frank I don't understand the hate. I felt that Kevin Kline is a hilarious character in this film, he lights up the screen every chance he can get. He did great in this. Paul Dano is also one of my favorite actors, and I thought he did great as well. The supporting characters like John C. Reilly and Katie Holmes did great as well. I found it very entertaining and I would definitely watch it again. I would highly recommend it.

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4.5895 stars

I'm surprised by the tepid reception this got, but their loss! I howled with laughter many many times during this incredibly droll film, especially at the Kline scenes. The guy has never been funnier, except maybe in Wanda. This kind of humor is probably waaay too dry for many, but if you like Wes Anderson or Jared Hess or any other off-beat, smart new writer/director, there's something for you here.

I'd go so far as to compare this to Withnail And I and Death At A Funeral (the original) for its sustained yet muffled hilarity, and those are two of the funniest modern movies I know. Not all of The Extra Man is great, but most of it is, if your mind is open and your funny bone doesn't mind being tickled from various obtuse angles. I laughed more during this film than most any movie I've seen in a year or two, but then I like it dry, and this is that, to be sure.

Ames' characters are both endearing and frustrating, and ring true in all their satiric excesses. I liked everyone in this, and even Reilly's campy voicework somehow fits in, particularly in the beach scene. The cross-dressing might be a little weird for some, but then weird can lead to some very unique laughs, and the scene with the Spankologist has a gorgeous moment: watch her face after their first kiss. It glows in joy and memories of much younger days and it's actually very touching, made even better by being subtle and brief.

There's a lot of heart in this film, and I'm surprised more folks didn't feel it. I sure did, and think it's a minor masterpiece in its own way, especially if you know enough older people to enjoy the sly wit Ames and Pulcini/Berman share with us. I also thought the direction was pleasantly quiet and unshowy, but set up the best lines very nicely time and again. Plus, some of the scenes have something very warm and genuine about them, a real rarity in any film.

Maybe I'm nuts, but I loved almost everything about The Extra Man, and think that time will treat it very kindly. It's one of a kind, and Kevin Kline shows why he's one of the great comic actors still working, classic on the level of Peter Sellers.

If you don't mind a little pathos with your comedy, and like your laughs both broad and edgy, you might just find this to be a gem.

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