Showing posts with label hindi comedy movies 2011. Show all posts
Showing posts with label hindi comedy movies 2011. Show all posts

Dead Heat (Midnight Madness) (1988)

Dead HeatDead Heat kinda fell into obscurity right away, so I don't think it even reached cult film status. This is one of those that you may have caught late at night in the old glory days of HBO. It's not a horror film, it's more of your typical buddy action/comedy in the vein of Tango & Cash, but with a few horror elements thrown in. Zombies are roaming around robbing jewlery stores and causing other assorted mischief due to a new resurrection machine. The zombies are pretty much normal looking people who are a pain in the ass to kill. Some are a little yucky and decomposed too. Treat Williams and Joe Piscopo are the cops on the case. Naturally, Williams being the straight cop and Piscopo being the wisecracking tough guy cop. I've always liked Williams, and though his performance is nothing to shout about, I enjoy his presence. Piscopo is another story. In general I do like Piscopo, but his role in this film is I guess a real love it or hate it affair. The humor of the movie is almost all set on him, yet he is probably the unfunniest wisecracking cop I have ever seen in a movie. He has absolutely no delivery and the jokes seem forced and just plain bad. It's strange coz he is so not funny that it actually becomes kinda funny. Funny for reasons other than intended. Plus, he's supposed to be a big, buff badass, yet he's always saying stuff like, "Oh, that's gross!", "That's really disgusting", and "I think I'm gonna throw up". These aren't tough guy lines, and he comes off sounding like a wuss. Steve Johnson's fx are pretty good. We have a mean looking mutant biker guy, a disintegrating woman, and a Chinese restaurant full of reanimated ducks and pigs and stuff. Williams' half melted face in the last 10 minutes looks good too. Some cool appearances here too, including Darren McGavin, who you may remember as the leg lamp obsessed dad in A Christmas Story("Oh, you should see what it looks like from out here!"). Vincent Price has a small walk on part as well. The leading lady is quite flat and boring. All in all, Dead Heat may be a cheap action/comedy, but it obviously had more money invested in it than other films of this type. The fx are top notch and the film really doesn't look that cheap at all. This is no masterpiece for sure, but I must say that I really miss this kind of film, coz stuff like this just isn't made anymore. Enjoy.

This is the epitome of the type of movie Anchor Bay releases on DVD, crisp, clean, clear and celestial. Dead Heat is by far a cult movie that can be seen as both an action and horror movie. Our leads, LAPD detectives Roger Mortis (Treat Williams) and Doug Bigelow (Joe Piscopo) are investigating crimes, which are being committed by people who are deceased. When Roger is killed during the investigation, he is brought back to life, by the same element that is resurrecting these criminals, to solve the mystery.

The movie itself isn't suppose to be taken seriously, at least that is how I watched it. Joe Piscopo provides many one liners that are really funny, and one liners can be hard to pull off. Treat Williams also provides some dry and wry humor. It's cool that Vincent Price was in this movie, which gives it the official horror stamp of approval. There are plenty of dummies, fake blood, and cheesy effects to keep you going. It also has this buddy cop vibe to it, now it isn't Lethal Weapon or anything, but still a buddy cop movie. The sour cream on the taco is it was made in the 1980s! So if you love those late night cop movies and have a taste for things that are undead, you get them both in the same eighty-four minutes!

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I saw this in the theater way back when and I thought it was hilarious so I went and saw it again. Treat Williams is a cop who dies and yet he lives on and decomposes throughout the film. Piscipoe is not funny normally this is the only time you'll ever see him being funny. The film was not well received and I think it has somewhat of a cult following since only a handful of people actually liked it. Haven't seen it in ages so I don't know how well it would hold up. I remember it being really cool though. This is what 80's movies were all about... being really terrible with cheesey special effects, but entertaining as all hell. I won't buy it until it comes to DVD.

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I had no idea this movie even existed until a few months before its release on DVD. I never saw it in theaters when it came out in 1988, and by the looks of its box office receipts I wasn't the only one that missed it (ahem). I was only 11 back then and it was an R-rated film after all, so there's my excuse. How it escaped my keen horror radar in the following 16 years is a complete mystery, however. You'd think that I would have caught it some late night on television or on video at least once in all those years, but DEAD HEAT proved as elusive for me as a successful movie career did to Joe Piscopo.

While Joe Piscopo may not have had a stellar career in movies, as soon as I found out that he was in DEAD HEAT and that the film is billed as half "buddy cop comedy" and half "zombie horror", that's all I needed to hear. I was sold. In a rare move for me, I bought the DVD without even having seen the movie. My instincts proved correct once again as I found out that zombies plus Joe Piscopo equals comedy gold! Actually, gold might be overstating it. Comedy silver? Maybe. At the very least, DEAD HEAT is pure comedy bronze!

It doesn't take long before it strays from your normal buddy cop formula in a big way. When Roger (Treat Williams) bites the big one in a doggie euthanasia room while fighting a hefty undead two-faced biker (don't ask me about the two faces, I don't get it either) and is resurrected shortly thereafter, it becomes a race against time as he and Doug (Joe Piscopo) try to find Roger's killer. Can they find his killer before his body decomposes and he turns into worm food? Can Doug keep from becoming a walking corpse himself? Who's behind this zombie crime wave? Did Joe Piscopo's career tank after SNL or what?

Piscopo's character Doug is a veritable one-liner factory, churning them out fast and furious. It's probably because we're too busy trying to absorb them all that the audience essentially ignores Treat's character, Roger. Joe Piscopo delivers the lines with ease, some being real gems and some are just plain bad. The bad ones don't linger too long because there are enough good ones to get you through. These one-line jokes make up essentially all of the comedy, and in that respect the script is a little weak.

Like a lot of horror movies, the special effects and makeup are almost a character in themselves. Dead Heat is no exception. I was highly impressed in the job that Steve Johnson (SPECIES) did. With no CGI, all the effects withstand the test of time, even after all these years. There's a particularly nice scene of a woman who fast-forward decomposes right before your eyes. Even better than the decomposition scene is the Chinese restaurant scene. In one of the most phenomenal scenes in all of movie history, you can see all manner of animal get resurrected and get very ornery. From a pig on a platter and a flying liver of unknown origin to, best of all, a completely skinned undead steer on the attack. It's so utterly ridiculous, it's brilliant, and I doubt anything quite like it will ever be seen again on celluloid.

Director Mark Goldblatt's vision for DEAD HEAT was for it to be a legitimate comedy/horror crossover. If you hold it up to that standard it definitely falls short, especially if you compare it to the 80s film that was the most successful at it, RETURN OF THE LIVING DEAD. Where ROTLD was funny, yet still very much a horror film, DEAD HEAT doesn't nearly compare. There's just no horror to speak of. All of the scenes that are supposed to scare just don't work very well. Zombies attacking with Uzis in broad daylight are more laughable than horrific. They would have been better served to just concentrate on the comedy.

Simply put, despite its shortcomings, DEAD HEAT is a fun piece of cheese that is distinctly 80s. Vincent Price has a small, but important role, and what his presence adds to a film you just can't quantify. This is one of his last films, and it's worth seeing almost for that fact alone.

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This turkey movie star Treat Williams(Deep End of The Ocean) as a cop who gets killed and is brought back to life.This a buddy moive much like the "Lethal Weapon" movies, but it does not take itself too seriously.It not too scary and I would even think that by today's standards t would rated PG-13! If you like a turkey movie once in a while buy this one! Plus it does not cost as much as the other videos they have here! Face it guys,this video is bargain! Now go buy it and have some laughs while you watch it! Also starring is Vincent Price as the villian trying to take over the world!

...

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The Year of Getting to Know Us (2008)

The Year of Getting to Know UsI really enjoyed this movie. I'm surprised it wasn't released on DVD sooner.

The characters were all so deeply drawn out, quirky and so very flawed-almost to where it was tragic. I enjoy movies with dysfunctional and broken families because I know what that's like and frankly, it's nice to see someone worse off than me.

The cast was amazing!! Tom Arnold, Jimmy Fallon, Sharon Stone and Lucy Liu make for a decent ensemble.

And let me reiterate that Fallon is a highly underrated actor and that can play more than just a giggling goofball-he really can portray a brooding and incredibly broken man. Jimmy Fallon really displayed some of the best acting of his career.

I liked this movie, and give it 4-stars. My husband said he would only give it 3-stars, but he watched the whole movie with me, which means he thought it was interesting. Despite the cast, this isn't a comedy, but more of a thoughtful drama. The acting was great, and I liked the ending.

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I have watched this movie 3 times and upgraded it to blu ray.It's a great but sad and depressing story.Could not help but feel sorry for Christopher Rocket( Jimmy Fallon) this guy can act.Sharon Stone gave fabulous performance as a hippie mother. I like her philosophy on life, very original.Lucy Liu was great and sexy.Christopher's father (Tom Arnold) gave his performance as a selfish father at his best.

It deserves 5 stars.

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This film wasn't released in theatres, but it's loaded with interesting scenes and offbeat performances. It's definitely worth seeing. After all, this is a film where Sharon Stone has the comic lead and Jimmy Fallon has the serious role! There are lots of memorable scenes with a very funny supporting cast, too.

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This was an interesting movie, nothing that I expected. I never saw Jimmy play a dramatic role so it was very different. It was a good movie that reflected on dysfunction in the family but also how to get free of issues. Great price, great seller.

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That's My Boy (2012)

That's My BoyAt first look, the movie seemed like it would be cheesy and a bit of a drag, but it turned out 1000% better than we had hoped. Sandler's character was genuinely funny, very likable while being a complete screw up. I think this might have been his best role yet. All the supporting actors were great too, and while the story was predictable, it still flowed well. There weren't really any eye-roll moments, and we laughed out loud, which is rare with comedies these days. Even considering purchasing the movie to own :-)

Typical Adam Sandler but thats what you expect, Was a great funny movie. Vanilla Ice was funny he should do more Sandler movies.

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Adam Sandler is back in business! I was not expecting to laugh so much, but this movie is hilarious! Recommended.

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I love this movie. I laughed so hard my eyes got blurry. I will watch this movie several times more.

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Adam Sandler made a comeback to his roots with this one. Donnie Berger is one of the best movie characters of the past 15 years, and will surely hold up as Billy Madison and Happy Gilmore have.

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Rapture-Palooza (2013)

Rapture-PaloozaOkay, I can tell from different comical reviews of other films and works that someone is gonna get mad about the plot or the inappropriate jokes. I am here to say if you are looking to get enlightened or find some sort deep meaning behind this film; go back now.

Anyway, I thought this movie was hilarious! I like it when comedic movies own up to their "R" rating. (I'm weird. I know.) It was funny, but also visually stunning and I thought that was great. Also, I have to give props to the music department for the music choice. It most definitely didn't hurt that it had a few comedic actors in the film as well. I think every actor/actress as well as the team for this film did a great job. I would put more of a review here, but I don't like telling people about spoilers, sorry.

This story centers around Lindsey (Anna Kendrick) who has caught the eye of the portly foul-mouthed Anti-Christ (Craig Robinson) who prefers to be called "The Beast." Her complaining mother has returned from heaven, having been kicked out of the rapture.

The idea was clever, especially how man learns to calmly deal with the various plagues thrown his way. I enjoyed the Maddow joke as well as the "fowl-mouthed" crows. The humor was spotty. The jokes were rather lame and juvenile. The writers came up with a half decent plot but couldn't execute on dialouge, which made the actors look bad. It has the stupidity and language of a teen sex comedy that misses the mark.

Might make it as a low brow rental.

Parental Guide: F-bombs. No sex or nudity. Sex talk.

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Not quite as good as I was expecting. It had some funny moments (the crows and the locusts were humorous), but overall, it was all over the place. Craig Robinson was trying, but Kendrick and Daley were just sleep walking through it.

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I actually really liked this movie. I usually hate dumb humor, but for some reason this movie made me laugh more than once. It's pretty crude, but funny!

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Craig Robinson stars in two movies about the end of the world. One of those movies is funny, over-the-top and entertaining and the other not so much. Guess which film this is?

It's the end of the world as we know it and the faithful have been taken to Heaven while the rest of the world has to suffer through periodic meteroites and the anti-Christ (Robinson). When the anti-Christ falls for Lindsay (Anna Kendrick) he gives her an ultimatium; marry him or watch her entire family be killed. It falls to the secular Lindsey and her boyfriend (John Francis Daley) to reluctantly save the world by getting rid of the anti-Christ.

Written by Chris Matheson (Bill & Ted's Excellent Adventure [Blu-ray]), "Rapture-Palooza" has a terrific premise and great performers in a variety of supporting roles but never catches fire. The humor is lame and juvenile failing to deliver on the terrific premise. It doesn't help that director Paul Middleditch can't stage comedy effectively. The actors are game and most of the appeal of the film is due to their performances.

If you're curious, I'd suggest a rental otherwise avoid.

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Tomcats (2001)

TomcatsI walked into the "Tomcats" expecting a really bad movie with a few laughs every once in a while. MAN WAS I WRONG!

"Tomcats" is about a group of buddies who one day, after a wedding, make a little bet. They each place some money into a pot every year and the Tomcat who remains single the longest, gets all the money. Some years go buy and mostly every Tomcat is married except for two, Kyle (Jake Busey) a sex crazed maniac with a ton of cash to spend and a somewhat starving artist (Jerry O'Connel). Problems arrive at a casino and O'Connel's charecter owes a group of mobsters around 50 thousand dollars. Now the only way to get his money is to marry up Kyle, the only one who stands in his way of the pot. But an even bigger problem occurs when the artist starts to fall for the girl he tries to set Kyle up with (Shannon Elizabeth).

Throughout the entire film, many hillarious situatuions and scenes occur during the film. At times, I had to grab onto my stomach because I was laughing so hard. Though, every minute of this movie is hillarious, there are parts of the film you will remember more than others and some scenesyou will never forget for as long as you live (three little words, O'Connel's date with a librarian and when Kyle gets testicular cancer).

"Tomcats" is a great film with gaurenteed laughs that start from the beggining until the very end. All the acting is surprisingly good, especially from Busey and O'Connel. Unless you're someone who doesn't like to have fun, Tomcats is the ultiate film. TOMCATS ROCKS!

Well at least I think so. Jerry O'Connell, most recently of "Kangaroo Jack" fame, is one of two buddies in a large group of male friends who have pooled money together betting who can remain single. Finally it is down to O'Connell, an artist with some scruples, and his friend Kyle who has none.

During a trip to Las Vegas, O'Connell runs up a $51K gambling debt to a hilariously vicious, yet deadpan Bill Maher and his goons. Although there is enough in the jackpot to free O'Connell from reposession hell as Maher takes all he owns as collateral, he has even tougher odds of getting Kyle married, since he is a complete louse to all woman kind.

In walks Shannon Elizabeth as a cop who once dated Kyle and was left with a role of quarters in the road for a cab after being deflowered and dumped. She was a bridesmaid at one of the many weddings attended by the bachelor gang as they all became married one by one. O'Connell falls in love when he meets Elizabeth, but to free his debt, ends up getting her married to Kyle, or DOES he? YOU have to see this and find out for yourself.

While some are thumbing their nose at this film, I found it a scream. It was entertaining from start to finish, and lately, I find myself hitting the fast forward on many movies just to get through them. NOT "Tomcats". Is it sexist? SURE! I am a woman, I can laugh at this, in fact I did, out loud many times. There are more laughs and plain old feel good fun here than most comedies I have seen in awhile. A dominatrix librarian and her grannie partner who lure unsuspecting men into their dungeon of discipline? A diseased testicle ending up rocketing around a hospital while chased down by O'Connell? A wildly graphic and surrealistic restaurant scene where Elizabeth gives birth at the table in front of a party of 15-20 earth mothers vigorously and unabashedly breast feeding? Well if this sounds in poor taste, that is because it is! Delightfully so! Do not listen to the uptight folks who slammed this, unless you too have no sense of humor. Man or woman, take this movie for what it is, GOOD DIRTY FUN...and bring a big bowl of popcorn put your feet up and get ready to laugh.

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This 2001 sex comedy delivers the goods. It is very funny especially with its gross out humor bits. You will laugh from beginning to end. The acting in the movie is pretty good. And the beautiful Shannon Elizabeth looks so hot as she usually does. This movie is great fun and will have you wanting more.

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Not a movie with rave reviews but the plot and acting is good. If you like comedy, you'll probably like this. Not an academy award winner, but still worth your time.

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This is probably one of my favorite movies. Jerry O'Connell and Shannon Elizabeth do a great job. Wish there were other funny movies like this.

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Sweetie (The Criterion Collection) (1989)

Sweetie"Sweetie" is here! A Criterion treatment! The first time I saw "Sweetie" was purely by accident. It was before Jane Campion went on to make better known, bigger budget films--this film was her feature debut in Australia. And while I respect many of her works including "The Piano" and "An Angel At My Table", I don't have the passion for them that I do for this oddball of a movie. Part of the joy of seeing "Sweetie" for the first time was having no expectations. The film surprised me in every regard--it's wickedly funny, yet horrifying and moving at the same time. A few years ago, I found it again and I made my friends watch it, too. I was concerned it might not hold up to memory, but that feeling was short-lived as soon as the wondrous Genevieve Lemon came onscreen as Sweetie.

"Sweetie" is a film that really explores the notion of family. As the titular character, Sweetie is a powerful presence whose very existence has crippled her family and, in many ways, held them hostage. Primarily, we see things through Sweetie's sister Kay and I love that the film introduces us to the peculiarities of Kay without explanation. Then when Sweetie arrives on the scene, things start to become very clear as the family dynamic takes the foreground.

I consider "Sweetie" a comedy, but I'm not sure everyone would agree. But then, I have a bit of a sick sense of humor. Certainly there are many laughs to be had in the film--if only uncomfortable ones. But, make no mistake, there is also genuine and vivid emotional turmoil. The films success is that it balances these elements so well--and, in fact, that brings a bold realism and resonance to the proceedings.

The film is shot beautifully, and always slightly askew (which is perfect for the subject matter). The performances are vivid. Karen Colston is great as Kay, and you won't soon forget Lemon as Sweetie. And as odd as the film is, it will stay with you. And you just might recognize elements of your own family dynamic within the excesses presented! KGHarris, 9/06.

I've seen three Campion movies. It took a long time for me to forgive 'The Piano''s humorless, heavy hands and move on to 'Holy Smoke!'. But HS revealed a comic sensibility that 'The Piano' never suspected. 'Sweetie,' Campion's first feature, is by far my favorite yet.

'Sweetie' is an odd film. Mostly, it's an examination of what it means to be an individual--inside of and outside of the repetitive struggles of family dramas--and the perils and joys of exclusion and elitism. Campion uses her sharp wit to draw blood, and without the comforts of a privileged moral voice (e.g. the competent parent or maternal sufferer of most family dramas), the humor can seem a little mean-spirited at times. But 'Sweetie' tempers its alienated perspective with moments of grace that are as terrifying, joyful and sublime as the dry open spaces of its Australian landscape.

Moving the viewer through a fractured world of beautiful and unsettling images, Sweetie is this director's most richly creative and psychically adventurous work.

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This film is to director Jane Campion's The Piano what David Lynch's Eraserhead is to his The Elephant Man a personal highly stylised experiment before the challenge of the more conventional big budget assignments that would allow for both a controlling of each director's excesses and a streamlining of their obsessions. The parallel between Lynch and Campion can also be extended to their mutual interest in loners, misfits and eccentrics, and they both treat them with piteous dignity, in much the same way photographer Diane Arbus did for her "freaks". Sweetie is similar to Eraserhead also because it's an endurance test for those who hold a high opinion of each director's later work. The fine line between pleasure and pain can be felt with great artists and their fine line between genius and crud. Campion here uses a song "Love will never let you fall" sung by Tony Backhouse and The Cafe of the Gate of Salvation Choir as a backdrop to her tale of two sisters. Campion dedicates the film to her own sister and the screenplay written by herself and Gerard Lee is based on Campion's idea, so we know this is a personal story. (Campion's sister Anna is now also a director). Campion doesn't introduce the title sister until she has established the nature of the first, Kay, but also we don't fully understand why Kay is the way she is until Sweetie arrives, and is soon followed by their father. Sweetie is a monstrous child/woman but when the arguments between sisters begin it's hard to know whose side to take, since Sweetie makes Kay just as dislikable. Perhaps because Campion knew the narrative could be reduced to the domestic struggle of those tied by blood, she employs an expressionist use of framing where the person on view is placed off centre, as well as stop motion footage of the growth of plants, a montage of the workings of Kay's mind when she attempts meditation, and a flashback to Sweetie as a childhood performer with a growling dog as audience. There are also strangely disturbing images 2 men dancing together at a cattle station, and Sweetie bathing her father. However, like Lynch, Campion has a wicked sense of humour and the climactic incident in a tree is equally comic, tragic and metaphoric. As the sisters, Karen Colston and Genevieve Lemon are never allowed to become grotesques they are both given touching breakdown scenes and Campion appears to have a special gift for handling child actors, with the little boy neighbour and the girl playing Sweetie as a child at the end particularly good. And like Eraserhead, once you manage to adjust yourself to the slow rhythms and lower your too high expectations, you find that Sweetie gets better as it goes along.

Read Best Reviews of Sweetie (The Criterion Collection) (1989) Here

Once again, the Criterion Collection's given us a marvelous DVD transfer of a wonderful film that had rather fallen through the cracks -in this case, Jane Campion's haunting feature debut, SWEETIE. Odd and intensely personal, the picture's full of striking images (particularly brilliant use of color in the set design), camera angles that are unusual without feeling forced, subversive comic writing, a wonderful soundtrack and, not least, fearless performances from a talented cast. This is the kind of movie that has such strong interior logic, the audience willingly follows where it leads, no matter how bizarre or unexpected the destination proves to be. I'd vividly remembered many scenes of SWEETIE since seeing it theatrically in its original release; experiencing Campion's vision again today is just as strong. The usual superior Criterion touches -fascinating commentary and student works from this director, insightful essay in the accompanying booklet. If the only Campion films you know are THE PIANO or PORTRAIT OF A LADY, you may find many surprises here. Very worthwhile.

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Sweetie (Jane Campion, 1989)/Passionless Moments (Jane Campion, 1983)

Sweetie is the type of comedy I would write if I wrote comedies-relentlessly black, full of subversive moments, and deeply, deeply twisted. Barrel of monkeys? I scoff at your fun!

Kay (Karen Colston) is rather mousy, introverted, and not terribly happy in her relationship with Louis (Tom Lycos), whom she lands after consulting a fortune-teller. Not the best start to a relationship, one would think (and one would be right). Still, Kay and Louis are content, in their own miserable way, until Sweetie shows up. Sweetie (Genevieve Lemon) is Kay's younger sister, and she's well, I believe the technical term is "crazy as a loon". No one but Kay, however, seems capable of seeing this; her parents just see her as slightly eccentric, though still their darling baby daughter. Louis is oddly entranced by her. Gordon (Jon Darling), her manager/boyfriend, is convinced she'll be the one to finally net him some success, and he's not put off by the fringe benefits of managing her, most of which he reaps between the sheets. Loudly. As Sweetie slips farther and farther round the bend, though, the rest of the family does come to see that, perhaps, there might be something wrong; unfortunately, no one's equipped to deal with this new perception, and anything that can go wrong, etc.

I should probably insert some sort of warning about triggering conversations/behaviors, but that's kind of the point of the movie, isn't it? This is supposed to push your buttons (in much the same way that Very Bad Things did a few years later). And it does a very good job of it; the movie was castigated and/or damned with faint praise when it appeared, though it has since been recognized as a classic in the making given some of Campion's later output (e.g., The Piano). Campion, who both wrote and directed, is a twisted genius with a camera here; all you can do is sit back and enjoy the ride. And I highly recommend you do so.

I wouldn't normally review a thirteen-minute film, but Passionless Moments, which can be found in Sweetie's DVD extras, is on Jonathan Rosenbaum's list of the thousand best films ever made, so I should probably give it a paragraph. A short made by Campion in 1983, Passionless Moments takes a number of disparate scenes and puts them together. Each of them is oddly familiar, things you've done or wondered about yourself, but presented from odd angles, or with weird cuts; it's as if Roald Dahl got inside your skull and started writing Tales of the Unexpected straight out of your subconscious. It's absolutely worth your time, and is worth the cost of buying the Sweetie DVD by itself. **** (for both).

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Flypaper (2011)

FlypaperI've been disappointed with most movies I've seen recently. Nothing really captured my imagination or made me laugh--or think for that matter. I came across Flypaper by random chance, and its restored my faith in movies.

I don't want to spoil this movies many plot twists (some of which you saw coming) but the basic plot is as follow: Two opposing bank robber teams by chance rob the same bank at the same time. One team is pro with high tech gadgets, the other is a redneck duo that make you wonder if they should be in a mental institution. Instead of it being a quick smash and grab though, the bank is locked down until the next morning. In the meantime, both teams try getting into the vault/atms/getting money--but then things go terribly wrong. One by one, people die.

I realize that made it sound like it's a horror movie--its not. It's a quite above average darkish (it's neither fully black or light) comedy "whodunnit" with intricate plot twists and a unique main character. Imagine Agatha Christie's "And Then There Was None" mixed with "Inside Man" with a sprinkle of ADD.

I was absolutely shocked to go to rotten tomatoes and see this movie's very low reviews. The big criticisms were a lack of chemistry between the cast (which I completely disagree with) and an unfunny script. Honestly, I think it just comes down to what you think is funny. If your idea of funny is say "Knocked Up", this is not the movie for you. However, if "Wild Target" made you almost cry with laughter (yes, I am speaking about myself), then I would highly recommend this movie.

"Are you seriously suggesting that we rob the same bank?" While talking to a teller (Judd) about change (Dempsey) a bank robbery begins to take place. When signals get mixed Tripp realizes that there are two groups of robbers. After explaining to them they can rob the same bank right now he tries to figure out why two groups are there and who tipped them off. This is a very surprising movie. Full of action and very funny. The cast is great and for a little movie it pulls in some really big names. This is the most fun I've had watching a movie in a while and while it's not an amazing Oscar worthy movie it is very much worth watching. An updated action version of "Clue". Equal parts action, comedy & mystery with a great twist at the end. I recommend this highly. Overall, a very very exciting and fun way to spend an hour and a half. I give it a B+.

Would I watch again? I think I would.

*Also try Clue & Henry's Crime

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With its convoluted plot, manic energy, and slapstick shenanigans--the lightweight, but enjoyable, "Flypaper" plays like the equivalent of an elaborately staged murder mystery dinner. You're not really meant, however, to follow the clues to their logical conclusions or be able to deduce the central conundrum. No, it's best to just let the silliness unfold on and around itself. To thoroughly enjoy the comic mayhem, one has to let go of reason and go with the flow of the sitcom stylings. Most, I think, will be willing to do so as "Flypaper" certainly stacks the deck with an astute cast of notable performers--all gamely hamming it up to maximum affect. Patrick Dempsey and Ashley Judd headline this piece, but the impressive supporting roster includes Tim Blake Nelson, Pruitt Taylor Vince, Jeffrey Tambor, Rob Huebel (always a welcome presence), Octavia Spencer (ditto), Mekhi Phifer, and Curtis Armstrong. No one gets much actual characterization, really, more than a cursory quirk or two--most just exist to play a possible suspect in the overly-plotted comic thriller.

As "Flypaper" opens, we get a brief introduction to the varied members on staff at the quaintest little bank you're likely to encounter. Judd is a teller and Dempsey is a jumble of tics as a socially awkward customer, who happens to be a savant of sorts. Before you know it, the bank is raided by two distinct groups of bandits--one tech savvy (Phifer, John Ventimiglia, and a great Matt Ryan) and one bumbling idiots (Blake Nelson and Taylor Vince, no surprise there!). As everyone gets trapped in a lockdown (don't worry, police intervention is conveniently absent from the consideration), Dempsey starts to piece together that a more elaborate scenario is in play and the conflicting robberies are just part of something more nefarious. Before the night is out, there will be many secrets uncovered. As everyone scrambles around the bank in full slapstick mode, there is plenty of silly fun. But beware, there is also a surprising body count as we come closer and closer to the truth.

A movie like "Flypaper" certainly isn't meant to be taken seriously. It's a simple bit of fun. There is not much subtlety to be found. If you like over-the-top acting and outrageousness, this might be a fitfully diverting entertainment. If you are less keen on slapstick comedy, this might not be your first pick. I did enjoy "Flypaper," largely because of the talented and appealing cast. But I think the murder mystery theater comparison is apt. Lightweight and amusing, it's not necessarily something that will linger in your mind beyond watching it once. However, for something so frothy, there is a fair bit of strong language and an unexpected amount of violence. If you are more sensitive to these elements, you might take note. Part comedy, part mystery--this heist picture is an engaging and amusing romp. KGHarris, 11/11.

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A very large bank has the unlikely event of being robbed by two different gangs at the same time. One group is dressed as a swat team while a second gang appears to have been on "Deliverance." Patrick Dempsey stars as Tripp, a customer who is fascinated by bank teller Katlin (Ashley Judd) and attempts to keep her out of harm's way. Katlin is supposed to get married in 2 days to a rich man.

After shots are fired, Tripp (who is off his medication) acts as a mediator between the two gangs to work out a compromise. There are things about this robbery that don't add up in Tripp's mind and he wants to know why. Tripp has a mental condition which aids him to figure things out. He plays "Clue" as things turn into "10 Little Indians." The robbers are a good quirky bunch as are the hostages. Excellent use of characters. Funny. Fast paced. Kudos to Rob Minkoff.

F-bomb. No sex or nudity.

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I didn't bother to seek out critiques of Flypaper . . . it's obvious that something didn't gel in the kingdom of film critics. And I'm glad that I didn't let that stop me in this case. The plot sounded like it had potential, and I took a chance . . .

Flypaper is a refreshing bit of nonsense, cleverly directed and acted, with a little more violence than necessary (ask Hitch), but certainly not in-your-face like so much video now. It's not that far removed from a Coen Brothers piece, and while not as deep (a word questionably applicable to any of this genre) as "Burn After Reading," or maybe "Raising Arizona," it will probably find the same crowd. And there's some fun in being able to individually discover something that wasn't already hyped to death.

Is there enough substance to create a cult classic here? I'm not sure, but there's more here than met the critic's eye. It's not easy to take the terminal dumbness of Peanut Butter and Jelly, and make it work. I kept expecting it to slide into a groaner as the movie progressed, but the giggles kept coming. Patrick Dempsey is hysterical and convincing as an ADHD victim without his meds, and Ashley Judd still has the spark. The supporting cast was spot on, but the direction made it all work. It's a fast-paced show that depends largely on timing and dialogue to work, and apparently, many of us think that it does. These characters don't need any more depth for this type of project.

Fun to speculate how the Coen Brothers might have handled this one. "Burn After Reading" still hangs at 3 stars . . . people either get it or they don't. It's one of my all-time favorites.

Flypaper is an escapist flick that should deliver 87 minutes of fun if you're in the mood. It'll never win an award, but I give it 4 stars for its comparison in the genre. They didn't get enough credit for this one. A good example of the need to make up your own mind . . .

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Bedazzled (2000)

BedazzledIf you are picking this great movie up on Blu, make sure you keep your DVD because the hidden easter egg from the DVD is NOT included on the Blu version. The missing scene is a deleted wish where Brendan Frasier is essentially Ozzy Osbourne. It's fantastic, so make sure you keep it.

The Blu Ray version looks great. Picture is crystal clear The only draw back is that there is no menu. Put it in and it just starts playing. You can't pick a chapter or change the audio output. Also, on the DVD version, there is a very funny deleted scene with the character Elliot as an English rock star. Not on the Blu Ray. Anchor Bay needs do a better job.

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Where do I start I love this version of the movie (vs the 1960's Version) and was waiting anxiously for a blu ray release.

I have the movie with me and am a little disappointed and heres why

-No menu whatsoever this is as barebone as a Blu ray disk can get

-I don't think it wasn't mastered very well a few scenes are really blurry and it pans in and out sometimes but most of the movie is pretty sharp (watched it in a Samsung F7100 60")

-No extra features the easter egg from the dvd is not there not even a commentary it goes from the FBI warning and straight into the movie

-No DTS HD Master audio, this might be nitpicking but MA sounds a whole lot better than DD HD Imo.

Overall i would take a Bad Blu ray release over no Blu ray release but was disappointed the movie itself is 5 stars imo but the Release itself is crap I just hope they dont pull an avatar and Re Release the Complete Disk later for $20

But for $12 its still worth to buy it to watch it in HD

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I've seen this before and had to get the blu ray. It's a funny story and I like anything that makes me laugh and smile.

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While I'm a huge fan of the original version with Peter Cook and Dudley Moore, I liked this one just as much and thought it was inventive, witty, and clever; it's probably Hurley's best role. I greatly anticipated the blu-ray release, but it turned out to be a disappointment. Yes, the film looks crisper than on DVD, as one would expect, but this is a bare-bones release. There are no extras, no commentary -not even a menu! Pop it in the player and it just starts up. This pales in comparison to the excellent DVD release, which had engaging commentary, deleted scenes, and even a music video with Elliot as a rock star (a wish wholly excised from the film). For fans of the movie, I suppose it's worth getting on blu-ray for the picture quality, but you'll want to keep your old DVD copy as well, certainly, for all the goodies this release should have included but didn't.

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Hostel & Hostel II - Double Feature - Blu-ray (2012)

Hostel & Hostel II - Double Feature - Blu-rayDO NOT BUY THIS!!!

Seriously it is defective! In the final five minutes of the first Hostel movie when Paxton exits the train the audio goes crazy and it becomes a random mix of sounds that do not mix with the movies itself and no doubt ruins the experience imo.

I am not the only one who has this problem because other reviewers here have expressed having the same issue! I only hope that they remove these defective blu-rays from Amazon and department stores because honestly it's a massive error on Mill Creek's part but perhaps I should not be surprised.

1 star for this edition of Hostel/Hostel 2

The movies themselves are gore classics in the horror genre.

Thanks guys now please don't make the same mistake I made.

Yep, like everyone has mentioned, the audio was synced improperly during the final scene of HOSTEL. I emailed Mill Creek Entertainment (just do a search concerning the matter) about the disc, got an immediate response about it. I was surprised with the expediency of return contact, honestly. The rep asked for my contact information in order to send a replacement, free of charge. I wasn't expecting anything to happen after that, so I ordered the individual Sony releases, and forgot about it. Surprise! Checked my mail today, to find a corrected set, along with a nice bonus nature blu-ray. I'm guessing Mill Creek is a small company, and hey, crap happens.

By the way, I've watched both presentations. There is no real difference in picture and audio quality, between the Sony and Mill Creek transfers.These are dark, grainy films. If you don't need the special features, go with this one. Nice to have both inexpensively on one disc.

Buy Hostel & Hostel II - Double Feature - Blu-ray (2012) Now

If your buying this just to have, check the first movie on the last five minutes, mine had an audio track error. This is relatively new so make sure yours isn't a bad copy.

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The blu-ray was good quality. At the end of the Hostel I the audio track was off and I was very disappointed

Amazon offered me a refund. I am afraid to re-purchase the item as they all may be defective. Otherwise, I

would love to have this (in good condition) in my collection.

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Everything that reviewers have already been saying about this set are true. Very low quality and no features. The films are highly entertaining, but this particular double feature release is horrible. Avoid.

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