Showing posts with label cool comedy movies. Show all posts
Showing posts with label cool comedy movies. Show all posts

This Is The End (Two Disc Combo: Blu-ray / DVD + UltraViolet Digital Copy) (2013)

This Is The Endf you thought that the Red Wedding on that one episode of Game Of Thrones was bad, just wait until you see This Is The End, the new film from writer/directors Seth Rogan and Evan Goldberg. Spoiler Alert: Virtually any popular comedian or pop-culture icon you can think of dies on screen in the first fifteen minutes. You're left gasping for air as the likes of Michael Cera, Aziz Ansari, and Paul Rudd all suffer hellish fates. Not just because it's insane that Seth & Evan cinematically kill all of their friends, but because it's so goddamn funny as it happens. Such is only the start of the pure chaos that resides within This Is The End.

This is one of those movies that makes you sound like a lunatic while you try to describe the plot to your friends afterwards. Jay Baruchel arrives in LA to hang out with Seth Rogan (the actors all play themselves) and ends up getting talked into going to a huge party at James Franco's new extremely expensive house. This party, which is filled with the entire Apatow crew and countless other Hollywood celebrities, serves as many things. It serves as a mini reunion between 3/4s of the principle cast from Freaks And Geeks, a Superbad reunion, and while I won't spoil the fun, it's also a chance to never be able to look at Michael Cera the same ever again. During the party, the Apocalypse erupts around LA in which the only survivors are Jay, Seth, James Franco, Jonah Hill, Craig Robinson, and Danny McBride. The group takes shelter inside of Franco's ridiculous house, and thus from their on out the film becomes a love letter to Seth Rogan and Evan Goldberg's favorite films and pop culture references.

After nearly a decade of films from the Apatow crew, such as Knocked Up, Superbad, and Pineapple Express, This Is The End feels like the best, if not at least the best since Superbad. It's a solid two hours of non-stop fun. Not only was it fun seeing all the actors share the screen together once again, but it was a blast seeing them all play exaggerated versions of themselves. Jonah is the typical so far up his own ass Hollywood celeb after his Moneyball Oscar nom; Jay hates everything and everyone because he's a Hipster; Franco is secretly obsessed with/in love with Seth, who is, well, I guess the same Seth he's always been; Danny McBride plays practically an amalgam of every character he's ever played; and Craig Robinson has a hugely popular catchphrase, "Take Yo Panties Off" and spends 98% of the film with a towel emblazoned with his name resting on his shoulder. Since they're all playing themselves, they're able to take the fun to extra heights by constantly mocking their previous movies and while exploring James Franco's basement, in which he stores all of his props from past movies, you're treated to such gems as a gun from Flyboys, his severed arm and camcorder (which they all use to film The Real World style confessionals) from 127 Hours, and more importantly, his costume from Pineapple Express. Any fans of that flick will be overjoyed at how that costume plays into This Is The End.

One of the things that made Superbad such a great film was how aside from the fantastic comedy elements, the film also had a heart. It dealt with the awkwardness of growing up in high school and co-dependant friends learning to adjust to social life in separate directions. Seth Rogan and Evan Goldberg have again put a heart underneath all of the craziness found in This Is The End, essentially touching on the same subject but just at a much older age. Covering once again the co-dependance of friends, and the unwillingness to accept your friend's other friends, but taking it one step further by showing the importance of treating each other well and always being there for each other. It's not as deeply seeded as it was in Superbad, but it's there and it gives the film more than just a "crazy action comedy" vibe. You can actually emotionally connect with it.

The one thing that everyone will be talking about this most after seeing This Is The End will be the film's third act. To some, they might not like or appreciate how truly off the rails it becomes, but for a film as ridiculous as it already is, it actually works to the film's advantage. Using plenty of references to Rosemary's Baby and The Exorcist, and countless other horror films (I swear the scene in Franco's neighbor's house is an homage to Ghostbusters), Seth and Evan just start throwing you curveball after curveball until it ends in one huge heavenly reunion that rivals the Britney Spears scene from Spring Breakers as best Pop Culture Joke of 2013.

This Is The End is not only the best comedy of 2013 so far, but it's one of the absolute best outings from the Apatow crew yet (only marginally behind Superbad). If for no better reason than to see a brief Freaks and Geeks reunion and Jason Segal talking s*** on How I Met Your Mother. Oh, and that Michael Cera thing I mentioned earlier. Definitely for the Michael Cera thing.

One of the great things about THIS IS THE END is the concept. It's a bit obnoxious...but it's also really darn clever. An "end of the world" movie starring actors like Seth Rogan, Jay Baruchel, Jonah Hill, James Franco & Craig Robinson PLAYING THEMSELVES! These actors and a number of their Hollywood friends (Danny McBride, Michael Cera, Paul Rudd, Aziz Ansari and most randomly Rihanna and Emma Watson) all assemble at a party at James Franco's house just when all hell literally breaks loose. True, it sounds a bit self-important and self-indulgent...but who cares when the results are as obscene and hilarious at it all turns out.

This end of the world scenario involves the biblical apocalypse, and it all starts with the rapture, as people all around are suddenly drawn up to the skies by heavenly tractor beams. This is witnessed by Jay Baruchel and Seth Rogan...and they run back to the raucous house party only to discover that NO ONE has been raptured from amongst these Hollywood partiers. That alone is pretty hilarious.

As the scenario plays out, horrible things happen to many of the stars until only a few are left to ride out the end, trapped in Franco's house with a woefully under-stocked pantry. The "plot" of the film isn't terribly important, to be honest...the fun is in watching these guys play versions of themselves that are HIGHLY unflattering, and yet not necessarily so far off the mark to be totally unbelievable (although I sure hope Michael Cera is NOTHING like his character in the film...absolutely disturbing and hilarious). Seth Rogan has some fun riffing on the idea that he plays the same character in all his films. Baruchel HATES all these guys. Jonah Hill comes off as effete and creepy. (And Emma Watson gets to drop some f-bombs and endure some funny Hermione jokes.) And James Franco is looser than he's been in awhile...reminding us of why he became such a big start in recent years.

It's a sloppy film that feels like it was LOADS of fun to make. The laughs are frequent (and frequently around some pretty R-rated material...this film is not for delicate constitutions). The budget is high enough to allow for some pretty amusing sight gags. The jokes and insults fly fast...this is certainly a movie that will reward a repeat viewing, as there is no way to catch everything the first time. And yet, as is often the case with Seth Rogan related comedies, the film has a heart as well. I'm not going to say it's "moving"...but it has moments of redemption which is important, because I think the film might come off as too mean-spirited without them. We need the "soft" moments to take off the edge. This tendency is what has made movies like KNOCKED UP or SUPERBAD into classics...the fact that underneath the edgy, foul-mouthed, "screw it all" attitude is some old-fashioned feeling.

THIS IS THE END doesn't always work. The jokes and bits come so frequently that some of them must misfire. Danny McBride and James Franco have a lengthy scene together in which they discuss...well, let's just say it involves McBride's self-abuse proclivities...and it goes on for too long. It's funny at first, but then just crosses the line. This is a film that really tries hard to come up to the line over and over...sometimes it crosses over with crassness and sometimes just by letting the jokes go on a few beats too long. But it HITS far more than it misses.

THIS IS THE END is VERY funny and very offensive (in the best possible way). It is deeply politically incorrect (yea!). It is certainly not for everyone. If you like the group of actors mentioned and the films referenced, it should please you immensely. But if you've seen 40 YEAR OLD VIRGIN and hated it and wondered what the fuss was about...it's unlikely you'd want to spend your time with this film. I really enjoyed it myself, and certainly would highly recommend it to the RIGHT group of friends.

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With the amount of talent this has lined up, it would be strange if it was not a good time at the movies. Based on a short film called Jay & Seth vs. the Apocalypse, this movie ups the ante in every sense of the word. The comedy you have come to expect from Seth Rogen, Jay Baruchel, Craig Robinson, James Franco, Jonah Hill, and Danny McBride is top notch. The rest of the cast, all playing themselves, is also played perfectly. Injected with horror in fact, some right out of famous horror films like Rosemary's Baby and The Exorcist, this movie also brings the scares and gore, although it never loses sight that it is a comedy, first and foremost.

When Jay comes to LA to party with Seth, they end up hitting a party at James Franco's new, druglord-type mansion. All the celebrities are there: the main cast of 6 mentioned above, Michael Cera, Rihanna, and others that I won't spoil the cameos for. Then, it comes to a crashing halt when the party is stopped by the oncoming End of Days. Death and destruction leave the 6 leads trapped in James' house, with very little but themselves to entertain each other and survive. Comedy ensues in every form, from spoofing themselves in nearly every movie they've been in, to the explicit vulgarity we have come to love in their films like Superbad, Pineapple Express, Knocked Up, and so on, but kicked up a few notches. Everyone gets a chance to shine too, which is great, because they all give 110%, and the movie is all the better for it. The horror is in top form too. It is surprising how easy it just comes to the screen in such a raunchy comedy with these recognizable faces, but that is part of what makes the movie so enjoyable.

You will laugh at nearly everything that this film throws at you, even if you feel you shouldn't be laughing at, such as exorcism and drinking urine. I expected this movie to be funny, but not near as funny as it turned out to be. Not only did Evan Goldberg and Seth Rogen write this, they also directed it. Keep them in mind, because they will be getting much more to do when this movies hits hard. I expect this to be one that we talk about for years to come, and has set the bar high in the world of comedy.

Read Best Reviews of This Is The End (Two Disc Combo: Blu-ray / DVD + UltraViolet Digital Copy) (2013) Here

I don't get brought to tears much in comedy, but these guys nailed it, for me anyway. I recommend this if you like any of these actors, or the overall concept of "making fun of one self".

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Theater Review *spoilers ahead*

Okay, I saw this in the theater a few days ago and here is my view on things...

I haven't seen many films but it seems like the script was thrown together over a drunk weekend. But, from what I've been told, these actors seem to make movies together and that is how they "roll"

The script isn't a new one but they seem to pull it off and makes the audience wonder what exactly is going on. I personally thought it was aliens what were abducting people but when he started talking about the bible, I put it all together. He doesn't seem to get much right but I guess that was the intended purpose. We go through a lot of dialogue with a bunch of it way "over the top" (too vulgar to say on here but anyone that's seen the movie would get it) One scene that was funny was when the girl with the Axe was going to get some sleep and the guys were joking around about which one of them (the guys) they will rape first...she overhears and gets out of the house.

Okay, from start to finish......The party and the scenes were very funny. the "obnoxious" guy with the two girls was....not. Taking a look at the scenes with the fires all over and the pit that swallows up most of the party goers (who none of them get "raptured" isn't really surprising...lol) was funny to watch, yet, sad to see.

When their other friend shows up and eats their food (you know, the ignorant one), I could see the situation for these guys to be going downhill fast. They fight, fight, fight until he leaves, only to reappear as the demonic carnivore. The premise of how the guys get "raptured" for doing "good" deeds is very cheesy and over the top. They witness demonic flying creatures, chimera (I think) and one demon who sneaks into one of their room with a 5 foot long...well.....umm.....never mind. (another example of over the top humor)

Well (without giving the movie away) some of them get raptured (one gets raptured but was arrogant..thus wasn't....and gets eaten) some just die from various things. But, overall, at the end when you see 1,000 foot tall Satan and his "package" (something I did not want to see) and they get away, I knew that the movie was most likely over.

Overall, this movie will most likely turn away anyone remotely "religious" and send them out of the house screaming "Blasphemer" and running to get holy water to get out the demon that is in pocession of the person's body (oh, the homage to the horror classic was well done)

A little too vulgar for me to give it 5 stars. Enough of a plot and twists and turns to get three.....

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American Wedding (Blu-ray + DVD + Digital Copy) (2003)

American WeddingI really should dislike this movie, because the comedy is even more disgusting and base than the previous movies in this series, but when the movie is funny, it's hilarious, and I couldn't stop laughing. Be warned, however, that much of the humor comes from gross situations.

In this edition, Jim Levinstein (Jason Biggs) asks Michelle Flaherty (Alysson Hannigan) to marry him. The big moment is to happen in a very nice restaurant. Jim hints that he wants to ask Michelle a very important question, and his hinting about is misinterpreted by Michelle, who crawls under the table to do what she thinks Jim wants. In the mean time, Jim's dad, played by SCTV alumni Joe Levy, shows up and sits in Michelle's chair, unaware that she is under the table. Michelle goes unnoticed until Jim's dad mentions the wedding proposal, which causes Michelle to bump the underside of the table. Jim jumps up, his pants are down, and it's embarrassment and pandemonium. As funny as this scene is, it gets better, or worse, depending on how you look at it, from there.

The movie ends up being a series of gags from beginning to end, that are both funny and often disgusting. Steve Stifler (Seann William Scott) is often involved in many of these scenes. In one scene Steve and Jim are in the library with a dog when an accident with a cake happens. When Jim's dad opens the library door to bring in Michelle's parents, Steve and Jim appear to be in a very bizarre position with respect to the dog. You'll have to see this one to understand it or believe it.

There are another pair of scenes that are related involving a gay bar, a bachelor party, with Stifler involved, of course, and Michelle's parents. While not every moment of these scenes are funny, they are in several places, and I found myself laughing all the way through the scene where Jim is supposed to be having dinner at home with Michelle's parents.

Stifler manages to get himself invited to the wedding, and even manages to convince Michelle's mother to let him carry the wedding ring. Unfortunately Stifler manages to lose the ring, which a small dog then eats. How Stifler gets the ring back is simultaneously funny and gross.

While Stifler acts like the jerk he is for much of the movie, near the end we see Stifler make a mistake, and then pull out the stops to correct his error. For just a moment we get to see Stifler actually act like a human, and the movie turns out all right.

I watched many of the extra features on the DVD. The two features I thought were the best were the deleted scenes and the outtakes. Watch them after seeing the movie.

I gave this movie three stars even though it was a laugh-fest all the way through. Much of the humor is gross and disgusting, and the situations used to get the laughs are totally unrealistic and bizarre (well, none of these have ever happened to anyone I know). If you enjoyed the first two "American Pie" movies, you'll enjoy this one as well. Definitely not a family movie and many adults will find portions of the movie a bit too bizarre to be enjoyable. However, for those who like Mad Magazine and can handle gross jokes, this movie is a blast.

This is DEFINATELY one of the FUNNIEST movies of the year! I give mad props to the director for creating such a incredible and hillarious movie. Like many people have said, I thought it would be a total letdown without some of the other characters but after watching the movie, I wasn't disappointed at all. To be honest with you all, I truly do believe that this is the BEST movie in the series. This made me laugh my mouth off from start to finish and the plot to the story was incredibly done. I also believe that the actors and actresses put their best effort to make a great ending to the series. However, this does get me questioning: will this movie truly end the series? I highly believe that there will be another one (I'm hoping too) and I'm sure a lot of people out there would want to see another AMERICAN PIE once they see this. There are some funny scenes and scenes you won't want to miss in this movie! The scene where Stifler enjoys the dogs licking his pants has to be the funniest scene I have seen so far this year! The bachelor's party is the best scene by far... see it and you will understand why this is so. The most disgusting scene is where Stifler eats the dog's crap, to save Michelle's mom from eating it (she believes it's chocolate and Michelle's mom loves eating chocolate). It was so disgusting, it put me off my food after seeing that bit but that definately wasn't a let-down to the movie. Another disgusting part which will make you jump off your seats is the part where Stifler is in a rush to meet Cadence in the closet. It's dark so Stifler cannot see and believes Cadence is in there so he starts feeling up "Cadence". Eventually, you'll find that Stifler is having sex with... Jim's grandmother when Finch opens up the door! There are some new characters added to the movie, like:

Michelle's hot as blonde sister, Cadence

Michelle's parents

Jim's grandma

and plenty more.

I really enjoyed this movie and I wouldn't mind seeing it again. There are a lot of excellent scenes in here and the movie is just fantastic. I would highly reccommend anyone to see this movie. It's so funny, even your parents will enjoy it. This is a great and memorable way to end the series, but I hope that AMERICAN PIE does come out.

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I went to the cinema today to see the third and "last" part of the series, which kept me laughing in every movie.

And to my own surprise I noticed that this is definetely the best and funniest part of the series.

The jokes doesn't sounds old and it's still fresh and dirrty exciting. All the actors are great and the storyline is interesting and gives the audience a good and lovely "end" of a movie series that will stay in mind.

P.S.: My parents did also think that it is very funny.

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I must say that while I am very satisfied with how they ended this series, I am a little sad to see Jim (Jason Biggs), Michelle (Alyson Hannigan), and the gang leaving. Unlike most teen movies, the American Pie series actually gets you to care for the characters. I feel a slight connection to these characters. For example, I want to see Michelle again. The character, who has grown from a mere punch line into a frontman, is hilarious not to mention beautiful. When I heard that Alyson Hannigan was getting married in real life, I was a little sad (darn you Alexis Denisof), but it's not like I have a chance or anything. Also, Jim and Michelle are, in this way only, like my parents: my mom is Irish Roman-Catholic while my father is Jewish. Anyway, the movie follows the continuing exploits of Jim and Michelle before their wedding. They want the wedding to be perfect so they naturally choose NOT to invite Stifler (Seann William Scott), but he eventually is able to wrangle himself into the ceremony. Like Michelle, Stifler has grown in importance. In the first movie, he was a supporting character; he wasn't part of the group or the pact. In the second movie, the gang didn't want him at the beach house, but they needed him. In this one, they don't want him at the wedding, but he actually is the unofficial star of the movie. He and Finch (Eddie Kaye Thomas) are both vying for Michelle's hot (but nowhere near as beautiful as Alyson) Cadence (January Jones) and they actually switch personalities; Stifler becomes cultured and polite (only in front of the Flaherty family) while Finch becomes the rude "Finchmeister". Kevin (Thomas Ian Nicholas) doesn't have much to do besides add a little support to Jim. The film could have been done without him. I'm not saying that it should have been done without him, I'm just saying that it could have. I wanted the entire gang back, but I'll elaborate later. Meanwhile, Jim is trying hard to impress Michelle's parents while Michelle struggles to write her vows. As usual, laughs are inevitable while the characters struggle to achieve their separate goals: there is Stifler with the bachelor party, Jim and his nervousness, Michelle's dirty nature, and Finch's strange knowledge. If you liked the first two movies, you owe it to yourself to see "The Thrilling Climax". However, not everyone in the group decided to be a part of that climax. The one that I'm most surprised about is Oz (Chris Klein). He was part of the main group, something that Stifler was not. He was one of Jim's best friends and he wasn't even mentioned throughout the film. Also, he is a good counter-balance to Stifler: they are both popular jocks, but Oz is sensitive while Stifler is crass. Now if you have Oz, you have to have Heather. After all, the two are in love. If Heather was cut first, I can see why Oz wasn't there, but I don't understand why anyone was cut. Next is Vicky and Jessica. They are a pair, and while Vicky wouldn't have too much to do, Jessica (who would have Vicky with her for the ride) would be able to give advice to Jim and Michelle. Finally, there is Nadia, the only member of the lost gang who was even mentioned. I can understand why she was cut the most, however, she could have created some conflict for the two lovebirds. Before I wrap up this review, I must say this: be warned: there is a scene in this movie so disgusting that I almost threw up in the theater. I have never in my life come that close to barfing due to a movie in my life. So in conclusion,... It's like Michelle says in American Pie 2; you can't be too uptight. It causes problems. Enjoy this last piece of pie.

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I love this movie. It's awesome on Blu Ray. The picture and sound is great!A must have for all American Pie fans.

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Love & Other Drugs (2010)

Love & Other DrugsI was very surprised to find this movie to my liking. I went (rather grudgingly I'll admit) to see this movie and I was blown away, it wasn't just a comedy, it wasn't just a romance, it was a deep, intricate experience that mirrors (to the best of hollywood's ability) the real relational component that we never really know what will come next with any of our relationships. This movie throws you for several unexpected twists and turns but this is one not to miss! Do be warned it's rated R for a reason, you see just about everything Hathaway and Gyllenhaal have to offer. This movie also packs some pretty good comic value. Ultimately its a heartwarming story about a man who had never found a desire to approach anything with all of his heart and/or ability until he meets Maggie, then everything changes. This will definitely be added to my personal collection just as soon as it comes on DVD.

I loved this movie. It had me laughing, and crying, and it was sexy, and poignant, and very, very well acted. Jake and Anne are wonderful together. Very believeable. I could have done with a little less of the "brother" character, played by Josh Gad, and I wish Jake had more scenes with Hank Azaria and Oliver Platt, but I really did love it. When it ended, I just wanted to go right back to the beginning again!

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LOVE AND OTHER DRUGS is based on Jamie Reidy's highly regarded novel 'Hard Sell: The Evolution of a Viagra Salesmen' and as adapted for the screen by Charles Randolph, Marshall Herskowitz and Edward Zwick (who also directs). It is a little jewel of a film. If the portion of the film that deals far too long with a silly Radio City Music Hall show of Pfizer Pharmaceuticals training program bores the audience (it should have been severely edited for many reasons), it is worth the wait for the actual romance story that follows.

Jamie Randall (Jake Gyllenhaal) can't hold a job, preferring to focus on womanizing, much to the disdain of his wealthy obese brother Josh (Josh Gad), and his parents (George Segal and Jill Clayburgh in a role that was to be her last). Jamie best friend Bruce (Oliver Platt) joins Jamie in becoming a pharmaceutical rep for Pfizer and the two are placed on the road to push Zoloft and Zithromax, finding that the market is hoarded by Trey Hannigan (Gabriel Macht), an Eli Lily salesman selling Prozac. Jamie encounters Trey in the office of Dr. Knight (Hank Azaria), studies Trey's success and his own failure, and in the process encounters a patient of Dr. Knight, the free spirited gorgeous Maggie Murdock (Anne Hathaway) who has been with both Trey and Dr. Knight. Jamie's lack of success pushing Zoloft suddenly reverses when Pfizer comes out with Viagra: Jamie is a natural to be the leading salesman for this new enhancing drug or is he? There is a strange chemistry that develops between Jamie and Maggie and despite their unlikely qualifications as relationship candidates, each finds in the other the qualities that turn wild one nighters into a solid love affair. Maggie has Parkinsonism and that aspect alters the way each approach the relationship. But it is the magic of how this blossoms into one the screen's best romances that is the gift of the film.

The story is frequently disrupted with sidebars that are supposed to provide comic relief but in the end simply take up too much space away from Jamie and Maggie. Had the film been edited to clean its shelves the way Jamie cleaned the physicians' sample shelves of Prozac the total product would have been even better. What the film brings into focus is the enormously maturing talents of Gyllenhaal and Hathaway: they may just be the next great Hollywood silver screen couple. This is 'a fine (and sensitive) romance' and well worth watching. Grady Harp, March 11

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Jake Gyllenhal's and Anne Hathaway's performances and charisma made this a great watch for me. They are both compelling and beautiful to watch. I liked the story too, it was different from your standard Rom-Com fare, with Hathaway's character struggling with Parkinson's disease, and Gyllenhal's good-time boy having to grow-up to deal with it. The drug company sub-plot got a little heavy-handed, as did some of the psycho-babble speeches ("tell me 4 good things about yourself" she says to him at one point a little too self-help-workshoppy to feel real.) But still a good movie, and certainly a step above your average romantic comedy.

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I've had this movie in my collection for a while but I hadn't been in the mood to watch it. I don't know what the hell my problem was... This was a very good movie! I've liked both Jake Gyllenhaal and Anne Hathaway in every movie I've seen them in, but I never considered them my favorites until Love & Other Drugs.

I have to address the issue of the nudity in this movie. I can't say that I wasn't shocked to see Anne Hathaway (Princess Diaries) pull out her boob and flaunt around naked as a jay bird throughout a good portion of the movie. I even made the comment that I felt like I was watching soft core porn at times. But the story line was great and seeing Jake Gyllenhaal's perfectly sculpted butt was definitely a bonus.

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Shaun of the Dead / Hot Fuzz Double Feature (2004)

Shaun of the Dead / Hot Fuzz Double FeatureJust wanted to give a heads up to fans of these films that the US blu-ray set which was released in June of 2013 does in fact contain the two films on 2 individual discs with all the special features intact. Widescreen. I got this yesterday and it is awesome. It even has a little flyer inside announcing The World's End, the third film in this "trilogy" which is scheduled to hit theatres in August of 2013. Reviews of the inferior Alliance Canadian release have been mixed into this item listing, which is the one everyone's complaining about. Avoid that version and get Universal's to ensure you're getting the real deal. Cornettos for all!

Two great movies, some great laughs, some great action. See it! You certainly won't regret it and you'll recommend it to all your friends.

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Well the single disc doubled sided DVD set from Alliance DVD entertainment arrived the other day. The package arrived with English/French directions & short paragraphs on the back explaining what Hot Fuzz & Shaun of the Dead were about. Now the funny part neither movie is in "Widescreen Format" as the back of the box says which is why I gave it only 4 stars. Their are no extras for either film (fine with me however b.c. really how often does anyone watch that junk anyway ?" All in all this two pack contains just the films "Hot Fuzz" & "Shaun of the Dead" in English (no subtitles) an NO EXTRAS. If your a fan of the films, already know everything about them but whatever reason just never picked them up them buy all means pick up this set here on Amazon.com. However if you new to the series you may want to buy the seperate for all the extra, better packaging etc... choice is yours but I just wanted the films. Still great set to have an own if you love British humor an comedy.

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While I much prefer Hot Fuzz due to the noticeably better directing, both movies are pure entertainment with classic UK dry wit. I'm not much for special features, so I really did not care nor have a checked to see what this double feature includes. I just wanted the movies at a great price, and that's what I got. Have already watched both and had a grand ol' time. If you enjoy this movie, you'll enjoy Bad Boyz 2. What...you ain't never seen Bad Boyz 2?!

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Shaun of the Dead is one of my favorite zombie movies. I love all the cameos in Hot Fuzz, like evil Timothy Dalton.

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40 Days and 40 Nights (2011)

40 Days and 40 NightsAn utterly atrocious film. Not only is the premise completely ludicrous, but the (literal) climax of the movie depicts the protagonist being raped -raped! -by his spiteful ex-girlfriend, who is awarded a sizable cash prize for her crime. The protagonist is then harangued by his volatile love interest for "cheating" and forced to apologize! And all of this is somehow supposed to be funny. What. The. Hell?! If the roles had been reversed -if the rape and humiliation of a female protagonist had been portrayed as a comical misunderstanding -40 Days & 40 Nights would have been barred from theaters for trivializing sex crimes and poking fun at their victims. How can anyone find this kind of sexual double-standard acceptable, let alone entertaining?

Any sex comedy that has come out in the past couple of years seems to fall victim to the same tired set of gags and cliches. This movie is no exception. While it's premise may be original, it's execution is all too familiar.

Sexually frustrated male lead? Check!

Neurotic female who, for some unknown reason, the male is attracted to? Check!

A bunch of one-note friends who's lives revolve around sex? Check!

A stock pile of overused gags including the vexing "boner in public" gag? check!

Predictably, Matt (Hartnett) spends most of the movie trying to tear down the walls Erica (Sossamon) keeps throwing up between them. Half the time I have trouble figuring out what the big deal is each time she storms off upset. Apparently this is very common for Sossamon, who's played the same damn role in every movie I've ever seen her in. Kudos to whoever mentioned the part where she storm's off, forcing Matt to apologize for being raped. If I was Matt, I'd tell her to walk her ass into oncoming traffic.

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40/40 is just another romantic comedy that borders on unbelievable. It's about a guy who makes the ultimate sacrifice to forego sex or anything related to sex for the duration of Lent (40 days). This started as a way for Matt (Josh Hartnett) to rid himself of his nightmares and sexual claustrophobia as he has "meaningless" sex with other women after he got dumped by his girlfriend. The office gets wind of this peculiar act, or non-act, and decides that it's worth betting on. In the course of not having sex, he meets a girl he falls in love with even without physically knowing her. Things just get tougher when people have money at stake and want him to fail, so there are many temptations along the way. Whether he makes it or not, you'll have to watch the film (or e-mail me) to find out.

It's not a laugh-out-loud type of comedy. It's definitely fun to watch and not crude in any way, but it doesn't stand out.

LEAP rating (each out of 5):

L (Language) 4 (lots of fast talking and witty comebacks)

E (Erotica) 3 (two brief minor upper-body nudity scenes)

A (Action) 0 (n/a)

P (Plot) 3 (you think he'll make it?)

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"40 Days and 40 Nights" is a crude, vulgar, at times I guess it can be described as an offensive movie. In other words it's a guy's movie lol. There's something inside me saying, it's wrong for me to like this movie. This is not a "great" movie. I know I've seen much better movies. I consider myself a filmbuff and have seen several American classics and well as several foreign films. But, still, for some reason, despite myself, I like this movie. Then again I always seem to go for movies like this. I like the "American Pie" films. I liked the first "Scary Movie". So there is a side of me that enjoys vulgar humor.

"40 Days and 40 Nights" as most people know is about a guy named Matt Sullivan (Josh Hartnett) taking a vow of celibacy for the lenght the title says. He does this because as a friend tells him "(He's) packed with issues!" He can't seem to get over his girfriend. Every other person he is with he compares to his ex, Nicole (Vinesse Shaw). But, the odd thing is, his way of trying to deal with this problem is by sleeping with them. So, he decides if he can get his mind off sex all of his problems will go away and he'll forget about his ex. But, he meets a girl, Erica (Shannyn Sossamon). Who just further tempts him and makes things worst for him.

One of the reasons I like "40 Days and 40 Nights" is that it seems to have something to say about teen dating and the importance people (of any age) have placed on sex. The film shows how that seems to be the main thing on both guys and girls mind's. There was a line in the movie that Erica gives "God!Why won't he just sleep with me!" That one line is a key line to the film. Teens and other people sometimes refer to sex as merely a casual act. Something you wouldn't even give a second thought too. I could if I want go into a whole moral issues here like, you know there was a time when people actually waited to become intimate after they were married, but, I won't. This is a modern world, with a new set of standards, no matter how bad they may be. But, one of the problems with the film is, after it lightly touches these ideas it stops!

Is this a movie everyone will enjoy? No. This is purely a "teen movie" If adults saw this they would just think to themselves "Is this the way MY kids are!? That's it, they're not going out for a whole year!" But, teens will like it, and who knows, if a couple goes to see this, it may even open a door to discuss what each of them thinks about sex. And plus girls will just like staring at Hartnett, so it no lost for them either.

Bottom-line: A good funny "teen movie" that actually does have something to say. I think both guys and girls will enjoy this one.

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If irony is indeed the master trope of the universe, as I have been claiming for several decades, then you know that as soon as Matt Sullivan (Josh Hartnett) makes a vow to stay celibate for the "40 Days and 40 Nights" of Lent, that he is going to meet the love of his life. That would be Erica Sutton (Shannyn Sossamon), who fate throws him together with at the local laundry mat. Matt knows that he is being tested. The problem is that pretty much everyone he knows is in on the cosmic joke.

Matt takes his vow because his breakup with Nicole (Vinessa Shaw) has left him a wreck. He keeps bailing out on successful dates and is becoming obsessed with ceilings. He goes for comfort and advice from his brother who is studying to be a priest and practicing hearing confessions. When he sees the banners for Lent going up he takes it as a sign and swears off sex, including foreplay and self-gratification. Unfortunately, once his roommate Ryan (Paulo Costanzo) finds out the deals this becomes the prefect opportunity to use the internet to get a pool going on how long Matt can, uh, last.

Now, for the sake of argument we will assume that Matt has no discernable brain activity when he is asleep (despite scenes to the contrary), so that we can have the willing suspension of disbelief to go with the film's running gag that has the hero falling part as he goes longer and longer without relief. In the real world this guy would be able to keep his vow and wake up without any major problems. But writer Rob Perez and director Michael Lehmann ("The Truth About Cats & Dogs") want to milk this guy's discomfort for everything it is worth and, unfortunately, more.

It dawned on me that this movie has is clearly bifurcated into the "guy" parts and the "girl" parts and the biggest problem with "40 Days and 40 Nights" is that the two halves do not fit together (as compared to "50 First Dates," which overcomes a similar problem and combines comedy and sweetness). Matt's friends and co-workers treat his vow as a joke and/or money making opportunity. This allows for lots of jokes and some prosthetic humor that leads to the inevitable conclusion that all men are pigs.

Where this film had potential was with the idea that Matt would have to date a woman without having sex, both before and after she finds out about THE VOW. However, I find it hard to believe that finding out about such a thing would really be upsetting to a woman, especially if the guy knows how to handle a flower (and Matt really knows how to handle a flower; this film must have given lots of couples ideas for similar epsiodes of flower fun). But if you stop and think about it the idea that a couple could have a good time on a date with sex or any form of physical contact has to be against just about everything Hollywood stands for (assuming, of course, they are in an upright position).

I was planning on liking this 2002 comedy more, but then somebody bad does something really bad without consequences. No comeuppance. No joke at their expense. No sense of outraged expressed by another character. Nothing. I was so ticked off by that turn of events that when the film cobbled together the requisite happy ending I was not really in the mood to enjoy it. But the filmmakers do get props for coming up with a nice little gift as Matt's final act of contrition.

Final Note: "40 Days and 40 Nights" was certified for 11 year old in Sweden, 12 years old in the Netherlands and Portugal, 13 year olds in Spain, 14 years olds in Brazil and the cantons of Vaud and Geneva in Switzerland, 15 year olds in the United Kingdom, Finland and Norway, 16 year olds in Argentina and in the Swiss canon of Grisons. I have no idea what to make of these numbers but they sure are interesting and make me wonder what is up with those Swiss kids in Grisons (was it the sex or the vow part they are worried about?).

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Your Highness (Blu-ray + Digital Copy) (2010)

Your HighnessW.T.F. Why the hell are there so many bad reviews in here about this movie? This movie was hilarious! Think about it; Natalie Portman, a Minotaur raping a skinny little guy, a character created just so they can say "dick-less" servant, and a forest full of naked hotties are just a few elements of this film that make this a very good movie! If you had high hopes for this movie, then you're just not thinking right. That like grabbing a glass of 7-up and expecting water when you take a drink. I'm just saying.

Seriously though. Take it as it is. A fresh swing at a stoner type comedy. It isn't a re-make of any other movies, unlike a lot of the other movies on the shelves right now. You don't have to be high or drunk to enjoy it, although I'm sure it might enhance it. If this isn't your cup of tea, then chalk up your rental fee as a loss and STFU. As for the rest of us that liked it, I'm going to wait a couple months and watch it again and laugh my ass off...again. Btw, If Natalie Portman is reading this. "hi"

This movie reminds me of an online rpg; sword and sorcery setting (provided by the developers) mixed with very creative vulgarity (provided by a lot of the players). The attention to detail in the script and sets is extremely refreshing. I should think people with an uninhibited sense of humor will be laughing from start to finish. There are perhaps dozens of instant-classic lines and moments.

Those who don't like the idea of over-the-top adult themes mixed with their dungeons and dragons should steer well clear, because that's what this film offers in spades.

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So many reviews i've read say this movie is just stupid and pointless toilet humor. i say bull. it is freakin hilarious. since i've bought it i've watched it 7 times with different people, and every single one of them loved it too. is it the greatest comedy? no. is it funny? hell yes lol if you enjoy movies like pineapple express, waterboy, role models, etc. then you will love this movie. this is the funniest movie i've ever seen danny mcbride and james franco in. lol i highly recommend it. lol at the least, you'll walk away with many memorable quotes. lol but also watch the unrated version. the theatrical version may be why some hated it. definitely watch the unrated version.

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I enjoyed watching this movie it has plenty of laughs. As for all the bad reviews i dont really get it unless you just consider yourself an uber mature person (senior citizen) who will not subject yourself to this kind of comedy, if thats the case then stick to the history channel.

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This is a new combo I've not seen before a stoner fantasy movie. Great idea, Danny Mcbride is the best. Perfect for Saturday afternoon with a fat sack. This is not a movie to be taken seriously so don't expect a lavish plot or deep characters. Nonetheless if the title made you interested then by all means buy it.

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The Ugly Truth (2009)

The Ugly Truth"The Ugly Truth" represents something I never thought I'd see: A romantic comedy that both women and men will appreciate. Granted, it probably won't be for the same reasons. Women will like it because underneath it all, it's a fairly typical romantic comedy, the story of Girl Hates Boy, Boy Hates Girl, Boy and Girl Fall in Love Anyway. Men will like it because one of the main characters expresses much of what they think and feel on a daily basis. Everyone will like it because the story is engaging and the characters are not mere cardboard caricatures. You can actually invest in them, and you're able to care about what's going on. What could easily have been a routine date night movie is instead a surprisingly good movie that need not wait until date night. It's also genuinely funny--a bit raunchy, yes, but funny just the same.

Much of the film's success is due to the wonderful onscreen chemistry between Katherine Heigl and Gerard Butler. They continuously make us laugh, yet the comedy is not so broad that you can't believe them in their roles. They make a point of interacting with one another, not as comic relief but as real people. Heigl plays Abby Richter, the romantically challenged, neurotic, controlling producer of a failing Sacramento morning talk show. Butler plays Mike Chadaway, the chauvinistic host of a public access relationship program called "The Ugly Truth." He's unapologetically tell-it-like-it-is in matters of men and women. There's no such thing, he claims, as a sensitive, nurturing man who wants to connect at an emotional level. Men just want sex, plain and simple. And they only want it with attractive women.

Abby, who thinks Mike's rhetoric is appalling, is horrified when she learns that he has been hired to her station in an effort to boost ratings. They clash at every turn ... until he learns that she's interested in dating her next door neighbor--an orthopedic surgeon named Colin (Eric Winter) who just happens to be incredibly handsome. Sensing she's doing everything wrong to initiate a relationship, Mike offers to help Abby by having her test his relationships theories on Colin. She reluctantly agrees, and sure enough, Mike's methods work wonders. She dresses more provocatively. She learns to stop being critical and avoid discussing her personal problems. She learns to be the embodiment of both the saint and the sinner, or as Mike puts it, "The librarian and the stripper."

And that's when things start to get more complex. Abby is succeeding with Colin, but only at the expense of not being herself. On the other hand, could anyone love her as herself? She is, after all, known for bringing background checks and printed topics of conversation to blind dates. As for Mike, he has very definite reasons for believing that loving relationships are a sham. They're gradually revealed not only through carefully structured scenes, but also through Butler, who shows he can find the right balance between smug and sensitive. We see that Mike is the closest thing his young nephew has for a father, and even though he playfully gives the boy relationship advice, he's also quick to remind him that kids should never, ever watch his show.

Heigl also manages a balancing act with her performance, specifically between strength and vulnerability. Abby overachieves at work to compensate for a lack of a love life, which initially seems funny but steadily grows desperate. For reasons she doesn't care to admit to, she's falling in love with Mike, and he too is falling in love with her. But what about Colin? Is he with Abby only because of the façade Mike told her to put up? There's a scene between her and Colin late in the film that directly addresses this issue, and to my delight, it's handled in a way that avoids just about everything that would happen in the average romantic comedy. There are no shouting matches. There are no flying fists. There are no confrontations. There's only a quiet moment of realization that the truth is indeed ugly.

Scenes like these are wonderfully juxtaposed with moments of well written comedy. There are some very amusing moments between Cheryl Hines and John Michael Higgins as unhappily married news anchors who share the same desk and time slot. The film's single funniest scene takes place in a restaurant and involves Abby, an extremely stimulating pair of underwear, and a control device that ends up in the wrong hands.

I can say with complete honesty (and some embarrassment) that I wasn't expecting such a strong film. I certainly wasn't expecting a strong film belonging to this particular genre. What floors me is that two of the three writers of this film are Karen McCullah Lutz and Kirsten Smith. There are the same two that brought us "The House Bunny," one of the worst films of 2008. They certainly got it right this time around. "The Ugly Truth" is one of the best romantic comedies I've seen in a long time, a delightful and absorbing tale about the fronts people display. It's funny without lowering itself to the level of cheap gags, and this is in spite of the film's well-deserved R rating. Heigl and Butler convincingly pull off a romance, no small feat given the contrived nature of these kinds of films. At last, a date movie both the man and the woman can enjoy.

this is a very raunchy right to the point film which is extremely hilarious as long as you have a very open mind and are not at all prudish. gerry and katherine play off each other with great ease and are very comfortable in this very funny sex comedy about how men really think about sex and relationships according to mike,gerrys character, against kathys character, who is a very uptight conventional chick. the film is all about their inevitable clashes against their varied opinions on this topic and how they survive working together on a early morning chat show. i thoroughly recommend this film for an extremely comedic time for both men and women. it is not your usual chick flick and most people will be able to connect with this film and its morales, even though they might not want to admit it.

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I really enjoyed this film. Saw it first as a rental and enjoyed it so much I had to buy it. Critics are being very unkind to it and it is ending up on many lists of the worst movies of the year. This really dumfounds me. Out of all the movies out there and all the trash that exists this movie is being picked out as a target. Don't listen to any of them. This sweet, fun comedy is a twist on your standard romantic comedy and is a laugh riot. When I started watching it I thought it was a little crass but I quickly got over that. I was thrilled. A comedy that didn't follow the traditional formula. I found the plot inventive and pretty realistic. Yes, our main character played by Katherine Heigl is beautiful, single and looking for love. But she is looking for Mr. Right and not seeing men for who they really are. She is obsessive, compulsive and definitely speaks her mind. Then we have Gerard Butler who plays a crude man's man with a local cable show who gets a spot on the morning show she produces. He thinks women are looking for fantasies, phony and don't get men at all. And guess what, he speaks his mind as well. The chemistry between Heigl and Butler is hot and steamy from the beginning. Even their true dislike of each other burns up the screen. The way their friendship develops is very believable as he helps her get a man and this film is definitely a twist as he teaches her how to change her ways and why. The sexes are reversed here and I found myself agreeing with a lot of it and laughing hysterically at most of it. The ending was a great pay off and as I said whatever flaws this film has, the chemistry with Heigl and Butler makes up for any of them.

Is this film an intellectual look at relationships that is going to change life as we know it? Is it a film that will change how films and comedies are done for the rest of time? Of course not. This is a highly enjoyable romantic comedy that is inventive over the generic norm and definitely worth your time. And the blu ray version is exsquisite. Colors are vibrant and the clarity is amazing. I love it when the enhancement of blu ray makes even a comedy film levels above its dvd counterpart. So I say look beyond the negative vibe this film is getting. It is very undeserved. Give yourself a treat, especially couples, and get this film.

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Great comedy movie. Intended for mature audiences with the sexual nature of its humor. Katherine Heigl plays her dual role as a snobby career driven woman to the temptress.

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It's funny and pleasant to see with family or compagnon... Good actors... For all time...

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Flirt (1995)

FlirtHal Hartley appears to be an acquired taste... I have only seen 3 of his films so far (this, the flat-out brilliant Trust, and the okay Henry Fool) but he's clearly one of the most underappreciated American directors working today. I think the delivery of his dialogue is what kills it for most people. It's very deliberate and generally not filled with an overkill of emotion. I find this approach allows me to listen to what the characters are actually saying (as opposed to just how they're saying it). That Hartley's one of the few screenwriters with something to actually say really seals the deal.

I don't want to suggest Flirt lacks emotion though. It manages to pack in more complex emotions that most more histrionic films. In one scene, a man threatens another with a gun, reconciles with him, embraces him, has a change of heart, and shoots him. A woman who witnesses this, hearing some music that begins to play, begins to dance, caught in the moment, slips to the ground, and gets up regaining her sense of reality. This sounds absurdist, and it plays that way in the film. Still, it manages to convey a great deal of human emotions in about a minute without a false note. Hartley is a master at achieving a desired effect.

Flirt is somewhat experimental in that it replays the same narrative with nearly the same dialogue in three different countries with three different casts. This never felt boring to me, as the intention of some of the lines and the overall outcome of the situation changes each time. What's interesting is that the plot of the episodes is that the character has 90 minutes to make up their mind about whether their relationship has a future. Not coincidentally, the film is 90 minutes long. Clearly Hartley is commenting on the use of art (screenwriting, film direction) to solve personal demons. One feels he is using this film to explore a personal dilemma for himself, a point that is driven home when Hartley himself shows up in the third episode as the possibly spurned lover.

It's interesting that such an apparent act of directorial vanity never feels like hubris. Hartley manages to make an extremely personal film that actually has something universal to say. He manages to be stylistically bold without being gaudy or excessive. He manages to make the same plot interesting three times. He manages to create a masterpiece in "Flirt".

FLIRT is not your typical romantic movie of the 90's (when it was filmed). But that's what makes it so great. If you are tired of the "boy meets girl, boy falls for girl, boy loses girl, boy gets girl back" scenario, then you'll like FLIRT. If not, go rent SHE'S ALL THAT with pretty boy Freddie Prinze, Jr. And spare me the details, please.

I would also suggest that when viewing this film, you not concentrate on the fact that many of the lines are repeated from one setting to the next (and there are a startling number of lines repeated). But rather look for the more subtle differences and similarities.

If you are a person who views things with greater depth than "black and white", I think you will enjoy this movie.

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Hal Hartley is way ahead of his time. This is not his best film, but it's definitely worth watching. I first saw an excerpt in a sociology/religion class which hooked me: advice on love and commitment in a bathroom. This film takes chances, and some of them aren't that entertaining, but overall it's not as bad as elsewhere reviewed on this site.

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Repeative. Heard mixed reviews and decided to give it a chance. Liked the different variations on the theme in difference cultures. Felt likie a Woody Allen work but not sure if it was worth the time spent in the end. Worth a viewing to form your own opinion.

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I find it amusing that people have been lured to watch this film by indy queen Parker Posey. As all Hal Hartley films tend to be, dialogue and narrative is negated and transformed by repetition and by intentional "non-acting". I mean, do people really think all the actors are acting this poorly? By having the actors not act, the ideas cannot be discolored by subjective interpretation. The film strips away traditional storytelling by repeating it in three forms. The narrative disappears in repeating it. In the three vignettes, nuances in each and differences between them are what is of primary interest. The actors are tools for Hartley's obsession with love, desire, and identity. This film is a poem. It is difficult to evaluate Hartley's films without considering the entire body of work. It may not be Hartley's most successful effort, but it is an interesting experiment nonetheless.

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The Private Lives of Pippa Lee (2009)

The Private Lives of Pippa LeeIn a male-dominated industry like Hollywood, it is refreshing once in a while to watch a movie in which the main character is a woman (Robin Wright). It is additionally rewarding a bonus, if you will -if the director is also a woman (Rebecca Miller, who wrote the story). The result, "The Private Lives of Pippa Lee," is satisfying and remarkable. This film touches you and stays with you.

The story is about Pippa Sarkissian (Wright) who would later become Pippa Lee --, an attractive woman with a troubled past, reaching middle age, who is trying to get her life together. Her mother Suky (the always dependable Maria Bello) was moody and addicted to antidepressants, and was repulsed by Pippa when she was born, because she was hairy. However, this situation improved throughout the years, and Suky got very attached to Pippa. Unfortunately, her mother's problems persisted, and Pippa eventually had to leave home. After some time living carelessly by herself, she finds Herb Lee (Alan Arkin), a man thirty years her senior, who happens to be a successful publisher. They get married and life appears to be good for everyone. That is, until Pippa's past begins haunting her -a situation that is worsened by her current problems.

This is a real life drama, spiked with humor, especially provided by Wynona Ryder, in a surprising supporting role. It examines a woman's life that "keeps swinging back and forth from generation to generation, getting it wrong." Robin Wright shines as Pippa Lee, and Arkin as her husband. The magnificent cast also includes Blake Lively (as Pippa in her younger years) Monica Bellucci, Julianne Moore, Shirley Knight, and Keanu Reeves. The Blu-ray edition includes commentaries by Wright and Miller, and interviews with Wright, Arkin, and Lively. (USA, 2009, color, 98 min plus additional materials)

Reviewed by Eric Gonzales exclusively for on March 1, 2010.

My husband picked up this DVD on a whim, thinking I might like it, and he was right! "The Private Lives of Pippa Lee" is a thoughtful, leisurely-paced drama about a woman who though anchored in a stable relationship in the present, is haunted by her turbulent past. Robin Wright Penn plays Pippa Lee, a sort of prim and proper wife to an aging yet indomitable older man, Herb (Alan Arkin). The couple have recently moved to a retirement community, though Herb, who has already suffered previous heart attacks, refuses to buckle down and lead a quiet life. Pippa who is 30 years younger than Herb, tries her utmost to take care of her husband, despite his protestations and suffers from exhaustion, finding herself spacing out, binge eating in the middle of the night (but having no recollections of it later), and finds herself experiencing flashback moments of her younger days.

The movie flows well between the past and the present. We see baby Pippa being initially shunned by her mother Suky (Maria Bello) for being overly hairy as an infant, and how this relationship changes over time. As Pippa grows (the teenage Pippa is played by Gossip Girl's Blake Lively), a close relationship forms between Suky and her daughter, but Suky's own deteriorating mental health and over-dependence on anti-depressants causes a friction in their relationship. Pippa runs away, meeting interesting characters along the way photographer (Julianne Moore), successful publisher Herb (Arkin),co-dependent friend (Winona Ryder in a great supporting role), and a store clerk (Keanu Reeves). Having settled down to a sedate married life, Pippa ponders her life's purpose, and some startling revelations throw her scheduled life off-balance.

Robin Wright delivers a finely nuanced performance, and the excellent supporting cast make this movie an above average viewing experience. There is a great deal of character development, insights, and self-introspection here a woman who has been so driven to care for others (husband, son, daughter), that she has lost her own identity along the way, choosing to 'settle' instead. Will Pippa Lee set herself free? The movie credibly addresses this question and the compelling performances by the lead actress and supporting cast make it a worthwhile watch.

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Screen Media hardly ever puts any money into their BDs (as is the case here again) but Rebecca Miller put together a good story told in a less than simple way.

The story follows the life (if told lineally) of a woman from birth to her rebirth as an older woman (Robin Wright). Along this journey we jump back and forth in her time line as we see the different lives she has led. Mario Bello competently played her drug addled mother, Alan Arkin her much older husband, with some interesting short roles from Monica Belucci and Winona Ryder. The criticism I have read regarding confusion and casting choices to play the same person I can see having some validity, but I enjoyed the challenge of figuring things out while watching this. Keanu is once again picked to play a non-emotional role and he does it fine. The Blu quality is standard at times, above average in others. The vehicle motion scenes are difficult to figure out though, as they chose to film with the windows rolled up in each scene so the resulting reflections are always blurring the scenes really the only shortcoming of the Blu quality. The DTS gets used infrequently and the special feature of interviews from a screening lasts only a few minutes and is forgettable. The commentary was adequate but as admitted by Wright a little awkward to do at times.

You would be getting this for the performances alone, but I do not think there would be any significant disappointment in the BD either. No region coding listed, English and Spanish subs only.

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It took a little while to warm up to Pippa Lee, but that's one of the things that makes this film so magical. We get to watch Pippa come out of the deep freeze and fully into her own being after a life of dissociation. The script is insightful and wonderful. The acting is superb. This film is a real treat.

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My sister and i watched this film, she is married, i am single...and she enjoyed it immensely, while i found it dull and lacking. The movie navigates the liberation of Pippa (confused and frustrated Robin Wright Penn) and has it's moments, though it was depressing and predictable to me.

So, as most adults can relate in some manner to being trapped in a relationship....then find ourselves wondering how we got to this place? The movie draws on this commonality with a dual presentation of young Pippa and present day Pippa....(what a strange name?) Blake Lively does a fair job of playing the youthful Pippa, but there were moments when i was confused with what contribution, and meaning some of the characters had to the overall story...my sister confessed she was also finding it difficult to attach significance and relationship status to some of the actors.

So...Pippa's self reflection through herky jerky glimpses of her past---are a cinematic thrill of finding the puzzle pieces to Penn's character's present day existence. I do believe (IMHO) it is simply a modern day visualization of the imprisoned life of an unactualized woman. In the big picture, women, whose roles have been dynamically changing for decades...we have this passenger of life, Pippa who is stumbling along seeing the light in still frames of her memories. One bummer in the film is that men are not portrayed as very appealing in this movie. Nope, its not going to be a guy movie fave. Alan Arkin is a cad and after seeing all the eddies and currents that Pippa's lifeboat sailed through, i got the distinct impression of cardboard cutouts dreaming of becoming animated, infused with life. Something akin to "The Stepford Wife" seeking to be a "Desperate Housewife" with their joyous abandon and central life characters.

My sister loved this movie, going on about Keanua Reeves as the fantasy, fairy tale ending for a stale, invalid marriage. Pippa finds redemption through a much younger, hunkier, sensitive guy...ahem, is that all there is to life? Cinematography was good, acting was spot on, but the story has been told too many times. Sorry....just not going to make it as a recommendation.

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