Showing posts with label comedy adventure movies. Show all posts
Showing posts with label comedy adventure movies. Show all posts

Piranha: Roger Corman's Cult Classics (1978)

Piranha: Roger Corman's Cult ClassicsWhere would we be without the venerable Roger Corman? Lovers of B-movie madness would likely have a lot more time on their hands to read books, interact with family, or take part in generally otherwise fulfilling life experiences had old Rog chosen a different career path. Fortunately, or unfortunately as the case may be, Corman sat out in Hollywood for three or four decades making low budget exploitation films. He also tried to cash in on every movie fad in modern cinema. And I do mean EVERY fad. You see, Roger had a dream to take an idea and make a profitable picture out of it that would entertain the masses. The problem was that someone else invariably had the idea first. Thus Lucas's "Star Wars" allowed Corman to unleash "Battle Beyond the Stars" on an unsuspecting public. Car chase movies saw Roger replying with "Grand Theft Auto" and "Eat My Dust." I could go on and on. There wasn't anything Corman couldn't do with someone else's idea. Perhaps the best example is "Piranha," a 1978 ripoff of Spielberg's "Jaws." This film made our man a lot of money, which allowed him to make even more spectacular ripoffs for years to come.

The flick starts with a couple of kids breaking into some sort of rundown fish hatchery for an evening swim. Something in the water kills them. End of movie. Seriously, something rather nasty does do away with the two idiots. We then see an insurance investigator by the name of Maggie McKeown (Heather Menzies on loan from Julie Andrews) heading out to discover what happened to these two dolts. She rather quickly hooks up with an embittered alcoholic with a penchant for flannel named Paul Grogan (Bradford Dillman channeling Grizzly Adams) who lives in a cabin down by the river. Somehow or other Maggie convinces Paul to head over to the fish hatchery with her. Sure enough they discover that something sinister has been going on there under the aegis of Dr. Robert Hoak (Kevin McCarthy). How do we know this? Because there's lots of nasty looking scientific stuff lying around all over the place. Anyway, Hoak eventually lets our two heroes in on a little secret: the government paid him a bunch of money to create a breed of piranha as part of some weapons program. Personally, I'm for anything that keeps communists out of our swimming pools, lakes, and rivers.

While all this nonsense goes on we know the piranha have escaped from the hatchery (thanks Maggie and Paul!) and are preparing a full-scale assault on the human race. A few locals fall prey first, but the real threat is the summer camp and an aquatic park downriver. Just to ratchet up the emotional element of the film a bit, we also learn that Paul's daughter is currently attending the camp. Oh dear! It's a race against time as Paul and Maggie set out with the twitchy Dr. Hoak in tow to stop the madness. As for the folks at the camp and the park, they haven't a clue as to what's about to happen. The only concern at the camp is the fascistic machinations of Mr. Dumont (Paul Bartel), a guy who takes great joy in ordering kids into the water and snooping on the foxy female counselors. At the water park, the owner plans on making a bundle on opening day and couldn't care less if a battleship full of exposed nuclear waste sailed into harbor. You can pretty much guess what happens in the last part of the film. Screaming, blood in the water, and a lot of out of shape Americans in unflattering bathing suits thrashing around on the beach in agonies. Fun!

I don't know whether to laugh or cry with this one, folks. Lots of people adore this film, and I probably would to if I'd seen it as a wee lad. I didn't, and I'm not that impressed. The swarms of piranha zipping through the water look so like the pieces of plastic they are that it's tough not to snicker. It's even worse when we see them up close chattering away on an exposed leg or belly. We're definitely looking at cheesefest central on a buck and a half budget here. At the same time, I did find a lot to like about the film. Seeing veteran horror babe Barbara Steele popping up from time to time as a government scientist named Dr. Mengers was a nice surprise, although she's largely wasted in the role. Kevin McCarthy plays frazzled well, and the script requires him to morph into a sniveling wimp for most of his screen time. Heck, we even see Richard Deacon (Mel from "The Dick Van Dyke Show") in a small role as Maggie's boss. Can't beat that. The talent behind the camera is moderately impressive too considering the budget. Joe Dante directed this flick, and John Sayles wrote the script. Both men went on to greater success, Dante with "Gremlins" and Sayles with "Eight Men Out," "The Howling," and several other mainstream movies.

Extras on the disc include a commentary track, extra footage, bloopers, and a few other odds and ends. Corman apparently took this film, or at least a similar concept, to television in the mid-1990s. If so, I haven't seen that version and thus cannot make a comparison. If the remake, or retread, or whatever it is looks and sounds like this movie, more laughs await us. Corman continues to churn out pap at an alarming rate, and has even recently inked a deal with Disney that will release his entire catalogue on DVD and keep it in circulation until the sun burns out. I've dogged on Corman quite a bit, but I do appreciate his films. If nothing else they are entertaining, and this one definitely works most of the time.

Joe Dante's Piranha is a very humorous spoof and a fine homage to Steven Spielberg's classic Jaws. Though plagued with poor acting from Bradford Dillman, Heather Menzies, and Keenan Wynn, this is definitely not the type of film that you would ever take seriously. The inside film jokes and cinema references add a lot of intelligent spice to the film's proceedings, but it is the cheesy yet effective special effects by Phil Tippett (Robocop) that make Piranha a must see for mosnter movie buffs. Watch out for the obviously fake piranha as they make a spectacular bloddy debacle of a children's summer camp. The DVD edition of Piranha has many elaborate features including a Joe Dante commenty, a making-of-documentary, film bloppers, and other theatrical trailers of Corman films. P.S. Joe Dante would later go on to direct such horror classics as The Howling and Gremlins.

Buy Piranha: Roger Corman's Cult Classics (1978) Now

A justifiable cult classic, PIRANHA boasts an impressive pedigree. Oscar nominated screenwriter John Sayles; director Joe Dante (Gremlins); and some fine character actors: Bradford Dillman, Keenan Wynn, Dick Miller, Paul Bartel, Barbara Steele. The attacks are vicious and quickly paced so you don't pay too much attention to the cheesy special effects. There's satire about the military as well. There are some good suspense sequences, and I almost forgot: Body Snatcher's Kevin McCarthy is on board as the misguided scientist. The best of the subsequent spinoffs, PIRANHA is a great little horror classic.

Read Best Reviews of Piranha: Roger Corman's Cult Classics (1978) Here

Jaws (1975) frightened a whole generation of people out of the water. Why? Because of the very real elements within the film, being that there are sharks in the oceans, and occasionally they do attack people. Do they ever get as large as the one in the film? Possibly...regardless, the fear was real enough...fast forward to 1978...prolific B movie director/producer Roger Corman, in an effort to capitalize on the immense popularity of the film Jaws, released Piranha, directed by Joe Dante (Gremlins, Innerspace, The `burbs) and written by John Sayles (The Howling, Wild Thing), which, while didn't elicit the response anywhere near that of the film it borrows from, still provides us with a great deal of entertainment (genetically altered super fish just didn't come across with the same level of realism as a giant man-eating shark).

The film stars Branford Dillman, who, along with his extensive television credits, appeared in scores of films like Escape from the Planet of the Apes (1971) and The Swarm (1978), to name a couple. Also starring is Heather Menzies, who appeared in films like The Sound of Music (1965), SSSSSSS (1973), along with various television shows throughout the 70's. Rounding out the cast are Kevin McCarthy (Invasion of the Body Snatchers), Paul Bartel, Barbara Steele (Caged Heat and Shivers), Melody Thomas Scott, and character actors Dick Miller and Keenan Wynn.

The film opens at night with two victims, er...I mean backpackers in a hilly area (somewhere in Texas, as we find out later), who happen to come across a seemingly deserted facility surrounded by a large fence, and signage stating `Military Testing Facility' and `Keep Out' (it seemed pretty clear to me, as I could read it, but these two knuckleheads completely missed it, bringing to mind the old adage, `if it was a snake, it would have bit you'). Anyway, lunkhead number one and lunkhead number two, looking for a place to camp for the night, decide this looks promising, and make their way past the fence to find a large, in-ground cement pool. Do you think it contains piranha? And do you also think said piranha are hungry? I do, on both counts, especially given that it's the title of the film. Anyway, they decide to go swimming and quickly discover the pool contains more than water. We also learn the facility isn't entirely deserted...

Apparently someone cares about these two now missing backpackers, enough so to hire private investigator Maggie McKeown (Menzies) to look for them. While initiating her search in the general area, she find a shack occupied by Paul Grogan (Dillman), a divorced, reclusive, mass alcohol consuming (every five minutes he's swilling from a canteen, but never actually seems to get drunk) outdoorsman type, who she basically enlists to aid her, despite his protests, in her search. They find the deserted military facility, which was once some sort of breeding farm for fish, and decide to drain the large pool in hopes of finding clues. As they throw the switch, they get attacked by a wily old man (his name is Dr. Robert Hoak, played by McCarthy) as he freaks out learning that the fish have been released into the river system. The manage to subdue him, and he speaks of his experiments, specifically his genetic experiments for the military in creating a super breed of piranha, meant for use during the Vietnam conflict, but since the war ended, the program was terminated, but apparently no one told Dr. Hoak. So now the highly aggressive and carnivorous super fish are in the local river system. And they're hungry...and breeding...

For a B movie, this tends to one of the better ones I've seen. Even here you can see that Dante has talent in directing, despite what I am sure was probably an extremely tight shooting schedule (Corman always kept this aspect tight). Sayles provides a better than average script for this type of outing, and the actors present enjoyable performances. I do tire of the whole `government and/or big business conspiracy' cliché that is so often used in films of any type to move the plot along, as it tends to indicate a lack of imagination (just look at some Steven Segal movies, specifically On Deadly Ground (1994) and The Patriot (1998), for a couple of examples). I especially liked the scenes with Keenan Wynn speaking of how much the river gives him, and also the scenes with Dick Miller, who plays the sleazy real estate agent and proprietor of Aquarena, an entertainment water park that recently opened along the river. He's got one of the more memorable scenes in the film when his assistant approaches him about piranha in the waters, and he asks, "What about the godd@mn piranha?!", to which the assistant replies, "The piranha...they're EATING the guests, sir". Paul Bartel also makes a great appearance as an uptight director of a summer camp located on the river (do you think a big part of their program involves swimming?). The special effects are quite good (no CGI work here) and there is a good helping of blood and underwater scenes with the fish tearing flesh off hapless victims.

Presented here is an excellent looking full screen print (Dante claims this is the original aspect ratio of the film, but the titles appear to be in wide screen format). Special features here are copious, including a commentary track by director Dante and producer Jon Davidson, original theatrical trailer, a blooper reel, a short `Making of' documentary, cast biographies, a reproduction of the original Theatrical Marketing Guide, an eight page booklet titled `The History of Roger Corman, and trailers for some of Corman's other films including Grand Theft Auto (1977) and Humanoids from the Deep (1980), among others. If I learned anything from Piranha, it's that if you are warn authorities about mutant piranha loose in a populated waterway, you're better off crying toxic waste, as they not apt to believe the piranha thing.

Cookieman108

Want Piranha: Roger Corman's Cult Classics (1978) Discount?

As a kid growing up on all the classic monster films on TV, this low-budget Roger Corman creature feature was always one of my favorites. As a teenage video collector in the 90's, I found this to be nearly impossible to find on VHS. Now as an adult in my early 20's, I own not only the video but have recently picked up the DVD and what a trip down memory lane, this "special edition" was for me.

"Piranha" is Corman's answer to "Jaws", a bad genre film that takes joy in being a bad genre film. When a private investigator goes looking for two missing kids at an old army test, she unwittingly releases a school of mutated killer piranha into the town's river system. With the help of a local mountain man, the two try to warn everyone from the military to a local resort. As is always the case in these films, the military has another agenda and they don't want the truth revealed.

Over the years, "Piranha" has earned a reputation as a true cult classic. With a great script from John Sayles, an amazing musical score from Pino Donaggio, and tremendous performances from underrated actors like Dick Miller, Keenan Wynn, Paul Bartel, and horror legend Barbara Steele, "Piranha" is the ultimate "nature goes wrong" B-movie.

My only real complaint about this DVD is that it is presented in a full-frame format (though the opening credits are finally presented in widescreen as the other way cuts the names pretty badly). Well, that and the fact that they didn't include any of the added footage from the original network TV version. Those complaints aside, it is good to hear director Joe Dante (who went on to direct "Gremlins") and producer Jon Davison reminisicing on the filming of this movie. Not to mention, the added value of seeing lots of never-before-seen footage from the making of the film. If you loved this movie growing up or are just a fan of the classic "creature feature" titles, this is a must-have.

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Arthur Newman (Blu-ray / DVD Combo Pack) (2012)

Arthur NewmanImagine my surprise when out of the blue and without any pre-release buzz or ads this movie showed on a single screen for all of Greater Cincinnati this weekend. I figured that this will not stick around very long and hence I went to see it right away.

"Arthur Newman" (2013 release; 100 min.) brings the story of a man (played by Colin Firth) who is in the dumps: he just got fired from his job, his ex-wife does not care for him, and his 13 yr. old son hates the mere sight of him. As the movie opens, we see Colin Firth acquiring a new identity, actually someone who passed away a few years ago named Arthur Newman. He then fakes his own death and takes off, as a "new man". Arthur plans on driving from Florida to Terre Haute, IN, where a job as a golf instructor awaits. But on his first night on the road, he makes the acquaintance of a young woman (played by Emily Blunt), who herself is running away from her own troubles, and using her twin sister's identity ("Mike") along the way. Mike decides to join Arthur on the trip to Indiana. To tell you much more of the plot would ruin your viewing experience, you'll just have to see for yourself how it all plays out.

Several comments: first, this is a road movie for the most part, as we follow the two main characters from motel to hotel, and from town to town, on their way to Indiana. Second, the main characters are engulfed in melancholy as on the one hand they are running away from something, yet at the same time are pining for love and someone who understands their problems. Both performances from Colin Firth and Emily Blunt are ace from start to finish. Blunt has been on an incredible run recently (just last year alone I saw her in Your Sister's Sister, Salmon Fishing in the Yemen, Looper and the Five Year Engagement, and she shone in just about all of them), and she continues that hot streak in this movie.

This movie gathered positive buzz last Fall when it premiered at the Toronto International Film Festival, and I had been waiting eagerly to see it. The screening I saw this at here in Cincinnati was not particularly well attended, and so I doubt this will stick around long in the theaters. That said, I enjoyed this movie quite a bit, and if you are in the mood for something where things don't blow up every 5 minutes, I would readily recommend "Arthur Newman".

Be careful what you wish for! Sometimes the dream is far better than the reality, but it is the dream that drives our eponymous hero to plan and execute some drastic action. This R-rated dramedy is more drama than comedy; furthermore, if you have any trouble hearing dialogue, you might want to consider closed captions, either in a theater, or wait for the DVD. You don't want to miss the finer points in this plot.

We watch:

* Colin Firth ("A Single Man" and "The King's Speech") speaking American (!), is Arthur Newman, a frustrated wanna-be golf pro who, after a down-hill slide, has decided to reinvent himself. "New man," get it? He cleverly fakes his own death and hits the road.

* Emily Blunt ("Your Sister's Sister") also speaking American, is Mike, a young woman with nothing to lose. She encounters our hero on the road and they proceed to go adventuring...

* Anne Heche ("Cedar Rapids") is Mena, the girl he left behind. She knows he's boring, but she loves him anyway.

* Lucas Hedges ("Moonrise Kingdom") is Grant, our hero's son. It turns out that he is the most compelling reason for Arthur Newman to re-think his decision.

As our couple journeys on, they break into people's houses and take on the personalities (and clothes!) of the occupants. They are far more comfortable being someone else than being themselves. The tagline is: "If you don't have a life, get someone else's." They find this great...until it isn't.

This is no light-hearted romp, but we are in the hands of pros. Both Firth and Blunt are wonderful actors, so there is no quibble about the quality of their work. I would like... Maybe... Oh, I don't know WHAT I would like... Maybe the DVD from Amazon will help me decide.

Buy Arthur Newman (Blu-ray / DVD Combo Pack) (2012) Now

"Arthur Newman," (2012) is a new independently-made American road picture/comedy/romantic drama starring two British actors with comedy chops, Colin Firth and Emily Blunt. It was directed by Dante Ariola from a screen play by Becky Johnston, (Seven Years In Tibet [HD]. And I'm going to quote its plot summary, written by its screenwriter Johnston, as posted at The Internet Movie Database:

Wallace Avery hates his job. His ex-wife and son hate him, and he's blown his one shot at living his dream. Not wanting to face all this, he stages his own death and buys himself a new identity as Arthur Newman. However, Arthur's road trip towards a new life is interrupted by the arrival of the beautiful but fragile Mike, who is also trying to leave her past behind. Drawn to one another, these two damaged souls begin to connect as they break into empty homes and take on the identities of the absent owners: elderly newlyweds, a high-roller and his Russian lady, among others. Through this process, Arthur and Mike discover that what they love most about each other are the identities they left at home, and their real journey, that of healing, begins.

The acting is competent to the job. The well-born Colin Firth, once such tasty eye candy, now looking very middle-aged, plays Arthur. (See The King's Speech for which he won the Best Actor Oscar, Bridget Jones's Diary, Love Actually, Pride and Prejudice (Restored Edition). The equally well-born Emily Blunt, a Golden Globe winner for The Devil Wears Prada, plays Mike. Anne Heche, (Six Days, Seven Nights, Donnie Brasco), an actor with a more eventful private life than most of Hollywood, plays Arthur's girlfriend Mina Crawley.

But remarkably little happens in this road picture; most scenes are reminiscent of actor's studio exercises. The rather distasteful scenes of the couple breaking into people's houses and play-acting as the occupants while they make love have a desperate vibe, as in, `We gotta do sumphin. We need more screen time." (The film runs only 101 minutes). And it flies in the face of common sense for a man who has tasted some success in golfing under his real name Wallace Avery, to think he can capitalize on that success under the A/K/A of `a new man.'

The film was largely made in North Carolina, so it gives us some lovely scenery with which most viewers will not be familiar. Some of it was filmed quite close to my Carolina Beach residence; the beach scenes at Fort Fisher. Coles Motel? Well, that's very near our cute little beachy keen library branch. So that's a plus for us--rather few -local residents and visitors. But, sorry, I can't recommend the film.

Read Best Reviews of Arthur Newman (Blu-ray / DVD Combo Pack) (2012) Here

Funny Farm (1988) / Spies Like Us (1985) (Double Feature) (2010)

Funny Farm / Spies Like UsUpdate on 11/12/11: There is a comment posted to this review that explains that this Disc is actually the correct version of the movie. Please read it if this issue concerns you.

'Spies Like Us' is a great movie. I bought this version thinking that it would have a wider view than my already purchased dvd which I could only find in full frame. I just compared it to my dvd. For this blu ray, all they did was chop some off from the top and bottom to give it the widescreen look. I thought people might to like to know.

While not classic comedies, "Funny Farm" and "Spies Like Us" have their funny moments. Both are very enjoyable Chevy Chase movies with his usual relaxed style, a combination of straight man and funny guy. He's teamed with equally funny Dan Aykroyd in the John Landis directed "Spies" which is sprinkled with some very funny cameos. The very good news about this new BD release is that both movies are presented in widescreen for the first time on home video.

Buy Funny Farm (1988) / Spies Like Us (1985) (Double Feature) (2010) Now

These movies were originally filmed in and correctly framed for 4:3. A 16:9 pan & scan crop was shown in the theaters and is what you get in this bluray release. For me the 16:9 looks overly chopped and not polished at times. Movies the were originally filmed in a wide screen format normally have better framing. Also this release still only has stereo audio. Both the DVD 4:3 and the bluray 16:9 will get the job done but I prefer the un-cropped version.

Read Best Reviews of Funny Farm (1988) / Spies Like Us (1985) (Double Feature) (2010) Here

Taken together, I almost have to give this a 3 "Funny Farm" is funny in its own way, but it will never measure up to "Spies Like Us," the movie that is caught between "us" and "them." My parents laugh out loud at "Funny Farm," and I can laugh at it, but they will never laugh so hard as I do at "Spies Like Us." It's so awesome. It's what 80s spy comedies were meant to be. If my parents don't get that, then that's because they grew up in the generation right between the two movies. I like them both, but "Spies Like Us" will always hold a special place in my heart. "Doctor, doctor, doctor, doctor..."

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Well, I haven't watched Funny Farm yet, I purchased this BD for Spies like US...a comedy classic as far as I'm concerned. :) So, in a way I feel like it deserves a BD of it's own, so that was kind of a bummer.. It was nice getting an extra ~i guess~ but feel like SLU would be nice with even a simple "making of" or behind the scenes featurette instead of just throwing in an extra movie that somehow makde it feel like it's status was lowered.

Anyway, SLU....great characters, great funny lines and a lot of subtle humor throughout. It's just a original story with great twists, great locations and some beautiful women.

As far as quality goes, it's a big jump over the DVD i had. So if you have a DVD of SLU and and wondering if it's worth purchasing the BD... it's a no brainer...wider (original) format, better image quality..all you'd expect with HD.

~HOWEVER~ once again (like packing this great film with Funny Farm) i feel they didn't do SLU justice because it could have used some color grading and correction) i seems like they just pushed the "auto correct" button. For example, the scene right after they cheated on the test and they're in the office being reprimanded/promoted...visually that was pretty dark with "squashed"...the blacks were too heavy with too much contrast. Outdoor scenes seem to be OK however. I remember the DVD being overall a bit lighter with less heavy handed contrast.

Oh well, guess I'll just have to wait for the 4K version to come out :) by that time (very soon i hope :) ) SLU will have received it's true status of cult comedy classic and they will decide to make a featurette and spent some time on adjusting the colors/contrast. Fingers crossed~!

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Disorganized Crime (1989)

Disorganized CrimeThere is no way you cannot enjoy this movie, the actors are all absolutely hillarious. (Ruban Blades is by far the best) What, at first, looks like just another run-of-the-mill crime caper, turns into a complicated action-comedy that doesn't have one unlikeable character. (Ed o'neil is also one of the best Characters)

DISORGANIZED CRIME is a movie equivalent to a tv crime comedy. It's all ensemble acting with no one person stealing all of the scenes. All of the actors are very good as different criminal talents put together to execute a perfect crime in a small town. There is just one small problem; the mastermind for all of the other criminals is arrested and cannot put all of the various pieces togrther. The rest of the movie is about the mastermind escaping two funny but incompetent lawman while the leaderless henchmen try to do the job by themselves. Both parts of the movie work well and the ending is funny, ironic, and surprising.

Buy Disorganized Crime (1989) Now

It cost only 10$. But it's worth 3 times that. I saw this ages ago (just after it came out) and always loved it, so I had to have it for my collection. I dig movies about bumbling thieves too, but these guys aren't the bumbling kind. And besides, the Bank Vault with all that money may motivate the characters in the film, but ultimately it's not about that. Rubén Blades is just so superb in this. His behaviour always provokes fits of laughter. All the actors play off each other so well, whether it's the late Fred Gwynne, Young Guns' Lou Diamond Phillips, or Ed O'Neill from TV's Married With Children. I really can't recommend this more. It doesn't play like the usual caper, because the humour isn't necessarily in great jokes or great physical stunts or the like. The laughs come from the dynamics between the characters their interaction and communication with one another; it's in how they say things, their facial expressions. Subtleties. And all this from actors who don't earn 20 million per picture. Plus, you know, it cost only 10$!

Read Best Reviews of Disorganized Crime (1989) Here

This movie is an obscure, totally forgotten comedy from 1989 but its one of the funniest movies Ive ever seen.

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This is one of my favorite movies when I'm in the mood for comedy. Lots of recognizable faces. Witty. Many memorable lines and moments. The character personalities and character interaction is priceless. I guarantee you'll laugh out loud.

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Jackie Chan: Police Story / Police Story II

Jackie Chan: Police Story / Police Story IIContinuing with their Jackie Chan Double Feature collection, "Police Story" and "Police Story 2" are now together on one disc thanks to Shout! Factory. Being a huge Jackie Chan fan, these were two films that were already well established in this household. However, Shout! Factory did such a superb job with the last Jackie Chan Double Feature that bundled "Crime Story" and "The Protector" together that this suddenly became a necessity.

After revisiting "Police Story," there definitely doesn't seem to be much of any new material in the cut of the feature film. However, there are quite a few bonus features that may whet your appetite. There are a little over two minutes of Deleted Scenes that are mostly just an extra few frames here and there, an Alternate Ending that is mostly an extra 30-45 seconds compared to the original ending with some outtakes attached, an Extended Opening that revolves around Chan Ka Kui arriving to the police station from training and Kim's birthday, and the US and Hong Kong trailers. "Police Story 2" is much lighter on special features with two minutes of Outtakes, an International Trailer, the Original Hong Kong Trailer, and three minutes of Alternate Outtakes.

You're probably wondering about how the film looks. In comparison to the DVDs, "Police Story" is a noticeable improvement and yet isn't quite as high-definition as you might expect. The picture is certainly brighter and clearer, but still looks slightly grainy and saturated. Yet it's still the best this film has ever looked. The sound is superb though. Even without surround sound, you can hear the score of the film clear across the room. "Police Story 2" is the same cut as the DVD as well, but the restoration is much more noticeable since the picture is so crisp and clear and the sound is just as impressive as it is in "Police Story" on this disc.

"Police Story" itself is one of Jackie Chan's best. The pole slide sequence at the very end is what always makes highlight reels, but the entire mall fight is really impressive. There's a good chunk in the middle of "Police Story" that is overly goofy with lame innuendos, misunderstandings, getting caught in lies, and May jumping to conclusions by usually getting upset for all the wrong reasons. The last 30 minutes or so are outstanding as is the opening squatter hut sequence and the parking lot fight. "Police Story 2" is a bit more serious and much more explosive. There are three of the greatest explosions put to film in "Police Story 2." The cafe fight, scuffle in the park, and battle at the fireworks factory should make this sequel worth adding to your collection if it hasn't been added to it already.

Both films are available in English 5.1, Cantonese 5.1, and Cantonese Mono DTS-HD Master Audio sound. You typically have the option of multi-channel or two-channel sound in each language (two settings for each language, so four total). The only subtitles that are available are in English. The films are also presented in widescreen with a 2.35:1 aspect ratio.

There isn't much of anything new to this combo pack of "Police Story" and "Police Story 2," but the fairly affordable price, getting two of Jackie Chan's most entertaining films on one disc, and being able to own both these films in high-definition should at least make you consider double dipping for this great collection.

Don McGregor

April 8, 2013

RIDING SHOTGUN

Over the years I have met various film directors who claim they'd studied the film-making of Buster Keaton and had been influenced by Keaton's 1920s cinema-language defining work and mind-warping, eye-boggling stunts.

Keaton's superb timing and physical form leapt from the screen as if he defied gravity and mortal injury, with grace to spare.

Jackie Chan has been quoted that Buster Keaton was a major influence to him in many of his films.

SHOUT Factory has just released two of Jackie's Police Story movies on one Blu-Ray!

In Police Story, alone, if you are familiar with Keaton's work, you can see that in Jackie's case he wasn't just talking words.

I can find moments in Police Story and Police Story 2 where Jackie displays not only his incredible, balletic actions, but shows the influence of not just Buster Keaton, but also Douglas Fairbanks and Harold Lloyd's films from the 1920s.

To take nothing away from Lloyd, because he did do many of his own stunts, with fingers missing from one hand, blown off by a prop for a still photo shoot, but Harvey Parry did double Harold in the more dangerous stunts.

Jackie and Buster and Fairbanks did their own stunts.

And Fairbank's modus operandi was to make the most difficult stunt look easy.

You will see Jackie Chan do this again and again in Police Story 1 and 2.

This is the first time either of the Police Story films have been released on Blu Ray, a double-feature from Jackie's prime as a director and star. Shout has released them on DVD, also. You can't beat the price, even the Blu-Ray can be found for less than $20.00. The prints are the best I personally have ever seen, and although I am far from an expert on the films, they certainly appear to be uncut. It's hard to tell with many of Jackie's films because there have been so many versions of different lengths released over the years.

If you don't have any Jackie Chan on DVD, then this is an inexpensive way to own two of Jackie's most popular movies during the 1980s.

Police Story opens with one of Jackie's biggest-scale openings ever, a drug raid taking place in a hillside Shanty Town, with tiers of buildings scattered haphazardly down the long, steep mountainside. When the raid goes terribly awry within the first 5 minutes, Jackie is immediately in action. The chase for the drug-lord and his cohorts smashes by cars down the mountain-side, through the ramshackle buildings and bright red and yellow clotheslines and paraphernalia from store goods to furniture.

You can read the complete review at Comics Bulletin in my Riding Shotgun column, with photos.

Buy Jackie Chan: Police Story / Police Story II Now

These two movies are some of the great production from Hong Kong during it's hey days. Jacky Chan does almost all the stunts as during the 1980, every action stunts are for real. For those who have not watch it or own it on Blue Ray. This is a good chance to own it as it a good value buy.

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So this is the third time this movie has been released and once again it does not have the original English Dubbing. Watched for 5 mins and turned off and put in my VHS burned to DVD copy. Now this may not matter to some people but to me it does. The original dubbing was done much better and some of the humor has been lost with this version again just like the DVD release from a few years ago. Unless they do the right dub soundtrack next time this will be the last time I purchase.

The language tracks are 5.1 and 2.0 in Cantonese and English, but for some reason when I switch to 2.0 in both language's there is no sound and on my receiver the Dts blinks on and off, this is the first Blu-ray I own that has done this.

The movie is a 5 star movie no doubt but they should have released the original dub and this version together instead of this horrible new dub yet again.

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Love Jackie and he never fails to deliver. He's a true humanitarian and an inspiration and it shows in his films

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Away We Go (2009)

Away We GoLike all road pictures, AWAY WE GO is about a couple in their early thirties trying to discover themselves (and what kind of home and family they want to create for themselves) through a round of visits in the sixth month of the pregnancy. I've never been a huge fan of Dave Eggers, but the script that he wrote with Vendela Vida is a brilliant one. The structure of the film is simple: Burt (THE OFFICE's Jim Krasinski) and Verona (SNL's Maya Rudolph) have moved to a small, cold house entirely so that they can live near Burt's parents. But after learning that they will be moving to Antwerp a month before their baby is due, they realize that they don't need to live any longer in a town where they have no friends and, now, no relatives. They plan a long trip that will see them visiting friends and relatives in a number of locations, including Scottsdale, Tucson, Montreal, and Miami. They see people whose lives they would like to emulate and those they would not.

And along the way hilarity ensues. The scenes between Burt and Verona are frequently hysterical, though when they are meeting their friends or relatives they tend to become "straight men" and the humor shifts over to the others. Although several people are absolutely outstanding, two actors deserve special mention. First, Allison Janney is absolutely hysterical as Verona's former boss in Chicago (more about Chicago in a second). She is, putting it simply, a nightmare of a mother. But in the most hysterical of ways. (Now on Chicago. Verona mentions working in Chicago and she is shown to be a medical illustrator. This is not unconnected with Chicago; in fact, there is a direct correlation between medical illustration and Chicago, since the most important medical illustration program is at the University of Illinois at Chicago Medical School. Odds are that if someone has studied medical illustration, they did it there.) The second actor who stands out is Maggie Gyllenhaal, who plays a college professor and old friend of Burt who and the embracer of more fringe and nutzoid ideas than one can imagine. Her ideas, and those of her husband, are so absurd that given gentle, placid Burt can take no more.

But the major kudos have to go to Krasinski and Rudolph, who manage to create two characters we come to like a great deal and who we very much hope will come to understand precisely what they and where they want to have it. This is an especially enjoyable film given the overwhelming amount of special effects fare at this time of the year. This is an intelligent film that also manages to be very, very funny. It is currently in somewhat limited release, but when you get a chance to see it, do so.

This movie was a charming look at a couple that is struggling to define themselves and to find their place in the world. The comedy was perfectly placed and well written. The story lines were honest and believable glimpses into various peoples very different lives. The main couple visits friends and family around North America trying to find where they would fit. What they find out is that they don't really fit any of those places and they have to make their own way in the world. Excellent movie, one of the best of 2009.

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My husband and I really liked this movie. We were laughing and laughing until the couple got to Montreal, their fourth stop, and then we were in tears: "She had a miscarriage on Thursday. Her fifth."

Bert and Verona seem like us late to have a child, still living in a cluttered rented house, asking, "Are we F--K Ups?" They arrive at the beautiful door of old friends and say, "Wow, they seem so grown up." Those were my exact feelings on reconnecting with a childhood friend last winter who is FAR more established than us. Our furniture is hand-me downs, unpainted pine shelves and dusty milk crates stuffed with reference books. Every room in my friend's house looked decorated and cared for (but did she have books? I don't recall). Seeing it made me realize that I was still inhabiting this fantasy that I was still a graduate student...but then I realized that I am the age my mother was when I happened to be in middle school, so thus I am not young, just too poor to have a pretty decorated house with art on the walls. At least the spines on my texts are colorful.

Bert and Verona have no roots Verona's parents are dead, her sister lives in a different city, and Bert's parents are about to embark on their own journey abroad, in Belgium. It is curious to me now to see that the concept of growing up and going away to college, leaving your family and your hometown behind, often leaves you with no roots at all if you keep traveling, after college, as I have. It is an interesting idea, then, to decide in the sixth month of pregnancy to go visit one's old friends, as Bert and Verona do, to see if they'd like to settle near them. It is a question I often ask myself...should I move back to California? What about Portland? What if we just moved back somewhere on the I-5 corridor, which would be more civilized than here? How deep are my roots here after all, now that I have taught seven cohorts of 7th graders and my daughter is now four?

I really liked Bert and Verona and the way they made each other laugh, the way they comforted each other, and their subtle communication when they are guests in their friends' houses. If they were real people, I would have no doubt that once their child was born, they would slowly gather back a community of other new parents.

This movie makes me remember the last days of my marriage before we became parents, and what people said to us. Both ridiculous and moving.

Read Best Reviews of Away We Go (2009) Here

At the butt-end of last year Sam Mendes directed a film called Revolutionary Road. This was a masterpiece, truly deserving of that title. It's his best film hands down! His previous films American Beauty and Road To Perdition weren't too shabby either. They all have a sense of darkness and foreboading. The dark foreboading element is missing from his current film Away We Go, and that is not a bad thing.

The basic set-up is simple and understandable in that movie universe sort of way, but two winning performances from leads Mya Rudolph and Chris Krisinski really help this thing over some of the comedy set-up trappings. Rudolph is an actress that I've known from SNL and that's it, I've not seen here in anything else. Surprisingly, she ends up playing straight-man to Krisinski. And you she gives a very touching and honest performance, and I see a great career outside anything resembling comedy in her future. Krisinski is an actor I've never seen in anything. I've been informed that he is one of the stars of the American version of The Office, and he, like Rudolph, is someone I want to see more of. He plays affable in this film like a pro. He's an optimist and a realist all in one heartwarming stroke. He's the goofier of the couple but it comes off more like it's part of his character and his personality and less like comedy schtick. Together I would watch any film premise about this pairing.

This is a real couple, not a made up movie couple. This is my favorite part of this film. The plot is cute and similar to that of the great film Flirting With Disaster, but the unmarried leads make this film above average. They don't have silly, pointless and melodramatic arguments to up the conflict factor most these type of films contrive for the sheer 'entertainment' value. Sorry, folks, this is about real people not the cyphers that make up the world of most sitcoms and Rom-Coms.

The first and one of the best examples I can conjur up in regard to this point is an early scene of the couple driving to Krisinski's parents' house(played hysterically but briefly by Jeff Daneiels and Catherine O'Hara). Krisinski, who sells insurance by phone, gets a call from a client and puts on an obnoxious 'offcial business' voice that irritates Rudolph. She pulls over the car and gently steps out. He catches up to her and they flirt. There's no silly argument of the two complaining about themselves. They know each other so well and truly love each other to the point that they know each others' faults, quirks and everything in between. This is what it is like to truly know, understand and love each other. Little touches like this really make this film rise abvove the rest.

This is a road movie so we meet various other side characters that help emphasise and illustrate versions of family life and modern couplings. We get some great cameo by Maggie Gyllenhal as a very liber4al new-agey type who supplies some o the film's funniest situational comedy. Most of the humor comes from an honest place and not joke set-ups. Not all of the humor, but most. The constant change in locale is a comedy contrivance in itself but we forgive it because the characters are so engaging and real.

The film is not without its flaws. The premise is a bit obvious and basically negligiable. The final emotional conclusions are obvious long before they arrive, but they are executed and performed so flawlessly it's easy to forgive this flaw.

I'm happy to see Mendes broaden inot this territory. It's not as dark, and it's not about miserable people, but rather real people. They are self-proclaimed "F@#$CK ups". It's a story of late bloomers. They're just making it and fitting the pieces together a little slower then the rest of us. No big career destinations, no big dreams, they're just living their lives and loving each other honestly. It's quite lovely. Starting their unexpected family is as natural to them as never becoming a wedded couple. This is life, but rather contrived in a more entertaining movie way.

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AWAY WE GO isn't a great movie but it is certainly entertaining. The story revolves around a thirty-something couple who are about to have their first child. When things don't go as planned, they decide to pull stakes and look for a new home. In its own way, AWAY WE GO reminded me of the Little Prince, who went from planet to planet, meeting strange new people. This couple's search unearths the odd, kind, bizarre, tragic, and confused, who unknowingly show the couple how normal they really are.

There are moments in AWAY WE GO that are very funny, and a few that are sad or touching. Most of the dialog is above average. All of the actors are credible and competent. Maya Rudolph, of SNL fame, is actually very good. The only other feature I've seen her in was Idiocracy, where she seemed to be playing a character more suited to Saturday Night Live. Here, she shows that she can play real characters instead of just caricatures.

The overall pacing of AWAY WE GO is a little slow, but it is still worth watching. I'd be reluctant to watch it twice, but I would if I had to. Three times is probably out of the question. RECOMMENDED.

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Schoolgirl Hitchhikers (1973)

Schoolgirl HitchhikersRedemption Films should be lauded in bringing the films of French Director Jean Rollin to American audiences and now with his passing last year ,his catalog of films can be viewed and appreciated by lovers of Euro and erotic cinema. During his Vampire film years , he made a number of sexy, erotic films under the pseudonym of Michel Gentil and took his pairing of female heroines into different sexy encounters. This film 'SCHOOLGIRL HITCHHIKERS' was the first and stars the beautiful Joelle Couer who would also star in three other films of his and then disappeared from the screen in the late seventies. The film resembles a fairy tale with a 'Goldilocks and the three Bears' feel and then becomes a lethal jewel heist caper eventually succumbing to cartoon like shootouts and chases intermixed with soft core sexual encounters by each character. Rollin himself appears at the end of the film in a crucial plot enhancer. Its amazing how Rollin was able to find these beautiful abandoned chateaus for his films and in this one , he really utilizes them as characters unto themselves with gorgeous lighting and photography. If you are a Rollin fan, you will recognize many of the actors as they appear and this film holds up much better than the other sexy Euro films which came out in the late sixties/early seventies. Rollin would go on to direct the enjoyable 'BACCHANALES SEXUELLES' , but this one is a great introduction to these types of romps. Redemption releases it here under the Jezebel/Salvation logo and its a nice full screen print but suffers from jerky movements during the transfer when there is excessive camera movement. There is a repeat Rollin interview which is included on the 'LIVING DEAD GIRL' DVD and has a nice still gallery of the actresses during the filming. It's a hell of a lotta fun and should be in every Rollin collection.

Schoolgirl hitchhikers is a good sexploitation film with plenty of nudity.No,it is not a great film if your looking for a cinema masterpiece or something other then an sexploitation film,there are enough plot holes to make swiss cheese.The film is about 2 girls hitchhiking who find what they think is an abandon house.The girls are lesbian lovers who are bissexual.They make love in the house and when the jewel thief who inhabits the house comes back one of the girls makes love with him.In the morning the girls leave and the jewel thief finds the jewels missing.He tracks them down to their tent and kidnaps them which leads to a little S&m session to get the one hitchhiker to talk,the other escapes and goes to a private detective for some reason instead of the cops.They come back to the house,are captured which leads to more sex and another escape.If you like looking at nude,good looking women and a fairly nonsensical plot that moves along briskly,I recommend this movie.Its a fun sexploitation picture .

Buy Schoolgirl Hitchhikers (1973) Now

This is NOT a REVIEW of the film "Schoolgirl Hitchhikers" the content of which has been ably covered by other reviewers I am mostly writing to WARN other potential purchasers of this fine little piece of '70's Euro sexploitation that the quality of the DVD released by 'Desert Island Classics' is VERY POOR!

This is the third product I have purchased that came from Desert Island Classics and the film transfer quality on all of them is bad! They all appear to be hastily produced DVDR products dubbed from low quality old VHS tape sources. The picture is grainy and degraded, often w/ tracking lines showing up periodically. IF this was the only version of the film available these Desert Island debacles might be considered marginally acceptable but (particularly in the case of 'Schoolgirl Hitch-hikers') they just don't cut it and should be avoided. Not only is the transfer quality pathetic, but the play time for the DIC version is only 67 min. while other releases of the same film clock in at closer to 74 min. alluding to some substantial cuts!

I have been very disappointed in the 'quality' of the presentation of all the product I've received from this DVD authoring outfit and really cannot recommend them.

Read Best Reviews of Schoolgirl Hitchhikers (1973) Here

Here's another one of those delicious sexy comedies from the seventies that has been restored to Blu-ray quality, to the satisfaction of us lusty males (and females) who have fond memories of these films. Directed by Jean Rollin (1938-2010), under the name Michel Gentil, one of the masters of the erotic genre, as well as horror movies, "Schoolgirl Hitchhikers" is another delightful entry of classic erotic films that I'm glad came back, as best as ever.

Monica (Joƫlle Coeur) and Jackie (Monica Stark, aka Gilda Arancio) are two free-spirited, young and attractive ladies that "decided to spend the holidays in the great outdoors." While walking through the countryside, they discover an apparently abandoned mansion, and decide to stay the night there. Bad move. As it turns out, the big house is serving as a hideout for a "small-time hood," who "adopts" both ladies. The lucky thief has his fun with Monica and Jackie, who, by the way, are also lovers. Unfortunately, when the owner of the stolen property shows up to the mansion to collect his stuff from the thief, they can't find it, so the gangster blames the girls for the mysterious disappearance of the goods. Enter a private detective and his beautiful assistant, and add more suspense and sexuality to the story.

"Schoolgirl Hitchhikers" is fun to watch, as the characters are silly and having a good time. Of course, this being a French erotic comedy, there's plenty of nudity and soft-core sex. Another jewel of the seventies. (France, 1973, color, 79 min)

Reviewed on May 23, 2013 by Eric Gonzalez for Kino Lorber Jezebel Blu-ray

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This was an okay movie, but better suited as a rental. For me, It was kinda comical in the way it was presented, Everybody kept getting the drop on everybody else. The Director, got the sex out of the way, such as it was, early on and got down to the main focus of the plot. Essentially, two girls picking the wrong place to hangout. When the robbers show up, things get a bit dicey. As I said, it was kind of comical in a way. Although dated, it was enjoyable, but only a one timer in my opinion.

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