One Touch of Venus (1948)

One Touch of VenusAfter being married to Jennifer Jones (who is/was my particular 1940's screen love goddess), Robert Walker stars opposite a very erotic Ava Gardner, described by film critics in "The Naked Contessa" (1954) as, "...the most beautiful woman in the world", so she was aptly cast to play Venus, the goddess of love, in this 1948 production.

Robert Walker plays Eddie Hatch a lowly paid window dresser at the store owned by Whitfield Savory II (played by Tom Conway a relative of the suave George Sanders).Eddie is instructed to ensure that the curtain will not snag at the forthcoming unveiling ceremony of the recently acquired statue of Venus.When finished, he impulsively (he's finished the boss' drink) kisses the statue which promptly comes to life!! Eddie is to marry Gloria (Olga San Juan), who rather irritatingly, keeps reminding him they are to marry each other.They have drifted into their relationship and marriage just seems the next logical move but who said love is logical!! However, Eddie's friend Joe, (Dick Haymes), is secretly in love with Gloria himself but he doesn't know it.Whitfield Savory II is likewise ignorant of his subconcious love for his efficient secretary, Molly Stewart, played by Eve Arden in one of her typical wise-cracking, comic roles; (see her as Mildred Pierce's efficient manager in the Oscar winning film of the same name (1945) opposite Joan Crawford.

I was mesmerized by Ava Gardner as she spreads her instinctive love to bring all these true lovers together, while working her magic on Eddie himself who is soon in love with her.She seems reluctant to return to Mount Olympus as she is having so much fun here on Earth.She loves helping people but when her task is over, Jupiter, the head of The Gods, (who communicates by thunderflashes), summons her back to Mount Olympus.Reluctantly her effigy returns as a statue at the store, much to the relief of the Whitfield Savory II who thought Eddie had stolen the statue whilst she is in her live alter-ego on Earth.This sub-plot gives rise to some comic Keystone Cops type chases especially when Venus comically turns one of the "gumshoes" into an owl, albeit temporarily as she loves everyone really!.Molly believes Eddie is innocent good for her I say!

Watch out for Sara Algood who plays Eddie's landlady, (see her in previous roles as Mrs Beth Morgan in "How Green Was My Valley (1941) and as Mrs Maile in "Cluny Brown" (1946).The lovely song "Speak Low" is sung by Dick Haymes miming to his own recording while Ava effectivly mimes to another well matched singer's voice.Another song about men, sung in the ladies dressing room as a trio, featuring Ava, Olga & Eve.

The audience feels strong sympathy for Eddie and he is finally given his divine award (including a modest pay rise) when a very beautiful new store recruit called "Venus Jones" (Ava),appears in normal human form to him there.We have to assume this will eventually become another love match engineered by Mount Olympus!

I found this film hugely enjoyable as I love classic 1940's films having made them something of a speciality.It has fewer of the songs than in the original Broadway musical but this seems to fit the plot.It is a difficult title to find on video.I obtained mine by winning an e-Bay auction after searching on Robert Walker.

This 1948 comedy was adapted from a Broadway musical that starred Mary Martin and featured a score by Kurt Weill. Sadly, the music, except for three songs, has been cut from the movie.

The film, directed by William A. Seiter, is reminiscent of TOPPER, HERE COMES MR. JORDAN and other like fantasy-comedies that were popular with movie audiences during the 1930s and 40s.

[During the 1960s, TV shows like BEWITCHED and I DREAM OF JEANNIE filled this void.]

Robert Walker stars as a shy window dresser for a big department store, who impulsively kisses the store's invaluable statue of the Greek goddess, Venus. A moment later, the statue, played by Ava Gardner, has come to life and Walker faints on the spot.

Upon awakening, poor Robert discovers that he's in very big trouble. He's being pursued by the cops for stealing the statute and, if that isn't bad enough, it appears that Venus won't return to her pedestal because she has fallen in love with him. Even worse, his jealous girl friend (Olga San Juan) is convinced that he's been unfaithful.

Dick Haymes, Eve Arden and Tom Conway co-star in what is still a clever, if somewhat silly, romp that should entertain the entire family.

© Michael B. Druxman

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I'm not as well spoken as the previous reviewers, still, I grew up with this movie and watched it every time I saw it listed on TV. In fact, I'm always looking for a black and white copy I can afford to buy. It is just one of my favorite all time movies. I love the characters and most of the actors Eve Arden being my favorite by far and Ava looking so gorgeous, as well as Walker looking so vulnerable, confused and frustrated. It's a fun time 90 minutes or so of losing yourself in a far out comedic love story. I enjoyed the music and I'm one who tires of musicals after awhile this one did not bore me. Dick Haymes' singing is a joy. I recommend it highly to anyone even the more serious curmudgeons who feel they might not like it.

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This adaptation by director William A Seiter of the musical with music by Kurt Weill and lyrics by S J Perelman and Ogden Nash is generally considered a bowlderisation, with songs cut and Mary Martin's stage performance lost in favour of the usual Broadway to Hollywood compromises. However there can be no doubt that casting beautiful Ava Gardner as Venus, the goddess of love, is apt. Here Gardner is more playful than usual, and even making her chase a reluctant Robert Walker can be forgiven. Although it is thought that great beauties are all the more desirable when passive rather than active, Walker not realising Gardner's worth is true to the slapstick comedy tone. The idea of Gardner as a marble statue on display in the art gallery of a department store, brought to life by window dresser Walker's drunken kiss at midnight during a lightning storm, introduces the unrealistic romantic narrative, with songs that appear without the musical genre strictly being adhered to. If I am happy to not have I'm a Stranger Here Myself from the stage show, it's because I don't like the song anyway, and even when Speak Low is presented unsatisfactorily and that Gardner is dubbed whilst singing it, cannot detract from it being one of the loveliest melodies Kurt Weill ever composed. I like how it is used as a siren song, where Seiter intercuts between Gardner and Walker, and Dick Haymes and Olga San Juan, with Gardner and Haymes both singing to departed lovers in a duet. As the only one of the cast who appears able to sing, Haymes also gets the bulk of My Foolish Heart, even if given new lyrics and a generally unappealing romantic partner in San Juan. The other song to survive is That's Him, where Eve Arden gets to join in as Gardner is dressed. Arden talks most of her lyrics but still it's nice to see her in this context, in addition to the barbs she delivers as comic relief otherwise, thanks to the screenplay by Frank Tashlin and Harry Kurnitz. I also liked Walker's line re San Juan "She's so terribly one track minded. Even when we have dinner together she eats rice", and there is a lowbrow moment when James Flavin as a detective is turned into a human owl by Gardner. If the others running around tend to become tiresome, there is still Gardner, looking ravishing in black late in the proceedings, and given a gorgeous closeup. And Seiter adds a sweet conclusion.

Want One Touch of Venus (1948) Discount?

ONE TOUCH OF VENUS is a musical comedy/fantasy about a window dresser named Eddie who kisses a statue of the goddess that then comes to life in the exquisite form of Ava Gardner. Venus falls in love with him; matters are further complicated when Eddie's boss is smitten by her loveliness.

The 1951 version of SHOW BOAT is another stage-to-screen musical that features Miss Gardner.

Parenthetical number prior to title is a 1 to 10 viewer poll rating found at a film research website.

(6.5) One Touch of Venus (1948) Robert Walker/Ava Gardner/Dick Haymes/Eve Arden/Olga San Juan/Tom Conway (uncredited: Arthur O'Connell)

"ONE TOUCH" TRIVIA--

Mary Martin was Venus on Broadway. Elia Kazan directed this S.J. Perelman play.

Mary Pickford bought the screen rights, intending to bring the original cast to the screen. Later plans included Miss Martin, Frank Sinatra, Clifton Webb and Bert Lahr, but when Mary became pregnant, Pickford sold the rights to UNIVERSAL and the movie was entirely recast. Plans to shoot in Technicolor were also abandoned.

The Venus statue of Ava Gardner originally depicted her in the nude; the studio demanded (and got) a more modest version.

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