Showing posts with label will ferrell comedy movies. Show all posts
Showing posts with label will ferrell comedy movies. Show all posts

Blades of Glory (2007)

Blades of GloryThis has got to be one of the funniest movies that I have ever seen. I laughed so hard that I walked out of this movie feeling as if I had done 200 crunches. There were very few low points in which the humor died down. Most of the time I was in tears, laughing hysterically.

The story is about 2 male skaters that are extremely competitive. Their scores were tied and they both shared the Gold medal spot for a brief moment. They began fighting which resulted in their removal from the men's single ice skating competitions for the rest of their lives. After failing to achieve any sort of happiness with odd jobs (Ferrell ends up skating for a children's ice show and Heder ends up working for an ice skating shop)they agree to skate together in the couple's skating competitions.

Ferrell plays a sex addicted, egotistical guy who seems to be very low on the IQ scale. Heder plays a soft, effeminate guy who has lived a very priviledged life (until he gets kicked out of men's skating and his adoptive father disowns him). The two personalities clash to no end.

My husband and I truly enjoyed this show. There are a lot of sexual references made in the movie but it's used in a hilarious way. I wouldn't recommend younger children watching the movie simply because of the references.

I also find Will Ferrell a bit hit or miss. When he's on, he's on and when he's off it can be painful to watch. With this movie, though, he really hit the mark. It's chock full of silliness and sight gags that make watching it a lot of fun. There is some very crude humor and some gross-out moments but I thought Ferrell was rather more restrained than he sometimes is and that certainly worked to the advantage of this movie. The character in this movie is more or less interchangeable with most Ferrell characters but that's not the point. The point is the sheer silliness of the plot, the over the top events, and the hilarity of watching skating star after skating star make often surprising cameo appearances.

Jon Heder is really wonderful in this movie. Where Ferrell is pure silliness, Heder is good at creating some nuance in his characters. Though his characters tend to be spacey and weird, he does a good job of making them somewhat real. He has a good sense for when understatement can do a great deal more than something very overt and obvious. I think he is a great talent and look forward to seeing more of him.

As far as slapstick comedies go, this one is something of a gem and is worth watching solely for the hilariously silly skating routine at the end of the movie. Ferrell and Heder make a great duo and I'd like to see them do another movie together.

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Movie 4.5

I've always been a fan of Will Ferrell. His juvenile hijinks, potty-mouth humor, and physical mannerisms are something I've come to enjoy over the course of his career, and not even so much during his SNL stint, but from his work in Anchorman on up. Meanwhile, Jon Heder certainly made his mark in comedy with his portrayal of the socially awkward and quirky Napoleon Dynamite, something of a surprising low-budget oddity that probably caught a lot of other people off guard as well. Put these two together in a movie produced by, you guessed it, Ben Stiller, and you've got a very silly and over-the-top sports comedy. Like a certain other Ben Stiller film about the comedic sports underdog story (Dodgeball), Blades of Glory is another mishmash of elements that is meant to, first and foremost, entertain, but also give some kind of weird, outlandish version of inspiration at the same time. Chazz Michael Michaels (Ferrell) and Jimmy MacElroy (Heder) are figure skating's top two stars. Skills-wise, they're the best at what they do, but couldn't be more opposite from one another in terms of personality. Hating each others' guts and being forced to share Olympic gold, they get into a scuffle during the awards ceremony and are banned for life from singles skating. But upon an urging by MacElroy's creepiest and most obsessed fan, Hector (Nick Swardson), a loophole is found in the rules saying MacElroy can still compete in doubles. Predictably, as if you couldn't tell by the cover, MacElroy and Michaels become male doubles skating partners and attempt to achieve gold once again. If you know Will Ferrell's style of comedy and like it, then there's not much else to be said. The film is raunchy, silly, quirky, and not all that high-brow outside of a delightful performance by Jenna Fischer (who looked surprisingly hot in lingerie). Will Arnett and Amy Poehler co-star (with Fischer) as the opposing team, and Craig T. Nelson, as you can guess, plays Ferrell and Heder's coach.

Video 4.5

Having watched quite a few different types of genres on BD lately (lots of comedy, but the occasional drama and action flick), I have to say I'm surprised at the level of picture quality presented in a lot of the comedies I've seen, and Blades of Glory looks as glorious as its title implies. The color palette full of blues, whites, and shiny variations of the two, with a splash of red, looks stunning. From the very outset of the opening sequence where the two skaters are competing against one another at the Olympics, there's a very nice sense of pop to the overall picture. The details in their costumes, the clarity of the crowd, and the flawless digital removal of all the wiring looks excellent, which to me is kind of shocking for a simple comedy movie. All the little sequins on Heder's peacock suit, the bright reds and oranges on Ferrell's fire suit, or their outer space and electro-laden lights on their space suits look remarkably clear and vibrant. Outside of competition, blacks and contrast handle especially well revealing shadows, lines, facial features, and overall image detail in a clear, almost lifelike manner. Again, it's all about the costuming. My favorite one outside of the skater suits was Jenna Fischer's lingerie. I thought she was kind of cute on The Office and all, but wow. That black nightie with the all the cleavage and the fishnet stalkings look great. Oh, and so does the quality of black levels within the costume itself. The only downside to the picture? Saturation tends to be a little low on the non-competition scenes reserving a lot of the film's lighting and shine for the glossier parts of the movie, but I never found it to be a huge problem. It does, however, knock the overall transfer down just a bit, but is a beauty to behold, regardless.

Audio 4.5

Back in the day before Dolby TrueHD and DTS-HD MA became the economical norm for disc space, there once was a codec called Uncompressed PCM. And while it took up a good deal of memory, it packed a wallop of a bit rate. Blades of Glory, for all its ridiculousness, got a mind-bottling presentation from Paramount/Dreamworks with an audio encode of 6.9Mbps, that's nearly twice the bit rate of Avatar. Strange for a sports comedy to get such royal treatment, I know, when so many other newly re-/released and catalog titles are still getting shafted with lossy Dolby Digital (*cough* Warner Brothers), but big thanks to the people at Paramount for giving Blades a very excellent aural presentation. My biggest surprise upon a few re-watches on my newly-equipped HT setup (new center, fronts, and sub added since then) is the amount of directionality and separation within the film's sound design. Something I've always liked about sports movies is the ambiance of crowd noise, and this track definitely didn't disappoint. Dialogue remains clear and centered, while the front sides and rears do a tremendous job of placing cheers, random fans voicing their support, and camera clicks all over the place. The score by Theodore Shapiro or what few instances there are of record label songs totally immerse you. Aerosmith's I Don't Wanna Miss a Thing and Queen's Flash are two great songs by two very great bands, and hearing them in lossless audio during the competitive events is a blast every time. The only downside, or rather the only elements not truly taken advantage of, are the LFEs. While there is some slight bass from the music, your sub never really gets a workout until the very last scene with some fireworks and Ferrell blasting fire into the camera. But all in all, the sound couldn't be any better.

Extras 3.5

There aren't a whole lot of extras, but a good majority of them are in HD and pretty entertaining for what they're worth. There's a making-of, a segment for the skate choreography, one for costuming, various interviews with cast and crew, deleted scenes, alternate takes, and a trailer that amount to a little over an hour in total duration. One of the highlights for me was the making-of, in which Ferrell, Heder, Fischer, Stiller, and the two directors are very candid and seriously funny (as in serious, yet jocular) about how the movie came about, what they hoped to "achieve" by making it, and their experiences in filming it. My second favorite would have to be the interview with Arnett and Poehler, I liked them for what little exposure I had to their SNL days, but I've seen or heard them in a few movies since then and like their chemistry and overall demeanor a lot. Lastly, my favorite extra is the unscripted Moviefone Q&A between Ferrell, Heder, and Arnett. The three get along very well, don't take the interview too seriously, and offer some pretty funny responses to the questions they get asked. My one disappointment in this package, however, is the lack of a commentary. Had those three taken the time to sit down, or maybe if a combination of them were in the booth with Stiller, Poehler, Nelson, Fischer, Swardson (maybe in-character as Hector) or either of the directors, I think this would've made for a great, great listen to compliment the zaniness of the film itself. It's a darn shame nothing was made, but there's still a good amount of extras here that fans would probably get a kick out of.

Overall 4.5

Blades of Glory is crazy and over-the-top. It's a story about male pairs figure skating with raunchy humor, sexual references, a balanced dose of slapstick, and even a little wordplay here and there. As ridiculous as the premise seems, it's also a movie in the care of some really good comedic actors in Ferrell, Heder, Fischer, Arnett, and Poehler, all of who give great deliveries and possess excellent chemistry with one another. With near-reference picture and sound and a slightly underwhelming, but still entertaining, set of extras, Blades of Glory comes highly recommended. Boom!

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I expected Blades of Glory to be fairly stupid without much maturity, and that's precisely what I got. Except I was surprisingly entertained by witty, dirty, and sometimes both witty and dirty, one-liners. You're not going to get a cinematic masterpiece here, but you will get a side of figure skating you've never seen before.

Will Ferrell is once again cocky, selfish, rude, and witty. Take Ron Burgundy's personality, Ricky Bobby's intelligence (or lack thereof), lace up some skates, and you have Chazz Michael Michaels. Jon Heder (Jimmy MacElroy) doesn't take away from Ferrell's presence, and even gives a presence of his own by standing his ground and going after a young lady. Jimmy has a bit of competition with Chazz on the ice, and even though Chazz "is figure skating," he keeps his pride. The two clashing skaters form a duet and show everyone what "twin dongs" can do.

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Will Ferrell springboards off the success of Talladega Nights and lampoons another niche sport in Blades of Glory, a satire of figure skating. Although his character is more akin to his self absorbed and perverse Ron Burgundy, the film relies on the same formula that succeeded in his Nascar film, as joke after joke is leveled at the sport most of us don`t quite "get". The plot is full of one movie cliché after another, everything from a romance ruined when one party misinterprets a precarious situation to a breakneck chase to reach the arena in time to compete, but as long as you understand going in what to expect, this is a solid Will Ferrell film.

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Boogie Woogie (2009)

Boogie WoogieThis is a dark, dark look at the world of artists and those who deal in art. Calling this a black comedy is a gross understatement. Essentially everyone in this armpit of existence is in it for themselves. All are jockeying for position to get more, more, more for themselves. And they'll screw or screw over whomever they have to to get what they want.

There are a couple of stories running throughout this film. On one end you have Stellan Skaarsgard (an art collector) and Danny Huston (his art broker) trying to screw each other by outbidding each other to buy a piece of art (The Boogie Woogie of the title) which the owner, Chrostopher Lee, doesn't even want to sell. Meanwhile, Skaarsgard's assistant, Heather Graham, wants his backing to open her own gallery and start with a show by a maybe up and and coming video artist. To do so she will screw said artist's current promoter and screw Skaarsgard out of his cut. And Skaarsgard's wife, Gillian Anderson, will fool around with another up and comer and then want a divorce which will lead to more people screwing other people. You get the picture.

This is an acerbic view of how this part of society works. Everyone's disregard for the feelings of the people around them is unbelievable. There is a scene where Skaarsgard presents a "gift" to his new assistant. How, in anyone's world, this would be considered an appropriate gift is way beyond me.

The director, Duncan Ward, does a great job of giving you the look and feel for that part of London. The beauty, the hipness, the wealth and the attitude. All the acting is good and the writing is, for the most part, outstanding. Some might consider it "too", and they're probably right which is why I didn't give this the big FIVE stars. But all in all this is a great ride. It moves at a quick pace and doesn't linger on anything too long. I can recommend this to anyone who is even remotely interested in this part of existence.

This movie snuck up on me....I knew the loveyly Heather Grahmn was in it but that was it. Let me say that it was very funny and Heather looked amazing....She always brings something new to the table in each of her movies.

All I can say is that you won't be bored and that you may be surprise by how much you like it....

No spolilers here.....just my opninon....

Get this movie for your collection.

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I know critics and fair share of movie fans didn't like this movie. I don't think it was bad in my opinion. I find if you are a person who loves your art cinema, you will excuse most of the inconsistent plotting and find a lot the subject matter related to the art world and its artists quite relateable. The acting is enjoyable and made the plot work despite its choppiness. All in all, I believe the movie worked thanks to actors involved and the art gallery finale had alot of a life imitating art that saved the flim.

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it was perfect just as i have thought , absolutely recomended.

i will buy more products, totally reliable , very goos

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a fun and entertaining art house film about the art world with a great ensemble cast playing the most interesting characters you'll see.

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Dilwale Dulhaniya Le Jayenge (1995)

Dilwale Dulhaniya Le JayengeOK, I'm an Indian and like many other indians I too love this movie and so you might think this is an biased review. But far from it,as even though its been 10 years since this movie was released ,no hindi movie has since come close to matching this ones greatness. I'm sure Indian readers wont be needing this review, so I will write this review for the Western readers.

For starters all hindi movies are musicals, i.e they involve song and dance numbers. I do not know why, but it has always been this way. So if you like musicals you will fall in love with this movie as the music is top notch and excellently choreographed and blends in well very well with the situation.

This is a love story to begin with and a very good one, that too. Though the storyline is familiar, boy falls in love with a girl, girl's dad is the pain in the butt,boy tries hard to win the girl and finally wins over the girl :), what sets this movie apart is the sizzling chemistry between SRK and Kajol and honest performances from the entire star cast. And I guess what appealed to the masses is that unlike in other movies, the hero does NOT run away with the girl nor does he use violence as means to justify his love for the girl. So then how does he win the girl ? Well for that you will have to watch the entire movie. So come and fall in love with the movie.

Note: Hindi with English subtitles.

`Dilwale Dulhania Le Jayenge' (translation: "The brave heart will take the bride") was released in `95 and is unquestionably one of the most beloved Indian films ever to come out of Bollywood. This Yash Raj comedy, romance, drama stars the incomparable Shah Rukh Khan and the beautiful Kajol as two young British Hindustani's, Raj and Simran, who meet during a one month European vacation. Things do not start out well for the two, but slowly the ongoing banter of dislike and ridicule between them transforms into friendship and finally so much more. Unfortunately Simran is leaving for India soon after their return to England where she will fulfill her Father's wishes and be wed to a stranger in a pre-arranged marriage. Will Raj follow her to the Motherland in hopes of stopping the wedding and claiming Simran for himself? If he does who will win out in the end, Love or Tradition?

I guess 1.1 billion Indians can't be wrong. Shah Rukh and Kajol are perfectly matched as foils and lovers, they are absolutely marvelous together. Watch and see two of the biggest stars in the world in top form, you'll love it too!

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This is such a great film! My husband and I caught it when it was shown on TCM's Bollywood night last year. If you love musicals and are curious about seeing a Bollywood movie, you should make this the first one you watch. The acting is cheesey at times but when there are heartfelt emotional scenes, the acting is top notch. Its easy to see that this was (and still is) a hit. The movie is a little on the long side but when you get into the movie, the time flies and is worth the time you spent watching it.

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I'm not Hindustani. But this movie and most of the Bollywood movies make me so jealous that I'm not! I LOVE HINDI FILMS...(or BOLLYWOOD movies!) If you haven't seen any..you are in for a treat. The dancing, the singing, the costumes, the actors...marvelous!

Sometimes the style may be a bit hard for Americans to take....because they are often not "realistic". But I LOVE the way they highlight love and family. So many of the joys of life and the virtues that make life worth living...these are in these movies! Bollywood people really know how to make movies. Hollywood movies could only dream of coming EVEN close!

The actors are handsome and absolutely entrancing...and the actresses are the most beautiful in the world! The costumes are gorgeous...makes one wish we could dress that way!

The whole family will LOVE this movie...clean and fun! Worth the work of reading the subtitles! But...be careful..these movies are addictive!

This movie has two of the most amazing of their stars...when they were just starting out...they get even better as they mature! Dil is heart...Braveheart Carries Away the Bride.

Don't miss one of the best of Bollywood!

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On the dvd, in the special features section, one of the promo spots shows several of the movie's stars telling which song is their favorite. None of them mentioned my favorite song which shows how many excellent songs there are in the movie.

Raj is a carefree young man that enjoys a good time and seems to excel at everything. He's also good at manipulating others as we first see him manipulate his father and then others.

The first half of the movie is a slapstick comedy while he and Simran travel Europe and fall for each other. In the second half, there is more drama but with comic moments. Raj follows Simran & her family to Punjab and tries surreptitiously to win over her family in the 16 days before the wedding while imposing on the groom's family's hospitality. His plan is working until the wedding is moved forward a few days, and it isn't pretty when his plans are found out.

I adore this movie and have played it over and over. Unfortunately, you can't purchase the ringtone in the U.S.

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A Private Function (1984)

A Private FunctionWhat a surprise that this perfect gem is not better known...such a loss. Britain during the early fifties had much to look forward to and much still to do. Everything was still rationed just as in the war years principally because the treasury was sacked to pay for the arms and munitions needed to fight it. The Empire (or what was left of it) was broke too and most that had not already done so went the autonomous route now, taking revenue away from London...though all quite peaceably and with everyone's best wishes. It would be ten years after the war ended (that makes roughly fourteen in all) until rationing would end for these isles, celebrated with the fantastic Festival of Britain in 1955, and people could at last look forward into a new Elizabethan age, rather than back on that darkness. My god Britain paid for that war in every way possible...really. What a period then to set a comedy I suppose...except that this particular story required those lean and austere times for the telling of it. Fresh meat you see...gammon, bacon, joints roasted and slavered with apple sauce...mouth watering! Imagine then the lengths you might go to for some of that after, let's say, eleven years of powdered egg.

Michael Palin as the hen pecked chiropodist, Maggie Smith as the social climbing hen, Liz Smith as the batty scatty mother-in law who'll stuff virtually anything and everything in her gannet gob, Denholm Eliot (as the doctor) who refuses to be impressed and so must be made so...along with everyone else in town who matters....I have never laughed so much. They are all that generation who would have been children (more or less) in this time period and all say how they never felt they went without....how they enjoyed their childhood's and wish it could be the same always...when you watch this you can see their point. This film and everyone's performance in it is superb. Please...for your good health and for your better and more cheerful disposition...buy this movie.

When the incredible Maggie Smith shares top billing in a film with a pig, it is simply too delicious to resist. That is much the way I feel about 1984's "A Private Function." This delightful British comedy didn't get a lot of attention upon its release and is still relatively unknown stateside, but those that appreciate a droll skewering of class politics will be enchanted by this rude, yet smart, film. "A Private Function" won three British Academy Awards (BAFTAs) for Best Actress Maggie Smith, Best Supporting Actress Liz Smith, and Best Supporting Actor Denholm Elliott in addition to being nominated for Best Film and Best Screenplay. Headlined by Michael Palin, "A Private Function" is more akin to a classic Ealing Studio's comic caper than to contemporary Python. Bizarre and uniquely British in tone and temperament, I hope a new DVD release will raise awareness of this quiet gem. And there's a pig in it!

Set in a small town in post-war 1947 Britain, "A Private Function" introduces a world were deprivation and rationing are still every day occurrences. When the local town bigwigs want to impress for an impending Royal wedding, they set aside a pig for slaughter. It's all rather hush hush, though, as the very act they intend to commit violates the law. When Palin, as the put upon husband of Dame Maggie, is pushed too far by his socially carnivorous wife--he abducts the prize porker. Mayhem ensues as the town falls to pieces and Palin and Smith desperately try to hide their porcine concubine from prying eyes. There are plenty of gags, many at the expense of Smith's daft mother Liz Smith, who fears senility from all the strange new odors at home. Of course things work out--but not in the way anyone was expecting.

A great blend of physical humor and intellect, if you love British comedy--you'll undoubtedly love "A Private Function." Maggie Smith is an absolutely hilarious snoot, and many of the supporting roles are fleshed out by recognizable faces. (Recently deceased Pete Posthlewaite plays a town butcher.) Everyone gives such robust performances, however, it is surprising to find Michael Palin as the straight man. The quiet within the hilarity, it's not the role you'd expect such a rich comedic actor to inhabit. So, have a good time. Sit down with a big bowl of pork rinds and enjoy the wicked and wonderful "A Private Function." KGHarris, 1/11.

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A great cast and story. It's so witty as only the English can make. It's not a current movie, so don't expect any of the current stars with the exception of Maggie Smith, who is one of England's greatest actors. I didn't know how post WWII England was like when it had to ration meat, especially pork, during it's lean times. The story comes to a funny and entertaining climax at the end. Without giving the story away, I felt sorry for the pig. Although, I just couldn't stop laughing. I highly recommend this movie to adults with a great sense of humor. Let your children watch the cartoon channel. They just wouldn't appreciate the adult humor. I'm a "Carry On" fan so expect the same humor. The quality of the blu-ray is very good, if you into blu-ray movies.

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Michael Palin of Monty Python and 'Fish Called Wanda' fame teams up with Maggie Smith ('Prime of Miss Jean Brodie', 'Room With a View', 'Gosford Park') to form one of the most eccentric married couples in English history. To top it off, the couple live with her mother played by the acctress who portrays the eccentric female vestry member (always knitting and creating strange kitchen concoctions) in the 'Vicar of Dilby' series.

Palin is "foot doctor" who spends his days bicycling from house to house in post-War II Yorkshire tending to female patients. In his travels around and about he crosses paths with a syndicate of "business men" who are raising an illegal pig for a "private function" to be held the day the Princess Elizabeth (II) marries.

Following a farcical turn of events, Palin kidnaps the pig named "Betty" planned for the roast. Urged on by Smith's character (pure Maggie), the couple "keep" the pig in their bathroom and try to kill it. Soon enough, the syndicate members discover the kidnapping and are hot on the tail of the missing pig. In the meantime, a zealous copper is hot on their tails.

Other wonderful actors in this romp include Denholm Elliot ('Room With a View'), Alison Steadman ('Singing Dectective', 'Pride and Prejudice'), Pete Postlehwaite ('Name of the Father', 'Brassed Off') and other very familiar faces. An uplifting film, but not suitable for those who are weak of stomach.

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A vivid and comic look at dour Britain in the early 50's, just as Princess Elizabeth (the future Queen) is about to get married. Local celebrations are hampered by food rationing and a stolen pig becomes the centre of attention. Lizzie Smith as the old mum is brilliant, Richard Griffiths excellent (he is in "Withnail and I" too) and Dame Maggie Smith as Michael Palin's wife is just right.

Denholm Eliot, as a local bigwig, is a revelation. Buy it! Pity it's not on DVD.

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Roadie (1980)

RoadieThere is a lot of silly rubbish about this film scattered all over the Internet. Most of the time when I read a review of "Roadie" I wonder if the critic even bothered to see the film before they wrote about it (see above). Unlike most other critics, I have seen Roadie, and I promise--with certain reservations--that it is a very funny and very entertaining movie.

As an older man with a nervous disposition who has enough trouble sitting through many new movies once, The ultimate tribute I can give this great "on the road" rock'n'roll saga is that I watched it numerous times when it was on cable in 1981. Since then, I have watched it several dozens of times on VHS, and now that it's on DVD, I have watched it several times again. You can put a lot of mileage on this road movie. In a day when you build whole relationship with and around movies in your personal collection, that kind of stamina in a movie is critical.

The film has a rock'n'roll backdrop--a backdrop we rarely see from the workingman's eye the way we do here. There are no star turns in the film, at least none in the late 1970's early 1980's tradition. Rock is shown as hard work, and generally the product of blue collar hands (a view I agree with). The movie gives us what amounts to real-world views of several 70's favorites (Meatloaf, Alice Cooper, Blondie, etc.).

The movie has a great premise, the howling self-reliant "Everything Works If You Let It" theme. It also enjoys a background soundtrack that fires on all twelve cylinders. But what keeps me watching the film is that it is really funny in an honest, straight-forward way that we have enjoyed far too seldom since Hollywood started grinding out its cookie-cutter "farces" in the wake of "Airplane." The dual surprises of the film are the really solid performances put in by Alice Cooper and Meatloaf in their respective roles as rock star and roadie. I am unqualified in my admiration of this movie, but I will tightly qualify the people to whom I would suggest the film. This is a "cult" movie in the most real sense of the word and anyone who is made nervous by rock music, farce that is outside of the "Scary Movie"/"Naked Gun" mainstream, or three-hundred pound leading men (Meatloaf) should avoid this movie at all costs. Also, there is a certain good ol' boy mentality at work here that will not play for some parts of the audience. But to the core audience of the film, these are not qualifications, they are recommendations. The thing I am saddest about is that the movie's soundtrack is no longer available. The soundtrack was worth having simply for the long and messy "Brainlock" which plays during one of the few really funny car chases in the history of film.

Of course Meatloaf is the bomb, and you want to believe in the reality of his character, the astoundingly competent Travis W. Redfish. Sadly, there is no Redfish in the real world, but you'll wish there was, and there probably should be.

Art Carney plays Daddy Redfish, and steals every scene in which he appears. Alice Cooper plays himself (as always) and is great. In fact, all the walk-ons and cameos are amazing.

But the amazing presence in the film is Kaki Hunter's portrayal of Lola Bouillabaisse. The Lola character is a train wreck, a disaster area, a four alarm fire. She is our worst nightmare on a blind date, but the screenplay needs her to be that disaster. If Lola had been played by a different kind of female, or had she been played as an attractive girl, the part, and probably the film would have been ruined. Hunter actually holds her own against her mighty co-stars in the film. She is amazing.

Note: a movie that is equally funny and from the same time period, and sharing roughly the same theme is Roger Corman's "Rock and Roll High School."

Whoa-boy. ROADIE isn't a five-star flick by any stretch of the imagination (save that of starry-eyed fan-atics, who're no doubt clicking No with some vehemence right about now). Every one of the three stars are worthy, however, and I snapped up this DVD with all haste because the film IS a campy, rollicking, fun little tale. Meat Loaf is a charmer as Travis W. Redfish, cuddly and sweet, inventive and wise, a memorable character in even his head-butting, brain-locking, ox-like other side. Kaki Hunter is less memorable as Lola Bouilliabase, though often just as sweetly naive as anyone who's had a brush with fan obsession (y'all CAN click Yes later on and change your vote, if you didn't know). Completing the Redfish clan, Art Carney is a hoot and Rhonda Bates purely delightful. Watch for Kurkwood Smith in a bit part.

A no-frills DVD package. The feature cleaned up nicely, but the original trailer shows wear. The Dolby 5.1 audio was a surprise, though, and plays well front and back.

ROADIE is a guilty pleasure, but such camp was fun sharing with unsuspecting friends -we laughed 'til we cried. Chair dancing, the distinctive rattle of a beer truck, narcs snorting Tide. Some odd remembrances, too, of the brouhaha over cancelling concerts for energy conservation, often believed an excuse for censorship. Oddly enough, there's little or no swearing in ROADIE; Lola's quest for deflowering and a little substance abuse (and perhaps the close-up of Alice Cooper's codpiece) earned the PG rating.

"Everything works if you let it," a worthy sentiment.

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This is one of the funniest movies I've ever seen. A great cast: Meatloaf, Khaki Hunter, Art Carney, Jos Spano, Alice Cooper, Hank Williams Jr., Roy Orbison, Don Cornelius, etc. Great musical performances by Blondie, duet of Hank Jr. & Roy, Blondie, Asleep At The Wheel. Some of the greatest lines of all time. Story gets a little trippy but makes sense and one of the all-time strangest endings. If you are a 70s rock and roll fan, this is the movie for you.

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From the ambulatory phone booth to a candlelight dinner with The Snake, this just tickled my funny bone. Art Carney was great, and I loved Meat Loaf as the star-crossed lover. Yes, it's cheap, yes, it's campy, but I have been looking for the damn thing for like 20 years, and I am SO happy they finally re-released it. For years all I had was the soundtrack, which is quite goodlook at all the musicians in the darn movie! Ooohhh, I'm drivin' my life away....

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For it's time, Roadie is a great movie in itself. it's funny, sexy, and filled with alot of classic rock. Great cammeo's by Hank Williams Jr. and Roy Orbison to name a couple. Jr. sings Outlaw Women at a bar Redfish (Meat Loaf) set's up at.

The story is Hank Williams Jr.'s road crew breaks down on the side of a Texas road. A pretty woman hitching a ride steps out and catch's Redfish's eye. Two numb skulls diving the truck has no clue what's wrong. When Redfish offers to help, Lola (the pretty woman) talks him in to helping set up Hank Willims Jr. Soon after that Redfish becomes the best at what he does or what he has became a (roadie) but all Redfish is after is Lola and all Lola is ater is Alice Cooper.

I sew this movie on T.V. a long time ago and liked it alot and I was wantting to see it again. Still a great movie

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Billu Barber (Blu-Ray) (Shahrukh Khan / Indian Cinema / Bollywood Film / Hindi Film) (2009)

Billu BarberThis is an upconverted SD on blu ray. Buyers beware. Do not buy.

Shahrukh Khan is of course the main attraction for me in this movie, but the man who played Billu was very good and funny to watch. I loved the music and dancing. Lots of humor in this film. Hindi films are full of every kind of emotion. How can one movie make you laugh and cry at the same time? Hindi movies are my favorite to watch. I miss seeing musicals in U.S. films, and I have to go to Hindi movies to find what I want. Nice entertainment.

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Blu-ray version The main characters are enjoyable, but most of the movie in general is just average.

The early part of the movie has a very contemporary/futuristic dance scene (seems out of place, but they explain it) with lots of young ladies in a variety of cool/skimpy outfits (average music).

The dance/music skit with Kareena Kapoor is GREAT (in the middle of the movie, it's the only scene that she is in). And the last 15 minutes of the movie are enjoyable (good ending).

The blu-ray version is definitely an improvement over the DVD quality (but the DVD looks good in most places). The other reviewer might be right that the overall PQ of this Blu-ray is not up to normal blu-ray specs (hard for me to be sure, I'm using a 2005 big-screen DLP TV).

The DVD is dual-layer with the same bonus material as the blu-ray ("making of" & deleted scenes), same 16x9 anamorphic aspect ratio, but the Blu-ray has the DTS audio option and is sharper.

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Received the blu-ray in the mail today but it doesn't play past the opening screen. Looked online and it seems to be problem with a lot of them. Here is a link on blu-ray.com

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I bought this because I am a Shah Rukh Khan fan. This film has a nice story of a barber who happened to be a childhood friend of someone who later became very famous (Shah Rukh Khan). I am a Shah Rukh Khan fan, so the parts of this film which had Shah Rukh Khan in it were pretty much what I was interested in watching. The musical numbers were good. This film is well worth buying if you are a fan of Shah Rukh Khan.

Shallow Hal (2001)

Shallow HalBeing that I am a heavyset person myself, I was able to put that fact aside and appreciate this movie for what it really is. Truthfully, I didn't find this movie funny but I did find a strong message. This movie goes to show that size doesn't have anything to do with the person on the inside. Gwyneth Paltrow's character Rosemary goes to show how underneath all that excess flesh that there is still a person. I think "Shallow Hal" is a movie that helps demolish discrimination against heavyset people. This movie didn't only give examples of heavyset people but of people who were skinny and just not physically attractive to that of one's expectations. Hal is a very shallow character and he is an example of all those people who discriminate against heavyset men and women and people who are not attractive. Like Hal in the movie, people can change and widen their horizons for something more beautiful. "Shallow Hal" is less of a comedy and more of a motivational, moving story about life. I think this is a family friendly movie, something that kids would like as long as the situation is explained to them. Let this movie touch you on several different levels and check it out.

Okay, I sheepishly confess that I watched this DVD expecting to see some patented Farrelly brothers humor: crude, insensitive, and in-your-face. WOW, was I surprised.

This movie is definitely humorous (we laughed out loud at times) but when it's over, you come away with a heightened sense of sensitivity for those people society categorizes as "ugly", "fat" or "undesirable." And if you're not careful, you may just approach life a bit differently once you've watched this excellent movie.

Hal (portrayed wonderfully by Jack Black), and his best friend Mauricio (Jason Alexander) are a couple of obnoxious, shallow guys who make no apologies for their fixation on dating ONLY young, beautiful women. This is tough for both of them, as neither one is particularly good-looking. But, they drive on doggedly in their pursuit of women who are consistently "out of their league."

Everything changes when Hal is stuck in an elevator with a self-motivational guru, who gives Hal a "gift". In fact, Hal is hypnotized; now, he sees a person's inner beauty, not their outward physical appearance. Unattractive or obese women look like supermodels to Hal; and when he approaches them, genuinely attracted to their true beauty, they respond. After years of being unable to connect with beautiful women, suddenly Hal has an unprecedented run of success...only, the women are really not physically attractive, and this is evident to Mauricio, and everyone else...except Hal. In short order, Hal hooks up with Rosemary (Gwyneth Paltrow), who is smart, funny, caring, and to Hal, stunningly beautiful. One problem: to the rest of the world, Rosemary is a 350-pound behemoth who breaks restaurant furniture simply by sitting on it.

Rosemary and Hal fall madly in love, and it turns out that Rosemary's father is the CEO of Hal's investment company. Taken by Hal's sincerity, and his insightful ideas for improvements to the firm, Rosemary's father promotes Hal to his right-hand man. Everything is going wonderfully for Hal and Rosemary...that is, until Mauricio decides to "rescue" Hal by breaking the hypnosis. What will happen now that Hal can see the REAL Rosemary?

This is a great movie, and can even be watched and appreciated by preteen children. The sexual situations are mild, and there is little or no foul language or nudity. Gwyneth Paltrow, and especially Jack Black, give excellent acting performances. Make it a point to watch and enjoy this DVD. It just might change your life, and make you wish we could ALL see only the "inner beauty" of others. Our world today is much too preoccupied with physical appearance, and other shallow concepts that don't truly matter in the grand scheme of things.

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First published Stanford Daily, Nov 2001.

The Farrelly brothers have done it again. From the makers of such outré comedies as "There's Something About Mary" and "Me, Myself and Irene" comes "Shallow Hal," a comedy with a conscience. Known for movies that feature imperfect men lusting after gorgeous girls with a few laughs thrown in for good measure, the brothers delve a bit deeper this time, seeking to convince us that fat is fun. Jack Black (the crazy music store employee in "High Fidelity") is Hal, a shallow male (if you'll pardon the redundancy) of modest looks, besotted with breasts and waiflike figures. He prefers a girl with just one large breast to one with half a brain. Needless to say, in the true Farrelly tradition, Hal is a loser when it comes to girls.

Hal's messiah is Tony Robbins, the self-help guru who achieves the impossible and makes him see inner beauty. Ergo, Hal moves in a haze, stripping fat women of the excess padding, glossing over manly moustaches etc., to visualize them as the epitome of pulchritude. One such beneficiary of Hal's x-ray vision is Rosemary (Gwyneth Paltrow), who trades her corsets from "Shakespeare in Love" and "Emma" for a fat suit. Despite being well over 300 pounds and gluttonously devouring any source of fat within range, Hal can only see her as the nubile nymphet of his dreams. His consternation at being in a minority of one in his admiration is palpable. Eventually the blinkers fall off, courtesy his shallower pal, the meddling Mauricio (Jason Alexander). The crux of the film lies in how Hal confronts the fat in his femme fatale.

Black's virtuoso performance as Hal makes us squirm. Rosemary, with the fat suit, is ponderously poignant. She shames us with her starkly evident low self-esteem and tame acceptance of stereotypical notions of what passes off as beauty. If only her character had more flesh than fat, the full range of emotions that obese people experience could have been hung out to dry. By resorting to stilted portrayals in black and white of fat people being angelic do-gooders while ugly non-fat people (the ones in this film, barring Jill, can't be called slim), are shallow shysters, the many shades of gray in between are ignored.

Paltrow took a stroll in a New York hotel with the fat suit on, and has been quoted as saying that "...no one was making eye contact with me, or would even look in my direction. No one wanted to connect with me. It was a profound, very sad and startling experience." Some of that sadness is revealed in her portrayal of Rosemary. However, it would however, be a safer bet that UFOs would land at Stanford than to hope that Hollywood would make us laugh and cry in the same movie.

Paltrow looks as radiant as ever. Rather strangely, she reminds one of Phoebe (of "Friends" fame) when she attempts to be goofy. Jack Black has the makings of a star. His Hal is a flawed bungler who is redeemed solely by an inner core of middle-American harmlessness. Rene Kirby as Walt is a casting coup. His joie de vivre is at the heart of the movie's message. Kirby, an ex-IBM employee, was discovered by the Farrellys in a bar in Burlington, as he plodded along on all fours (owing to spina bifida). The character was specifically written for him. Jason Alexander, chubbier than ever, does not disappoint as Mauricio.

The Farrellys have been known for at least one memorable cinematic moment in their movies most notable of course, Ben Stiller's nuts and bolt coming in the way of his zipper, and Cameron Diaz's organic hair gel in "There's Something About Mary." This one has a twist in the tail. Eminently enjoyable.

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First of all, let me state this: I am myself overweight not obese, but overweight. One of my best friends is morbidly overweight. I found the film, hilarious on several occasions and so did she. I will admit, that she also found it flat for the most part. I won't say it was completely flat, but the film could have been funnier though when it was funny, I thought I would pass out.

Is it offensive to overweight people? Let's look at this in the light it is presented... Jack Black and Jason Alexander's characters are the narrators (so to speak) of the story. Neither one of these guys is in shape and that is key to the story. They are losers who are both trying to prove to the other that they are studs with the ladies, when in truth neither of them can get a date.

In a casting coup, Tony Robbins, the self help guru, sort of brainwashes Jack into only seeing women for who they are inside instead of on the outside. This is something that we should all do, but very very few of actually do. From there forward, Jack only sees women for the beauty within them. The fact that most of the beautiful women he sees are in fact physically unattractive in one way or another, is a point that is actually rather delicately handled. It is a telling point of the filmmakers that one woman that he sees as an old crone, is in reality a gorgeous woman. So what's the point of this? I think the filmmakers actually wanted to show that just because a person is beautiful on the outside, they can be ugly on the inside. Conversely, an unattractive person on the outside can be equally or moreso unattractive on the inside (this is a point that could have been brought out but was not).

Does the film pander to the idea that fat people are jolly, etc.? Yeah. Does it presume that unattractive people are more beautiful on the inside? Yeah.

Is the film politically correct? Who cares! We have all become so overly sensitive that we're a nation of big cry babies. I hope that I am evolved enough that if I countenance something that I don't like I can ignore it and move on. Who's the fool if I let something get under my skin? It's me. My folks taught me to "consider the source" when I was offended by something or someone.

So, if you think you will be offended by this film then don't watch it. No one is holding a gun to your head.

But if you do watch it and get offended then get a thicker skin I can promise you there are going to be many more offensive things in life than this film. In short grow up and get over it!

It's a funny film watch it.

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This movie has a feel-good message, making it enjoyable enough for three stars. It says that we all deserve to be loved even if we're not physically attractive (in what it considers the "conventional" sense). But will it really change anything of what it deems mere "convention"? Will Gwyneth Paltrow go on being an advocate for the inner beauty of obese people and others "conventionally" unattractive? I kind of think not. Her performance here is significant and may display genuine talent. But most likely her future roles will reflect a sense of glamour in slimness as much as ever, meaning nothing was really changed by the movie. Similarly, will Jack Black, after his similarly impressive performance be any more inclined than before to accept an obese woman as a girlfriend? I similarly doubt that. For all its feel-good message, SHALLOW HAL builds us up for a let-down when we realize its lack of realism. Many of us will go on with our inner beauty as underappreciated as ever because of outer appearances, and will still find hard to swallow that suggestion that prevalent standards of beauty run no deeper than convention.

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