Showing posts with label watch comedy movies online free. Show all posts
Showing posts with label watch comedy movies online free. Show all posts

Priceless (2008)

Priceless"Priceless" (Hors de prix) is a romantic comedy of a sort only the French would make. Jean Simon (Gad Elmaleh) is a bartender at a posh hotel on the French Riviera so conditioned to fulfill the guests' every wish that he can't say "no". Irene Mercier (Audrey Tautou) is an attractive young woman kept by a wealthy older man whom she hopes to marry to secure a life of luxury. When Irene's companion Jacques (Vernon Dobtcheff) falls asleep and spoils her plans for the evening, Irene dejectedly saunters to the hotel bar, where she mistakes Jean for a rich guest. Jean sheepishly accommodates her mistake, and they have a drunken fling. When she returns to the hotel a year later, engaged to Jacques, their mutual attraction threatens her marriage plans, Jean's job, and everyone's equilibrium.

This is a genuinely charming and funny film, but I had to laugh at its effrontery as well as it script. "Priceless" adopts a jaunty, optimistic tone at the point when Jean and Irene begin prostituting themselves to rich patrons. This film would not be made in the Untied States. It accepts the casual exchange of sex for money as an amusing and self-evident aspect of life, and sexual jealousy simply does not exist. Irene couldn't be more charming than when she attempts to educate a smitten Jean on the arts of gold-digging and seduction. Irene and Jean's meal tickets, the wealthy bon vivants that keep them in designer fashions, are interesting and smart people themselves, which helps elevate the film.

And there is always something interesting going on the background. I enjoyed director Pierre Salvadori's peeks behind the scenes at how luxury hotels function. I was impressed by his respect for the support staffs that keep the hotels running, and it enhanced the feeling of grandeur that Irene single-mindedly seeks. "Priceless" was obviously inspired by "Breakfast at Tiffany's", a film that I don't care for. It is not as coy about the lady's profession, however. And Jean and Irene are much more appealing and good-humored leads. "Priceless" is a very good-looking film, a scandalous tale that wisely gives no hint of scandal, with a smart, funny script. There are no bonus features on the First Look 2008 DVD. Subtitles are available in English SDH and Spanish.

I'm going out on a limb and giving this film 5 stars. No it's not epic long lasting cinema, but it's a perfectly enjoyable, wonderfully well made, bit of entertainment. It's in the same vein as Cousin Cousine Cousin, Cousine, or when you read the synopsis, not a movie you would want to watch. However, the French have this ability to make films that take what, to American sensibility, would be an offensive film, and make it charming.

This film is a little charming film. From the start you are drawn in, beautiful scenery, an intriguing bell man (Jean) working hard to make money. Working so hard, Jean actually falls asleep standing up while working. And the counterpart is a young woman (Irene) with an older man. He passes out drunk on her birthday and she ends up with the Jean. You can think long and hard about what Irene does or is, but why? By this time you are hooked on the charm of this film. Just go along, enjoy the ride.

The scenery in and around Nice is wonderful. The people are beautiful. The language gorgeous. The sun, the sea, just enjoy.

We watched this movie on a cold December snowy evening, and enjoyed the full two hours non-stop.

The subtitles / translation is done rather well. The only nit to pick, the name of the film. Hors de Prix is more like outrageously priced, or extremely expensive. It's not necessarily pricelss. With the matercard ads we lean more to priceless meaning, can't be bought for any money. Like Jean, hors de prix, humans can buy these things, they might just have to take out loans to buy them. Priceless things can't be bought.

As was said in another review, the sex bits are very subtle. It's definately a romantic film. This is really a PG-13 film if you used language (the f word is never said or subtitled), nudity (there is none), and violence (somebody gets slapped with no blood) as your gauge (as the MPAA does on American films). However, the topic, well it's probably not going to be interesting to anyone under 15 or 16 anyway.

Very enjoyable film. Charming. A real pleasure to watch. A great cold night watch.

Buy Priceless (2008) Now

This gem sparkles like diamonds on display in Tiffany's. Audrey Tautou shows her physical beauty and amazing acting range, pulling off a seemingly impossible character arc from selling her self to the highest bidder to finding true love. Twists along the way let us see the world from all points of view, a rare thing in storytelling. Having it all feel seamless and natural is an amazing tour de force by actors, writers, film crew and the director. "Priceless" is one of the very few romantic comedies that can be watched again without losing an ounce of its punch. And whoever did the costumes for Ms. Tautou deserves an Academy Award.

Read Best Reviews of Priceless (2008) Here

Like Nicholas Stoller's "Forgetting Sarah Marshall," Pierre Salvadori's "Priceless" could be considered distinctly unsavory if the story weren't so funny and the actors so charming. Both films share a basic theme--sexual hanky-panky in luxurious resort hotels--but whereas "Forgetting Sarah Marshall" concentrates on the sex itself, making it thoroughly American, "Priceless" is very French in concentrating on the dollars-and-cents (or euros-and-cents) calculations of love for a price. "Priceless" redeems itself by having true love triumph over money in the end (and you knew it would going into this movie; this is "Priceless," not "Darling.") Audrey Tautou is alluringly hard-edged as a shameless golddigger who, through a series of mixups, ends up sleeping with a shy barman (Gad Elmaleh) she mistakes for a tycoon. The mixup costs Tautou her current sugar daddy, with nothing and no one to fall back on. When Elmaleh presses his suit, Tautou exacts an expensive revenge which leads to all sorts of repercussions and complications, all set against the opulent backdrops of Biarritz and Monte Carlo captured glowingly by cinematographer Gilles Henry. Tautou is funny and touching as a mercenary woman who gradually melts under the spell of true love, and Elmaleh is a perfect example of the lovable deadpan comedians France excels at producing. The various rich folk whom Tautou and Elmaleh, ahem, bump up against--played to perfection by Marie-Christine Adam, Vernon Dobtcheff, and Jacques Spiesser--become more loathsome with each second of screen time, making the ultimate triumph of love over money all the sweeter. "Priceless" is a prime, and unexpectedly pointed, example of French bedroom farce.

Want Priceless (2008) Discount?

Hors de Prix (Priceless) stars audrey tatou ("amelie," l'auberge espagnole," "dirty pretty things")as a woman who exists and subsists on the kindness of rich old men but only for a short time: before she gets bored, before he dies, before she realizes that there is another bigger score afoot. tatou plays irene (she is painfully thin in a play i think to replicate the mesmerizing, luminous audrey hepburn of "breakfast at tiffany's") and to add some friction to the mix, director pierre salvadori manipulates a meeting between irene and jean ( gad elmaleh) a poor guy who irene mistakes for her next victim but who meets a rich woman who absurdly wants jean to be her paid escort. Irene takes on the job of transforming jean into a proper french gigolo.

what is refreshing about this film is that director salvadori and his writer are not conflcted in the least about irene and what she does: there is no judgement about these kinds of things in french films. irene's actions are deliberate and goal oriented. irene is a prostitue (a high class one, yes but a prostitute nonetheless), a gold digger, a woman who lives off the kindness of old men who crave her company and her affection.

gold digging as an elevated, something to be strived for activity/way of life: the interplay between jean and irene is witty, fun and thoughtful as irene teaches jean the ropes.

"Priceless" is a frothy bit of film making, made even lighter by Audray Tatou's ethereal Irene and gad elmalah's sad sack Jean.the idea that we americans are going to re-make this film sends shudders up my spine. quelle dommage!

Save 28% Off

Pierrot le fou (The Criterion Collection) (1965)

Pierrot le fouAt my local UC PIERROT is shown in the survey of film history class they offer. I was invited to sit in once. Normally the professor shows the film, then lectures. He screened PIERROT. When it was over, there was total silence. He started to lecture, but almost the entire lecture hall of students walked out. A good friend told me later that she had been profoundly moved, and she simply didn't want to understand why. She didn't feel it was respectful to what she had just seen. PIERROT is on of the few examples of true mystical cinema that we have. Yes, there are the references to Rimbaud, Hollywood musicals, gangster films.... The visual puns, the references to Godard and Karina's life at the time, the improvisations, the barbs about American commercialism, the Gish-rebeling-against-Grifith quality of Karina's amazing performance... But what do they matter?

Sunlight/love/color/the face/poetry/emotion/loss of love/slapstick/image/life: PIERROT LE FOU

My exposure to Godard films were through VHS tapes. I was too young to watch his 60's films in their original formats. The transfer is not too great but good enough. The colors are right, it is thankfully letterboxed, etc. even if there are a few image distortions, artifacts and the sharpness and overall quality leaves a lot of room for improvement. There is something very wrong, however, with the sound especially towards the fifth chapter (that's the 5th access in the chapter search of which there are only 6 thanks to Fox/Lorber!) Thankfully, this is a subtitled film (can't be switched off/on, they're pasted on the screen) otherwise, even the French won't understand the French dialogue. The noise distortion is terrible, but could it be Godard's deliberate way to convey sound since it is the part in which the CB radios or walkie-talkies were being used in the scene? My impression is that the technician in charge was probably asleep or didn't care when this noise distortion was taking place and the DVD didn't go through quality control which could have fixed it. I haven't seen the original so I don't know but since this is a Godard film, anything goes. But then the distortion continued even after that scene so any reasoning to defend Fox's negligience on this matter proved futile. I found it terribly distracting and I thought it pulled down the quality all the more of this already mediocre DVD transfer. Is this the best version yet? How does the VHS version rate? Fox/Lorber is hit and miss with DVDs. They did good with Seven Beauties, Last Year at Marienbad, and the already LD Criterion-restored Umbrellas of Cherbourg and 400 Blows but did very poorly with A Woman is a Woman, several Truffaut films and even the relatively recent Padre Padrone. What a shame that a company like Fox/Lorber gets the rights to release these great Foreign films but doesn't have the interest to come up with quality transfers. I think this is a waste of our hard-earned money to buy the DVDs that they produce. Next time you buy from Fox/Lorber, read the reviews... otherwise just rent or wait for a better re-release in the future.

Buy Pierrot le fou (The Criterion Collection) (1965) Now

In 1964, Jean-Luc Godard went to work on his tenth film, a color film titled "Pierrot Le Fou" which would feature his ex-wife Anna Karina and Jean-Paul Belmondo (who worked on Godard's "A bout de Souffle" (Breathless) and "Une femme est une femme" (A Woman is a Woman).

The film is his most ambitious film yet, not only reuniting with two stars that he has worked with before but the fact that elements of his previous nine films shows up on "Pierrot Le Fou".

The film was released by Fox Lorber in the US back in 1998 and received The Criterion Collection treatment in February 2008. Over a year later, the film became the first Jean-Luc Godard film released by the Criterion Collection on Blu-ray.

VIDEO & AUDIO:

"Pierrot Le Fou" is presented in 1080p High Definition (2:35:1 Aspect Ratio). The film is probably the most gorgeous film I have seen by Jean-Luc Godard to date. The film is full of colors, absolutely vibrant, reds and blues just pop. For fans of Godard's '60s work, "Pierrot Le Fou" is his most colorful film. It's important to note that the restored high-definition digital transfer was approved by cinematographer Raoul Coutard.

Accord to Criterion, the HD digital transfer was created on Spirit Datacine from the 35mm negative and color corrected on a Specter Virtual Datacine. Thousands of dirt, debris, scratches, splices, warps, jitter and flicker were manually removed using MTI's DRS system and Pixl Farm's PFClean system, while Digital Vision's DVNR system was used for small dirt, grain and noise reduction.

"Pierrot Le fou" is featured in its original French language and features a monaural soundtrack remastered at 24-bit from a 35 mm optical track print. Dialogue is clean and understandable and Anna Karina's singing voice is crystal clear in this film. Clicks, thumps, hiss and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube's integrated audio workstation.

Subtitles are provided in English.

SPECIAL FEATURES:

"Pierrot Le Fou" comes with the following special features:

* Anna Karina (14:55) A 2007 interview with Anna Karina at the Brasserie Lipp in Paris. Anna talks about working with her former husband and her role in "Pierrot Le Fou" as Marianne Renoir.

* A Pierrot Primer (35:58) Commentary by filmmaker and educator Jean-Piere Gorin (Tout va bien, Letter to Jane, My Crasy Life) presents an introduction to "Pierrot Le Fou".

* "Belmondo in the Wind" (9:21) Jean-Paul Belmondo, Jean-Luc Godard and Anna Karina talk about Belmondo's role in "Pierrot Le Fou". Recorded by journalist Mario Beunat for the television series Panorama and aired back in June 18, 1965.

* Venice Film Festival, 1965 (3:57) Jean-Luc Godard and Anna Karina were interviewed by Maurice Seveno and Christian Durieux for a French TV new segment on the Venice Film Festival back in Sept. 2, 1965.

* Godard, L'Amour, La Poesie (52:59) A 2007 documentary by French filmmaker Luc Lagier tracing Jean-Luc Godard and Anna Karina's marriage and films from "Le Petit Soldat" through "Pierrot Le Fou". Featuring interviews with Karina and Godard collaborators Charles Bitsch, Raoul Coutard, Jean Douchet and Jean-Paul Savignac.

* Trailer (2:06) The theatrical trailer for "Pierrot Le Fou".

* 46-Page Booklet The following booklet contains the essays "Self-Portrait In Shattered Lens" by Richard Brody, "Sarris on Pierrot Le Fou" and "Let's Talk About Pierrot: An Interview with Jean-Luc Godard".

JUDGMENT CALL:

Perhaps one of Godard's most accessible films, "Pierrot Le Fou" is a film that is best enjoyed after watching a good number of his films that preceded this film. With the film now released on Blu-ray for the first time through the Criterion Collection, many people will will be introduced to Jean-Luc Godard but in my opinion, this film is not a starting point for the beginner. It's more of a film that can be appreciated even more after watching his previous films and seeing how things have culminated in his work before he started to focus more on his political films.

"Pierrot Le Fou" is often seen as an early paradigmatic example of postmodernism in film. In the film, Godard shows his feeling towards American pop culture but Godard also becomes gets political as he uses the film for his characters to discuss the Vietnam and Algerian war. For many viewers familiar with Godard and his work, many believe this is Godard's way of using characters to flesh out his true feelings about society. While many feel the film is a paying homage to his nine previous films leading to "Pierrot Le Fou".

Personally, what I enjoy about this film is the adventure that Godard takes you. We wonder how these two people who are in love with each other, are yet so different. Ferdinand is reserved, quiet and just wants to enjoy the simple and peaceful life he has at the moment. Marianne just is tired of settling down and not doing anything. The fact is that she's a bad girl. She's involved with some shady characters dealing with illegal activity but in some way, that is her form of fun and she wants to expose Ferdinand to that life.

The way that Godard has shot the film is quite intriguing. We see things in the film but rarely are they explained. Why does Marianne enjoy killing and hurting others and why is it that both see or do things but not much is mentioned about it. It's like it's something natural for them.

Nevertheless, its the adventure of these two unlikely individuals that I find so interesting. Personally, I found it great to see Jean-Paul Belmondo and Anna Karina together as the primary leads for the film. The two have really good chemistry onscreen and the fact that we are enjoying this adventure of two people involved in criminal activity is quite interesting.

Godard has done a great job and utilizing many scenes with the two together to show their story of life together, when things start to become problematic leading up to a pivotal scene that comes out of left field (granted, this is common theme with Godard's '60s films, always expect the unexpected).

Overall, "Pierrot Le Fou" is an enjoyable stylish, arthouse film. It's also one of those films that I feel is appreciated the more times you watch it. Again, this film is not where you should start out if you are wanting to get into Godard films, otherwise you will find yourself a bit puzzled by how the film is paced, how the scenes were cut and how Godard's endings tend to be.

"Pierrot Le Fou" is a Godard masterpiece, but I highly recommend watching a few of his films such as "Breatheless", "A Woman is a Woman", "A Band of Outsiders", "Contempt", "Alphaville" and "Masculin Feminin" before tackling on this film. Once you start appreciating Godard's filmmaking, then you'll definitely appreciate this film even more.

Definitely recommended!

Read Best Reviews of Pierrot le fou (The Criterion Collection) (1965) Here

Godard's first ten films are characterized as his most "new wave" of films (why Maculin/Feminin and Weekend aren't "new wave" is beyond me. Perhaps it has to do with Anna Karina and Godard's separation, though they had divorced before filming Alphaville). Anyway, if this indeed is his last new wave film, it serves as a sort of masters thesis of everything that he made before.

Ferdinand/Pierrot (Jean-Paul Belmondo, wonderful) lives an unsatisfying life of domesticity with his rich, vapid Italian wife. Marianne (the beautiful, amazing Anna Karina), a since forgotten fling of Ferdinand's appears in his life once again, and the two undertake a spree of murder, poverty, cunning, theft and isolation. One of the bonus features on the second disc describes Pierrot as the reverse Breathless (Godard's first full length), and it makes sense. Here, Godard is self-referential, making sly gestures and nods at his previous work. Some of my favorite lines of any Godard film are here: Pierrot glad he hates spinach and his old man's monologue on writing and Joyce. Raoul Coutard's filmography is, once again, stunning. The film is awash in blues, in comic book two-tones, which Karina's red dress stands out as an ode to non-conformity.

Of course this is a long film, and though its structure is completely linear, the odd sense of time in it may detract viewers (I for one love it). Different elements and characters seem to be thrown in at odd times, but eschewing the normalcy and heightening the artificiality of cinema was Godard's intentions. Some might see this as arty pretension, well it is. But as a film lover I'm rather tired of movies I watch once and everything is handed to me neatly. Anything demanding close repeated watching is the only thing worth watching, personally. But really, this movie isn't so over everyone's heads as to be unenjoyable to those unfamiliar with Godard's work. It's funny, sad, exciting, and most of all enigmatic.

Now, if you've seen Godard's previous nine films you'll want to see this, unless you didn't enjoy them, which begs the question Why did you watch them? Belmondo and Karina are at once very archetypal characters in the Godardian universe, but they're also very much distinct from the other characters they had played. For instance, they seem to be the complete opposites of their A Woman is a Woman roles. Karina here plays the feisty, un-containable murderess always on the move, whereas the earlier film all she wants is a kid. Belmondo here is a sensitive, artistic brooder, with a playful side to be sure, but in Woman he is a horny, egocentric, calloused hanger-on.

Also, the end of Pierrot is one of the most abrupt, unexpected, wonderfully humorous and disconcerting of any I have ever seen!

So, while I whole-heartedly recommend this to anyone interested, perhaps it'd be best to acquaint yourself with his earlier films to get a gist of Godard's intentions as a filmmaker. If you're new to his work, I suggest this order: Breathless, Band of Outsiders, A Woman is a Woman, Contempt, Alphaville, My Life to Live, Pierrot le Fou. And if you like those then watch Masculin/Feminin and Weekend. All the films mentioned above are outstanding, amazing, brilliant films worth a million Jurassic Parks, Mama Mias, Titanics and ET's.

Want Pierrot le fou (The Criterion Collection) (1965) Discount?

If you have only seen PIERROT on VHS/Pan & Scan, the letterboxed version here is automatically welcome. In terms of picture quality, it just may be possible that this is how the film was meant to look: a little rough in spots and with a few idiosyncrasies in the sound. Godard's film is deliberately self-aware as a 'put-together' work and is probably not meant to be conventionally beautiful. Nonetheless, several sequences are striking and aethetically pleasing.

Since the packaging currently available is different from a previous DVD incarnation, could it be possible that the disc represents a newer, improved mastering? This is suggested only because to this viewer, the film looks mostly terrific. The sound is another story: mastered at a low-level, it does not come across as well as might be expected. As for the walkie-talkie scenes, they are surely meant to sound the way they do.

4 stars as a rating, because there are no trailers or extras worth mentioning.

An acceptable, if not ideal, DVD of a one-of-a-kind film experience

Knocked Up (Blu-ray + Digital Copy + UltraViolet) (2007)

Knocked UpLoved the movie. That said, I was confused on what the differences were on the 3 DVD versions, but found some details that I've posted below. As for me, I'm going with this two-disc unrated version.

Basic extras -available on all (both R-rated and Unrated Editions):

Deleted and Extended Scenes

Gag Reel

-"Directing the Director" (Capote director Bennett Miller stops by to help Apatow get the job done)

Line-O-Rama (Tons of alternate takes)

Audio commentary with Judd Apatow, Seth Rogen and Bill Hader

Roller Coaster Featurette

Goodies available only on the Unrated releases:

MORE Deleted and Extended Scenes (some pretty raunchy ones, reportedly)

Topless Scene: "Web Design"

And finally, extras available only on this 2-disc Unrated version:

Judd Apatow's Video Diaries

Finding Ben Stone (A mock casting session)

Stripper Confidential (Rogen and Paul Rudd wade through some Sin City salaciousness)

Even MORE Deleted and Extended Scenes / Gag Reel Footage!

Another topless Scene: "Restaurant"

Katherine Heigl's Audition Tape

.. "and more" (I'm really hoping for another "You know how I know you're gay?" extended scene like in 40-year-old Virgin)

The movie is great. If you haven't seen it, I'd highly recommend it. This one is directed by Apatow himself; so, you you know it's one of the better ones that carries his "brand"...unlike some of those cheeseball movies with Will Ferrel. More to the point, you get the sense that he made this movie for himself or his family. For example, his wife in real life is Leslie Mann, and his daughters play his and Leslie's daughters in the movie. But enough about a review of the content...I assume that if you're considering the Blu-Ray release of Knocked Up, you've seen the movie before.

I don't know about you, but when I am considering purchasing a Blu-Ray, what I want to know is (in order of importance) 1) How good does it look? 2) How good does it sound? 3) What special features distinguish it from the DVD version that I might possibly own already. The picture quality is good but not amazing. I have yet to find a BD that has worse picture quality than its DVD counterpart, but we're not expecting minor improvements from the BD. Considering a dual layer BD can hold 50 GB compared to a DVD-9 that can hold 8.5 GB, we expect A LOT more from Blu-Ray...and rightfully so! The audio is fine, but my expectations for a comedy are much lower as I tend to be more interested in content than technical achievements and fidelity; whereas, action movies force me to be a more discerning critic. That said, I don't find anything particularly impressive or irritating about the audio on this disc.

Lastly, the special features are good but nothing, IMO, that warrants buying this disc if you already own the DVD. Again, if you're like me, you're only going to watch the special features so many times. The audio and video quality of the main title are what I am most interested in, and I am unwilling to pay $20 for the BD version at this time. If Amazon takes it down to $15, I'll take the plunge but not before.

Buy Knocked Up (Blu-ray + Digital Copy + UltraViolet) (2007) Now

Writer/director Judd Apetow is building his own franchise and making a real name for himself with his high quality comedies with his unique special brand of humor and great casting. SUPERBAD does seem to be the most popular thus far but KNOCKED UP is in the same league for me.

Story line is pretty basic. We have an average stoner guy and a beautiful professional woman who meet at a bar, get drunk, have sex and she gets pregnant. In real life such different types of people may not try to make a relationship work but here it is very believable and the development of each character about life, love and acceptance is very realistic as the pregnancy develops. Katherine Heigl and Seth Rogen are in top form as their lives are forever altered. Dialogue is funny, circumstances are realistic and having the marriage of Heigl's sister to compare with works great. Paul Rudd shines here and steals all the scenes he is in.

This is a bawdy comedy but manages to put across positive messages about safe sex, responsibility and the fact that relationships can be difficult. It is not a message film by any means but it manages to spread a good positive vein about life and its complications.

Blu ray usually is put to its best use with action films or films with great cinematography which show how the 1080p can be brilliant and how audio can transcend. Comedies can sometimes appear bland on blu ray but this film is crisp, colors are vibrant and video and audio are both at levels above that of the regular dvd. There is much talk of this movie being too long. For me it was not. You will either love it or you won't. For me it had a purpose in the length and the character development also warranted it.

I highly recommend the blu ray version of this film as well as the film itself.

Read Best Reviews of Knocked Up (Blu-ray + Digital Copy + UltraViolet) (2007) Here

"Knocked Up" revolves around the importance of using birth control, especially when you're sleeping with a less-than-desirable partner. Alison (Katherine Heigl) and Ben (Seth Rogen) meet at a club and hook up for a drunken one-night-stand that results in an unplanned pregnancy. This mismatched couple tries to make things work for the sake of their unborn baby, but it isn't easy. Alison and Ben are as different as two people can be. She's gorgeous, classy, and has a successful career. He's chubby and stoned most of the time, and his only professional ambition is to launch a successful Web site that revolves around female nudity in films. Despite their differences, Alison and Ben manage to support each other until Alison finally begins to question whether Ben is capable of being a responsible father figure.

I enjoyed this movie. There are a lot of funny moments in the film, but there are also quite a bit of not-so-funny scenes. Heigl and Rogen both deliver solid performances, but there is absolutely no chemistry between their characters as a couple, and I couldn't understand why Alison was so desperate to make her relationship with Ben work out, even though she had a baby on the way. Also, beware the crowning scene near the end of the movie (I did NOT need to see that!). Fortunately, "Knocked Up" boasts a wonderful supporting cast. Alison's sister and brother-in-law are absolutely hilarious, and I though Leslie Mann and Paul Rudd were the best parts of the movie.

Overall, this film is good for a few laughs, but with so much hype surrounding it, I just expected more.

Want Knocked Up (Blu-ray + Digital Copy + UltraViolet) (2007) Discount?

Knocked Up. A 23 year old unemployed slightly overweight guy goes to a club with his crazy 20 something group of friends. He helps this lady buy a Corona and they exchange small talk and end up spending the night together. She is a TV anchor for a famous channel. Circumstances continue, she wakes up in the morning and regrets her pick but doesn't seem overtly rude about it. The central character doesn't seem like the kind of guy you would ever get angry at. Few weeks down the line, the same girl realizes she's pregnant. Now what? Now Knocked Up.

The humor in the film is the reason it is one of the best films I've seen this year. Some dialogues tickle your bone in a very unconvential smart way. There is no toilet humor and it doesn't hurt your intelligence. The acting is very good and it is easy to relate to all characters without them seeming corny or ridiculously exuberant for any reason.

Loved it.

Why not 5 stars? I don't know, there's nothing wrong with it but it just isn't a classic, really. Watch it for the humor, watch it for Seth Rogen. Excellent acting, production and sense of emotion but comedy made this film,really.

Save 47% Off

Quartet (2012)

QuartetHere is a cast to die for, playing characters in a home for retired opera singers; they are preparing for their annual celebration of Verdi's birthday. But there is a "spanner (wrench) in the works" when a former diva arrives, in the person of Maggie Smith. Based on the play by Ronald Harwood and directed by first-timer Dustin Hoffman, this delicious PG-13 comedy bathes us in classical music, witty dialogue and a lovely setting. In fact the opening credits include some of the finest editing I've had the pleasure to enjoy in recent years. Kudos to Barney Pilling for the film editing; Ben Smith for the art direction; and Dustin Hoffman for respecting the music.

The world of opera is a relatively small one, so it is no surprise that a few of these divas and divos have a shared "history," and therein lies our tale.

Let's look at some of this wonderful cast:

* Maggie Smith ("Downton Abbey") is Jean, who always had at least 12 curtain calls but hasn't been in the spotlight for far too long!

* Michael Gambon ("Harry Potter") is Cedric, in charge of the star-studded gala, with a towering ego of his own.

* Billy Connolly ("Brave") is Wilf, proof positive that an old horn dog never quits sniffing around.

* Tom Courtenay ("Gambit") is Reggie, a kind, considerate fellow who is still nursing a broken heart.

* Pauline Collins ("You Will Meet a Tall Dark Stranger") is Cissy, the sweet busybody who can't think of one bad thing to say about anyone.

Just a couple of important tips: 1) If you have any hearing problems, either see this in a theater that features closed captions, or wait for the DVD with Amazon.com so you can turn on the subtitles. 2) Be sure to stay through the final credits because Mr Hoffman generously included the faces of many of the performers, along with a head shot of that same performer during his or her heyday. What a beautiful finale!

BTW: I just received my DVD from Amazon and it DOES have closed captions. Yippee!

Beecham House, the setting of this film, is an English country estate, a posh historical mansion surrounded by acres of park and garden. It's autumn, the leaves are gorgeous, Golden Pond was never so scenic, and the inhabitants -a couple dozen octogenarian "retired professional musicians living on charity -are effectively in Paradise. They're a handsome crowd too, these oldsters with much of their talent and all of their ego intact. Not an oxygen tank or a movable chemo-drip in sight! Alzheimer's, senility, dementia? Acknowledged but quaintly innocuous. Crotchets and squabbles? No worse than among younger folk. A doctor in residence and a staff of sympathetic nurses? Hey, nothing but the ritz for beloved stars of yestershow! A real place? Don't we wish, we soon-to-be-aged musicians! It's fantasyland, but I'm NOT complaining. The film is too visually luscious not to be appreciated, and the acting is too artful not to be admired.

Bill Connolly has the "Peter Pan" role as Wilfred, the irrepressible flirt and funster of Beecham House. Pauline Collins is the sparkly but memory-challenged Cecily, the perfect Tinkerbell to run errands and deliver messages in this musical Neverland. Tom Courtenay is Reginald, earnest and unimpaired though subtly challenged by his own realism in this kingdom of Children Who Decline to Grow Old. Maggie Smith is the haughty, acerbic narcissistic super-diva Jean, to whom falls the Captain Hook role of antagonist. We the audience all know that she'll be captured eventually, conquered by joie de vivre, and join the Lost Boys in their climactic gala rumpus. Great fun! Who doesn't love Peter Pan?

"Getting old is what people do," says Reginald somewhere in the middle of the film, and ain't that the bleary-eyed truth! I've seen three movies in real theaters this winter -Quartet, A Separation, and Michael Haneke's devastating Amour -all of them focusing my 71-year-old attention on aging and dying. Is this some kind of omen? Foreboding? A warning shot across the bow of my walker? I won't grow up! I won't grow up! Peter? Tinkerbell? Where are you now that I need you?

Perhaps Dustin Hoffman is the J.M. Barrie of our generation.

Buy Quartet (2012) Now

I'm not sure if you have to be over the hill (as I am), to love this movie (as I did) about a home for retired musicians, but it certainly appears that way to me after coming home and reading A. O. Scott's middling New York Times review and its online reader responses, which seem to be either total disdain or absolute delight and nothing in between.

It probably helps to have a lifelong love of classical music, especially opera, with just a smidgen of Gilbert & Sullivan & vaudeville mixed in.

While, as expected, Maggie Smith, Pauline Collins, Tom Courtenay, Billy Connolly and Michael Gambon are superb in the leading roles, the supporting player-musicians, who also inhabit the beautiful, scenic Beecham House, some of whom are familiar faces but most of whom I'd never heard of, are a joy to behold as well. Please be sure to stay for the closing credits where you'll see headshots of each of them as they are now and as they were in a key role from their heydays.

No one sums it up better than Ann Hornaday in her rave review in the January 24, 2013 Washington Post: "Smoothly navigating the perilous line between insufferably twee and heartbreakingly grim, "Quartet" is a subtle, sure-footed delight -made all the more enjoyable by the fact that it was directed by a 75-year-old first-timer named Dustin Hoffman. Judging from this debut, the kid's got a future."

RE THE DVD EXTRAS: There's a batch of short clips of the leading actors talking about the movie and what it was like to work with Hoffman. But my fave is Hoffman's commentary track. You get the impression of an old friend sitting alongside you with his feet up, filling you in on the story behind the creation of these scenes, how they found all those wonderful old musicians for the supporting roles, sharing anecdotes about the actors and production challenges, pointing out how much of what's on screen was in the script and how much (quite a lot) was improvised. (Example: Pauline Collins's request--which was granted--that she adapt and play her character as being in the early stages of dementia, modeled on her own real-life mother.) It's great fun to go back to the movie for another look with DH's insights and anecdotes and backgrounders in mind.

I'm thinking this DVD might make just the right double feature for "The Best Exotic Marigold Hotel."

Read Best Reviews of Quartet (2012) Here

Dustin Hoffman's "Quartet," from Ronald Harwood's screenplay, takes the middle ground between "Amour" and "The Best Exotic Marigold Hotel." Like "Amour," it depicts the infirmities of old age honestly. But like "Marigold Hotel," it takes an upbeat view of its elderly characters, portraying their lives as triumphant rather than tragic.

There isn't much to the story, which takes place in Beecham House, an elegant but financially troubled home for retired musicians. The residents are planning their annual gala on Oct. 10, Verdi's birthday, the revenues from which comprise a good portion of Beecham House's operating funds. Cedric (Michael Gambon), the imperious director of the annual gala, has commanded Reggie (Tom Courtenay), Wilf (Billy Connolly) and Cissy (Pauline Collins) to persuade Jean (Maggie Smith), a famous diva newly arrived at Beecham House, to sing at the gala. Jean, Reggie, Wilf and Cissy made a legendary recording of "Rigoletto" many years before, and their singing the quartet from "Rigoletto" at the gala would guarantee a big enough attendance to keep the home open indefinitely. However, Jean is painfully conscious that her voice is no longer what it was, and angrily rejects her friends' entreaties.

There are further complications, the biggest is which is Jean and Reggie's painful romantic and marital history. Also, Wilf and Cissy are not well: Wilf has had a series of strokes, and Alzheimer's disease is tightening its grip on Cissy.

Despite the sorrows, however, the overall mood of "Quartet" is genial and celebratory. Michael Powell once said that the only important things in life are love and art, and both are worth dying for. Hoffman and Harwood show us characters for whom art--specifically, the art of music--has been their entire way of life. Between that art and the love they bear for each other, they can go, if not gently, at least with equanimity into that good night.

The final scenes of "Quartet" will leave you smiling through tears, but the final credits--which shows pictures of the various cast members in their prime--will have you bawling and applauding simultaneously. "Quartet" may not be an important film, but it is a sublimely satisfying one.

Want Quartet (2012) Discount?

I'll watch anything with Maggie Smith, but this is an amazing and charming performance. However, Pauline Collins and Billy Connolly steal every scene they are in! Set in a retirement home for British musicians, this sweet, funny, touching film has something for everyone. The characters are charming and engaging, but the script does not make them buffoons or treat them as stupid children. You will fall in love with each of these three-dimensional people.

Save 38% Off

Night of the Creeps (Director's Cut) (1986)

Night of the Creeps1986 was a pretty good year for horror films. There were stellar, undeniable classic releases like ALIENS and The Fly. Gore soaked goodies such as From Beyond and Demons. And then there was a severely underrated gem called Night of the Creeps.

A skin crawling tale about parasitic alien slugs accidentally unleashed from a cryogenic state of suspended animation, wrecking havoc on a college campus by way of invading the student bodies bodies through the mouth, effectively turning them into kill-happy zombies. The infesting parasites incubate in the brain long enough to spawn another generation. When the alien slugs are born, the host's top pops!

This is a endearing homage to everything from 50's B-movies, George Andrew Romero's zombies, silly teen/early twentysomething movies, slasher flicks and much more, wonderfully directed by Fred Dekker.

If you enjoy watching college frat boy wannabes screaming like banshees, a cool, catch phrase spewing detective settle old vendettas with an ax wielding reanimated corpse, gratuitous scenes of slugs violently and graphically erupting from peoples heads, and a little T&A to arouse your eyes...well this movie's for you. I know it's certainly for me. I've seen it so many times(lost the exact count)and it never losses it's appeal. The biggest draw in this movie is unquestionably venerable character actor Tom Atkins performance of a lifetime as Detective Cameron. Trust me you will hang on every word Atkins utters.

If you have not yet viewed this cult fave stop for a moment and give this one the chance to creep up on 'ya!

"In the words of Detective Cameron..."Thrill Me!" And for 23-years, this film has continued to thrill fans and has literally become a film that has achieved cult status. Director Frank Dekker gets his wish for a release of a Director's Cut with his original intended ending and fans of the film are treated to a reunion by the original cast 23-years later and also a tribute to the career of Tom Atkins. Definitely an enjoyable DVD release and a great tribute to one of the more hilarious comedy horror films ever created. Highly recommended!"

In 1986, a horror/zombie film called "Night of the Creeps" became a cult hit among fans due to the film's comedic nature but also how it pays homage to the horror genre.

The film is written and directed by Fred Dekker ("The Monster Squad", "RoboCop 3', "Enterprise"), produced by Charles Gordon ("Field of Dreams", "Die Hard", "Hitman"), music by Barry De Vorzon ("The Twilight Zone", "Tatoo", "Private Benjamin) and cinematography by Robert C. New ("So Weird", "Blade: The Series").

Although never considered a scary, horror film, "Night of the Creeps" was a film that caught attention for its screenplay, its special effects and its campiness but it was one of those 80's films that continues to be a fan favorite and for many years, many fans have waited for the film to be released on DVD. On Oct. 27th, the film via a director's cut receives a DVD and also a Blu-ray HD treatment and comes with the ending that Fred Dekker originally wanted and also a reunion of the cast 23 years later.

The film kicks off in a space ship where two aliens hunt down one of their own who has stolen an experiment. The alien in pursuit manages to rid of the canister and launches it out into space.

The film then transitions to 1959 where a sorority girl goes out on a date with a guy and the two go out to a make out point. The two are warned by a police officer, a young Ray Cameron (who dated the sorority girl) that a man has escaped from a mental ward and has hacked a few people with an ax. The two ignore the officer but then see a falling star which crashes near them. The guy and the girl drive to the area of where the meteorite may have crashed and the guy leaves the girl in the car. The guy discovers a canister and a slug from the canister jumps into his mouth. Meanwhile, the girl left alone in the car hears reports that the killer is headed towards their direction. While screaming for the guy to get back into the car, she is unaware that the killer is about to slaughter her.

We are then taken to 1986 where two nerdy college students: Chris (played by Jason Lively, "Mancuso, FBI", "Maximum Force", "Monday Morning) and J.C. (played by Steve Marshall, "Night Heat", "Sleeping in a Dream") are walking around the fraternity and sorority section and see a girl across the street that captures his attention. Chris is the silent type while his best friend and roommate J.C. (who has a disability and walks with crutches) is a lively jokester and tries to get the girl's attention for his buddy.

Because Chris is so shy, J.C. manages to introduce the girl named Cynthia (played by Jill Whitlow, "Mask", "Thunder Run", "Twice Dead") to his friend. But she happens to be dating a frat guy and thus, Chris's hopes are dash. Chris comes up with an idea that they should join a frat and when they try, in order to join, they are told to take a body from the science lab and drop it in the front porch of another frat.

When Chris and J.C. go to the lab to retrieve the body and releases it from its incubator, the body (which happens to be the guy who discovered the cannister back in 1959) has awaken. Startled by the body moving, Chris and J.C. run away in fear.

Meanwhile the scientist in charge of maintaining the body is killed by the zombie man and immediately, the zombie walks to the sorority where he went to visit the girl he was dating back in 1959 (the room of the girl is where Cynthia is now staying in). Immediately, the man's head blows up and slugs are released into the public. The slugs tend to possess a person's body, kills them from the inside and takes over their brain where they can breed and make more of their kind and continue the process of finding a body to breed in.

With murders happening on campus, detective Ray Cameron (played by Tom Atkins, "Halloween 3', "The Fog", "Bruiser") remembers back in 1959 of how his girlfriend was hacked into pieces by the axe murderer who was never caught and worries that these killings may be the work of the killer. He has suffered nightmares in which he sees a skeleton or zombie murdering his ex-girlfriend and with news from Chris and J.C. that the body inside the incubator moved, he worries about what is going on.

With zombie infestations now happening, the friendship of Chris and J.C. is tested, and Chris and Cynthia are brought closer together. But will they be able to survive the onslaught of the zombies during the night of the big dance?

It's important to note that "Night of the Creeps" is a Director's Cut version and that it features the original ending that Director Fred Dekker wanted (the reason why it wasn't used was because Dekker who was a new director at the time, showed an incomplete test screening to an audience and execs without the special effects and the audience and execs wanted a new ending). The original theatrical ending is included on the DVD.

VIDEO & AUDIO:

"Night of the Creeps" is featured in 1L85:1 Anamorphic Widescreen. For a 1986 film, I have to say that the picture quality is pretty good and I didn't see any major compressions or massive warping. I can only comment on the DVD version but it doesn't look like Sony Pictures Home Entertainment used any major Digital Noise Reduction in the release, so I wonder how nice the Blu-ray transfer may have been. But for the DVD itself, fans should be happy to know that this 23-year-old film looks good.

As for the audio, the audio is presented in English 5.1 Dolby Digital. I was noticing mainly front and center channel dialogue and the music but nothing that caught my attention via the surrounds. So, I ended up switching the audio to "Stereo on All Channels" on my receiver for a more immersive sound. But for the most part, dialogue was clear and understandable and that 80's new wave electronic music is clear as well.

Subtitles are presented only in English.

SPECIAL FEATURES:

Fans of "Night of the Creeps: Director's Cut" will definitely enjoy the special features included on the DVD. Included are the following:

* Commentary with Writer/Director Fred Dekker An audio commentary with Michael, the DVD producer and Writer/Director Fred Dekker. Dekker gives a more technical insight about the film and how certain cuts were made. Especially certain scenes that Dekker enjoyed.

* Cast commentary (Jasone Lively, Steve Marshall, Jill Whitlow and Tom Atkins) A lively, hilarious and insightful commentary by the four talent of the film. What's even more interesting is to hear the cast see the original Fred Dekker ending for the first time.

* Original Theatrical Ending (:30) The original theatrical ending. Which one do you think is better? It's important to note that the Director's Cut ending was shown on television while those who saw the original theatrical cut, own the VHS and LD saw this ending.

* Deleted Scenes (7:45) Seven deleted scenes: The Girls Meet Johnny, J.C.'s Positive Thinking, Cameron vs. Raimi, Making cookies, Raimi Follows Protocol, Cameron Spies Spanky, Chris Stays Behind

* Birth of the Creeps (10:43) Director Frank Dekker, the Cast and crew talk about Frank Dekker and how the film became a reality.

* Cast of the Creeps (15:56) Featuring a reunion of the cast (Jason Lively, Steve Marshall, Jill Whitlow and Tom Atkins) who talk about their involvement in the film and working with each other.

* Creating the Creeps (10:31) How the special make-up FX was created and interviews with David B. Miller (Special Make-Up FX Supervisor), Howard Berger and Robert Kurtzman (Special Make-Up FX Creator) talk about their involvement of the film, the challenges due to the short pre-production schedule and more.

* Escape of the Creeps (11:35) Charles Gordon (Producer), Michael Knue (Editor) and Director Frank Dekker talk about how the film became a hit with fans. But also why the ending was changed and how they didn't like the ending the execs wanted.

* Legend of the Creeps (10:59) How over 23-years later, the film has a cult following and Director Frank Dekker and the cast talk about why they think the film has done so well with the fans. Fans talk about why they love the film. And how this film is so different from today's horror films.

* Tom Atkins: Man of Action (19:53) A celebration of Tom Atkins career and talking about his film career and tidbits of the talent he worked with in various films. And how fans love to ask him questions about "Night of the Creeps".

* Trivia Track Fans can watch the film via trivia utilizing subtitles.

* Original Theatrical Trailer (1:32) The original theatrical trailer

JUDGMENT CALL:

"Night of the Creeps: Director's Cut" is a film that has become a cult phenomenon. Over 23-years later and fans continue to enjoy this classic zombie/horror film and it hearkens back to the days when horror films were allowed to have its share of humor and not always were created to frighten the viewer. One of the things that I enjoyed about the film is for the fact that it's hilarious, campy but I feel that in this day and age, horror films have become more or less studio cash cows and writers wanting to create the the most horrific and dark film.

Although, I'm not a horror fan by any means, I can easily remember films such as "Poltergeist", "The Monster Squad" or "The Lost Boys" and although not necessarily horror films in today's standards, back in the 80's, they were very entertaining to watch and the films had its share of scary moments. You were allowed to laugh and be entertained but the clever writing knew when to scare the hell out of you. These were films that families brought their kids out to see and a whole family can be frightened together. "Night of the Creeps" was one of those films that can easily be enjoyed by families and a lot of those kids who watched it back then, are now enjoying it today as adults.

"Night of the Creeps" is a film that pays homage to classic horror films and is a part of Frank Dekker's passion for sci-fi and horror films in the past. The film also has that 80's campiness that some have found enjoyable and some may find it not their cup of tea. But it all comes down to the viewer and if one is wanting a comedy horror film, "Night of the Creeps" is definitely one of the best out there.

As for the DVD release of "Night of the Creeps: Director's Cut", I'm sure people will have their say on what their favorite ending will be but for Frank Dekker, he never was a fan of shock endings and although losing the battle to have his original ending featured in the final theatrical cut, Sony Pictures Home Entertainment has given him the thumbs up for a DVD release featuring his original intended ending for the film. Also, I found the reunion by the cast and crew to be wonderful and also fun and enjoyable to not just listen to the commentary but also to see them goof around during the interview portion of the special features. Also, Tom Atkins fans will definitely enjoy a tribute to his career and an interview where Atkins discusses his films and the talents that he has worked with. So, I have no doubt in my mind that fans will find this DVD release to be entertaining and fun to watch. It's a solid DVD release!

Overall, if you are a big fan of this film, I highly recommend "Night of the Creeps: Director's Cut" on DVD or Blu-ray. And yes, you will definitely be "thrilled".

Buy Night of the Creeps (Director's Cut) (1986) Now

An under-appreciated gem of campy sci-fi-tinged horror, this directional debut from director Fred Dekker has everything from a busload of frat-guy zombies to an undead killer puppy to an amusing death by lawnmower rampage that foreshadows Peter Jackson's over-the-top finale to Dead Alive. Virtually unnoticed during its brief theatrical run, this wildly entertaining horror-comedy achieved a cult status following its home-video release. This low-budget effort throws alien monsters, axe-wielding killers, flesh-eating zombies, nudity, and drunken fraternity pranks into a blender, spiced with witty one-liners and references to dozens of horror classics.

The result is a satisfying treat that will tickle the tastebuds of horror fans. The film's nominal protagonists are a pair of randy fraternity pledges who open a can of worms when they steal a corpse from the campus medical facility and release a horde of space-leeches, which proceed to infest the bodies of everyone in sight. The host bodies subsequently become homicidal zombies with a penchant for popping in on unsuspecting sorority girls. The town's only hope seems to be a hard-boiled ex-cop who has uncovered the secret link between the zombie invasion and a 30-year-old axe-murder case... and who's also several sandwiches shy of a picnic. Dekker keeps things moving at a brisk pace thanks to some outrageous set-pieces ,some of which happen so quickly they'll have viewers reaching for the pause button, and clever dialogue, particularly for Atkins ("Girls, the good news is your dates are here; the bad news is, they're dead"), who dives into his crusty character with relish

Not only does director/screenwriter Dekker keep things moving along nicely by offering some exciting and bloody thrills, but he also makes some interesting choices with the portrayal of his main characters as well. In addition to offering a social misfit protagonist who remains uninterested in the usual college party scene, the inclusion of a handicapped sidekick who isn't defined by his disability shows a director unafraid to offer real, identifiably human characters; a refreshing change of pace compared to the all-too-perfect teens that populated horror films throughout the following decade. Along with character names that offer sly nods to numerous famous horror directors, Dekker also includes a beyond hard-boiled police detective hilariously cocksure swagger provides much of the film's effective gallows humor. Sure Dekker includes such college horror film mainstays as the obligatory love interest and the spoiled jock who gets his rocks off humiliating the nerds, but once he turns up the heat during the final act, cinematic clichés take a backseat to fast-paced zombie head-bursting fun.

Now that i've widely spoke my mind, i must turn the table in a violent fashion and speak this out loud, to the top of my lungs: 11 years for the DVD release of one of the funniest, most entertaining campy B-flicks of the 80`s? An extended director's cut in Blu-ray only covers 50% of the misery we've suffered over the years, trying to get a decent version of this deliriously entertaining classic.

BLU-RAY edition of "night of the creepsDirector's cut".

Intro: The sound/video quality is very decent with bright colors and compressing, and good depth for the only audio channel. Below blu-ray standards because there is not much to enhance after all, this is a great work considering the fact that this movie never had an official dvd release untill October 2009 and was available only on VHS since 1987. The movie is restored at the best possible from the original tapes. Grainy on big tv sets, must look great on 21 to 26" tv sets.

The director's cut feature is the adding of the original ending Fred Dekkar planned for this movie, instead of what he calls a popular "cheap scare" for the current horror B-movies back in the middle 80's.

Features:

1-Commentary with writer / director Fred Dekkar:

2-Cast commentary.

3-Original theatrical ending: Less effective and corny in my opinion, glad he put the original ending the company didn't wanted for reasons you will know.

4-Deleted scenes: Little gems that should have been included, specially the phone conversations alerting dead bodies.

5-Five Featurettes: Birth / Cast / Creating / Escape / Legend of the Creeps: These featurettes are very recent interviews with the director, cast and crew and the promotion of the 2009 director's cut. Because of the very little amount of behind-the-scenes footage (only a few pictures), these featurettes are almost entirely based on conversations.

6-Tom Atkins, man of action: An interview with actor Tom Atkins.

7-Trivia Track.

8-Original theatrical trailer.

9-Previews: Blu-ray and 4 special editions of other releases.

10-English language and subtitles.

11-BD live

The Blu-ray Menu features are very simple and not exactly according to the movie's gory humor: Just a bar with a blood stain as an indicator and the sound of what could be a blade. Never the less, this is a very satisfactory edition for fans who waited 20 years for this classic. The 80's feel of the movie is priceless.

Read Best Reviews of Night of the Creeps (Director's Cut) (1986) Here

While Sony Pictures has given "Night of the Creeps" fans a lot to cheer about, they still managed to skimp on the DVD disc packaging, disc & cover artwork and disc features. The DVD case is flimsy and cheap looking and it's missing portions of the plastic on each side. In my opinion the final artwork cover chosen isn't as nice as the Blu-ray edition and this cover artwork doesn't do the film justice. Sony Pictures should have just used the original VHS cover artwork instead. As for disc artwork, well they're just isn't any. The disc is as plain as can be with just the title printed on it and personally I expected a much better effort from Sony Pictures. As for disc features, where are the chapter stops?

Well enough of the bad, now for the good. The widescreen picture is absolutely fantastic and Sony did a great job with the transfer. The 5.1 Dolby Digital sound is really good, but I preferred the stereo mix much better. The bonus features more than make up for the cheap disc packaging and lack of disc artwork from Sony Pictures and fans will enjoy what they see and hear from Dekker and the gang.

The year is 1959 and a young man spots a mysterious canister after it has crashed nearby, he leaves his date alone in the car while he sets out to investigate the crash site. After opening the canister the young man is infected with a mutant slug creature which transforms him into a zombie; now the real nightmare begins!

The mutant slug creatures contained in the canister were never meant to be released but one of the aliens during a battle on the spacecraft ejected the canister and it fell to earth. Luckily for the rest of the town the infected young man turned zombie has been captured and he has been cryogenically frozen in the basement of Corman University where he is being studied and monitored by a scientist played by veteran character actor David Paymer.

Everything has been quiet in the basement of Corman University for years until two students J.C. (Steve Marshall) and Chris Romero (Jason Lively) accidentally stumble across the frozen body in 1986 while trying to pull off a school prank and they unknowingly unleash the slugs on the University campus. Now that the terror has started up again it's up to J.C. , Chris , Cindy and everyone's favorite cop of course Detective Ray Cameron to save the day. Thrill Me!

Bonus Features plus 60 Minutes of Behind-the-Scenes material Include:

"Birth of Creeps" featuring Dekker talking about the origins of the project

"Cast of the Creeps" featuring Jason Lively, Tom Atkins, Steve Marshall and Jill Whitlow

"Creating The Creeps" featuring interviews with SFX creators David B. Miller and Robert Kurtzman

A special Tom Atkins centric piece called "Tom Atkins: Man of Action"

"Escape of the Creeps" a detailed look at the post-production.

Deleted scenes

Fred Dekker solo commentary

Cast commentary featuring Atkins, Whitlow, Marshall and Lively

The original theatrical ending

Trivia Track

Want Night of the Creeps (Director's Cut) (1986) Discount?

It all starts out with a beautiful black & white prologue at Corman (nudge nudge) University in 1959. Some "creeps" (disgusting little things) come to Earth and attack a young man (they get in through your mouth, turn you into a zombie and plant other "creepers" that shot out of the mouth to infect people). He is caught and frozen solid and (for some reason) kept at the university. Then, in 1986, two friends Chris Romero (nudge, nudge)(Jason Lively) and J.C. (Steve Marshall) unwittingly revive him. He wakes up and attacks the university. Soon, it's overrun by the things--it's up Chris, J.C., Cynthia Cronenberg (nudge nudge) and Detective Cameron (nudge nudge) to battle them.

As you can see this movie doesn't take itself seriously for one moment. Heck, there's even a cameo from Dick Miller! And it IS very funny (especially some of J.C.'s lines). But it doesn't shy away from blood and gore--there's PLENTY of that. And it is creepy (sorry) more than once. They even break one of the rules of horror films--POSSIBLE SPOILER AHEAD--a sympathetic character (I won't say who) dies and it's actually one of the film's more unpleasant moments (you don't see it but you HEAR it). As 83 minutes it doesn't overstay it's welcome and ends with an all out massacre (I'm REALLY surprised--and pleased--that this got an R rating). There are some gaps in the plot (things happen way too quickly and characters just automatically correctly guess what's going on) but this is a small quibble.

I saw this back on video in 1986 after Fangoria magazine raved about it. I loved it--then it disappeared. I never even saw it again until today! Here's another great movie awaiting rediscovery. From what I heard Sony owns the rights--hopefully we'll see the DVD someday.

A fun, scary, gory movie. A 10 all the way! "The good news is that your dates are here. The bad news is they're dead!"

Save 60% Off