Showing posts with label top 10 comedy movies 2011. Show all posts
Showing posts with label top 10 comedy movies 2011. Show all posts

A Bag of Hammers (2011)

A Bag of HammersI love this quirky, smart, dramatic, touching indie film. The acting is superb by actors Jake Sandvig, Jason Ritter, and Rebecca Hall. It has a bit of everything you could want in a film, I just wish it was in theaters for a longer period of time :)

This movie was a complete surprise. I found it randomly on a streaming site that starts with "N."

This is a story about two slackers/small time criminals who find themselves caring for a 12 year-old boy. The story shifts from comedy to fatherhood, and how families form as needed. There is still a lot of humor in the story, until it reaches a certain point where it's breaking your heart.

The film pays off. Highly recommended.

So many films today want to portray young men, and fathers in particular as losers trying to escape parenting. This is a story about people who fight for it.

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A Bag of Hammers starring Jason Ritter and Jake Sandvig is one of those movies that starts off as a comedy and then halfway through, shifts to a serious, thoughtful film. A Bag of Hammers is the story of two slackers who suddenly become a father figure to a seriously neglected boy named Kelsey. Rebeca Hall and Amanda Seyfried also star. I really loved this movie, I felt like the ending was so moving and you could really feel the love for this troubled boy. I highly recommend it, enjoy!

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I came across this movie randomly at the library, loved it! Very well done Drama-dey. Worth purchasing as I plan to watch it again down the road.

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This film is fantastic and will leave you with a smile on your face. I know it did with me!

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Role Models (2008)

Role ModelsRole Models is not a particularly deep or innovative comedy, in fact it's plotline will be familiar to anyone who has ever watched a movie, period. But that doesn't mean that it doesn't provide lots of laughs and much needed escapism for it's 90 plus minutes.

Paul Rudd And Sean William Scott star as two slackers who find themselves sentenced to 30 days of community service following a work related blow up by Rudd's characther that comes on the heels of being dumped by his longtime girlfriend (Elizabeth Banks). The two are ordered to do their hours of community service at a Big Brothers and Sisters type of organization where each of them are paired up with a "troubled" kid.

Can you guess where this is going? The two men will learn to look past their own self indulgence and care for the kids. A valuable lesson is learned by all. This plot really doesn't matter. What does matter are the performances. Rudd and Scott are hilarious as the overgrown man-children and they share an effortless chemistry. Rudd especially is in top form, spewing sarcasm and self loathing with every line and garnering laughs from his facial expressions alone. Rudd is clearly in his element here.

When Rudd turns into an unselfish nice guy at the end, it's a bit of a stretch for the audience to accept that he made such a quick transition. Rudd's performance may be hilarious, but his character is not that well developed for his transformation to be believable. But hey, this ain't art. It's a largely entertaining buddy comedy with lots of smart and raunchy humor that should be viewed as exactly that.

Like its two lead characters, ROLE MODELS is a movie that doesn't seem to be expecting too much of itself as it lures us into familiar man-child territory.

Seann William Scott and (co-writer) Paul Rudd are Wheeler and Danny, two low-achieving coworkers paid to travel to schools with an act that preaches against drugs while pushing powerful energy-drinks as the safe alternative. The difference between them? Wheeler loves his work and thinks of Danny as his friend. Danny hates his job, the fact that he should have done more with his life and can't commit to being more than a colleague to Wheeler. Danny's mean, sarcastic and rude to coffee shop baristas. Clearly he doesn't deserve a girlfriend like Beth (Elizabeth Banks), who rejects his spontaneous marriage proposal and dumps him instead. Danny's dejection leads to a tangle with the law and soon he and Wheeler are sent to perform 150 hours of community service at the local mentoring program, Sturdy Wings.

This is where the movie grows some wings of its own and really takes off. The flight path may be familiar, and there are no surprises when it comes to a predictably happy landing. But the journey becomes a lot of fun when Wheeler and Danny become "Bigs" to two very different "Littles," Ronnie (Bobb'e J. Thompson) and Augie (Christopher Mintz-Plasse).

It's clear that on paper at least, our two ROLE MODELS lack all the traditional skills required to teach anything to the kids. Fast-talking, foul-mouthed Ronnie is the product of broken home in need of a father figure, not a "booby" obsessed party lover like Wheeler. The costume-sewing fantasy game participant Augie shouldn't expect much sympathy from the snide Danny. Bad mentoring leads to chaos, confusion and near-tragedy. But somehow, everyone develops the sturdiness of wing to make it to the end having taught something to someone else--and discovered something essential about themselves.

Supporting characters add to the fun throughout, especially Jane Lynch as the ex-coke-addict who founded the Sturdy Wings program and the various costumed characters who take the game of "Laire" very seriously indeed.

ROLE MODELS is a movie that won't teach you much. But it will definitely make you laugh.

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Right off the bat I have to say that Vesta and I almost hit the reject button on the DVD player. This movie started out stupid and dumb and we were pretty sure it had nowhere to go. Time to get up and watch something on Hulu.

"You wanna do it?" She said.

"No, I got the cat." Scruffy, our mangy tom was sitting in my lap and I was comfortable in my recliner.

"Somebody has to get up and get that bloody movie out of that player." She was comfortable in her recliner too. That's the problem with these things, get a glass of wine in your hand, recline and you just don't wanna get up.

So we let the movie play a bit longer and son of a gun if I didn't start laughing on occasion. Vesta too. Then more laughter, then I was into this silly story and it was silly, but somehow, I don't know how, we wound up being entertained and that's what movies are supposed to be about. They're supposed to take you out of you're life for an hour or two and this one did.

Maybe this movie was made for younger people. Vesta thought it was made for guys who like to get together with a few beers and laughs. But whoever the intended audience, we wanna sign up with `em, because though this movie started out stupid and dumb, it wound up being campy and fun. Yes, it was lewd and crude, but heck, it was sort of a romantic comedy too. Sort of a coming of age story as well. All in all, I gotta say, this is an unexpectedly good movie.

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I saw this movie once, laughed a little and was well on my way. Then i rented it again when a few buddies were over and laughed like crazy. There are little pieces in the movie, where it was slow, paul rudd and SWS did a good job in this film. If your in the 18-25yr range this is a must have!!!

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I've seen "Role Models" numerous times in its edited form on FX. I enjoyed it immensely so I purchased the Unrated version. Its still a funny movie with a glaring exception-the foul mouthed adolescent who is Seann William Scott's charge. I'm far from a prude and like inspired crude humor as well as the next guy. I have nothing against movies trying to push the envelope. That said, I found nothing funny about an eight or nine year old spouting profanity some of it of an extremely scatalogical nature. The adults in the film don't seem offended but respond to the kid in kind. This to me smacks of exploitation and I don't think its as cute as the makers of the film seem to think it is. Where's trying to maintain a child's innocence for as long as possible? When I was a kid I heard profanity. I learned not to repeat it in front of my parents after getting my mouth washed out with soap which I'm still tasting some forty years later. This is for the most part a very funny movie that didn't need to appeal to the lowest common denominator to succeed.

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The Royal Tenenbaums (The Criterion Collection) (2001)

The Royal Tenenbaums... but not in the sense that is usually used. Some people absolutly love his movies, while others really don't care much at all. It's not to say that either side is right or wrong, its just a conflict of interests. Those who don't like Bottle Rocket, Rushmore, or this film, are not in any way inferior/superior to a person like myself, but, those who are smug and almost happy to tell you how bad this movie is... shame on you.

Well, this is easily my favourite film of last year, along with Memento and Waking Life, because of it's rich use of atmosphere. This is a film about lost time, lost childhood, lost chances... really it's about losing those things which are important, and getting them back, and that is the reason that alot of the imagery is, umm.... retro. This is a running theme in all of Anderson's movies, the idea of reclaiming your past by bringing it along with you into the future. All the objects in the movie hold sentimental value to the characters (we never really learn what the particular sentiments are, which is part of the allure of the "sight gag") and gives the characters a past and, more importantly, a neural net of their opinions, beliefs, emotions etc, just by displaying their possessions.

The performances are usually critisized as being highly exageratedwell i hate to break it to you but that's really the whole point of the movie. The Tenenbaum family are eccentrics, the type of family you would latch onto like a satilite because you are attracted to their behavour, and Owen Anderson's character is a representation of the audience in that respect. If this family was what you would call "average", they wouldn't be interesting. Of course alot of movies have the set up of a normal guy in an extraordinary situation, but not every movie has to be that way.

Some of the reviewers who have given this movie a low score have cited that it "fails as black comedy". Well that's interesting since Anderson himself dosn't consider his movies comedies anyways. Sure there are funny moments, but they are by no means as exagerated as the film's characters are. The comedy is understated: there are no cheap tricks to make you laugh. One of my favourite moments in the movie is when Royal and the indian "butler" are in the game closet talking, and then it's revealed they are drinking martinisdosn't sound funny in words, but for me it's very touching and highly comical. This isn't slapstick, but humour of a more gentle kind, like in Monsiur Hulots Holliday.

The acting is superb by Hackman and Houston, and immediatly convinces the audience of their characters histories. I feel this was Hackman's finest performance since The Conversation, in a career which, i feel as well, has been utterly underappreciated. Luke Wilson, Gwenneth Paltro are both fine in their own rights, and Ben Stiller -who practicly everyone hates in this movieplays his character wonderfully: A boy who breeded mice with spots and ran a lucrative company at the age of 12, a father who is frightend of losing his children to accidents and hates his own father for reasons he can't articulateStiller personifies this beautifully. All the negative reviewers seem to have forgotten that for all their critisism, they "bought" them all as a family, as unrealisticly exagerated as they are, even though in real life they are all polar opposites. Bad acting?? These people have no idea of the subtleties involved in the performances. I also think that Bill Murray's performance as the psychologist is brilliant. Danny Glover plays his part with just the right amount of understatement, and equally fitting with the other actors. Alec Baldwin's dry narative is extra extra dry.

This movie just cries for a repeated viewing after repeated viewing, and has similarities to Joyce's Ulysses in the sense that there are treasures hidden withinseek and ye shall find.

If only you appreciate the beauty of the colours, this movie is worth the money to watch it, and i applaud Hollywood for forgetting its loyalties to the sausage industry for just a few brief moments.

Damn the academy, this is the best picture of the year.

Wes Anderson's "The Royal Tenenbaums" exists on a knife edge between comedy and sadness. There are big laughs, and then quiet moments when we're touched. Sometimes we grin at the movie's deadpan audacity. The film doesn't want us to feel just one set of emotions. It's the story of a family who at times could have been created by P.G. Wodehouse, and at other times by John Irving. And it's proof that Anderson and his writing partner, the actor Owen Wilson, have a gift of cockeyed genius.

The Tenenbaums occupy a big house in a kind of dreamy New York. It has enough rooms for each to hide and nurture a personality incompatible with the others. Royal Tenenbaum (Gene Hackman), the patriarch, left home abruptly some years before and has been living in a hotel, on credit, ever since. There was never actually a divorce. His wife Etheline (Anjelica Huston) remains at home with their three children, who were all child prodigies and have grown into adult neurotics. There's Chas (Ben Stiller), who was a financial whiz as a kid; Margot (Gwyneth Paltrow), who was adopted, and won a big prize for writing a school play, and Richie (Luke Wilson), once a tennis champion.

All three come with various partners, children and friends. The most memorable are Raleigh St. Clair (Bill Murray), a bearded intellectual who has been married to Margot for years but does not begin to know her; Eli Cash (Owen Wilson), who lived across the street, became like a member of the family, and writes best-selling Westerns that get terrible reviews; Henry Sherman (Danny Glover), who was Etheline's accountant for 10 years until they suddenly realized they were in love, and such satellites as Pagoda (Kumar Pallana), Royal's faithful servant (who once in India tried to murder Royal and then rescued him from ... himself ...) and the bellboy Dusty (Seymour Cassel), who impersonates a doctor when Royal fakes a fatal illness.

Trying to understand the way this flywheel comedy tugs at the heartstrings, I reflected that eccentricity often masks deep loneliness. All the Tenenbaums are islands entire of themselves. Consider that Margot has been a secret smoker since she was 12. Why bother? Nobody else in the family cares, and when they discover her deception they hardly notice. Her secrecy was part of her own strategy to stand outside the family, to have something that was her own.

One of the pleasures of the movie is the way it keeps us a little uncertain about how we should be reacting. It's like a guy who seems to be putting you on, and then suddenly reveals himself as sincere, so you're stranded out there with an inappropriate smirk. You can see this quality on screen in a lot of Owen Wilson's roles--in the half-kidding, half-serious way he finds out just how far he can push people.

The movie's strategy of doubling back on its own emotions works mostly through the dialogue. Consider a sort of brilliant dinner-table conversation where Royal tells the family he has cancer, they clearly don't believe him (or care), he says he wants to get to know them before he dies, the bitter Chas says he's not interested in that, and Royal pulls out all the stops by suggesting they visit their grandmother. Now watch how it works. Chas and Richie haven't seen her since they were 6. Margot says piteously that she has never met her. Royal responds not with sympathy but with a slap at her adopted status: "She wasn't your real grandmother." See how his appeal turns on a dime into a cruel put-down? Anderson's previous movies were "Bottle Rocket" (1996) and "Rushmore" (1998), both offbeat comedies, both about young people trying to outwit institutions. Anderson and the Wilson brothers met at the University of Texas, made their first film on a shoestring, have quickly developed careers, and share a special talent. (That Owen Wilson could co-write and star in this, and also star in the lugubrious "Behind Enemy Lines," is one of the year's curiosities.) Like the Farrelly brothers, but kinder and gentler, they follow a logical action to its outrageous conclusion.

Consider, for example, what happens after Royal gets bounced out of his latest hotel and moves back home. His wife doesn't want him and Chas despises him (for stealing from his safety deposit box), so Royal stealthily moves in with a hospital bed, intravenous tubes, private medical care, and Seymour Cassel shaking his head over the prognosis. When this strategy is unmasked, he announces he wants to get to know his grandkids better--wants to teach them to take chances. So he instructs Chas' kids in shoplifting, playing in traffic and throwing things at taxicabs.

"The Royal Tenenbaums" is at heart profoundly silly, and loving. That's why it made me think of Wodehouse. It stands in amazement as the Tenenbaums and their extended family unveil one strategy after another to get attention, carve out space, and find love. It doesn't mock their efforts, dysfunctional as they are, because it understands them--and sympathizes.

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I'm a Wes Anderson fan and "The Royal Tenenbaums" was my favorite movie of the year.

(just for a reference, the others were "Hedwig & the Angry Inch," "Ali," "The Man Who Wasn't There," and "Training Day," and Ken Burns "Jazz" and "The Sopranos: Season 3," both of which may have been on TV but are of a scope and caliber far beyond most multiplex efforts)

But "The Royal Tenenbaums" took me a while. It took me two viewings to fully appreciate the "Tenenbaums," and a third to convince me I loved it.

This is a rich movie, full of detail that initially moved too fast for me to absorb. It was only after I was able to watch the film without wondering where it was going and what was going to happen that I was able to sit back and fully appreciate it. There's a lot of quirkiness here, and that gives the whole thing a feeling of insincerity, but this is not an insincere film.

Many critics have pointed out that this movie is like a lot of other things; they mention Dickens, John Irving, Salinger, and Louise Fitzhugh and "The Magnificent Ambersons." And all of those comparisons are true.

But what really struck me about the film, personally, is that so much of it didn't remind me of anything else. The open credit sequence, for example, fills my heart with joy, just the way all the characters are introduced in a stylised yet somehow naturalistic way. You have to love a movie (or at least *I* have to love a movie) in which characters' introductions include their book jackets.

There's also the Gene Hackman aspect. I'm a huge Hackman fan but he works so often and in so many different directions it's sometimes hard to remember what makes him so distinctive. In this movie, it's all on display. He is truly inspired. The fact that he was ignored by the Academy means that I don't have to take anything they say seriously, ever again.

Also, the scenes set in Eli Cash's apartment gave me more laughter than any comedy I've seen since "Kingpin." And the scene, near the end, in the ambulance (set to Nico's "Fairest of Seasons") made me genuinely sadder than any recent movie I can think of.

This is not a particularly easy movie. But if work with it a little, it definitely grows on you.

Read Best Reviews of The Royal Tenenbaums (The Criterion Collection) (2001) Here

I loved this film, but I can completely understand many, many people not enjoying it. In fact, I was one of the few people, it seems, who disliked Anderson's second film, RUSHMORE (though I loved BOTTLE ROCKET, Wes Anderson's first film). The reason that so many will either love or hate this film is Anderson continually skirts the edges of cinematic convention. There is a great deal of subtlety in his work, and one will either enjoy that and analyze it, or find that it leaves them bored and disinterested.

Anderson wrote this screenplay with he usual screenwriting partner, Owen Wilson (who played Eli, the Tennenbaums across-the-street neighbor). The screenplay is filled with many wonderful and marvelous moments, and while one might complain that the whole is less than the summation of the parts, the parts are nonetheless very exquisite. The film is stuffed with marvelous moments that are almost throwaways, like a scene in which Chas (Ben Stiller) and his father Royal (Gene Hackman) escape to a closet to argue. The closet is filled with every board game one can possibly imagine, which provides a startling contrast by implying that there was a time when the family perhaps sat around together playing these precise games. Or when one of the characters attempts suicide and then leaves the hospital, a haunting, gorgeous song by Nick Drake, "Fly" is played. The song is a marvelous paean to second chances, and many of the lyrics seem to refer to specific moments in the film. But what is more poignant is the fact that Drake is one of rock's most celebrated suicides, albeit primarily to his cult following. Another detail is the fact that every cab that is seen in the entire film are "Gypsy Cabs" and are the most dilapidated, battered cabs one can imagine.

The soundtrack is exquisite, and one that even those not enjoying the movie would be tempted to buy. The selections are marvelous, whether it is Ravel's String Quartet, or the Ramones, or the Clash, or Lou Reed, or the Stones. One word of complaint, however. As a Stones fan and as one who owned vinyl versions of most of their albums, and the two Stones songs that Luke Wilson and Gwenyth Paltrow listen to in his tent are not the songs that are on the actual vinyl album. "Ruby Tuesday," for instance, is not the second cut but the third, and the song that appears first is actually a couple of cuts after "Ruby Tuesday."

The cast is absolutely first rate, though many of the actors are playing roles that are somewhat at odds with what we normally expect of them. This is especially true of the three Tennenbaum children.

So, while I expect that many people seeing this will dislike it, many others will enjoy it thoroughly. If you liked BOTTLE ROCKET or RUSHMORE, odds are you will like this one as well.

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16 pages of Amazon reviews relating to The Royal Tenenbaums ranging from hatred to awe suggests something interesting is going on with this one of a kind movie.

After seeing the movie more than a month ago, I started recounting some of the more emotional moments in the film as I sat with my wife in a shopping mall eating a souvlaki. I actually found that I was getting choked up just describing the moments and my wife looked blankly at me.

"Is this a mid-life crisis or something?"

She liked the film, but couldn't believe that it had emotionally effected me to the extent that it had.

"This has probably got something to do with your family, you know."

Possibly. But it might also have something to do with a film which on the surface seems to present an artificial and childlike story about an unusual family but underneath captured some illuminating truths about the human condition.

I obviously liked the film because I gave it 5 stars and l am looking forward to spending the rest of my life trying to figure out why.

I can understand why many people disliked it so much but I am fascinated with the concept that I have little idea why I love it.

The Royal Tenenbaums is the reason that I go to the movies. I want to be surprised and engaged in a fictional world where I am taken to a place that I have never been before. And there is no place like the Royal Tenenbaum's.

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Sixteen Candles (Universal 100th Anniversary Blu-ray/DVD Combo + Digital Copy) (1984)

Sixteen CandlesSoundtrack Issues

In the first DVD release of Sixteen Candles, several of the songs from the original soundtrack were missing due to licensing rights. For anyone looking for a version of the movie with the original soundtrack, get the "High School Reunion Collection" (released in 2003). This is the version I own and it has all of the original songs in it. I believe the "Flashback Edition" (released in 2008) also has the original songs, but I cannot verify that. The original release (released in 1998) has no special heading/title and is the version with several missing songs.

MPAA Rating Controversy

As far as the "PG" rating, do not buy this movie thinking you are going to enjoy introducing your young kids to a great 80's throwback. Prior to buying this movie, I had only seen it on TV. I assumed that the edited TV version was similar to the unedited movie because of the "PG" rating. As it turns out, Sixteen Candles came out in May, 1984, 2 months before the "PG-13" rating was implemented. So at the time, movies were either rated "G", "PG", or "R". Sixteen Candles was originally going to be rated "R", but prior to release, just enough F-bombs were edited out to make the "PG" cut and reach the targeted teenage audience. This is NOT equivelant to a modern day "PG" film. There are still at least 2 F-bombs in the movie as well as several more S-words, A-words, slanders to sexual orientation, and other explicit language. There are also underage drinking, sexual innuendo, and a shower scene with blatant up close nudity.

Summary

In short, this is a great classic 80s movie worth owning with the understanding that it should be considered a "PG-13" movie that just missed being a rated "R" movie, as would have been the case if it were released just a few months later than it was. For purists, get the "High School Reunion Collection" to experience the movie with the original soundtrack as it was intended.

This is one of my all time favorite movies, and I bought this video because my old copy had worn out. After watching 10 minutes of the new copy, I felt physically ill. The entire soundtrack's been changed! No "Love of the Common People", no "Happy Birthday". I couldn't watch any further. Some moron has butchered this film, and I'd return this copy if I could. If you've never seen the original version of this film then go ahead and buy it because the actual film is great and you won't notice the difference in the music. But to anyone who has seen it before, find an original copy. Watching this version will make you sick.

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Sixteen Candles takes place basically over the course of one day when a family forgets the sweet sixteenth birthday of a girl amid the preparations for the oldest daughter's wedding. The sixteen year old is played by the 80's teen queen Molly Ringwald. It was the movie that helped her gain that title and is the best of her career. She plays the role of Samantha Baker with ease and charm. We feel all her range of emotions from the hurt of being forgotten to the longing she feels for a boy, Jake Ryan, who she has a major crush on but doesn't think he knows that she's alive. Little does Samantha know that Jake wants to meet her and the movie goes through a series of near misses between the two. Anthony Michael Hall plays "The Geek" who is constantly hitting on Samantha. He acts like he is a man of the world, but really is full of hot air. Mr. Hall is extremely funny and the scene where he gives Jake advice on women and eventually drives the prom queen home in Jake's father's Roll Royce are priceless. Both sets of Samantha's grandparents are funny, one set are the worriers and the other the carefree sort. Gedde Wannabe is funny as an exchange student who comes with one of the grandparents. He does take the Asian stereotypes to the max but he comes across with a nice degree of charm. John and Joan Cusack show up in bit parts and the movie has a great soundtrack. The Thompson Twins' "Wish You Were Here" perfectly frames the ending scene where Jake and Samantha finally hook up. Sixteen Candles was the directorial debut of John Hughes and set the stage for the Brat Pack movies that would be the dominant teen movies of the 80's. Unlike his other movies like The Breakfast Club, Pretty In Pink or Some Kind Of Wonderful, Sixteen Candles isn't full of teen angst, self-examination and skepticism that the others are. It is a charming look at the life of a teenager that seems to be the most real.

Read Best Reviews of Sixteen Candles (Universal 100th Anniversary Blu-ray/DVD Combo + Digital Copy) (1984) Here

Sixteen Candles takes place basically over the course of one day when a family forgets the sweet sixteenth birthday of one daughter amid the preparations for the oldest daughter's wedding. The sixteen year old is played by the 80's teen queen Molly Ringwald. It was the movie that helped her gain that title and is the best of her career. She plays the role of Samantha Baker with ease and charm. We feel all her range of emotions from the hurt of being forgotten to the longing she feels for a boy, Jake Ryan, who she has a major crush on but doesn't think he knows that she's alive. Little does Samantha know that Jake wants to meet her and the movie goes through a series of near misses between the two. Anthony Michael Hall plays "The Geek" who is constantly hitting on Samantha. He acts like he is a man of the world, but really is full of hot air. Mr. Hall is extremely funny and the scenes where he gives Jake advice on women and eventually drives the prom queen home in Jake's father's Roll Royce are priceless. Both sets of Samantha's grandparents are funny, one set are the worriers and the other the carefree sort. Gedde Wannabe is funny as an exchange student who comes with one of the grandparents. He does take the Asian stereotypes to the max but he comes across with a nice degree of charm. John and Joan Cusack show up in bit parts and the movie has a great soundtrack. The Thompson Twins' "Wish You Were Here" perfectly frames the ending scene where Jake and Samantha finally hook up. Sixteen Candles was the directorial debut of John Hughes and set the stage for the Brat Pack movies that would be the dominant teen movies of the 80's. Unlike his other movies like The Breakfast Club, Pretty In Pink or Some Kind Of Wonderful, Sixteen Candles isn't full of teen angst, self-examination and skepticism that the others are. It is a charming look at the life of a teenager that seems to actually be real. The new version restores the original soundtrack and improves the sound somewhat, but compared with most digitally remastered dvd's, this one isn't quite up to par. It is definately an improvement over the original dvd version and since the first one has long been out of print, it is worthwhile just to have it back in circulation.

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During the 80s, many of us had seen this movie about a hundred times. Either on cable or renting it. So we KNOW the music, we know which songs come when.

Unfortunately this DVD does not have the same music..some of it has even been removed entirely (like the scene where everyone is getting into their cars to get to the wedding).

Until a special edition comes out with all the original music, I'd definitely skip this one!

Smart People (2008)

Smart PeopleDennis Quaid plays an English professor so pompous and self-contained that the unpleasant odor of mothballs must emanate off that tweed jacket he wears. Stuck. Stuck in a past when his wife died and he became a widower. Stuck in a career where he allows no growth for himself. Smart people.

His daughter, a pompous and bombastic smart person, is a brainiac headed to Stanford. Her uncle pretty much defines her as a robotic android. The uncle and adopted brother comes into the story early on. A n'e'r-do-well who enjoys muddling through life, he, too, is one of the "smart people." He uses his intelligence to become the an unintentional nudge for change for the daughter.

Then there's the son, now a student at the same college where his dad doggedly teaches. Dr. Wetherhold most likely uses the same notes prepared the first time he delivered the lecture. Words just billow from him like smoke and not living things to be savored with others--his students. He holds their essays in as much disdain. During the course of the story he positions himself to be named the head of the English department.

The pivotal point of the story is the doctor who treats Lawrence in the emergency room and grounds him from driving for six months (actually in retaliation for a C he assigned one of her essays written ten years earlier when she was his student and originally an English major.)

They go out to eat. After he delivers a 45-minute soliloquy about Victorian literature, she interrupts to tell him what a stuffed windbag he is and leaves.

All these people live in a grim reality of unrequited happiness, acceptance of the status quo, and inertia to change anything. Little by little, life intercedes. There's a miracle that changes everything.

"Smart People" is about smart people, but not as a positive attribute. To take pride in being smart and not extending beyond oneself is the height of selfishness. Some thinkers would say this is good, but the characters in this story don't even know they are lost in a maze of the thick muck of conceit and the supercilious. However, when two smart people collide and a tiny spark flickers, anything can happen.

Smart People is a great dramedy--a mixture of comedy and drama. It goes for the Smart Laugh, not the Big Laugh. Mark Poirier, the son of a MIT professor, wrote a Smart script, and Smart Director Noam Murro very smartly cast some of the smartest actors around: Ellen Page, Thomas Haden Church, Sarah Jessica Parker, and Dennis Quaid. I loved it, because I am also very Smart, but it didn't do as well at the box office or with the critics (except it was the Number One DVD at Netflix for a while) as it deserved. That Smarts.

I think the problem with this movie is that like the characters, Lawrence Wetherhold (Dennis Quaid) and his daughter Vanessa Wetherhold (Ellen Page), it doesn't suffer fools gladly. Thus, for a large portion of the audience, it is over their heads, and they feel like it is condescending, supercilious, and they feel patronized. As Lawrence's adopted brother, Chuck Wetherhold (Thomas Haden Church) says of Vanessa: "You're a monster!"

And that is an understatement. In another scene she says to her father, "Theresa Sternbridge practically runs a soup kitchen and she's always seen posing in photos with crack babies and dying, old, crusty ladies. And do you know why? She scored in the 45th percentile on her SAT. People like you and me don't need to compensate."

Although Chuck sees that Vanessa, and her role model father, are both monsters, in spite or because of their intelligence, he still loves them and tries to help. Did I mention that Chuck is a screw up, down on his luck, and an opportunist who sees a win/win situation for himself when his brother has a seizure and cannot drive. He will have a place to stay, and 3 squares, for driving his brother around--albeit very unreliably.

Though he is not the greatest driver, he really has a lot of intelligence about people. For instance, at a Christmas Dinner, where Vanessa's brother James Wetherhold (Ashton Holmes) complains about the rubbery ham (Vanessa used a recipe downloaded from the Internet written in the archaic French of Louis the XIV, and translated by her, maybe not as well as she thinks (a great example of her over achiever approach to cooking); when former student and now doctor Janet Hartigan (Sarah Jessica Parker) drops in unexpectedly Chuck explains "These children haven't been properly parented in many years. They're practically feral. That's why I was brought in. To keep them from killing each other."

All of the characters have a story arc, where they have an epiphany, and reach a greater awareness; but the Father/Daughter dynamic between the professor and his precocious progeny is perhaps the most complicated. He takes her for granted and is even less involved with his son James, while she idolizes him and emulates his self absorbed and condescending approach to other, less worthy, people.

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Lawrence Wetherhold: I don't think you're very happy Vanessa.

Vanessa Wetherhold: Well, you're not happy. And you're my role model.

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She tries to sabotage his relationship with Janet, but he is more than capable of sabotaging it all by himself. However, with a little help and coaching from brother Chuck, perhaps he will prevail after all.

By the way, fabulous performance by Thomas Haden Church, comparable to his character and performance in Sideways. Chuck was one of my favorite characters.

That Ellen Page really nailed her role goes without saying. Her only danger now is being forever typecast as the wise-beyond-her-years waif. What other young actress could convincingly play someone stressed out about getting a perfect SAT score?

Sarah Jessica Parker was smart and sassy, yet she was also a bit damaged, and had a lesson to learn. Great scene when Janet first meets Chuck.

Dennis Quaid wore a fat suit and had a shuffling walk, like he had something stuffed up inside him. He looked very different than previous roles, and created a quite convincing persona. He really conveyed his utter disregard for those below him on the bell curve of intelligence. He was very annoying, as his role called for that, but gradually, perhaps, he would come around. One sub plot was about him getting a book published, and as you could imagine by the dry academic title, there was little chance of that happening. But when he submitted it under a title suggested by his daughter Vanessa, YOU CAN'T READ!, it finally was accepted.

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Bloomberg: I got to the third section where I noticed a certain marketable tone, the surly smarter-than-thou @$$#0[3 tone.

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Their strategy was that it would be attacked on NPR and three weeks later he'd be interviewed defending it on Charlie Rose. Kind of like when you have a lemon, make lemonade.

Last but not least, Ashton Holmes as James Wetherhold and Camille Mana as Missy Chin, one of Lawrence's students, were both good in their small but pivotal roles. James had good reason to stay away from the toxic environment he called home as much as possible, but when he was there, he made a quiet impact.

This was the first big screen role for Camille Mana, but I recognized her from the UPN sitcom One on One where she played Lisa Sanchez. She is very smart, having graduated from UC Berkeley with a degree in economics after only 6 semesters, and I predict great things for her.

In Smart People she keeps popping up as the thorn in her professor's side, and if he wasn't so self absorbed, perhaps he would remember her name. She and James even hook up, and you almost wish the focus had been on them a bit more. However, they function as a reminder that other people have lives just as interesting if not more so than the self absorbed professor and his equally self absorbed daughter. When James gets a poem published in The New Yorker, Lawrence is surprised to learn that he writes poetry. Perhaps he should listen to what other people have to say once in a while.

I really liked this film because I could relate to the Smart People, and how hard it is for them to be humble. Yes, I too have a reputation for not suffering fools gladly, but after years of isolation, I would suffer them more than gladly. Though I may have an extremely high IQ, there are many different kinds of intelligence, and I wish that I had a little more intelligence about people. Perhaps I can get a high score on an intelligence test, but sometimes I can be a complete idiot.

OTHER NOTABLE ROLES OF SMART PEOPLE CAST MEMBERS

Sex and the City The Movie (Special Edition) (2008) .... Sarah Jessica Parker was Carrie Bradshaw

Juno (Single-Disc Edition) (2007) .... Ellen Page was Juno MacGuff

Spider-Man 3 (2007) .... Thomas Haden Church was Sandman / Flint Marko

An American Crime (2007) .... Ellen Page was Sylvia Likens

What We Do Is Secret (2007) .... Ashton Holmes was Rob Henley

Normal Adolescent Behavior: Havoc 2 (2007) .... Ashton Holmes was Sean

Hard Candy (2005) .... Ellen Page was Hayley Stark

A History of Violence (2005) .... Ashton Holmes was Jack Stall

Sideways (Widescreen Edition) (2004) .... Thomas Haden Church was Jack

Spanglish (2004) .... Thomas Haden Church was Mike the Realtor

Far From Heaven (2002) .... Dennis Quaid was Frank Whitaker

Postcards from the Edge (1990) .... Dennis Quaid was Jack Faulkner

Great Balls of Fire! (1989) .... Dennis Quaid was Jerry Lee Lewis

Girls Just Want to Have Fun (1985) .... Sarah Jessica Parker was Janey Glenn

Footloose (1984) .... Sarah Jessica Parker was Rusty

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Vanessa Wetherhold: You should really make your bed. It sets the tone for the day.

Chuck Wetherhold: But, how do you know what tone I was trying to set?

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Buy Smart People (2008) Now

I have to get something off my chest: `Smart People' is an acquired taste. If you like indie films that contain absorbing characters and dysfunctional families, then you're going to get into this one. For me I've gone into a lot of intelligent films in the last year and often found something missing. Not entirely different than `Margot at the Wedding,' 'Two Days in Paris,' and `Year of the Dog,' the film's deliberations have enough flair to capture my interest. While the other films were clever, I have to admit, I personally didn't love them. Don't expect `Smart People' to be the next `Little Miss Sunshine' or `The Squid and the Whale (Special Edition)' but its quirkiness can reel one in from the onset.

Dennis Quaid stars as pedantic curmudgeon Dr. Lawrence Wetherhold, a straightforward professor at Carnegie Mellon who has difficulty remembering students' names, but has no trouble mincing words about their papers. On campus his son, Jim (Ashton Holmes) shows that even in close proximity to his father, the emotional distance between them is staggering. In an odd role reversal dad only visit's the dorm when he wants something from him.

At home daughter, Vanessa (Ellen Page) is a type-A personality student; she's gung ho to get A's and is preparing for her ACT exams with a vengeance. A Republican zealot, her character is as sassy as Juno with none of the exuberant lilt. Uptight like her father, she also seldom minces words, but her delivery is deadly blunt and seldom funny. Plenty of opportunities for undercutting humor are given voice through her character.

That leaves us with the plot. When Wetherhold leaves his car illegally parked on campus, it gets towed. When he retrieves it from impounding, he discovers he's not going to get preferential treatment, so he climbs a fence with barbed wire to get his car and briefcase for free. Without succeeding he collapses on the pavement and is sent to Allegheny General. At the hospital, he is treated by Dr. Janet Hartigan (Sarah Jessica Parker), a former student, who informs him he's had a seizure and his headstrong appeal to leave and drive will not take effect when her required report to the DMV restricts him from driving for six months. Vanessa, who is in the thick of exams, doesn't like losing beauty sleep visiting her father in the hospital.

But Larry's long lost adopted brother, Chuck (Thomas Hayden-Church), an infrequent visitor with a history of borrowing money, now offers to be his paid chauffeur. He's a lousy driver to begin with, but Wetherhold doesn't have many choices. Larry especially needs him to shuttle him to see Janet, with whom he's grown smitten, despite the fact she needs to forgive the memory of "the same pompous windbag that made me change majors from English to biology."

Mixing like oil and water, Chuck tries to get officious and sometimes vicious Vanessa to lighten up and enjoy life. Meanwhile, Dr. Janet takes some risks and tries to soften her old professor as he's set in his long-winded, unromantic ways. Mutually beneficial, Vanessa tries to get her father to become head of the English department, so he can afford to send her to Stanford. Brother Jim tries to fit in a life all his own.

Sometimes relying too much on heavy sarcasm, the humor isn't always laugh-out-loud funny, but the casting certainly isn't amiss. I like the way the movie undercuts the arrogance of people with intelligence misplaced. Maybe everything doesn't coalesce in the film just like in real life, but in many ways the movie's cohesiveness keeps it consistent.

A J.P.'s Tossup, Er...Heads: 2.5 *'s Fair. I liked it despite its weaknesses. Sometimes it's not funny and happy to be that way, but I was drawn in by the characters.

For fans of intelligent indie movies with quirky characters and smart dialogue, this is a Bversion of 'The Royal Tenenbaums (The Criterion Collection)' and highly recommended for you.

Read Best Reviews of Smart People (2008) Here

Dr. Lawrence Wetherhold's (Quaid) got an impulse problem. When his car's impounded at Carnegie Mellon, where he teaches Lit, he climbs over the fence to get his briefcase. The resulting brouhaha gets his license suspended for the next six months. He does meet Dr. Janet Hartigan (Parker) whose life was changed by taking Wetherhold's class many years ago--major shifted from English to Medicine.

Enter Chuck (Haden-Church) his adopted brother. Being between very odd jobs, Chuck is the only family member with time to squire Lawrence around.

Lawrence's daughter Vanessa (Page) is studying like mad to get into Stanford with a perfect SAT. Between cramming sessions, she hides romance books from her Dad, who'd probably die of horror if he knew she read them.

James (Holmes) the elder son is already in school and unbeknownst to his Dad, is a poet. His poem got accepted by "The New Yorker" before Lawrence even found out.

Lawrence is interested in the doc, but he can't quite get over the loss a couple of years past, of his wife. Her clothes still fill his closet and clearly her memory still haunts him. Chuck and Vanessa try to work on cleaning up Lawrence's life while nearly messing up their own.

Slowly, the characters in the film begin to deal with their own griefs, mistakes, and begin to come to grips with themselves and each other. They're not the most likable or the best fit, but what family is? They're definitely interesting--and you do see character development in the major players.

Want Smart People (2008) Discount?

A self-absorbed college professor lost sight of the need to be sensitive of other people and their feelings when his wife died. Raising his daughter on his own has been difficult, but she's growing up just like her dad. And no, that is not a good thing. (He has a son, too, but he seems at least relatively well adjusted. So this movie is not about him.) The professor's dead-beat brother moves in with them and tries to give perspective to both the professor and his daughter.

Apparently there is a new formula in small-budget, independent comedies. What do you add to a pretentious lead character to create comedy? Thomas Hayden Church. It worked in Sideways, and it worked again here. He is the down-on-his-luck brother who weasles his way in to free room and board. While staying with his brother and niece he shakes them out of old habits and tries to implore them to take control and live their lives free from societal pressures to be something they do not want to be. Sounds heavy, but it wasn't that bad.

This was Ellen Page's big follow-up to Juno. I don't think this was what people were hoping for. As the professor's daughter she brought all of the attitude of Juno with none of the charm.

Dennis Quaid is our nutty professor, our single father. I like Mr. Quaid. I think that his often-exasperated mannerisms are enjoyable, almost Jack Nicholson-esque at times. I find comfort in his schtick, I guess. He was sometimes frustrating, but otherwise good yet again.

Smart People could have been called "Boring People and the Brother," but that is probably less marketable. This is an okay movie with a good cast. And the overall feel of the movie was saved by Thomas Hayden Church. I don't want to give him a reputation he cannot live up to, but the small resurgence in his career has been worthwhile for me.

Mask / Dumb & Dumber (Double Feature) (2012)

Mask / Dumb & DumberI admit, I love Jim Carrey. Are these two of his best movies? NO! But getting the two together for under $12 (at the time I purchased it) was worth the money! The transfer looks good and I got to really enjoy seeing Jim Carrey and Cameron Diaz together again in The Mask!!

This version of Dumb & Dumber is like a Director's cute, it includes things that were cut out of the original film and the scenes don't really add to the comedy. I really wish this was the original release of Dumb & Dumber.

Buy Mask / Dumb & Dumber (Double Feature) (2012) Now

My son wanted Mask for his birthday..so got him Two for One..Helping build his collection of Blu Rays..Love the double features..

Read Best Reviews of Mask / Dumb & Dumber (Double Feature) (2012) Here

The Mask is just a movie classic at this point. It really launched Carrey at the time, which later allowed him to command mega bucks on future films, but from beginning to end the comedy is timeless, the effects were cartoonish enough where you didn't judge them compared to today's abilities. Cameron is perfect. The extras were really good as well.

Dumb and Dumber just falls flat for me. I actually turned it off after skimming through a bit.

Want Mask / Dumb & Dumber (Double Feature) (2012) Discount?

I Rated it a 5 because I believe these Old Classic Movies are a Must have for Jim Carrey Fans. It's Dumb & Dumber & The MASK all in one how can you beat that to make it better on Blu-ray now out of all things this (Double Feature Rocks). The only down fall I disliked is I purchased it for $11.00 & something and before I got this Blu-ray in the mail I'm not sure if it was even shipped yet the Price to $9.99 dropped & I still paid the 11 something which sucks but with the other products I did buy went up in Price so I suppose it evened it out either way can't get the ones that only drop and not expect it to change if it goes up so i guess theres a + somewhere lol. I would recommend this product to anyone who LOVES JIM CARREY MOVIES! These will make you laugh.

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