Showing posts with label top 10 comedy movies 2010. Show all posts
Showing posts with label top 10 comedy movies 2010. Show all posts

Big Daddy (1999)

Big DaddyMy initial impression based on the trailer was that this would be another crass Sandler flick (Sandler is cool, don't get me wrong), but might have potential. I was surprised It was very good! Adam Sandler adopts a 5-year-old boy to prove to his girlfriend he's ready for the next stage of his life. She dumps him anyway, and Sandler realizes that he doesn't know what he's doing, and so tries to give the kid back. While he's got him, though, they do all sorts of crazy things and have a lot of fun. Rob Schneider provides excellent comic relief, as does Steve Buscemi, who has a cameo in this film. In short, a normally irresponsible man grows up by having to deal with the joys of parenthood. A thumbs-up for heart, and two thumbs up for humor and entertainment! Special features include an HBO First Look which is worthwhile viewing.

The review from "The New Yorker" on this page is probably one of the most pompous and hollow reviews I've ever read. "Big Daddy" is a great movie. I'm a long-time Adam Sandler fan but, put it this way, after seeing this movie, so is my mother. She's usually not into this kind of comedy, but this has become one of her all-time favorite movies. So, saying that "Anyone looking to solve the mystery of Adam Sandler's mass appeal is not going to do it here" seems to be a ridiculous statement.

The movie is funny from "all angles". The story is good, the cast is as solid as I've ever seen in a comedy, etc, etc... Whether or not you're usually into Sandler's brand of comedy, you will most likely appreciate this film. I feel that this is Adam Sandler at his best and it is certainly one of his most successful projects.

Highly recommended.

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This movie is funny. The little boys are cute. In case you didn't know the little boy in the movie is actually twin boys acting the part. I think everyone who likes Adams movies should watch this.

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Sonny Koufax is 32 years old. He's a law school graduate. He's got a nice apartment in Manhattan. There's just one problem. He does nothing, except sit on his butt and live off an investment that was the result of a meager lawsuit he won a year ago. But after his fed up girlfriend leaves him, he comes up with the ingenious idea to adopt a five year old boy to showcase his newfound maturity. But things don't go as planned, and Sonny finds himself the unlikely foster father that will change his perspective on just looking out for himself. This is a great movie and it will make you laugh. I would recommend this to anyone who like to laugh.

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my parents got 5-6 copies of this movie because its my dad and I's favorite. I HAD to get a copy for myself! its my alltime fave! I LOVE adam sandler and the twin boys do a great job!

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Jack & The Beanstalk

Jack & The BeanstalkAbbott & Costello made only two color movies and most circulating copies have variable color quality (sometimes so bad that the video is released in black-and-white instead). But this version of "Jack and the Beanstalk" is the best I've seen, and Goodtimes Home Video deserves a round of applause for issuing it on DVD. The original "Super Cinecolor" (less expensive and impressive than Technicolor) is generally very good indeed; I noticed a few instances of Costello's green costume shifting to blue-green, probably owing to different surviving film elements. Goodtimes did a fine job restoring this, and this DVD offers excellent value for the budget price.

The movie itself is a pleasant children's story with music. After a "modern" prologue in monochrome, Bud and Lou adapt their usual sharpie-and-patsy roles to colorful fairytale settings, and Buddy Baer is an excellent foil as the fearsome giant. (Listen for cartoon-voice Mel Blanc playing several roles in the "I Fear Nothing" song.) Makes a nice kiddie matinee, best for small children but older A & C fans will enjoy it, too.

No need for me to review the movie since you're purchasing this as a collector, right?

So heres the details on the Good Times Home Video Version

Filmed in 1951 (release 1952) using the "Spherical" Cinematographic Process in the Academy Standard Ratio of 1.37:1, this presentation gives us the Full Frame (1.33:1) which is exactly what the director intended us to see.

The original coloring of the film was as so:

** Modern Story:Black and White (Sepiatone);

** Fanasy story: Color (Supercinecolor)

This DVD-5, MPEG2 encoded Movie was about 7 Mbps on Average (with the total disc at 7.16 Mbps)

The audio is a little weak, but definitely clear and intelligible. Dolby Digital 2.0 (Dual Mono) at 192 Kbps.

While the film still appears a bit washed out in comparison to modern presentations, it STELLAR!!! for a 1952 public domain film presentation on DVD. Hence, on a scale of 1-5 (3 being average modern DVD) this would score at 2.85/5) Very good indeed. (Especially in comparison to the "Reel Classic Film" edition of this movie. Just don't buy that version as long as this one is available.)

Pick it up ... its worth the collection!

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Perhaps I'm a bit biased here, but this film was my first exposure to Abbott and Costello, and I've loved them every since. My parents bought the VHS tape of this when I was very young and I was instantly mesmerised -those guys were the funniest team of comedians I'd ever seen. They still are, really.

In retrospect, this may not be one of their greatest films (it's not on par with Abbott and Costello Meet Frankenstein, for instance), but it's a fun retelling of the classic Jack and the Beanstalk story, casting Lou as Jack and Bud as the crooked butcher who swaps him magic beans for a cow. Transplanting the boys into the fanciful setting works, and although some of the stuntwork and sets seemed pretty threadbare at times the story and the comedy still click well. This is also one of the few films the boys ever made that could be classified as a musical.

For completists who love Abbott and Costello and are still impatiently waiting for the rest of their films to come out on DVD, this is a must-have. Also recommended for folks with kids -it's a wonderful movie for the young.

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You know the story... the film is a faithful retelling. Costello dreams himself (as Jack) and fellow movie characters into the story. The narrative device recalls Dorothy's dream in The Wizard of OZ; it plausibly lands Lou and Bud in character. Be advised that in addition to annoying film artifacts, my Madacy disc was defective (a series of small depressed circles in a ring concentric with the spindle hole) and in the Passport edition, the video is worse still and then is poorly synched with the audio! Stay away from both if you can find better transfers.

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Abbott & Costello films have always been popular with children, so it is not surprising that the boys made a couple of films geared directly for the small fry. "Jack and the Beanstalk" features Lou as Jack and Bud as Dinklepuss. The boys are sent by the Cosman Employment Agency to baby-sit an obnoxious kid (David Stollery) and his baby sister. Jack falls asleep reading "Jack and the Beanstalk" and dreams himself and his friends into the fairy tale, ala "The Wizard of Oz." Sergeant Riley (Buddy Bear) becomes The Giant, while Eloise (Shaye Cogan) and Arthur (James Alexander), Donald's older sister and her date, are transformed into the Princess and Prince. Dinklepuss, of course, becomes the butcher who trades the five magic beans for Jack's cow. "Jack and the Beanstalk" is also the film where Bud Abbott first grew what became his trademark mustache. This 1952 film, directed by Jean Yarbough, faithfully follows the fairy tale, which meant Abbott & Costello could not do their standard routines. Lou, who plays to the camera big time, has a great bit with his song "I Fear Nothing," while Bud gets to take a stab at being a comic villain. The weakest part of the film is that the love interests are not all that interesting. Not Disney, but not half bad, especially for the kiddies.

The Three Stooges - The Movie (Blu-Ray / Single Disc)

The Three Stooges - The MovieAmazon notified me via email that the new Farrelly Brothers' "The Three Stooges" was ready to be pre-ordered, so I linked over to do so--I hadn't had that much fun in a movie theater in a long time, and couldn't wait to re-visit the film at home along with the usual bounty of DVD extras the Farrellys usually provide (I hope). Imagine my shock when I read the supposedly authoritative "Amazon.com Editorial Review" posted at the film's page with the reviewer saying it was the Farrellys' "weakest effort to date" and "terminally unfunny." Look, I'm smart enough to know one review is just one person's opinion, and that comedy is very personal and a heckuva lot harder to pull off than drama (what's funny to one person is often simply irritating or annoying to another), but when the review is posted on a film's page as the authoritative last word, I have to put my two-cents in. Here's my short review: I either smiled, chuckled, or laughed out loud through the ENTIRE running time of this film, and that very rarely happens for me, hence my 5-star rating. Most comedies, even the best, have slow spots you wait out until the next laugh--it's often the natural flow of a film to have peaks and valleys, but this film had none for me--it was all peaks. Every scene had something for me to at least smile at, whether it was the Stooges themselves, Jane Lynch as a Mother Superior (!), Larry David as a cranky nun (!), Lin Shaye showing up out of the blue in a small role (I love her), Sofia Vergara gamely sparring with the guys, or small touches, surprises, and sight gags that flew by so fast you knew you'd be laughing all over again when you saw it a second time (if we'd had the time we would've gladly stayed to watch it a second time the day we saw it--the friend I saw it with had as much fun watching it as I did). The three leads were perfectly cast, and if you know the Stooges, you'll appreciate even more how perfect they are. It's uncanny how close they are to the originals, and the entire production feels like a respectful and loving homage to them. There is no doubt in my mind the film will spark even more appreciation and discovery of the original Stooges and their huge body of work, and that's exactly what you hope for: that the new film not only succeeds on its own but sparks viewers' interest, appreciation, and respect for the originals.

The Three Stooges started out as short subject films before a feature film, and it's good to see The Three Stooges back on a theater screen.

"The Three Stooges" doesn't have an involved plot or great subtle nuanced acting, it doesn't need it. The plot is pretty basic, the stooges are dropped off at an orphanage some time in the late 70's and as they grow up they wreak havoc on the nuns running the place and of course they're unadoptable. After they grow up Moe (Chris Diamantopoulos), Larry (Sean Hayes), and Curly (Will Sasso) still live at the orphanage and wirk as handymen. Yes, I spelled it wirk because they aren't the brightest bulbs in the socket although they may stick their fingers in the socket! When the orphanage runs into financial problems the boys are sent out into the world to raise $830,000 to save it (shades of the Blues Brothers). Out in the world they're instantly picked by Lydia (Sofia Vergara) and Mac (Craig Bierko) planning to murder Lydia's husband. They give the trio a song and dance of wanting the stooges to kill Mac, but the story is a ruse to get the stooges to kill her husband. In all their bumbling good intentions to collect the $830,000 they foul up the murder plot, and provoke the ire of the murdering couple. All standard stooge fare.

There are a lot of good actors and actresses in "The Three Stooges", Jane Lynch, Brian Doyle Murray, Larry David, Stephen Collins, Sofia Vergara, but Diamantopoulos, Hayes, and Sasso are rightly front and center as the stooges and they do just about every classic stooge bit including a few new ones. And the usual foils of cops, doctors, lawyers, and high society matrons are the brunt of the stooges antics. A note, Moe becomes a reality star on Jersey Shore and its worth the price of admission to watch him dole out some well deserved punishment to the Shore cast.

The movie is episodic to recreate the feel of the original stooge shorts and directors Bobby and Peter Farrelly realize less is more and don't try to make this movie anything more than it is, good popcorn munching fun! Yes, it is violent, but some of the routines seem more intricate than dance routines and the violence is very cartoonish. If there are some of you out there that still aren't convinced, there's a postscript demonstrating how all the hammers are rubber, and how the eye poking is faked.

There are chick flicks and "The Three Stooges" may be a dude flick. I'm not a huge Stooges fan but the movie made me laugh and it was a lot of fun.

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The Three Stooges, and their unique brand of slapstick humor, are an American comedy institution. The trouble is, you are either rolling on the floor laughing at them, or you think there material is the dumbest shtick in the world. If you fall into the latter category, stop reading this review now, as you will hate this movie with a flaming passion. If a Stooge appreciator or connoisseur, however, then this big-screen adaptation will have you short of breath once again!

For a basic plot summary, this movie follows the head-slapping, hair-pulling, eye-poking adventures of Larry (Sean Hayes), Moe (Chris Diamantopoulos), & Curly (Will Sasso) as they try to raise money to save an orphanage. In typical Stooge fashion, they bumble around for awhile and engage in the sort of hijinks one would expect from the trio. Along the way, they run into the cast of the Jersey Shore, Moe becomes a famous reality star, and the gang even have to mend a relationship issue stemming from their collective past.

This film is a rousing experience because it works on two (well, three, really) levels...

1. It serves as an ode to the original Stooges. Though nothing will ever quite be the same as old Howard, Fine, & Howard, this movie captures their subtle nuances as best as humanly possibly. The original sound effects are used, the casting is spot-on (especially with Moe...one could close their eyes in the theater and think it was Moe Howard himself), and the physical comedy is at its best. Besides the actors themselves, though, some of the plots, music, and camerawork itself honors the original shorts. The movie is split up into three "shorts", the music is the same cackling Stooges theme heard countless times throughout the ages, and some of the cut-aways feature easily-identified dummies being hurled or pummeled in obvious fashion (as happened frequently in the original slapped-together shorts).

2. It is also a re-imagining of the Stooges for a new generation. Instead of re-treading the same old material, the Farelly brothers put the trio in today's time period, what with its similar Depression-era themes and new technological gadgets that befuddled the bumblers even further. The directors even add a bit of a backstory to the characters that actually works pretty well in the context of the overall plot. You can't say this film is utterly devoid of sense or emotion.

3. Finally, in keeping with the hearty Stooges tradition, this movie is just plain funny! As a huge Stooge fan, I came into it with a healthy mixture of excitement and doubt. It vastly exceeded even my wildest expectations and had me belly-laughing throughout. Does every single scene work for everyone? Of course not. However, enough DO work to keep you yuking (or nyuking, if you will) it up for ninety minutes.

Overall, the bottom line for this flick is this: If you enjoy Stooge-type humor, give this one a shot...I think you'll be glad you did! If you don't care for the slapstick style, than stay away or prepare to be bored. This is also a very child-friendly flick that can be enjoyed by literally all ages.

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When hearing about the making of this movie, I had mixed feelings. You see, my father is a huge Stooge fan and owns about every episode of the three bone heads. While I usually take my mom's side of the entertainment boat, I have always found myself enjoying the Stooges. It's more than just smacks and puns. It's the characters, their history, and their ability to make you laugh.

So when this movie came out, I was worried. Hollywood has a tendency to.....how do I put this.....slaughter TV history's most lovable characters. And when the trailer was realized I was also a little worried because of the dreaded and unneeded "bikini nun" scene.

But during the time of the release my father was very stressed. You see, he is a pastor and a police officer. Both jobs don't really fall under the "fun" category. Some things popped up at the church and county work was starting to get to him. So I thought it might be good for us to wing a visit to the local theater and take in an hour and a half of the Stooges.

Grabbed my popcorn, sat down, and my fingers were crossed....Either this movie would do justice or ruin the Stooges for everyone.....and before I could even finish my first handful of popcorn I started choking on it....from laughter....

Another fact you may want to know is that my father doesn't laugh much. He's got a gift for making people laugh and he's got an amazing sense of humor. But, he doesn't laugh that much. Well, as soon as the movie started that all changed. I have never, repeat, never heard him laugh so much. This movie left you with a huge smile on your face. They did the Stooges, they weren't just doing them, they WERE the stooges. The quirks, the gags, and the "NUKS" were all there.

It took me a full day to get rid of that stupid smile I had on, but that didn't stop me from seeing it again (mom dodged it the first time, but the second my dad MADE her see it). He now calls it his "Favorite movie".

I'm a pushover for movie with good writing....and that's not really what I saw here, there were more slaps than words. But to see the Stooges after all these years come to life again, that was priceless. Would I recommend this movie? That depends. If you loved the Stooges, you need to see this film. If you didn't, then don't torture yourself. But again, for those people who know them, and enjoy them. This movie will make your day and always bring a smile to your face when you think about it.

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How did they do it? How did they manage to revive the Three Stooges in such a flawless fashion? They even divided the movie into 3 episodes (Which all follow the same plot, but still!), making it like as if they had created new episodes of the classic slapstick comedy! Believe it or not, this movie fits right into the days of old!

While the plot may have a bit of seriousness involved (The Stooges are trying to save an orphanage where they had spent time there due to them never being adopted as kids And there's sorta more to it, such as attempted murder), it was easily overshadowed by numerous comedy bits (Which come around just as often as in the original show), tons of clever moments, and even the casting alone (The Stooges look EXACTLY like how they were back then, and I didn't think it'd be possible!)!

There is so much to like about the Three Stooges movie that it's impossible to tell it all under this one little review. I recommend you go watch the trailers online. Or better yet, you may as well just go watch the movie right now! You will NOT be disappointed! My little brother, my dad, and I went to go see it just today. We each had enjoyed it GREATLY. I hope you will enjoy this movie as much as we did (And maybe you'd get the same kind of nostalgia my dad did).

The Words (2012)

The WordsLay aside the critical reviews that have filleted this movie, and perhaps even your friends and family that didn't get it.

If you are a writer, you will get it.

The meat of this movie is as much about the struggles living up to expectations as it is about plagiarism. The pressures to have a "real job" and the approval you seek from those around you and what price you are willing to pay to hang on to that approval. When you feel it is your calling to be a writer, you constantly are filled with self doubt. Will I ever be good enough? Will my writing ever be good enough?

Because these are the driving forces of the film, of course it isn't some after-school special aimed at bringing an end to plagiarism. It is structured around the choices we make in building our lives. What are we willing to sacrifice for success?

While the nested stories could have gone very wrong, the film is well-executed and not hard to follow. And while Dennis Quaid was a bit of an odd casting choice for the particular role he plays, and the narration can be a little heavy-handed at times, it does not detract from the story threads.

All-in-all a splendid movie that is most certainly worth owning.

Already my wife wants another viewing. I'm prone to agree. We're 2 book addicts, drama film lovers, and this film's depth is not often seen in big screen theater. It's about sacrificing integrity for fame and money. It details how an unscrupulous decision can implode and create collateral emotional damage to cherished people. The Words is presented in storyline layers, woven together like literature, not easily tracked by those simply looking at action, FX, and adventure. THE WORDS is intellectual with a capital WOW.

Hammond (Dennis Quaid) writes a story about an ambitious, but not stellar, young writer Rory (Bradley Cooper) who has ripped-off an unpublished manuscript written by an old man (Jeremy Irons) over 60 years earlier. If you don't understand `plagiarism', stop here and don't bother viewing. It's the entire plot in one word. The story progresses in the same fashion as a bestseller novel, layers woven together, scenes jumping from 2012 to 1940 Paris, and back, from one author (reality) to the next (fictional.) Slow going, NO! Just bookish. After all, the film is about writers--and their significant others. In the end the layers converge, but leave the viewer agape.

Rory Jansen's wife, Dora, (Zoe Saldana) is one hot beauty and encouragement to a struggling author. Until... Romantic scenes remain at family viewing level. Also you will love awesome period scenes when the younger life of the old man is told primarily in narration. Actors mostly act, not speak, doing pantomime well. In a novel the words would have been italicized and the visuals would be only thoughts. The Words makes a book come to life before your eyes, like the manuscript did for the author characters in the film.

Applauds for the 3 leads, Quaid, Irons, & Cooper; but also Zoe. Let's not forget the Director/Writers Brian Klugman and Lee Sternthal.

THE WORDS should be required viewing for every writer or reader. For every English, creative writing, journalist, or any writing major student.

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In The Words, Bradley Cooper stars as Rory Jansen, a struggling writer that stumbles upon a briefcase which contains a story that holds the key to launching his career. Shortly after publishing the story, success launches his career. However, an old man (Jeremy Irons) confronts Jansen about publishing this 'thought to be' lost story and from there a plot line within a plot line within a plot line unfolds all of which revolves around the overlying theme: fame/success vs. choice/consequence. Yes, there's also some romance. Zoe Saldana, Olivia Wilde, and Dennis Quaid co-star.

It's easy to say the plot becomes predictable about half way through the film (and it does), but films don't always have to be about the sudden 'twist' ending that nobody saw coming. Sometimes it's nice to watch a film and think about the meaning behind the story in this case it's about the choices we make that affect our lives and the lives of the people around us. It's especially interesting to see what lengths some people will go to in order to touch success.

In any event, that are several major/minor problems with this film (depending how picky your are about your entertainment) that keep it from being a great film namely the sub-par/predictable plot, mixed with the lack of chemistry between characters (noticeably Wilde and Quaid). However, these issues don't take away from the film experience or emotional impact of the film. Bradley Cooper does a remarkable job and is slowly becoming the next Brad Pitt, while Jeremy Irons shows that even though he's aging, he still has top-notch acting ability.

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Excellent acting. Fascinating plot lines. Great flash backs to WWII era. Lovely cinematography. But ending is SO stupid/non-conclusive. My husband & I are Huge movie freaks. We watch at least 3 movies/week. He has acted in many movies, TV shows, plays. Including Zero Mostel's "Fiddler on the Roof." I've worked backstage in plays & we "know from theater." So this is real: the ending is LAZY. If the writers couldn't come up with an ending, then DO NOT make the film. B***S****

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Really nice flick but the end just falls off a cliff. poor resolution. They certainly didn't run out of story.

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The Incredible Burt Wonderstone (Blu-ray+DVD+UltraViolet Combo Pack) (2013)

The Incredible Burt WonderstoneI didn't research this movie, and I just watched it because of the all-star cast. When I was watching it, it felt kind of like a TV movie, and now I know why. The director, Don Scardino, is mostly famous for directing TV series like 30 Rock, Law & Order, and Cosby, and it is kind of apparent in the movie. Nevertheless, this movie is still watchable and at times funny, and you get to see some guest star magicians like David Copperfield. However, if it was not because of Jim Carrey and Alan Arkin, I would give it 3 stars or less, but these guys really saved the movie. I also hope Olivia Wilde--which I know her mostly for her House, M.D.'s "13" role--to be able to get away from hottie roles before it is too late. I know she is young, and she should start somewhere, but people get bored of just faces rather quickly.

Since it was crushed at the box office and by critics we saw this at a bargain house because it left multiplexes so quickly, on a huge screen, and had a ball. It's a very goofy, at times rude and crude, silly film, but with a surprising heart at its core, particularly when it involves Alan Arkin's character. I loved the way his character is used in the finale, and it's one of the most memorable moments for me this year at the movies. Add to that I was laughing so hard at the ending credits' depiction of what happens to the magician duo's big illusion set piece as time goes on that my friend turned to me and said "It's funny, but it's not THAT funny" because I was lost in laughing so hard I was practically losing my breath. As I've noticed many times in life, comedy is personal, and this one happened to be fascinating and entertaining to me on several levels. I love variety acts, and magicians in particular. I have a soft spot for sweet depictions of the elderly being treated with respect and valued as human beings as they fade away in assisted living homes and nursing homes. I had never seen Olivia Wilde before and thought her wonderful in this. Steve Carell, Steve Buscemi, Jim Carrey, Alan Arkin and James Gandolfini (RIP) have a ball in this and it shows--and I caught the wave with them, laughing through most of the film. This film managed to engage me from beginning to end, in both comic and touching ways, and I appreciated that. One of my favorite films of the year.

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I loved this movie. i thought that it was hilarious and just down right funny. jim carrey and steve carell are awesome. this movie is awesome. i thought that the story was good and that the actors were amazing and funny espicialy jim carrey. i knew right away that his character was based on criss angel. if you are a jim carrey fan then you should go see this movie. can't wait untile it comes out on dvd and blu ray. one thing i like about it is that you don't see to many movies about magicians comedy or not. and i thought the rivalry between burt and steve were hilarious. if you have not seen this movie then i recommend you do

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I almost didn't rent this due to all the bad reviews. Glad I did. If you liked dumb & dumber or the mask then you should like this too.

In an age of movies trying to have twists, hard to understand plots, and 3D I'm glad to say this movie is a great throw back.

It is a lot of physical satire and over the top humor. Lots of old tried & true pant pulls, funny voices, weird faces, and over exaggerated characters. The big time casino owner who doesn't know how old his kid is whose last name is "munny".

This is not a serious movie at all. There is as much of a "life lesson" undertone as the prevuously mentioned movies.

This is a movie ive actually rewatched. I hope this review helps.

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We thoroughly enjoyed this light-hearted and funny movie. Steve Carrell, Steve Buschemi, and Jim Carrey all very good. That's it!

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Larry the Cable Guy: Git-R-Done (2003)

Larry the Cable Guy: Git-R-DoneI met Larry at the show where "Git R Done" was taped. Nice guy. His humor is straight from redneck country. If you don't like that sort of humor, you shouldn't expect much here.

After I adjusted to his humor, I found him funny. Very funny. Toilet humor, but funny. Lots of jokes about reproductive type stuff, or bathroom activities.

Would I recommend this for my 14 year old daughter? Too late. She enjoys it, even if I would have prefered to shield her from that sort of "entertainment".

Fun is poked at many groups that are "off limits" these days. It's old fashioned humor, picking on people based on stereotypes. No one is off limits for Larry. It's refreshing, hearing truly funny stuff without worrying about political correctness. Don't like it? Don't watch it. It's that simple.

Overall, this is a fun show.

If you're a wuss and get easily offended, stay away from this DVD, but if you're not a politically correct girley man as my California Governor Ahnold would say (and that applies to both sexes), you'll laugh until you cry.

Larry the Cable Guy is the redneck Don Rickles, and is an equal opportunity insulter. His is also some of the most inventive stand-up comedy I've heard.

I normally won't tolerate bad language and bathroom humor, because it is usually said as the main reason to make one laugh, for some sort of "shock value"; Larry the Cable Guy says gross toilet humor as part of the story, and it's the story that's funny, not just the way it's said.

Some stories are outrageous, but there are many things out of everyday life...Larry ponders whether it's "Pet Smart" or Pets Mart" (I've often had the same thing run through my head) and in telling us of Rosie O'Donnell's confrontation with NRA member Tom Selleck, he says something I really like: "if guns kill people, I can blame misspelled words on my pencil".

The show, which was filmed at The State Theatre in Kalamazoo, Michigan, on October 30th, 2003, is 66 minutes long, and the DVD extras include a "gallery", and a segment that is about 4 minutes long of "Bathroom Humor", actually filmed in a public restroom, with Larry in a stall.

The show takes a dip in the middle when he's talking about edible britches, but picks up again and Bubli Bubli's letter is a riot, and the Christmas song finale priceless. The last one had me roaring.

Someday Larry the Cable Guy is going to be sued. Not for insulting someone with a defect, but for making someone choke to death with laughter. Git-R-Done Larry !

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I just bought this dvd earlier today. Well worth the price, He used some of the same jokes as on the Blue Collar Movie, still great. This is for any fan of Larry The Cable Guy and or any fan of stand up. GIT -RDONE!!!

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Look, if you don't know who Larry the Cable Guy is, or what his brand of redneck humor is all about, don't write stupid politically correct reviews. Larry insults just about everyone and makes no apologies for it. If you are easily offended or just a prude, this DVD won't become a classic in your DVD collection. But if you like the charm and down home observations of country-folk this DVD is a great example of Larry's work. If you've seen the Blue Collar Comedy Tour and heard Larry's "Lord I Apologize" CD you've heard much of this before. Not much new stuff and only slight variations on old favorites. The DVD extras aren't worth the effort. But the sound is excellent and the picture bright and clear so it's really Larry at his best. Sure, it's rude, crude and generally offensive but it's hysterical at the same time. If you love Larry, don't miss this DVD!

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It enjoyed this show very much and even had a couple of laugh out loud moments. Even some slapping hand on upper thigh while (still) laughing out loud , moments. I mention this as I was watching the DVD on my own (when one tends to be more inhibited as when watching a comedy or stand-up show with a group of people). Mr CableGuy must be quite an intelligent "fella" to be able to come up with some of his very funny jokes, and maybe his redneck persona is his best joke of all. If you enjoy comedy, have a good sense of humour and like stand-up shows on DVD, you will love this one. Git-R-Watching.

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This Must Be the Place (2011)

This Must Be the PlaceIf you're impatient or impervious to the charms of Sean Penn, most likey you'll be unamused. On the other hand, a film whose resume also boasts Frances McDormand, Harry Dean Stanton, Judd Hirsch and a trifecta of performances (live music, a soundtrack and acting) from David Byrne deserves at least an interview.

Even so, it comes very close to blowing the interview, taking an age to answer straightforward questions, seeming distracted, needlessly self-involved and with little interest, at first, in impressing the beholder.

But it does warm up a bit.

To give some sense of both the film's glacial slowness and its self-indulgence, at its mid-point it halts for a five minute intermezzo in which David Byrne and his group perform the title song, in its entirety, live in concert. Apropos nothing, slap-bang in the middle of the film. Now it's a good song, well performed and imaginatively staged (extraordinarily staged, really), but still it is out of all context and has the effect of staunching what gentle narrative current had begun to flow.

Cheyenne (Penn) is an elderly piece of gothic jetsam, washed up from the new-wave scene of the early Eighties. He hasn't played since, yet still mopes around his Dublin castle bedecked in black and with all the boyish accoutrements a wiser man might have put away years before: Black fright wig, white face paint, red lipstick and knee high platform boots.

In other words, he resembles Robert Smith, only older. The cruel would see a flash of Bono in there too. When Cheyenne puts on his half-moon reading spectacles and distractedly blows at a Gothic lock, he even looks like Shirley Williams might, were she the lead singer of the Damned.

Cheyenne rattles around his castle with his firefighter wife Jane (McDormand) and a dog with a funnel on its head. They have an open house, in and out of which flow irregulars: a T'ai-Chi expert, a young singer toting a demo CD he wants Cheyenne to produce and Mary, an under-explained goth teenager who operates like the daughter Cheyenne and Jane never had. Mary isn't half as under-explained as her mother, though, who sits smoking in her room in a bedsit in the shadow of Aviva Stadium (which waggish locals, I gather, call the "Palindrome"!) and staring wordlessly down the street every day. She seems to have some relation to Cheyenne, but despite having read the production notes I couldn't tell you what it is, and I defy anyone watching without them not to be totally flummoxed.

All of this passes Cheyenne by in a hazy, laconic stupor. He slurps juice through a straw and doesn't smoke, so you suppose the drugs have long since done their work. He glumly wheels his trolley to the mall, passively copping mockery and abuse as if he were carrying a cross. Which, of course, he is.

Just as we're settling into this rather surreal Irish kitchen-sink drama, we find out more about that cross. It's a cross of iron. Cheyenne's estranged father, back home in New York, is dying. He embarks, slowly (by ocean liner, of course), to see him. He arrives too late. It turns out Cheyenne is the black sheep of an observant Jewish family. His dad was an Auschwitz survivor.

At this news, you may be thinking: "oh-oh". I certainly was. In any case, this unexpected new plot beat graunches the gears, but is neatly lubricated by David Byrne's bravura performance.

So begins Act II: in his father's death, Cheyenne finds the purpose that has been eluding him over half his life: to cast off his cross. He decides to track down the Auschwitz guard who tormented his father.

As a plot development, given all we know about Cheyenne, this isn't just improbable: it's preposterous. But the outcome isn't half as bad (cinematically) as it could be. Cheyenne borrows a pickup and sets off into America's great interior. He has traded his shopping trolley for a wheelie suitcase but kept the gothic garb, so be under no illusions: Cheyenne still has Baggage.

The undercurrent of Lynchian weirdness in the first half of the film thereby becomes explicit Cheyenne's meandering progress and the oddballs he meets would not be out of place in The Straight Story (in which Alvin Straight journeys across the Midwest on a lawnmower). While this film isn't half as accomplished, there are some beautiful touches and a couple of moments of excellent slapstick (one involving a speed rollerblader in Central Park is worth the price of admission alone). The photography capturing the wide-open beauty of Utah, often through a super-wide angle lens at ankle level, is often arresting.

The Nazi theme is never over-egged: it is a Macguffin of sorts, not a driving theme of the film. The final confrontation with the ancient (and, as they go, relatively innocuous) camp guard is deftly handled. There is a startling denouement which has as much to say about the instinct for revenge as it does about the Nazi atrocities.

Penn is very good throughout as Cheyenne: a tough character to play without comic exaggeration, and it must have been challenging to Penn to hold such loosely-knit film together with such an unenergetic role. He succeeds surprisingly well.

This Must Be The Place won't blow the box office, and it is hard to see it finding unqualified critical support, but it has many bright moments and some surprisingly tender ones.

Olly Buxton

Flickfeast

Never heard of this movie and stumbled across it. If you like unusual movies this is one for you! It is a story about a rock star who never grew up. Or anyone who never grew up!! Really great story! Sean Penn was great! Not a mainstream movie! Which is why we LOVED it!! Must watch!

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This is a really, really good film. Sean Penn carries it all the way, but the supporting actors are perfect too. If I had had to say what the movie is about (without giving away the plot), it's about kindness. What makes it work so well is the authenticity and innocence of Penn's character. "Do you like tattoos?" asks a tattooed man drinking next to him in a bar. "I'm not sure" replies 'Penn', "I was just asking myself the same question a moment ago when I was looking at you." And so it goes. It's a great and happy film. See it!

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Sean Penn embodies a retired rock star who is human in every way. The expressions, voice and mannerisms that Penn employ are are spot-on for this flawed, imperfect character and unlike any I've seen him use in previous films. This is a great film about love and relationships an soul searching.

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Sean Penn turns in an amazing performance as an aging, damaged 80s glam rock star who is stuck in that persona. But the scary persona belies the soft-spoken, warm-hearted creature he has become. The death of his father leads him on a quest of discovery. Like an onion, the layers of this film are pealed back to reveal what is below. This is a film I will watch multiple times.

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Trotsky

Trotsky"The Trotsky" is one of those films that I wholeheartedly loved for at least half of its running time. A deliciously dark comedy about a Canadian youth who imagines he's the reincarnation of Russian revolutionary leader Leon Trotsky, this film begins as a strong satire of idealism gone awry. The running joke, throughout, is that our hero has very little to rebel against--he's just in love with the idea that he is a relevant trailblazer. But, in fact, he's no trailblazer at all. He's just trying to mirror his life according to the facts of Trotsky's existence--right down to his love life. It's a sly and smart skewering of politics and teen rebellion. The fact that his activism has very little real world context is quite amusing as there is no obvious cause to be fought. But just as the picture had won me over--a subtle shift starts occurring and we're meant to take this arbitrary and absolutely meaningless struggle seriously. A completely implausible, and somewhat creepy, romantic entanglement doesn't help. Once I felt like the movie was asking me to embrace the student as a hero, my good will went south pretty quickly as the movie didn't seem to be in on its own joke anymore.

Jay Baruchel capably plays our wannabe revolutionary. The film begins as he organizes a hysterically inept hunger strike at his father's factory. The early family scenes work equally well as Baruchel verbally spars with his father (a great Saul Rubinek). The twist of seeing this privileged youth fighting for the teeming masses elicits many laugh out loud moments as he is seemingly disconnected from the hypocrisy of his lifestyle. His father takes a page from the real Trotsky and forces his son to attend (gasp!) public school. However, this being Canada--the school is quite lovely. For no discernible reason (slight dress code infractions are the only real issues apparent), a campaign to start an actual union to represent students is initiated. Still quite funny, the film has our hero rallying the troops for the most spectacularly inane rebellion. Soon, however, the film starts to take things a bit far and the student's apathy may turn to support. Why? Because school isn't fun. That ends up being the unifying force. Deep, huh?

Amidst the increasing nonsense, Baruchel stalks a 27 year old graduate student. Let's just say this really didn't add to my good will because you can imagine where this storyline is headed. And it's not a good place! Baruchel never comes to terms with the fact he's been an ungrateful tool to his father, but let's not dwell on the negative. Baruchel starts off as a awkwardly out-of-place antihero, but by the end--I found him insufferably self-involved AND we're meant to admire him for it! This satire started at a rollicking four stars for its first hour and ended at two stars for its shift of tone. A true disappointment. I guess I'll split the difference. It's a shame--I'd recommend the first hour to anyone, but I ended up hating it! KGHarris, 3/11.

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