Showing posts with label top 10 comedy movie. Show all posts
Showing posts with label top 10 comedy movie. Show all posts

The Yankles (2012)

The YanklesThis is a very enjoyable movie with a big heart. It takes the classic underdog gets a second chance theme and presents it in its own unique way. It centers on a baseball team, but it is not a "sports" movie. It takes place at a Yeshiva, but it is not a religious movie. Rather, it's a feel-good movie with likeable characters that will absolutely leave a smile on your face. As far as originality, it does hew to the well-known cinematic theme of underdogs doing well under the guidance of new leadership, however much originality is here in context of the setting, the characters and their cultural struggles with the sport, as well as an interesting plot twist that may prevent them from ultimately playing in an important league tournament. I first saw it on the big screen, and now that it is out on Blu-ray (as well as on Amazon Instant Video), I plan on having it as part of my permanent home library as well!

In life, winning isn't everything. Sports films have built their own industry within an industry about exploring what it is that makes one a winner: is it the final score, is it the way the game is played, or is it something more, something magical, something that'll always be elusive except to those who're willing to put in on the line for their team? Along comes THE YANKLES, and you'll believe it has far more to do with one's faith faith in the game, faith in your God, faith in yourself and maybe that's the best estimation put to film yet.

Down-on-his-luck Charlie Jones (played by Brian Wimmer) an ex-baseball player fresh out of jail and trying to reform his life and image can't find a team anywhere that'll touch him with a ten foot pole. Enter "the Yankles," a brand-new college team desperately in need of a coach! A former Minor League playing now pursuing his faith learns that Jones needs to meet his community service commitment under the terms of his parole, and voila! It's a match made in sports comedy Heaven ... or whatever may account for Heaven in the Jewish faith.

What writer/director David R. Brooks (along with writing partner Zev Brooks) has done is they've smartly examined the world of sports through the prism of faith ... and why not? There have long been messages about believing in one's self mirrored in the best sports movies, but he's amped up the faith to an all new level here by revolving the story around a fictional collegiate team set at a Jewish school. What could spiral into "preachy-ness" stays mostly sublime as the team struggles to understand `the game' instead of simply `winning it,' allowing for such handsome subplots as having a father and a son comes to terms with their differing views on life as well as Jones trying to win back his former love who's now embraced her faith fully. Through Jones' eyes, the audience gets introduced to these matters; through the team's eyes, they see what rewards come with the full expression of it. It's balanced extremely well, and, indeed, these matters of devotion end up meaning more personally than they would in a film wholly centered on baseball.

My only complaint and, sure, I'm a critic, so I have to have at least one is that the games here never really get center stage. (I know that wasn't the pure intent of the film, but I'll say what I think needs to be said anyhow.) Instead of building up the game giving the viewer a handful of sequences to set up how important a critical play or crucial inning is for the story instead we're given only the pivotal sequence. Instead of presenting the full sense of a game, the game is reduced to just what's needed to underscore the message. That's all well and good; and it happens so consistently throughout that it's easy to determine that it was either (a) deliberate or (b) due to the constraints of time. However, it would've been nice to have the big game the championship game play out a bit closer to the way they do in a traditional sports film. So much was made about the lessons learned in getting to `the show' that it would've been nice to give those moments more screen time; still, it's a minor blemish in an otherwise solid (and noble) run around the bases. Otherwise, the film never feels formulaic, and it retains a modest freshness throughout.

For the record, I know very little about the Jewish faith. While a large part of THE YANKLES' storylines explore what it's like to be a Jew especially as it impacts with playing a sport I found all of it extremely accessible. I've no doubt that if I had a stronger understanding of the Jewish faith I probably would've uncovered even more humor in the script, but, as I've read some scuttlebutt online about "needing to be a Jew" in order to truly appreciate the film, I wanted to debunk that so far as I was concerned. This non-Jew found plenty to identify with and cheer about with this feature.

At a time when the evening news is fairly regularly filled with stories of players, parents, coaches, referees, and umpires going berserk on and off the playing field, how refreshing is it to find a film like THE YANKLES? Certainly, the story briefly explores I said "briefly," folks the importance of winning on the field, but so much more of the film spends time exploring how important a winning strategy is off the field. There are metaphors for winning in life, in school, in faith, in relationships.

THE YANKLES is produced by Magnolia Pictures with DZB Productions, LLC. DVD distribution is handled through Magnolia Home Entertainment. The disc looks exceptional, and I'll admit I had some trouble with audio in a few sequences; the mix was a bit off for my tastes, but it was certainly fixable on my sound system. And, for the record, the film has won plenty of accolades, including "Audience Favorite Best Feature' at both the 2010 Palm Beach International Film Festival and the 2011 Trimedia Film Festival, as well as other citations at the 2010 Los Angeles Jewish Film Festival, the 2010 Int'l Family Film Festival, the 2011 New Jersey Jewish Film Festival, the 2010 Heartland Film Festival, and the 2010 Anaheim International Film Festival. The disc includes deleted scenes, behind-the-scenes featurettes, extended musical scenes (music plays a large role in the flick), an audio commentary, and other little trinkets.

HIGHEST RECOMMENDED. Certainly a case could be made that THE YANKLES isn't for everyone, but it would be just plain silly to do so. And you'd be a putz! Or a schmuck! Give in to the wholesome charm of watching these young Rabbis-in-training put up or shut up in their trials to just play the game, and have yourself two hours of fun. Plus, it's overwhelmingly family-friendly even for the young'uns who'll probably find even more to laugh at than this old soul did.

In the interests of fairness, I'm pleased to disclose that the fine folks at Magnolia Home Entertainment provided me with a DVD screener copy of THE YANKLES by request for the expressed purposes of completing this review.

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Every Baseball fan and Jew should see this movie. This is a great movie for frends to get together and watch. Also fun movie for a temple togther.

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This is a very enjoyable movie with a big heart. It takes the classic underdog gets a second chance theme and presents it in its own unique way. It centers on a baseball team, but it is not a "sports" movie. It takes place at a Yeshiva, but it is not a religious movie. Rather, it's a feel-good movie with likeable characters that will absolutely leave a smile on your face. As far as originality, it does hew to the well-known cinematic theme of underdogs doing well under the guidance of new leadership, however much originality is here in context of the setting, the characters and their cultural struggles with the sport, as well as an interesting plot twist that may prevent them from ultimately playing in an important league tournament. I saw it on the big screen, and now that it is out on Blu-ray, I plan on having it as part of my permanent home library as well!

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Fantastic movie -well-written, engaging subject matter, and inspiring story. Enjoyed by the entire family. Kudos for a great and entertaining production. I highly recommend this film.

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Lola Versus (2012)

Lola Versus"Lola Versus" (87 min.) is the second feature film for real-life partners Daryl Wein (co-writer and director) and Zoe Lister Jones (co-writer and co-star), after the promising 2009 feature "Breaking Upwards". I caught "Lola Versus" just recently at the Esquire, the Cincinnati indie-movies theatre.

"Lola Versus" brings the story of Lola (played by Greta Gerwig), who is in a seemingly perfect relationship with boyfriend Like (played by Joel Kinnaman), as it is portrayed in the first 5 min. of the movie. In fact Luke proposes to Lola, who happily says yes. But alas, with only weeks before the wedding date, Luke breaks up with Lola. In the rest of the movie we see Lola struggling to cope with this devastating news, counting on her close friends to help her, including best girl pal Alice (played by Lister Jones) and best guy pal Henry (played by Hamish Linklater). It would ruin your viewing experience if I spelled out how it all unfolds, you'll just have to see it for yourself.

Several comments: first, the script is loosely based on the real life experience of Lister Jones and Wein breaking up for about a year and how Lister Jones coped as a newly single woman in her mid/late 20s. Second, I first noticed Greata Gerwig in "Greenberg" some 3-4 years ago, and in "Lola Versus" Gerwig again oozes charm (and talent) and she easily carries the movie on her shoulders. Her performance just transfixed me. Third, keep an eye out for Debra WInger and Bill Pullman as Lola's parents, in particular Pullman delivers some memorable lines. In all, I can't emphasize enough how charmed I was by the movie. This is way off the radar screenfrom your mainstream Hollywood fare. One of those "little movies that could", and then did. I was amazed when the end credits started rolling as I had no idea an hour and a half had come and gone. If you like a smart, engaging, delightful indie movie about "relationships", "Lola Versus" is HIGHLY RECOMMENDED!

My first experience watching Greta Gerwig was in a small movie from 2010 called "Greenberg." By my count she now has 6 films that have or will come out in 2012 including this one. Here she plays a 29 year old part time waitress trying to get her Ph.D. by explaining great literary pieces. Many will compare this "relationship" film to "Sex in the City" or Lena Dunham's "Tiny Furniture/Girls" and like those films/TV series, New York City is a central character.

The film opens with Lola about to get married to Luke (Joel Kinnaman, "Safe House"), a hunky dude she lives with. He gets cold feet a few weeks before the wedding, which is catastrophic for Lola. Propped up by her former hippie parents (Debra Winger and Bill Pullman) and a couple clichéd friends (co-writer Zoe Lister Jones and Hamish Linklater), the story follows Lola's attempt to regain her footing. She's confused and convinced that no one wants her, so begins a series of one night stands that includes her friend Henry (Linklater). I'm surprised she didn't try Alice (Jones). Now that would have been interesting.

After dipping her toe again with Luke and several all night drunken binges, Lola finally realizes she must confront her own self doubt before moving on. I don't mean to be a spoiler but the general story here is nothing new and nothing most haven't seen before. What is interesting is Greta Gerwig in her first lead performance. There's something about her. Her charisma, her quirky charm, her below-the-radar attractiveness that allows the brief (89 minutes) film to be worthwhile.

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This was an enjoyable film, showcasing Greta Gerwig's talent and offering up a story that seemed convoluted at times. There is little question of Ms. Gerwig's talent. She appears to be the quintessential Woody proscribed heroine. This was so much more than earlier appearance in 'Greenberg.'

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A young woman is dumped by her soul-mate, just before her wedding day. Lola experiences the trauma of heartbreak, her age, and where her life is heading. After taking the advice from friends and family, she decides to venture out on her own healing journey. Emotional, intriguing, and entertaining throughout. Acting Performance Good, and a Great summer movie. Highly Recommended!

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I guess I was looking for a "pick me up" kind of movie, but this one just didn't seem to fit my style. The delivery and Amazon was great I just didn't care so much for the movie itself after watching it

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Friday / Menace II Society / Set It Off (Triple-Feature) (2012)

Friday / Menace II Society / Set It OffI was greatly disappointed when I began watching these movies. The picture quality was that of an old VHS and changed into dvd quality as the movies played. Rarely did I see anything close to blu-ray quality picture.

Great Blu-Ray set,very pleased overall with the sound and picture quality of all three films, glad i bought this collection....worth every dollar

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Jeff Dunham: Controlled Chaos (2011)

Jeff Dunham: Controlled ChaosJeff has been my favorite comedian from the time I saw him on VH1 comedy shows back in the early 90s, so I had to get this the moment it came out. I was a little disappointed at most of the performance, as it seemed to be missing much of Jeff's sharp wit. That's not to say it isn't funny. There are points where I was laughing so hard I cried (in particular, Jeff's routine with Achmed shines in this DVD as a stand out performance), but it seemed like Jeff has been worn down a bit by the Political Correctness elitists who are always complaining about his act. A little too much time in this performance was spent attempting to appease critics with asides and it seemed like he was trying to walk a mine field. Based on the out-takes and special features, it appears this special was produced like a sitcom, with multiple takes and a set flow. This detracts heavily from Jeff's true talent as an Audience Worker. Some of Jeff's best moments involve his working the audience with jabs and jokes, but that portion of his act is completely absent here, which is disappointing. There's almost too much polish on this DVD and not nearly enough of what makes Jeff a truly great comedian.

Got to see Jeff and the gang on tour last month!! I've got to say...my family and I have always been huge Jeff fans, but the new tour made us even bigger fans! The new characters are hilarious and definitely worth seeing. Can't wait for the DVD to come out so we can add to our Dunham collection and continue to enjoy what this comedic genius has to offer!! Way to go Jeff Fa Fa!!! :)

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By now I think that most everyone has some familiarity with Jeff Dunham, but in case you don't, he is a ventriloquist. But he's a ventriloquist with a wide range of characters that seem almost real and he does some comedy too and has managed to now make several movies and even had his own tv show for awhile. This is the latest of those movies.

Controlled Chaos brings back Jeff's most beloved puppets, Achmed the Dead Terrorist, Jose Jalapeno on a Stick, Peanut, and Walter. It also features two new puppets, Achmed's son and Little Jeff. Each has their own personality and Jeff does a skit with one or two of them at a time, interacting with himself, each other, and the audience. At the beginning, he also does a comedy routine without the puppets as well.

As said before, each of the puppets has its own personality. Walter is a grouchy old man who really isn't afraid of saying anything to anybody. He likes to lament his marriage and the youth today as well as anything else he happens to think is frivolous. Achmed is fond of trying to kill people, and claims to harbor a relationship with other terrorists. In this particular movie he interacts with his son which adds a whole new dimension to him. Jose Jalapeno uses few words but they always seem to get many laughs. Being that he is on a stick he doesn't move around much, but he isn't required too, unless someone mentions Mexican food. Peanut is probably the oddest of Jeff's characters. I'm not really sure what he is but he looks funny and tends to be real goofy and childlike and loves to get on Jeff's nerves.

While this particular movie had its funny moments, I didn't find it near as good as his other movies. The new characters weren't that compelling and I wish he would have just stuck with his regular four or some of the other side characters he's used in the past. The jokes sometimes fell flat for all the characters though and there were even a few uncomfortable silences in the mix. Which is something that is not usual for a Jeff Dunham show. I felt myself looking at the clock a few times to see when it would be over. I did appreciate that it was mostly new material, as Jeff has reused material in the past, but it just wasn't the normal Jeff Dunham hilariousness that I'm used to.

I'll continue watching Jeff Dunham movie and shows because they are usually uproariously funny, but this one isn't one I'd recommend unless you're a die hard fan.

Review by M. Reynard 2011

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I won two tickets to this filming and it was SO COOL!!!! Can't wait to get the DVD. I laughed so hard I cried. DON'T MISS THIS ONE!!! Man, so funny.

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A little over priced in my opinion but worth supporting a dying art. Edgy, clever, and of course funny as ever!

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Sleepwalk With Me (2012)

Sleepwalk With MeI've seen Mike Birbiglia in a few stand up broadcasts, but really knew nothing about him, except that I liked his laconic, stutter-step approach to delivering his material. He seemed like a funny guy who also happened to be sorta nice too. I knew nothing about his book, Ira Glass appearances or one-man off-Broadway show. That's probably a good thing, because I was able to enjoy SLEEPWALK WITH ME pretty much on its own terms.

Apparently this movie is quite autobiographical, even though Mike has changed his character's name to Matt. But Mike/Matt frequently talks directly to the camera, and we're assured the story is true...so it's almost impossible not to assume that we're basically seeing a (perhaps exaggerated) take on Birbiglia's life. But it doesn't really matter either...the story is compelling and says some interesting things about relationships and about how a stand-up comic builds their career literally from the ground up.

Matt is in an 8-year relationship with Abby (Lauren Ambrose, who is wonderful). Abby is a great girl, and everyone (both viewer and the characters on screen) have to wonder why Matt is having a hard time settling down and committing to a marriage with her. But as Matt says, he's unhappy that everyone says the best thing about him is his girlfriend. It's true. He's a bartender who wants to do stand-up. Or at least, he thinks he does...he gets almost no opportunities to try. His life and his relationship is on hold. Abby is faithful and patient, but also growing frustrated. Surely she is wondering what more she can give of herself to this man who trembles at the thought of marrying her.

One day, with Abby's help, Matt actually gets an agent. And the agent begins to give Matt tiny gigs. Gigs that barely cover the cost of gas and food to get there. But Matt wades in, ready to try out his meager material. He's actually a pretty terrible comedian, but he's willing to do just about any lousy gig he can get. He is excited at his new life on the road (there's a great scene when he checks into his first flea-bag motel and is clearly THRILLED).

Abby remains in NYC, but is supportive. Matt continues to limp along until he gets the advice of a more successful peer to use his personal conflicts as fodder for his material. Suddenly, his material connects with the audience, and his success grows. He loves life on the road. And thus, his distance from Abby grows.

Meanwhile, he also suffers from severe sleepwalking, where he gets out of bed and runs from the creatures that are chasing him in his dreams. His dreams of running seem to coincide with this waking fear of commitment. Of a "normal" life chasing him down.

Matt frequently behaves poorly, but Birbiglia is so specific in showing us details of his life, that we tend to sympathize with him, even as we wish he would pull himself together. At one point, before showing us some really poor behavior, Matt turns to the camera and says "before I show you this next part...remember, you're on my side." And he's right, we are.

We're also on Abby's side and that's what gives this movie such a rich, bittersweet quality. We yearn for them to find happiness...yet we see how elusive that is going to be. Birbiglia directs the film, and he shows an adept touch for little details and telling dialogue. I'm not ready to say he's a great director, because so far, he's only used his own life as material...but I'd be prepared to see more of his work.

SLEEPWALK WITH ME is very funny at times. It's very raw at times. It can frequently be surprising (the details of his sleep disorder are fascinating). It's a very adult film (the language is relatively mild though). It is VERY well acted (including great support from James Rebhorn and Carol Kane as Matt's parents). The dialogue is sharp, and few words are wasted. Almost every line is significant.

It's not a perfect film. Sometimes the pace drags...it felt longer than its 90 minutes. It occasionally struggles to reconcile its varying tones. I like movies that shift tone, but I like to feel the director MEANT for the tone to shift...sometimes I think it does despite Birbiglia's efforts. But these are fairly minor complaints and I'd give the film 4.5 stars.

"Sleepwalk With Me" (2012 US release; 90 min.) brings the story of Matt (played by Mike Birbiglia) as he struggles with a sleep disorder and tries to salvage his long-time relationship with Abby (played by Lauren Ambrose). Abby wants to get married, badly. Matt, not so much. Abby is looking for any sign from Matt that he will propose, which he eventually does, after an emotional side trip that makes him feel guilty and ashamed. Parallel to all of this, we see Matt getting his start on the stand-up comedy circuit, and barely hnaging on. Then, one day, he makes a funny quip about his failing relationship with Abby, and wouldn't you know, the audience eats it up! I don't want to give more away, you'll just have to see for yourself how it all plays out.

Several comments: first and foremost, even though he plays a character called "Matt", this story is based on Mike Birbiglia's own life experiences (in fact, before this became a movie, this was an unexpected off-Broadway hit play). Birbiglia not only stars but also co-wrote and co-directed the movie. Second, the movie makes the most of the shoestring budget on which this obviously was made, and I was pleasantly surprised how well it all flowed. Last but not least, the overall tione of the movie is very much bitter-sweet (to me at least). When I saw this in the theatre a few days ago (at the Landmark E Street Cinema in Washington, DC), there were a number of people who were laughing out loud in many parts of the movie. I never felt quite that way. Yes, there are funny moments in it, but when all is said and done, this movie documents a failing relationship and a serious disorder, so how truly laugh-out-loud funny is that?

Besides Bribiglia, who obviously carries the movie (and quite well at that), the support cast is nothing short of terrific, including the already mentioned Lauren Ambrose as his girlfriend, but equally if not even more so James Reborn and Carol Kane as his parents. They make the most of the limited screen time they have. This movie is MILES away from your standard Hollywood fare, but if you are in the mood for something quirky and slightly left of center, "Sleepwalk WIth Me" is HIGHLY RECOMMENDED!

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A funny comedy about a man with a serious medical problem while we get observe his life. It's something to watch before considering marriage.

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Comedian Mike Birbiglia's first movie is an autobiographical story of his life as a struggling stand-up comic and his relationship with his longtime girlfriend Abby (Lauren Ambrose). Both issues are complicated by a sleep disorder that causes Matt to sleepwalk, sometimes with disastrous results.

When Matt (Birbiglia) attends his sister's (Cristin Milioti) wedding, all fingers begin to point at him and when he and Abby will get hitched. After all, it's been 8 years. Everybody likes Matt but they love Abby. Matt bartends hoping to become a stand-up comic, but as more than one person tells him, "you're not very good." And he's not, at least early on. There's one telling scene in the picture, when asked why he's not sure about marriage and his response is that he's afraid that the best thing about him is Abby. We get it.

As luck would have it, Matt gets a series of one night stands that force him to travel throughout the northeastern United States, alone in a crummy station wagon donated by his critical father (James Rebhorn). He stumbles and fumbles along the way but eventually finds his rhythm and discovers a new line of jokes. And they all feature him and his fading relationship with Abby.

Fortunately for both, they each discover that they weren't meant for each other, even as they were closing in on a wedding. The movie is certainly more comedic than dramatic. It works even if it is sometimes a bit awkward with Matt talking into the camera. There are several funny scenes involving Matt's sleepwalking. They are at their best when we get to see what Matt is actually dreaming about. This certainly isn't a great movie but was fun to watch and not mean spirited toward marriage in general.

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It's great when a low budget film makes it big, like this one did at the Sundance Film Festival. I think Mike Birbiglia bared his soul in a very creative but real way. He shows the struggle of becoming himself while becoming a stand-up comedian. I'm a big fan of Ira Glass, and I enjoyed the Q&A on the DVD as well.

Cathy in Atlanta

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The American President (2012)

The American PresidentOkay, to weigh in on the key points of discussion that keep popping up with regards to this particular romantic comedy. First, I would have liked "West Wing" if I had never seen "The American President" and I would have liked "The American President" even if it was not a test balloon for "The West Wing." Second, of course a romantic comedy about the President of the United States is going to have a liberal in the White House. Conservatives are either (a) not that funny or (b) do not like to be laughed at, take your pick. Third, the part that bugs me the most is the "character" issue everybody keeps alluding to. I know part of the premise of this movie is "What is Hillary died and Bill Clinton was all alone in the White House and Chelsea was giving him dating tips?", but does that automatically mean we have to give all his sexual foibles to the fictional Andrew Shepherd? The man says he has only loved two women in his life and that it has been a long time since he has done anything sexual, so what is this character issue? Somebody explain it to me...like I was a six year old.

The actual plot of "The American President" is as old as the hills: boy becomes President, boy meets girl, boys falls for girl, girl falls for boy, and the entire country has an opinion. But ultimately the story does not matter because we stop flipping through the channels when we come to this movie on television because of the snappy dialogue and the excellent acting performances. Somehow screenwriter Aaron Sorkin got from "A Few Good Men" and "Malice," to this choice piece of political drama. Michael Douglas turns in his best romantic comedy performance as President Andrew Shepherd while Annette Bening plays Sydney Ellen Wade, a paid political lobbyist who discovers she has more of the President of the United States than his ear.

But ultimately "The American President" features one of those ensemble casts that makes you sit and shake your head in wonder. Actually, it is rather depressing to think that the actual occupants of the West Wing are no where as smart or as glib as this crew: Martin Sheen ("Come, friends, let us away"), Anna Deavere Smith ("I think the important thing is not to make it look like we're panicking"), Samantha Mathis ("Sir, I don't understan?"), and David Paymer ("Well, I could explain it better, but I'd need charts, and graphs, and an easel"), and in my choice for the best performance of his career, Michael J. Fox ("Can I just state very clearly I can't be part of anything illegal").

Did I mention the dialogue is really good in this film? However, the film's only Oscar nomination was for Original Musical score. Go figure.

Personally, I do not think the American people would turn upon a widowed President who started dating. But then I have this pesky idealistic streak that refuses to go away. This is a witty, literate romantic-comedy that harkens back to Hollywood's golden age. Ultimately the film's political leanings have little to do with our enjoyment because we know nothing ever happens with issues like gun control and fuel emissions in the real world and Bob Rumson's problem is not that he is running for President but that he is trying to break up the romance between these two kids.

Most Romantic Lines: (1) "Well, first of all, the two hundred pairs of eyes aren't focused on me. They're focused on you. And the answers are Sydney Ellen Wade, and because she said yes." (2) "Perhaps I didn't properly explain the fundamentals of the slowdown plan." (3) "I've loved two women in my life. I lost one to cancer and I lost the other because I was too busy keeping my job to do my job. Well, that ends right now." Of course, these are not the best lines in the movie because those are all about politics more than romance.

If you like "The American President," then check out these other films on the AFI's list: #74 "Woman of the Year" and #31 "The King and I." Why? Well, because in the former you find how hard it is to mix politics and love and in the latter you have a leader whose position does not allow him to fall in love.

I have over 150 DVDs in my collection. This film, which is one of my Wife's favorite films, has been ruined by a bad transfer to DVD. This release is the worst DVD transfer of any film in my collection. Warner Home Video should be ashamed of themselves and re-call this DVD.

There is no doubt that a re-mastered edition of this movie will someday become available. Don't waste your money on this edition.

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This movie has long been my favorite. By the way if you're scanning this to figure out why I only gave this film four stars, it's because of the DVD format. No special features whatsoever. Hey Rob! Climb down off your wallet and do a commentary with Aaron. Annette, Michael, hows about a little interview or perhaps another commentary. Delete Scenes? Outtakes? I want to see Michael Douglas trip over the phrase "Upper Bi-cuspid Region." ::Climbs down off his soap box::

The title of my review says it all in a nutshell. If you're looking for Air Force One, Executive Decision or Thirteen Days, the buck does not stop here. This movie is a fairy tale. Think Ivan Reitman's "Dave." That movie starts with the Subtitle "Once Upon a Time." Exactly. It's Boy meets girl on a grand scale. It doesn't matter that President Andrew Shepherd is a Democrat, and Bob Rumsom (By the way, can you imagine "President Rumson?" Ick.) is a Republican. Rumson is the Antagonist (all good movies have one) period.

Richard Dreyfuss plays an exquisitely delicious villan, using President Shephard's new found love of Sydney Ellen Wade, for his own political gain.

Martin Sheen as Chief of Staff AJ MacInerney, now best known as President Josiah Bartlet on the West Wing, seems to be a fore-runner for the President Bartlet's own COS Leo McGarry (After all Aaron Sorkin [who is GOD] did write this movie and the series West Wing). Sheen is brilliant as Douglas' conscience and confidant.

Michael J Fox' character, Lewis Rothschild, and David Paymer's Leon Kodak, are Shephard's Prism. They show Shephard in Black and White, with no punches pulled, where he's at, where he's going and how to get there.

The other characters, while having lessor roles, are written and performed flawlessly, especially Wendie Mallick, Samantha Mathis, Josh Malina, and Anna Deavere Smith-the last two of whom are also West Wing Alums. Lastly John Mahoney, always the consumate actor round out this amazing cast with a stellar performance of the secondary or quasi-antagonist.

Buy this movie with no political Axe to grind. Buy this movie without your reality blinders on-Yes, I know it's a ridiculous premise, but so is the guy in a white suit with the crewcut sitting on a bench, and look what Zemekis got out of that one. It's a FAIRY TALE. It's FICTION. IT'S A MOVIE. Relax. Enjoy the film.

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First I liked the movie. If you like a romantic comedy then this is good one. You must put aside any idea that it has any basis in reality. It is the expected hollywood version of the US government. If you are a liberal than you are heaven sent and if you are conservative than you are a hellbound devil who's only interest is destroying the country and starving children and old folk. In this film, you have a ultr-liberal director and the only conservative voice in the film is a monster and played by Richard Dreyfuss who has never had a conservative thought. So if you can get past the extreme bias in the film and not take it too seriously, you might enjoy it. My rating is not about the movie, it is about the distribution of the DVD by Warner Brothers. They have released three verions of the film....kind of. The first version released ten years ago indicated the film was not in enhanced widescreen. It had a poor image but was that was very common as DVDs were first coming to the marketplace. The two followup releases have claimed to be ENHANCED FOR WIDESCREEN TV...BUT WERE NOT. One version had an outer sleave that claimed this, but the actual case did not while the most recent version puts ENHANCED right on the disc insert. Both of these version are the same old version previously released. I would like to believe that this is a mistake, but it occurs too often for this to be true. What is likely more accurate is the WB intentionally mislabels the disc packaging so that owners of the old disce will buy it again, and since once it is opened it cannot be returned....FRUAD profits for WB. WB lies about the product and we simply get ripped off.

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This is an all time favorite of mine and absolutely guaranteed to lift my spirits each time I watch it.

Michael Douglas plays somewhat against his usual type as a likeable, widowed, well-meaning single father who is also the President of the United States, Andrew Shepherd. He becomes romantically interested in an environmental lobbyist, Sidney Ellen Wade (Annette Benning) which turns out to cause a lot of problems for both of them.

These two high-powered actors manage to humanize their characters into ordinary, likable people who are just trying to fall in love despite unbelievable opulence of surroundings, ugly political maneuvering and living inside a media fishbowl of publicity. Along the way, there are plenty of funny, heartwarming moments including a couple of very funny telephone calls. (Imagine what YOU would do if you suddenly received a call from someone who claimed to be the President of the United States)

David Paymer, Michael J. Fox and Martin Sheen are excellent in their supporting roles as advisors to the President and Shawna Waldron is wonderful as the 1st daughter.

If you love humorous dialog, beautiful, nearly fairy-tale settings and happy endings, be sure to see this movie. You won't be disappointed.

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Risky Business (2008)

Risky BusinessI think most people who buy/rent this DVD have already seen the movie and know what they're getting. There are a lot of good reviews on this movie here at amazon.com but I only saw one that mentioned the quality of the DVD. It is absolutely horrible. The companies who produce these dark, grainy DVDs need to know that the consumers aren't going to accept this type of low-quality transfer. I'd gladly pay a bit more money for a DVD that's viewable. We know how good movies can look on DVD. So why release a disc that looks as poor as this one? As consumers we need to demand better! Just as VHS movies recorded in SLP or EP were unacceptable, so are DVDs that look as bad as this Risky Business disc.

"Risky Business" is without a doubt one of the classics from the 80's which I've continued to enjoy many times. This is simply a great movie with convincing acting, superb music, good script and believable characters. While the plot isn't anything too original, the above mentioned qualities make this movie fun to watch. Tom Cruise, having the house to himself while his parents are away, carries out the fantasy of just about every adolescent male by basically turning his home into a party haven with the inevitable consequences that follow. Rebecca De Mornay (it should be illegal to look that good in a pair of tight jeans!) plays a prostitute that becomes Cruise's "partner" in the scheme of things and Joe Pantoliano plays her sleazy pimp and does a great job in his role.

One thing that stands out about "Risky Business" is that while technically a comedy, the tone is often dark in terms of sequence of events and the eerie (yet great) instrumental music that pretty much makes up the soundtrack. While others might not really like this, I think it makes the movie stand out and avoid the over-the-top silliness that have caused many 80's comedies to become dated by today's standards. Don't get me wrong, I love those 80's movies, but "Risky Business" has a certain quality to it that takes on a more serious tone while also maintaining the fun element.

And finally, I have to say that the DVD transfer is absolutely horrific. Extras are virtually non-existent and image/sound quality is abysmal. 2003 has come and almost gone, so by now it's pointless to hope for a 20th Anniversary Special Edition DVD. So if you intend to buy this get it on VHS. I can't see why anyone would want the DVD other than for longevity's sake.

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FYI disc comes with a digital copy, but the confirmation/serial code expired in Sept. of 2009.

Otherwise, the movie looks great on BD; clearly much money was saved on the production budget by not buying any bras for Rebecca DeMornay.

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Rarely will you find a video store without RISKY BUSINESS. Not only is it a contemporary classic, but it was also Tom Cruise's breakthrough film and a major hit. While reputed to be a very good movie, upon watching it, I found it to be something else. It's an excellent movie.

Tom Cruise plays Joel Goodson, a high-school kid who is just that a good son. He's responsible, careful, and trusted. But when his parents leave town for the week, Joel decides to loosen up but after he nervously invites call girl Lana (Rebecca De Mornay) into his house, everyone goes horridly wrong. With only a few days left to go, Joel must raise his grades, make $8,000, get back stolen furniture, and escape from the clutches of Guino (Joe Pontoliano), the killer pimp. Work is hell. And Joel knows it.

This movie is great. It wildly exceeded by expectations, and is much better than it's said to be. Cruise is great the fact that RISKY BUSINESS is Cruise's first major film is enough to make it worth the watch, anyway; De Mornay is also very good. Paul Brickman's direction has a sort of artistic feeling to it (he also scripted); he has a unique way of creating a film that's funny, erotic, and occasionally suspenseful.

Another wonderful aspect of the film is its terrific soundtrack. It features rockin' songs from such popular artists as The Police, Bob Seger, Talking Heads, Muddy Waters, Phil Collins, and Prince. It also features new music by the hit-making band Tangerine Dream, whose techno, futuristic-sounding score gives the movie an occasionally nightmarish, occasionally unpleasant mood to it and, of course, the film is about every teenager's nightmares come true.

All in all, RISKY BUSINESS is essential viewing from the 1980's, and it works just as well now as it did then. Tom Cruise's first hit, a terrific soundtrack, and a cult classic this is RISKY BUSINESS.

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(2008 HOLIDAY TEAM)This 1983 film that launched the career of Tom Cruise proves its relative timelessness by entertaining audiences even today. Mediocre student and always-obedient son Joel (Cruise) is left alone in his upscale suburban house when his parents take a vacation. It's Joel's senior year in high school and it appears that the only highlight is going to be a boring project for the Young Enterpriser Club contest. When his friend Miles (Curtis Armstong) forces his hand to take a chance, Joel is thrown into an out-of-control scenario involving the charming prostitute Lana (Rebecca de Mornay), her enterprising friends, an irate pimp named Guido (Joe Pantoliano), and a high school full of unfilled but hormonally charged teenage boys. Throw in Joel's father's Porsche, an application to Princeton, and the all-important midterms that Joel is in danger of failing and you've got a fast-paced, hilarious flick of adolescence out of control.

Unlike today's teen movies, "Risky Business" is not preoccupied with sophomoric humor and gratuitous foul language. It's too smart a screenplay for that. Instead, it focuses on the humor of a good boy gone temporarily bad, and how one small act of rebellion changes everything. At times, the film tries to be artsy with its gimmicky camera shots, direction, and editing, thus dating the film more than the costumes and screenplay do, but overall it succeeds. The music is great, particularly for those who remember the times.

Dust off your memories and revisit this fun flick. If you've never seen it, you should, if for no other reason than for seeing why Tom Cruise and Rebecca de Mornay rocketed to fame following its release.

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