Showing posts with label new comedy movie releases. Show all posts
Showing posts with label new comedy movie releases. Show all posts

Piranha: Roger Corman's Cult Classics (1978)

Piranha: Roger Corman's Cult ClassicsWhere would we be without the venerable Roger Corman? Lovers of B-movie madness would likely have a lot more time on their hands to read books, interact with family, or take part in generally otherwise fulfilling life experiences had old Rog chosen a different career path. Fortunately, or unfortunately as the case may be, Corman sat out in Hollywood for three or four decades making low budget exploitation films. He also tried to cash in on every movie fad in modern cinema. And I do mean EVERY fad. You see, Roger had a dream to take an idea and make a profitable picture out of it that would entertain the masses. The problem was that someone else invariably had the idea first. Thus Lucas's "Star Wars" allowed Corman to unleash "Battle Beyond the Stars" on an unsuspecting public. Car chase movies saw Roger replying with "Grand Theft Auto" and "Eat My Dust." I could go on and on. There wasn't anything Corman couldn't do with someone else's idea. Perhaps the best example is "Piranha," a 1978 ripoff of Spielberg's "Jaws." This film made our man a lot of money, which allowed him to make even more spectacular ripoffs for years to come.

The flick starts with a couple of kids breaking into some sort of rundown fish hatchery for an evening swim. Something in the water kills them. End of movie. Seriously, something rather nasty does do away with the two idiots. We then see an insurance investigator by the name of Maggie McKeown (Heather Menzies on loan from Julie Andrews) heading out to discover what happened to these two dolts. She rather quickly hooks up with an embittered alcoholic with a penchant for flannel named Paul Grogan (Bradford Dillman channeling Grizzly Adams) who lives in a cabin down by the river. Somehow or other Maggie convinces Paul to head over to the fish hatchery with her. Sure enough they discover that something sinister has been going on there under the aegis of Dr. Robert Hoak (Kevin McCarthy). How do we know this? Because there's lots of nasty looking scientific stuff lying around all over the place. Anyway, Hoak eventually lets our two heroes in on a little secret: the government paid him a bunch of money to create a breed of piranha as part of some weapons program. Personally, I'm for anything that keeps communists out of our swimming pools, lakes, and rivers.

While all this nonsense goes on we know the piranha have escaped from the hatchery (thanks Maggie and Paul!) and are preparing a full-scale assault on the human race. A few locals fall prey first, but the real threat is the summer camp and an aquatic park downriver. Just to ratchet up the emotional element of the film a bit, we also learn that Paul's daughter is currently attending the camp. Oh dear! It's a race against time as Paul and Maggie set out with the twitchy Dr. Hoak in tow to stop the madness. As for the folks at the camp and the park, they haven't a clue as to what's about to happen. The only concern at the camp is the fascistic machinations of Mr. Dumont (Paul Bartel), a guy who takes great joy in ordering kids into the water and snooping on the foxy female counselors. At the water park, the owner plans on making a bundle on opening day and couldn't care less if a battleship full of exposed nuclear waste sailed into harbor. You can pretty much guess what happens in the last part of the film. Screaming, blood in the water, and a lot of out of shape Americans in unflattering bathing suits thrashing around on the beach in agonies. Fun!

I don't know whether to laugh or cry with this one, folks. Lots of people adore this film, and I probably would to if I'd seen it as a wee lad. I didn't, and I'm not that impressed. The swarms of piranha zipping through the water look so like the pieces of plastic they are that it's tough not to snicker. It's even worse when we see them up close chattering away on an exposed leg or belly. We're definitely looking at cheesefest central on a buck and a half budget here. At the same time, I did find a lot to like about the film. Seeing veteran horror babe Barbara Steele popping up from time to time as a government scientist named Dr. Mengers was a nice surprise, although she's largely wasted in the role. Kevin McCarthy plays frazzled well, and the script requires him to morph into a sniveling wimp for most of his screen time. Heck, we even see Richard Deacon (Mel from "The Dick Van Dyke Show") in a small role as Maggie's boss. Can't beat that. The talent behind the camera is moderately impressive too considering the budget. Joe Dante directed this flick, and John Sayles wrote the script. Both men went on to greater success, Dante with "Gremlins" and Sayles with "Eight Men Out," "The Howling," and several other mainstream movies.

Extras on the disc include a commentary track, extra footage, bloopers, and a few other odds and ends. Corman apparently took this film, or at least a similar concept, to television in the mid-1990s. If so, I haven't seen that version and thus cannot make a comparison. If the remake, or retread, or whatever it is looks and sounds like this movie, more laughs await us. Corman continues to churn out pap at an alarming rate, and has even recently inked a deal with Disney that will release his entire catalogue on DVD and keep it in circulation until the sun burns out. I've dogged on Corman quite a bit, but I do appreciate his films. If nothing else they are entertaining, and this one definitely works most of the time.

Joe Dante's Piranha is a very humorous spoof and a fine homage to Steven Spielberg's classic Jaws. Though plagued with poor acting from Bradford Dillman, Heather Menzies, and Keenan Wynn, this is definitely not the type of film that you would ever take seriously. The inside film jokes and cinema references add a lot of intelligent spice to the film's proceedings, but it is the cheesy yet effective special effects by Phil Tippett (Robocop) that make Piranha a must see for mosnter movie buffs. Watch out for the obviously fake piranha as they make a spectacular bloddy debacle of a children's summer camp. The DVD edition of Piranha has many elaborate features including a Joe Dante commenty, a making-of-documentary, film bloppers, and other theatrical trailers of Corman films. P.S. Joe Dante would later go on to direct such horror classics as The Howling and Gremlins.

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A justifiable cult classic, PIRANHA boasts an impressive pedigree. Oscar nominated screenwriter John Sayles; director Joe Dante (Gremlins); and some fine character actors: Bradford Dillman, Keenan Wynn, Dick Miller, Paul Bartel, Barbara Steele. The attacks are vicious and quickly paced so you don't pay too much attention to the cheesy special effects. There's satire about the military as well. There are some good suspense sequences, and I almost forgot: Body Snatcher's Kevin McCarthy is on board as the misguided scientist. The best of the subsequent spinoffs, PIRANHA is a great little horror classic.

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Jaws (1975) frightened a whole generation of people out of the water. Why? Because of the very real elements within the film, being that there are sharks in the oceans, and occasionally they do attack people. Do they ever get as large as the one in the film? Possibly...regardless, the fear was real enough...fast forward to 1978...prolific B movie director/producer Roger Corman, in an effort to capitalize on the immense popularity of the film Jaws, released Piranha, directed by Joe Dante (Gremlins, Innerspace, The `burbs) and written by John Sayles (The Howling, Wild Thing), which, while didn't elicit the response anywhere near that of the film it borrows from, still provides us with a great deal of entertainment (genetically altered super fish just didn't come across with the same level of realism as a giant man-eating shark).

The film stars Branford Dillman, who, along with his extensive television credits, appeared in scores of films like Escape from the Planet of the Apes (1971) and The Swarm (1978), to name a couple. Also starring is Heather Menzies, who appeared in films like The Sound of Music (1965), SSSSSSS (1973), along with various television shows throughout the 70's. Rounding out the cast are Kevin McCarthy (Invasion of the Body Snatchers), Paul Bartel, Barbara Steele (Caged Heat and Shivers), Melody Thomas Scott, and character actors Dick Miller and Keenan Wynn.

The film opens at night with two victims, er...I mean backpackers in a hilly area (somewhere in Texas, as we find out later), who happen to come across a seemingly deserted facility surrounded by a large fence, and signage stating `Military Testing Facility' and `Keep Out' (it seemed pretty clear to me, as I could read it, but these two knuckleheads completely missed it, bringing to mind the old adage, `if it was a snake, it would have bit you'). Anyway, lunkhead number one and lunkhead number two, looking for a place to camp for the night, decide this looks promising, and make their way past the fence to find a large, in-ground cement pool. Do you think it contains piranha? And do you also think said piranha are hungry? I do, on both counts, especially given that it's the title of the film. Anyway, they decide to go swimming and quickly discover the pool contains more than water. We also learn the facility isn't entirely deserted...

Apparently someone cares about these two now missing backpackers, enough so to hire private investigator Maggie McKeown (Menzies) to look for them. While initiating her search in the general area, she find a shack occupied by Paul Grogan (Dillman), a divorced, reclusive, mass alcohol consuming (every five minutes he's swilling from a canteen, but never actually seems to get drunk) outdoorsman type, who she basically enlists to aid her, despite his protests, in her search. They find the deserted military facility, which was once some sort of breeding farm for fish, and decide to drain the large pool in hopes of finding clues. As they throw the switch, they get attacked by a wily old man (his name is Dr. Robert Hoak, played by McCarthy) as he freaks out learning that the fish have been released into the river system. The manage to subdue him, and he speaks of his experiments, specifically his genetic experiments for the military in creating a super breed of piranha, meant for use during the Vietnam conflict, but since the war ended, the program was terminated, but apparently no one told Dr. Hoak. So now the highly aggressive and carnivorous super fish are in the local river system. And they're hungry...and breeding...

For a B movie, this tends to one of the better ones I've seen. Even here you can see that Dante has talent in directing, despite what I am sure was probably an extremely tight shooting schedule (Corman always kept this aspect tight). Sayles provides a better than average script for this type of outing, and the actors present enjoyable performances. I do tire of the whole `government and/or big business conspiracy' cliché that is so often used in films of any type to move the plot along, as it tends to indicate a lack of imagination (just look at some Steven Segal movies, specifically On Deadly Ground (1994) and The Patriot (1998), for a couple of examples). I especially liked the scenes with Keenan Wynn speaking of how much the river gives him, and also the scenes with Dick Miller, who plays the sleazy real estate agent and proprietor of Aquarena, an entertainment water park that recently opened along the river. He's got one of the more memorable scenes in the film when his assistant approaches him about piranha in the waters, and he asks, "What about the godd@mn piranha?!", to which the assistant replies, "The piranha...they're EATING the guests, sir". Paul Bartel also makes a great appearance as an uptight director of a summer camp located on the river (do you think a big part of their program involves swimming?). The special effects are quite good (no CGI work here) and there is a good helping of blood and underwater scenes with the fish tearing flesh off hapless victims.

Presented here is an excellent looking full screen print (Dante claims this is the original aspect ratio of the film, but the titles appear to be in wide screen format). Special features here are copious, including a commentary track by director Dante and producer Jon Davidson, original theatrical trailer, a blooper reel, a short `Making of' documentary, cast biographies, a reproduction of the original Theatrical Marketing Guide, an eight page booklet titled `The History of Roger Corman, and trailers for some of Corman's other films including Grand Theft Auto (1977) and Humanoids from the Deep (1980), among others. If I learned anything from Piranha, it's that if you are warn authorities about mutant piranha loose in a populated waterway, you're better off crying toxic waste, as they not apt to believe the piranha thing.

Cookieman108

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As a kid growing up on all the classic monster films on TV, this low-budget Roger Corman creature feature was always one of my favorites. As a teenage video collector in the 90's, I found this to be nearly impossible to find on VHS. Now as an adult in my early 20's, I own not only the video but have recently picked up the DVD and what a trip down memory lane, this "special edition" was for me.

"Piranha" is Corman's answer to "Jaws", a bad genre film that takes joy in being a bad genre film. When a private investigator goes looking for two missing kids at an old army test, she unwittingly releases a school of mutated killer piranha into the town's river system. With the help of a local mountain man, the two try to warn everyone from the military to a local resort. As is always the case in these films, the military has another agenda and they don't want the truth revealed.

Over the years, "Piranha" has earned a reputation as a true cult classic. With a great script from John Sayles, an amazing musical score from Pino Donaggio, and tremendous performances from underrated actors like Dick Miller, Keenan Wynn, Paul Bartel, and horror legend Barbara Steele, "Piranha" is the ultimate "nature goes wrong" B-movie.

My only real complaint about this DVD is that it is presented in a full-frame format (though the opening credits are finally presented in widescreen as the other way cuts the names pretty badly). Well, that and the fact that they didn't include any of the added footage from the original network TV version. Those complaints aside, it is good to hear director Joe Dante (who went on to direct "Gremlins") and producer Jon Davison reminisicing on the filming of this movie. Not to mention, the added value of seeing lots of never-before-seen footage from the making of the film. If you loved this movie growing up or are just a fan of the classic "creature feature" titles, this is a must-have.

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V.I. Warshawski (1991)

V.I. WarshawskiThis review is short and sweet and has to to do with the quality of the blu-ray treatment or lack there-of. Sadly most reviews seen at the Amazon forum are about the movie's story and rarely about the disc quality itself. Countless takes on the story with everyone having their own opinion. But lets face it, its truly in the eye of the beholder and not left to others to decide how good a movie is.

Now about the quality of this Blu-ray disc. be warned it's atrocious thus the 1 star rating. Not for the movie since I just loved Kathleen Turner in this title. In my humble opnion she was at her sexiest and at her peak in looks. Its not a great movie but totally acceptable because of Kathleen's presence. The classic film goddess comes to mind. Any way I had the first standard dvd offered and decided to upgrade for a better picture to Blu-ray. Well it appears sharper but odd that the same white specs and garbage that littered the DVD version is very much apparent here,.. and even in the same places as that earlier version. I do know a little about compression and know that it is possible to re-process the same mpeg2 files used for the first DVD release to a larger different compression scheme such as the 1080p format. The quality would not improve but you can do it. Not saying they did that but it sure appears that way from the print used here. Its identical and since it is highly unlikely for these white specs to repeat themselves exactly where they appeared before on the first issue of the standard DVD. Very sad they didn't use a much better print this time around or just use a print period intead of re-processing the earlier files. Again just my observation here on this Blu-ray treatment of this title. In my opinion not worth upgrading to, since the overall appearance of this movie will just leave you highly disappointed in how some of these companies view the buying public.

V.I. Warshawski is a dated picture. It come from a time when being coarse and raw was "new." But in this case it works because the raw and coarse woman is interesting. A private eye more interested in a case than in the bucks it can bring her. A woman who lives life on her own terms. A woman who accepts her femininity without letting it limit her. Kathleen Turner is perfect for this role.

The story is nothing new, but does have its own spin. More important are the characters, the way they are revealed, and the growth they display over the course of the story.

V.I. Warshawski is one of several movies that have been released in low-priced Blu Rays where the only "feature" is the feature. Small films that otherwise might be missed. Good entertainment for the money. As such V.I. Warshawski, in the eyes of this film lover, works just fine.

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This likeable, harmless Kathleen Turner vehicle is one of those films that most "name" critics have viciously attacked for no logical reasons (critics seem to be as frequently susceptible amongst themselves to "herd mentality" as the rest of us po' ignorant movin' pitcher watchin' folk). Turner's "V.I. Warshawski" is a very credible "tough broad" character,treading the fine line between sexiness and surliness with skill and style. Granted, the predictable, standard-issue plot of this detective thriller is a minus, but the appealing cast and Turner's charisma carry the day. If you are a fan of the Warshawski books (or J.A. Jance and Sue Grafton's female detective stories)you'll find the mood and atmosphere of the film quite true to the genre.If your name is Leonard Maltin, take a pill and just relax.

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I love this movie and when I saw it on Blu-ray for 4.99 I figured what the heck I'd upgrade from my DVD to the Blu-ray version. I never knew you could downgrade with a Blu-ray. My DVD offers more than this does including better sound and closed captioning. I had not read the reviews before ordering; I wish I had done so otherwise I would not have gotten this. In this day and age I would think that closed captioning would be standard.

The movie itself is great. No, it would never win an Oscar but it is great mindless fun that can be enjoyed at any time. The actors are great in it and I always enjoy Charles Durning who is perfect as the police detective.

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Great movie with Kathleen Turner bringing a tough, smart-ass private detective to life protecting a young girl. I hadn't seen this in years and it was excellent in blu-ray.

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Ted - Limited Edition Gift Set - Blu-ray Combo Pack + Exclusive T-shirt (2011)

Ted - Limited Edition Gift Set - Blu-ray Combo Pack + Exclusive T-shirtWhen you grow up with a woman who makes teddy bears by hand and sells them for a living, they kind of become that extra member of the family. As a child, there were times when the bears would be in positions or places that weren't where they were thought to have been left. Our theory was that whenever we weren't around, whether it was if we left the house or went to bed or whatever, the bears would get up and throw parties when we weren't around. So any movie that features something like a living teddy bear that can talk probably resonates a bit more on this end than for the average person.

"Ted" pretty much already had that nostalgic factor to it with the concept alone. While Seth MacFarlane doesn't always hit it out of the park with each episode of "Family Guy," "American Dad," or "The Cleveland Show," when he does get it right it's something special; it's hilarious, it's emotional, and its references are spot-on. "Ted" is MacFarlane at his best. The trademarks he's known for are all in there whether it's the incredible music that is heavily Frank Sinatra inspired, the ridiculous movie and pop culture references, or the humor that always seems to take a flying leap over whatever the accepted standard might be; it's all in the stuffing/inner workings of "Ted." The only difference is this is a different medium; a different plane for MacFarlane to bring his offbeat humor and influences into.

The spin MacFarlane puts on a familiar story is what makes everything so good. Of course, hearing Patrick Stewart as the narrator is a pretty great way to start any movie. There are a few surprises in "Ted" that are worth keeping that way. There's this huge emphasis on "Flash Gordon" that results in some really memorable sequences.

By now, you've probably heard the thunder song that John and Ted sing whenever a thunderstorm hits. It's still funny no matter how many times you hear it. Giovanni Ribisi was the best part of last year's "The Rum Diary" and he always seems to show up when you least expect him to like in "Avatar" or "Public Enemies." He has the most hilarious sequence he's ever been a part of in "Ted." It'll be difficult not to think of this particular scene whenever you see him from now on.

"Ted" is an R-rated comedy first and foremost, but it also crams a lot of heart into its 106-minute run time. The strain that's put on both the relationship between John and Ted and John and Lori's relationship results in the last twenty or so minutes of the movie being purely emotional. So while you'll more than likely remember the movie for the farting scene at the restaurant, the dirty fozzy scene at the grocery store, or the most amazing hotel room brawl involving a teddy bear that you've ever seen, "Ted" is secretly setting you up for that tight feeling in your chest when that pull string on your heart is tugged a little too hard.

"Ted" is the best thing Mark Wahlberg has been a part of since "The Fighter." It also gives the impression that Seth MacFarlane is still in the upswing of his prime and still has a lot to offer to anyone who's a fan of comedy in general. With its magnificently rich score, flawless use of CG, heartfelt sucker punch neatly tucked away at its core, and endless barrage of references and foul mouthed and vulgar humor, "Ted" gives "21 Jump Street" a run for the funniest R-rated comedy of the year. In fact, it may even get your vote as the best comedy of the year. It's like 2012's secret weapon for comedy at least until we can get our hands on an Apache helicopter.

After being beat down by Hollywood's recent (say, the last 15 years) interpretation of comedy, I was skeptical of this movie.

But, since it seemed different from your basic mindless, re-hash comedy(Epic Movie), or endless do-over (W. Farrell, J. Carey), thought I'd give it a chance.

After watching Ted, I was actually happy to have taken the time to see it, and that doesn't happen often in this age of re-makes and sequels.

Being 49 years old, it's tough to come across a new, funny comedy. This is definitely one.

Admittedly, there are one, or two, scenes that even made me cringe.

This is NOT a movie for kids, or folks whose laces are tied a bit tight(as noted by a few bad reviews,... 'What did you expect, Teddy Ruxpin?').

Most people will find this quite funny. 'Most'.

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I kind of expected Ted to be crude, but it surprised even me. There were a couple of chuckles, but the novelty of the talking teddy bear wore off quickly and the humor was too shallow to sustain my interest so I didn't even finish the film. Ted's voice is *exactly* the voice of Peter Griffin, too, which was more distracting and annoying than comical.

Read Best Reviews of Ted - Limited Edition Gift Set - Blu-ray Combo Pack + Exclusive T-shirt (2011) Here

Keeping this short this movie was great on many levels. It was dead-on Boston accents, regional humor, while also appealing to comedy lovers in general! Growing up in MA, and living/working in Boston for years this movie is personal to me but what a funny premise, great use of CG, and frankly great characters throughout the film. This is on my must-buy list when it comes out! Instantly a classic comedy in my opinion.

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i love this movie full of laughs and not a dull moments wish i could have got the movie on kindle instead of rent it

Tyler Perry's Madea Goes to Jail (2009)

Tyler Perry's Madea Goes to JailMADEA GOES TO JAIL

I am a Tyler Perry fan and was completely excited when I found out that this film was going to be his next, based on the great play I knew it would be a great film. So it came to theaters and like I thought it was a hit so I knew the DVD would be excellent. Finally when it came out it was bought for my girl for her birthday and we all had a great time watching it. Perry is excellent at delivering heartfelt films with a bit of comedy thrown into the mix. Like before he succeeds here once again and delivers another marvelous film. Perry once again provides a well crafted drama/comedy that will have you hooked for sure.

There are two different stories going on in this film like most Perry films, this like the others blends both stories very well and even brings them together. One follows Madea and her legal battles as she escapes prisons grasp only to fall prey to it later. This is the comedic side of the film as you know and really makes this movie funny. Then we have Joshua Hardaway an Assistant District Attorney who just landed a case that puts him back in touch with a former childhood friend who he elects to help. Since he didn't help at one time when she really needed it in their college days he feels the need now. Of course this does not sit well with his fiancé who has a bit of a secret her self. Of course this is the more dramatic side of things and it is classic Tyler Perry, excellent story with these ones.

Perry has always been an excellent writer and this shows exactly why he keeps churning out hit after hit. The script is full of great believable characters and full of emotion which only brings you into it. Of course his direction is great and keeps the movie moving along at a nice pace. Perry himself is great in three different roles and yes they are the same three he plays in all the Madea movies. Of course the lead character Madea is excellent and one of the most fun characters in film history and Perry as usual is brilliant in the role. Then there is Madea's brother Joe is funny as always especially during the party scene. And then there is Perry with out a get playing Brian who is the family's lawyer, and a member himself.

Derek Luke is great as Joshua and brings a real feel of emotion to the character and is very believable in the role. Keshia Knight Pulliam is absolutely brilliant as lost cause Candace who feels betrayed by Joshua over an incident [a really bad one] in college that led her to a life on the streets and prostitution. She may very well steal the show as far as the dramatic performances. Ion Overman is great as Joshua's girl who does not understand his feelings about his former childhood friend. David and Tamela Mann as always are great as the Browns and bring a lot to the comedic side of this film. Every one in this film did a great job and really bring it on this film. But if there is any one who is also up for show stealer it is Sofía Vergara as T.T. who Perry fans may recognize from the "Meet The Browns" film. Her character is the craziest/funniest serial killer of all time, I loved it.

This is one of the better releases thus far and is very much worth your money, this is a great movie. Tyler Perry is a great filmmaker and an even better writer so you should check this out. This is a great film that we all truly liked here at the house so I assure you that you will to. Go out and buy this now or at the very least rent it tonight because you will like it. And for those who are haters just look at the numbers, this is a number 1 hit baby.

The antics of Madea in and out of jail are ALWAYS fun to watch, but the story about Candy and her meeting Madea gave this movie the seriousness it needed to be solid. We're given comedy and something to think about. And Madea does delightfully in jail, whether she's in class or fighting that big blonde. 4.5/5 stars for a entertaining flick.

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When you hear that Tyler Perry is debuting a new movie featuring the character of Madea, you become like a thirsty man in the desert who spots an oasis in the distance. You know that if you can just get there, you will be so refreshed with laughter. There is a hilarity that infuses your senses that you don't want to let go when Madea is breakin it down and servin it up as only she can....And the life stories that accompany this trip do give us food for thought...Thank you Tyler Perry!!!

Read Best Reviews of Tyler Perry's Madea Goes to Jail (2009) Here

This is a great movie. It is, by far, my favorite Tyler Perry movie to date. It's laugh out loud funny and the actors are fantastic. I've seen all of Tyler Perry's plays and movies. He's exceptionally talented and I love all of his work but I'm a bigger fan of his movies rather than his plays. I believe that's where the division of the reviews will lie. If you're a bigger fan of his plays, you may not agree with my review.

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Old girl always makes me laugh! Madea movies are worth every penny! Tyler Perry always has some type of lesson thinly veiled in these movies. I hope he continues to make Madea movies for a very long time. But honestly boy, we know who you are now, do you have to put your name in front of every movie you make? Lord knows Ma-to the dam-D E A can hold her own!

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Muay Thai Giant (2011)

Muay Thai Giant"Muay Thai Giant" here (or "Somtum," which is a more apt title) is a pretty unique movie for giving the spotlight to a performer who thus far had been limited to henchman/enforcer/support-villain status throughout his film career namely that giant among men, Nathan Jones. What's more, it places him in a fairly unique role, or at least one that few people would expect after seeing him in The Protector. Its DVD cover is slightly misleading as to informing you who the real action star of the picture is, but nevertheless, it's still a surprisingly watchable movie. It doesn't really throw any surprises at you, but for its scale and premise, it's thoroughly entertaining.

The story: possessing "the body of a giant but the heart of an ant," Barney Emerald (Jones) is robbed of his passport while visiting Thailand and subsequently finds himself caught up in both the lives of a fatherless family and the dealings of an underworld circle looking to sell a piece of criminal technology. Only when he realizes and masters the raging power he wields upon eating a spicy somtum dish will he be able to help the former and take on the latter.

While anybody can imagine Jones playing the part of a raging red hulk (he literally changes color upon eating that papaya salad), it's more difficult to imagine him playing a meek character prior to that who doesn't know how to fight. This is true for anyone who's seen him in other movies; it's doubly true for anyone who witnessed his years as a pro wrestler; it's triply true for anyone who knows that he earlier in life had gone to prison for no less than eight armed robberies; and it's practically unthinkable for most everyone who just looks at the man and sees that he's seven feet tall with a bodybuilder's physique. However, through an amount of dramatic talent that I know he's never going to be recognized for, Jones succeeds...for the most part. The tender, playful scenes he shares with some characters come naturally, so that for the first time in a movie he actually seems like a likable guy. However, his physique alone sort of defies that he's written as a physically ineffectual scaredy-cat: this is the sort of man who'd break your bones on accident during everyday events, and thus it's hard to believe that he could ever be 100% defenseless, even when he's ganged up on.

Then again, the filmmakers likely stressed this point because, contrary to what the DVD cover would have you assume, Jones only has two fights in the movie, both of which don't occur until almost the very end of the picture. Most of the previous four fights are picked up by junior boxing champion Sassia Jimdamanwee (Power Kids), who's an action heroine in the making if I ever saw one: though her first fight features the most blatant use of wirework I've ever seen in a Thai film and is terribly mediocre, her subsequent two fights against Than Srisuke (The Hangover Part II) are more than satisfying. Dan Chupong (Ong Bak 3) plays a character in the first half of the film and leads a very nice three-on-one fight in a kitchen, and tae kwon do starlet Kessarin Ektawatkul (Born to Fight) takes part in a street fight with Sassia. Though Nathan Jones' two fights feature minimal martial arts and are clearly styled after pro wrestling matches (even featuring fellow grapplers Sylvester Terkay, Luther Reigns, and Tom Howard), the choreography is impressive and the physicality looks painful. Cumulatively, this may not be Panna Rittikrai's best work, but it's still pretty good.

Because this is both a comedy and a Thai film, we're also treated to some remarkably absurd scenes, such as Jones training in kickboxing with a small boy and taking part in an imaginary striptease scene. In a worst case scenario, scenes like these would make a viewer think less of Jones and his previous powerhouse performances, but personally, I think a part like this gives him more dimension as an actor. I don't know if he's meant to be a leading man, but I definitely wouldn't mind seeing him in a few more large roles in the future. Check it out, if you like some surreality with your action.

I didn't expect Oscar caliber acting, especially when the star is a 7' Australian former pro-wrassler. Nathan Jones does a respectable job as the gentle giant who has to survive after being drugged, robbed of all but his pants, and trying to help two pint sized girls who have come to his aid. The one girl is a real junior women's champion Muay Thai boxer ( a style of mixed martial arts) and could kick the snot out of just about anybody she meets while her sister is a sticky-fingered charmer. Cheesy, charming, nasty bad guys and lots of general mayhem. I'd like to try some of the somtum "salad" since I like spicy food but I'm afraid I would burst into flames.

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although the screenplay is a bit simple and formulaic but the giant in this movie actually got some acting talent. never fell flat when the story went. i think that all the stunt in this movie were just top-notched and second to none like ong bak. the fighting scenes were designed ingeniously fun.

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Never let it be said that foreign countries don't make anything other than action films or deep, depressing dramas. Many have the idea that with the exception of martial arts films those are all they offer. In point of fact there are many great films coming out of other countries that we should open our eyes too. Unfortunately this might not be one of them though this could be one to get kids to do so.

MUAY THAI GIANT is one of the combinations of martial arts flick, comedy and crime story that come out of the oriental film market. Touted as being made by the producers behind THE PROTECTOR, the movie stars muscleman Nathan Jones as a down on his luck tourist in Thailand. Drugged and robbed of his money and passport, he befriends a young girl (a small time thief) when she is set upon by thugs. One would think he would come to her rescue but she's actually saved by her butt kicking sister, a muay thai fighter. Feeling for Jones they take him home.

The big lug does his best to help around the house. He's tall and strong so he can do a few things. Their mother wants her daughter not to fight so she's doing her best to support the family with a beachside food shack. When Jones has a bite of her somtom (an incredibly spicy concoction) he turns a bright shade of red and goes berserk destroying the shack she sells from. Now they need to find a way to make money fast and the only way they can do so is if his new friend fights.

Here again you would think this would lead to Jones being a big fighter but that never ends up being the case. Instead the girl is set up by the promoter and short changed when it comes time to pay up. But her sister has nabbed a special key being used by drug smugglers to open a laser encrypted lock. Now the bad guys go after the trio to get back the key.

Dubbing aside this movie is slow paced at times but that could just be the always popular "lost in translation" style found in some foreign films. The character Jones plays is sympathetic and heroic in his own way, coming to fighting mode once given the secret spicy food somtom. It sort of reminds you of when Curly of the Three Stooges would get a whiff of limburger cheese and go nuts.

The film, though crime scenes involved and a few blood scenes from gunshots, seems more in line with teens than with small children or adults. The problem there comes from teens in this country (U.S.) unwilling to accept anything not set here or in the style they're used to. Will teens and pre-teens accept these actors and their situations? Perhaps not but they won't be exposed to anything non-U.S.centric if not given the opportunity.

This film would present that without going towards the more adult fare being offered.

The movie is fun in some parts, action packed with the fighting sequences and touching in others. It's not the worst movie ever but it's also not the best. Does it show promise for its star? Not in this country but maybe in more films like these overseas. It does make an interesting look at what other countries are doing though and that's always worth making a movie worth watching.

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A very funny light romp, with enough twists to keep interest going. Worthy of a sequel. pleasantly surprised by this

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Pretty Woman (1990)

Pretty WomanThis review refers to the Special 10th Anniversary DVD Edition(Touchstone) of "Pretty Woman"...

There are a couple of reasons why you may want to go with this "Special" edition of this charming and very modern update of the classic "Cinderella" story. The first is that at this time, the original edition seems to be unavailable, except from the outside sellers with prices higher then this one. The second reason is the fabulous music video with Natalie Cole doing one of the best songs from the film, "Wild Women Do". Other then that, I did not find anything really "special" about this "special" edition.

Here's what you get...A "Behind the Scenes" featurette, which runs a couple of minutes and is just some footage of Geer, Roberts and Marshall, getting ready to shoot a scene at the Polo game with the "Pretty Woman" music playing in the background. There is a very short production featurette, and except for Garry Marshall telling us what the film is about, appeared to be nothing much more than a long trailer. There is also the option of Director commentary, which may be viewed during the film, and the film is in widescreen, but both of these features are also available on the original release.

There is also some extra footage. An added scene where Vivian takes Edward back to her stomping grounds so she can check on Kit, and the two are confronted by drug dealers hardly seemed necessary. As a matter of fact it seemed to detract from the story, as it too soon takes the audience back out Vivian's fairy tale world we have entered briefly.

As far as the film itself, I still love it 15 years after it's original release. Wonderfully directed by Garry Marshall, it's a feel good film, and a wonderful love story that makes you feel you can fulfill your dreams. A great soundtrack, and the superb cast including Laura San Giacomo(she was a great Kit), Jason Alexander, Hector Elizondo, Elinor Donahue, and legend Ralph Bellamy, all make this a very special film all on it's own.

The DVD presents a very nice picture in widescreen, and good sound in Dolby surround. There are nice captions in English for those needing them, but no other subtitles. The price is actually pretty decent for a "special" edition, just don't buy it expecting a ton of extra goodies.

"What's Your Dream?"....enjoy...Laurie

For anyone who simply wants to know if this is the original theatrical version, like myself--it's not. It's the same as the 10th Anniversary Edition, with the stuff from the cutting room floor thrown back into the movie, instead of in Bonus Features where it belongs. I'm so thankful I still have the oringinal release that I love on video.

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First of all, I compared the 10th and 15th anniversary versions side-by-side and here's what I observed on my 65" widescreen HDTV:

1) while the 15th anniversary version claims to be "anamorphic widescreeen", there is absolutely no difference in the size of the picture onscreen (the 10th anniversary version was also presented in a 1.85:1 aspect ratio, making it "anamorphic");

2) that said, however, the picture quality of the 15th anniversary version is far superior to the 10th anniversary version, which is marred by dark shadowing and lots of grain the 15th anniversary version is cleaned-up, with a much brighter picture and virtually devoid of grain or flecks;

3) while the 10th anniversary version was "edited for content", the 15th anniversary version is the full-length, unedited theatrical version;

4) the 15th anniversary version includes a few bonus extras and bloopers.

The bottom line is, if you're a fan of "Pretty Woman", a full-length, improved-picture version of the movie makes it a must-have. Get it if for nothing else, your significant live-in lady will love you for it.

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The delightful and charming romantic comedy "PRETTY WOMAN" which would win hearts courtesy of the wonderful performances by Richard Gere and Julia Roberts and its fantastic music now makes its Blu-ray debut nearly 20 years after the film's debut.

When I first watched this film, I absolutely fell in love with it. I purchased it on VHS, the CD soundtrack, the director's cut LaserDisc, the 10th Anniversary and then the 15th Anniversary DVD special edition, multiple release which I didn't mind. The film has become so much of a favorite that I have traveled to Beverly Hills to check out the Beverly Wilshire, to looking for similar suits and ties around that time period that Edward Lewis would sport, discovering the opera "La Traviata" and eventually listening to opera music. Needless to say, this film at the time, really touched my life and it's hard to believe that nearly 20 years have passed by.

There are so many memorable moments in the film that are just classic, it's a film that has become a classic. Just to let everyone know, this version is the theatrical version and does not include the director's cut with the extra five minutes of footage. But how does the Blu-ray edition fare? Read on.

VIDEO & AUDIO:

The film is presented in 1080p high definition (1:85:1). The picture quality is not eye-popping beautiful if compared to a film created in the past few years but for a film nearly 20 years old, it looks pretty good on Blu-ray. There are a variety of scenes that I really looked closely, one being Vivian's first trip to Rodeo Drive and seeing how the outdoor shots would be, the second would be at the polo match and another would be during the restaurant scene. The picture quality was very good but it had a bit of grain, which is no surprise since grain is part of film. But again, it wasn't vibrant compared to a recent film but for a film of its time, it looks very good on Blu-ray.

In fact, the film on Blu-ray is the definitive version to own ala picture quality.

As for the audio, the audio is presented in English 5.1 uncompressed (48khz/24-bit) and having a lossless English 5.1 48khz, 24-bit track is pretty damn good. If anything dialogue is clear, music is very clear and it's what I expected from a dialogue-based film.

SPECIAL FEATURES:

The special features included on this Blu-ray are special features that people have seen on DVD. Included are:

* Blooper Reel A blooper reel that is quite dated ala picture quality-wise but otherwise fun to watch.

* "Live from the Wrap Party" Richard Gere, Garry Marshall and band along with Julia Roberts jamming. Richard Gere was great on the piano and Marshall, playing the drums and Roberts singing. A fun featurette but was probably taken via a personal video camera because it looks dated.

* LA: The Pretty Woman Tour This section allows people to select on a map, various locations featured in "Pretty Woman". For example, click "Beverly Hills Wilshire" and video plays with Garry Marshall giving you his memories of the location and information about it.

* 1990 Production Featurette A featurette on the making of the film, interviews and more!

* "Wild Women Do" music video performed by Natalie Cole I was really hoping that we would see other music video hits included such as Go West's "King of Wishful Thinking", Roxette's "It's Over Now" and more but only a single video which was on the original DVD release.

* Theatrical Trailer

* Feature Audio Commentary with Director Gary Marshall This is the same commentary from the 15th Anniversary Edition which was released back in 2005. The 10th Anniversary Edition utilized the director's cut from the LD version and I'm often asked which commentary did I enjoy the most. The 15th Anniversary/Blu-ray commentary has newer commentary and you hear details that Marshall remembers of the film and how everyone has done since the release of the film "PRETTY WOMAN". But commentary-wise, I felt Marshall's director's cut commentary was very good because it was not long after the release of the film, so a lot of details were mentioned in his first commentary. Granted, for redoing a commentary for a film over 15 years later, was well done.

Now, surprising is that the deleted scenes (which were included on the film for the director's cut on LaserDisc and the special edition DVD's) are not included as a special feature. So, for those who prefer the extended version of the film, then the 15th Anniversary Edition DVD is the version to own.

I personally love this film and when the LaserDisc version first came out, it was technologically big because it included the director's cut and featured an audio commentary. With the Blu-ray edition, I wasn't sure if I would be blown away by the picture quality and the audio quality. The Blu-ray experience of "PRETTY WOMAN" was in the most part good but not great.

There are no extra special features that makes this better in content versus the 15th Anniversary DVD but its strength is that it's featured in 1080p High Definition and an uncompressed 5.1 track (48khz and 24-bit). Picture quality and audio-wise, if you have a television and receiver that can take advantage of the high definition treatment of this film, then it's even much more enjoyable because of the better quality. But anything more than that and unfortunately, there is nothing new special-feature wise compared to the 15th Anniversary Special Edition DVD. I would have loved to hear a commentary or a retrospective featurette with Garry Marshall and some of the talent but with Richard Gere and Julia Roberts doing quite well with their careers, not sure if we would ever see that. Hopefully in the 25th Anniversary release?

Also, there are some who prefer the theatrical version and some who will prefer the extended cut version. The Blu-ray version of the film is the theatrical version and the deleted scenes (extra five minutes of footage) added for the director's cut on LaserDisc and on the 15th Anniversary Special Edition DVD are not included on this Blu-ray edition.

But overall, this romantic comedy is still enjoyable and charming now as it was then. Richard Gere and Julia Roberts did a fantastic job, Garry Marshall did a spectacular job as well as with everyone cast in this film from Jason Alexander to Hector Elizondo, everyone did a great job. It's a fantastic film period and of all the previous versions that have been released, having owned so many previous releases, the Blu-ray edition is the definitive version to own.

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The film "pretty woman" is a modern classic. It became a huge box office hit in the early 90s and made a superstar out of Julia Roberts. The film's release on DVD has been a muddled affair as a special edition version of the film that added all sorts of deleted scenes was the only version available. These scenes in my opinion took away from the original film which was perfect in it's original form. Sadly, the original theatrical version had been unavailable unless you owned a VHS copy.

The Blu-Ray version here thankfully IS THE ORIGINAL THEATRICAL VERSION. The picture quality is clear and you can enjoy Pretty Woman without having to suffer through those awful scenes that the director frankly didn't feel worked either. The blu ray menu is gorgeous with a multipanel layout showing Vivienne's scene from the movie and the corresponding preliminary costume design artwork in another panel. James Newton Howard's amazing (and sadly still unreleased) orchestral scores plays in the background. There are loads of extras that have been offered on previous edition. On this version the main draw is the original film.

I'm very happy to have this version back in my collection.

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De Dana Dan (Comedy Hindi Film / Bollywood Movie / Indian Cinema) (2009)

De Dana Dant has some of the funniest scenes in a movie this year. Akshay needed more scenes in the 2nd half, but he did quite well. Suniel was okay. Paresh was funny and loud. Kat had no scope, same with Sameer. Neha acted well. Johnny was amazing, this movie belongs to him.

What I liked about the movie:

Akshay, Johnny, Paresh, Neha, climax, songs

What I didn't like about the movie:

Weak story, Akshay needed more scenes

Would you recommend this movie to your friend: Yes

User Movie Rating: 3/5

This movie has funny moments and really good songs, but the story line was very confusing to follow. There is so much going on and lots of people involved and it took me a couple times of watching in order to understand what was happening.

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De Dana Dan is an unpretentious movie of the slap stick variety and desperately wants to entertain its audience but despite having Sunil Shetty, Akshay Kumar and Paresh Rawal, the trio who were so funny in Hera Pheri fails. De Dana Dan is about a kidnapping of a dog. Akshay Kumar and Sunil Shetty decide to kidnap a dog which belongs to Akshay's boss and demand a ransom. The ransom is to be delivered at a hotel where a host of other characters have embarked for a wedding. As it would, identities are confused and chaos ensues. This identity chaos was hilarious in Hungaama and Hera Pheri but just does not work in this film. There are too many characters and they don't have any chemistry because the writing is poor. I love pedestrian and corny comedies but hated this one. One star for this mess. 2.8.11

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I wish I could have given this movie less than half a star, but unfortunately this is not an option. Please skip this movie if you hate to see water wasted, shamelessly wasted by a group of actors who will do anything for money. This is one mess of a film; it's a mixture of bad dialogue, misplaced loyalties, confusion between families, mistaken identities, and the worst usage of water I have ever seen. It is made equally shameless when these very same actors stand in front of audiences and talk about Global Warming and other issues pertinent to India, especially the issue of water. What a bunch of pathetic hypocrites! It pains me to see the talents of actors like Rajpal Yadev and Paresh Rawel wasted in this horrendous display of acting. Now, I will admit there are moments in the film that are funny. But it goes without saying that 99% of the actors in this film can't act and are not worth watching. Did I mention that it is also very long and monotonous?

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It is you typical Akshay Kumar film. Very busy and crazy. But I emjoy Akahy's movies. The music and action are always good.

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That Obscure Object of Desire (1977)

That Obscure Object of DesireOh, you devilish French people! What with all of your obsession with, well, obsession! Men and women constantly throwing themselves at one another! Sex, sultry sex, and more sensational sensual sex! How refreshing it is to come across a slightly older classic that shows not all of you young or old are constantly happily copulating with one another twenty-four hours a day, seven days a week! How delightful it is to discover that those rare few of you are doing little more than emotionally torturing the one you presumably love, once and for all proving that the rest of us may very well have a chance to stand toe-to-toe with you in matters of carnal conquest and rejection!

(Not that there's anything wrong with it ...)

(NOTE: The following review will contain minor spoilers necessary solely for the discussion of plot and characters. If you're the kind of reader who prefers a review entirely spoiler-free, then I'd encourage you to skip down to the last two paragraphs for my final assessment. If, however, you're accepting of a few modest hints at `things to come,' then read on ...)

THAT OBSCURE OBJECT OF DESIRE is the story of an older man named Mathieu (played by Fernando Rey) who becomes smitten with his new maid-servant, Conchita (played in alternating appearances by two actresses: Carole Bouquet and Angela Molina). Initially, she spurns his advances even runs from his affections only causing the man to be increasingly captivated by her. As their relationship grows (or does it?), the two continue a bizarre mating game, one that borders the lands of faithlessness and self-destruction, until there's nothing left for a possible happy union.

After watching the film, I had to do some research as, for the life of me, I couldn't figure out just what Spanish director Luis Bunuel (who also co-wrote this adaptation with Jean-Claude Carriere) was trying to say artistically in casting two separate women to play the same role. Over the course of the story, Bouquet and Molina appear interchangeably as Conchita for no particular rhyme or reason I could fathom. The best I've been able to ascertain is that Bunuel was a surrealist (an art form characterized by "subconscious or nonrational significance of imagery arrived at by ... the exploitation of ... unexpected juxtapositions"), the goal of which would appear to invoke a `dream state' under which one's conscious mind has no influence.

Well ...

The best this unschooled mind has been able to put together is that, by casting two different women, Bunuel hoped to keep the audience (and his characters) in a persistent state of flux where illogical emotion could wreck havoc on these people. Conchita regardless of who's playing her frequently uses her feminine charms to arouse Mathieu; but she regardless of who's playing her never gives in to him sexually. In fact, the close she comes so far as the film implies is that he allows him to lie partially naked with her in bed. When he proposes alternative ways of gratification, she spurns him further, shutting him out of his bedroom or even locking him out of the house.

Also, the two actresses are of different heritage Bouquet is as French as a woman can possibly be, while Molina is the more sultry Spanish beauty. This could imply that Mathieu's attraction either might or might not be related to cultural normalcy (i.e. dating or marrying within one's nationality). Certainly, the women are both attractive but possess markedly differing physical traits, also suggesting that perhaps there is no universal body type provoking man's desire.

The thrust of DESIRE would be to suggest that satisfaction isn't possibly attainable at least not for any measureable duration because there are no constants that can be added up in any magic formula to display sexual fulfillment. There are only variables variables which change from place to place, from person to person, even from time to time and, as such, lasting happiness will always be close enough to touch but never quite within man's reach.

Lastly, there's an odd juxtaposition of scenes in the film's climax that bear further exploration, as I believe they underscore whatever idea Bunuel was reaching to say with his final film. Mathieu and Conchita appear to have reconciled, and they're shown in an alley perusing windows of some small French shops. Together, they're drawn to one display where a delicate woman patiently mends a tear in an elaborate woven dress. Bunuel focuses on this scene for quite some time, and then we're shown our two leads up in the corner of the frame speaking with one another, but the audience no longer hears what they're saying (they're on the outside of the glass window pane). Are they speaking about the dress? Are they reflecting on their relationship? Are they debating stitching choices? Conchita frowns and walks away, then Mathieu frowns and follows, but in the last image we're shown an explosion (a radio report playing in the background discussed mounting terrorist attacks in the city only moments before) ... and that's the end.

What I suspect I could be wrong Bunuel was saying is that even when the process of mending is under way, there will always be elements that pull us apart, that force us in other directions. This would imply that we're never truly under control of ourselves or our existence that we're always subject to the randomness of life and perhaps this would imply that the pursuit of fleeting happiness is nothing more than the pursuit of fools.

The film isn't as depressing as it sounds, though it certainly teeters close. Psychologically, it's an interesting study of a very complex idea, though I would have to say it certainly isn't an idea for everyone. Scholars might find plenty to get excited over here, but Mathieu sure didn't. (Pun intended.)

THAT OBSCURE OBJECT OF DESIRE is produced by Greenwich Film Productions, Les Films Galaxie, and In-Cine Compañía Industrial Cinematográfica. DVD distribution is being handled by Lionsgate. As for the technical specifications, this Blu-ray release looks and sounds very good, though I experienced one sequence late in the film the seemed a bit out-of-sync (for a few brief seconds); I have to wonder if that wasn't a production issue back to the original film. This is a French spoken language release (with English subtitles), but there is an English-dubbed track available. Lastly, the disk includes a nice assortment of special features: "Arbitrary Desire" (an interview with screenwriter Jean-Claude Carrier); an interview with Carlos Saura; "Double Dames" (interviews with actresses Carole Bouquet and Angela Molina); and "A Portrait of Luis Bunuel" which is an in-depth discussion of the director and his films. It's certainly an impressive collection for a film of such distinction.

RECOMMENDED. As I indicated above, this one isn't for everyone. While there's a clear narrative at work here, so much of THAT OBSCURE OBJECT OF DESIRE is the study of an idea. It's a surreal investigation into the art of seduction and repulsion of how love leads to hate and vice versa. All of the players do a solid job, but I suspect the ending will leave more folks conflicted than they are happy, which is probably just what the director wanted.

In the interests of fairness, I'm pleased to disclose that the fine folks at Lionsgate provided me with a DVD screener of THAT OBSCURE OBJECT OF DESIRE for the expressed purposes of completing this review.

Yes, there is no other reason to watch this flick unless you are into Bond chick's and this one gives you what Bond's movies dont--some skin of future celebrities. The movie itself, however, kinda strange as most of Frenchies and lost in what the message is or should be. My understanding also, this flick is the only copy that is not cut in pieces. Recommended.

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House (The Criterion Collection) (1977)

HouseCriterion is a great company -arguably, the best DVD releasing company in the world. They are known for standards of excellence that aren't traditionally seen in most other companies' releases; not only in their DVD transfers and special features, but for the consistent high quality of the films they release. Most of the films Criterion release are already well-established, traditional, "classic" films. So, it's always nice to see a somewhat more "obscure" film get the Criterion treatment -this film definitely deserves it.

While not completely "obscure" -it's quite well-known in Japan, as well as amongst underground horror and experimental film lovers around the world -it certainly doesn't seem as, dare I say, "important" as many other Criterion releases. But being the underdog works here, since the film only costs $26 brand new (well below most "big" Criterion film's releases) so it will hopefully motivate more people to check out this work of art.

...YES, a work of art. While touted as a "horror" film, this most resembles an art film, one of the more experimental variety, and it is masterfully-shot and -directed. Utilizing all sorts of outrageous effects and downright bizarre editing, this often brings to mind directors like Shuji Terayama (Emperor Tomato Ketchup) and Toshio Matsumoto (Funeral Procession of Roses). While there are some more straightforward "horror" elements -skeletons, an evil kitty -most of them are downright silly, and remind me somewhat of American "classic" b-movie cheesefest Spookies than any serious work of horror. It is NEVER scary, and gets by mainly on absurdity and cheese.

So, why is this film getting 5 stars? Why is it "worthy" of a Criterion release? Well, opinions will differ, but I found this movie absolutely brilliant, one of the most entertaining I have EVER seen, with brilliant scene after brilliant scene of surreal absurdity. This film is downright INSANE, but it's charming. It's one of those films that you'll watch and say, "Okay, I HAVE TO show this to every single one of my friends now!" Infinitely rewatchable (I've probably watched my Japanese copy 20 times in the past 5 years), hilariously madcap, and endlessly inspiring. There is violence here, but it's all so silly... this is about as much a "horror" film as Riki-Oh is a "kung-fu" movie; it has all the "cool" elements of a genre film, but it's really just an excuse to cram as many insane scenes into a film as possible.

Oh, did I mention a piano eats a girl? ... The effects are what really make this film a sight to behold. They're actually surprisingly well-done, and even though I already own this film, I'm going to buy the Criterion edition just to see how they pulled off some of this stuff! Yes, as usual, the Criterion DVD is loaded with great special features, the best of which has to be the 1966 short film "Emotion" -without a doubt one of the greatest short films ever, and definitely my favorite of the "experimental Japanese New Wave" school (along with the aforementioned Matsumoto and Terayama). Honestly, "Emotion" is even better than the main feature -how insane is that? This is just one unbelievably value packed release, one that everyone needs!

So, yes, it is a very unlikely Criterion release, but kudos to them for taking a chance with this one. It is a film that needs to be seen -I can't imagine anyone NOT having a good time with it. And I really hope it sells well, because there just flat-out aren't many DVD companies releasing these kinds of crazy Japanese films anymore, since Tartan folded. Maybe, just maybe, if we're lucky, we'll all be able to see a Pastoral: To Die in the Country (aka "the greatest film ever made") release from Criterion sometime in our lifetimes....? Well, I can dream. But until that day comes, I'll be watching this one about once a month. Order it today!

Every once in a while you read about a film that it's indescribable and like nothing you've ever seen before. Usually that's hyperbole; it's just a bit offbeat. Not in this case. House (made in 1977) is genuinely like no other film I'd ever seen before, and I loved every minute. The closest in vibe to this film that I've seen is Funky Forest: The First Contact but that one's all over the place, and lacks the continuity of a single strange story like House. It's surreal horror, a hallucinatory and often hilarious supernatural thriller about Japanese schoolgirls who spend their school vacation visiting the aging aunt of their classmate. This is the kind of film you want to see in theaters if you have a chance but barring that see it at home, after it's out on dvd, with an open-minded crowd of friends who dig foreign, cult or arthouse films.

Gorgeous, as she's known, is irate that her father has decided to remarry, and so she invites her friends to stay in the aging and empty country house of her aunt rather than go with her father and his fiancee on vacation. We are introduced to each of her friends, all of whom have nicknames that describe their temperament and character: there is the beautiful Gorgeous, there's the apparently dreamy and gullible Fantasy, the brainy Professor, the always hungry Mac, the musical Melody, and so on. Along the way, on a magical train ride in which the animated fantasy background that shines through the windows of the train seems to resemble a film strip, she tells them how her aunt had once loved a man who promised to come for her after the war, but never returned. When they arrive, their aunt seems a bit too eager to see them, and odd remarks lead to inexplicable occurrences, and pretty soon it's over-the-top scary silly supernatural surreal mayhem. The director seems to delight in retro-styled effects and sight gags, using stop motion and many other inventive techniques to create a fantastic realm of visual jokes and horror. Combining live action and animation, the film transcends kitch and schlockiness into a realm of cinematic magic, that draws upon Japanese magical traditions of Yokai and witches and vengeful ghosts, but also evokes the era in which it was made, and appears to be making fun of a certain kind of depiction of youth in cinema. Fun stuff, and exciting to see that Criterion is releasing it (not surprising given that Janus films is supervising the current critically acclaimed theatrical rerelease).

Here's what to expect on the 1-disc Criterion set:

-a new, restored high-definition digital transfer (with uncompressed monaural soundtrack on the Blu-ray edition)

-a video piece featuring interviews with director Nobuhiko Obayashi, story scenarist and daughter of the director Chigumi Obayashi, and screenwriter Chiho Katsura

-Emotion, a 1966 experimental film by Obayashi

-a new video appreciation by director Ti West (House of the Devil)

-the theatrical trailer

-new and improved English subtitle translation

-and an essay by film critic Chuck Stephens

Buy House (The Criterion Collection) (1977) Now



Video review by future world famous serial killer Christopher Mackshere.

Read Best Reviews of House (The Criterion Collection) (1977) Here

There is very little I could say about House to do it justice. It is such a unique film that anything I say about it will be misleading. Suffice it to say that in a world where the same movie is remade over and over and over House is something that appears to be completely original. It is also extremely entertaining. I am grateful to the Criterion Collection for bringing this outstanding film to my attention. If you are reading this page then your curiosity is already sparked. If you find yourself interested in watching an extremely absurd and funny horror/art film with great visuals, then you cannot go wrong buying this DVD.

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The people who are giving this movie bad reviews need to loosen up. This movie is great. The most amazing 70's visual effects I have seen besides Star Wars... If you are in to the "vintage 70's film look", Michel Gondry, Japanese pop art, 70's horror movies, Phsycedelic art, ect.., you will love this! And NO you do not have to be high to love this, you just have to have good taste.

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