New Comedy Movies

Showing posts with label nepali movie online. Show all posts

Clerks (15th Anniversary Edition) (1994)

One of my favorite films of all time... and they've given it the deluxe treatment with this 3-disc set. Here are the details from Kevin Smith's View Askew website about this new edition:

The 93 minute "Clerks" Theatrical cutAll new HiDef transfer from 16mm IP supervised by Dave Klein with all-new 5.1 Skywalker Sound remix supervised by Scott Mosier, includes original commentary track from laser disc/initial DVD release

The 103 minute "Clerks" IFFM First Cut, includes all-new audio/video commentary track with Kevin, Scott, Jeff Anderson, Brian O'Halloran and Jason Mewes.

The 95 minute "The Snowball Effect: The Story of Clerks" Brand Spanking New Documentary that inteviews almost everybody who ever had something to do with "Clerks"

The MTV Jay and Silent Bob shorts that everyone's been crying for us to put on a DVD for years now

The Arclight 10th Anniversary Q&A with Brian, Jeff, Marilyn, Scott, Dave, Mewes, and Kevin

Lots of new video intros.

"The Flying Car" short from the Tonight Show (re-telecined in HiDef).

The Original theatrical trailer

"Can't Even Tell" Music Video

The original Jeff, Brian, and Marilyn and Ernie O'Donnell audition tapes

The brand new, seven minute animated "Lost Scene" short

Expansive Still Photo Gallery

'Clerks' Trivia track

Original 168-page original first draft screenplay

Kevin's 'Clerks' Journal

Kevin's 'Sundance' Journal

Peter Broderick's 1992 article "The ABC's of No-Budget Filmmaking" that inspired the budget for 'Clerks'

Peter Broderick's followup article "Learning from Low-Budgets" a year later that does the same treatment on 'Clerks'

Amy Taubin's Village Voice article on the 1991 IFFM and 'Slacker' that inspired Kevin to take 'Clerks' to the IFFM

Amy Taubin's Village Voice article on the 1993 IFFM about 'Clerks' being the gem of the festival.

Janet Maslin's 1994 New York Times review of 'Clerks' entitled "At a Convenience Store, Coolness To Go"

The entire John Pierson 'The Odd Couple: Sundance 1994" Chapter from 'Spike Mike Reloaded' book

The original Kevin-penned IFFM program note

The original Bob Hawk-penned 1994 Sundance Film Festival program note.

"Mae Day" Kevin and Scott's Vancouver Film School documentary short.

Clerks rules. Kevin Smith is a genius. I try to think of what the most expensive part of this movie was. My guess is that the hockey game is, due to licensing fees. Who knows? Either way, this movie shows what can be done with a great script and just under 30k dollars.

To me, some of the greatest things in the movie are the little errors were people might trip on a word for a second. That's so real, that it give the movie a sense of reality that is missing in so many other movies. People have complained that Randall sounds like he's reading from cue cards. So what! Haven't you ever met anyone like that? I have.

Jay and Silent Bob are the kings of loitering. What class they possess. Dante and Randall are a shining example of what can happen to you after working too long in a convience and rental store, respectively.

There is nothing far fetched about the story of a guy having a bad day at work. I had many days almost that bad when I did retail. The dialogue is brilliant. Nice little insights about life and your place in it.

After hearing a little of the story you forget that the movie is in black and white, and you don't care because it's so good. If you are a Kevin Smith/Silent Bob fan and have not seen Clerks yet... Get it! If you've watched Mallrats or Dogma without seeing this you're missing out.

Great soundtrack, very cool Soul Asylum video, neat extras. This is one of the best comedy movies out there.

Buy Clerks (15th Anniversary Edition) (1994) Now

Being a *huge* Kevin Smith fan, I felt the need to list the specs of this highly anticipitated special edition...

Disc One: The 93-minute theatrical cut in anamorphic widescreen (from a new HD transfer of the 16mm interpositive, supervised by DP Dave Klein), all-new DD5.1 remix (supervised by producer Scott Mosier and completed at Skywalker Sound), original commentary track from the previous Clerks release.

Disc Two: The 103-minute initial cut (from a video source) screened at the IFFM, all-new audio/video commentary track (with Kevin Smith, Scott, Jeff Anderson, Brian O'Halloran and Jason Mewes).

Disc Three: "The Snowball Effect: The Story of Clerks" 95-minute documentary, newly-animated "Lost Scene" short, new video intros, audition tapes, Clerks trivia track, "Mae Day: The Crumbling of a Documentary" student film project, Arclight Cinemas 10th anniversary Q&A, MTV's Jay and Silent Bob shorts (!), "The Flying Car" short from The Tonight Show, extensive still gallery, theatrical trailer, "Can't Even Tell" music video, 168-page original first draft screenplay, Kevin's 'Clerks' Journal, Kevin's 'Sundance' Journal, original IFFM program note, original 1994 Sundance Film Festival program note, lots of print articles (Peter Broderick's "The ABC's of No-Budget Filmmaking" that inspired Kevin, Peter Broderick's "Learning from Low-Budgets" which cited Clerks a year later, Amy Taubin's 1991 Village Voice article on the IFFM and Slacker, Amy Taubin's 1993 Village Voice article on the IFFM and Clerks, Janet Maslin's 1994 New York Times Clerks review, "The Odd Couple: Sundance 1994" chapter from John Pierson's Spike Mike Reloaded) and a very cool booklet.

Read Best Reviews of Clerks (15th Anniversary Edition) (1994) Here

I watched Clerks last night on video with my wife after putting it off for a couple of years. This is a very funny movie. There is no plot per se, but essentially the movie centers around Dante, the convenience store clerk who has no direction in life and dreams about dumping his girlfriend Veronica, who is combative but loyal and caring, for his ex-girlfriend Caitlin, who cheated on him repeatedly when they were dating. His buddy Randall, who works (sort of) at the nearby video store is the ultimate cool guy whose zen like observations about Dante's life are so on the mark. Clerks is filled with funny and vulgar exchanges that I cannot repeat here, ... . Also memorable is Silent Bob, played by the film maker Kevin Smith, who speaks only once but has the most profound line in the entire movie. The girl who plays Veronica reminded me of Marisa Tomei in My Cousin Vinny. My favorite scenes: 1) the chewing gum salesman trying to turn kids off of cigarette smoking, 2) the man who wants to use the rest room, 3) Randall ordering porno flicks over the phone in the presence of a young lady and her daughter, and 4) Dante and Veronica talking about how many people they have been with and their argument that ensues from it. Clerks is a Gen-X classic best appreciated by high schoolers and those in their 20's, but even an old codger of 31 like myself can enjoy it too.

Want Clerks (15th Anniversary Edition) (1994) Discount?

Clerks was made on a low budget and it shows, but it's still much more enjoyable, witty, smart, and hilarious than numerous movies on a big budget. The movie follows a day in the lives of two "clerks", one in a convience store (Dante) and one in the "crappy video store" (Randall). The story centers around Dante's troubled love life: he's has a girlfriend he loves (Veronica), but he longs for an ex-girlfriend (Caitlin) who cheated on him numerous times. Dante finds out his ex is engaged and tries desperately to find out if it's true and why he wasn't informed before hand. In the midst of this, Randall and Dante discuss Star Wars, make clever observations on life and the world around them, go to a wake that ends with Dante and Randall being chased out of the funeral home by a mob of angry guests, play hockey on the convience store roof, and put up with some clueless and annoying customers ("You expect me to drink this coffee hot?").

The dialog from writer/director Kevin Smith carries the movie as there is little action, but it works. You get a sense that the characters are real people as opposed to many movies in which the characters are empty and emotionless. Dante and Randall are smart and witty, and you get the sense that they have some kind of great talent that they don't know what to do with. Dante is especially unsure of what he wants to do with his life, and it takes Randall to point him towards the source of his problems. Anyone who has worked retail (including me) can relate to some of the annoying customers and how at times the job can become mind-numbingly and painfully boring.

I will not spoil the most notable scene for those that haven't seen the film. It happens off screen, but will still leave you with a look of shock when you find out what happened. Clerks is not for those who are easily offended by strong language or those uncomfortable with talk about sex (including "snowballing" and deadly means of self-gratification). But the movie works without resorting to crude, sickening humor. And of course, the infamous Jay and Silent Bob make their debut. This is a must-see for Kevin Smith fans and a great place to start if you want to get into Kevin Smith's work.

Save 6% Off

Late Bloomers (2011)

In spite of William Hurt and Isabella Rossellini, it's quite dull to watch. Too much attention is paid to how things look instead of how fluently the story is told. There doesn't seem to be enough depth to a narrative that offers so much potential for development. Some scenes are nice but as a whole the movie doesn't come together.

Bought it because of the cast, hadn't heard anything about it and figured this would be a so-so film. Was pleasantly surprised to find this was a real hit with me and hubby who usually isn't into 'chick flicks'.

Buy Late Bloomers (2011) Now

An American Carol (2008)

Bought this dvd in our base PX on Xmas. I had watched this while doing night shift in the commo cell, and I couldn't stop cracking up. The homage to George Romero with Dennis Hopper (who played in Romero's "Land of the Dead") and General Patton fighting ACLU zombies was priceless. The performances of Robert Davi, Serdar Kalsin, and Geoffrey Arend as the terrorists, Aziz, Ahmed, and Mohammed were wonderfully rememnisant of the old World War II-era Three Stooges classics like "They Stooge To Conga" where the Stooges lampooned the Nazis just as Davi, Kalsin, and Arend lampoons the IslamoNazis. The University scene was all too true, especially with my experience in college dealing with faculty who were still stuck in the '60's. And finally, Trace Atkins' "Angel of Death" and the scene of Hollywood after the IslamoNazis take over was great. Aside from the comedy value, the scenes of alternate history that would have resulted if the advice of Micheal Moore and the liberals was followed, such as in the Civil war or World War II, can make one think.

Notable mentions is Kevin Farley's protrayal as Micheal Moore (Malone) as buffonish, arrogant, hardheaded, selfish, and inconsiderate were right on the mark given reports of Moore's arrogance in real life. Kelsey Grammer was great as General Patton and Jon Voight's protrayal of George Washington was really touching. Dennis Hopper was one good choice that made the George Romero homage scene work (Ken Forre would have been good too and Duane Jones would have been perfect but he's sadly deceased) and it was a good surprise to see regular tough-guy actor Robert Davi can do comedy as a modern day Moe. I don't expect liberals to like it as my dealings with them have shown me that they have no sense of humor whatsoever, but I highly recommend it. I think it would be best enjoyed with a showing of "Team America."

The Amazon review above is an excellent example of why this movie wasn't reviewed by the critics who all tend to be very left leaning. Simply, it would have been grossly panned by them. I liked the movie very much. As a matter of fact, the audience in the theatre was laughing hysterically throughout most of the movie. I had tears in my eyes from laughing too hard! Yes, it had a couple of slow moments, as every movie does. It is both entertaining and refreshing compared to the liberal mantra thats usually presented. Seeing a movie that leans to the right, and sends a few zings to the left was a real pleasure. And, a funny movie too!

Buy An American Carol (2008) Now

I saw the premire of this movie while attending the Republican National Convention in Minneapolis. If you are a right leaning person, you will love this movie. While it didn't do very well at the box office, I believe that the DVD sales for it will be very good. Every conservative should own a copy for two reasons: 1)We need to support movies like this so Hollywood wont be scared to make conservative movies, and 2)The movie slays so many liberal sacred cows. This is a very politically incorrect movie. I had a great time watching it and I look forward to the DVD release.

UPDATE: I purchased the DVD from a Best Buy on the release date and it was almost sold out by 2 P.M. Great!

Read Best Reviews of An American Carol (2008) Here

Finally we get a movie SATIRE that spoofs those sacred COWS like Michael Moore and Rosie O'Donnell (how'd that variety show work out there "funny girl"?).

The movie is what it is, a lampoon of mainly the looney left and it takes some shots at the right as well, but the intent was to peel the scab off of the phony elitist, we know what's best for you crowd.

Some out and out belly laughs and was enjoyable as all heck (must be politically correct) and you can watch it with your liberal and conservative friends as everyone with a brain stem should realize that it is SATIRE and nothing else.

If you want great cinema, go rent one of those long and boring 4 hour long movies that hollyweird loves so much, the ones with the great reviews and Oscar nods, that do nothing at the box office.

This did fairly well for the little publicity it got as many gutless networks wouldn't sell time to the indy distributor but they had nightly Obama hour long lovefests (see NBC, MSDNC, CBS, ABC, PBS), but that would make Hollyweird and their media friends the "typical" gutless crowd that we know they are.

Grab some popcorn and invite ALL your friends over from both sides and laugh a while, you are allowed too.

Want An American Carol (2008) Discount?

Be warned there may be unintentional spoilers.

One thing I must mention before getting to the review is the amount of negative criticism aimed at this movie. It is probably the only movie supporting pro-American sentiments among the plethora of anti-American ones. And like pigs to the slaughter, liberals beat this thing down like like a whack-a-mole game. But when conservatives assert their views over liberally biased movies and news/television shows, we are considered ignorant, stupid, unintelligent, (apologies for redundancy). Thank you Zucker for this film, and it's too bad you decided against a sequel. It doesn't help that this movie was shown in an extremely small amount of theaters, thus assisting in its money shortage. Yet movies with liberal bias can't find enough theaters to infest. Now on with the review.

In short, I liked this movie. It was short, entertaining, and quick with the humor, both verbal and slapstick. Farley acts in comparison with his late brother, the only thing that may have made this better, would have been seeing David Spade by his side. I always hoped Kevin would gain a staring role. Maybe this will help him, maybe it will hurt him. This movie doesn't preach war mongering, but the idea of fighting is suggested as needed at the right times. This movie is a conservatively biased movie, yet they use John F. Kennedy, a Democratic President, as a Jacob Marleyesque character. Conservatives are not out to destroy the world, they simply accept that like a school yard bully, words are not always the answer, but they can be a good place to start.

Like "A Christmas Carol" Farly's character deals with three ghosts, Kelsey Grammers ghost being the one most seen. In the end, like in Dickins original, Farley sees the "error" (obviously depends on your political views)of his ways and changes, thus avoiding death and saving the lives of 20,000 people at Madison Square Garden after inadvertently assisting a terrorist earlier on and throughout the course of the film.

The overall plot is silly, and if you read too hard into it, you may have trouble enjoying it. But in my opinion this is a must see for conservatives, especially if you have had enough of the America bashing Hollywood scene.

P.S. College professors beware, there are insults aimed at you during the course of this movie.

Save 77% Off

The Joneses (2010)

"The Joneses" doesn't hit as hard as it thinks it does. The satire is all on the surface and because the film plays it much to safe, it ends up not really saying anything that important. While the performances by David Duchovny and Demi Moore are solid and the high production values make the film easy to digest, it's fantastic high concept is lost on a plot that really goes nowhere. Now, a lot of people are giving the film flack for it's ending, but I think that is where the films strength really lays. When the film is showing what consumerism and greed really does to these people (the fake family as well as real ones) is where "The Joneses" works best. When writer/director Derrick Borte takes the film into darker territory (a gay bashing sequence, a suicide, a predatory Amber Heard) it gives the film a bit more edge. Overall, it's all really quite harmless and it goes down easy enough to be worth a viewing. It's just a shame the filmmakers didn't take more risks because they had a hell of a concept here.

Not since American Beauty has such a film really nailed making a distinctly and delicately nuanced point about human behavior. In today's fake world --fake from otherwise unsalable chicken parts pressed into the meat called chicken nuggets to toilet paper manufacturers cutting the size of the toilet roll down more and more while at the same time jacking up the price --it seems everything is unfortunately subject to much closer scrutiny than in the past. I was born in 1956 and from 15 on grew up near Rushville, Indiana, so I can still remember when the work ethic was strong and people actually believed and helped one another. It was a time of you did and meant what you said. This film brilliantly reflects just how far we have come from that long ago era.

David Duchovny and Demi Moore really shine as Steve and Kate Jones, a couple who move into an upscale community, complete with all the coollest gadgets, toys and cars. They look like such a NICE couple, like the kind you remember from Normal Rockwell paintings, or from the Andy Griffith show in the early 1960s. Just nice, honorable, pleasant people, the kind you'd want to have as your next door neighbors. But things are not as they seem. Without giving away the plot --which is really refreshingly unusual --we soon find that we do indeed need to be skeptical of them. But everyone in their neighborhood is totally taken in, and soon they are all competing with the Joneses to keep up with or even surpass them, with some distastrous and painful results.

Gary Cole, a highly underrated actor --he was fabulous years ago as the convicted killer Jeffrey Macdonald --brings touching tenderness to a role that could merely have served as a plot device. Glenne Headly as his wife is equally great as a woman desperate to make a career of home sales. The scene where they are in bed together is painful to watch, as both actors do a really excellent job of showing a couple who have long since passed the point of emotionally looking together in the same direction.

But the film is really carried by David Duchovny and Demi Moore. Their reaction shots to each other and the way they play off each other is quite breathtaking to watch, as opposed to many of today's prettier and younger actors who are barely competent. Duchovny has come a long way in my opinion since the pilot of The X-Files. His used car salesman Steve Jones who has fallen into a great money job and yet develops a late-blooming conscience is believable from start to finish. Demi Moore, a really great actress who in my opinion made some bad career choices the the '90s that held her back for awhile, gives a strong performance as a woman who for the first time is confronting the ethics of what she does for a living and believably goes back and forth about it. Duchovny's character causes her to think, and the thinking he evokes awakens in her the compassion she never before paid attention to. That is why the scene in which she comforts Amber Heard, the actress who plays her daughter, is both touching and understandable.

Many reviewers in the press seem to think the movie cops out in the ending. I thought it was all tied up too neatly, but the message of redeem yourself before it's too late I thought was a an excellent one. It seems to me that this film was a rarity in that it asks you to question who you are, rather than what you do or don't have. In a world of shoot 'em up/crash 'em up/kill 'em up movies that are little more than product placement and/or mindless vapid so-called entertainment, this film makes you THINK. And in my opinion, a film that makes you think is a very good thing.

Buy The Joneses (2010) Now

I hate to give this movie only three stars because I agree strongly with its message and admired its aspirations.

The Joneses is about a family (David Duchovny, Demi Moore, Amber Heard, Ben Hollingsworth) that moves into town. They're a beautiful family, a perfect family, with cool children and all the right products. So of course, seeing them, you naturally want what they have, you want to be them, and how better to be them than to buy the products they own, which they will so gladly and frequently tell you about.

If you've heard of stealth marketing (e.g., where popular high school students are given products by a company so that other less popular students will see this and also want the same product) you will figure out within the first few minutes of the film what the story is about. And you will be way ahead of the filmmakers, who continue to reveal the information in a way that shows they don't realize you've gotten it.

The movie is also about the neighbors (Gary Cole, Glenne Headly), who represent all of us, and who fall for the ruse, with tragic consequences.

This movie has the aspirations of a Truman Show or of a great novel. It tries to add some complexity into the mix by showing how human needs and motivations can disrupt even the best corporate schemes. It creates many admirable questions: In a society based on capitalism can you trust that the salesperson or even your neighbor is telling you the truth? Those products you see your neighbors using: did they even pay for those with their own money? Why do we allow corporations to do this? How is it some people are willing to lie and manipulate others so ruthlessly? What are the consequences to society of allowing our corporations to engage in this behavior?

But those aspirations are only partly achieved. The motivations of the characters are not filled in, as if the movie were taken from a novel and had not enough screen time to do the characters justice. The cathartic moments aren't cathartic because they haven't been set up properly and the chemistry between Duchovny and Moore is unconvincing. The tragedies are more paint-by-numbers than actually creating any emotion in the audience.

So, the movie is about capitalism and stealth marketing. But, finally, it's also about us: Do we have the intelligence, integrity, and strength to neither contribute to, nor fall for, the constant and ever-evolving forms of corporate manipulation?

Three stars.

Read Best Reviews of The Joneses (2010) Here

I did like this movie but I do not have a review. Instead I think I have the answer to a question I have seen expressed by other people.

We have all wondered what is the name of the perfume that Kate allows her fake daughter to use and I think either one of these is the correct answer:

L'Artisan Parfumeur La Chasse aux Papillons Extrême Eau de Parfum

or

L'Artisan Parfumeur Nuit de Tubéreuse Eau de Parfum

Want The Joneses (2010) Discount?

My daughter first introduced me to the movie via rental after it first came out and I thoroughly enjoyed it with her. About a month ago, a group of friends/family and I were discussing it and I decided to make it a purchase and to get one for my other daughter who lives out of town and had yet to see it. My movies arrived a little earlier than I expected and I was able to send it immediately on to my out of town daughter and since then, she and her husband have enjoyed this movie as much as we have at my house.

Thanks for the excellent service in getting my movies to me and my out of town family! And, at a good price too, I must say! :)

Save 47% Off

Hit & Run (Blu-ray + DVD + Digital Copy + UltraViolet) (2012)

Charles (Dax Shepard), not his real name, is in the Witness Protection Program (WPP) in the sleepy little town of Milton. Randy (Tom Arnold) who is a fallen from grace, inept federal marshal is assigned to watch over him. Annie (Kristen Bell) is Charles' girlfriend. She knows he is in the Program, but not the details. Gil (Michael Rosenbaum) is Annie's ex-bf who is still in love with her.

When Annie gets offered a job in LA, Charles insists she go take it, and he opts to drive her himself in his 700 HP "suicide doors" Lincoln. They are chased by Gil, Randy, Gil's brother Terry (Jess Rowland) who is a gay policeman, and bad guy Alex (Bradley Cooper), the reason why Charles is in the WPP to begin with.

The film turns into "Smokey and the Bandit" with gun fire. The unorthodox relationship of the two stars is the heart of the film. Annie is an expert in solving non-violent conflict solutions and Charles is...well let's say he is trying.

The second half of the film digresses. I won't say it falls off a cliff, but it could have been done better in this romantic action/comedy.

Parental Guide: F-bombs, some really ugly nudity, male nudity.

Charlie is in a Witness Protection program, after he ratted out his gang members, who are all bank-robbers. His location is in California as he tries to keep a low profile. But then, he meets Annie, who is a professor and on the verge of losing her job. Charlie falls in love with Annie, and he follows her to L.A., where she seeks a new job. The drama begins as Charlie steps out of his Protective boundary,and all hell breaks loose as the chase begins. A former friend, also a marshal, and a member of his bank-robber gang go after Charlie at full-speed. Most of the scenes are very funny, and some laugh-out-loud entertainment, combined with romance. Superb acting performance, and just enough action. A great summer movie to enjoy. Highly recommended to all comedy lovers!

Buy Hit & Run (Blu-ray + DVD + Digital Copy + UltraViolet) (2012) Now

This movie is one of the best movies of the summer I have watched 3 times in 8 days very well made movie I think the the ending could have been better but other then that I will buy it when it comes out

Read Best Reviews of Hit & Run (Blu-ray + DVD + Digital Copy + UltraViolet) (2012) Here

Not too many movies around that have this kind of exuberance. This moves like a freight train but you might not want to get out of the way.

Here's the scoop. Yul Perkins (writer/director Dax Shepard) is in the witness protection program with Tom Arnold as his protector. His girlfriend Annie Bean (Kristen Bell) has received a once in a lifetime job offer in Los Angeles. Does Yul break cover for the girl he loves, and if he does, what are the consequences?

I found this entirely engaging. The set up is pretty basic, but, as in any good plot, the details are doled out slowly so the picture becomes more subtle and involved as things progress. Yul is a cool character. He is truly trying to turn his life around and his girl Annie is a big part of that. They have some very witty, Tarantino-esque conversations. They feel good together. The other characters are written well also. Brad Cooper, as Alex Dimitri, is a real card. Too many movies write their villains as shallow, and/or stupid tough guys. He's anything but. His dog food scene alone is worth the price of admission. About the weakest link here is Tom Arnold. I like Tom Arnold. He plays a good second banana, but he is simply too inept to be a Federal Marshall. This is a crazy bunch of people with their own back stories, but the way all the factions come together is really cool and unexpected. Yes there's tension but these folks aren't just shooting at each other and threatening each other. They're having these really great conversations. The car chase scenes are directed really well. Car chases are such old news, it's always good to see some that rise above the fray.

This is a way fun movie. It's tense, funny, clever, well acted and well directed. Is it great art? No. But it delivers, in spades, what it sets out to deliver.

Want Hit & Run (Blu-ray + DVD + Digital Copy + UltraViolet) (2012) Discount?

Billed as an action film and it certainly has that element it's at its core a touchy-feely romance comedy, with a very sweet, pro-human attitude. If you can, watch the first two minutes; if you like them, you'll like the movie as a whole. I'm in line for whatever Dax Shepard writes next.

Save 43% Off

Down by Law (The Criterion Collection) (1986)

This "Down By Law" DVD is a perfect example of why I love the Criterion Collection's catalog. First off, the film looks and sounds fantastic. If you are familiar with this film, you are aware of Lurie's incredible soundtrack. The DVD does not disappoint. Visually, it is stunning. If this DVD package only delivered these elements, I would be happy. But, this DVD is filled to the gills with extras. Not only are there extras, but a double disk of extras! Remember, this is "Down By Law", not LOTR, Star Wars I, etc. This is a borderline cult/ art house film with a small, but strong fan base. Never, never, never would another company pour as much love and energy for the DVD of a film of this type. Take for example "Stranger than Paradise:" no face lift and no extras. "Down By Law" DVD notables: the entire Cannes press conference, Lurie interview for French TV in 1986 plus his 2002 commentary on his interview, extensive audio tracks of Jim Jarmusch discussing the film and answering fans QA (sent from the Criterion web site Was Tom Waits really drunk? What does 'Down By Law' mean?), Robby Muller interview, Tom Waits video directed by Jarmusch with commentary, etc. etc, etc.

If you are a fan, there is no reason to miss this one. If you are curious about Jim Jarmusch as a director, this is the DVD to start on. A flawless package.

I can't say enough good things about the "Down By Law" Criterion DVD! The high-definition digital film transfer is wonderful and it really shows off Robby Muller's breathtaking b/w camera work. The DVD has 2 discs and the packaging is well done. The first disc contains the film itself and the second disc is packed full of goodies such as the insightful "Thoughts & Reflections" from director Jim Jarmusch, a "2002 Video Interview" with director of photography Robby Muller, "1986 Cannes Film Festival Press Conference" with Jarmusch and cast members John Lurie, Roberto Benigni & Nicoletta Braschi that is fun to watch, a great "1986 Interview" with John Lurie + his hilarious commentary on the interview, a bunch of film "Outtakes" which feature some great never before seen bits (especially with Lurie!) a terrific Tom Waits music video for "It's All Right With Me" also directed by Jarmusch and 3 wonderful recorded phone conversations from 2002 that Jarmusch had with Waits, Benigni and Lurie about making "Down By Law", etc.

The extras on the DVD give an intimate view of this very personal film and are amazing to watch and listen to. It's so complete that I can't imagine what else could be added to the Criterion release to make it more perfect. Many years from now when Jarmusch and the cast have left this sad and beautiful world, this gem will no doubt be a priceless look at one of the best American films ever made by one of America's best directors. Fantastic! One of the best films Criterion has released.

Buy Down by Law (The Criterion Collection) (1986) Now

I haven't seen all of Jarmusch's films, but I've seen plenty (Ghost Dog, Mystery Train, Stranger than Paradise, Dead Man) to know this is probably gonna go down as my favorite of them all. Jarmusch and photographer Mueller do a brilliant job setting everything up. Its style is as classic and effective as the film noirs of the 1950s, including the seedy characters, the dialogue, and the moody jazz courtesy of John Lurie, one of the film's stars. Story wise, we're dealing with two lowlifes, a pimp and a recently fired DJ, who don't know each other, who are each set up and sent to prison for crimes they didn't commit. They are thrown in a cell together, and eventually an Italian who accidentally killed a man after cheating at a game of cards (hit him with an 8-ball--CLASSIC!) and find a way to escape. John Lurie is the pimp, Tom Waits is the DJ, and Robert Benigni makes his American film debut as Bob, the Italian. (Ironically, he is the kindest, funniest, most jovial of the trio, yet he is the only one who actually is guilty of the crime he's in for).

I've read the other reviews, and I'm dissapointed in why some people don't like the film. First off, I believe that Criterion has once again given us a top of the line DVD transfer. The extras are great for folks that are into the "hows" and "whys" of a film, as I am, and the transfer itself is clear and beautiful to watch.

The acting may not be the best (Lurie was adequite), the dialogue and storyline are right out of the 50s, and help the mood of the entire thing. The characters are introduced perfectly so that we don't really need to know why they're being set-up. Our imagination can do the walking for us there. We know they're both kind of shady guys, and there are any number of reasons why someone would wanna see them put away, or use them so that someone else doesn't get caught.

And as far as the reviewer wondering why we don't see the dogs, only hear them; don't see the escape, only the afterwards; and don't see the prison, only their cell, the answer is simple: its an indie film made before indie's were all the rage. Jarmusch could only afford so much, and I find that he did an incredible job giving us all the necessary information without having to show us everything that was going on. The only thing I might raise an eyebrow to is Bob and Nicoletta (Benigni's real life wife) falling in love in under an hour or two. But hey, sometimes, if its worth it, you gotta suspend reality. The chemistry between the two characters is enough for me to believe they're in love, so who am I to argue!

All in all, this is one of my favorite movies to watch. Criterion did a great job with this DVD, and at the very least, its a fun flick in the noir tradition, with a bit of a smart-ass underworld, beatnick edge to it.

...but that's just my opinion. I could be wrong.

Read Best Reviews of Down by Law (The Criterion Collection) (1986) Here

This unique and original film is a personal masterpiece, a real sleeper. I'd recommed it to anyone interested in non-formula American cinema in general, and fans of the macabre. It ranks up there with some of the better black and white movies of recent times, in the mold of Woody Allen's "Manhattan".

What made this film great for me, was that the director masterly chose to leave out extraneous footage and instead keep our focus on character development much the way Jean Luc Goddard does. Indeed Goddard's stamp is felt everywhere in this picture, which is why I liked it so much. This is America's answer to neorealism and done very well. The fact that we don't really see exactly how the main characters escape from prison, nor do we see how Zack rescues Bob from his fear of swimming add (rather than detract from) the plot, and give us more time with the personal nature of the characters, their "everyday chit-chat", etc, is what gives this film its charm. I won't give away the ending, but even that is told in an unorthodox manner, which is a breath of fresh air from formula Holywood films.

The acting is surprisingly naturalistic and believable, and Tom Waits gives an especially brilliant performance here. Roberto Bernini is hilarious as the sort of comic sidekick to the two streetwise contenders of the trio this is a truly original chemistry of character mixes, and the film could have taken the more traditional path of "straight-guy/goofy-guy" as in Laurel & Hardy or Abbot & Costello, but instead wisely opts to break new ground by having two "straight" characters that battle it out for leadership.

The "We All Scream for Ice Cream" segment is one of the funniest bits I've seen in a film in years and should be one of those rare legendary film icons by this point.

The DVD transfer is wonderful a crisp, clean print that looks great onscreen. Criterion have done yet another great job here.

This is a gem of a movie and I highly recommed it!

Want Down by Law (The Criterion Collection) (1986) Discount?

Zack (Tom Waits) has just been fired from his job as a DJ and he is thrown out by his girlfriend. Jack (John Lurie) is offered another prostitute under his wings as a pimp by a competitor who wants to make amends. The circumstances lead to both men being framed and they end up sharing a cell in prison. Both men are bitter over their situation and they can hardly stand each others company. One day the peculiar Roberto (Roberto Benigni) is put in the same cell with Jack and Zack. This is the beginning of a new friendship between the three men where Roberto is the glue that holds the friendship together. Down by Law is an intelligent and cynical film that is presented in an anxious societal situation, which provides amusement for the audience.

Save 35% Off

Submarine (2010)

Being a fan of Richard Ayoade from "The Mighty Boosh" and "The IT Crowd," I was eager to check out his feature film debut "Submarine." As the writer and director of this offbeat coming-of-age story, Ayoade demonstrates a deft hand balancing a narrative that is simultaneously outrageous and surprisingly grounded. Championed by Ben Stiller (who takes an executive producer credit), the movie has moments of laugh-out-loud humor to be sure--but it is much more than a conventional teenage romp. I hate using the term quirky as a descriptor. Quirk, as I've often and loudly proclaimed, is the curse of independent cinema. Too many times, eccentric characters and unbelievable situations abound in quirky coming-of-age stories that drain real life relatability out of the comedy. "Submarine," however, employs a real restraint. Its deadpan tone and clever script are its strongest assets in conveying a story that, despite its occasional wackiness, presents identifiable dilemmas and believable protagonists.

Set in contemporary Wales, "Submarine" introduces a high school outsider played by Craig Roberts. Roberts contends with the traditional angst of a boy of fifteen. Trying to navigate the pitfalls of school and, in the process, score his first real girlfriend--Roberts has an understated charm that is pivotal to the success of the film. Even at his most gloriously frustrating, Roberts always holds the story together as one of the most strikingly original heroes I've seen in a while. In addition to his blossoming romance with a very challenging partner, his life faces further upheaval as his parent's marriage seems to be on the brink of destruction. His mother (the always reliable Sally Hawkins) is spending a lot of time with an old paramour who happens to be a neighbor (Paddy Considine). Befuddled dad (Noah Taylor) seems ill-equipped to deal with this new set of circumstances so Roberts becomes both sleuth and mischief maker in a scheme to keep things on track.

In truth, there is nothing in the plotting of "Submarine" that you haven't seen in countless other films. But despite this, the movie still feels very fresh and original. A lot of credit must go to a terrific central performance. But Yasmin Paige as the tough, yet vulnerable, love interest is such a complex and interesting character as well. Hawkins and Taylor make a perfect pair of opposites and Considine has a lot of fun with a new-age self-help psychic ninja shtick (you just have to see the movie). Although quite humorous, this is not always what I would describe as a laugh riot. It has an understated cleverness and much of the amusement derives from uncomfortable situations. If I had to compare the film's sardonic tone to that of another filmmaker, the closest relation in my mind would be Wes Anderson at his most restrained. An easy recommendation, Ayoade has scored a winner and I look forward to future endeavors. KGHarris, 9/11.

It's a short putt from here to a Wes Anderson movie, so if you like Anderson, this should do you just fine.

Here's the scoop. Fourteen year old Oliver Tate is in love with his classmate Jordana Bevan. Oliver's folks are having issues in their marriage and mom's old flame has moved in next door. Oliver feels compelled to get the girl and save his folks' marriage.

This is a quirky flick. Oliver is young and too bright for his age so he comes off as kind of gorpy. Jordana seems nice enough but has a dark side and harbors issues regarding closeness and commitment. Of course Oliver only sees what he wants to see in her because he wants to get in her nickers. His mom seems normal enough but dad is an intellectual stick in the mud. Her old flame is way too into himself and his "New Age" guru travelling show, but he's more alive than dad. This film does much to give the viewer the sense of the craziness one experiences when coming of age. The awkwardness and missteps are all brought to the forefront.

Again, this is a very quirky movie. It's set in Whales and sometimes the accents and Oliver's rapid fire delivery of a line kept me from getting everything, but I enjoyed it just the same. And this is only a happy-ish ending. You get the feeling that Oliver and Jordana, if they move into the future together, might not end up as the storybook happy couple. They both have issues to work on.

This is director Richard Ayoade's first feature length film, but he seems to have already found a voice. This is so good I will easily look forward to seeing his next outing

Buy Submarine (2010) Now

Customer review from the Amazon Vine Program I generally appreciate British humor and quirky comedies, and I really wanted to like this movie because I liked Richard Aoyade so much on "The IT Crowd." (Just to be clear, he's the director of the film; he does not act in it.) It wasn't a bad little movie, but it felt pretty flat overall. The acting was good, and the story was certainly quirky enough (in fact, a bit quirkier than I cared for), but I thought the humor wasn't all that humorous.

What it really reminded me of was one of Wes Anderson's less successful efforts; so imagine what Wes Anderson's take on a coming-of-age film set in a Welsh town...directed on an off day for Wes Anderson...and that's pretty much what "Submarine" is like. If that sounds awesome to you, then, seriously, have at. Otherwise, you should probably pass.

Read Best Reviews of Submarine (2010) Here

This somewhat sweet, somewhat creepy coming of age movie is worth watching for its quirky humor and for the sincere acting of its young cast. It is set in South Wales in the mid-1980s. By way of local color, there are some nice shots of the seashore, the hills, the local junkyards and railway depots and deserted industrial plants.

We meet Oliver, a somewhat thoughtful, somewhat geeky kid of around 15 anxious to avoid bullying, if necessary by joining in against even more vulnerable targets. His love interest is Jordana, a cute classmate with an independent streak. Both of them have problems at home.

Oliver's parents are bizarre, each in their own way. His father seems to be in the grip of clinical depression; his mother is obviously frustrated and somewhat attracted by a creepy neighbor who practices a form of "new age" therapy to do with light. Both are hopelessly awkward and inept with their son.

We learn later that Jordana's mother may die of a brain tumor, though when we meet her, she seems amazingly healthy. This is one aspect of the plot that totally fails to work.

Oliver earns Jordana's respect when he submits to a beating for refusing to call her a "massive slut". But then he loses it by failing to show up at the hospital where her mother has just undergone surgery. The two break up -and we watch Oliver try to go through the painful mournful process we all go through when our first love affair dies. At the same time, he makes increasingly desperate and ill-judged attempts to save his parents' marriage.

In the end, all these matters are resolved and the characters walk off into the sunset.

I quite enjoyed it, my wife did not. I think it's worth watching on an evening when there's nothing on the TV and when you can't stand yet another reality show.

Want Submarine (2010) Discount?

Customer review from the Amazon Vine Program A lot of films strive to 'place' the viewer in the place of the protagonist of the story. To cause the viewer to feel and sympathize with the hero of the film, and cheer him on. It's difficult to think of a film that does just this more productively than 'Submarine'. I went into it knowing nothing about the movie, and came out of it feeling like I had just spent time with a close friend.

Ultimately, 'Submarine' is an exploration of a young man's adolescent failures and tiny successes, but every thought that 'Oliver Tate' (our hero) stammers aloud is met with touches of humor, confusion, anger, conflict, romance and anxiety from both the cast around him and the audience. 'Submarine' is perfectly cast and hits its mark time and time again. I had a great time hanging out with Oliver and his family, and reliving the awkwardness and thrills of young love and adolescence.

A great directorial debut from Richard Ayoade (yes, the guy with the afro on 'The IT Crowd')... I can't wait to see where he takes us next.

Save 37% Off

Tiny Furniture (The Criterion Collection) (2010)

When Lena Dunham's "Tiny Furniture" debuted in 2010, it became somewhat of a critical darling with near unanimous praise from mainstream outlets. Heck, Dunham even won an Independent Spirit Award for its screenplay. While the film is an interesting, if somewhat slight, indie--it probably plays to a more niche market than the critics would have you suspect. Dunham's work (she is its writer, director, and star) and characters ably showcase a combination of post-collegiate ennui and over-educated (and pseudo-intellectual) entitlement. Set in a fashionable New York City young, artistic and urban environment--the film's sardonic tone and cultural critique was sometimes reminiscent (to me) of the works of Whit Stillman (Metropolitan) but with an edgier and more modernized vibe. But the quirky story, which can be quite funny, also achieves a quiet poignancy when you least expect it. I suspect that, in many ways, "Tiny Furniture" will be fairly divisive when discovered by a wider audience. While I do think many will embrace its plentiful charms, I think it will have just as many detractors who might not connect with its core characters.

Dunham plays a recent film school graduate who returns home to live with her mother and sister in New York. Reeling with uncertainty, she has no idea what to do with her life. She reconnects with old friends, take a entry level job, spars with her sister and generally just goes with the flow with a rather apathetic view toward the future. Some of the film's funniest moments are provided by the almost elitist and superior set of friends that Dunham weaves throughout the picture. Kids who have more confidence and entitlement than ambition or talent. This is a world where YouTube has become a proving ground of celebrity, where reading a book is the height of intellectual status. It is a subtle skewering of a generation yet to find a purpose. But although I really enjoyed some of the offbeat humor in these sequences, it is rather stylized and probably not for every taste. The segments of home life are just as interesting, and the final quiet moment between daughter and mother is, perhaps, the film's strongest and most memorable scene.

"Tiny Furniture" is, in no way, a plot-driven piece. If you need a big story, this won't please you. This is a character driven indie that creates a mood and allows its characters to grow and shift in slight, but significant, ways. Dunham, as a writer, has a very specific voice. As an actress, she is unafraid to showcase (and expose) a very personal, and oftentimes unpleasant, side to her persona. And yet, she remains eminently identifiable. I also really liked Laurie Simmons, as her mother, who provides quite a few laughs throughout but whose complexities provide a lot of the film's shadings. While "Tiny Furniture" is not perfect, I really liked its sensibilities which were simultaneously absurd AND real providing for a winning combination. KGHarris, 12/11.

I FULLY ACKNOWLEDGE THAT I HAVE NOT SEEN THE CRITERION BLU RAY. THIS IS A REVIEW OF THE MOVIE ITSELF. I PUT IT OUT HERE, BECAUSE I THINK SO FEW PEOPLE HAVE HEARD OF IT OR KNOW ANYTHING ABOUT IT. TO THOSE WHO THINK WRITING A REVIEW FOR A PRODUCT THAT ISN'T OUT YET IS "BAD"...I APOLOGIZE.

Aura has just finished college in Ohio. Her major is Film Theory. Her boyfriend of 3 years has broken up with her, however. With no job prospects and no love life, she returns to the NYC home of her mother and her gifted younger sister Nadine. She spends a lot of time moping and she half-heartedly restarts a friendship with the far perkier, but clearly spoiled and selfish Charlotte. She takes a low paying job as a day hostess. She half-heartedly dates a Youtube star she meets at a party and she half-heartedly flirts with a good-looking but attached chef at her restaurant.

Aura is utterly aimless...and it is her aimlessness that is the focus of director/writer/star Lena Dunham's TINY FURNITURE. It's a very low-budget film that depicts lots of listless young people doing a lot of whining, navel-gazing and engaging in sharp-edged banter. The movie shows us a very tiny little particular sub-culture of humanity (bored, over-educated, under-employed New York City residents with artistic pretensions). It feels very real and specific...yet the people we meet are extremely aggravating. Some will find them actively upsetting. I found most of them to be beneath getting worked up about...but just low-grade annoyances. And absolutely NOT people I'd want to spend time with.

Aura makes mistakes with both men...but neither of them was right for her anyway. She irritates the heck out of her successful artist mother and has a volatile relationship with her high achieving and oh-so superior teenage sister, who seems to have the drive her intelligent but aimless older sister lacks. She drives away one "good" friend and spends too much time with a "bad" friend.

As I write all this, I realize it makes the movie sound darn near unwatchable. This is not true. Dunham has crafted some very funny dialogue for her characters...and to her credit, the witty remarks actually sound like something these people might say. They are so full of disdain for the world around them, but clearly feel the lack of belonging to that world. The Youtube artist that Aura spends some time with has become "famous" because he's made a series of videos depicting himself riding on a rocking horse while reciting Nietzsche. This has gotten him an agent and some appointments with producers in NYC. Yet it's also earned him no money, and he's essentially homeless in the city while making his rounds. Aura has a degree in film theory, a very passive degree indeed. Not in film production...theory. God forbid she should actually MAKE something. These modest plot turns and observations make TINY FURNITURE some fun to watch.

Dunham does an amusing job playing a character that I sincerely hope is not much like her. She has no shame as an actress...she spends much of the movie lying around her house in a shirt and panties, with her hair unkempt. She just can't make an effort to be presentable...even when she goes out, she appears to deliberately wear unflattering clothing. She has cast her real-life mother as her movie mother and her real life sister as her movie sister. Both performers are okay, but nothing great. But it's amusing see the physical similarities and differences.

TINY FURNITURE is a tiny film (reported budget is $45,000). While only 98 minutes long, it drags in places. Nothing much happens, and next to nothing is resolved. But it's got some wit and a good control of tone. I'm certainly impressed enough to at least be interested in seeing what Dunham does next. This is not a movie for everyone. If you shy away from "indie" or "quirky"...stay far away. But if you're always looking for something new(ish) and offbeat, I think you'll find at least a few satisfying nuggets here.

Buy Tiny Furniture (The Criterion Collection) (2010) Now

If you've enjoyed GIRLS, you will also enjoy this film. I respect what this movie is trying to do, but I cannot endorse it.

This movie is trying to explore the angst and sadness that comes from leaving college and entering the real world. A protected undergraduate world full of academic concerns and intellectual friendships transitioning to an awful job, moving back in with one's family, a realization that the real world is not ivory towers and existential debates. It's a common plight in modern times, and surely many can relate.

I have to say, though, this movie impossible to watch. The characters are "real" in the sense that they are deeply pathetic and depressed. The dialogue is sharp and biting and blatantly (disgustingly) poetic. Mostly the dialogue is awkward, but moreover is incredibly disrespectful and antagonist. The characters are so thoroughly misdirected and unpleasant, it's not worth describing them as "real". Rather, they are caricatures of angst, depression, and loneliness. I have never met "real" people who are as consistently making such stupid decisions and who have such little respect for other human beings. Also, "real" people smile sometimes.

The whole movie is ugly: wallowing in pathos with no real plot or direction. And that's the whole point.

Read Best Reviews of Tiny Furniture (The Criterion Collection) (2010) Here

When Lena Dunham's "Tiny Furniture" debuted in 2010, it became somewhat of a critical darling with near unanimous praise from mainstream outlets. Heck, Dunham even won an Independent Spirit Award for its screenplay. While the film is an interesting, if somewhat slight, indie--it probably plays to a more niche market than the critics would have you suspect. In that way, it seems an ideal choice for a boutique Criterion presentation. Dunham's work (she is its writer, director, and star) and characters ably showcase a combination of post-collegiate ennui and over-educated (and pseudo-intellectual) entitlement. Set in a fashionable New York City young, artistic and urban environment--the film's sardonic tone and cultural critique was sometimes reminiscent (to me) of the works of Whit Stillman (Metropolitan) but with an edgier and more modernized vibe. But the quirky story, which can be quite funny, also achieves a quiet poignancy when you least expect it. I suspect that, in many ways, "Tiny Furniture" will be fairly divisive when discovered by a wider audience. While I do think many will embrace its plentiful charms, I think it will have just as many detractors who might not connect with its core characters.

Dunham plays a recent film school graduate who returns home to live with her mother and sister in New York. Reeling with uncertainty, she has no idea what to do with her life. She reconnects with old friends, take a entry level job, spars with her sister and generally just goes with the flow with a rather apathetic view toward the future. Some of the film's funniest moments are provided by the almost elitist and superior set of friends that Dunham weaves throughout the picture. Kids who have more confidence and entitlement than ambition or talent. This is a world where YouTube has become a proving ground of celebrity, where reading a book is the height of intellectual status. It is a subtle skewering of a generation yet to find a purpose. But although I really enjoyed some of the offbeat humor in these sequences, it is rather stylized and probably not for every taste. The segments of home life are just as interesting, and the final quiet moment between daughter and mother is, perhaps, the film's strongest and most memorable scene.

"Tiny Furniture" is, in no way, a plot-driven piece. If you need a big story, this won't please you. This is a character driven indie that creates a mood and allows its characters to grow and shift in slight, but significant, ways. Dunham, as a writer, has a very specific voice. As an actress, she is unafraid to showcase (and expose) a very personal, and oftentimes unpleasant, side to her persona. And yet, she remains eminently identifiable. I also really liked Laurie Simmons, as her mother, who provides quite a few laughs throughout but whose complexities provide a lot of the film's shadings. While "Tiny Furniture" is not perfect, I really liked its sensibilities which were simultaneously absurd AND real providing for a winning combination.

The Criterion release is a real showcase for Dunham. Her 2009 hour-long feature "Creative Nonfiction" is included in its entirety. Sharing some of the same themes as "Tiny Furniture," the film looks and feels a bit more amateurish but highlights Dunham's deadpan comedic timing and is surprisingly funny and engaging. The presentation also includes four short films by Dunham, an interview with writer/director Paul Schrader, and Nora Ephron's interview with Dunham. Even though "Tiny Furniture" is a micro-budget indie, Dunham already has Hollywood heavyweights Schrader and Ephron acknowledging her work. I say that bodes well for this promising filmmaker, and I look forward to what others stories she has to tell. KGHarris, 12/11.

Want Tiny Furniture (The Criterion Collection) (2010) Discount?

When Criterion announced this title, I was intrigued. The film generated some good buzz at Sundance (or SXSW), and Lena Dunham has a show on HBO now. After seeing this film, Criterion should rethink their criteria after this film because this film doesn't belong in the same catalog as masterworks of Fellini, Kurosawa, Antonioni, Visconti, Ford, etc., etc.. It doesn't even come close, and it's an insult to every serious film goer on the planet.

I don't think this film is the worst thing I've ever seen, but it is not a very good film, either. It's barely a mediocre one. It becomes more and more boring as it progresses, and aside from a few funny lines and good widescreen framing, it's an immensely dull exercise. Most of the acting borders on grating, and many of the characters are just dull and very uninteresting. The characters may be aimless, but the filmmaking is also aimless as well. It's shapeless and formless, and feels like a student film more than anything. Some people have called it a glorified home movie, and in some ways, they're right. Lena Dunham's cast consist of her sister and mother (her mother is a famous photographer in NYC, which may explain why Lena is getting a lot of breaks in her career after one mediocre film).

Trendy critics who are praising this film to the hilt should really reconsider their opinions next time. It is more important to look at a film objectively and criticise it on its merits than being part of the next hip, trendy thing. While Tiny Furniture is not as amateurish as other films of its type (Tiny Furniture in in some ways a "mumblecore" genre, and it's more professionally polished than most of those films are), it is by no means a great film, and should not be praised as one. Always remember. Just because a film is an indie film doesn't automatically make it a work of genius or even a decent film.

There are some shorts on the DVD as well, and one of them, Pressure, has to be one of the worst shorts I've ever seen. Criterion received a lot of criticism for including this film in their collection, and they deserved it in my opinion. They should not worry about trying to reach the "hip" audience and worry about releasing high quality works on their label.

Save 34% Off

A Guy Thing (2003)

Sometimes I get stuck into watching this type of movie because my daughter rents these things and forces me to watch them. She loved this movie and thought it was funny, stupid, but funny. I had to give you the teen daughter perspective before I gave you mine.

I admit this movie is silly, unnecessary, and throwaway. I still laughed in a lot of places. I also groaned in a few places too. Example: When Paul Coleman (Jason Lee) found Becky's (Julia Stiles) panties when his fiance was on the way over, he searched all over the apartment for a place to hide them, ultimately hiding them in the toilet. You knew what was going to happen, and what did happen. Also, there was a running joke about pictures of Becky and Paul, which we never got to see, being found by a minister's son, who also happened to live in the same apartment building. The son kept finding the pictures and the minister kept bringing them back. *sigh*.

The tale is a bit hackneyed as well. Girl and guy are prepared to be married, seemingly the perfect couple. Guy meets another girl, girl meets another guy, everyone wonders what's wrong with this picture; guess how it all turns out? SURPRISE!!! NOT!!!

In spite of a re-tread plot, and in spite of the groans, there were places that this movie was creative and humorous; not many, but enough that I felt that watching the movie wasn't a complete waste of time. I felt a bit guilty watching this movie because I knew the premise had been done (and done, and done), and many of the jokes were weak, and yet, I like the movie. I think that one thing that really saved this movie was Julia Stiles. She really is not centrally involved in all the happenings, occasionally appearing aloof, and she manages to escape this movie leaving everyone watching with a positive impression. Julia saves this movie from being a waste of time. I look for Julia to get better parts and bigger roles in the future.

I won't go so far out on the limb as to give this movie any more than 3 stars (and perhaps a low three at that). Watch the movie for the interaction of everyone with Julia Stiles, and accept the groans as payment for watching those interactions.

Warmed-over "nothing". Obviously the screenwriter and director have seen "Four Weddings and a Funeral", as well as a bunch of other gen-x comedies of the last decade. The type of movie where the hero is constantly placed in "embarrassing" situations, and all the humor is derived from his discomfort. Several good actors are utterly wasted here -why would lovely talented Julia Stiles have ever considered this part? She won't suffer any long term harm, but it hardly counts as a career move. Jason Lee gets less interesting with every movie he makes, and Selma Blair has done this identical part --the prim yuppie girl who gets dumped for the blond heroine -more than a few times, especially in "Legally Blonde."

There isn't a legitimate laugh in this entire boring movie, and Stiles and Lee have literally NO chemistry together...when they kiss at the end, it's like watching two cousins buss each other at a family picnic. Unsexy, unromantic, unfunny. DO NOT BOTHER to watch or rent this...you have better things to do.

Buy A Guy Thing (2003) Now

Surprisingly fun romantic comedy. Not a lot of "fall out of your chair" comedy here, but it's consistent and fun. The soundtrack is awesome, rather than go to big names for music, they use "bar band" music to create the moods for the movie, it surprisingly works well, and adds to the goofy awkward feeling of the movie. Terrific likable characters that you can relate to, I'm always saying to myself, "That reminds me of this guy I know", or "Yea, that would suck if it happened to me".

Bottom Line:

I can't help it, I like this movie. Maybe it's a "Guy Thing".

Read Best Reviews of A Guy Thing (2003) Here

Life is ludicrous from time to time. "A Guy Thing" is equally silly & absurd. It's mind numbing but funny. A moment I particularly like is when Paul Coleman (Jason Lee) is beaten up by Ray and thrown into a dumpster. His fiancee Karen (Selma Blair) happens along. Of course, being a guy trying to salvage some pride, he fabricates a story that he was brave despite being mugged. So when the police show up, his description of the perpetrator gets more & more bizarre. "What was his race?" the officer asks. Lee looks puzzled. "Was he black or white?" "A little of both." "And he had red hair, in dreadlocks, with a gold tooth, and a tattoo of barbed wire around his neck." Paul of course thinks that no one will match that description only to wind up at a line-up where Hansberry played by Victor Varnado stands there, part black, part white, red hair, dreadlocks, with a gold tooth & a tattoo of barbed wire around his neck. "Oh, it's not him!" Lee yells. It's stupid; but it's hilarious.

Director Chris Koch previously directed "Snow Day" with Jean Smart & Chevy Chase. He does a good job of keeping the pace moving from one intensely ridiculous occurrence to the next. Julia Stiles shines. She is so funny, sweet and sincere. The fact that Jason Lee is 10 years older than she doesn't dull the romance. Mr. Barbra Streisand, otherwise known as James Brolin, does a great job as Karen's macho dad. Selma Blair who was great in "Cruel Intentions" and "Legally Blonde" does a good job as his fiancee.

I also like the wonderful moments given to the supporting players. Diana Scarwid who was nominated for an Oscar in 1980 for playing with John Savage in "Inside Moves" and was Faye Dunaway's abused daughter in the Joan Crawford biopic "Mommie Dearest" looks elegant as the mother of the bride. Julie Haggerty who was so funny in the "Airplane" movies is the other mom. Her film hubby here is the grossly unmannered Buck played by David Koechner who can currently be seen in "My Boss' Daughter." Thomas Lennon from "How to Lose a Guy in 10 Days" is wonderful as the starry-eyed brother who eventually walks away with Karen. Canadian actress Jackie Burroughs who was in "Willard" is hilarious as Irish Aunt Budgie who will stop at nothing to sneak a glass of wine. Lochlyn Munro from "Dead On Campus," "Duets," and "A Night at the Roxbury" plays the boneheaded ex-boyfriend of Julia Stiles. Even a couple of walk-ons are extremely memorable. Keith Dallas is the Spend Mart clerk who covers on the phone for a complete stranger about a pair of used underwear supposedly purchased from their underwear bins by saying, "It's those college kids who keep playing pranks by coming here and sticking dirty underwear in our underwear bins." He hangs up & explains, "It's a guy thing." Zahf Paroo is delightful as the perky Ahmed who is joyfully exuberant while Lee & Lennon get fitted for their tuxes.

The DVD offers some good bonus scenes, one in particular where Karen wants to have sex with Jason the night before their wedding. Jason unfortunately can't because he's wearing a police wire trying to catch the dirty cop Ray. It didn't fit in the movie, but is more hilarity. The comments on bachelor parties are funny with Lennon relating a 4-day bachelor party in Amsterdam he attended. Cast members then comment on his wild story.

Yes, "A Guy Thing" is utterly silly & ultimately forgettable. I've rented it twice, not recalling I'd already seen it. But it is a good time while it's going on. Kind of like life, eh? Enjoy!

Want A Guy Thing (2003) Discount?

Contrary to the overly critical reviews posted on this site, this film is enjoyable. It is predictable, yes. But so are all the rest of the films in this genre. If you want the next Citizen Kane, then I'd question why you're looking for it in a contemporary Romantic Comedy.

That said the film is decidedly average. Jason Lee sets a different tone as the leading man. He's a joy to watch but seems slightly out of place throughout. He manages to pull it off in this film, but just barely. Julia Stiles was a good counter-point to Lee's charm. Her understated performance seemed to match Lee every step of the way. Together they almost make you believe some of the more unbelieveable aspects of the film. The soundtrack is quite nice as well. Filled with songs by some of the better rock groups around, such as Wilco and Spoon. As previously stated, the plot is rather predictable. However it is standard in the tradition of romantic comedies and shouldn't count against the film. It's an average film with that considered.

Save 41% Off

Tropic Thunder (Unrated Director's Cut + BD Live) (2008)

There's no doubt that Tropic Thunder is one of the funniest movies of the yearif not THE funniest movie of the year. I remember seeing in the theater and laughing so hard I couldn't breathe. I was excited when I found out that there was an unrated DC coming out... 2 discs, and 15 more minutes more footage.

However, as much as I gotta say the movie rocks, I have to say: BUY THE THEATRICAL CUT INSTEAD. The unrated version slows the movie down a bit, and most of the added stuff doesn't seem to fit in. They changed some funny lines, and even took some out as well. In fact some of the added stuff makes the movie feel a lot longer than it really is, and after awhile the movie seems repetitive, which is one of the few things that killed the movie for me.

So if you're planning on buying the DVD, get the single disc rated version instead... this movie is definitely one of the funniest I've seen, and I definitely look forward to owning it, but really, just get the theatrical. It's MUCH better.

I never understood why Downey, Jr. received job after job after being released from prison. I knew he was a good actor, but his portrayal of Iron Man and his performance in this movie was just phenomenal (I never saw the Charlie Chaplin movie). I know this movie offended some, but my husband and I are Black and we missed some of the dialogue in this movie from laughing so hard. We were picking out family members who really talk like that! This movie is hilarious. It's unfortunate that Oscars aren't considered for these types of movies/performances. All of the characters in this movie contributed to it's pleasing experience, however, RDJ stole EVERY SCENE he was apart of. Great Job, RDJ!!! I'm now one of your biggest fans!!!

Buy Tropic Thunder (Unrated Director's Cut + BD Live) (2008) Now

You'll laugh but this movie isn't for the easily offended. Heck, even a few hard-to-offend viewers will cringe, too. A comedy hasn't had this much in-your-face political incorrectness since Blazing Saddles.

You'll be worn out by the end of this two-hour movie but that's not necessarily a bad thing. The hardest laughs come all too quickly before the film settles down to a slower pace.

The story follows a group of high-maintenance actors on the set of a Vietnam war movie that is spinning out of control and likely to become the all-time box office flop, pushing aside Cutthroat Island, The Adventures of Pluto Nash and Basic Instinct 2.

Ben Stiller has the most screen time but Robert Downey Jr. steals the scenes as an Australian method actor who manages to eclipse Robert De Niro's famed transformation in Raging Bull.

Jack Black (in a nod to Eddie Murphy's The Nutty Professor), Brandon T. Jackson, Jay Baruchel round out the rest of the main acting troupe. In smaller roles, Nick Nolte portrays the author of the book, Tropic Thunder, which "got" the movie deal (there's an in-joke). Matthew McConaughey appears as Stiller's TiVo-crazed agent and Tom Cruise appears nearly unrecognizable in creepy make-up as the film's producer. Not a single actor displays anything approaching subtlety or sanity.

One final warning: skip the DVD extras at your own risk. The viral video for MTV is hilarious.

Read Best Reviews of Tropic Thunder (Unrated Director's Cut + BD Live) (2008) Here

Yes, the movie is a little too long and the hardest laughs come in the first 10 minutes but apart from Robert Downey Jr. doing an awesome job I thought Tom Cruise stole this movie.

Now I am no Tom Cruise fan whatsoever, perhaps the opposite but his two 5-minute appearances together with his antics during the closing credits made me watch it over and over with my sides splitting from laughing so hard :)

The character is rumored to be based on Ben Stiller's agent. If so, I hope I never meet the guy :))

Want Tropic Thunder (Unrated Director's Cut + BD Live) (2008) Discount?

A friend of mine came over a few months back with a DVD of Tropic Thunder (original cut). I thought it was hilarious, especially the beginning parodies of movie previews. I liked it so much I order this here blu-ray thinking maybe i'll get something extra out of the director's cut. Turns out the extra scenes in the director's cut were cut out of the original for a reason, they aren't funny. Not only that but they hurt the continuity of the movie and the characters. I would have really preferred if watching the theatrical version was an option on this blu-ray but it's not. I'll be trading this for the original on craigslist if there are any takers.

Save 30% Off

Irreconcilable Differences (Special Edition) (1984)

I have liked this movie for years and years. It was well done, charming, and worth repeat viewings.

Lionsgate has done an appallingly awful job on this DVD. They don't even know who their audience are...

It opens with a very inappropriate red-banded, R rated noisy hard-sell preview of a horror movie, followed by another horror preview. Both of these fourth-rate screamers have unknown casts, yet they were treated infinitely better than the feature we are paying for on this disc a well written movie starring four very famous actors. While the horror movies got newly remastered in widescreen with new interviews, this movie seems to have been copied from a grainy pan/scan transfer on an old VHS tape.

The gratingly cheesy-busy menus seem to have been made up by someone who thinks the 80s were nothing but disco. The scene selection is lazily authored to force the viewer to manually navigate from page to page, rather than linking them together so you can right click through them all in sequence.

The picture is so dark that many scenes are now played out almost totally unwatchably in black screen or shadows. There are eve changeover cues, meaning it was transferred from an old exhibition print.

Clearly the principle that anything worth doing is worth doing well is lost on Lionsgate. They obviously have no respect for this movie, which they refer to as "forgotten" on the cover, and have deliberately issued a product that is obsolete. It's amazing that they would list "full screen" as a "feature" in today's world when even broadcast TV is going widescreen. The fact is that for a great many people who buy this, it will NOT be in full-screen at all, and it is missing maybe a third of the picture from its Original Aspect Ratio.

Ryan O'Neal, Shelly Long, Drew Barrymore, Sharon Stone, Nancy Meyers and Charles Shyer all have good reason to be proud of this charming film. You'd think they wouldn't mind sharing some interesting thoughts about it for a commentary or "Making of" featurette, but nooooo... Lionsgate couldn't be bothered to consider that. All we get here is a little trivia track that's less informative than annoying by taking a Quiz format rather then just delivering the mostly Irrelevant information.

This product is a slap in the face of anyone who worked on, or likes this movie. SHAME on Lionsgate for treating obscure horror movies better than this one! I will from here on heavily suspect any product from Lionsgate, and rent their titles rather than buy.

Bottom line, there is no excuse for releasing this bad a product. The disc should be recalled, competently remastered in its full aspect ratio from a good print, and reissued with at least a commentary track. Lionsgate owes us an explanation and an apology meanwhile, do not waste your money on this piece of junk.

I echo some of the other reviews. The movie is terrific; the other "Lost" titles (with the exception of "Slaughter High") are full-framed but pristine prints. This transfer is as grainy as if I had taken the VHS and copied it myself to a DVD. It's an amazing rip-off, but I guess it doesn't matter to Lionsgate. I can't imagine what can be done, save sending back the discs. But since there's no other version (EXCEPT an old VHS copy--with the same quality) you're plum f***k out of luck.

Buy Irreconcilable Differences (Special Edition) (1984) Now

This was a great movie with an all star cast. The plot was fantastic and it was an excellent "feel good" movie. The movie gets five stars and the film transfer to dvd gets zero stars. My rating is two stars. I love this movie so I bought it to have it in my collection. I am keeping it even though it has many dark scenes and blackouts. Keep this in mind and hopefully someday we will get a good print of this film.

Read Best Reviews of Irreconcilable Differences (Special Edition) (1984) Here

I have been waiting for this film on DVD for years; because of its non-existence on DVD I had even saved my old Vestron Video copy when I had gotten rid of the majority of my VHS collection many years ago. I was very excited to seen this film recently released on DVD by Lionsgate...until I watched it. This has got to be one of the worst transfers of a film to DVD that I have ever seen by a major distributor. Lionsgate should be totally and unequivocally ashamed to have put out such a shoddily produced DVD. The transfer is obviously taken from a VHS tape, in fact the original Vestron Video logo even appears before (and at the conclusion) of the film, just as on my original VHS tape from the 1980's. The picture is unbelievably dark in many places and the printers marks denoting reel changes are still present (another clue that this is in fact the VHS master, as these marks appear on the original Vestron copy). If this were a well-done transfer, it would have easily gotten five stars because the film is still one of the most underrated comedy/dramas from the 1980's. I hope that with all the negative reviews that this DVD has gotten that Lionsgate will see fit to give this film a more proper release on DVD. We can only hope.

Want Irreconcilable Differences (Special Edition) (1984) Discount?

"Irreconcilable Differences" is finally coming to DVD, and all I can say is: IT'S ABOUT TIME! This is a wonderful underrated movie that was released in theaters way back in the fall of 1984. I remembered seeing it at the theater when it was released. My mother took me to see this and the Sally Field movie "Places in the Heart" in the same day. And it was great to see not one but two great movies at the theater in one day. However "Irreconcilable Differences" was not a hit at the box office, and got pretty much lost while waiting for a DVD release. It was released on home video in the old VHS format, but it has taken what has seemed like forever for the film to get released on DVD. I was constantly checking amazon.com to see if this movie was ever going to be released, and was getting frustrated not seeing anything about a DVD release date. That was until today, when at long last I found out that this terrific little movie was finally getting released on DVD.

"Irreconcilable Differences" is a comedy-drama that tells the story of a Hollywood couple who marry, have a kid, make movies, write novels, and in the end (after one fight too many) are sued for divorce by their 9 year-old daughter. The stars are: Ryan O'Neal, who was still a big star at the time this movie was made (he has since pretty much disappeared from the acting scene and has been having personal problems in real life); Shelley Long, who was starring on the hit TV sitcom "Cheers" at the time when she made this; a very young Drew Barrymore, who made this a few years after hitting it big with Steven Spielberg's blockbuster "E.T. The Extra Terrestrial"; and a young Sharon Stone, who would go on to be a big star of 90's movies such as "Total Recall", "Basic Instinct", and "Casino". It was directed by Charles Shyer, who co-wrote the screenplay with Nancy Meyers (his wife at the time). This is the same team who won an Oscar nomination for writing the screenplay to Goldie Hawn's hit 1980 comedy "Private Benjamin" and would go on to make the hit comedies "Baby Boom" (1987), "Father of the Bride" (1991), and "Father of the Bride 2" (1995). Meyers later turned to directing and scored box office hits with "The Parent Trap" (1998), "What Women Want" (2000), and "Something's Gotta Give" (2003).

"Irreconcilable Differences" wasn't a hit at the box office, but it received some good reviews from the critics (overall the critical response was mixed). Roger Ebert and his late partner Gene Siskel gave it two thumbs up (both critics gave the movie 3 1/2 stars for their newspaper reviews), and it received 2 Golden Globe nominations: Shelley Long was nominated for Best Actress in a Motion Picture (Musical/Comedy), and Drew Barrymore was nominated for Best Supporting Actress in a Motion Picture. Everybody does a good job here. O'Neal, Long, and Barrymore are perfect as the Hollywood family who go through good times at first, then rough times later when the couple split up after constantly fighting all the time and in the process ignore their little girl, who feels lost through all of this and decides enough is enough.

I'm hoping that "Irreconcilable Differences" will be released in the widescreen format on DVD. That's the way to view movies. I'm also hoping for some extras on the DVD too. But even if there aren't any extras on the DVD, I'm just glad that it's finally coming to DVD period. It's been long overdue.

WARNING: If you're looking for perfect DVD quality with this film, you might be disappointed. While it was great to see this movie again after not seeing it for so long, the DVD quality of "Irreconcilable Differences" is not the best. All they did was copy the movie off of one of those old VHS tapes from its' original VHS distributor, Vestron Video, and on to a DVD disk (you'll see that old Vestron Video logo on the DVD right before the movie starts, just like it was on the VHS tape). This perfectly explains why the DVD of this film is not in widescreen. And it also explains why the movie doesn't have quite the clear look that you see on most DVD's today. While I may have been a tad bit disappointed by the DVD quality of this film, it's not really all that bad. At least they found a VHS tape of this film that was in pretty good shape. I've seen a lot of DVD's that have been transferred from an old VHS tape to a DVD disk in far worse condition than this. So overall, I'm satisfied with the "Irreconcilable Differences" DVD.

Save 30% Off

Blog Archive