Showing posts with label movies free. Show all posts
Showing posts with label movies free. Show all posts

One Flew Over the Cuckoo's Nest: Collector's (2010)

One Flew Over the Cuckoo's Nest: Collector'sMilos Forman has always had a knack for assembling great ensemble casts. This is particularly true in his most critically acclaimed releases (Taking Off, Amadeus and this film). It would be difficult indeed to come up with actors and actresses who were better suited to fill the roles in OFOTCN. This is true in terms of both the stars, Jack Nicholson and Louise Fletcher, and the secondary characters. Who could have been a better Harding than William Redfield? A better Billy Bibbit than Brad Dourif? A better Cheswick than Sydney Lassick? And most especially, a better Chief Bromden than Will Sampson?

I rank this movie as the best of the best of what I consider to be American Cinema's golden decade, the 70s. It certainly won the widest acclaim, with its sweep of the major Oscars for 1975 (Nicholson also won best actor from the New York Film Critics voters that year).

Not to be overlooked is the fantastic job performed by the film's adaptors, Bo Goldman and Lawrence Hauben, who also won Oscars for their screenplay. True, they did have a fairly decent stage version (by Dale Wasserman) to work with. I remember seeing an excellent production of the play, with a terrific cast, in San Francisco circa 1972. Just as an aside, I read in the Norton Critical edition of the novel, a review of a NY production of the play by Walter Kerr that was an absolute pan. Suffice it to say that the movie is much different than either the novel or the play. Those familiar with Kesey's great novel understand how difficult a transfer from page to screen would be; about a third of the story is Bromden's delusional interior monologue. The final script, quite rightly, focuses almost exclusively on Randal P McMurphy's struggle with Nurse Ratched for the hearts and minds of the inmates.

This is truly a gut and soul-wrenching movie, with many moments of high maniacal comedy interspersed. Though many of his other films are top-notch, this is Forman's masterpiece. If you haven't read the book, read it. It you don't own this movie, buy it. There are few works in the history of American literature and film that are superior.

It has taken me nearly 30 years to get round to watching this film, and I genuinely think I appreciate it more for being that much older. It has had accolades for everything -plot, direction, filming, casting, acting. It deserves them all. It is nothing short of compulsive. The bad guy who has not lost his soul (much less his spirit) is pitted against the embodiment of sanctimonious righteousness who never had a soul to lose.

I wonder whether Nicholson has even yet had full recognition for the truly great actor he is (how many people have even seen The King of Marvin Gardens, for instance?) His screen presence is enormous, magnetic and menacing. He combines outsize testosteronic individuality with the ability to get inside a character, and an electric sense of threat with a real power to tug at the heart-strings. Bad he may be, but unsympathetic never. He is a very big little guy, but he is still the little guy against the system. It must be impossible, surely, to upstage that?

Incredibly, no. The ultimate star in a film that has no shortage of up-and-coming luminaries as well as Nicholson (D de Vito for one) is Louise Fletcher as Nurse Ratched. I am never going to forget that mask-like expressionless face and that ever-rational, implacable, ever-modulated voice mouthing those soulless, uncomprehending, the-system-is-right banalities. Above all, I am never going to forget that hair. Among the many touches of genius in this production, that hairstyle is the ultimate. I simply could not take my eyes off it. The name is effective too, and I shall continue to believe until someone proves me wrong that it was an inspired borrowing from Jane Eyre -the dreadful and sadistic Miss Skatcherd brought up to date and given a 20th-century twist.

This film is never going to become dated as long as these polarities continue to repel each other. I saw it at all only because my son showed it to me. It is relevant to my generation, it is relevant to his, and I can't foresee when it is not going to be relevant.

Buy One Flew Over the Cuckoo's Nest: Collector's (2010) Now

This is one of my favorite Jack Nicholson movies. The collector's edition has some nice goodies: a 52 page hard-bound book, reproduction of the original press book, a 52 card deck, 4 mini-reproduction of the original worldwide theatrical posters and 6 cast/character photos. A great package for a great movie that received 5 Academy Awards.

Read Best Reviews of One Flew Over the Cuckoo's Nest: Collector's (2010) Here

This movie is as relevant now as it was when it first hit movie theaters in the 70's. Hilarious, somewhat dark and thought provoking. Great performances all around, anyone I recommend this film to loves it. You will remember most of these characters, right down to Christopher Lloyd and Danny DeVito in supporting roles. In my opinion, one of the most uproariously funny moments in movie history occurs when Chezaroo flips out about Nurse Ratched's stingy cigarette policy.

The Blu ray transfer of this movie is excellent. It is not the very best of the best, but for a film that came out in the mid-seventies it has superb PQ on Blu ray.

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5 stars for the film, 1 star for the DVD:

There are a lot of reviews that discuss the movie itself, so I will keep this one short and talk about the DVD.

The DVD is a bit of a disappointment. The film itself is very dirty; it looks like the transfer was done from a copy of the film that's been shown a few hundred times in a theater. It's hard to believe that the master itself has deriorated this much.

There are no interesting extras on this DVD. No deleted scenes, no commentaries, no behind the scenes footage. Just some text screens talking about awards the film received, etc.

The are no audio options. You're just stuck with standard sterio. And the menu is bland and static. Basically, you are getting the movie, as you would have experienced it in a theater nearly three decades ago, and nothing else.

I love this film however, especially the ending, so I still recommend buying it if you are a Jack Nicholson fan. Just don't expect the DVD to actually take advantage of the medium.

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High Time (1960) starring Bing Crosby, Fabian, Tuesday Weld (2012) (1960)

High Time starring Bing Crosby, Fabian, Tuesday WeldBlake Edwards' 1960 Fox comedy HIGH TIME finds Bing Crosby's hamburger-restaurant chain entrepreneur deciding to head back to campus and get his college degree. As the elder statesman on campus, Bing quickly becomes popular with his roommates (including Richard Beymer and Fabian), romances a French teacher (Nicole Maurey) and finds the time to dress up in drag and croon a future standard in the process.

Though written by Edwards' frequent collaborators Tom and Frank Waldman, "High Time" doesn't have a whole lot of slapstick antics (there's just that one bit where Bing crossdresses as part of a fraternity initiation something that's never as amusing as it sounds). The movie is sweet and goes down nice and easy as a product of its era, but it also feels flimsy like a book for a musical without any songs. Yes, Bing does briefly croon "The Second Time Around," a lovely Sammy Cahn-James Van Heusen tune written for the film, but the movie really could've used some more musical interludes seeing as most of the film is comprised of basic, albeit peppy, montages. There's not much in the way of drama or character development here just a series of self-contained scenes set over the course of Bing's four years at an ACC institution dubbed "Pinehurst College" (standing in for Wake Forest, where the film was reportedly supposed to be shot until the production decided to stay closer to home in California).

The supporting cast has its charms: Gavin MacLeod has some fun early on as a manic science teacher, a pre-"Batgirl" Yvonne Craig plays an intrepid school journalist, and Tuesday Weld brings her warm smile as the gang's resident gal pal, but there's no real pay off to their (or any other) roles, with the movie settling for a cartoony treatment of the subject matter without much development or even laughs (in fact, Rodney Dangerfield would have much more success in the latter department in his similarly-themed 1986 hit "Back to School").

Now, although it probably sounds as if I'm being a bit harsh on "High Time," I still enjoyed the film. Edwards' direction utilizes some visual flourishes that would come to characterize his later comedies, and Henry Mancini's wonderful score is so infectious that I was humming the main theme for some time afterwards. All it needed was a few good musical numbers to put it over the top.

The 1080p AVC encoded, Fox-sourced HD transfer is perfectly acceptable on balance the elements are certainly in better condition than "Demetrius and the Gladiators," another Fox Cinemascope TT release, yet the image has some obvious digital filtering applied and doesn't appear nearly as vibrant as TT's recent Blu-Ray of "Bye Bye Birdie" (the colors also don't leap off the screen as they do in TT's counterpart release this month). The DTS MA stereo sound is just fine, with a stereo isolated score track of Mancini's score also available on a separate channel. The original trailer and Julie Kirgo's notes put the finishing touches on another Twilight Time 3000-copy limited edition Blu-Ray.

Dumb and Dumber (Unrated Edition) (2008)

Dumb and DumberThe 1 star is purely for the Bluray, unrated version. I am a huge fan of the theatrical cut and it was one of the first movies I upgraded from VHS to DVD. Dumb and Dumber has near flawless pacing in it's theatrical form. The unrated version throws in bits that are completely unnecessary, extremely crude, and not very funny. It is easy to see why they were cut and a little hard to understand why the Bluray version is only offered in this version. I sent the Bluray version back and I hope the next format upgrade of this film goes back to the classic theatrical cut.

*Spoiler Alert*

For those of you who would like to know, here are the differences (info copied from wikipedia):

* In the PG-13 version, when Mental tears Petey's (Harry's parakeet) head off, it cuts after he says "I Tawt I Taw a Putty Tat!". In the unrated version, it shows him violently squeezing Petey's head with his fists.

* In the PG-13 version, Seabass is about to spit on Harry's burger, but the camera cuts to Lloyd, while the spitting sound is still heard. In the unrated version, it shows the spit coming out of his mouth onto the burger.

* In the unrated version, when Joe Mental and Shay (the female accomplice) are waiting by the side of the road for Harry and Lloyd to drive by, Shay says to Joe: "turn around, I gotta squeeze a lemon" and crouches down.

* In the unrated version, when Seabass finds Lloyd in the bathroom, Lloyd keeps repeating 'find a happy place' to which Seabass replies, 'I'll show you a happy place!' before dropping his own pants and grabbing his crotch.

* After the gas station scene a new scene occurs while driving where Harry makes fun of Lloyd about being in a bathroom with a 6 foot four man with his pants down.

* In the original PG-13 version, "The Ballad of Peter Pumpkinhead" by Crash Test Dummies plays during the scene where Harry, Lloyd, and Mental are in the restaurant. This song is absent in the unrated version, possibly due to copyright issues.

* The unrated version of the film features an extended dialogue scene between Lloyd and Harry in the honeymoon motel.

* The unrated version of the film features an extra scene prior to Harry's departure to the slopes with Mary, in which Lloyd comments on Harry's "revealing" ski suit.

* In the PG-13 version, when Harry is attempting to fix Mary's toilet, he shouts out that he's shaving, and we see Mary standing at the door. The unrated version shows Harry lifting the toilet to the window and dumping its contents out.

This is one of the funniest movies made in my lifetime. I had seen the movie hundreds of times and equally enjoyed each viewing, so when I heard there was going to be an unrated version, I pre-ordered it right away.

This is a great DVD edition. The deleted scenes are hilarious and some probably should have been left in the movie (like the "other peoples' money seize the day" scene). The alternate endings are also pretty cool, but they definitely chose the best ending for the actual theatrical release. The retrospective documentary is also quite interesting, as you get some insight into the production, casting, etc... of the movie, as well as the impact it has had on comedy fans over the years. If you search through the interactive menus enough, you will even find a couple of hidden features.

Dumb and Dumber lives on as a standout comedy film. It just never seems to get old... I'm just excited to finally get some bonus footage from this comedy classic!

Buy Dumb and Dumber (Unrated Edition) (2008) Now

This Unrated Version finally gives the DVD fans what they want -6 minutes of additional footage, two alternate endings, and some making-of bonus features. At least... we thought we wanted an "unrated" version. The problem is, the original was consider a classic in its day, that adding six more minutes of footage (sprinkeled around a number of scenes) really breaks up the almost-brilliant pacing that fans loved from the original film. The footage added also makes this basically an R-rated film now, with what we would call "strong sexuality" (without given away the jokes. It was nice to see the extra footage, even if it is a little more risque, but the original PG-13 rating really suits the movie better (and younger teens can watch it without hearing jokes that parents think are too strong). Missing is any kind of audio commentary, and the complete absence of Jim Carrey in the bonus material is rather strange. Swartzenegger was available for the bonus' in the first Conan movie when it got re-released on DVD, so why didn't the studio at least try to wait for Carrey to have some free time.

If you're a fan like me, and can almost recite EVERY line from memory, seeing this Uncut Version will be a nice treat, especially when it come to the extras (though everything fits on only 1 disc, so we don't get a whole lot of content). I liked seeing the extra footage, but as soon as I finished this new version, I went online and bought the original PG-13 DVD -becuase that's the film that I loved and memorized years ago. Extra footage is nice, and a few sections of the Deleated Scenes are really funny, but they really did leave the funniest stuff in the original version. Still, buy this version for the extras, but buy the original on DVD as well. That's the version that will always be a classic, no matter how much time passes.

Read Best Reviews of Dumb and Dumber (Unrated Edition) (2008) Here

If there is a film out there that has created such an rift among viewers as Dumb and Dumber, I'd like to see it. It seems that everyone I know either loves the movie or abhorrs it. It is easy to see why people love the movie. The movie is outrageously funny, and I believe most of the film's critics will concede this. However, without fail, the number one critique of the film by opponents is, "but it's so stupid." This is like saying you don't like Schindler's List because "it's too serious." Of course it's stupid! That's the point! Unfortunately, pounding the keys on the keyboard harder isn't helping to portray my sentiments here. First of all, this is not a movie you can only see once. Sure, one viewing will account for all the "big laughs", Lloyd's airport fiasco, Harry's bathroom adventure and the ski lift accident. If you base your judgement on the big laughs alone, I can see how the movie could seem innane and childish. I suggest every critic of Dumb and Dumber should watch the movie a few more times for the little laughs. There are so many jokes and they are so clever that I find myself appreciating the movie more each time I watch it. For example, in the scene with the state trooper (Harland Williams) the center of comedic attention is clearly the point at which the officer drinks the beer bottle full of urine. This "big laugh" often steals the limelight away from the smaller laughs in the same scene. While handing the bottle over to the trooper, Lloyd accidentally spills some of the urine on Harry, to Harry's obvious displeasure. When the officer realizes what it is he has swallowed, one can faintly hear Lloyd suggest, "Tic Tac sir?" It is subtle moments like these that pervade the movie and make it great every time you watch it. I think part of the problem with the movie is that there are simply too many jokes in the movie. Many of the more subtle, clever jokes get overshadowed by bigger ones, leaving some feeling like the movie is simple toilet humor. This is a grave injustice. Perhaps the most complexing issue concerning the critical reception of Dumb and Dumber is the overwhelming acclaim of the Farelly brother's follow-up film, There's Something About Mary. The two movies are eerily similar. Both involve a road trip starting in Providence. These trips are in search of a woman who is way to good for her respective suitor. In both, the protagonists encounter difficulty and comedic moments along the way. Yet everyone I know loves Mary, while Dumb and Dumber recieves mixed reviews. The only significant difference between the two films is that in Dumb and Dumber, our hero doesn't get the girl. Perhaps this is why reception of the movie is so clearly delineated along gender lines. Women, I can only assume, want Dumb and Dumber to be a romantic comedy, which it is clearly not. Mary can be seen perhaps as fitting this genre because it has the textbook 'boy gets girl' ending (although my mother wanted Brett Favre to get the girl). The fact that Dumber doesn't fall into the obligatory cliche ending is, in my opinion, a large part of it's appeal. Whether you like it or not, you should buy a copy of Dumb and Dumber and watch it fifty times like I have. Then I think you will understand that being stupid is "genius, sheer genius."

Want Dumb and Dumber (Unrated Edition) (2008) Discount?

While the transfer is fine. The fact that this is a redone unrated version and does not include the original totally kills it for me. Ruining great scenes like the diner. Hopefully there will be a rerelease with the original cut.

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Stanley Kubrick: Limited Edition Collection (Spartacus / Lolita / Dr. Strangelove / 2001: A Space O

Stanley Kubrick: Limited Edition CollectionI won't review the films themselves. I have done so elsewhere, and if you are reading this, you probably are a Kubrick fan, anyway. My set arrived yesterday and I have spent some quality time with it, though I have obviously not had a chance to watch every disk all the way through, yet.

On one user's negative review with respect to the "destructive" packaging: all I can say is, if you stop and think about it before wailing on the disks trying to get them out of their sleeves, you'll be FINE. The sleeves, are indeed, engineered to keep the disks in, so they don't fall on the floor if you tip the package the wrong way. A moment's thought will tell you that a thumb on the label side of the disk, a forefinger on the edge, and some firm but gentle pulling while rotating a little is all you need to get the disks out without a hint of damage. The sleeve will release its grip and all will be well. Believe me, you'll be glad for the snugness of the fit when you realize how well it protects the disks when you're not watching them.

On the continuing Aspect Ratio controversy: I could be wrong about this, but I think the esteemed Mr. Kubrick would be fine with the 16x9 cropping of The Shining, Full Metal Jacket, and Eyes Wide Shut. It's true that Kubrick initially only wanted videos of his films released "full frame", i.e. with the whole negative image showing unmasked, because he hated pan-scan, and thought letterboxing distracting. After Barry Lyndon, he shot 35mm without a hard matte, but composed for 1.85:1 precisely because he knew some theaters would project it 1.85:1 while others would go for 1.66:1, and still others would have their own "custom" aspect ratio i.e. funky screen size based more on the way larger theaters were being chopped up into multiplexes at the time, than on the needs of the films being shown. But newer 16x9 HD TVs, which became popular after his death, largely obviated the need for near full-negative cropping, as far as video is concerned. Kubrick's visual compositions are just slightly roomy in 16x9, without the oddly empty quality of some of his shots when viewed in full-frame on a 4x3 TV. There are purists who get almost violent when discussing the "proper" aspect ratios of Kubrick's *oeuvre* on video, and who insist we should be watching them in 4x3 even now, because "that's what he intended." I am not among them. His original reasoning made sense when TVs were all squarish, but I think he would have accommodated 16x9 home theatre TVs, had he lived into the Blu-ray era. Such TVs existed in his lifetime, but they were not the norm the way they are now. If you read his interviews carefully, he was a surprisingly practical guy, for being such a perfectionist.

The transfers appear, in most cases, to be the same ones used for the last release of the collection, but in a format closer to their native 4k resolution. They are thank God NOT over-enhanced the way so many mass-market "popular" films seem to be when released on Blu-ray, these days. While they are sharp and detailed, they don't have those artificially "cut out" looking edges, either. I'm not a videophile, but I like what I see and hear.

I was able to get the discs out easily without damage. They stick slightly but i just used my shirt and wedged them out. no scratches and no finger prints. They play fine. i did put them in jewel cases so i don"t have to worry about someone else having trouble. i wouldn't let the negative reviews turn you off to this box. They made it sound a lot worse than it is.

Buy Stanley Kubrick: Limited Edition Collection (Spartacus / Lolita / Dr. Strangelove / 2001: A Space O Now

While, as other noted reviewers have expressed, yes, most of the Blu-ray's in this set have been available previously. But altogether at once, including Dr. Strangelove, Spartacus, Lolita (first time on Blu), and Barry Lyndon (also first time on Blu), along with the new 40th anniversary edition of A Clockwork Orange? Yes, I'd say it's safe to venture that this set is worth the seemingly steep price. Because yes, at first glance, it seems like a lot of money until you realize the value at hand.

But value aside, the transfers are mostly fantastic, especially the transfer on my favorite of Kubrick's films, 2001: A Space Odyssey. The colors are crisp and the details are fantastic, especially the black and white on Lolita. I am so glad that this film had finally achieved a release on Blu Ray.

My only complaint is the lack of new features on the previously released discs and the lack of ANY FEATURES on Lolita and Barry Lyndon. Fans have been waiting years for these releases and we now only get half of a release (the other half should have contained a commentary by an expert AT LEAST). But the transfers are fantastic, making it a satisfying purchase.

Overall, I am especially happy with this release, save for the complaints that I have previously listed. I'd give the box set a four out of five.

Read Best Reviews of Stanley Kubrick: Limited Edition Collection (Spartacus / Lolita / Dr. Strangelove / 2001: A Space O Here

This is an absolutely amazing set in terms of the films and their respective transfers but the packaging is seriously atrocious. In terms of content I must advise anyone who is interested in Stanley Kubrick's films to buy this set but be forewarned, the packaging is really irritating. It's not because of how hard it is to remove the discs (that's not an issue for me), it's because of the smudges and scratches that may result from said removal. My advice: buy the set and some cheap plastic DVD cases, remove the discs and house them in the cases instead of the collection booklet.

Otherwise, I love this set. I've never seen Barry Lyndon look this beautiful!

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This is regarding the non-blu-ray version:

GENERAL: If you are a fan of Stanley Kubrick, you probably own all or most of these movies. The versions on these discs are the most recent versions released on DVD, just re-ripped to these colorful discs to make a snazzy package. In other words, there are no new extras. (For example: Clockwork Orange just has audio commentary and theatrical trailer, just like the version in the last Kubrick collection.)

ASPECT RATIOS: These are fine. (I mean for goodness' sake, people, get a grip...) As with all of the other releases that I've seen (again... for goodness' sake, people, get a grip...) these all have the varying aspect ratios intended by Kubrick. For example, Clockwork Orange and Barry Lyndon are 1.66 to 1. Space Odyssey is 2.35 to 1. These are honestly the only three I checked.

(As a matter of fact, Clockwork is the first DVD with a 1.66 to 1 ratio that my DVD player actually reads properly! With Barry Lyndon which is on this set and Nightmare Before Christmas, I have to mess around with my DVD player and my TV to get it the movies to not be stretched out.)

THE PACKAGING: One early reviewer had a problem with the DVDs coming in cardboard casings that scuffed the discs. The package I received from amazon does not use this type of casing for the discs. The discs are cased in a beautifully practical plastic binding. Each disc is on its own "page" in the binding, stuck into a spindle. Works great.

NOTE: Watched Spartacus. Actually looks pretty awful, considering. One scene opens focused a line of people about 20 feet from the camera, and their faces are just total blurs. Also, there are little black film blemishes that come up sometimes. That said, who was really buying this set to see Spartacus?