Showing posts with label malayalam comedy movies 2010. Show all posts
Showing posts with label malayalam comedy movies 2010. Show all posts

Juno (Special Edition + Digital Copy) (2007)

JunoTeenage pregnancy is frequently a starting point for myriad philosophical arguments: some see it as a major problem, some see it as an argument for the need of early teaching of contraceptive technique and sex education, some see it as a reason for championing abortion, and some see it as a piece of life that confronts families in both positive and negative ways. JUNO is a beautifully written (Diablo Cody) and directed (Jason Reitman) version of unplanned pregnancy offered by a splendid ensemble cast: it is a movie that could modify the sociologic outlook of many people in a very strong fashion.

Juno (Ellen Page) is sixteen and talks her best friend Bleek (Michael Cera) into having sex: the result is a surprise pregnancy that Juno shares with her girlfriend Leah (Olivia Thirley) and the store clerk Rollo (Rainn Wilson) even before informing Bleek, a likable kid who seems fairly flat about the situation. After discarding abortion as a viable solution, Juno informs her father (JK Simmons) and stepmother (Allison Janney) of her status, and tells them she is going to complete the pregnancy and give the baby to some loving and needy barren couple. Her parents are at first flustered by the news, but quickly become supportive in a way that tells us many things about the durability of successful families. With Leah's help, Juno answers an ad for 'wanted: baby' in PennySaver and visits the Lorings (Jennifer Garner and Jason Bateman) who desperately want a child and embrace Juno's gesture of adoption with eager excitement. The remainder of the film follows Juno as her abdomen increases in girth, finding new respect for her parents and for Bleek, and inadvertently walking in the troubled waters of the Loring's marital discord. Without giving the story away, the ending is so tender and free of cliché that it allows us, the audience, to appreciate all the vigor and sensitivity and humor and warmth of Juno an example of developing maturity that is a fresh breeze compared to the usual teenage movies.

Ellen Page does indeed deliver a pitch perfect performance, but her co-stars are equally fine: Simmons and Janney break away from their usual type cast roles brilliantly, and the other members of the cast (the entire cast) flesh out this well written story with great skill. The mixture of animated graphics and the imaginative musical score enhance the flavor of the tale. JUNO offers an unbiased look at the topic of teenage pregnancy and wins on every level. Grady Harp, April 08

Juno was Little Miss Sunshine of 2007 the little independent film that could. Once the studio realized that it had a successful crowd-pleaser on its hands, the film was promoted from the art-house circuit to the multiplexes. Actress Ellen Page and first-time screenwriter Diablo Cody became the film's breakout stars garnering the lion's share of critical raves and awards with Page getting an Independent Spirit Award and Cody an Academy Award. Now that all of the dust has settled, Juno can be reassessed to see if it really has the staying power and substance to cut through all of the hype and stand-up to the inevitable backlash.

There is an audio commentary by director Jason Reitman and screenwriter Diablo Cody. The first thing that you notice when listening to Cody talking is how well Ellen Page mimicked her way of speaking. Reitman tends to dominate the track and, not surprisingly, talks about filmmaking aspects like the casting of minor roles, the attention to details for the sets, how he shot certain scenes, and so on. This is pretty decent track filled with lots of anecdotal stories and production details.

Also included are 11 deleted scenes with optional commentary by Reitman and Cody. We meet Juno's crazy next-door neighbour. There's also a different introduction to Juno's family. We see Mark and Vanessa's first attempt to adopt. There's also an amusing bit where Juno has a solo gig and sings a song about getting pregnant. These are all good scenes and Reitman explains why there were cut.

There is the obligatory "Gag Reel," a hilarious collection of blown lines and goofs with Bateman making Page break character time and time again.

The "Gag Take" is an odd scene where Rainn Wilson and Reitman get into it with a mock heated argument.

"Cast and Crew Jam" features the cast and crew members rockin' out to a song in this mock music video.

There are "Screen Tests" for Ellen Page and Michael Cera. In the scene they do together you already see them in character and displaying excellent chemistry. There is also a test with Page and Olivia Thirlby and one with Page and J.K. Simmons as well.

"Way Beyond `Our' Maturity Level" takes a look at the characters of Bleeker, Juno and her best friend Leah with interviews with the actors that inhabit them. Diablo Cody talks about how they are based on people in her life.

"Diablo Cody is Totally Boss" is a profile of this novice screenwriter who got her start writing a blog and got noticed by a film producer. Reitman recalls his initial impressions of the script and the cast gush about its "unique voice."

"Jason Reitman for Shizz" takes a look at the director. The producers gush about how he was the right fit for the material. He talks about establishing the right tone and how he shared the same vision for the film as Cody.

"Honest to Blog!: Creating Juno" features Cody and Reitman talking about how the film came together. She credits her stylized dialogue to spending lots of time on the Internet. Cody also talks about how she came up with the idea for the story. They talk about specific scenes and her knack for depicting an unconventional family.

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It means the bonus disc includes a digital copy of the film that can be automatically downloaded to a laptop or iPod. Seems obvious after you know it, huh? The second disc also includes some extra bonus features not on the single-disc DVD -four featurettes titled "Way Beyond 'Our' Maturity Level: Juno Leah Bleeker," "Diablo Cody Is Totally Boss," "Jason Reitman For Shizz" and "Honest To Blog! Creating Juno."

Read Best Reviews of Juno (Special Edition + Digital Copy) (2007) Here

Juno a teen who becomes pregnant by her friend and decides to give up the baby for adoption to a lovely couple or does she change her mind. I reccomend all teens to see this, not to get the idea to just go out and have sex to so call (get a baby) but let the teen see what Juno has to go through on her own being pregnant without the baby's father having anything to do with her or the child. It happens all the time in the world we live in. Being puzzled about how it was going to end....Well I wont give the ending away you just need to view it for yourself. This movie is a serious subject, but has humor by Juno. I was happy to have purchased this myself. Ellen Page (Juno) a rising actress. Through friendship and pregnancy, there is a bond of LOVE forever.

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Obviously by now everyone has heard the hype surrounding this movie. Unfortunately, the hype has assisted my lukewarm rating of this movie. A scant three minutes into the movie and one has to wonder how Diablo Cody won an Oscar for writing such fake dialogue.

The lead character, Juno, is in a pharmacy purchasing a pregnancy test. Her interaction with the clerk was the stuff you can only find in a movie. No one talks like they do. The clerk and Juno both spoke like they were from another planet. Unfortunately, we're subjected to little more than this type of dialogue for the first two thirds of the movie. It was as though Diablo Cody watched Quentin Tarantino movies and then decided to try her hand at writing sarcastic, quick-witted banter. She has a very long way to go. One-liners don't make for conversation.

I feel that most of the hype about the writing was due to the fact that it was different. Not that it was really good, but because it is different than typical Hollywood fare. Different doesn't equal good here. Nothing is more ridiculous than when, upon being told by Juno that she is pregnant, her father comments that he didn't think the boy who knocked her up "had it in him". The ho-hum manner that everyone takes to the situation is very unrealistic and distracts from the story. No one seems to take the matter seriously. Not her father, not the boy's family, not the boy, and not Juno herself.

So how did I end up giving this movie three stars rather than one? Well, the story found its way in the last half hour. I found Little Miss Sunshine to be like this as well. Most of the movie was rather dull, but the ending was so good that it made up for the rest. Juno has a similar quality. We finally see resemblence of humanity when Juno finds out the perfect couple she chose to adopt her baby aren't the perfect couple she thought they were. We finally see some realistic interaction between father and daughter. We see a woman who cannot have her own children distressed over the uncertainty of the adoption process. You can feel her uneasiness. After Juno gives birth, her boyfriend visits her in the hospital and there is a real tender scene between them. Alas we see Juno as a vulnerable child having to deal with the weight of having a baby and giving it up. I found the final scene to be rather charming as Juno and her boyfriend sit and play guitars and sing a tune together. It's still unrealistic, but nevertheless it was a nice finish.

There are better movies about intelligent, self-aware, teenage girls who struggle as misfits to find their calling. One that comes to mind that is better written and superbly executed is Ghost World. It stars Thora Birtch, Scarlett Johansson, and Steve Buscemi. The movie isn't for everyone, but if you're interested in a Juno-type movie, Ghost World is far superior. Ghost World

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You Don't Mess With the Zohan (Unrated + BD Live) (2008)

You Don't Mess With the ZohanSandler goes back to his juvenile roots with this one. That is not a bad thing in my book, I find Billy Madison and Happy Gilmore a riot. In this movie, Sandler plays Zohan. Zohan is a tough as nails Israeli intelligence operative who fakes his death because he is sick of all the violence in the Middle East. He goes to America to become a hair dresser because he wants everyone to have silky smooth hair. Not every joke works, but the silly situations come fast and furious. If one doesn't get you, then maybe the next one will. Yes it is pretty stupid and juvenile stuff, but I found most of the movie amusing. If you like his first movies, then this one is for you.

Well, clearly, not everyone has the same sense of humor. You've got to walk Disbelief right out the door with "You don't mess with Zohan," but if you just need a fun summer flick and you have a very bent sense of humor, this could be it.

Story in a nutshell: Zohan (Sandler) is tired of the Israeli Army. He busts it to capture a terrorist, the Phantom (John Turturro) and the government merely trades the Phantom back. So--when his next opportunity to go up against his arch nemesis comes up, Zohan stages his own death and comes to America to become a hairdresser. He ends up falling for a Palestinian girl, Dalia (Emmanuelle Chriqui) and realizing there are worse things than his original enemies.

The humor's just as juvenile as you would expect, but if you need a good, hard laugh--and you don't mind gross, this is it. Be warned, you will never look the same way at hummus again!

Rebecca Kyle, June 2008

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If you were ever a fan of blazing saddles like I am, then you'd see the value in this movie a lot clearer. Blazing saddles used humor to tackle a situation of racism in america that was a major issue that everyone just tiptoed around because everyone was so scared of offending others, but Blazing saddles took racism and punched it in the nose with humor. You don't mess with the Zohan is an exceptional film with slapstick humor all throughout delivered in the same manner that Blazing Saddles delivered. It managed to take the middle east conflict and all the racism and hatred that is there hit it square in the nose, sure there was plenty of stuff some might deem as "Offensive" but I was never a fan of political correctness, it censors us and brings us to a point where free speech is taken away. I salute you Adam Sandler, you made a funny movie, and you managed to tackle a much bigger issue in the process. This movie was art, if people can't appreciate it, then they need to open up their minds some.

Read Best Reviews of You Don't Mess With the Zohan (Unrated + BD Live) (2008) Here

This was a very funny movie. Not only are there a million laugh out loud moments, but I thought it was also a sardonic look into Middle East relations both there and in America. Not much about the Mid-East conflicts is funny, but this movie fearlessly finds the humor and delivers the laughs and even some messages.

I thought it was very original and unpredictable. This is a perfect Sunday afternoon fun-fest.

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While I've never been a -hugefan of Adam Sandler's films, I have watched them and laughed throughout most of them. I'm the type of guy who enjoys some slapstick, some raunchy humor, and a lot of zanyness.

I went into Zohan not expecting anything but pure frivolous humor. You don't go into films like this with any expectations, and I think that's where a lot of the reviewers prior to myself went wrong. They went in expecting to see an evolution of Sandler's humor, and while I would say that Zohan raised the bar a tad, it's still Adam Sandler. Yes, it's going to have a corny ending, a lot of physical humor, and a healthy dose of humor aimed at the more intelligent in the crowd as well.

Overall, I couldn't stop giggling, laughing, and chuckling throughout most of the film. After a long streak of not seeing any humor films, I thought it was the perfect thing to bring me back to comedies. The last few years, especially, have been incredibly lackluster in regards to comedies (if that's what evolution of the genre is, count me out, by the way), and I found Zohan refreshing.

I think another thing a lot of the other reviewers missed, is that the film in no way expected to take itself seriously. The only serious moments were cheesy, predictable, and ultimately corny, which is irony in itself and only contributed to my bemused chuckling. Yes, a lot of the humor bordered on racial stereotyping, there were a lot of over-the-top accents and allusions to the Middle East, so if you're the type to get touchy about that, feel free to skip. I found it to be a rather hilarious joke on the seriousness that everybody applies to the stereotyping. The stereotyping is, actually, rather fair and towards the end even shows plenty of "good stereotyping" (as accurate as stereotyping ever is, which is to say, rarely).

Really, the film laughs at itself. Are there some bum moments? Certainly, but it seems that's been the case for almost every film I've seen in the last few years, but it was grand seeing the cast and crew not try to make this the 'next great comedy' and just have a load of fun. And if the cast and crew are laughing at themselves (which you can clearly feel through the screen), you can't help but laugh with them.

If you want to spend an hour or two snickering and have an open mind, give Zohan a shot. Don't expect an evolution of comedy. Don't expect the bar to be raised, because that's not what this film was trying to do. It was trying to be ridiculous and make people utter that ever so fantastic groaning-giggle followed by the heart chuckle.

Don't let the other critics fool you, they've probably forgotten the meaning of the word 'satire'.

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LOL (2012)

LOLI was looking for a fun movie to watch while my husband was gone. I thought this was a good choice because of the actors and because I knew husband would never watch it with me. But don't waste your time on this one. I cringe to think about teenagers watching this movie and thinking that the behavior is acceptable.

It's one of those movies where they try to make 'right look wrong and wrong look right'. Everything about it was wrong--mom was a mess, dad was a mess, daughter tried really hard to have morals-but then ended up a mess too. I was disgusted by the sexual references in this movie. There are better ways to teach kids about life. So disappointed in Miley Cyrus for taking this role.

This was an awful movie which blatently encourages drug use, casual sex, and alcohol use for teens. And it encourages parents to be OK with all of the above.

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I fell asleep twice before I finished the movie. It wasn't that great! This is a movie for teenagers. The story itself was no polar and there was a lot of temper tantrums. I would not recommend this movie too anyone.

Read Best Reviews of LOL (2012) Here

There are lots and lots of people standing in between a movie being conceptualized, green-lit, written, shot, edited, marketed and distributed. Not one of those people said 'hey, we should maybe stop throwing good money after bad and desist with making this horrible atrocious affront to storytelling because we think Miley Cyrus will get the young ladies to the theatre'. And that's the real tragedy herethat none of those professionals did anything to end this awfulness.

I made it 7 minutes and 53 seconds into the film before I had to stop it. What utter trash.

Miley is Miley, the same as she is in everything, an energetic bundle of over-rehearsed, well-meaning Disney sassafrass that never quite rings true. She demonstrates no depth of character or feeling, and she crashes through her scene work with all the care and specificity of a drunk parrot. Demi Moore is collecting a paycheck, and you can see that she gives exactly zero f@#%s about what she's doing. All the boys look like they just stepped out of a group audition for Camp Rock, I could not tell one from the other.

That's pretty much all I can say, having only seen about 8 minutes of it. Don't waste your time.

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The movie LOL was better than I expected. Lionsgate didn't do justice to the Miley Cyrus film by failing to give it a proper promotion. I enjoyed the movie. For myself, I could relate to the trials and tribulations of being a teenager and experimenting with my friends. It was totally believable. I recommend this for anyone 13 years old and up. Thank You, Richard.

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When Harry Met Sally... (1989)

When Harry Met Sally...Something has always bothered me about romantic comedies, i.e. you rarely actually get to see the couple fall in love, you know, actually witness the growth of the bond between them. They just fall in love, but you don't really get to be there. Except when you're watching 'When Harry Met Sally'. Rob Riener made a better film from a Nora Ephron script than she ever could. No offence to her, she's just a better writer than she is director. And Meg Ryan is so much better with Billy Crystal than Tom Hanks, although I have nothing but respect for Mr.Hanks. The thing is that its not just a genuinely and consistently funny movie, it's also terribly romantic. It spans about twleve years in the lives of both Harry and Sally, from their first meeting at college. They grow and change, they like and dislike each other, they become romantically involved and then they don't. The whole thing is very engrossing and witty but never seems far fetched or fantastical. I rate this movie as a contender for cinema's best romantic comedy. Enjoy the dialogue, the charm, the music, the drama and melodrama and give praise to Rob Riener and his magnificant team who made a wonderful film. The stars have not reunited since and it is possibly for the best as it would be an extremely difficult task to repeat this kind of quality. Chemistry and genuine emtion are hard to come by in this genre, enjoy it while you can. Its available on video and DVD and is rarely edited for T.V.

This review refers to the Special Edition DVD(MGM).......

A great romantic comedy that can be enjoyed by both men and women is a rare treat. This film is one of those rareties. Director Rob Reiner has us laughing at each other as well as ourselves in this story that lovingly highlights the inner workings of both sexes.

Harry and Sally(Billy Crystal/Meg Ryan) meet for the first time right after college graduation as they spend their first 18 hours together car pooling from Chicago to New York.They instantly fall for each other, BUT... neither one realizes that. Right away we see the difference of how men and women think, and how funny those differences can be. Upon reaching New York they part ways because theoretically "Men and women can't be just friends".

Over the years, they run into each other several times(destiny?),still not understanding the other's ways, but eventually become best friends, even trying to fix each other up, as they see each other through various relationships that didn't work out.Eventually they do begin to understand the other and feel themselves falling, but why ruin a good friendship with love and sex... right? How long will it take for these two to realize..."It Had To Be You"?

Billy Crystal and Meg Ryan have a magnificent on screen chemistry, and they'll have you laughing and rooting for them.

Bruno Kirby and Carrie Fisher are expert at playing the well meaning friends. There are some wonderful scenes of older couples being interviewed that will have you rolling. Rob Reiner does a brillant job of bringing us this everyday world of the gender gap.

You'll also love the soundtrack for this film. Lots of old standards, performed by Frank Sinatra, Duke Ellington and some really marvelous stuff by a very young Harry Connick Jr. Nora Ephron wrote the screenplay and was nominated for an Oscar for her outstanding work.

The DVD is great. It is in widescreen, Dolby stereo surround(2.0),the picture is beautiful with all the wonderful scenes of the changing seasons in New York, and the sound, including the music and the dialouge are pleasing. Some really nice Features are included, I very much enjoyed the "Making OF" Documentary with lots of commentary. You'll also find lots of deleted scenes that are fun to watch, you can have Reiner's commentary during the film, and There's a terrific Harry Connick Jr video. There are trailers, and French and Spanish subtitles.

"Viva La Differance!"......Laurie

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As a rule I generally do not review films...if only because after attempting this before I find I'm totally inadequate! I know nothing of camera angles, dialogue or for that matter what to even look for in any given movie! I suspect I would have flunked out of Film 101! Obviously music reviews are my "forte" but since this film ranks as one of my absolute favorites than it's worthy of another attempt. Wish me luck!

Rob Reiner's "When Harry Met Sally" is for me,after Woody Allen's "Hanna and Her Sisters" and Bogart's "Casablanca" one of the films that I simply need to watch over and over.These three films have, for me,such an absolute "presence" about them that is difficult to explain. As for this film it is simply is the "standard" for which other romantic comedies should be judged! Meg Ryan and Billy Crystal have such real, honest chemistry between them (which is obviously imperative in a film such as this) that when on screen together they literally jump out at you. Plus, the supporting characters, especially Carrie Fisher, playing Sally's best friend,is a joy to watch...but than again, they all are! Including Bruno Kirby,as Harry's best friend. In fact the dialogue between Billy Crystal and Bruno Kirby at the Giant's football game ranks as one of the strongest scene's in the film....if not one of the most honest!

Also, kudo's should go to the cinematography which, showing New York, in all four seasons,especially fall, is visually stunning. An absolutely beautiful film to watch! The dialogue is extremely funny, not too clever(thank-you), and above all,at times, insightful in what it has to say about relationships and how we go about this sometimes horrible ritual called dating.I know of no other movie that can make me laugh so hard at one moment and shake my head with wonder as one of the characters state something so honest,real and emotionally true that I almost cry. I may be overstating my case here but if so, than oh so slightly!

In the end, a film that I care for deeply because I care so much for the characters and one that I never tire of watching. Adding to the mix a wonderful soundtrack by Harry Connick and you have the perfect valentine.One of those few films where everything simply feels right.Ummm....now if only my dates would go so well!

Read Best Reviews of When Harry Met Sally... (1989) Here

This is one of the few movies I can watch over and over and never tire of seeing it. It is so true to life about relaionships betwen men and women. Billy Crystal and Meg Ryan are the perfect actors to play Harry Burns and Sally Albright, the completely opposite and mismatched couple who are actually the perfect match for each other. Billy Crystal's unique humor shines through, and Meg Ryan is the only actress who could play Sally. Bruno Kirby and Carrie Fisher are great as Harry and Sally's best friends. The dialauge between Harry and Sally is wonderfull throughout the fillm. And the diner scene is one of the funniest I've ever seen in a movie. It all but steals the entire picture. This is ,hands-down, a modern romantic comedy classic that everyone should see.

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This is nothing more than the original release of the DVD of the classic film repackaged to include a compilation of music from the decade in which it was released. The worst thing is that none of the music on the CD has anything to do with the movie itself. I'm not even sure that any of the songs were released around the time that the movie was in theaters. Had it been the actual soundtrack of the film included we might've had something to get mildly excited over. There's also a 'time capsule' booklet with events that happened during the 80's. There are much better ways of learning 80's history than with a 16 page leaflet.

Skip this product entirely, and instead try the 'Collector's Edition.' It is far superior with remastered 5.1 audio sound, exceptional audio commentary and a number of featurettes on the making of the film. The only thing better would be to see a remastered version on Blu-Ray (hint, hint Sony!).

Lost Keaton: Sixteen Comedy Shorts 1934-1937

Lost Keaton: Sixteen Comedy Shorts 1934-1937First let me say that a comparison of the 2010 DVD to this 2012 Blu-ray release shows no real improvement. The increased resolution only shows more film grain. Details have not been improved. Even worse, the distorted audio in some of the shorts has not been improved on. The BBC did that for the early Doctor Who shows, Why can't Kino do that here?

If you already have the old DVD set, keep it and save your money for future Keaton films worthy of a Blu-ray release. If you have not bought this collection, then strongly consider whether it is worth the additional cost of a Blu-ray set that has basically the same quality as the cheaper DVD set.

Unlike the Blu-ray re-issues of the films from the old "Art Of Buster Keaton" DVD set, this appears to be the same transfer as the old 2010 DVD set. My guess is that in 2010 Kino did a Hi-definition transfer of the films for the DVD release, enabling them to re-use the transfers for future Blu-ray releases.

I was actually disappointed when I read that the Lost Keaton DVD set was the next Kino Keaton set to get the Blu-ray treatment. Much of the source material was sub-par quality due to the loss of original Educational Films negatives. My hopes were that some of the distorted audio in the DVD set would be cleaned up, sadly not.

Expect to see:

Film splices, some with jumps.

Film scratches.

Noisy to distorted audio.

The only improvements I saw are:

1) Increased resolution now shows the film grain as opposed to digital compression in the DVDs.

2) The Blu-ray set has an informative booklet inside, my original DVD set did not have one. It is possible that it was accidentally omitted from my DVD set.

3) The Blu-ray sleeve includes poster reproductions on the reverse side

If you're reading this, chances are you're already a Buster Keaton fan. If you're not, let me just say first off that this set should NOT be your introduction to the legendary comic actor/writer/director. Keaton's masterworks are the silent "two-reel" comedies he made in the twenties (and available in the excellent Buster Keaton Short Films Collection: 1920-1923 (Three-Disc Ultimate Edition) [Blu-ray], to which this set serves as a companion piece). As many of you will know, Keaton's career fumbled immediately following the silent years, with a 5-year stint making features at MGM. But these films, made for the independent Educational Pictures, represented a return to form of sorts. Here was Keaton back in his element: the comedy short. And Educational also gave him back much of his creative control. . .something he lost working as essentially an actor only for the big studio.

Truth be told (and understand, I'm a HUGE fan), most of these sound comedies don't measure up to the gems Keaton made 10 to 15 years earlier. But there's still plenty for fans to enjoy. Unlike silent stars who had difficulty making the transition to sound, Buster had a distinct voice and used it to good effect. He wisely didn't stray too far from his origins; the best bits in these films don't require speaking or much sound at all to make them funny. ONE RUN ELMER and MIXED MAGIC are good examples of this. Keaton's love of trains and physical, architecture-based gags are also in evidence in several films.

As for the set itself, the video and audio quality varies a bit from film to film. There is the occasional unrepaired splice, resulting in a "jump" in the action. Debris is evident in many cases, although the overall picture quality is quite good for its age. It's worth noting that Educational Pictures was NOT MGM, and I doubt that the independent company ever made a film as polished as the larger, more affluent studios could. If you've seen the Blu-ray release of the silent shorts, you know what is possible with restoration efforts. I would easily give Kino's earlier release of the silent films 5 stars for visual quality; by comparison, "Lost Keaton" scores 4 out of 5. Still a very good rating.

Extras aren't as plentiful as with the earlier set, but you still get a wonderfully informative booklet, with info about each film. There's a still gallery, and a video montage of various stunts and physical gags. And for those who care about such things (as I do), "Lost Keaton"'s package design is virtually identical to the earlier release. . .making a very attractive pair of comedy classics on the shelf. :-)

Bottom line: If you're a fan, this is a no-brainer. If you're not (yet), defintiely start with the earlier set first. Buster Keaton was a one-of-kind comic genius, and Kino Lorber has done him proud with this lovingly-created collector's sets.

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I bought this because I'm a big Buster fan. Although some of the shorts included in here aren't the best of Buster's work, it definitely is worth taking a look at. I LOVE "Grand Slam Opera," "The Chemist," "Hayseed Romance," and "Tars and Stripes" among others. And even though many of these shorts are not as sophisticated as the silent ones, they still contain little gems of material that make you laugh.

Read Best Reviews of Lost Keaton: Sixteen Comedy Shorts 1934-1937 Here

Repo! The Genetic Opera (2009)

Repo! The Genetic OperaThis movie is amazing! The scenes are very creepy and unsettling, but at the same time very appealing and artistically beautiful. Even if you hated the music or plot, which I didn't this movie alone for the scenery is worth a buy.

Now about the music. At first I was uncertain of how to feel regarding their musical numbers, and by the third song I was hooked. The lyrics in this are comedic at times, other times serious, and actually nearing the end there is a song that I think is pleasant, "I Didn't Think I'd Love You This Much," is the name of the song I believe. The vocals of lead Alexa Vega are great, strong, and defined. Even Paris Hilton surprised me as this is the first time I have heard her vocals, and it reminded me some some old school goth rock cd I'd listen to in high school. Finally, Sarah Brightman. What can I say about Sarah that anyone doesn't already know? Musical Wise, she was nothing short of spectacular.

Acting wise, I'm a big junkie for Bill Mosley and it was fun to see him pull off the comedic cult character he portrayed. Paris, actually did great acting, it surprised me how great Alex Vega did considering I had never seen her attempt anything like this, and I was surprised that Sarah Brightman could be as dark as she was in this movie. The casting meshed well and it was fun to see such big names in a movie that hadn't hit theaters in my area.

Art wise, the scenes were mind-blowing. There are scenes where there is much cgi used, but overall it looks good, and that's saying a lot for me considering I hate cgi. Also, the make up was great with good effects, example, if the box hadn't said Paris was in this I doubt I would have recognized her until the end.

Overall, I rarely say this.... But I wish I could give this a higher rating then a 5 star. I will be buying the soundtrack as soon as I complete this review. Repo! Will be played a second time tonight for my posse... Yes, it was that good.

Three, count 'em, three (!) songs from Repo! The Genetic Opera are being considered for Academy Award nomination. That shows how amazing this film is. Sadly, Lionsgate does not consider this film to be all that amazing, and is not doing anything to support this nomination. Generally, a film company would send letters and sample DVDs to the Academy members, promoting their film. Lionsgate, however, is run by a bunch of idiots and they are not doing this. So, it is up to the fans to promote Repo! Here are the three songs that are up for the nomination:

"Zydrate Anatomy"

"Chase The Morning"

"Chromaggia"

Set against a futuristic backdrop where an epidemic of organ failures is plaguing humanity, people turn to the unscrupulous Geneco Corporation to purchase replacements for their failing vitals. Not everybody makes good on their payments, however, which is where Nathan Wallace (Anthony Head of Buffy the Vampire Slayer fame) goes into action as one of Geneco's "repo men", brutally reclaiming defaulters organs at scalpel-point.

I loved it! It's basically a very stylized, horror rock opera. I was a little worried about Alexa Vega and Paris Hilton being lead characters in it, but Alexa Vega was marvelous, and Paris Hilton was basically being herself (an heiress to a multibillion-if-not-more-dollar company who's obsessed with fashion and thinks she's capable of singing), so she couldn't really go wrong. Her character didn't sing much either, so you don't really have to hear much of her voice. The songs are incredibly catchy and well written, and the actors had the voices that really brought the songs to life. Imo, the best songs are "Zydrate Anatomy," "Infected," and "Legal Assassin." There wasn't as much gore as expected, but the gore in the movie was great. Lots of someone being cut open and then the Repo Man reaching into his/her abdomen and taking various organs.

I've read/heard a lot of complaints about the film saying "oh the story's too complex and weird!" or "the lyrics were awful and poorly written!" You know what? The movie's called Repo! The Genetic Opera. "Opera" being the key word here. The melodrama and crazy story lines are a staple of classic operas! The story line is just like many classic opera story lines. I read someone's comment that the only opera aspect missing is a mistaken identity, which I find to be totally true. Weird lyrics are also a staple of classic operas. I mean, come on, they sing EVERYTHING in operas. Even "oh no, I've dropped my hat" gets turned into a ridiculously emotional song.

Overall, I loved this movie. The cast was great, the songs were great, and the style of the film was really interesting. I loved the nods to classic opera as well.

Final Verdict: 10/10

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Seemingly forever destined for cult status, Repo! The Genetic Opera is something you have to see to believe. A Goth-themed rock opera directed by Darren Lynn Bousman (Saw II, III, & IV), Repo! tells the tale of a future, Blade Runner-inspired world where massive worldwide organ failures have led to the rise of GeneCo; a biotech company run by Rotti Largo (Paul Sorvino) that lends out organs to those that need them. Failure to pay in full however results in a visit from the Repo Man (Buffy the Vampire Slayer's Anthony Stewart Head), who has no qualms about getting his hands dirty (and bloody) as he takes them back. As the story moves on, we learn of Repo Man's sickly beloved daughter Shilo (Alexa Vega) who learns of some deep buried secrets, and Largo's heirs Amber Sweet (Paris Hilton), Luigi (Bill Moseley), and Pavi (Skinny Puppy's Ogre) who are all warring to be left in charge of their sickly father's empire. The film moves along at a pretty brisk pace, even though its story doesn't always manage to catch up to it. The film's music is spectacular, and the cast (even Paris Hilton believe it or not) is wonderful as well, as Bousman quickly shines well above anything he's ever done with the Saw series. Also featuring Sarah Brightman, Repo! stage vet Terrence Zdunich, and a quick cameo from Joan Jett; Repo! The Genetic Opera is made to be a pure cult classic through and through, and though it definitely isn't for all audiences, the film stands as being something special regardless, and is wholeheartedly worth a look at the very least.

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A few years ago I went to see Rob Zombie's directorial debut "House of 1000 Corpses" and I remember driving home not knowing what the hell I just watched. I wasn't sure it was actually any *good* but I knew it was different. I had that same feeling tonight after watching "Repo! The Genetic Opera."

It is what it is, operatic but with a distinct goth/rock feel. Very little of the dialogue is spoken, it's mostly sung. The look of the whole thing was a mishmash of "Rocky Horror Picture Show," "Moulin Rouge," "Blade Runner" and the Nine Inch Nails music video for "Hurt." So visually it was arresting to be sure.

I didn't like it at all at first, the first 20 or so minutes was pushing me to just turn it off but it grew on me......somehow.

The film's plot (if you can call it that) is we're in the not-too-distant future where the world has seen an epidemic of organ failures and one company offers something of a cure-all. They specialize in organ donors but the catch is if you fail to make your payments, they send a repoman to reclaim the heart, kidney, whatever from you....forcibly.

Obviously there's a strong horror movie vibe going on here with some macabre imagery (and a dash of sci-fi thrown in) and having everything played out in these grand operatic gestures dressed up in trashy goth outfits.....well......it's different. Certainly not something for everyone but I'm willing to bet "Repo! The Genetic Opera" will find a very loyal cult following.

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Everything the acting to costumes and songs are fantastic!

This film is wonderfully paced and a bunch of the songs like Chase the Morning and At the opera tonight are really catchy! another highlight would be Sarah Brightman's role as Blind Mag! Her Performance is so subtle yet very convincing you can't help but feel for her character!

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National Security (2003)

National SecurityNational Security is the perfect movie to see this year. I saw it the day it came out and I want to see it again. It stars one of the best comedians today (Martin Lawrence) and another funny misfit (Steve Zahn from SAVING SILVERMAN). The movie is funny yet has good action. Here is the plot.

Steve Zhan plays Hank. An LA policeman who is bent on revenge to finding the guy who killed his partner in gun battle. Lawrence is Earl. A guy who just got kicked out of the force after turning a practice session into a disaster. Plus Earl always thinks that people have a problem with him because he is blacknot because of his attitude. One day while Earl is trying to have a regular day, he realizes he left his keys in his car and tried to stick his hand in and get it. Hank catches him and interrogates what is going on. While that is happening, a bee comes by and Earl is allergic to bees and so Hank tries to get the bee away but the way they were positioned, it looked like Hank was beating on Earl and a guy who near by got the whole thing on camera. Because of that, a huge commotion started thru out the state about a white cop beating a black civilian. Hank is fired from the police and sent to jail for 6 months and Earl just kicks back and lets the whole thing happen even though he knows it was a bee.

Hank serves his six months and after getting out he tries to do something similar toward police worka job as a security guard. While on the job, Hanks gets called about a robbery and goes to check it out. It seems that the robbers were the guys he had an encounter with in the past and one of the guys was his partner's murderer. Hank goes into action right away and a fellow security guard who worked in the building comes to back up Hank and that person just happens to be Earl!! The two would've had a long argument but realized it wasn't the time and chased the bad guys but they were stopped by the police. Police that Hank kidnapped Earl for revenge but Earl decided not to have anything bad happen to Hank this time although it would have felt real good. Hank goes on to try find these guys who did the robbery because its personal and Earl thinks it is personal too because one them called him a monkeyand he thinks he was called that because he is black. Both Hank and Earl go on the case even though they are not policemen and along the way they go through many arguments that sometimes lead toward zany consequences like fighting over which to go on the streetright or left and they end up jumping the highway into a pile of portable toilets. Hank and Earl must try to put the past aside so they can help each other to try and find these bad guys.

National Security loaded with intense action, thrilling chase scenes, gun battles, fist fights, and many parts that will make you laugh hard. It's definitely as good as blue Steak and you should see it while it is still in theaters.

I wasn't expecting much from the film, "National Security," but what I got wasn't that great either.

This film revolves around a man (Martin Lawrence) who is trying to be a cop. He gets kicked out of the police academy and must resort to being a security guard. One day he comes face to face with a police officer (Steve Zahn) who accidently thinks Lawrence's character is breaking into a car. What happens next looks like a Rodney King beating, but really isn't. Zahn's character is sent to jail and when he gets out can only find a job as a security guard. Zahn's partner was also killed, so once he's out of jail, he's on a quest to find his partner's killer. Lawrence and Zahn then team up, under crazy circumstances, to find the killers and bring them to justice.

There are a few funny moments in the movie, but they are far and few between. Martin Lawrence's previous films, such as "Bad Boys" and "Nothing to Lose" were much better and funnier. I would have to agree with others when they say there were too many racial jokes throughout the film. Just about every sentence that came out of Martin's mouth had some sort of racial slur in it. After awhile it became very annoying.

Those who really enjoy Martin Lawrence's films may enjoy this movie, but I would suggest just leaving this one on the shelf and waiting for "Bad Boys 2" to come out this summer.

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Didn't like the first 10 minutes, but the rest of the movie we liked.

Loved Martin in Police academy, hilarious! Bumble bee incident and the chasing of the semi truck.

Martin ends up woking with Earl to go after the bad guys, but what do you know. The police get in the way of the pursuit. What a surprise.....NOT. Police are never in the right place at the right time, the movies are no different. Crooked cops do exist, not just in the movies.

Very funny... Not a rental but as a purchase..Love this movie.

If you are a cop lover, you won't like this movie.

Martin's comedy rocks! Martin's character and Earl made the movie for us.

Once again the bad guys got caught. See crime doesn't pay! Even if you are on the other side of the law.

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This is about a guy( Martin Lawrence), who accuses a cop( Steve Zahn) of beating him, so he can get on the police force, whn really he was just beating a bee that Martin Lawrences charactar was afraid of. So he goes to prison for 6 months, than they reunite, and have to stick together to take down some criminals. Good Film!

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I was really amazed with the attitude of the character played by Martin Lawrence. It was absolutely racist to the point that the Lawrence character send an innocent cop to jail and that is supposed to be funny. His obsession about being black is showed during most of the scenes with special stress on his lack-of-brilliant conclusion to the white cop when he tells him that "being innocent in jail + your girlfriend dumped you + an underpaid job after that" means you're a black guy. Basically the simple action plot was just an excuse to portrait was the movie is about: A different version of racism, promoted by the black not-funny main character.

Maybe I am not the target audience of this movie!. At least it was a rental

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Wrong Side of Town (2010)

Wrong Side of Town Wrong Side of Town is your typical straight to DVD action flick, with a handful of people cast just to appeal to different audiences.

The plot is predictable, and almost identical to the 1985 Schwarzenegger film Commando. Ex-military toughguy leaves the service, gets into it with the wrong guys, and has to rescue his kidnapped daughter. The movie's dialogue is awkward and tries too hard to be funny, and too many aspects of the plot don't make any sense.

Rob Van Damn, cast as Navy Seal turned landscape architect Bobby Kalinowsky, does a sub-par acting job. Fellow wrestler Dave Batista easily steals the show as Big Ronnie, Kalinowsky's former war buddy. Batista's screen presence is simply much better, had he been cast in the lead role instead, I'd be giving this movie a much higher rating. Despite being front and center on the DVD cover, Batista really doesn't get much screen time, which is a shame since he's easily a more natural actor than most professional wrestlers. Ja Rule and Omarion both landed "blink and you missed them" roles in the movie, so if you're a fan of either, don't bother watching it just for them.

The fight choreagraphy isn't anything special, although the rock score for the film is solid. The only standout fight in the movie is the showdown between Batista's character and Markus, right-hand man to the film's bad guy. Markus was played by legit martial artist Marrese Crump, who coincidentally trains Batista in real life (The hit "Batista Crump Workout" is on Youtube).

Overall, I was disappointed by the story, the dialogue, and by Rob Van Dam's weak acting. Cast Batista as the lead, cook up an original story with Marrese Crump thrown in the mix, and I'll gladly review it four or five stars.

I'm a pro wrestling mark, but I have to admit that films starring our favorite superstars are a dime a dozen these days. Films *directed* by wrestlers are another matter, but while I'm glad that David DeFalco seems to be distancing himself from the exploitation torture porn business, his contribution here means very little. Even with two of the business' biggest stars in tow, "Wrong Side of Town" is a forgettable little action-thriller much in the same vein as a lot of the other dreck I've recently reviewed. Absolutely nothing special.

The plot: when ex-Navy SEAL Bobby Kalinowsky (Rob Van Dam) kills the brother of a sadistic gangster (Jerry Katz, Knucklehead), he and his family must fear retaliation in the form of a $100,000 price placed on his head.

The film is the victim of false advertising. Get David Bautista and Ja Rule off the cover, Sony they have a combined screentime of less than fifteen minutes. Beyond that, the movie does okay as far as production is concerned: sometimes the camerawork looks cheap and a few voiceovers are evident, but considering that the film was shot for under $2 million, I can forgive these deficiencies. There are a few go-nowhere scenes, but the writing isn't awful otherwise. (SPOILER) Heck, I took unexpected pleasure in the scene wherein Bautista's character shoots Ja Rule in the head. This is all fine and good...but what then? With a story that doesn't really intrigue by itself, "Wrong Side of Town" was banking on some solid action scenes to support it, but these just aren't there.

Through his successful incorporation of martial arts into his in-ring performances, Van Dam secured both popularity in the wrestling world and a handful of roles in legitimate action flicks wherein he received the honor of being the only pro wrestler to have been directed and/or choreographed by both Tony Leung and Yuen Woo-Ping (only one other wrestler has matched the strength of these credits: Nathan Jones has been wrangled by Woo-Ping and Panna Rittakrai). I had really been hoping that some of their style and flair would carry over to his first starring vehicle, but by and large his three fight scenes all against multiple opponents are as poorly-shot as any brawl of these days featuring the other Van Damme. The only encounter of any interest is between Bautista and newcomer Marrese Crump, who's set to appear in Tony Jaa's "Tom Yum Goong 2" and gets to show off a few promising kicks before the two of them draw knives and proceed to have a veritable pattycake fight worthy of Steven Seagal's lower quality work.

I wish I had more to say about this one, seeing as I had respectable hopes for it, but I can't help but think that I'll have forgotten the movie by tomorrow, so why waste words? Stick to watching Impact, guys.

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Out on the town with his wife and new neighbors, Bobby (Rob Van Damme) relies on his Navy Seal skills to sidestep a knife-wielding, coked-up wannabe named Ethan who falls on his knife. Ethan's brother just happens to be connected to organized crime. If only he were affiliated with a glee club or performance arts society. A $100K hit is placed on RVD's head, mostly for his poor acting...and not being JCVD.

Expecting great acting from a film that has a wrestler as the lead is unfair. And to be quite honest, he's not really that bad all things considered. Probably on par with Keanu Reeves. Either way, RVD and Batista still do a better job than Ja Rule and Omarion. Besides, it's the action that actually bugs me. The filming and lighting don't help; the combination accentuates the worst aspects of the poorly staged fights, making the moves look like fight scenes from The Warriors. But without the roller skates, makeup, and baseball bats. Choppy choreography, can you dig it? Can.You.Dig.Iiiit!?

Wrong Side of Town is quintessential bargain bin fare. Aside from one strip club scene, this is recommended only for wrestling fanatics.

Jason Elin

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Rob Van Dam (RVD) plays Bobby, a landscape architect & former Navy Seal, living with a wife & teenage daughter. When Bobby & his wife decide to go out to a nightclub with the new neighbors, he runs into trouble after accidently killing a man who attempted to rape his wife...a man who happens to be the brother of a mob boss who's blames Bobby for the death & decided to put a $100,000 bounty on him. Throughout the night, Bobby encounters so many groups of people looking to collect the bounty (including characters played by R&B artist Omarion, rap artist Ja Rule, and former WWE wrestler Nelson "Mabel/Viscera/Big Daddy V" Frazier) along with various people who aren't completely trustworthy from a crooked cop to his former friend (WWE wrestler Dave "Batista" Bautista) but when it gets too personal with his daughter being kidnapped, Bobby goes from being the hunted to the hunter.

This is one of those low budget action movies where the plot itself was very simple & something the average person can understand. The acting isn't much (RVD & Dave Bautista pretty much played their "wrestling" characters). The action here was martial arts based as RVD did have various fight scenes against multiple men throughout the film while Bautista did have the only one-on-one fight (and the best fight) in the whole movie...and for his WWE fans, you'll see some actions that he's done in the ring as well. It should be made clear thought that RVD is the star of this movie with the other appearences in the movie from those heavily advertised aren't much as Bautista appears for maybe 15 mins. total while Omarion & Ja Rule's appearences are around 5 minutes each.

DVD extras include RVD talking about his experience on the set & the stunts, quick interviews with various members of the cast, movie trailer, and footage of training for the fight scens featuring Bautista. In the end, this movie was about as good as you expected a low budget movie to be that heavily relied on various names from different venues (wrestling & urban music) to carry the movie than actors. This isn't a bad movie to the point where you want to shoot yourself in the head afterwards but also not worth going out of your way to see so I recommend for a rental if you have nothing else better to do for an hour & a half.

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Acting is wooden, but the action is good. B-grade action flick. Bautista is good. Save your cash, rent don't buy.

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