Showing posts with label list of action comedy movies. Show all posts
Showing posts with label list of action comedy movies. Show all posts

Kevin Hart: Laugh At My Pain

Kevin Hart: Laugh At My PainKevin Hart is too funny! Saw this one at the theater twice (the first time people were laughing so loud/long, I missed some parts! lol). Definitely worth buying as he never gets old. I have been a fan for years and have his other dvds (I'm A Grown Little Man & Seriously Funny) and watch them all the time. Each time, it just gets funnier. You won't be disappointed with this purchase!

I can honestly say this is one of the funniest stand ups I have seen in a long time. I couldn't stop laughing when Kevin was talking about his dad. "alright, alright, alllllllright". Hahahaha..........definitely not something to watch with the kids. My 6 year old over heard it and he wont stop saying "alright, alright, alllllllright". He thought it was so funny. Glad I watched it on Comedy Central so some of it was edited. I am definitely buying the DVD to watch when the kids are sleeping. :)

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I don't understand why people don't love this!! My friend, who's a Kevin Hart fan, told me that he didn't like it as much as his previous stand-up routines. I thought this was hilarious! I don't normally buy these things, but it was so funny, that I'll buy it.

I also wanna support "Chocolate Drop", cuz he's a hard worker. He has been doing commercials, movies, comedy stand-up routines, etc. eBay has commercials with him on YouTube. Xbox has an add with him promoting Forza 4. I wanna support his hard work.

He used to be my #2 fav Comedian behind Louis CK. Now he's my first.

Read Best Reviews of Kevin Hart: Laugh At My Pain Here

This Is The Follow Up 2 "Seriously Funny". Does It Match Up?......No, But That Doesnt Mean That Its Not Funny In Its Own Way. Basically, Kevin Gives You A More Personal Look Into Who He Is, While Hes At New Heights In His Career. The Movie Starts With Kevin Back In Philly, Looking Back At His Life And Career With Friends And Family. The Stand Up Content Is Basically The Same With Kevin As It Always Has Been (His Kids, Relationships, Arkward Moments And Sex) But The Jokes Just Arent As Funny As "Seriously Funny". After The Stand Up, There Is A Bank Robbery Sequence With The Plastic Cup Boys And Also Taraji Henson As A Bank Teller. The Robbery Sequence Is Extremely Random And Doesn't Flow Well At All With The Rest Of The Rest Of The Movie. The Most Interesting Thing Outside Of The Stand Up Is The Fact That LARRY KING Actually Interviews Kevin's Father, Who Clears Up Some Of The Things That Kevin Talks About In The Stand Up. Overall This Movie Is Funny But Even On The DVD Itself Theres A Sticker That Says You Should Watch "Seriously Funny".....Now Thats Funny.

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Simply put, I saw him live in Philly and then went to see the movie to laugh again! Get this!

Henry's Crime (2010)

Henry's CrimeOne assumes that Henry (Keanu Reeves) has some kind of inner life. He seems to be a likable, easy-going fellow; it's just that he's a bit...inscrutable. Maybe it's his job. Working the graveyard shift night after night at a N.Y. Thruway tollbooth would put anybody in semi-comatose state. Nothing fazes the agreeable yet impassive Henry, one way or the other-although he does display a slight twitch when, one morning at breakfast, his wife (Judy Greer) broaches the subject of the couple having a child. Suddenly, we get the impression that Henry would prefer to be anywhere else but there, at that moment, having that particular conversation. What's going on? Is this a troubled marriage? Does he love his wife? Is this cipher of a man internally harboring primal doubts about life itself? Or...is he suffering in silence from a sudden attack of gas? There's really no way of discerning.

We never get a chance to find out exactly what Henry is contemplating, because that is precisely the moment that Fate intervenes. An old high school chum named Eddie Vibes (Fisher Stevens) unexpectedly shows up on his doorstep, with a drunken cohort in tow. Both men are dubiously outfitted for a game of baseball. Eddie wants to know if Henry can give them a ride to their "game". Nothing about this questionable early-morning scenario seems to raise any red flags for the ever-malleable Henry. Even Eddie's request to stop at the bank "on the way"-and to park the car out front and wait while his passengers go inside-fails to elicit the tiniest raised eyebrow from Henry. Needless to say, the heist goes awry, Henry's car stalls, his "friends" flee...and guess who ends up in stir?

Although he owes them squat, Henry doesn't rat out the real culprits and takes the fall, while his demeanor remains unchanged. At this point, one might surmise that Henry is either some kind of transcendent Zen master...or a clueless moron (not unlike the protagonist of "Forrest Gump" or Chance the gardener in "Being There"). Ah, but our little wooden boy is about to meet his Geppetto. Max (James Caan) is a veteran con man. He's one of those oddball convicts who actually "likes" prison-which is why he has been sabotaging his own parole hearings and enabling himself to continue living on the state's dime. He becomes a mentor/father figure to Henry, who takes it to heart when Max advises him that he needs to find a Dream, and then pursue it. So what is Henry's resultant epiphany? Since he's already done the time, he might as well now do the crime. Classic heist caper tropes ensue, with a love interest tossed in for good measure(Vera Farmiga).

There's a little déjà vu running through this film (the second effort from "44 Inch Chest" director Malcolm Venville). Sacha Gervasi and David White's script may have been "inspired" by some vintage heist flicks; specifically, Alexander Mackendrick's 1955 comedy "The Ladykillers", and Lloyd Bacon's "Larceny, Inc." from 1942 (essentially remade by Woody Allen as "Small Time Crooks"). I thought that James Caan was recycling his "Mr. Henry" persona from Wes Anderson's "Bottle Rocket" a wee bit. While the film has classic screwball tropes, it lacks the kinetic pace of Lubitsch or Sturges. That being said, I still found Venville's film to be quite engaging and entertaining-within its own unique universe (yes, even the somnambulant-as-usual Keanu). I was reminded of Vincent Gallo's criminally underappreciated "Buffalo '66"; in addition the fact that it also was filmed in and around the Buffalo area, it's another one of those low-key comedies with oddly endearing characters that "sneaks up" on you, especially once you realize how genuinely touching and sweet it really is at its core. And there's no crime in that, is there?

HENRY'S CRIME is a dark comedy that actually carries a fairly good afterburn. The story is solid, the characters are unusual, and the setting in Buffalo, NY is appropriately dark and dank. This is a tale of how people react to their own personalities, moving through the world seemingly oblivious to those around them, afraid to create dreams much less go after them.

Flatline Henry Torne (Keanu Reeves) works the night shift in a freeway tollbooth, quite alone, and seemingly undisturbed by his isolation. At dawn he goes home to his tiny house where he greets his wife, nurse Debbie (Judy Geer) who wants to talk about beginning a family but as usual things distract the couple's ability to have a conversation. Friends pick up Henry to have him replace a member of the neighborhood baseball team and Henry goes along (as he does with everything that comes his way) only to wind up as the driver of a getaway car for his 'teammates' as they pause to rob a bank. Henry is so loopy that he is not sure what happened and is arrested by the bank cop Frank (Bill Duke) and without much effort in protecting his innocence, Henry is convicted and imprisoned. There he meets Max Saltzman (James Caan) who loves being in the protection of prison (low goals in life). When Henry comes up for parole, Max wishes him luck in finding a dream (or waking up to life) and Henry wanders back to his home: Debbie has married worthless Joe (Danny Hoch) and is pregnant and none of this seems to bother Henry either. Henry decides to return to the bank he was convicted of 'robbing' and is struck by a cellphone carrying driving actress Julie (Vera Farmiga). Henry has feelings (surprise!) for Julie, follows her into the theater next to the bank where Julie is rehearsing Chekhov's 'The Cherry Orchard'. Things finally begin to move: the theater is connected to the bank by a tunnel, Henry visits Max and convinces him to get out on parole, and the two men plan to actually rob the bank Henry was sent to prison for not robbing! From here the puzzle takes twists and turns but the result is Henry's finally waking up to his emotions (with Julie), with a 'dream' of robbing the bank to repay the fact that he was unjustly incarcerated, and nothing and everything goes as planned with big surprises in the end.

Malcolm Venville directs this plodding venture written by Sacha Gervasi, David White, and Stephen Hamel. Much of the plot is rather silly but that seems somehow proper for a character as bland as Henry (played with appropriate flatness by Reeves). Farmiga and Caan add the sparkle that keeps the boat afloat. Just when viewers are about to groan over this story, it reminds everyone of some of the people who are sleepwalking through life, whether blandly or anxiously, and by film's end the importance of dreams and an appreciation of the events that make our lives interesting and quirky provides some valuable food for thought. Grady Harp, September 11

Buy Henry's Crime (2010) Now

Henry's crime is a nicely paced, interesting look at how several people are finally motivated to take some chances in life instead of doing what is easy and comfortable. I enjoyed the movie so much I watched it again. The ending is great. It leaves the viewer to consider how things worked out for Henry. Did he make the right choice?

Read Best Reviews of Henry's Crime (2010) Here

**WARNING: HEAVY PLOT SYNOPSIS**

Keanu Reeves plays the meek Henry Torne, who works a toll booth in Buffalo. He is having some problems with his wife Debbie (Judy Greer, a young version of Susan Sarandon). He is conned into driving some guys to a baseball game, only as it turns out they rob a bank and Henry is the only one who gets caught. Henry meekly says nothing in his defense and gets sentenced to 3 years. During this time his wife leaves him for another man, which doesn't seem to bother Henry. In prison Henry meets Max Saltzman (James Caan), prison philosopher, barber, and story teller. Caan convinces Henry that if he did the time, he should do the crime.

Henry gets out of jail and appears to have walked home. His wife is pregnant by Joe (Danny Hoch), one of the bank robbers. Joe tries to recruit Henry to sell in his pyramid scheme, er ah multi-level... Henry's belongings are packed into one small box. Henry doesn't seem to mind at all.

Like a moth to a flame Henry is attracted to the bank...as he is walking in the middle of the street he gets hit by a female driver, who was paying no attention while chatting on her cell phone. She immediately gets out of the car and blames the victim.

Henry finally realizes his life's goal: To rob the bank he didn't rob. He goes to Max for help. Max is a lifer. He wants to stay in prison and not get out. At his review board he twitches and says to the panel if he got out he is going to kill their dog. Henry wants Max to get out and help him.

The theater, across from the bank, 80 years ago had a tunnel that went to the bank vault. Julie (Vera Farmiga), the woman who clocked Henry with her car is an actress, performing in "The Cherry Orchard" a play like the movie is both a comedy and tragedy. The metaphors pile up. His job as a toll booth operator symbolizes someone who goes nowhere while watching everyone go somewhere. Before this thing is through Reeves plays Lopakhin, who has come up from nothing and is looking for a change of life. The group of crooks blossoms from 2 to 5 and the play...let's just say it has an alternative ending.

Chick flick, heavy metaphors, F-bomb, sex, no nudity.

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James Caan in a superb role as a jail lifer and philosopher. Vera Farmiga in a superb role as a bitter and skeptical actress playing the female lead in Chekhov's Cherry Garden. Keanu Reeves in a strange role as a romantic sleepwalker. Buffalo in a decent supporting role as one of the most awful cities that the US can offer to world civilization.

A film somewhere between thriller (suspense entirely absent) and comedy (of the mild philosophical kind). Plausibility not relevant.

My verdict: rather enjoyable because of Caan and Formiga. Reeves doesn't disturb much.

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Groundhog Day / So I Married an Axe Murderer (Two-Pack)

Groundhog Day / So I Married an Axe MurdererCertainly nothing new here but I decided it was time to have a copy of both movies in my collection

Groundhog Day

Is just such a delightfull movie with some of Bill Murray's best work & some great death's I've seen it about 8 times so figured may as well get a copy & saw this double feature our on Blu Ray watching it for the 9th time still brings the odd predictable chuckle so reckon it will be watched again at some point

So I Married an Axe Murderer

I had the good fortune of spending 6 months touring the USA & Europe a while back when this movie just came out

Altogether we had 8 youngish Aussie's on that trip & at some point the boys bought a copy of Axe Murderer by the end of the tour everyone could recite every line from this movie so having not seen it for over 10 years I plucked up the courage to watch it again & it still has that Mike Myers humour pouring out a great movie that just reminded me of great times

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Lock, Stock and Two Smoking Barrels (Blu-ray + DVD) (1999)

Lock, Stock and Two Smoking BarrelsIf you own the previous edition of Lock, Stock you might really want think about if it is worth double-dipping. The transfer for this one is as good if not slightly worse than the previous 2003 release. There are only two (slight) new extras on this edition. "One Smoking Camera" features the film's cinematographer talking about how he shot the film. He takes us through a few key sequences and shows how they were shot or edited.

Finally, there is "Lock, Stock and Two F**king Barrels," a montage of colourful insults and curse words used throughout the film by various cast members.

Why the extras on the superior Region 2 release weren't ported over is a mystery and as a result this edition is really not worth your time.

I was fortunate to have seen this film prior to it's American release in London where I was attending my brother's wedding in 1998. I was totally blown away by this high energy caper film. My first reaction was to compare Ritchie's style with that of Quentin Tarantino. On subsequent reflection,no, director Guy Ritchie with this film and the subsequent "Snatch" has a style all of his own. What impresses is the way Ritchie handles all of the storylines in this densely plotted story. He also does it in such a quick-cutting, high-energy style that you have to stop and catch your breath. Ritchie also gets the most out of a mostly unknown cast. Most impressive is Vinnie Jones, a former rugby player known for his agressive play on the field, as a formidable debt collector. It's a shame that the best he could do in American films was that lame remake of "Gone in 60 Seconds". My understanding is that Ritchie populated the film with alot of underworld types and that may account for the realism. Here's hoping that Ritchie gets back to his roots with his upcoming feature after the misfire that was "Swept Away".

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Guy Ritchie is not only an amazing director, but he's attached the most unusual and awesome mix of music to this classic-to-be movie. This CD is for anyone who enjoys something away from the normal. BE WARNED!! There are two versions! I myself accidentally bought the American version, HUGE MISTAKE!!!! It lacked many delicious songs that were vital for maximum enjoyment. Please do NOT make the same mistake I did, buy the Imported version, do your research, you'll see. ENJOY!!

Read Best Reviews of Lock, Stock and Two Smoking Barrels (Blu-ray + DVD) (1999) Here

After all of the hyped Tarantino wannabe films of the early 90's, I was more than a little reluctant to see this film, because I was told that it followed that mold. However, I was pleasantly surprised and excited about this Brit gem that I feel is far superior than 'Pulp Fiction' or any of those other movies. Perhaps because it takes place in England, and it contains a lot of words and things that I have never heard before, but I just love this film to death. The story of four friends who find themselves heavily in debt after one of them loses big money to a local gangster, hilarity ensues as they figure out a way to get the money by the end of the week. Throw in two ancient shotguns, a bunch of clueless druggies, a few more badass gangsters and a huge case of mistaken identity, and you get one of the freshest films to be released in America for a long time. Everything is perfect--the cast, the plot, the characters. I was laughing so hard, tears were rolling down my face. If you haven't seen this film yet, you must. It is so funny, you'll want to watch it over and over again.

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I have both the SD version of Lock Stock and Snatch, I rank this movie in my top 10 all time list. It's just a brilliant movie!!

HOWEVER, the Blu-ray version is VERY poor quality, the SD DVD version actually looks better. There is A LOT of graining in the Blu-Ray version, it's as if they got the compression all wrong. I'm running this from some high end audio/video equipment on a 63" Mitsubishi DLP and Sony BD player thru Harmon Kardon (all have the most recent firmware updates) -this is the ONLY BD I've purchased that has this terrible graining. Even tested it on my MacPro using my LG BD player and noticed the same graining problem.

I came up with a 3 rating because the film content is excellent worth a 5 star, however, the BD image quality get a 1 star, hence the resulting 3 stars. Unfortunate mess up, but I have to say go with the standard SD DVD version.

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Hysteria (2012)

Hysteria"Hysteria" (95 min.) brings the highly unlikely (but we are reminded at the beginning of the film that "This movie is based on true events. Really.") story of a young doctor Dr. Mortimer Granville (played by Hugh Dancy) in London, 1880, who is struggling but eventually finds a job with Dr. Robert Dalrymple (played brillantly by Jonathan Pryce) who is treating women for the so-called hysteria disease, really a catch-all for any and all things supposedly wrong with women in those days. The treatment is nothing else but to touch these women's private parts until they reach "paroxysmal convulsions" (wink, wink). The young doctor along with his buddy eventually come up with a mechanical device, which became the vibrator (still the number one sex toy in the world today, we are reminded at the end of the movie).

But the movie in fact is much more about Granville's romantic interplay with the 2 daughters of Dalrymple, Emily (played by Felicity Jones), who is "daddy's girl" and to whom Granville gets engaged, and Charlotte (played by Maggie Gyllenhaal), the "rebel" daughter who has set up a social center to help the poor. I don't want to give away much more from the plot, you'll just have to see for yourself how it all plays out.

Maggie Gyllenhall really shines in this movie. I couldn't help but think how much she reminded me of Diane Keaton in her late 70s performances (think Annie Hall). That aside, this movie is a pleasant romcom, nothing more, nothing less. And no, not an "important movie" about women's empowerment as some other reviews here (who obviously did not see the movie) are suggesting.

Yes, Hysteria really is about the invention of the vibrator in Victorian England. And in my opinion it is adorable. Not everyone's cup of tea I realize. If the subject matter makes you a little uncomfortable, then give this one a pass. I can certainly see that certain conservatives would not be amused by this premise.

If however you find it amusing that someone made a romantic comedy about...well...you know what... then you will have a lovely light evening with lots of laughs.

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When, some time ago, I'd heard that Maggie Gyllenhaal was making a movie about the invention of the vibrator, I was excited. I mean, I love Maggie and I love vibrators so what more could I ask for in the way of entertainment? But time went by and I heard nothing about it. I'd almost forgotten it completely when, checking out the new offerings on Amazon (because as I've told you repeatedly for months now, NETFLIX SUCKS), there it was! Yippee!

I had fresh coffee, a French toast bagel with honey walnut cream cheese and a movie about vibrators. A near-perfect Saturday morning.

Honestly, I expected the movie to be interesting, perhaps even enlightening in an indie film kinda way, considered that it apparently got so little press I wasn't even aware it had opened. But what i got was a delighful little movie that had me chuckling and laughing out loud. Considering the subject, it gives the term "a feel-good movie" a whole new meaning.

Even better, the basic facts of the movie are true.

In England of the 1890's -the height of Victorian prudery, where furniture was draped with heavy fabric to prevent the scandalous sight of carved table "legs" giving rise to lascivious thoughts -the average doctor killed more patients than he saved. Medicine was still medieval, and leeching was still being prescribed even for broken bones.

Mortimer Granville, a young doctor who eagerly embraces all the cutting-edge research of the day, finds himself discharged from one hospital after another for his strange new ideas about "germs" and hand washing. In desperation, he ends up at the door of Dr. Dalrymple, who is eager for help in his thriving and lucrative practice treating "female hysteria."

Hysteria, an affliction of the female nervous system thought to stem from a disorder of the uterus, was at the time the catch-all diagnosis for just about every female ailment, particularly melancholia, nervousness, frigidity, nymphomania and excitability. What we realize now, of course, was that these women were actually suffering -and often quite seriously -from the sheer frustration of the limited, tedious and repressed lives they were forced to live.

A well-bred young woman had no choice but to marry a man she barely knew, submit to his "carnal lusts" with no preparation or expectation of pleasure, run his household, bear his children and do it all while smiling, biting her tongue and wearing a corset. Who wouldn't be depressed, frustrated and, yes, hysterical?

In extreme cases, hysterectomies were performed to remove the "offending" organs. Which says a lot about the complete and utter bigoted ignorance of men in understanding and valuing women's lives and bodies.

It should be noted that only well-to-do women suffered from hysteria. Poor women were too busy simply trying to survive, and barely had access to medical treatment for life-threatening emergencies.

Dr. Dalrymple -superbly played by Jonathan Pryce -specializes in the treatment of hysteria through "medicinal massage" to "lessen the tensions in the womb." With complete sincerity, he explains to Granville (played by Hugh Dancy) that his patients experience "paroxysms" -not to be confused with sexual pleasure, which women are of course incapable of experiencing without masculine penetration.

Granville becomes the doctor's assistant, and is soon suffering intense carpel tunnel and muscle cramps from the prolonged daily "massage" of dozens of women. When idly playing with his friend's new invention -an electric duster -he notices the vibrations bring amazing relief to his near-crippled hand.

Which leads to a moment of spectacular genius for which I am eternally grateful.

There's a love story, too, but it dovetails nicely with the theme of the movie, which is about women taking control of their lives. Maggie plays Dr. Dalrymple's "other" daughter, a passionate suffragette and doer of good works in the poorest parts of London. She sparkles. I think this may be my favorite role for her.

So, let's give a hand (metaphorically speaking) to Dr. Mortimer Granville, the inventor of the vibrator! Perhaps we should all celebrate a "paroxysm" in his honor.

Seriously, check out this very funny and enjoyable movie. If it sounds "risqué" it's really not. There's no nudity, no bad language, and only one kiss in the whole movie. It was actually amazing that they could deal with the subject matter in such a Victorian way. One reviewer has expressed his disgust at watching an "old dried up woman" experiencing pleasure in a completely demure and ladylike way. You'd have to be a serious prude or a sexist, ageist grump to characterize the scene in such a dismissive way. Maybe the more conservative of you might not want to watch it with your parents or children, but my mom would laugh right along with me.

Read Best Reviews of Hysteria (2012) Here

A deliciously fun treatment based (loosely) on the true story of the invention of the personal vibrator.

Dr. Mortimer Granville, a young, inspiring doctor is fired from many jobs in London hospitals due to his firm belief in Germ Theory the idea that infections were caused by germs. Not being a popular theory at the time, he was terminated repeatedly by the "solid Victorian medical foundation" for believing in "quackery."

The only job he can find is with a private practice that prevalently deals with women in the grips of "Hysteria" a quaint, Victorian term for women that are in essence, sex-starved. The treatment? To manually stimulate women with hand massaging until orgasm, thereby relieving the tension and associated emotional stress that comes with the condition. Since this is definitely a temporary relief, obviously the young and attractive doctor soon finds himself overrun with current and new patients leading to the development of a unique form of handstrain! Most certainly, alternative forms of stimulation for women need to be found to keep up.

Heaped on top is his employer, who with two daughters is pushing his "proper" one toward our protagonist for marriage, while the wild, wooly socially unacceptable daughter is the one who actually attracts him.

A comedic, fun historical piece that romps through the bedroom without being dirty or crass and handles delicate subjects beautifully without being dull or "prim." Definitely not for the kiddies (simply for the subject matter instead of any particular scene/situation; I don't think there was one even partially nude scene) but enough fun for adults on a Friday night to snuggle with popcorn and wine to enjoy.

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HYSTERIA is a very light-weight and somewhat charming and humorous look at the development of the vibrator. Just to be clear right from the start, although the movie is Rate R, there is no nudity and very little sexuality. This movie barely rises to the level of titillating, much less erotic. And to be fair, it is not TRYING to do this.

Set in London in 1880, we're introduced to a very backwards medical society, where germs are still a "crazy theory." And most women's problems, whether true mental health issues or simply general dissatisfaction (sexual or otherwise) are chalked up to a diagnosis of Hysteria. We're introduced to a clinic, run by Jonathan Pryce, which is devoted to a cure for hysteria that involves the manual stimulation of women. The women who can afford this treatment are eagerly lining up for it...they are essentially paying to receive stimulation they are not receiving from their husbands. Remember, this is a time when the idea of a woman being aroused without direct input from their husbands is not believed. Women are subject to "hysteria" not sexual frustration.

Into this scene comes a charming young doctor (Hugh Dancy) whose good looks make the hysteria clinic even more popular. And Dancy is introduced to Pryce's two daughters: the seemingly proper and demur Felicity Jones and the rambunctious but charitable Maggie Gyllenhaal. Not surprisingly in the least, he courts Jones but is drawn to Gyllenhaal.

Poor Dr. Dancy begins to suffer from carpel tunnel with all the work he's doing with his wrist. But he happens to be close friends with Rupert Everett, a rich guy with time to tinker with inventions. The two men turn Everett's electric feather-duster into an electric stimulator. From this invention, more plot complexities develop, which I shall not spoil.

The movie's tone is that of light comedy, and the comedy is indeed light. There are very few laugh out loud moments...this is a movie that generates smiles. It is certainly harmless and good-natured. The introduction of this new invention and the subsequent developments are certainly amusing. On the other hand, we make no investment in the romance of the movie or even in the few moments of drama. There is no heft to this film, no lasting impact. It's a nice way to pass 99 minutes, and it's well designed, decorated and costumed.

None of the actors are at their best either, because no one is asked to really do anything significant. Dancy is generically charming and befuddled. Pryce pretty much plays the character he's always asked to. The two ladies are quite generic, because the script doesn't give them anything truly meaty to work with. Gyllenhaal has lots of energy, but it often feels unsupported by circumstance...such as the scene where we first meet her raving around her father's waiting room. She comes across like a crazy person with no propriety, rather than a passionate young lady with strong beliefs. Most amusing in this film is Everett, who gets far too little work these days. This role more or less reminded me of his existence, and he is so droll and funny that I yearn to see him in a meatier role again.

HYSTERIA is amusing and thus, warrants a most modest recommendation. But after writing this review, I will probably virtually forget all about it. Certainly, don't let the subject matter fool you into thinking you're about to see something daring...far from it. You couldn't ask for a more harmless movie about the invention of the vibrator.

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Tamara Drewe (2010)

Tamara DreweThe sleepy English village of Ewedown becomes quite lively when former ugly duckling Tamara Drewe comes back to town. Now sporting a perky new nose and sexy Daisy Dukes, Tamara quickly becomes romantically involved with a rock star, a sleezy older man, and her childhood sweetheart. With a large cast and many subplots, this story of what really goes on behind the quaint postcard-pretty closed doors is full of laughs and tender moments and even some cattle stampedes.

This movie is completely charming. The characters are all believable, the setting is idyllic, and the script is clever and quirky. All of the adult shenanigans are witnessed and complicated by a pair of adolescent girls, a kind of comical Greek chorus who tie it all together. If you like good, indie British films, you'll love this one.

I found this film on a really long flight home from Asia and started watching it because it looked easy on the brain. Imagine my surprise when it turned out to be the best film that I've seen all year! The second surprise came when I read all the mixed Amazon reviews it seems like half the world hates this, and the other half loves it.

To make it easy for you, I think if you like Hollywood style romcoms you will probably hate this, and if you like British black humor, you will probably really like it. This is definitely not a Hollywood romcom. If you want something brainless with a lot of stereotypical characters and a predictable happy ending, then stop reading. It's also not it if you want to be uplifted or intellectually challenged it's meant to be a social comedy, but the black humor kind, not the kind that offers a serious social critique. There's also lots of dialogue and very little action, and there are no major conclusions, so if you have short attention span and like tidy endings, this is not for you.

So, why did I love this film? Well, as many other reviewers wrote, this is a social comedy set in rural England with plenty of British black humour and mediocre, real-to-life characters. Personally, I think this is the film's real charm. It displays life in all its beautiful-green-grass but nothing to do boredom think Midsomer Murders while showing all the life's little quirks and absurdities bit like Amelie or the Secretary. All the characters are kind of likable, but kind of not: the main character, Tamara Drewe, has our sympathy because she grew up ugly and had to deal with all sorts of nastiness as a result, but at the same time she's arrogant and sleeps with people for all the wrong reasons. Her teenage love is likeable for his down to earth views, but despisable for his lack of ambition. The rockstar Tamara's engaged to is a louche character, but one that loves his dog and treats enamored teenage girls with respect. There's the budding writer who is a coward that lets someone die by accident, but who's just a really nice American guy. There are the obnoxious, pathetic, plain and bored teenage girls, but in the end you're sorry for them, 'cause if you lived in that village you would throw eggs at cars, too...

Is this real life? YES!! People who are bored, not happy with their lives and otherwise unsatisfied with life do all sorts of stupid things, and that doesn't make them bad. It just shows how absurdly ridiculous, sad and sometimes funny life can be. I think the film shows this to perfection but in a really silly, tongue-in-the-cheek kind of way (e.g. super exaggerated teenagers, Tamara in really short shorts.) In my opinion, the best thing about it is that it doesn't treat the issues seriously but rather pokes fun at the mediocrity of life. Plus the sets were gorgeous and the acting fabulous, particularly from the teenage girls. I lived in England for a long time and I just can't shake the feeling that the film holds up the mirror to British life rather well...

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This clever little gem does a great job of capturing the spirit of the Hardy genre and updating it into to a film that has great pacing, a very healthy dose of black humor, interesting and flawed characters, and outstanding performances. The acting is really noteworthy. And the "greek chorus" in the form of bored teenage girls was fantastic. Interesting and original.

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"Paperback writer (paperback writer)

Dear Sir or Madam, will you read my book?

It took me years to write, will you take a look?"

-The Beatles

Based on a graphic novel this story plays more like a Greek Tragedy. It does not quit fit into any category. Still you will find yourself intrigued and kibitzing. Oh what a tangled web we weave.

Local girl Tamara (Gemma Arterton) gets a new proboscis and body to match. After making good as a journalist she returns to her hometown and plays havoc with the local men folk. And that is not all that is happing in the town. To name a couple, we have a married writer with a wondering uh...err... eye, and a couple of schoolgirls playing out their fantasies.

Be prepared for some colorful descriptive words and some suggestive scenes. The only poignant scene that sort of puts a damper on the presentation is when a main character (four-legged) is dispatched while having a little fun, even if it is relevant to the plot.

I only watched the Blu-ray version so I cannot compare. However the voice over commentary is worth taking the time to listen to. I also have not read the novel but will have to to be sure I did not miss anything.

The Girl Most Likely To . . .DVD ~ Stockard Channing

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A quiet English village seems like a good spot for a writer's workshop run by a successful novelist and his wife who minds their farm and cooks up a storm. But beneath the surface of the rural quiet, things are bubbling. The novelist is as adulterous as the hero of his potboiler novels, as he fools around with the young woman writer Tamara Drewe who has returned to her native village. The cozy life of these villagers, however, is upset by Tamara taking up with a popular rock star and drummer. This rhythmic snogging and shagging get the attention of two teenage girl fans of the drummer, who go so far as to sneak into Tamara's cottage and email the drummer on her password-unprotected computer (once he has left for his London flat) in order to entice him back to the village and Tamara's bed. The girls' "messing" with Tamara and her life ends up turning over the whole applecart--with hilarious results!

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The Wedding Singer (Totally Awesome Edition) (2009)

The Wedding SingerI am not generally an Adam Sandler fan, but this film really surprised me. I liked it very much, and the music used brought back a lot of good memories. He plays a down on his luck wedding singer that is left at the alter, and when he meets Julia played by Drew Barrymore, sparks fly. I was very surprised by the chemistry Sandler and Barrymore have on screen. A romance with a generous amount of comedy mixed in is the perfect formula.

This was one of Adam's breakthrough films before pointless blockbusters like "Waterboy" and "Big Daddy". While those films have a few funny moments and are OK, this one is very cleaver and showcases Sandler as a human being rather than just some dumb hick or just some loud bastard.

"The Wedding Singer" is about Robbie Hart, an average guy, that lives a simple suburban life with a hot fiancée and a cool gig in the mid eighties. Life is great until his lady dumps him. He's crushed and his career as a weeding singer goes down the toilet as he sinks into a depression that includes listening to The Cure. Sounds like a great depression. Anyway, a young girl named Julie (Drew Barrymore) helps him to get his life back together. The only problem is that she is engaged to a smug yuppie loser. So what's going to happen. Well, like in most eighties comedies, the hero will try to win over the girl even if it takes the help of Billy Idol!

Not the most original story in the world, and the chemistry is only OK between Drew and Adam, but its really all the eighties jokes that make this film so very funny. People have niches and dress in styles. People dress up like "characters" like Madonna, Don Johnson, Boy George and even the guy from Flock of Seagulls. The combination of an awesome soundtrack and '80s clichés, not to mention great acting (Steve Buschemi's cameo steals the show) make the film a winner. Adam can really act like a normal romantic and this movie proves it. Too bad so many people prefer him as a moron. Comedy lovers and Sandler fanatics unite and buy this film.

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I would love to give this title 4 stars for content since it's definitely one of Adam Sandler and Drew Barrymore's best comedies so far, but once again the ugly face of Digital Noise Reduction (DNR) has reared its head.

The colorful and vibrant 80's primary palette absolutely pops and is a virtual knockout in HD. On the audio side, the 24 bit/48 kHz Dolby TrueHD 5.1 lossless track lets the classic pop tunes sound spectacular. However, while zealously trying to get rid of all traces of grain (which is a natural byproduct of film and contains, in video terms, important high frequency detail), some telecine moron also got rid of most or all of the fine detail you would expect from true 1080p video (2 million+ pixels), rendering faces to wax dummy status. Plus, this healthy dose of DNR creates smearing and noise artifacts in moving objects, especially pronounced in close ups.

This and the Blu-ray's of "Patton," "The Good, The Bad, and The Ugly," and the newer "Ultimate Hunter Edition" of "Predator" (if you can find the original MPEG-2 encoded Blu-ray version of "Predator," get that one) should be used at all telecine transfer schools as examples of what NOT to do when prepping a film or TV program for HD video.

Don't waste your money like I did!

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Added

5 whole minutes

Documentary about how to make a great movie suck by making it a Broadway production.

Deleted

Karaoke version of five songs from the soundtrack: Hold Me Now, Do You Really Want to Hurt Me, Every Little Thing She Does Is Magic, Rappers Delight, White Wedding

Worth the extra $13 I think not

I suppose if you are one of the four people on the planet that doesn't own this classic there is a option of which edition to purchase, for the rest of us, it's just not worth it.

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Great Movie Love it and already own it on DVD. I purchased the Blu-Ray for what I thought would be extra features. That was a big bust. All there was extra, was a big advertisement for what seems to be the lame broadway show being made from the movie. So, I end up feeling ripped off. This was not the, as advertised, "Totally Awesome Edition".

.

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Rudo Y Cursi (2009)

Rudo Y CursiLike any good sports movie, the subtitled "Rudo y Cursi" is not at all about sports. The competition exists on a much more fundamental level: One brother is pitted against the other in a battle over who the better person is. Even more fundamental is the battle each brother wages with himself between his talent and his passion, neither of which seem to go hand in hand. The strength of this film is that it relies on these simple, understandable ideas to get its point across. It also relies on clearly defined characters that behave realistically. The brothers, for example, seem not like archetypal clones but rather like actual human beings, shifting back and forth between loving and hating each other. While none of this makes for groundbreaking cinema, it does allow for an enjoyable film that's sometimes fun, sometimes dramatic, and always charming.

The film, written and directed by Carlos Cuarón (Alfonso's brother), is about Tato (Gael García Bernal) and Beto (Diego Luna), brothers from a rural Mexican village where life revolves around a banana plantation. As they play soccer, they're spotted by a stranded talent scout named Batuta (Guillermo Francella), who doubles as the film's narrator. As smooth as can be, he offers them a chance to try out for a professional team. From this, we get a much better understanding of who the brothers are: Tato clearly has talent on the field, but his real dream is to be a famous singer; Beto's dream is to be a goalie, although he seems better suited for a career in gambling. Both seem determined to help their mother, who's married to a new husband neither one of them have any patience for.

It's the eager and ignorant Tato who Batuta chooses first, and within no time, he's taken to Mexico City and given the nickname "Cursi" (which translates as "vulgar"). The quick-tempered Beto eventually joins his brother, leaving behind a wife, a few children, and a steady job. He earns the nickname "Rudo" (which translates as "coarse").

As they both go through the ups and downs of playing on a professional soccer team--and this definitely includes the many hazing rituals in the locker room showers--they engage in other activities. Tato begins dating a beautiful TV personality and produces a music video for the Spanish version of "I Want You to Love Me." Beto gets sidetracked by fame and fortune, resulting in risky games of high stakes poker and a line or two of cocaine. It also results in a considerable amount of debt ... the kind that comes with death threats from shady people. This isn't good, especially since his wife has made the journey to Mexico City hoping to make it big pitching health supplements.

All this inevitably leads to a climactic soccer match, made more interesting by the fact that Tato and Beto find themselves on opposite teams. Were this all "Rudo y Cursi" were concerned with, it would be a very mundane film. As it is, it's an absorbing tale of two conflicting personalities, both so convincing that they effectively overshadow the conventional plot. One of my favorite scenes takes place on the beach, where the brothers are spending time with their visiting mother. As they sit in the sand, each son tries to one-up the other by promising to build a big house right along the shore. It's a perfect example of evoking a rivalry, and I say "evoking" because one gets the sense that it's been building within them ever since they were children.

This very intentionally functions as a counterpart to Batuta's narration, which seems made up almost entirely of proverbs and facts. He begins the film, for instance, by giving us a brief history of soccer: Long, long ago, the Ancient Aztecs invented a game in which they kicked around the severed head of their enemies. We know right then and there that "Rudo y Cursi" will be a story of competition and sacrifice with just a little bit of game-playing thrown in for good measure. To extend the metaphor, the story that we're about to see will be just like a soccer match, with opposing forces working towards their own set of goals.

By the end of the film, there's the implication that every gets exactly what they wanted out of life, albeit in unconventional ways. To elaborate would give too much away, but rest assured that the story resolves itself appropriately, if not unexpectedly. What "Rudo y Cursi" lacks in originality is more than made up for in depth of character and simplicity of theme; we watch this film aware yet forgiving of its conventions, and that's because we're being told a relatable story with protagonists who seem real. This would have been very difficult to achieve were it not for the natural onscreen chemistry between Bernal and Luna. They just seem like a natural fit together. More to the point, they seemed like actual brothers--perpetually caught in that gray zone between love and hate, driven by the need to upstage each other, united in their desire to please their mother. This, I feel, is so much more compelling than a simple game of soccer.

I saw "Rudo y Cursi" this year at the Sarasota Film Festival and was pleasantly surprised by how much I liked the movie. The main reason I went to see "Rudo y Cursi" was because it starred Gael Garcia Bernal, whose films I generally enjoy. I felt a little unsure about the film going into it, because I didn't know much going into the film and felt this would be a typical sports movie, but I really enjoyed seeing this. The film is truly a story of two brothers more than anything, and, though it does revolve around their passion for sports, it didn't feel like your regular sports film. It does have some of your stereotypical sports film moments, but in the end it was a very unique movie experience. Anyone who enjoys Gael Garcia Bernal films, will definitely love this movie. He is equally serious and humorous in the film and serves as a great counterpart to Diego Luna who plays his brother. I feel that this film can be enjoyed by a wide array of viewers and would suggest this film to anyone, as it is an all around great movie.

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'Rudo y Cursi' is a fun, rollicking movie and a cautionary tale to boot. I was lucky enough to see this film's debut at Dallas AFI in early 2009, where it was introduced by writer/director Carlos Cuarón. That night, Cuarón called 'Rudo y Cursi' "a tale of my Mexico and what it is today, good or bad." What we get is Cuarón's comedic/dramatic arc of the gravitational pull of Mexico D.F. on small-city dreamers, an obsession with El Fútbol Mexicano, shady sports promotion, a hyper-aggressive media looking to find and promote stars, here-today-gone-tomorrow success, and lurking in the background allusions to the ascendancy of powerful drug lords.

Our audience was split 50-50 between native Spanish and English speakers the Spanish-speaking half laughed uproariously throughout; the English-speaking half found the proceedings interesting, funny...but maybe not quite that funny. The difference was between the spoken word and the subtitles I had a friend confirm that half-brothers Tato (Gael García Bernal) and Beto (Diego Luna) are insulting each other throughout in inventive, bluer-than-blue, can-you-top-this street language. The subtitles reflect only a small slice of that linguistic flair.

Like many, I was delighted by the little Easter egg tucked away inside this film: García Bernal's hilariously campy ranchera rendition of Cheap Trick's "I Want You to Want Me" recast here as "Quiero Que Me Quieras." As director, Carlos Cuarón may not have quite the emotional touch that older brother Alfonso laid down with perfection in Y Tu Mama Tambien, but Carlos definitely has the ear for comedy and cultural touchstones.

As much fun as it was to watch García Bernal and Luna pair up again, my favorite role in the film belonged to Argentine actor Guillermo Francella as sports agent and scout, 'Batuta.' His role in plucking Tato and Beto from obscurity and riding their wave of success and what follows rings true at every step. He inhabits that role perfectly.

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"Rudo y Cursi" (2009) features two banana-picking brothers playing football (soccer) in their small Mexican village where they are discovered by a scout/scam artist (Guillermo Francella), the film's sometime narrator. Rudo (Diego Luna) is a goalie, and Cursi (Gael Garcia Bernal) is an effective scorer. The scout can only take one of them to Mexico City, so they choose who is to go by a penalty kick. Cursi wins, gets established in pro soccer, and talks the scout into getting his brother onto another team.

Both become successful. Cursi would just as soon be a pop music star and tries his hand at it. His flaw is falling for a beautiful faithless celebrity girl friend, and Rudo's failing is his addictive gambling habit.

Both run into trouble and can't handle success. There are a lot of crooks around ready to fix games, and one brother gets entrapped in a fix which involves the other.

The movie "Y Tu Mama Tambien" was co-written by Carlos Cuaron, but this time he wrote and directed using the same lead actors from "Mama."

In Spanish with English sub-titles, the flick never really shows the two with any real soccer skills, and is short on detailed soccer sequences. The pictures of village life are well-handled, and the movie has many realistic elements.

These two guys aren't the best actors you've ever seen, but they turn in credible enough jobs to keep the plot boiling and the lid ready to pop. Some of the plot features may seem familiar and overworked to you. It reminds me of what a very good "B" movie used to be like in the good old days.

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This is a rough-and-tumble film that shows us the personalities of the young men who rise to social and media prominence in a national sport. It shows us the guys behind the flat, cliche-ridden delivery of on-the-field interviews for TV sports and the glamorizing of sports writers and commentators. The film's two central characters are country bumpkins, who happen to be so naturally gifted as athletes that they shoot straight to the top of the game and are soon rolling in dough and luxuries, unaware of the under-the-table wheeling and dealing of their manager and owners.

Brothers one of them married, one not compete as much with each other as any team they play against. Given opportunities to learn about the way of the world, they miss every one of them, fixated on what they are really interested in a singing career for one and high-stakes gambling for the other. It's a recipe for an unhappy ending, but even when matters take a turn for the worse, there are no regrets. There's plenty of cleverness in this film that celebrates sport while satirizing the conventional sports movie. The spectacular plays on the field are off camera, and we get instead the amazed reaction shots of onlookers.

Gael Garcia Bernal and Diego Luna are well matched as the film's two brothers, nicknamed Rudo and Cursi. Bernal has the wonderful ability to play farcical comedy as naturally as he does straight dramatic roles. This film is not the social commentary that we get in the excellent road movie "Y Tu Mama Tambien," which under its comic surface is dead serious. "Rudo y Cursi" is more of a lark and for all that probably less memorable.

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