Showing posts with label hollywood comedy movies. Show all posts
Showing posts with label hollywood comedy movies. Show all posts

Herostratus

HerostratusIt influenced as much as it borrowed. Moments of brilliance are mixed with a bit of eye rolling. It's worth a look or two.

IL FILM E' DI GENERE DRAMMATICO PSICOLOGICO, DIFFICILE DA INTERPRETARE LA PARTE DEL PROTAGONISTA, MA L'ATTORE MICHAEL GOTHARD CHE ALL'EPOCA ERA GIOVANISSIMO ERA GIA' MOLTO BRAVO E RIUSCI' AD INTERPRETARE LA PARTE DI UN POVERO GIOVANE DEPRESSO MA COMUNQUE BRILLANTE.

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From a collection point of few...first movie with helen meiren has a definate 60's flare great color must have to complete a helen meiren collection

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The Dictator - BANNED & UNRATED Version (Two-disc Blu-ray/DVD Combo + Digital Copy) (2012)

The Dictator - BANNED & UNRATED VersionSacha Baron Cohen does a great acting job in his latest film, "The Dictator." The gags are mostly good and although some are tacky and racist (with a few being crude) it still held my attention on a very rough day for me because it works as a parody of dictatorships. There is little about the plot and the film that I can add to the reviews already posted here; but I can certainly vouch for other reviewers who write that the film is actually pretty good entertainment, a parody and nothing truly offensive even if Sacha Baron Cohen is very daring when it comes to topics for jokes and gags.

The plot is not terribly deep; but it moves along well and you shouldn't get bored. Sacha Baron Cohen (who plays the brutal dictator of the fictional, northern African country named Wadiya) surrounds himself with excellent actors all turning in convincing performances that make the film even funnier. Sir Ben Kingsley plays Tamir, the rightful heir to the dictatorship occupied by his apparently younger brother General Aladeen (Sacha Baron Cohen). Anna Faris is brilliant as Zoey, a Brooklyn, New York vegan small business food store owner who's liberal activism clashes sharply with Aladeen's "take no prisoners" and kill-`em-all policy whenever anyone disagrees with him. Nadal, a scientist ordered to create nuclear weapons for Wadiya, is well played by Jason Mantzoukas; his timing is just right and he supports Baron Cohen really well.

Soon after the film starts with some gags and basic introductions, General Aladeen is practically summoned to the United Nations. They want his assurance that he isn't developing nuclear weapons--otherwise they may use military force against Wadiya. Aladeen travels to New York with Tamir and an extensive entourage--but soon after that he is kidnapped and nearly killed in a very funny scene with one of my favorite actors, John C. Reilly, playing the would-be murderer. Tamir hopes that with the real Aladeen out of the way he can use a phony "double" for Aladeen and use the double to make Wadiya a democracy so Tamir can sell its oil to countries around the world, most notably America and China.

But what Tamir doesn't know is that Aladeen escaped being killed and wants nothing more than to gain back total control of Wadiya. Just how Aladeen and Zoey get to know each other and how Aladeen tries to win back control of his country is how the rest of the film plays out, complete with gags and jokes about anything Baron Cohen wants to tackle, including 9/11, blacks, Jews, Asians and just about anything else you can imagine.

All in all, if you liked Sacha Baron Cohen's other films, I think you will like this one. It is better than "Bruno" and while it isn't quite as good as "Borat" it's definitely funny. It managed to divert my attention on a rather stressful day and that's actually saying a lot. In addition, if you're new to Sacha Baron Cohen's sense of humor and you're not that easily offended, you should enjoy this film.

I'll make this short and sweet, and also mention this is not manipulative attempt to change your view, but in order to enjoy this movie, or anything by Sacha, you have to understand the psychology behind it, you can't be offended by anything, if you are there is personal issues you have to go inside of yourself and face, rather than ignoring them, and you have to have intelligence beyond what you learned in an educational institution. Furthermore, this movie is hilarious, don't listen to the reviews by morons who don't understand what the point of this mans work is, I literally could not go 2 minutes without laughing.

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This movie was absolutely hilarious! Me and my family loved it. It's a great movie to own and watch. Highly recommend.

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Awesome movie and great with friends! I absolutely loved it. And u guys have to stop comparing it with Borat. That's a whole different movie. You can't compare a movie and give the the one u liked more a better review. These reviews is intended for someone's review on a movie, not two different movies.

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I laughed out loud so many times I lost count. The humor goes between ridiculously offensive and just ridiculously funny. The supporting cast is great.

A knowledge of world events reveals the cleverness in many of the lines. His speech at the end reminded me of Chaplin's in The Great Dictator. Heavy-handed social commentary, but sadly, true, as well as funny.

Don't miss the extra scenes in the credits-more laughing out loud! Someone had set the safety catch to Aladeen instead of Aladeen!

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Casanova (2005)

CasanovaIf you're old enough to have seen the "Carry On" movies the first time around, or have watched them on DVD on "oldies night", (don't worry, we're not going to ask your age) you'll see the resemblance to this funny take on the world's greatest lover. Slapstick, double entendres and misunderstandings abound, as Heath Ledger tries to fill the trousers of the legendary lothario without getting a broken back in the process.

It takes place in 1753 in Venice, a time when no woman is safe from the charms of Casanova, not even those confined to the convent. Luckily for him he has friends in the right places and escapes being strung up for debauchery (a big word which in the movie means that he shakes a lot of bedsprings without the benefit of a marriage license)

After going one conquest too far, his friend the Doge insists that Casanova get married ASAP, or face exile from Venice. Exile is not a possibility, as we learn early in the movie that he has a very good reason for sticking around, so marriage it is, and the lady to whom he pledges his troth is not only a virgin, but extremely willing to be wed. In a classic case of bad timing, he then meets the one woman worthy of his affection, and she turns out to be a cross-dressing (but only when necessary to prove a point) feminist writer who hates every bone in his body. She unfortunately is betrothed to a corpulent but very wealthy lard merchant (Oliver Platt) whom she has never set eyes on before, the union having being arranged by her late father as an insurance policy for the family fortune.

If you're still with me after all that, things get even more complicated when Jeremy Irons shows up as Inquisitor Pucci, out for the bewigged head of Casanova as a gift for the hangman's noose.

The important thing is not to attempt to take this movie seriously as a period piece, or as a factual account of the life of Casanova. It is a historically set spoof of the life and especially the times of Casanova and should be taken with a pinch of salt or was that lard?

Amanda Richards, July 10, 2006

What a fun romantic flick about the infamous womanizer, Giacomo Casanova. Gorgeous settings, exquisite costumes, and lively music bring this wonderfully delightful story to life--not to mention the stellar cast! Heath Ledger stars, of course, with Sienna Miller, Jeremy Irons, Oliver Platt, Lena Olin, and I have to include Omid Djalili (a great comedian actor!). I'm not a big Heath Ledger fan, but I really like him in this movie--he definitely portrays the womanizer role very well. I guess "Casanova" is considered to be a 'chick flick,' but guys can get a real kick out of this movie, too. (Believe me. In the movie theater that I went to, the guys were bursting with laughter just as much as the girls were). As stated in the movie poster, this is: "A partially true story about lies told, virtue lost, and love found." I definitely recommend it to anyone looking for some great, light-hearted entertainment. Expect plenty of laughs!! Enjoy!

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This is the first of Hallstrom's films that I've seen, and I gather it's by no means typical of his recent work. However, I found it immensely entertaining. It bears little reference to the Chevalier de Seingalt's life, but once you've got over that (ideally before you see it) it is highly enjoyable. The imaginative and brilliant photography of a Venice peopled with the colourful characters and costumes of the ridotto in the city's heyday makes the film worth seeing for that alone. Venice should always look this good; its inhabitants should always wear the costume of this period.

Then the acting is good and plausible. I spent some time trying to work out who it was that Heath Ledger reminded me of, and eventually realised that it was Russell Crowe, not so much in looks as something about his manner. Jeremy Irons is hilarious and others well up to par. The film was well-paced, building to a comic finale.

I think the great point is to grasp that the whole thing was clearly conceived as a sort of Commedia dell'Arte, knockabout farce with very little sex but plenty of misunderstandings, mistaken identities and laugh-out-loud moments. And, of course, love. I thought it was made in very much the manner that operas like The Marriage of Figaro or The Barber of Seville would have been conceived and performed in when they first came out in fact it shed new light on those for me.

Not a great film it's a bit too slight for that but a good, well-made, highly enjoyable romp.

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Casanova is a minor gem of a film. It is carefully bracketed as a memoir of Casanova, who is busy in his old age writing his memories in his famous book. However, this is worth paying attention to, because in a film of masks, deceptions and subterfuge, this too is perhaps the best of all possible masks. Giacomo Casanova may be many things to many people (particularly the women of Venice), but he is a very human being, if he would but know it.

After spending the greater part of his youth in pursuit of being the pursuer ('be the flame, not the moth,' he says as he gives advice to a young man in need of help courting his love) rather than the pursued, he has finally had to promise (the Doge and the Inquisition) that he will mend his ways and marry. But, in typical Casanova fashion, the woman he intends is the unofficial intended of another, and the woman he wants is not his intended, but intended to another. If you can't quite keep pace, you might be on to something. For Casanova's desire (not to be confused with his intended) is intended to another, whose identity Casanova 'borrows' to better woo her.

In the end, this is a fairly standard but well-done costume drama of mistaken identities, plots going awry, and love triumphant (of course it would have to be, for after all, this is Casanova). Heath Ledger plays a very serviceable Casanova (no pun intended, well, perhaps a little intended); Sienna Miller plays the fair Francesca, a woman with a brain far in advance of her time (she is some ways portrayed as a female da Vinci-esque character). Lena Olin plays Francesca's mother, who has arranged a marriage for Francesca, which certainly does not involve Casanova. Charlie Cox plays Francesca's brother, Giovanni, jealous of the attentions Casanova is paying to his unannounced intended across the canal (in an interesting twist, Charlie Cox played in 'The Merchant of Venice' the year before this film was made, together with Jeremy Irons).

I was very pleased with the role played by Oliver Platt, the merchant of Genoa (coming to Venice, a very subtle, witty reversal on Shakespeare) he played the intended of Francesca, a pupil of Casanova, a lard merchant of wealth and fame, and in the end one of the good guys. Tim McInnerny plays the hapless but good-intentioned Doge. However, highest praise goes to Jeremy Irons, who plays the papal visitor/inquisitor, Bishop Pucci, who, if he isn't threatening inquisitorial tortures on illiterate philosophers or falling over backwards in boats is promising to restore the virginity of young maidens. Irons provides a delightful mixture of terror and farce that plays in both comedic and dramatic ways, and he looks every inch the post-medieval bishop.

The sets are stunning of course, this was filmed on location in Venice, so how could they be otherwise? The music is well-selected and drawn into the overall film, using Italian and Italian-influenced compositions of the Renaissance and later periods heavily.

This is a fun film, with an unexpected ending in several ways, but love reigns triumphant, and Casanova (in a very interesting twist) both 'gets the girl' and continues his amorous ways but I'll not spoil it for you.

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this is a really cute funny romantic comedy. i thought that it was very well done and it was not completely focused around sex. actually i was surprised at how little romance scenes there were considering the R rating. this film probably could have been PG 13, but either way it was still great. heath ledger is the perfect casanova and while this movie is centered around him, sienna miller's role was also very good along with oliver platt and jeremy irons. the cast is great and so is the movie. i would recommend it to anyone just looking for something romantic and fun!

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The Brass Teapot (2012)

The Brass TeapotMy wife and I are a pair of aging boomers, but we loved The Brass Teapot. Full disclosure: It is probably aimed at 20 and 30 somethings, but we were taken by the charm of the story and the authentic renderings by Juno Temple and Michael Angarro -guess we are young at heart after all. That said, the film deals with some pretty deep philosophical material, yet never seemed to take itself too seriously. Saw it over a week ago, and it is still a rich source of conversation around our house. Lots of fascinating back story to analyze -can't wait for the sequel! This movie will become a cult classic for a generation. Wonderful film!

Judging by the trailers of The Brass Teapot, I didn't expect much from the movie, and it seemed like another cliché and Hollywood version of funny; however after watching it today, I have to admit it has its moments, and it can satisfy different audiences. If you just want to watch something fun and easy-to-digest and you enjoy simple jokes and humors, this movie delivers that with adequate acting and appealing story. If you need something deeper from the movies you watch, you still are going to find some hidden meanings behind simple humor and sarcasms, but you have to look harder. All and all, it is worth one time watching.

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How much pain would you endure to get what you want? Then, how much injury inflicted on somebody else would maintain your wealth? Likable film, a little dark, but more lighthearted then "The Box". Glad I rented it.

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The Brass Teapot was really great. The actors are phenomenal-John and Alice make the cutest couple and the storyline is enchanting. If you like dark comedies, stories of good vs. evil, and a little bit of romance, you'll LOVE this movie!

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I was skeptical when I first saw the poster for this movie, but after renting it and watching it with my girlfriend I was surprised! For it's dark premise about inflecting pain for money seemed more like the plot to a horror movie, but the tone of the film is very light-hearted and interesting, and if you're in your 20's, it hits close to home. It has a very 80's vibe to the movie, like GREMLINS where it's dark but still keeps it's sense of humor. This is the perfect date movie to sit at home and rent on a nothing going on Saturday night. My girlfriend loved it!

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Made of Honor (+ BD Live) (2008)

Made of HonorAnd a rainy day. I was surprised at how much I enjoyed the film.

Tom (Dempsey) and Hannah (Monaghan) met at a Cornell costume bash 10 years before when a drunken Tom, dressed as President Clinton, stumbled into a dorm room and a girl's bed thinking he'd found "Monica". Turned out he'd gotten the wrong girl. "Monica" was Hannah's inebriated roomie.

They were friends from that moment, sharing Sundays, confidences, and desserts. Tom didn't know how much they shared til Hannah headed for Scotland and stayed gone six weeks. He was ready to propose when she came back, but she returned with a man, Colin (McKidd).

Hannah and Colin were going to be wed in Scotland in two weeks and Hannah couldn't think of anyone she wanted to be her Made of Honor more than her longtime best friend. Tom reluctantly accepted, secretly agreeing to become the best maid of honor and wreck the wedding.

What happens had me laughing until tears streamed down my face. I needed the break and "Made" defintely offered it. Tom hosting the wedding shower was a screamer--particularly when the jealous female friend who wanted to be the "MOH" set him up with a sex toy salesperson and Hannah's sweet Grandma ended up with a necklace of 'thunderbeads.' Then, of course, there was the Highland Games with Tom and Colin tacitly competing for Hannah's hand, Tom dressed in a mini kilt. (Nope, he wasn't dressed regimental--darn!)

Director Sydney Pollack showed up in a rare movie role as Tom's oft-wed Dad. The prenup agreement with Wife 5 (or was it 6, Dad can't remember) had me roaring. The car with the intended bride had to literally go around the block at the church to iron out last-minute details.

Plus, the scenery from Scotland was amazing. I recognized some places I'd been a few years before--and definitely remembered the flock of Hieland Coos stopping traffic on mainstreet.

The music was good, a mix of contemporary plus some old Scottish tunes. I notice there's no soundtrack available. I hope there will be one. It was a pretty decent collection.

The film's what you'd expect and yet, it's still entertaining. And, sometimes you just need something that's a gimme when it's a rainy day and a cheap laugh will lift a few clouds.

Rebecca Kyle, May 2008

In college, Tom (Patrick Dempsey) was a lady's man. He slept with anyone who will have him. Sneaking into a room one night, he accidentally meets Hannah (Michelle Monaghan). Despite their less then great meeting, the two hit if off and become friends.

Flash forward 10 years, and little has changed. Tom spends every night with a different woman. And he spends all day hanging out with Hannah, who is now working for a museum. The two are close friends, but that is all.

Until one day when Hannah leaves on a six week trip to Scotland. It doesn't take Tom long to realize that he truly loves Hannah. In fact, the separation is killing him. He intends to act on his new found feelings as soon as she gets back.

But when Hannah returns, it is with Colin (Kevin McKidd) in tow. The two met in Scotland and are engaged. To further add to Tom's misery, Hannah asks him to be her maid of honor. Tom is reluctant, but decides he can break the wedding apart better from the inside. But with the ceremony only two weeks again, can Tom make Hannah fall for him?

So let's get the obvious out of the way first, the story is predictable. So, the movie is going to rise of fall based on how well everything else comes off.

And it comes off reasonably well. Hannah is likable from the start. I admit it took me a little while to warm up to Tom since I'm not a fan of cads. But as the movie progressed, I found it easy to root for him. In fact, I cared about the characters enough to get invested in the outcome.

And the story is funny. There are quite a few great moments that had me laughing, especially Tom's friends helping him learn how to be a maid of honor.

This movie is just an escapist romantic comedy. But that's all it wanted to be in the first place. If you keep that in mind going into it, you'll have a good time.

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This is such a fun movie to watch. Patrick Dempsey is great and adorable in this movie. I have watched this movie several times and never get tired of seeing it over and over. Lots of fun!!

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I can't believe all the low ratings for this movie! I liked it...it's not super original and it's very predictable but hey, it's a date movie. There's some funny moments and yes, it's a basic rehash of "My Best Friend's Wedding" but I think "Made of Honor" is better. I didn't really like "My Best Friend's Wedding" mainly because I didn't really like Julia Robert's character and there really wasn't any chemistry between her and her male co-star. I am a Dempsey fan (loved him in "Enchanted"...) and I thought Patrick Dempsey was very charming in "Made of Honor." I think the chemistry between him and Michelle Monaghan was great. It's a cute movie.

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Don't you just hate it when the woman you secretly love gets engaged with another man? Tom (Patrick Dempsey) certainly does; he's been best friends with Hannah (Michelle Monaghan) ever since college, but only when another man proposes does Tom finally admit that he loves her. Now all he has to do is win her back. The idea behind "Made of Honor" is certainly classic as far as romantic comedies are concerned, which I guess is why the filmmakers stirred things up by making Dempsey's character the Maid of Honor. Then again, "stirred things up" might be too strong a term here; this movie is about as predictable and contrived as romantic comedies get, offering absolutely nothing new ... except, of course, for that whole male Maid of Honor thing. That, and a scene in which Hannah's grandmother wears a string of glow-in-the-dark sex beads, thinking it's a regular necklace. You certainly don't see that everyday.

The truth is that "Made of Honor" is no better and no worse than you expect it to be--you want a romantic comedy, you've got a romantic comedy. But if you want something more, something with greater depth of character and a few less one-liners, I'm afraid you'll have to keep looking. I won't go so far as to say that this movie is bad, but it definitely doesn't want to be anything other than Hollywood fluff with one or two over the top gags. I've repeatedly observed that romantic comedies never represent reality, but merely the illusion of happily ever after, and rest assured that "Made of Honor" is no exception to the rule. The problems with this film don't stem from an unrealistic plot filled with unrealistic characters; they stem from how ineffectively these unrealistic elements are used. You watch this film waiting for something new to surprise you, only to leave feeling as if you've been there and done that.

Still, there are worse films out there. I did smile more than once at the onscreen chemistry between Dempsey and Monaghan, chemistry so prominent that it seems unlikely their characters would act on their feelings so late in the relationship. Ten years ago, while still in college, Tom and Hannah met while he was dating her roommate. After a Halloween party, he snuck into Hannah's room wearing a Bill Clinton mask, believing her roommate was already there and waiting. Instead, he finds Hannah, who immediately sprays perfume into his eyes because she thinks he's an attacker. After flushing his eyes out in a water fountain, they strike up a conversation; Tom apparently believes that honesty is the best policy, especially for men who sleep around as much as he does. Hannah seems to find him charming, but she boldly asserts that she never sleeps with anyone like him.

In present day, Tom is the exact same womanizer he's always been. He's learned from the best; his father (Sidney Pollack) marries for the sixth time within the first thirty minutes of the film. Tom now follows a strict set of rules: never take any one woman on two consecutive dates, and wait at least twenty-four hours before calling someone new, because you'd seem desperate otherwise. How he maintains this lifestyle, I have no idea; what he does for a living is never alluded to, but his spacious Manhattan apartment hints at a decent salary. Be that as it may, he and Hannah--now an art historian--have been the best of friends ever since that fateful Halloween night. When she's called away to Scotland for six weeks, he begins to realize the affect she's had on his life; after all, the two have been virtually inseparable for ten years. Maybe he is in love with her. Maybe there's more to life than just sleeping with women (a concept his basketball buddies don't seem to understand, naturally).

Unfortunately, Tom gets the surprise of his life when Hannah returns to New York with her Scottish fiancé, Colin (Kevin McKidd), who's both a Duke and an owner of his family's whiskey distillery. Since Hannah knows that she would be Tom's Best Man at his wedding, she thinks it's fitting that he be her Maid of Honor. He begrudgingly takes on the role, believing he can somehow make her see that he's the right man, not Colin. As Tom plunges into the blatantly feminine world of wedding coordination and shower planning, he grapples with buried feelings, bad advice, and the wrath of Hannah's resentful cousin, Melissa (Busy Philipps).

The last twenty minutes of the story proper takes place in Scotland, where Hannah plans to live after the wedding. Naturally, this is when the romantic feelings between her and Tom finally begin to surface, and this, of course, creates more tension for that climactic moment when Tom rides a horse to the church and flies through the entrance. This is but one of many moments that sound funnier than they actually are. One of the film's most unnecessary side characters is a desperate nerd that tries to play basketball with Tom and his friends: How many times do they have to tell him no before he gets the idea? There's also a moment early on when Hannah is restoring a painting of a nude male; the movements of her head give the impression that she's giving the figure oral sex. The moment in and of itself is amusing, but it certainly doesn't work within the context of the story. But the biggest problem of "Made of Honor" is much more basic than a few inappropriate laughs--its formula is overused, a condition Dr. McDreamy can't even treat.

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A Boy And His Dog (Collector's Edition) (1975)

A Boy And His DogIt's the year 2024, and most of the Earth's nations have been demolished by yet another world war (the latest being WWIV). In this postapocalyptic world, slow-witted survivor Vic (Don Johnson) forages through the ruins for food and women with the help of his faithful dog, Blood (voiced by Tim McIntire), with whom he is able to communicate telepathically. Blood, more intelligent and more cultured than his young "master," often gets impatient with Vic's immature behavior and lack of interest in his attempts to educate the boy, but he nonetheless loves Vic and sticks with him to help him survive. And after several minor adventures and one huge misadventure, Vic does learn one incontestable actuality: Nothing is more important to a boy than his dog.

Based on an award-winning novella by the curmudgeonly SF writer Harlan Ellison, A BOY AND HIS DOG was adapted and directed by character actor L.Q. Jones and co-produced by Jones and Alvy Moore (the latter probably best known for his portrayal of scatterbrained Hank Kimball on TV's GREEN ACRES). While Ellison has said many times publicly that the film is the most faithful adaptation of any of his works, he has nonetheless complained vehemently about some of Jones' "adjustments"--most notably the minor addition of some gross or vulgar dialogue--and tried unsuccessfully to get them changed. Whether or not Ellison's complaints have merit, A BOY AND HIS DOG has come to be regarded as a science-fiction classic, its popularity undoubtedly due to its likeable characters who, despite their constant bickering and individual quirks, are redeemed by their committed friendship and their sarcastically humorous approach to survival.

The performances in A BOY AND HIS DOG are top-notch. Johnson convincingly portrays Vic as a filthy scavenger who, in spite of his dire situation, still manages to remain a decent human being at the core. Tim McIntire's vocal characterization of Blood embodies Ellison's original concept of a mutant pooch with a caustic ego that is balanced with just the right amount of off-beat humanity, and this portrayal is enhanced further by the outstanding on-screen performance of Tiger, the canine thespian that portrayed the family pet on TV's THE BRADY BUNCH. In his supporting role as the governor of a subterranean dystopia, Jason Robards is delightfully smarmy. And when beautiful Susanne Benton bares her ample "talents" on the screen, that's a lot of fun watch, too.

With A BOY AND HIS DOG, Jones' intention is not to make deep socio-political innuendos or to meet the average action-fan's prosaic expectations, and sentimentality is obviously far from his mind. Instead of serving up a dull postapocalyptic survival-of-the-fittest thriller or a cliché love-among-the-ruins drama, Jones gives us a wry black comedy that doesn't take itself too seriously. His direction is tight, his staging often inventive, and the dialogue--while MOSTLY lifted directly from Ellison's story--is often sharply sardonic and frequently witty. With this AND the outstanding performances he elicits from his cast, Jones creates a realistic world of future desolation, but he peoples it with central characters that learn to deal with the nightmare while still maintaining their humanity...and a sense of humor.

Several DVD editions of A BOY AND HIS DOG have been available over the past few years, and all have delivered good letterbox widescreen digital transfers. The current offering from First Run Features is an anamorphic widescreen version, and it also contains an interesting feature commentary and theatrical trailers.

All in all, A BOY AND HIS DOG is a wonderful interpretation of a classic SF novella, and this DVD will make a great entry in the film collections of SF fans who love quirky non-mainstream films.

A cult favorite for years, this faithful version of Harlan Ellison's classic novella enjoyed some mainstream popularity in the mid-'80s when its star, Don Johnson, hit the big time with "Miami Vice." In recent years the movie has settled back into cult status, which is for the best. Johnson (in an excellent performance) is Vic, a simple-minded survivalist who wanders what's left of post-apocalypse America with his dog Blood (played by Tiger of "The Brady Bunch," with voice by singer Tim McIntire), with whom he has a telepathic bond. Vic's main ambition in life is to, well, find female companionship; he demands that Blood sniff out girls for him. He meets a seemingly innocent young woman who leads him down to a strange subterranean civilization where all the men are sterile. Eventually, Vic is presented with a hard choice. The decision he makes has remained controversial; the one-liner that ends the film is even more so. (Ellison didn't write the line and has expressed discomfort with it. I think it's one of the great final lines in movie history.) If you haven't seen this film, chances are you've seen a dozen better-known SF movies it influenced (like the "Mad Max" series), and Kevin Costner's "The Postman" was a windbag '90s variation on the same theme. If you've only caught this on television, you haven't really seen it.

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Mid-70s post-nuclear apocalypse movies are not a genre I generally enjoy. "A Boy and His Dog" (one of the first of the type) is the exception that proves the rule.

The shattered world above is not the interesting part of this film, and it moves slowly for the first hour while we're in it. What keeps us watching is the great dialogue and interaction between Vic (Doh Johnson) and his dog, Blood. Vic and Blood can talk to each other, and the dog is rather smarter than Vic. Once we go "downbelow," into the survivalist enclave called "Topeka."

One reason I didn't give this film 5 stars was the slowness at the start; the other reason was the poor quality of the DVD transfer. If ever a movie cried out for remastering, this is it: it really does look like they just transferred it from VHS. There is a commentary track with film critic Charles Chaplin, director L.Q. Jones (this was his last film directing), and John cinematographer Morrill. It makes for interesting listening.

If you like this genre, this is an essential film to add to your library. If you're not as fond of apocalypse movies, call this one a rental.

Read Best Reviews of A Boy And His Dog (Collector's Edition) (1975) Here

...which is why I keep buying every new release that comes out in the hopes that it will be better than the last. No such luck. This is the same transfer as the previous two releases -from the original laserdisc, and with the same problems: dropped frames, dust and scratches all over it. And despite Amazon's description, this release is NOT ANAMORPHIC, though, like the others, it is widescreen. (I've submitted a change to the description). I could live with the dust and scratches -after all, all the known prints of this film have been knocking around for almost thirty years, and as far as I know no pristine negative exists anymore. But I *wish* we could get an anamorphic transfer. How is it that a Hugo award-winning film that is so loved by critics can be overlooked for a decent DVD treatment for so long?

Now, the good: In addition to the now-familiar (and very entertaining) L.Q. Jones commentary track which has appeared on all the others, we also get two trailers restored to the DVD (these appeared on the first release, but not the one from Slingshot). And the fact that it is available once again at all -I didn't relish the idea of shelling out ~$100 if something happened to current copy. Kudos to Firstrun for printing 'em again.

But dangit, won't *someone* step up to the plate and give us a decent anamorphic transfer? I'm begging here, which even Blood could only bring himself to do once.

Want A Boy And His Dog (Collector's Edition) (1975) Discount?

It's my own fault for buying this unknown. I was hoping for an anamorphic copy. But I received the same crappy letter-boxed print that's been around for years. But this one is the absolute worst I have ever seen this movie look. Out of focus,soft,noisy,just terrible. The best copy of this movie remains the U.K. Arrow Films release. It's true anamorphic,starts out 2:35 but changes to 1:78 after the titles clear. It does run 3 minutes shorter then the letter-boxed version,but it's better picture quality and anamorphic format make it very desirable if your a fan of this movie. Please don't waste your money on this issue.

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Drew Barrymore (2012)

Drew BarrymoreDrew Barrymore has really grown as an actress. These three movies not only show that but also her comedic talents. These are no brain er movies that are just fun to watch. Seeing Hugh Grant dancing and singing was a great treat. For the price you can't beat this deal.

Here are three movies, starring Drew Barrymore, that are just plain fun to watch. Lots of laughs with great co-stars.

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If you're a fan of Drew Barrymore, this is a definite buy. I honestly bought it more for "The Wedding Singer" as that movie always makes me laugh. However, I really did like the movie "Music and Lyrics" with Hugh Grant and "Going The Distance" was one I had never seen and was pleased with as well. The blu-ray transfer looked great on all three movies, and when I bought this, it was only $10 so you couldn't ask for a better deal to have three good movies at this price!!

Read Best Reviews of Drew Barrymore (2012) Here

As always. Drew Barrymore shines in these three movies. Hughly recommended for all three of these. My favorite DB movies are "EverAfter" ,"Never Been Kissed" and "Duplex."

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Because the movie was a Blu-ray and it had all the upgrades from the standard DVD and huge upgrades from the older VHS tapes; "The movie picture and sound was Grrrrrrrreat!!!! Their speedy service was awesome and as such, I hope to purchase more from them in the future too!

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