Showing posts with label good new comedy movies. Show all posts
Showing posts with label good new comedy movies. Show all posts

Sex and the City 2 (2010)

Sex and the City 2"Sex and the City 2" has nothing on the HBO series and isn't nearly as good as the first film. However, as a huge fan of the franchise, I still enjoyed it because I got to see the girls on the big screen.

This film picks up two years after the first "SATC" movie. Carrie and Big are married and still living in NYC, but Carrie's afraid they're in a bit of a rut. Meanwhile, Samantha is struggling with menopause, Miranda's irritated with her new boss, and Charlotte's kids are driving her crazy. When Samantha lands an all-expenses paid trip for all four girls to enjoy a week of luxury accommodations in Abu Dhabi, all four women are thrilled at the chance to escape from reality for a little while. During the trip, Carrie is shocked to run into her ex-fiance, Aidan, in the middle of a Middle Eastern marketplace. How will this chance encounter affect her relationship with Big? Watch the movie to find out.

Here are some of the pros and cons of the movie. (Warning: I'm going to go into some spoilers that weren't included in the movie trailers.)

PROS

+ It's another "SATC" movie! If you love the girls, you will enjoy this movie at least a bit. How could you not?!

+ Although there was some Big/Carrie drama, it was refreshing that everything stemmed from Carrie's behavior this time. For once, Mr. Big didn't do something massively awful to screw the relationship up, which was refreshing to see.

+ The gay wedding was super over-the-top and ridiculous, but very funny to watch. It was also hilarious to see who was getting married (I won't spoil that surprise for you!).

+ Yes, some of the Abu Dhabi scenes were a little much, but I loved the luxury hotel scenes, and when Samantha started flashing condoms and screaming "Bite me!" to an angry mob of religious men, I wanted to applaud.

+ The girls get up and sing karaoke! And they do a good job! Who knew Kim Cattrall could sing so well?!

+The biggest pro for me...THANK GOD the film didn't feel the need to give Carrie and Big a freakin' baby. I am so sick and tired of society telling people that they need children in order to lead happy and fulfilled lives. Carrie and Big have a great relationship, a gorgeous home, and a rich life together. My husband and I are also child-free, and we get so many odd reactions from people when we have to explain that not having kids is our choice. I could very much relate to that scene with Carrie, Big, and the other married couple at the gay wedding, and I'm so glad the producers handled this issue the way they did.

CONS

Unlike the first "SATC" movie, Samantha, Charlotte, and Miranda really took a backseat to Carrie in this film. Their respective subplots were all glossed over and were mainly used as filler material, which was disappointing.

With the exception of Mr. Big, the other supporting characters like Steve and Smith only had about two minutes of screen time each, which was another bummer.

The girls are still sexy and the clothes are still great. I love Kim Cattrall and I think she's gorgeous, but Samantha is supposed to be 52 years old now, and some of her outfits and makeup kind of made her look like a drag queen. It was very sad. Women can be sexy at any age, but that doesn't mean they can pull off any and every look.

Another character that wasn't featured in the film as much as it should have been was New York City! The city itself was such a central focus of the series and of the first movie. I don't think this film did it justice at all.

I enjoyed the gay wedding, but Liza Minnelli singing Beyonce's "Single Ladies" was too much. Seriously. All through the number, I kept whispering, "Make it stop!"

We all know that "SATC" is all about over-the-top fashions, but this movie took things a new level of extreme. On several occasions when Carrie stepped out in a crazy ensemble, everyone in the theatre could be heard muttering, "Seriously?!"

Why did Aidan have to show up?! Sorry, but I have always been on Team Big. I though this Middle Eastern run-in was super unrealistic. Boo!

Finally, if I ever kiss a man other than my husband, I doubt that my hubby will react by rushing out to a jewelry store and buying me the biggest diamond ring he can find. I'm just sayin'.

Overall, I enjoyed the movie, and I'm sure most die-hard "SATC" fans will like it as well. However, I hope that a "SATC3" is in the works, and that it's much better than this film.

I rented this movie to pass time during a blizzard. I thought I would watch a cute comedy, drink a glass of wine and get some laughs, I only laughed a couple of times. I enjoyed SATC the series and the 1st movie was pretty decent. The second movie....... not so much.

The gay wedding scene, for me was not that bad, the Liza Minnelli "single ladies" performance, I could deal with that, I thought it was slightly funny.

Carrie started whining about not going out every night, really Carrie; you are 1,000 years old, too old to be on the scene all of time. Younger women laugh at older women like Carrie's character who are always on the scene; you look pathetic. I am not married but the t.v. in the bedroom and Carrie thinking she is too cool to stay in w/ her husband being a big problem in the marriage was lame, immature, and made Carrie look like an old pathetic brat.

For the first time Miranda was actually the cool one; she was more chilled out, and the only person who was the voice of reason on their trip to Abu Dhabi.

Charlotte, a dumb plot, I mean storyline; there was no plot. Who is going to allow their nanny to walk & play around their children and husband w/o wearing a bra; come on.

The trip to Abu Dhabi was pointless, I was expecting the plot to begin once they arrived in the U.A.E. That did not happen. There was no plot. I have been to the U.A.E. I thought they would use the movie as a platform to break stereotypes about the middle east, they just reinforced them. The biggest one is that all women in that part of the world wear a veil, not true. Many of the women dress just like us. Samantha seemed tired and trashy,in America if a women grabs her dates crotch in the middle of a restaurant there would be plenty of people who would by outraged by it, why make it seem like the middle east is overly sexually repressed in that situation.

I was done when Carrie ran into Aidan in Abu Dhabi, so dumb. Kissing him, calling her husband to tell him about her misstep, and upon her return home he rewards her with a diamond. I pretty sure that just does not happen.

I was hoping the ladies would be growing old gracefully and being an example to younger women about accepting who you are at every age. But instead Carrie is old and whiny, Charlotte is an airhead, Samantha is a tired tramp, and all wore bad make up and even worse clothes.

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This. Movie. Was. Just. Too. Much. It showed absolutely no restraint on all fronts. There were so many reasons to hate this movie, but I'll name a few:

1) It was another road trip. I think the rationale for setting this movie in the middle east was something like, The audiences enjoyed the exotic road trip scenes in the the first movie, so let's create that. Plus the girls will have the opportunity to wear some bright, showy clothing.

2) It was culturally insensitive. The movie was written so that ladies would applaud at the strong women being strong women and sexually liberated antics, but when it is done at the expense of another person's culture, it is wrong. They should have hired a consultant from the middle east to run a sensitivity check on some of these scenes. It just felt like the typical American egocentric, index-finger shaking stance of "Our way of life is the right way to live. Your culture is backward!" Let the middle eastern people live in the manner they see fit. They didn't ask for Americans to validate them and bless their way of life. I just feel like whatever problems they may have is their cultural battle to fight, not ours. I cannot stand the black and white thinking. It feels so sophomoric. I hate when other countries talk crap about America, especially when they don't live here.

If a country is "sexually repressed" and you are not, I think the smartest thing to do would be not to visit. It is not liberating to pretend that you are somehow helping the women of that country by pushing your values on them. It's silly and imperialistic. There was a scene with one of the girls raving in a souk, that was absolutely cringe-worthy and horrifying.

3) The older the women get, the more childish they seem to act. Instead of embracing age with dignity and grace, one of the girls is desperate to turn back the clock. Everyone has to get old, everyone has to die, no amount of Louboutins or Herve Leger dresses is going to stop that from happening. Why not be a role model, show us young-ins how to age with grace, and make way for the new generation? Everything has a season.

4) I get it; you guys are rich! It was so so so upsetting to see the amount of wealth and waste that went into the movie and it was celebrated! In the middle of an economic and environmental crisis, there was just too much excess.

Before I saw the movie, I thought, during the second world war, MGM and other studios made these lavish films to take people minds of the war and depression, to give them an escape. But in this day and age it didn't quite work. I think it's because audiences know too much. Thanks to Sex and the City, Cribs, E! Entertainment television, VH1, Material(istic) Rap, etc, we know exactly how much a Maybach costs. We know exactly how much their suite costs. We know that designer clothes are not cheap and that wearing them to ride a camel it somewhat akin to Marie Antoinette saying, "Let them eat cake!" in reference to the poor French masses. We're riding camels in the Middle East wearing couture! Eat cake America (or should I say, "Wear couture America!")! The movie makers throw it in our faces and we know exactly what it costs. And more importantly, we no longer view celebrities in that soft focus kind of naive way. I know that SJP works out like a dog to maintain her body. I know that she is proud to flash her legs every chance the script gives her. (Her body is great, but sometimes it was a bit excessive as well.) I know that the reason why Kristen Davis's face doesn't move freely is due to Botox and fillers. The bubble on the dream has burst.

The movie's makers thinks it pulled back in respect of the economy. What was the first script like? Did they each charter their own private plane to Abu Dhabi? Carrie says that she and big downsized with respect to an apartment. Ha! Okay, thanks, for trimming a little bit of fat off the giant prime rib.

5) This movie tried to tackle too many things: marriage troubles, relationships troubles, sexual liberation, existentialism. It sinks in a quick sand of corniess and lacks direction. At one point the script even relies on a silly " on the look out" spy trope, where their heads pop out from around a corner in a synchronized fashion. I thought, "what am I watching!?" Sex and the City the TV show was too sophisticated to rely on such tired comedy. Sex and the City is having an existential crisis. I don't think that it was a show that ever meant for the big screen.

6) Frat boy humor comedy. From four ladies in their 40s and 50s--NO!

7) I get it! Samantha has sex. I just no longer want to see her do it. It doesn't come off as funny to see her with some guy on top of her. It is feels a bit demeaning because we've seen this before and there isn't a hilarious payoff. Sex scene with no meaning is just filler. Kim Catrall is too gorgeous and too good of an actress to be used like that.

8) No more heavy black eyeliner on Sarah Jessica Parker. It just makes her eyes looks small. Not flattering. Not sexy. Actually, the make-up in general was too dark and heavy on all of the ladies.

There is probably a lot more. I wish they showed more NY and delved deeper in an organized way into the girl's issues. I thought Carrie, Miranda, and Charlotte's problems were the most interesting because the are universal. How do you define yourself after you have been married? How do you balance parenthood and self? How do you define yourself after a physical change? Why couldn't it have been a movie about the existential crisis, with nice clothes? If there is a next time, don't flash the clothing brands in my face (sorry advertisers!); let me wonder where they came from.

Ladies, maybe we can have it all. You just can't have it "all" at once and you certainly can't have it forever. But frankly, after seeing this movie, I think all is too much.

Read Best Reviews of Sex and the City 2 (2010) Here

Where do I start? Let me start with the ugly, jarring harsh makeup. What happened to SJP's lovely face? It looked like her original face was made of latex and then melted over a gas stove and stretched. Sweetheart--you're too OLD to have long dark two-toned hair. You're also too old to be that thin. SJP had the sex appeal of a dried-out stalk of wheat in this movie. Her character, Carrie, is unrecognizable now. The imperfect bubbly cute Carrie has been replaced by this humorless stretched out elitest shrew. She's the kind of woman now that Carrie would not have liked in the series. She's awful to everyone in the movie--condescending to the other characters. In fact, all of them are incredibly rude to "lesser" people--servents, foreigners (they're only foreigners after all!).

Worst things (for me):

-Samantha's wardrobe. WHY do they insist dressing Kim Cattrall like a bad drag queen version of Joan Crawford? She has a lovely figure and they always stick her in these ridiculous hard-edged power suits with enormous shoulder pads.

-Samantha also got the honor of saying the worst line of the movie "Lawrence of my labiaaaa!" which was embarrassing to witness

-Miranda was tolerable, except when she lowered the window of the car in the desert, screeching like she was at a sports bar at the goat herders at the side of the road--just culturally tin-eared and disrespectful and they seemed to rush to herd back the goats who were startled, glaring at this over-privileged moron in a $400,000 Mercedes

-Charlotte gets camel toe. Oh goody. More vulva jokes! Really? Does Charlotte have to be humiliated in some scatalogical way now in every movie? The spoiled entitled American idiocy of her holding out her phone yelling about reception on top of the camel was also atrocious. Again, completely disrespectful and something Charlotte of old would NEVER have done

-Carrie's prudish covering up of Samantha at every turn, but she shows up to meet Aiden (after hilariously kohling her squinty tired-looking eyes to even smaller proportions) in a thigh-baring cleavage-revealing top and skirt.

-Mr. Big, the true virile man's man, posing like a ponce-y English Noel Coward in brown satin pajamas holding a teeny tiny teacup and saucer.

-They ask Samantha what she's eating, even though most normal people, and particularly supposedly sophisticated people from New York City have known what HUMMUS is since like 1991.

I was a huge SATC fan, and I enjoyed the first movie, but this movie was the kind of irritating where you want to kick something or drink. My beloved characters were ruined.

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Wow. Just. WOW.

And not "wow" in a good way, either! Sex in the City 2 starts where the first movie left off. I'm a fan of the original HBO series and even though that show didn't exactly do much for empowering women, it was still a guilty pleasure of mine. After all, there's nothing wrong with girls enjoying fashion, makeup, fabulous lifestyles in fabulous places, and MEN... Even if some negative stereotypes separating the genders were still enforced even if the show supposedly broke boundaries.

The first movie was unnecessary, in my opinion, and this second movie is even less necessary. And yet, I willed myself to see them both -it's just something one has to do if you're a fan of the show, and the makers of these films were definitely banking on the original fan base to sell this mess. It's clear the writers are different for this movie compared to the original show, because even though Carrie is just as lame with her stupid puns (which she THINKS are so clever) in this movie, the "wittiness" in these movies is more just for the sake of having some jokes rather than having the witticisms be part of Carrie's personality.

*** spoilers ***

I thought it was inconsistent with the characters' personalities that Steve would cheat on Miranda and they'd break up. I don't know if other people think differently, but that's just the way the movie hit me. I thought the subplot with Carrie and Aiden kissing in the Middle East was flat out forced and just stupid.

AND most important to me of all is that this movie is insultingly ignorant of women's issues in the Middle East.

Utterly ridiculous.

Subplots with Charlotte and Big and Samantha were all just excuses to bring familiar characters around for an extended SATC episode. Nothing shocking, though it tries to be. It's just all familiar, tired ground, and not interesting.

-and the karaoke scene! SO painful my stomach hurt, I was so embarrassed just watching it.

Rich, stupid, aging women act like teenage tramps in a foreign land and completely disrespect that country's customs. One can challenge a society's views without coming off as an ignorant snob, and yet that's exactly how these women came off.

YAWN.

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Mr. Deeds (2002)

Mr. DeedsThis was an entertaining movie with a sound cast. The story didn't quite measure up to the original as the remake, but there were some funny shining moments. While this is supposed to be an Adam Sandler film, John Turturro literally steals the movie. He is hilarious as Emilio Lopez the "sneaky sneaky" butler. This movie showcases his well timed comedic talent. Without his contribution, it would have been just an okay remake of a 1920's classic.

Mr. Deeds is a great movie. It's not intelligent or powerful or anything so lofty. But it is a sweet, silly and very fun movie to watch. Adam Sandler is perfect as the kind-hearted small-town boy experiencing big city life for the first time. Winona Ryder is fantastic to look at and fun to watch. She shines. But the character who steals the show is John Turturo as the butler. His bit parts are big scene stealers. I liked this flick so much I saw it at the theater twice. It is a feel-good movie with some real tender parts and is filled with under-keyed hilarious moments. I like Adam Sandler's raunchy humor, but it is very cool to see him play such a great nice guy. And don't worry, some of the humor in this movie is downright "weird" like only Sandler can deliver. I loved this flick!

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Adam Sandler has always been my favorite actor. His movies are all similar, in which he usually plays a character who is either slightly retarded or a big loser. Nonetheless, his characters have all been hilarious. In Mr. Deeds, he strays from his normal character to a nice, small-town guy who owns his own business and is loved by everyone. Sandler proves that he can be just as hilarious when playing a completely normal character. When he is told that he has inherited 40 billion dollars from an uncle he didn't know existed, he acts as though nothing unusual has happened and remains the same guy who everyone loves. He goes to New York City with the managers of his deceased uncle's company and gets the rather stiff servants in his uncle's mansion to loosen up. You can't possibly have a sense of humor if you don't explode with laughter when an extremely old man yells, "BOOB!!!" in a hallway that echoes. John Turturro plays Emilio, a hilarious addition to the movie. His character is an adorably funny servant who befriends Deeds during his stay at the mansion. Besides being funny, the movie has a nice love story within it. Winona Ryder plays Babe Bennett, a reporter, and although she originally manipulates Deeds into thinking she is someone else in order to learn personal information about him, she falls in love with the compassionate small-town guy that he is.

Adam Sandler's movies are usually pure comedy, with the exception of few (such as Big Daddy) but in Mr. Deeds, he delivers just as much humor as we have come to expect from him, as well as a solid, wholesome plot. I give this movie five stars, and two thumbs up to Mr. Sandler.

Read Best Reviews of Mr. Deeds (2002) Here

...As the title character, Sandler is a hero we pull for, but his old screwball antics do get in the way at times. No real hero would clobber senseless a whole reataurant full of people because they ridiculed him. But here, Sandler as the title character does so in a return to his screwball persona. One might even argue that that persona goes over the top when he goes after a purse-snatcher and doesn't stop with merely subduing him but continues to beat him while he is down, with a seemingly sadistic glee. Perhaps a real hero should show some restraint in such a situation, even considering that the purse-snatching could actually be a setup, as it in fact is in this case. To buy into the heroism of Mr. Deeds, we have to do some considerable winking past these gratuitous farcically sadistic episodes. For those who can do that, the movie can be passably enjoyable. Sandler is entertaining, even when incongrously so. The movie is elevated considerably by the pleasant surprise of Winona Ryder's performance, even though her character starts out as a participant in that purse-snatching setup...MR. DEEDS should be remembered as one of the brighter spots in her uneven career. Here she puts forth a charm we haven't seen in a long time, and her acting fits well into the story. As a co-star to Sandler, she meshed with his character well, certainly the best since Drew Barrymore in THE WEDDING SINGER...She might just be the most uniformly good part of MR. DEEDS, and that gives hope for a more evenly successful career in her future. All in all MR. DEEDS is a watchable bit of entertainment for those not too put off by its incongrous swings between irreverent farce and heartwarming feel-good story and romance.

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Sandler does it again with another great set of movies. all movies were great like always and i cant complain here.

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Love Ranch (2010)

Love RanchMore like "Raging Bull" (boxing) and the F-word (Joe Pesci) than about a brothel. And the first half looks like a B-movie

I'm a HUGE Helen Mirren fan, and I loved the DVD version of Director Taylor Hackford's film "Ray", so I was anxious to see this film, directed by Hackford and starring Mirren (his wife). Before watching the film, I clicked on the "bonus features" and watched the six-minute "Introduction" by Hackford and Mirren. It looks like it was filmed in their living room with home video camera. Hackford was doing most of the talking and Mirren looked like they had just woken her up. Not a good start.

Then I played the film. It is based on the life of Reno's famed Mustang Ranch brothel in the 1970s and owner Joe Conforte and his wife. The "R" rating appears at the beginning and the explanation is "sexual situations and strong violence". Hmmm...... a film about a whore house with no nudity? Strange. Well, as another reviewer pointed out, for the first 45 minutes of the film, it looks like Mirren is sleepwalking through her role, and the hairdo she wears looks like a cheap wig (it isn't). Co-star Joe Pesci reprises his standard "Good Fellas" persona with the F-word being more than half of his dialogue (I'd love to have seen his dialogue portion of the script.). But after that 30-40 minutes, things change and we get real acting from Mirren. You'll know when that starts because she loses the curly hair and for the rest of the film its her standard straight hairstyle. (Was this symbolism that Hackford was giving us?).

Anyway, if you looked at the cover art, you'd never know that this is a film about boxing, yet a good portion takes place in the ring with Hackford trying to make the fight scenes look like "Raging Bull" though in color! with a lot of graphic violence. The whole business of prostitution takes a back seat (one waaaay back!).

The bonuses included deleted scenes (with commentary) and a full-length audio commentary track with Hackford. It was hard enough to sit through this film once,, so I passed on listening to that.

So, Mirren fans may want to see this film but should know not to expect anything approaching "The Queen". (There's a moment in the film where Pesci, as her husband says (between the F-word) "Who do you think you are? The Queen?". Far from it Joe!

Hopefully Hackford will get his act together and start making quality films again. This certainly isn't it.

Steve Ramm

"Anything Phonographic"

Joe Pesci is typed cast as a New Jersey thug. He plays the co-owner of the Love Ranch (Mustang Ranch) Charlie Bontempo (Joe Conforte). His co-owner wife, Grace (Sally Burgess) is played by the classy Helen Mirren. They had owned illegal brothels, which appears to have been easier than the headaches associated with legal ones and having to deal with "25 psychotics," as Grace puts it. The movie captured the bikini clad girls of the era. There is brief nudity and sexual situations as one would expect from such a movie, but it is minimal. Pesci drops the f-bomb like only Pesci can. The movie failed to capture the frequent celebrity appearances at the ranch. It focuses on the year 1976. Grace finds out she has cancer and maybe six months to live. She tries to tell Charlie, who is too busy with the talent. Charlie gets an idea for Argentinian boxer Bruza (Oscar Bonavena) to train at the ranch to attract clients. While at the ranch Bruza and Grace have an affair. The movie is based on a true story and did a fair job in following it. The closing dialogue of the movie implies that the ranch's tax problems came shortly after the shooting of Bruza in 1976. That is not true. It wasn't until 1990 that the IRS took over the Ranch and Joe Conforte fled to Brazil. The Mustang II ranch shown at the end of the movie was erected in 1982.

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LOVE STORY is a peculiar movie. It is based on the true story of the notorious Mustang Ranch just outside of Reno, Nevada, a brothel that was world famous run by a couple by the name of Joe and Sally Conforte who had chutzpah and an ongoing run-in with the IRS and the law in bringing in boxer Oscar Buenovena as an addendum to their game of wealth. The facts of the brothel's existence are true as are the characters portrayed in the film, but a considerable amount of artistic license as to dates and chronology of event were taken by writer Mark Jacobson. The result is a strange conglomeration of a story, boring as roadkill during the first half but awakening into a rather tender melodrama in the second half. And it is worth the wait. Taylor Hackford directs his wife Helen Mirren, and as we have come to expect, anytime Mirren is in a film there is at least a modicum of fine acting.

The Confortes become the Bontempos for LOVE RANCH (aka Mustang Ranch of history) and Joe Pesci as Charlie Bontempo is an ex-con with a potty mouth who married Grace (Helen Mirren) 20 some years ago, and together they have built the world's largest brothel the first legal one in Nevada. Grace at first is cheap and tacky, walking with a cane and constantly reminding Charlie of her importance: her character changes a it when she is diagnosed with terminal cancer by her doctor (Broadway singing star Harve Presnell in a tiny and last role; he died in 2009) . Charlie beds all the women who work at Love Ranch and Grace is aware of it. Grace befriends her 'staff' Gina Gershon, Ling Bai, Taryn Manning, Scout Taylor-Compton, Elise Neal among others and Charlie tends to the business of promoting the Ranch as well as taking chances with other projects, such as tempting famous Argentine boxer Armando Bruza (Sergio Peris-Mencheta) to move to the Ranch for training in preparation for a fight with (supposedly) Muhammed Ali. Bruza arrives and insists Grace be his manager and she reluctantly accepts out of a sense of being attracted to Bruza. Her girls, especially Irene (Gina Gershon) encourage Grace to live for the moment and give in to the desire for an affair with Bruza. Grace and Bruza do indeed find each other's soft core and fall in love. Bruza is prepared for a fight, but in the fight he staggers through the first rounds only to win by a late surprise knockout: Grace rushes Bruza to the hospital because of his unstable status and there she discovers Bruza suffered a previous brain injury years ago resulting the placement of a metal plate in his skull. This discovery and the events that it initiates bring the film to a tender but tragic end on many levels.

The cinematography by Kieran McGuigan is splendid when surveying the beauty of the land around Reno but uncomfortably monochromatic through most of the rest of the film. The musical score by Chris Bacon (who has many fine credits for other films) is almost unbearably bad. Joe Pesci, made up to look very old, is in this viewer's opinion miscast: he rarely gets beyond being a screaming filthy mouthed moron. Helen Mirren transforms Grace from a tawdry Madame to a truly beautiful but tired partner for Charlie, opting to spend her few final days with one who can demonstrate his care for her. Sergio Peris-Mencheta manages to make his blustering character one of compassion and vulnerability.

In all this is a movie that, once over, seems well worth watching as the credits reveal all the facts about the destinies of everyone involved in the story. Get past the first half hour or so and you're in for a fine film. Grady Harp, October 10

Read Best Reviews of Love Ranch (2010) Here

I REALLY love the movie. Maybe its because I'm about the same age as Helen Mirren appears to be in the film but I was captivated by the entire story in particular after the Boxer professed his interest in her. I think that the stark contrast between the hard world of prostitution compared to the abandon to the passion of the moment and the truly tender romance between the two lovers, both of them hardened and deeply injured by life, made for great drama and tragedy. Their wild abandon to share a few moments of true nurturing and caring sent a wonderfully simple message love while you can. Yes, there were some corny scenes, and some raw comedy but I truly loved this movie I cried at the end and I will watch it again and own it soon. And readers, I repeat, if you know an older baby boomer woman looking for a fantasy cinema fling this is definitely a Baby Boomer Romeo and Juliet flick with a unique love story based on a true story.

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Joe Pesci is typed cast as a New Jersey thug. He plays the co-owner of the Love Ranch (Mustang Ranch) Charlie Bontempo (Joe Conforte in real life). His co-owner wife, Grace (Sally Burgess) is played by the classy Helen Mirren. They had owned illegal brothels, which appears to have been easier than the headaches associated with legal ones and having to deal with "25 psychotics," as Grace puts it.

The movie captured the bikini clad girls of the era. There is brief nudity and sexual situations as one would expect from such a movie, but it is minimal considering the topic. Of course Pesci drops the f-bomb like only Pesci can. The movie failed to capture the frequent celebrity appearances at the ranch. Rather it focuses on the year 1976. Grace finds out she has cancer and maybe six months to live. She tries to tell Charlie, who is too busy with the talent. Charlie gets an idea for Argentinian boxer Bruza (Oscar Bonavena) to train at the ranch to attract clients. While at the ranch Bruza and Grace have an affair. The movie is based on a true story and did a fair job in following it. The closing dialogue of the movie implies that the ranch's tax problems came shortly after the shooting of Bruza in 1976. That is not true. It wasn't until 1990 that the IRS took over the Ranch and Joe Conforte fled to Brazil. The Mustang II ranch shown at the end of the movie was erected in 1982.

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The Inbetweeners (2012)

The Inbetweenersdo you know when you watch a film which has came from an established tv series and it is almost certainly a let down? Well the inbetweeners film does not do this. The story follows the 4 main characters on their last 'lads' holiday together where they demonstrate all of the profanities and vulgar ideas in which they are famous for. this film will have you laughing and is a great way to end the series.

This movie was a step in the right direction from the show in my opinion. As the boys grow older,so does some of the sassy and inappropriate things they do and say. 30 seconds in and I was already laughing loudly. The best part of it all is every single character is played by the same actor/actress, that's sometimes rare in a Tv to movie situation so its definitely worth buying and/or renting. You'll most likely cry from laughing so hard. :)

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I am a huge Inbetweeners fan and was quite upset that the movie was not shown in my area when it was released this year. To make it worse, my extended family in England was quoting how incredibly funny the movie was. I received this movie for Christmas and enjoyed viewing it on Christmas Day. It was as funny as I had expected it to be! The comedic timing of all of the actors is priceless and I loved every minute of the movie. I would recommend the movie to any fan of the series!

Read Best Reviews of The Inbetweeners (2012) Here

After watching the entire series on netflix i was hoping that the movie would not fall short. And boy it didn't. British TV is so different from American TV they spend more time on the writing and character development and less on production value. That is why one easily falls in love with the characters. They are so funny. Your typical teeneagers just wanting to drink and get laid. I absolutly love the series and the movie was just as good.

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NO SPOILERS:

The freedom allowed on UK TV didn't result in the R-rated movie upping the raunchiness quotient. Frankly, given both the 3.5m (Pounds) production budget and time that had past since the end of the series, I expected an over the top effort. Other than the change in location (Malia, Crete), there was nothing to distinguish the 97-minutes movie from any 4 of the TV episodes.

There is nothing inherently wrong with the movie. Will (Simon Bird), as the moderator and perfect wit, shines.

A definite watch, though I wouldn't pay much more than the cost of admission.

Cheaper by the Dozen 2 (2010)

Cheaper by the Dozen 2I truly enjoyed this movie and wouldn't hesitate to allow some of my young children to see it! There is no foul language, and dating and first crush situations were handled very tastefully and even with a flair of innocence about them! I happen to be the oldest of 7, my husband is one of 8, and together we have 5 children so we are very much pro big families. It is very refreshing to see a positive story involving not one, but TWO large families! In this day and age where society pushes the idea that 1 or 2 children makes the perfect family, this movie gives the viewer a fairly accurate glimpse of what life can be like with many more siblings. Of course there will be times of difficulty and disagreements, but there is also plenty of love to go around, and this is the ultimate conclusion of this movie in BOTH families! There are many lessons to be learned in this film not the least of which is the need to have a clear vision of what is more important in life. Both fathers in this story are struggling with competitiveness that has become an obsession, but I found it truly moving when Steve Martin's character chooses to forfeit the final tie-breaking event because of the potential risk to his 9-months-pregnant daughter. His was the choice of a true champion, and in the end, both fathers come to recognize that their families are so much more important than winning another trophy! What a truly refreshing message to families and young people who are being bombarded with messages of "me first" and "look out for number one!"

I most certainly do not regret the time and money spent to see this film! If you are tired of all the sex, violence and gore present in so much of today's movie choices, I suggest you give this film a try. It is rare to walk out of a movie theater feeling uplifted, but that is exactly what this film did for me!

I was basically shocked as all heck when I saw a trailer for this movie on TV over the holidays. Given the modest success of the first film, I was surprised they were going for a sequel. I was even more shocked that the bigger stars like Hilary Duff and Tom Welling returned for this, but somehow the timing was good enough for all fourteen original characters to reprise their roles.

After seeing "Cheaper by the Dozen 2" quite a few times in the theater this Christmas, I have to say that it was very nicely done and certainly outdid the 2003 film.

It's not anything that's going to win an Oscar or be discussed in passing years from now, but then again it wasn't trying to be either of those things. It was released as a clean, lighthearted movie, ideal for a day at the movies with the kids over the holiday break from school, and I thoroughly enjoyed every minute of it.

Don't get me wrong, I watched the first "Cheaper by the Dozen" in 2003 and liked it well enough. But right off the bat, the one element of this sequel that sets it gloriously apart from the original, and that's the general attitude of the Baker children. Remember how bratty they were three years ago, treating their parents like dirt, treating one another like dirt, and pulling juvenile pranks left and right? Well, now they're a little older, they get along with each other, and they're actually nice to their parents. It makes for a much more relaxing and enjoyable viewing experience with less children screaming and acting up.

The premise for this sequel finds Tom and Kate (played perfectly, once again, by Steve Martin and Bonnie Hunt) finding that with their three oldest children stepping out of the nest and the remaining nine becoming more involved in their own activities, it would be a good idea to get the whole family together for one last summer at the lake house. Sounds good....that is, until we meet Jimmy Murtaugh (played quite nicely by Eugene Levy), who has a large family of his own and is determined to strike up another heated competition with his longtime rival Tom Baker.

As I said before, the Baker kids are much more likable this time around, and each are presented differently in the film. First off we have:

Nora, who is now married (not to Ashton Kutcher, haha) and pregnant with her first child. Perabo does a nice job here; she and her husband are funny and sweet to watch together, and Perabo contributes to a very heartwarming final scene at the end of the movie.

Charlie, a college student working to pay off loans and trying hard to please his parents, all while attempting to figure out his "next move" in life. "Smallville" star Tom Welling puts forth a good and modest performance, just as he did in the first film.

Lorraine, whose graduation opens the film and introduces her plan to pursue an internship in New York in the fall. The return of the infamous Hilary Duff is probably the most surprising part of the movie, but it was nice that she came back for this and helped get the sequel made. Her number of scenes are small and spread out, and she seems a bit bored most of the time, but Lorraine has a few nice interactions with younger sister Sarah that help demonstrate Duff's ability to get into character, an especially notable feat with such a large cast.

Henry, Jake, Mark and Mike, the four middle sons, who aren't given much to do in this movie except a few lines here and there.

Sarah, the third-oldest preteen daughter seeking her own independence and developing her first crush on none other than one of Jimmy Murtaugh's sons. Roger Ebert said it, a myriad of other big-time movie reviewers have said it, and I'm not going to deny it: Young actress Alyson Stoner delivers what is arguably the movie's most heartfelt and well-done performance in this role. The scene where she goes out on her first date literally brings tears to my eyes every time I watch it, and even though the storyline about a tomboy plunging head-first into adolescence and finding her very first crush is nothing new, it is still something that practically every woman can relate to. It's a somewhat cliched character analysis, yes, but Stoner plays it so sweetly and with such youthful innocence, she absolutely makes the entire movie. This actress really comes into her own with this role, and I genuinely hope to see more from her in the future.

Twin daughters Jessica and Kim, too, don't have much of a personal storyline to play off of, but actresses Liliana Mumy and Morgan York do well enough with what they are given. The only thing I'd have to say about them is that the writers clearly tried way too hard to give them witty lines and funny things to say in unison (e.g. "Lay off, Dad!" and "We agree to participate!") and in the end it didn't quite work. The little girls playing the parts are cute, though, especially the red-headed Liliana Mumy. She's another one with a distinctively expressive personality and cute face that could land her roles in other movies.

The two youngest Baker kids, identical twins Kyle and Nigel, probably stand right behind Alyson Stoner as the next best thing about the movie. Those are the same adorable faces you see on the television series "Desperate Housewives," and even though they don't have much to do in this film either, they melt your heart whenever they come onto the screen.

Steve Martin and Bonnie Hunt do a terrific job in their scenes, as well; both of them seem custom-made for the roles as nurturing parents, and they work very well together as on-screen husband and wife. With all the chaotic events going on with the kids, the two of them portray a very special lesson for viewers with the amazing love that they still have for one another. Eugene Levy and Carmen Electra round out the main cast, both playing their roles with humor and ease, and all in all this is a nice movie that handles its overwhelming cast much better this time around. The 12 kids were basically a train wreck in the first movie, running around and getting into all sorts of trouble, but now they are more fleshed out and established in the plot. It is funny, appealing, and yes, even touching, all while outdoing the original 2003 film and remaining more than ideal for parents to enjoy with their children.

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Depending where you at when you watch this flick, but if you're on your ski vacation, then watching this film you'll forget that your snowboard is outside and that it's cold, because the film concerns a family vacation at a lake around labor day.

Steve Martin is funny as always and there are a few new lines and ideas. And sure there are a couple of stupid scenes that should have been left out, but not too bad so that your 8-year old can probably still watch it without asking too many questions. Eugene Levy (probably not as well known by his name to too many folks) is excellent and I like him goofing off even more than Martin for the most part.

The storyline is about two extended families that apparently had a type of rivalry going on for many years, and now they meet at that particular lake again and on labor day they have a family competition there and so on. While Martin plays the loving Baker dad who's not too well off financially, Levy plays the now wealthy Murtaugh dad who's on his third marriage (with Carmen Elektra as number 3) and who owns most of the land around the lake.

The only problem I can see is that much of the fun is predictable, but there are still a number of hearty laughs. It's a relaxing family movie and you just wish that it was summer out there and you too could go for a swim and/or so some water skiing in a lake instead of the apres ski. Well, this movie is an opportunity to take your popcorn and relax during this busy holiday season, and to have some clean fun for the most part.

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This movie was funny and family friendly. Anybody of any age would enjoy it. It's clean, and you don't have to worry about your young kids seeing/hearing stuff that you don't want them to hear. It is rated PG for very mild language. The "p" word is said once. However, I still think it would be ok to let small kids see it.

I know that there are probably some actors or actresses in this movie that people don't like, but I think that fact can be overlooked. It's a good movie worthy of at least renting. I saw it in theaters and I didn't regret it.

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This movie is one of my favorite movies of all time. Now I loved the first one, it is still one of my favorites. But this one is so good. I really like the storyline on this one. It has a good story and it goes into detail with some of the kids who you didn't really get to know in the first one. Like Sara Baker. It goes into detail about her. This movie is very funny and when it comes out, I'm going to buy it. I recommend this movie to anyone.

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Hit & Run (Blu-ray + DVD + Digital Copy + UltraViolet) (2012)

Hit & RunCharles (Dax Shepard), not his real name, is in the Witness Protection Program (WPP) in the sleepy little town of Milton. Randy (Tom Arnold) who is a fallen from grace, inept federal marshal is assigned to watch over him. Annie (Kristen Bell) is Charles' girlfriend. She knows he is in the Program, but not the details. Gil (Michael Rosenbaum) is Annie's ex-bf who is still in love with her.

When Annie gets offered a job in LA, Charles insists she go take it, and he opts to drive her himself in his 700 HP "suicide doors" Lincoln. They are chased by Gil, Randy, Gil's brother Terry (Jess Rowland) who is a gay policeman, and bad guy Alex (Bradley Cooper), the reason why Charles is in the WPP to begin with.

The film turns into "Smokey and the Bandit" with gun fire. The unorthodox relationship of the two stars is the heart of the film. Annie is an expert in solving non-violent conflict solutions and Charles is...well let's say he is trying.

The second half of the film digresses. I won't say it falls off a cliff, but it could have been done better in this romantic action/comedy.

Parental Guide: F-bombs, some really ugly nudity, male nudity.

Charlie is in a Witness Protection program, after he ratted out his gang members, who are all bank-robbers. His location is in California as he tries to keep a low profile. But then, he meets Annie, who is a professor and on the verge of losing her job. Charlie falls in love with Annie, and he follows her to L.A., where she seeks a new job. The drama begins as Charlie steps out of his Protective boundary,and all hell breaks loose as the chase begins. A former friend, also a marshal, and a member of his bank-robber gang go after Charlie at full-speed. Most of the scenes are very funny, and some laugh-out-loud entertainment, combined with romance. Superb acting performance, and just enough action. A great summer movie to enjoy. Highly recommended to all comedy lovers!

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This movie is one of the best movies of the summer I have watched 3 times in 8 days very well made movie I think the the ending could have been better but other then that I will buy it when it comes out

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Not too many movies around that have this kind of exuberance. This moves like a freight train but you might not want to get out of the way.

Here's the scoop. Yul Perkins (writer/director Dax Shepard) is in the witness protection program with Tom Arnold as his protector. His girlfriend Annie Bean (Kristen Bell) has received a once in a lifetime job offer in Los Angeles. Does Yul break cover for the girl he loves, and if he does, what are the consequences?

I found this entirely engaging. The set up is pretty basic, but, as in any good plot, the details are doled out slowly so the picture becomes more subtle and involved as things progress. Yul is a cool character. He is truly trying to turn his life around and his girl Annie is a big part of that. They have some very witty, Tarantino-esque conversations. They feel good together. The other characters are written well also. Brad Cooper, as Alex Dimitri, is a real card. Too many movies write their villains as shallow, and/or stupid tough guys. He's anything but. His dog food scene alone is worth the price of admission. About the weakest link here is Tom Arnold. I like Tom Arnold. He plays a good second banana, but he is simply too inept to be a Federal Marshall. This is a crazy bunch of people with their own back stories, but the way all the factions come together is really cool and unexpected. Yes there's tension but these folks aren't just shooting at each other and threatening each other. They're having these really great conversations. The car chase scenes are directed really well. Car chases are such old news, it's always good to see some that rise above the fray.

This is a way fun movie. It's tense, funny, clever, well acted and well directed. Is it great art? No. But it delivers, in spades, what it sets out to deliver.

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Billed as an action film and it certainly has that element it's at its core a touchy-feely romance comedy, with a very sweet, pro-human attitude. If you can, watch the first two minutes; if you like them, you'll like the movie as a whole. I'm in line for whatever Dax Shepard writes next.

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Killer Movie (2011)

Killer MovieIt looks like other reviewers here are probably involved with the film. I am not; I just watched it. This movie is the average slasher fare with a reality show spin on it. Even though the storyline is not so original, I still found the movie likeable all the way to the end. It has the cheesiness but doesn't look cheap, some humor, decent kill scenes, and good music scores. Slasher movie fans would particularly find this film entertaining.

I saw Killer Movie in a film festival a couple of months ago. It was so funny at times, and really creepy at others. The acting was great, and the characters were so interesting and multifaceted. The dialogue was witty and fresh, and Kaley Cuoco's one-liners had me laughing out loud. But even with all the humor, you never forget that you're watching a horror movie. The gory details are horrifying and the murders creative and original. I won't spoil anything, but it'll leave you thinking, "I never would have thought to kill someone like that." You really have to see for yourself. I strongly recommend this movie for any horror or comedy fan.

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KILLER MOVIE is the silly, creepy, gory tale of documentary film-making gone horribly awry. We follow a film crew as they work on a doc about a small town's high school hockey team. Of course, there's a masked maniac at large, and people begin dying awful, squishy deaths. Said maniac is an interesting fellow, w/ his own unique take on reality TV. KM has gallons of blood and several dismemberments, yet manages to remain fun and interesting. The characters are solid, especially Kaley Cuoco (tv'S BIG BANG THEORY) as a total wench of an actress who gets a much needed attitude tune up by movie's end! So, if you enjoy comedic horror w/ extra sauce, KILLER MOVIE should slake that thirst...

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A slasher gem for the new generation. A very good direct to dvd movie. I would kind of compare it to the scream movies just a little for its comedy moments but just your typical slasher movie, a good plot, good acting, and good kills. I would recommend it to slasher fans.

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Killer Movie, as the title foreshadows, is an intelligent, witty mix of horror and satire. It's a movie within a movie, a dark and cuttingly humorous inside take on the world of reality TV, written and directed by Jeff Fisher, an actual reality TV director. The horror is especially chilling, and the humor rings particularly true, because the reality TV material is based on the director's real life reality TV experience. Thanks to the wicked, cutting edge, deliciously twisted imagination that inspired the script, you can't predict what's going to happen -and that's what makes Killer Movie a truly refreshing departure from all those horror movie cliches that have already been done to death.

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The Rules of Attraction (2002)

The Rules of Attraction"The Rules of Attraction" is about rich kids, drugs, partying and a glimpse into college life. Since I've unfortunately known people just like this, it definitely scored with me. From beginning to end, this movie is fascinating and I couldn't pull myself away from it. Each scene is great and its a rare film that doesn't bore you. Its a very black comedy yet in many ways it hits on quite a few real issues. Sean is the main character, a drug dealing sociopathic character who falls for a virgin named Lauren who has a boyfriend named Victor. All the while Paul is in love with Sean. It sounds like a simple plot, but in the hands of Roger Avary its compelling. The backwards scenes, the suicide scene, the parties and the character interaction is disturbing yet intriguing. Of course, the book is better but that is generally the case. Still, I liked this better than "American Psycho" for some reason. It just seemed sadly real to me.

My favorite scenes are obnoxious Richard at the restaurant, Sean's excuse to Lauren for sleeping with her friend, the guy going on a debauched trip across Europe and his weird face to face moment with Lauren and the hospital scene.

This is a movie that isn't for everyone. Its a black comedy, but its peopled with strange characters and scenes that will stay with you long after. I loved it!

The Rules of Attraction might very well be the best comedy I saw in 2002. Yes, read this right. A comedy. I found myself laughing so hard at times that I had to watch the movie twice to make sure I hadn't missed anything. Only the twisted mind of Bret Easton Ellis could create the basis for this film.

On the other hand, this is also a dark, pessimistic film with very little hope in store for its characters. Here, we follow three young people who live their College years through drugs, parties and sex. They are all without an identity, all without a life so to speak. The only thing they love is feeling sorry for themselves and making everything seem worst than it is.

You can't care for these characters in a way that other movies will make you care. And yet, you can't help but feel sorry for this lot of blinded kids. They are so enthralled with their own little world that they forget about everything else that surrounds them in reality.

This is not a movie for that faint of hearts. But this little piece of cinematic genius (some of the shots are so brilliantly done they left me totally speachless) deserves to be seen by a wider audience. If only people could open up and admire something that is this dark and yet so extremely funny, they would discover a whole new cinematic world.

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Rules Of Attraction is one of those rare movies which doesn't seem to have an audience. Based on the Brett Easton Ellis (author of American Psycho) novel, the basic set-up is a group of college kids including James Van Der Beek as Sean Bateman, who is in love with the virginal Lara, who is also in love with him but wants to save herself for Victor. Oh, and Paul is in love with Sean too. This could well be the story for any good-natured quirky teen flick. However, the abandonment with which these kids snort cocaine, drink and have sex sets it apart as more akin to movies such as Go than She's All That.

The acting is all good, especially James Van Der Beek, completely ruining any illusions that Dawson will remain Dawson forever. As the carefree, cruel and narcisstic drug dealer Sean he is perfectly cast against type. There are also some much appreciated, though slightly pointless, cameos from Eric Stoltz as a corrupt tutor and Faye Dunaway as Paul's mother. Director Avery worked on the script to Pulp Fiction, and it shows. There are flashy narrative effects aplenty time runs backwards, speeds up and there's split-screen. Unfortunately this is nowhere as original as the Tarantino original and doesn't come close to the superior Go, the other teen movie to try and replicate the formula (which incidentally also starred Dawson co-star Katie Holmes). This being the case the drugs, sex, porn, masturbation and loud music come across as aiming to shock rather than the satire that you can't help but feel that the book contained. Brett Easton Ellis's satire was much better adapted to screen in American Psycho and The Rules Of Attraction just comes across as its junior brother that doesn't really know what it's doing but is more than happy to ape Tarantino's visual style and the shock imagery of American Psycho. It's just a shame that through such consistent repetition it just becomes dull.

This being the case it comes across not as a genuine effort to transplant the novel to the screen but as a vanity project for James Van Der Beek to show that he's not such a goody goody. That said, the movie is still enjoyable, even if most of the laughter is raised when we see Dawson doing something Dawson wouldn't do in the Creek, something that you see as being the movie's biggest asset or its biggest flaw. The end message, that no-one ever knows anybody really is impressive, although the characters don't seem to go through any emotional changes to realise this. In particular the ending will leave with that 'so what' feeling inside. Even so, the novelty value of this vacuous movie is higher than most, and it's never less than engaging. It's just that the story obviously has so much potential that you can't help but wish that something better had been done with it.

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THERE REALLY AREN'T ANY RULES THAT AREN'T MEANT TO BE BROKEN... The Rules Of Attraction pulls no punches when it comes to breaking almost EVERY sexual & social more known to man. A not so charming look at college life for the poor, spoiled, upper-middle class at it's seediest & most hedonistic. Suicide, bisexuality, masterbation, pornography, rape, & drug/alcohol abuse abound in this film. Along with some very cool cinematography & decent acting makes this film a great psudo-psycho-sexual shockumentary. Such things as split screens, freeze-frames, running the film backwards, & a very memorable & intense rapid editing scene make you feel as if you have just snorted coke with the cast. Weird and very trippy movie with a GREAT ENDING. This film, of course, will not appeal to all since it's frankness in the above mentioned topics will make some uncomfortable at best. If you can view objectively and appreciate Pulp Fiction, Requiem For A Dream, My Own Private Idaho, & other films in genres such as this, then you will appreciate this film.

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What I have gathered from reading a number of these reviews is that many of the film's viewers have not read "The Rules of Attraction" by Bret Easton Ellis. First off, here's a little background on the novel:

The novel consists of mainly Sean, Paul, and Lauren; plus Victor, Mitchell, Judy (Lara is her name in the movie; I'm not sure why it was changed), and a number of other characters, who aren't featured in the movie. The novel takes place at Camden, a small liberal arts college where the students' mindless self-indulgence reigns supreme over their pursuit of knowledge. The book is a satirical look at the hedonism of college, but with much truth behind it as well. What makes the book interesting is that chapters are repeated, but, for instance, Sean will tell his side of the what happens in one chapter and Paul will tell his side in the next. For example, at a noisy party, during Sean's chapter, the keg goes dry and Sean complains and says he wants to get a case of beer, and that he'll buy. In Paul's chapter, however, he thinks Sean says they should get a quesadilla, and that he's bi. Case of beer=quesadilla; buy=bi; you get the idea. This whole ordeal makes Paul excited that the two will be going on a date, whereas Sean thinks nothing of it, except that he still wants beer. Each chapter begins with a character's name, and what they have to say about the scenarios they are a part of. Now on to the movie:

The movie illusrates the book's multi-perspective aspect with a few split-screen scenes, which doesn't translate perfectly, but are interesting, nonetheless. The main differences between the movie and the novel are that there are key scenes and chapters in the book which are cut out completely. Then, there are some scenes that are completely made up to make the movie more accessible to those who haven't read the novel. While I did find this problematic, the acting in the film is phenomenal. James Van Der Beek really shows that he has transcended the teen heart-throb status that "Dawson's Creek" plagued him with. While Sean Bateman is not nearly as slimy and intimidating in the book, nobody could have done a better job translating his character to film as Van Der Beek did. I never thought I would ever say it, but James Van Der Beek really is a great actor. I really enjoyed Kip Pardue (Paul Denton) as well. Paul actually got on my nerves a little in the book, but Pardue does a great job of exemplifying Paul's selfish, cynical, yet humorous attitude toward everything. While the movie isn't set in the 80s like the book is, Roger Avary did a wonderful job of creating what I pictured was going on in the novel.

I don't want to give too much away from either text, but if you truly want to enjoy "The Rules of Attraction" in film format, I highly suggest you read the book first. It's like an instruction booklet and a model airplane: if you don't read the instructions, you won't be able to figure out what to do. But if you do read them, it will make a lot more sense.

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